#i do want to write them out

[lunaetis]

[ okay — tmr i might do a few random small drabbles for some of my ships bc i'm suddenly in the mood to write a few specific soft scenes i'm getting in my head. that'd be a good way for me to break writer's block as well yup yup. ]

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[hinamie]

unconditionally

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[bluerosefox]

Got a new idea cooking in my head.

Another DPxDC idea.

A reborn into DCverse Toddler!Danny but also Dad!Dick and Talons.

Danny is reborn into the DCverse (either he's a clone of Dick, a created test tube baby, OR a kid Dick unknowingly had during his amnesia year) and wakes up in the Court of Owls who finally have their Gray Son and will turn him into the greatest Talon ever.

Thing is, Danny still has his ghost powers (King Danny? Idk leaving it open, either that or just able to control clean ectoplasm) and knows whatever fruitloops have him, this will not be fun. So, when none of the Owls are watching him, he uses his abilities to influence a few Talons and they all book it out of the place.

Danny later finds himself walking the dirty Gotham streets with a few Talons, one holding his hand while the others hide in the shadows in case they need to protect the baby Talon they all care for.

Of course, the sighting of a Talon holding a toddler's hand catches the camera's and Oracles attention very very fast.

One of the Batboys is sent out, not Dick he's on a space mission right now, and whoever it is, is shocked to see a toddler that has a LOT of similarities to Dick.

[shepscapades]

Posted to Twitter for the first time in 5 years /silly DSFGNFGB So here’s my atttempt at a more finished piece, inspired by Doc’s newest episode :D

Actually recorded a short timelapse for this one too, so that’s below the cut :D

[stealingyourbones]

I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[ladybeug]

I drew the same comic twice because I didn't think the first one was funny enough. I don't know if the second comic is funnier though??

Here's both of them

Side by side because i couldn't decide which one to put first - knowing the punchline changes the experience?? pick your adventure. read either one first.

which ones funnier i honestly can't tell

[shower-phantom-ideas]

Bruh emotional support ghost kid? Well thats what they are calling him

Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.

How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.

Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.

Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.

Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.

“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.

[fandom-geek]

i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.

most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".

even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.

hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?

the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.

bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[mangostarjam]

declarations — kaiju no. 8, hoshina soshiro x reader, use of foods as nicknames, childhood best friends dynamic, reader wears a dress and heels, 2.6k words

here's part one and part two though this piece was inspired by this

"Why do I need to wear a dress?"

Hoshina Soshiro glances up from where he's lounging on your bed. You've already pulled on the dress, of course, and he watches with probably way too much interest as you tug and adjust the way it drapes along your body. It's pretty. It fits perfectly, though you have no idea when Soshiro learned your measurements enough to show up at your door with such a gorgeous dress hanging from his fingers. Maybe he got them from Okonogi-chan?

"You'll be walking 'round with me and the Captain, egg tart, so you've gotta look the part," he says idly, though you can feel the burn of his stare along the newly exposed skin of your back. "And don't forget the heels!"

You glance at the cute, strappy heels he left by your mirror and frown. "If I wear those, I'll be taller than you, Soshiro-kun."

"Aw, that doesn't matter," Soshiro says. He sits up and you look away from the flex of his incredibly defined abdominal muscles beneath his compression shirt, which he apparently wears all the time, even under his formal dress uniform with all its tassels and buttons.

God. Embarrassing. You really need to get your staring issue under control.

"I can fight whoever looks at ya."

"Wha— ?" Heat sears across your face as you splutter and spin around to face him. The skirt of your dress twirls with the movement and you catch his gaze snapping down to your thighs. "Why would you need to fight anyone?"

"Hm?" You take a step back as he gets up and stalks over to you, holding your breath subconsciously as he kneels at your feet and takes one of the heels in hand. Your room suddenly feels warmer, the air hushed, as if the two of you are the only ones who exist in the entire universe. Soshiro chuckles quietly and shoots you a grin that makes your knees feel wobbly.

"Soshiro-kun?"

"Well, 'course I'm gonna fight for ya, apricot," Soshiro says. You flinch as he reaches out to grip your calf, the rough callouses on his fingers scraping lightly as he lifts your leg and slides your foot into the shoe. "You're my best friend, yeah?"

And I'm just a simple man in love goes unspoken as he carefully ties the silk around your ankle to keep the shoe in place. You wobble a bit at the balance and he glances up from beneath his violet bangs. "Hold onto my shoulders," he says quietly, reaching for your other leg. "Don't worry, I've got you."

"S-Soshiro-kun, I can put these on myself," you mumble, heat flaring up your spine at the careful pressure of his fingers on your ankle. He lifts your leg and you grab abruptly at his shoulders, fingers digging into the thick muscle there as you regain your footing with his support.

Soshiro lets out a breath. "I know," he says simply. "But I wanna do it."

Is this what men do when they're in love? You wouldn't know — the only man in your life you've ever cared about is right in front of you, and he's refused to elaborate on his strange statement no matter how many times you've asked. You have a feeling he means it, though.

Like, really means it. You love Soshiro — of course you do. You've always loved him. But lately it's felt… different.

Still comfortable. He's still your biggest supporter and vice versa, and he still knows exactly how to cheer you up and make you laugh. You know all his ticks and tells, and you take great pride in taking care of him while he's looking out for everyone else.

But at the same time… it's uncomfortable.

These little touches — they're new. The way his gaze lingers on your body is also new. Or… maybe you've just never noticed before. It's not a bad thing. But it makes you feel strange and fluttery inside and you catch yourself daydreaming about what it'd be like to actually get a hickey from Soshiro. Your best friend.

You stare down at the top of his head and try to repress a shiver as he skims up your legs to where your skirt rests against your thighs. His touch leaves behind a trail of warmth that burrows deep. "Um— ?"

"Ya look real pretty like this," he says. You're still holding onto his shoulders as he rises from his crouch, your entire body hot and hyperaware of how close he's standing once he straightens. "I could really just eat ya up." The smirk on his face makes your heart thump painfully in your chest, but he doesn't give you a chance to question it before he's grabbing your hands and spinning you around in a little twirl.

"S-Soshiro!"

Your best friend laughs as you wobble precariously before regaining your balance, your hands gripping his in a vice as you stumble to a stop. The familiar sound makes everything feel lighter, the heat simmering into something loose and… painful. Your chest aches. "Whoa, lollipop, watch your step!"

"You did that on purpose," you accuse, but you giggle anyway at his lopsided grin. It's bright and undeniably fond, a smile that features in all of your memories together. "You still haven't explained why you'd need to fight people, y'know."

"Let's just say I've got my work cut out for me with such a gorgeous partner," Soshiro says, looping your arm through his and angling for the door. Is he… trying to sweet talk you? Does he think that'll make you forget about his intention to brawl during the meal? "Ya ready for dinner, beansprout?"

"Hold on, don't forget your jacket," you say. He lets you step away to snatch up his formal dress jacket, though his hand hovers, stretching out towards you as you turn back to help him into it. You slip his buttons into place carefully, smoothing out the dense fabric and ignoring your warm face as he rests his hands on your hips to keep you steady. "There! Now we can go to dinner, Vice Captain, sir."

Soshiro's hands tighten at your waist. "Whoa, peanut, we ain't in public, yet."

You roll your eyes. He's been oddly insistent lately about when you use his rightful title. "C'mon, Soshiro-kun, before they start and we miss all the food!"

Your best friend loops your arm through his again and leads you out into the hallway, laughing when you try to pull your arm free only to fail as he tugs you more securely towards him. "Hey now, sugar cube, no runnin' away. We've gotta show up together or else people'll think they've got a chance."

You wrinkle your nose. "A chance at what?"

"They're already lucky bein' able to see you all dressed up," Soshiro continues as if he didn't hear you. "Maybe we should ditch the party."

"You're literally the Vice Captain of this base," you point out. "I think your absence would be noticed."

"What if we sneak out after dessert?"

"Why would we sneak out?"

Soshiro glances at you and pauses in front of the door leading into the ballroom. "Just 'cause I'm Vice Captain doesn't mean I'll forget to rescue you from all the socializin'."

"My hero," you joke, but several hours later finds you scanning the crowd uneasily for a head of violet hair.

The party is full of officers (easily distinguishable in their dress uniforms) and esteemed guests from various kaiju tech companies eager to promote their new products. You stuck to Soshiro's side for the most part, his hand firm and bracing at your lower back, but duty called and you ended up in a conversation with a tech mogul's son while Soshiro attended to his captain.

"Sorry, I know I'm not as good looking as the Vice Captain, but am I really boring you that badly?" the tech mogul — Takashi? Tadashi? — asks. You blink in surprise and return your attention to him, shifting on your heels.

"I apologize," you say, "it's just been a while…"

"It's been ten minutes," Takashi/Tadashi snorts. "If you don't mind me asking, how long have the two of you been together?"

Again? Why does everyone ask that? "We've known each other since childhood," you say. The man raises an eyebrow.

"Are you not… together, then?"

Something about his tone makes you bristle. "We've always been together," you say. You feel Soshiro before you see him, his hand resting warm on your lower back, just at the dip of your spine where it curves at your butt. This is a new spot for him to touch, a little lower than usual, but you lean into him anyway, seeking the comfort of your best friend. "Right, Vice Captain?"

"Who's askin'?" You startle a little at the subtle chill in his tone. Soshiro tucks you against his side with a hum as Tadashi introduces himself. "Nice to meet you, too," Soshiro grins. "Thanks for keepin' my cinnamon roll company."

Maybe it's your imagination, but did you hear a slight emphasis on "my"? And what's with dropping a nickname in public? Usually he's careful about referring to you by your surname when around strangers. The Third Division knows the two of you are close, but the ballroom is packed with people who have no idea about your relationship with the Vice Captain.

Tadashi doesn't seem concerned, but he does take a small step back. "Why of course, Vice Captain Hoshina," he says, "It was my privilege to be in the presence of such beauty."

You can feel Soshiro's arm tense as he slides it around your waist, but his tone is light. "Whoops, sorry, Takashi-san, duty calls. We'll be taking our leave now."

The crowd of pleasantly chattering officers and bigwigs parts easily as Soshiro guides you through towards the large banquet table full of small bites and snacks. You raise an eyebrow. "Wasn't his name Tadashi?"

"My bad," Soshiro says. You narrow your eyes at him and he laughs. "It's fine, my lil' blueberry. His father's the one in charge of their company and Captain Ashiro already made a good impression on him."

It doesn't surprise you that he already knows all of this — for all his joking, Soshiro's always been good at his job. What is surprising is that he was a little mean to the guy for no reason.

"Well, thanks for rescuing me," you say. "I was trying really hard not to yawn in his face."

Soshiro laughs and flicks your forehead fondly. "You ready to sneak outta this party, cupcake?"

"You won't get in trouble?" you ask, looking around doubtfully at the crowd. A few officers meet your eye and turn away quickly, which is weird. You reach up to rub at your forehead. "What about Captain Ashiro?"

"If we stay any longer, I'm gonna end up fightin' those guys from the Second Division," Soshiro says lightly, tilting his head towards the officers who just turned away from you. "They've been starin' at ya all night."

"No fighting," you say immediately. Soshiro snorts and crosses his arms over his chest. Your eyes skip over the way his shoulders bunch at the movement and you meet the eye of a female officer standing at the other end of the banquet table. Her face lights up and she moves towards the two of you, snagging two flutes of champagne along the way.

"Vice Captain Hoshina!" she says brightly, offering him the delicate glass. "I've been looking for you all night! It's been a while, hasn't it?"

You shift away, feeling suddenly like you're intruding on something private. Thankfully, the banquet table is a good distraction, and you move closer to it, wondering if you can find the dessert section while Soshiro catches up with this lady who's apparently an old friend. She must be from the Second Division. Maybe Soshiro met her when he visited their base to demonstrate and instruct on sword techniques?

You glance at her again. She's pretty, wearing the formal dress uniform of a female officer, though it looks like her long stockings aren't quite long enough, because the visible skin between her stockings and the bottom of her skirt is definitely against uniform regulations. She looks comfortable standing next to Soshiro, though, and the sight makes your insides twist strangely.

He's never mentioned her to you before. You remember greeting him after his visit to their base, accepting the snacks he brought back and tossing him your finished book filled with scribbled notes so he could take his turn reading it. Is he close with her? He must be, for her to look for him all night… right? It's not like you expect to know everything about Soshiro — of course he has his secrets and his own life.

And what if… what if he… and she… what if they were… together? You've never broached the topic of your love lives with each other, though it's never seemed to matter. You had your fair share of meaningless crushes during your time as an officer, but it was hard to care about pursuing anything romantic when you always had Soshiro.

Oh. Oh.

You are… an idiot. You feel so, so stupid. But Soshiro said he's a simple man in love — with you.

You're staring blindly at a platter of tiny cheesecakes when you feel someone approach, interrupting your train of thought. You glance up with a polite smile as one of the officers from the Second Division steps closer. "Those look delicious, don't they?"

"They do," you say. The officer looks nice enough — boyishly charming, in a way — but you find yourself glancing past him to scan the crowd for a head of violet hair.

Are you in love with Soshiro? Yes — of course you are — and maybe the semantics and nitty gritty details don't actually matter when you just feel right with him.

"Heya, pudding cup." Soshiro's touch burns along your lower back. "Time to head out?"

You twist towards him with a smile that makes his eyes widen. "I missed you."

Pink creeps up his neck as he grins back at you. "Yeah? Excuse me, officer, but I'll be takin' it from here."

The Second Division officer nods and mumbles some formalities as you leave with Soshiro, who doesn't take his hand off your back. The steady pressure of his fingers makes something curl in your gut. "What about the other Second Division officer? The one who brought you champagne?"

"Hm? Who?"

"Soshiro-kun…"

"She's just a friend," Soshiro says, snickering when you scrunch your nose at him. "Don't worry, bonbon, I've only got eyes for you."

The chatter and shuffling of the crowd fades as the two of you exit the ballroom and slip down a side hallway in the direction of your rooms. Soshiro drops his hand from your back, but you grab it before he can get too far, lacing your fingers together and peeking at the redness of his ears with a small smile. You turn together down another hallway, this one illuminated by squares of moonlight that do nothing to hide the clench of his jaw as he glances at you and squeezes your hand.

"Aren'tcha proud of me? No fighting."

You snort. "Thanks for not starting a brawl during a Defense Force party," you tease. "You're the best Vice Captain we could ever ask for."

"I'm not messin' around," he says. "I can't help it if I just wanna keep ya to myself."

"You don't have to worry about that," you say. You wonder if he can feel your pulse pounding in your wrist. "I'm all yours."

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.