#i do want to draw robin interacting with the future foundation

[marshthemarsh]

Part 1 of Robin in the marvel universe!

Franklin is introducing Robin to all the New York heroes and they are quite different from his universes heroes

For the marvel characters I'm going to mix a bit of the comics and MCU but for the DC characters I'm gonna try to keep to the comics

[river-bottom-nightmare]

Nightwing 79 Review

i said i would and i will. i did like this issue! not as striking and attention grabbing as 78, but i think this issue was meant to be a foundation one, laying out the groundwork for the future. overall, pretty good. also there wasn't enough bitewing. as promised, overly extensive metaphors and me reading too much into things under the cut

i know i've talked about this cover before, but this particular thing is oddly important to me, so i'll talk about it again

this is me, once again screaming about how artists put nightwing in traditionally feminine poses and how every time i see it i just get whiplash. i mean, true, the main reason why is because nightwing is a so often sexualized character, and putting him in these poses just increases the objectification, which is a goal that dc producers have. but there are very few popular male characters that do this. the only one i can think of off the top of my head is deadpool, but that was so obviously a critique and a way to make fun of the media industry. when they draw dick like this, they’re being serious. they’re putting him in appealing poses meant to show him off, and that’s something that’s traditionally only been done to women.

it's a very direct and very loud breaking of traditional gender roles in media, especially for a character as high-profile and historic as dick grayson. colour also plays a factor in this. the entire background is pink. i was absolutely shocked when i first saw it, when the teaser came out, because i cannot think of any comic book covers of male comic heroes this high-profile where pink is even just prevalent in the cover, let alone the majority of the cover. the pink does look beautiful: it offsets and highlights the black and blue of dick's suit gorgeously, but does it with more finesse than orange or red. but the fact that the stylistic choice was made to accent and draw this cover with aesthetic and beauty in mind, completely ignoring traditional hard-set gender rules in art, was a conscious choice and one i wholeheartedly support.

just another example of the sexualization i was talking about. i remember seeing harley quinn in this exact pose in suicide squad.

so far, taylor's been pretty dead-set on bringing alfred to the forefront of importance in this series. he wants people to know how much he loves alfred's character, and how much the butler meant to dick growing up. he was dick's father too. but what i adore is how taylor managed to stress alfred's importance in a way that didn't insult or belittle bruce.

this is one of the best bruce and dick interactions i've seen, and it's done in one simple interaction. in this, bruce is tough and harsh. he knocked dick down hard, but then he reached a hand down and helped pull dick back up. let me analyze their dialogue for a minute

on your feet: this is bruce telling dick to get up. he's trained dick, he knows what the younger boy is capable of, he knows his limits, and he knows what dick can do. this is bruce telling dick i know you're strong enough to get up, so get up and prove me right

are you just going to knock me down again?: surface-level, it looks like dick's complaining. he doesn't like bruce's rough training, and he's tired of bruce knocking him down. but look at his face in this. he's smiling up at bruce, knowledgeable and a little hopeful. he knows that bruce is doing this to help dick better himself, he's completely on board with the rough training, because they both know the rewards are incredible. also, he's teasing. he's bantering with bruce. there's an ease in that joking statement, one that belies affection and intimacy. they've only known each other for a little bit, but they're already slipping into a close familial relationship.

it depends on how fast you learn: this is bruce bantering back. this is bruce not being a stoic, unfeeling asshole. instead, he's shown with the dry humor that a good batman writer knows is a staple of the character. he's teasing dick, telling him he'll basically whoop his ass if dick doesn't learn fast enough. it's incentive for dick to train harder, while also being lighthearted enough to tell dick that believes in dick and doesn't want him to push himself too hard.

gosh i love the titans. also it looks like wally's staring at dick's ass.

this was cute. a prod at dick's silly and playful sense of humor, while not dumbing him down for the sake of a laugh. instead, he's joking about food, which is stuff everyone jokes about. this is the kind of stuff that'll actually make me laugh, instead of just making me vaguely uncomfortable.

bludhaven's almost always portrayed as a cesspool of a city. and to be honest, it really is. but this panel gives the city a meaningful history, while also giving us a reason for why dick moved there.

it talks of a time when people still thought they could beat the monsters. that if they fought hard enough, they could win the fight. it was a tentative hope that you could always overcome hardship.

dick's little "i like that it's still standing" shows how he still believes that, despite what the rest of the world thinks. despite everything that he's been through, dick is still tentatively an optimist, and believes he can fight the monsters of the world and win. it's a beautiful testament to his character, and i'm like that they added his signature element of hope back in. it used to be what he symbolized as robin, and despite his growth and character arc from robin to nightwing, this is one aspect of robin that i'm glad nightwing still has.

remember when i said "things that make me vaguely uncomfortable??" yeahhhh,,,,,,,,,,,,,,

Shooketh Dick: A Sequel

(the expressions in this series are just,,,,on point)

this was an incredibly sweet and kindhearted thing for dick to do, but i found it kind of,,,,,,,,desperate? maybe that's just me, but let me explain.

dick's suddenly a billionaire, and he has entirely too much money that he knows what to do with. it's also alfred's money, what the man left to him, so dick forever links it with alfred. in addition to that, he's back and bludhaven and looking at it with "fresh" eyes. (at least, from a different point of view since he got shot in the head. then mind controlled.) he's desperate to do something with the money and he's desperate to help the people around him that so obviously needs up, so he comes up with an on-the-fly solution that's a little impractical and a little crazy, but it still helps and still does some good.

to me, dick seems a little lost. he hasn't completely found his balance yet, and he's trying to do things that will. he tries charity, because that's what bruce did and it's what he knows, even though he admitted that he always thought bruce could have done more as bruce wayne than batman.

they have a family group chat guys yall were right.

also, do i think that dick would ever actually get his wallet stolen?? no way in hell, he’d notice someone getting ready to pickpocket him a mile away. but i suppose it’s important to the Plot. 

okay this is getting interesting. first blockbuster, now maroni (+ the weird heart stealer guy). i can officially say that i am intruiged

this particular artistic quirk is shown a lot in this issue, and from this art team in general, but i feel like this panel is one of the best examples of it. it was stunning enough to take up a full page, and it’s well deserved.

the way they show dick moving is absolutely brilliant. as a reader, i like seeing these smaller versions of dick getting clearer and in more detail as they come closer to the screen. not only do they show depth in the picture beyond what a simple 3 dimensional piece of art does, it also shows the passage of time.

in addition, it showcases dick’s skill. dick spots these mobsters running after a group of petty thieves. he then, and follow me here, leaps off the roof of one building feet first, springboards backwards off the side of the adjacent building with his feet, gracefully continues his backflip, rights himself, shoots a line with perfect timing: just in time to soften his landing but not slow him down, execute said landing on top of a moving bus, keep running on the moving bus without missing a beat, shoot his grapple, use the grapple to swing, use the swing to build up momentum, then use the momentum to deliver a powerful blow to the mobsters. and he did all that fast enough to catch up with the mobsters, even though he was a ROOFTOP OVER. 

d a m n  s o n

this panel, the very first in the issue, is also another example of that art style, but a little more distinctive. i love the way they showed dick’s different costumes through the ages, along with him simply growing up. it’s a little heartbreaking, but a lot uplifting to see how far he’s come. thank god he got rid of the red. now all we need is the fingerstripes, and we’ll be golden

discowing my beloved. also i can’t clearly see discowing’s hair but it definitely looks like it’s pulled back. it looks like he put it in a ponytail. guys. guys. dick had a ponytail omg. 

he’s having a Hero Moment

are you talking about the city, dick, or are you talking about you? the kgbeast, the court, the joker. dick fell to each one of them, no matter how hard he fought. he won in the end, eventually and with his family’s help. but i think he’s feeling a little low, a little defeated right now. it’s almost like he needs a win, he needs to feel victorious, he needs to feel like he helped someone (hence the food and the hotel room), just because he needs to remember what it feels like.

these lines were supposed to resonate with you, and goddamn they did.

i looked at it from two ways. first, it’s the girl asking, begging nightwing not to hurt them. bludhaven doesn’t know dick the way gotham does, they’re still a little frightened of him. this child was brave enough to step in front of all of the other hurt and homeless kids and ask, to a strange man in a mask, if he was going to hurt them like the other men had. it’s heartbreaking, but commendable, and an echo of the city itself that dick’s decided to protect. they’re bloody and broken and terrified, but still gritty and brave enough to stare what they fear in the eye and ask it not to hurt them.

second, it’s dick seeing the question reflected in himself. recently, he got shot in the head and lost all his memories. while i think that the way ric reacted was a perfectly valid and human response to the situation, i think dick still regrets how callously and rudely he treated his family. then, he was manipulated by the court of owls, then he was brainwashed with a magic crystal by the joker. dick does have a guilt complex. it’s not a big as bruce’s, but it’s there. and right now, with this girl begging her not to hurt them, dick is probably thinking about all the times he hurt people, in control of his own actions or not, bc he “didn’t have a heart.” 

little ambitious don’t you think, dick?

also just look at the sunset colours loOK at the they could not make this any more obvious oh my godddddddddddddddddddddddd

in conclusion, i need more of her

[armandxpz777-blog]

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