#i do in fact intend to have a good evening

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[lk0727]

I'm crying because I love the idea of correspondence between the students leaving next year and I'd love to see more of it. The white day cards are so cute that I just want to elaborate (hc) on handwriting and maybe even writing quirks. Just Malleus (for now...)

Malleus would be really interested in how his partner writes, it's all so fascinating to him and he's a pattern noticer. The noticerrrr. And he sees so much that he even finds himself compiling all the repetitive actions you take when writing -not just what you're writing, and brings them to you to discuss further. The way you slant letters, when your pen lets up, if you type then the frequency of paragraph breaking, how you insert images, etc. I think it'd be something like "Did you know you tend to smudge the paper when you reach the furthest margin, are you perhaps left-handed? Oya, you are? I knew that to be the case." He says with a slight smile and downturned gaze because he knows he ate that. Sherlock Horns.

He would get overzealous about the fact that you're only a word away and would immediately call you with his archaic phone and pester you until you receive it. His Correspondence wouldn't actually be a surprise because you are usually visited by a heavy knock on your door and fae appropriate fanfare when it arrives, that's just etiquette when writing royalty. But, he always calls you the day he receives it so that you know he shall be returning post haste and he intends to dazzle you. In fact, you'll spend so long speaking to each other about what was written to him, that when you finally get his response, it's more or less just recapping what you spoke of two days prior. He can't hide his giddyness, even if he keeps a cool baritone while on the phone. Because you're a kind person, you pretend that his tail happily thumping against the ground is inaudible, because you know he can't help it.

He is going to surprise you by the emojis he uses because WHO taught you that!?!? He learned these from Cater and Lilia, but he doesn't change the way he speaks. It's "Good evening, How have you've been? The summer season of Briar Valley is particularly exhausting and hot💧, I am very bothered by the heat of it all.🥵🥵" and when Lilia intercepts it, he's like "that's a perfect sentence, go ahead and send it. Actually, one note, send more sweating emojis, it's really hot this summer, right?"

Your messages go through a diverse array of moderators and middle men. Those people being his Grandmother, who reminds him that he's a prince, Lilia and Silver (the two who initially opened the letter, and finally his transcriber and narrator, Sebek who scoffs at the quality of the smut you're peddling his young master, who shouldn't even be hearing this, but he'll read on against his better judgement. (It's literally benign, the furthest thing from smut, Malleus argues). His letters would look a little like this:

21.09.19XX Child, It's been nice knowing you.😌 Why do I say that? Since we've met, it seems as if Briar Valley has taken a lead in comedy and our collective temperament could not be more jovial. Your humorous description of your familiar, Grim child, was very well received by my Grandmother, as I was awoken early enough to the sounds of insects humming and birds chirping well into the night to read it aloud to me, guffawing as she spoke. (I apologize, I cannot stop her from opening my mail, but we're working on her problematic behavior, that's a fact.😉) She in particular has asked if she may keep it, you know how older individuals are with their chucklesome cat stories. 🙄 There's this understanding of the world that I just don't possess when it comes to what grabs the attention of the people's comedy, it continues to evade me. For instance, what is the humor of "surprise hot dog 🌭" and why must it be a surprise to be enjoyed? The children of Briar Valley seemingly shout this and end their sentences with it, and I am surprised and annoyed every time. It seems like you have an understanding in the matters of humor, so you are welcome to explain it to me. But I digress, If I sat down and listed to you all the things that escaped me, well, you might find yourself as old as I am by the time we've finished! 🤣The trees and wind must sense the happiness in our friendly union, and have planned accordingly to block out bad weather🌧️ and unforgiving spirits. The weather is nice enough that (forgive me I've overstretched my hand) planned your visit for sooner rather than later. Next time we meet in person, this shall be us ->🕺💃, as I've already made arrangements for a night in a cabaret club in the Capitol for us to partake in. It's a culture so far from the realm of possibility of establishing itself in our quiet little country, that I was astounded when I stumbled across its zoning request permits one day and I rushed to see it in person, paperwork be damned. The smaller fae who perform insist it to be a "cheeky, yet inoffensive showcase of the arts", and after witnessing it for myself, I knew it would be the type of entertainment you'd enjoy.🤫 Even now, it doesn't feel natural to write, like an odd mouth feel that doesn't change as I turn it over and over. A cabaret in Briar Valley, a music club in a quiet kingdom... it's as I've mentioned earlier, Briar Valley has surprisingly given itself wholly to the Joviality of life. Sincerely yours; Malleus Draconia, Heir to Briar Valley p.s Surprise hot dog 🌭

On the other hand, as confident as he is in your responses, he's always a little embarrassed to send something back. It's not fear of his ability, but rather, if you'll care to hear about the day to day of a crown prince who's routine is very boring and full of nothingburger drama. He doesn't understand that his 18 page assessment of his life is literally replacing the cable you can't afford, and when he describes the way the lion prince attacked him during a diplomatic meeting, the colorful language of his response makes you laugh, and then cry, and even gag because "how did he get close enough to gash you!?" You can see the face he's making as he writes this, pouty and angry and even chuckling when he describes the punishment that followed. Just like in his real life, Malleus has a hard time concealing his emotions. He's not shy about who he is as a person, and his writing is not either. The way it flows is a little different from traditional correspondence, if anything, he's sending you disjointed journal entries and prose while also clipping what you send him to respond directly. Your 2 page crapped out response filled with emojis and memes and inside jokes is returned in full by 20 pages of thoughtful dialogue, assessments of politics and fondness of your life, and even sketches of the things around him (okay... just gargoyles and Sebek, but those are things in all fairness.) He has a real zest that he doesn't try to contain, and even his handwriting gives it away. When he's in a good mood, it's very pristine, heavily slanted cursive that his heavy hand oppresses by not dotting his i's or crossing his t's. It's just understood between you two what he means. Likewise, when he's angry or melancholic it's surprisingly very light, almost inelligeble as if he was speaking through gritted teeth. He must be getting up and pacing, because of course he is. When upset or recounting something terrible, his handwriting is unusually neat, funnily enough the sentences are much shorter, as if he's hiding something or thinking long about what should be said next. He's a very wistful person, after all.

Malleus enjoys fine art that seeks to appease the senses and refine beauty, so attached to his letters will often be trinkets like necklaces, earrings, watches, and pocket squares that he found in shops in Briar Valley, or a ticket to a play or music shows that dazzled him. The heavier packages (these tend to come at random) are filled with small desserts, books on the anthropological history of different fae species, woven pieces from more aesthetically competent fae and their fashion, and of course, fragmented pieces of ancient gargoyles he found hiding in deserted rooms of the castle. <- He'll know if you've thrown it away, so hold on to the heavy, weird rock fragment, please.

[catssluvr]

𝒃𝒍𝒐𝒐𝒅𝒚 𝒏𝒐𝒔𝒆, aaron hotchner

aaron hotchner x fem!reader (916 words)

in which you end up with an injured nose at girl’s night and aaron takes care of you

warnings: bloody nose (surprise), r is tipsy, sweet aaron again 🫶🏻

`✦ ˑ ִֶ 𓂃⊹

This is the probably the last way you would have imagined your day to end up like. This being sitting in the passenger seat of Hotch's car with an ice pack against your very much painful bloody nose.

It's funny to think that working in the fbi wasn't what gave you an injurie but falling against Emily's coffee table sure was. It was definitely quite a fight between you, one of Sergio's toys on the floor and the corner of the table. You just didn't happen to win it, leaving your nose bruised and bloody.

You felt utterly embarrassed for having to call him to pick you up, but you couldn't drive after two cups of wine and didn't want to ruin girl's night. You're sure there's better things for him to do on his day off, specially at midnight.

Though he doesn't seem bothered by it the slightest, his hand resting on your thigh for the whole ride home and stealing worried glances at you once in a while.

"You okay?" He asks once he opens the door, helping you out of your seatbelt.

You're quiet and that worries him. He knows pretty well you're not one to be quite when alcohol is running in your system.

"Mhm. Sorry for this, again." It's probably your fourth apology tonight and he doesn't like that one bit.

"Stop saying sorry." His tone is almost stern but you can feel the affection sweeping through it. "I missed you today, was glad you called." He's too sweet even when you're sure you ripped him out of bed, his crooked quarter zip that's thrown over his sleeping shirt proving you right.

You smile softly at him, regretting it immediately as your nose stings.

Aaron hushes you inside the house, immediately leading you to the bathroom and sitting you on the counter.

He rummages through the cabinets for a moment, pulling out a few cottons and other things you're too dozy too look properly at.

"Oh, sweet girl..." It's only now that he takes the ice pack from your nose that he realizes how painful it must be. There's dried blood right outside your nostrils and the bridge of your nose look another shade.

"That bad, uh?" You mock, holding back a chuckle at his reprehending stare.

Aaron starts cleaning your nose with a wet cotton, mumbling out gentle sorries when you hiss in pain.

You take the time to look at him through half closed eyes. His dishevelled hair, his concentrated expression and most of all his quarter zip paired with stripped pyjama pants. It makes you feel both giddy and guilty that he probably came running to get you once you called.

"You're pretty." You say it before getting to actually think about it. But the fact that you're still tipsy helps you say things shamelessly.

"Thank you, honey. You're very pretty too." He answers with a smile bigger than he intended, just happy that you're finally acting like you normally would while tipsy.

Once the blood is cleaned and the arnica is applied, he reaches for the small band aid box. They all have some kind of cartoon in them, Jack's influence.

"Which one?" He questions with fake seriousness, displaying all the different band aids.

You point to the spider-man themed one, probably Jack's influence as well.

"Very good choice." Aaron pulls it open, carefully applying it over the small cut on the bridge of your nose before pressing a tiny kiss there.

He tells you to wait for a moment before dissapearing into the bedroom, coming back a few seconds later with a large hoodie and one pair of stripped pyjama pants - both his.

You let out a relaxed sigh once you're in them, his scent comforting and similar to what you would call home.

"Gimme a kiss?" You mumble nasally, a chuckle bubbling out of him at the way it sounds more like 'kith'.

"I'll hurt your nose."

"No, it'll heal magically from your kiss." You do little in trying to persuade him, but it's more than enough for him.

Aaron tucks a few strands of hair behind your ears, cupping your warm cheeks and leaning in to place a gentle peck on your lips.

"Better, sweet girl?" It's not really a question, as he knows the answer. His lips trail from your cheek to your temple, lingering there for a moment before pulling to hold your face once more.

"Mhm, much better." You lean into his hands almost involuntarily.

His hands reach under your thighs, picking you up before you can even process it. You let out a surprised gasp, smacking his chest lightly when he laughs.

"You know, my nose is hurt. Not my legs, Aaron." You mumble against his neck, smiling at the way he shivers at the contact.

"Just let me spoil you, yeah?" He shushes you, arms comfortable around you as he enters the bedroom.

Once you're tucked inside the blankets in his so familiar bed, Aaron pulls out his quarter zip. Throwing it on top of the armchair in the corner before rushing to lay beside you.

Almost immediately, your arms find place around his waist. Your fingers trace incoherent shapes on his stomach and your head lays against his chest, his heartbeat lulling you to a sleepy state almost immediately.

"Thank you." It's barely a whisper, but he hears it just fine.

He hums, squeezing his arms around you before pressing a kiss to your hair one last time. "My sweet girl."

`✦ ˑ ִֶ 𓂃⊹

love you,

cat 🤍

[yukidragon]

Sunny Day Jack - Oopsie Baby 2

I've been scrounging up spoons as best I can to continue with the Jack accidentally getting Alice pregnant idea. I did a small continuation of it in a reblog replying to some tags, but I figured I'd make another proper post for as long as my spoons last.

Let's touch on a bit of the timeline for how this sort of AU might unfold. Beware of spoilers for Sunshine in Hell.

Content Warning: This post contains some spicy talk about sex and intimacy, both positive and negative experiences. I mean, how else is babby formed? There's also discussions about pregnancy, birth control, chronic illness, sickness, contemplating abortion, manipulative behavior, and a dash of overprotective sketchy yandere spice.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

As you may remember me mentioning from previous posts, Sunshine in Hell is my personal alternate continuity of the Something's Wrong with Sunny Day Jack story and won't follow the games one-to-one. For example, as I've also mentioned in previous rambles such as this one, the relationship that develops between Alice and Jack is more of a slow burn, and that includes being intimate. Their first kiss isn't going to be the same day or just a couple days before they wind up making love for the first time.

Still, the morning after they go all the way for the first time is the same day Shaun shows up to stay at Alice's place. It's just too hilarious to me to imagine how flustered she'd be about the whole thing, especially after Jack seduces Alice while Shaun is there to mark his territory.

So it'd be even more hilarious that this is when Jack accidentally gets Alice pregnant. She was already mortified and upset after she figures out he intended for Shaun to hear them, so why not have that moment cause further drama later~?

Though I suppose their first time could be when it happened as well. I mean, getting knocked up isn't an instantaneous thing. It takes a while for the sperm to reach the egg and what not, and Jack is definitely going to seduce Alice a fair amount of times before the seed that he planted starts to take root.

Which is more reason why Alice kicks herself for not buying Jack condoms. Maybe the surreal and supernatural aspect of their relationship made such consequences slip her mind. Being with Jack is like living in a happy dream, detached from the regular struggles of reality. There's also the fact that condoms are expensive, and she's barely struggling to keep afloat with her meager paycheck.

It's so easy for Alice to forget such troubling details when Jack is there, whispering sweet words into her ear, caressing and kissing her body so lovingly. He makes her feel so beautiful, desirable, perfect, and irreplaceable. It's so easy for her to get swept up by him. She's never felt so loved before. No relationship has felt so right. It scares her sometimes how naturally they fit together, so effortless in spite of challenges they face. It's nothing like her previous relationship.

Not to mention their connection causes his horny urges to rub off on her, increasing her libido. Sex with Jack is actually a pleasure for Alice, unlike previous experiences, and she's found herself hornier than ever after they start getting intimate. She never thought penetrative sex could feel so good, make her feel so connected to someone without any barriers between them.

Granted, Alice was a lot more cautious when she and Ian were together, and she always made sure he wore a condom when he was going in down south. Despite often losing control of himself when horny, and really, really wanting to do it bare, he was pretty good about making sure he was always wrapped.

Though I wonder if Ian remembered to use a condom when he cheated. I mean, he clearly forgot he was in a relationship at the time, so I'd imagine using protection would slip his mind as well. Hopefully he didn't get his affair partner pregnant. That would make things so much more complicated.

Ian and Alice had discussed having kids before, but as a far, far future thing. Though Ian was terrified about being a father, as he wasn't sure he'd be a good one. He never knew his father. The closest thing he had to a father was Alice's dad, Ambrose, and even then Ian felt guilty even thinking about as Ambrose like that, like he was betraying his mom somehow. Perhaps it was because of all his mom's talk about him being selfish with his desires and how all men are cheating scum...

Alice had yet to talk about kids with Jack.. well, outside of him being a kids TV host and being fond of them in general. Certainly, he imagined having children one day with his sunshine, but Alice was taking things slowly with Jack.

Of course now the topic is at the forefront whether they're ready for it or not.

Alice was so distracted by her new relationship with Jack and all the pleasure and complications that comes with it, pregnancy never crossed her mind. Too much is going on for that to come up.

First there's the relationship itself, then using introducing Jack to Shaun as a trial run before Alice tries to do the same with her family. This comes with the whole embarrassing incident of Shaun overhearing Jack and Alice going at it and having to deal with the awkwardness that follows. There's also helping Shaun move into his own place and getting settled in.

It's only after things settle into a new normal that Alice starts bracing herself for how she's going to introduce Jack to her family, though she's started talking about him to them without yet mentioning his supernatural nature.

It'll probably be sometime after Shaun gets moved into his place that things start seeming amiss. Alice suffers from chronic illness, and sometimes this causes her cramps, exhaustion, nausea and food aversion/sensitivity. As such, when these pregnancy symptoms manifest, she just assumes it's business as usual, more or less, even if the nausea gets pretty intense. She's learned she just has to deal with it by this point.

It's only when Alice realizes that she hasn't had her period for way too long that the thought pops into her head.

One missed period is something to take note of, but not necessarily anything bad. Sometimes a period skips a month. Two though... that's when things get dicey.

Heck, Alice could even be as far as three months in if she mistakes the light bleeding that's common to experience in the early weeks of pregnancy for her period.

It's possible Jack noticed something different about Alice. Being a ghost(?) he might possess more supernatural powers than we've seen thus far in the story. It's possible a part of him picked up on some sort of change in her warm light that he can't quite put his finger on. Maybe to him it's like she's glowing even more radiantly than she used to?

Though Jack is more focused on taking care of his poor sunshine while she's sick. Alice has to work even on days when she's throwing up. It's so unfair. If only he could work in her place. If only he could provide more. He spoils her even more to compensate, and she appreciates how far he goes to take care of her, but he can't take away all of her troubles and woes.

Once Alice has the thought she might be pregnant, that's when the fear sets in. She hesitates to say anything to Jack, at least not until she takes a pregnancy test, but it'll be very hard to hide anything from him. Since she's been sick lately, he's particularly keen on going with her everywhere, especially if she's doing something to exert herself. Still, she does manage to talk him into staying home to cook dinner while she picks up "a couple things" from the corner store, one of which being a tester.

Alice doesn't like keeping secrets from Jack, especially since they've become so intimate, but this fear feels... irrational? Like she shouldn't worry Jack about something that might not even be possible.

Like she shouldn't crush his hopes considering how isolated he is...

It's even possible she had a pregnancy scare in the past with Ian and, well... I have a feeling that would've been a very stressful situation involving a lot of tears and fears.

It's better if Alice is the only one freaking out about what might be nothing at all.

Besides... Alice is on birth control. There's no way it failed... right?

Jack does pick up there's something amiss when Alice starts acting dodgy around him. When she rushes immediately to the bathroom after coming home from the errand, he's willing to chalk it up to being related to her illness, but the feeling of panic he senses from her when she takes a while to come out has him soon knocking on the door asking if she's okay.

When Alice gets the positive result from the pregnancy test, at first all she can do is just stare at it in disbelief. She did buy a second one, just to be sure or in case she somehow messed up the first, but the result is the same.

That's when the panic sets in.

When Jack knocks on the door and Alice hears his sweet, concerned voice, that's when she has a bit of a breakdown. She didn't tell him to come in, but when he heard her sob through the door, he couldn't stop himself from rushing in.

Home pregnancy tests in the 80's weren't an easy to read stick, but a whole miniature chemistry set, so Jack isn't likely to recognize the iconic little device Alice is holding in her hand. As such, he has no idea what's wrong and needs to calm her down so she can tell him.

Needless to say, Jack is floored when Alice tells him through tears that she's pregnant.

At first, Jack stares at her, stunned, then when it's clear that he heard her correctly, he's overcome with emotions - disbelief, joy, and worry being chief among them. The idea of being a dad is terrifying, but at the same time he's elated. A part of him wants to spin her around in the air and shout for joy.

It's her fear and tears that mollifies his excitement.

Jack focuses primarily on reassuring Alice, tucking away his excitement and his own worries for later. His sunshine needs him now... as does their unborn child.

Alice is so angry with herself. She should've thought about this possibility. She should've known better... bought condoms, got better birth control, done something! It's all her fault. After all, it's not like Jack can get his own birth control, and he always dutifully follows her lead. How could she have never even thought about this before? She was so reckless.

Jack remains strong for Alice, talking her down from spiraling while cuddling her close. He gets her off the bedroom floor and onto their bed where where it's comfy. She's not hungry for the dinner he made for them, but that's okay. He can heat it up later. Right now taking care of her comes first.

The situation is complicated. Jack understands full well that this is going to be a huge challenge, but he assures Alice they can both handle it. He promised to always be there for her and take care of her after all. He'll take care of her and their child, no matter what.

Alice worries about the logistics of it. This place is too small even for two fully grown adults, let alone a baby. Her apartment in Sunshine in Hell is much smaller than the one she lived in with Ian, with only one bedroom, one bathroom, and a common room sectioned off into a living room and kitchen/dining room.

Her paycheck is pathetic. Even though Alice always makes sure Barry doesn't stiff her on all the overtime she works, it's still barely above minimum wage. She has student loans to pay off, medical bills she has to pay with chronic illness and the like... plus having meals with Jack so he can feel more like a regular human means she's spending more on grocery money. How can that pitiful paycheck stretch enough to handle a baby on top of all that?

Then of course there's telling her family. Alice hasn't even told them about her situation with Jack yet. How is she supposed to explain this?

How is this even happening?

The rest of the day is spent with Jack comforting Alice and talking her through her panic and anxieties. It worries him how upset she is by this news that overall has made him so happy. He does share with her that he's worried too, but he knows that together they can handle anything. They'll be good parents.

Alice does consider abortion as an option, but the idea is too much for her to handle. She can't even vocalize the thought. She's pro choice, but that means understanding herself and what choice is best for her. As hard as having a baby will be at this point in time, the idea of getting in an abortion... she can't even think about it. It's just too much.

Fortunately, she doesn't have to. Jack does pick up on this line of thought and how hard it hits Alice, so he redirects the conversation away from it gently. He gets her to focus on the things they can do to make things work.

It might be happening a little sooner than Alice expected, but she said she wanted to have kids one day, right? It was something she mentioned while they were still just friends (likely when finally spilling her guts about Ian and lamenting all the dreams that were destroyed there). Even if the situation isn't ideal, she has a partner who loves and supports her. No matter what, Jack will be there for her and their baby. He's taken care of her so far, hasn't he?

After quite a long and emotionally exhausting conversation involving a lot of reassurance and love, Jack does manage to coax Alice into eating a little before she finally passes out. They have a plan of action in place, to see the doctor as soon as possible to get this confirmed and make sure she and the baby are healthy. After that, they'll take things step by step.

Money is the biggest issue in this capitalist society. Jack knows it all too well. Though he runs away from memories of being Joseph, the days when he was a penniless drifter still haunt him. He won't let that happen to Alice and their baby.

It's not a good thing what Jack is considering, but he did promise to take care of their little family, didn't he? What kind of man would he be if he just sat back and let Alice do all the hard work?

Still... Jack can't bring himself to go too far (yet). He's Sunny Day Jack! Sunny Day Jack would never consider doing something underhanded and illegal, even if he really needs the money.

But maybe... a few nudges to her boss might help grease the wheels a bit. Barry is such a bully, constantly forcing Alice to come in, especially when she's sick, pushing her to work long hours, trying to squeeze extra free hours of labor from her where he can. He owes her for all of that, as well as all those days off he yanks away at the last minute and overtime he just expects her to do day in and day out.

Jack always thought Barry was taking advantage of his sunshine. He encouraged Alice to stand up for herself more and make sure she got what was owed. He helped on her end, but clearly it's Barry that truly needed the lesson here.

Besides, it's not like a nightmare ever hurt anyone before, or a few sleepless nights for that matter. Jack is just teaching a naughty boss a lesson about respecting his employees and treating them fairly. A hefty raise and some bonuses are the least Barry can do after all the suffering he put Alice through.

If that's not enough... well, Jack will just have to brainstorm more ideas about ways he can take things into his own hands.

What's for sure is that Jack isn't going to let Barry push more overtime on Alice either. If anything, she needs more time off to rest! Pregnancy is hard on the body - especially a body that's already suffering from chronic illness!

Jack doesn't go too far, at least not right away. Terrorizing Barry is something he can excuse as justified in his mind right now. Outright theft or other highly illegal activities to acquire money? Not so much.

At least... not until Ian comes back into the picture, trying to act like the hero and save Alice from her plight.

Ian doesn't find out about the pregnancy until Alice mentions it on her socials. She joined some online support groups for people unexpectedly expecting for the first time, and Ian stalks every single account and who she follows to snatch up any scrap of info about her that he can.

It crushes him. At first, Ian almost believes that it's his baby Alice is pregnant with. It must be.

But that's just impossible. They've been broken up for over a year now.

Not to mention Alice has talked about a new boyfriend in some posts. Ian was going crazy trying to find more than just some drawings she posted about him, but this "Jack" character is like a ghost, with no footprint online.

Ian isn't even sure Jack is real. After all, that face paint and strange outfit look an awful lot like the part he's been hired to play. He actually convinced himself that Alice was stalking him like he was her (which makes it totally okay!) and found out about the part, which means she's indirectly telling him that she misses him by drawing "him" as his new persona that's going to make him a star.

But Ian doesn't say as such to her. No, not with how Alice is stubbornly distancing herself. She's been vulnerable since they broke up. She nearly accidentally killed herself after finding out he cheated. Anyone could've swept in while she was vulnerable to take advantage of her then dip out when she got knocked up.

It boils Ian's blood to think of such a predator targeting Alice like that, especially after he hurt her so badly already. Now more than ever he needs to step up and help her. He needs to cross the boundaries she put up to keep him out, for both their sakes.

So Ian gets in contact with Alice through a mutual friend. Heck, maybe even gets them to trick her into meeting with him someplace where he's waiting with a bouquet of flowers and a tearful apology.

Which isn't going to go over well. Alice would be freaking out at the ambush, especially since she'd be very visibly pregnant by this point and extra emotional due to hormones.

Ian was prepared for that though. He manages to keep Alice from running away and puts his metaphorical foot in the door. He apologizes. Not only that, but he offers her money, claiming there's no strings attached. He owes her at least this much for all that he's put her through.

It's a very unpleasant conversation for Alice to say the least, but she knows Ian well enough to know he's sincerely sorry. She knows he's in pain. He might have tricked her with this meeting, but he does care... He knows she wouldn't have the heart to abort or give away her baby. She's so kind, and she'll be a wonderful mother. He always knew she would be.

Ian feels sorry for himself for a bit, lamenting his mistakes, but he's going to make it up to Alice. She and the baby need help, and he'll do that for her... It doesn't even have to mean they're back together as a couple. Conceding this point is like a spiky lump in his throat, but he reminds her how they've always been each other's best friends, and he wants to be her friend again now. He won't push anything on her. He just wants to help.

Of course we all know Ian isn't going to be satisfied with just remaining friends, but he's learned over the past year or so since they broke up how to adjust his tactics. He's had to learn the art of the deal and how to make people want you in order to make it anywhere in his model and acting career.

Is it manipulative? Of course not, Ian would insist! How could it be? He's just making things up to Alice and showing her how sorry he is. He's proving it with his actions and not just his words. If he proves it well enough then he'll be able to make amends and make things right between him and Alice.

Ian doesn't even care who the father of her child is. He's not ready to be a father, but he views it as a sacrifice he's willing to take in order to have Alice back. He'll do his best no matter how scared he is, since losing Alice has been far worse than all the what ifs and fears he built up in his head.

If not for the pregnancy, Alice would turn down the money. She left the big apartment, her old job that she enjoyed, and a lot of possessions behind after the breakup just because they were tied to Ian. She willingly threw away all that money just so she wouldn't be reminded.

But Alice has a baby to think about. Her child is far more important than her hurt feelings or how icky she feels about accepting charity from her ex. Sure, Barry has surprisingly given her a pay increase lately, but it costs so much to get baby supplies and rent a bigger apartment. Plus there's the medical bills...

It... it should be fine, right? Ian owes her for all the pain he put her through and this makes them even... right? But how can she tell him not to contact her again after accepting it? He might claim there's no strings attached, and maybe he believes it, but the emotions tied to it can't be so easily severed.

Naturally, Jack is anything but pleased by this whole thing. He can't do much to stop it, save encourage Alice to leave, but Ian keeps drawing her attention away from him with pitiful attempts to gain her sympathy. Alice is so kind. Even after how much Ian has hurt her, even though this meeting itself is painful, she still doesn't want to hurt him.

Jack does help bolster Alice's resolve to turn down the money, at least initially, but Ian is surprisingly insistent. He drops the money into her account before she can stop him. He still has her account details from when they lived together and had started intermingling their finances. Alice forgot about that since he never did anything related to it since the affair.

When Alice sees that amount hit her bank account, she's just stunned. How the hell did Ian get so much money? Sure he looked good, and he was wearing expensive clothes and product, but...

Then again, Ian has that modeling job now. He's popular. He talked about this show he got a starring role in. It's hush-hush right now, but he'll let her in on the details since she's his oldest friend.

Alice isn't interested in details. She keeps trying to avoid letting this situation get more personal... but Ian has become more confident since he moved away. He's so different in a number of ways that it's hard to recognize him... yet he's also the same in ways that are maddening and make it so hard for her to stop caring about the little bullied boy who was her only friend in school.

Jack helps Alice cut the meeting short, or at least shorter than Ian would've liked. Ian accepts her retreat reluctantly, but offers that she can contact him at any time. If she needs more money, help with anything, a shoulder to cry on, or anything else, all she has to do is ask. He's there for her... always.

Oh you bet your butt Jack has a lot to say about that sentiment.

Unfortunately Jack can't tell Ian off, at least not there. Sure, he could expose himself, write a message like he did with Shaun, but that needlessly complicates things.

They'll just need to have a private discussion later.

For now, Jack focuses on Alice, reassuring her that she doesn't need Ian or his money. She doesn't have to deal with feeling hurt or awful like she does whenever she even thinks about Ian. She has Jack, someone who loves for her and their baby and will move heaven and earth for them.

Alice did make it clear right away that she's in a new relationship with someone else. She's happy now. She even mentioned Jack by name, though that resulted in Ian giving her strange look she couldn't quite understand. He didn't seem as crushed as she expected him to be. He even asked about Jack, and Alice declined to answer, not wanting to prolong the conversation.

Ian caught how Alice winced when he asked to meet Jack, maybe get his phone number or photo. Her avoidance of any of these just felt like proof to him that he was right about the identity of this "boyfriend" of hers.

The entire encounter was stressful, and felt far longer than it actually was. Alice was left feeling a bit conflicted and unhappy with herself for letting Ian get to her like this. Fortunately, Jack was with her the entire time. It was reassuring to have him holding onto her while she had to face Ian. He gave her the strength she needed and made dealing with suck an icky situation just a bit easier with his reassurance that it was okay to just leave Ian behind. Jack continues to reassure and comfort her after the meeting, which she needs badly after being so shaken.

Keeping the money is something Alice is the most torn about. She doesn't feel good about it, and Jack says they don't need Ian's help, but... they do need money. She's living paycheck to paycheck, and the baby isn't even here yet! She's barely keeping her head above water.

Can Alice really let something as petty as pride keep her from giving their baby a good life?

Jack has been helpful the entire time. His help has been invaluable. Alice doesn't think she could hold it together without him. This money doesn't take away from how important Jack is to her or how much she loves him. It doesn't change who her baby's father is.

Jack can't do anything his sunshine doesn't want, and that includes returning the money.

So Jack will just have to take matters into his own hands. As long as Alice doesn't need that money, she won't feel pressured to keep it.

Alice also won't have to feel obligated to let Ian back into her life if Ian is the one who decides to leave her alone once and for all.

Alice was right that a parent can't let their pride get in the way of taking care of their child. That includes Jack's pride in being the flawless role model of Sunny Day Jack.

So what if a law or two is broken? It's not like the law applies to someone who doesn't legally exist. Jack might as well take advantage of this almost nonexistent state he's in to get away with things no one else can.

Ian might have a lot of money to throw around, but Jack can do so, so much more than Ian could ever dream.

Jack just has to figure out a way to not get caught by the only person who can see him. It's not that Alice would reject him for what he did for her and the baby, oh no! It's just not good to stress her out more than she already is.

Alice doesn't need to know, just like she doesn't need to know about the person Jack used to be. He's still clean as long as she doesn't know. Jack can stay clean and perfect and everything Alice will ever need.

Things might've gotten a bit out of control, but that's okay. Jack can fix it. He's quite the problem solver. All Alice needs to do is take care of herself and love him with all her heart, just as she's been doing.

Jack has been given a second chance. He'll never let anyone get in the way of that.

I think I'll wrap things up on that fun yandere note, as I'm starting to run out of spoons. Maybe next time I can go into the King family's involvement and how Jack might try to win over his new in-laws despite a lot of obstacles standing in his way. I hope you enjoyed this ramble about the drama that comes with unplanned baby making!

[warning-heckboop]

Some more brainstorming on the Gifted au (feedback is appreciated!)

It's established that Dev was gifted with the purpose of making up for Dale's lost childhood as a result of his never getting a fairy. As pretty much a carbon copy of Dale with a little added magic, Dev's childhood could be viewed as an exact do-over of Dale's in that sense. It's logical on paper, at least, and that's all that really matters to the Fairy Council in this case.

It would stand to reason, then, that Dev should be promised a good childhood of his own, in which another fairy being assigned to him as a god parent should also be guaranteed if deemed necessary. After all, if Dev ended up also having a miserable childhood that the Fairy Council could have easily prevented through a fairy god parent, they'd only be recreating almost the exact same scenerio that Dale went through that got them in this mess to begin with, and then what would even be the point?

So I think the Fairy Council would have had to have been aware of the fact Dev got a fairy despite being a changeling himself, and perhaps even made sure that was the case to ensure Dev--and by technicality, Dale's--happiness. But then Dev ends up fairy-less and miserable anyway. Not because he was never assigned a fairy, but because things just didn't work out with the fairy he got.

But when such a failure occurs, it's hardly every the people in charge who take the responsibility for the results. The gift the Fairy Council gave to Dale was an ultimate failure for its intended purpose, but why should they take the blame for that? Clearly it was Peri's fault that this all went wrong. Clearly his incompetence as a god parent was the issue here, nothing else.

So now, everything that's going wrong in the aftermath? That's all on Peri, too. According to the Fairy Councul, this is all his fault, and that makes fixing it his sole responsibility.

[shesmore-shoebill]

I think the Amanda Arasha combination is especially effective because they do have differing opinions on a number of things, but Arasha is also largely unafraid to actually disagree/pushback on things (in a very good natured, thoughtful, usually well articulated way) without taking it personally. Which, I think is especially fun/good with Amanda, who tends to have strong opinions and expresses them very. powerfully. And I love her for it, but the discussion definitely gets even better when someone like Arasha is willing to push back or call out the comedy of certain personal opinions/subjective viewpoints, and still have a good time overall.

[void-proxima]

One of the more heartbreaking episodes of this show was released on April 28, 2019: "This is Not A Drill", featuring Drill Man (...and his absolutely abysmal excuse for a father). To commemorate it, I drew him over the weekend (and touched up the shading today). As always, the poor guy is not having a good time.

no background version under the cut:

[sskk-manifesto]

Ep 6!!!

[papakhan]

honestly though reading the tags on that post is soo eye-opening about how people really feel about the Powder Gangers because you get a post that's basically like "hey what if the powder gangers were portrayed more sympathetically and humanised in Nipton instead of played as a joke" and then you get half a dozen people saying "Swanick serves a good purpose because he proves that the Legion were right to destroy Nipton because it was probably filled with CRAZY PSYCHOS like him so killing him as he runs away is SOOO FUNNY!!!" And the rest of the people in the tags are like "Um Actually having a #Joker Moment is exactly how traumatised people work??? you're misunderstanding the text there's nothing wrong with his portrayal" as if thousands of fallout fans don't just shoot him for the way he acts and the fact that he's an escaped prisoner

[justanisabelakinnie]

I was pretty bored yesterday and in a bitter mood and so I ended up spam-reblogging a shitload of anti-Madoka Magica posts(and no I’m not sorry, because no matter fucking what I will never stop hating on that trashfest of an anime), and obviously there’s nothing much really that I can say about it that hasn’t already been said by both me and other people in the past but lemme just say how FUCKED up it is…that grown men can look at a genre full of light and hope and female solidarity and empowerment for girls that teaches them that they can be whatever they want to be and that they should never stop believing in themselves and striving for greatness and go “nope, fuck that, instead of all of that happy fun girl power shit let’s write an edgy grimdark dystopia where being a girl with dreams and a desire to strive for greatness is a bad thing that can only end in suffering and punishment, where the survival of the universe and progress of humanity literally hinges on girls being tortured and killed en masse for wishing for something that would make them happy, where girls are universally portrayed as overemotional and impressionable and susceptible and weak and must slay each other in order to survive because they’ll go berserk and monstrous once their power inevitably gets the better of them, and where the only way to escape this ending is by dying and being erased from existence, because that’s the best girls can hope for, and as the icing on the sour cake, let’s aim it at an adult male audience so that they can watch girls suffer and perish and be psychologically broken for their own entertainment, all because they wanted something for themselves and had the gall and the selfishness to go after it.”

And instead of people seeing it for the sexist torture porn that it is it gets glowing reviews on every platform, people eat this shit up and say that this sleazy adult male-aimed show about barely adolescent girls suffering because they wanted something more for themselves is feminist actually, that actually all of the turmoil that the girls go through is a totally girl power metaphor for how girls suffer at the hands of patriarchy in the real world, and how the torture porn got subverted at the end when really all the end did was show the girls continuing to suffer because of their wishes but hey at least they’ll get the sweet release of death in the end, and how the all-male writing staff definitely meant for this to be the next feminist coming of Jesus despite the fact that they say they weren’t inspired by any Magical Girl works that came before them and were instead inspired by porn games…Madoka is the most progressive and revolutionary anime ever really, even more so than those insightful shows about Magical Girls that are actually aimed at girls and actually feature female empowerment and angst done well and not just for the sole purpose of letting men watch female characters suffer, those other shows are just stupid and shallow and bland and don’t know what they’re talking about, Madoka is where it’s at. Take it from me, a 35-year-old man who has never seen a single Magical Girl anime in my life except for Madoka Magica. If you don’t agree with me or if you dare to critique my soulless male gaze moebait, then you’re obviously just dumb and ignorant and don’t understand the deep philosophical nuances of this shoddy anime, I mean just look at Madoka’s mom! She’s the breadwinner of her family! Sure she’s not important to the plot on a whole and it’s not like Heartcatch Precure has done this character archetype better or anything but she’s proof that the writers are feminist icons who set out to empower women! Now watch as me and the rest of my Madoka-loving friends proceed to bully and harass the shit out of you for not sharing our vapid opinions until you either delete your account, change your tune and say you like Madoka now and were so wrong and stupid before, or stop talking about how much you hate Madoka entirely. And anyway teenage girls really ARE irrational, hysterical, and constantly on their cycles. Of course they’ll get taken advantage of for it! That’s not misogynistic to point out, that’s just the biotruth!

[marshmellowtea]

i knew what i was getting into with my eyes deceive because i read some of the comments before i watched the full video mark did so i Knew that ending was coming but wow i did not expect the surge of hatred i felt toward it like i can't quite pinpoint why but i did not fucking like that at all

[holytrickster]

idk i think it's so funny I went down a survival horror game rabbit hole when a) I'm too freaking anxious for horror games I will make myself cry, b) it was all PS2 stuff which is extra funny bc I've never even played on someone else's playstation let alone had one, i was always a wii kid lol. but now my brain is like ah yes. time to consume everything I can about games I can't even play and that are stupid expensive/hard to get now

[nomaishuttle]

justt realized that th site i ws using t figure out my salary assumed id be working 56 hours a week when in reality i usually work likee 15 hours a week max . im gonna throw up Lol Lol Lol

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[curseofdelos]

Last line challenge!

Rules: In a new post, show the last line you wrote or drew and tag some people.

Tagged by @solisaureus <3

So the actual last line I wrote is the last line from this cabin 7 fic I posted yesterday:

“Yeah,” she said as the truck disappeared into the horizon, “but I think I’ll be okay.” 

But I feel like the spirit of the challenge is to post something from a wip, not a published fic you can read right now lol, so here's the last line I wrote in one of the longer fics I like to work on for fun in between oneshots:

“Nico is the child of the prophecy.” 

:)

I tag whoever wants to do this! If you haven't been tagged yet but want to participate, then do it and tag me lol I want to see what you all are writing 👀

[phantomrose96]

Thinking about Edward Elric as the Amestrian Military's specialest little unfireable boy

State alchemists can be fired for underperforming. We know this up front from the likes of Shou Tucker. And this makes a ton of sense from the homunculi's standpoint since the state alchemists are sacrifice candidates, and the homunculi would want to cull the weakest candidates and focus only on cultivating the strongest ones who stand the best chance of opening the portal.

........Then there's Edward. Who's already opened the portal.

There's no need to cultivate him. No gamble taken on whether he's good enough to open the portal. He passed the final test already. Graduated 4 semesters early.

And as such, has a free pass to do Absolute Fuck All.

And I'm imagining how funny this is from like an outside perspective.

Some newish state alchemist who'd only ever read up on the stories of Edward Elric, ready and excited to start their career of being paid handsomely with endless freedom to research and travel and do anything they want in the pursuit of science... surprised and confused to find themselves put on probation their first month for things like "ignoring orders." Which is, as best they had thought, a famous Edward Elric pastime.

Roy showing a slight bit of stress about his yearly state alchemist report, and Ed just snorting and rolling his eyes at Roy because every year HE just hastily does his on the train ride over (canon in the manga, a travesty it was left out of the anime) and it gets rubber stamped. Ed not realizing that other alchemists' reports get genuinely scrutinized and torn apart while Ed is free to turn in whatever absolute bullshit he thinks of 36 hours ahead of time. One year his report was about whether alchemy could be done via dance (conclusion: no it can't) and no one cared. Roy WANTS to tell Ed there's some kind of unknown favoritism around Ed making him literally bullet-proof but Roy has no way to phrase this that doesn't sound like he's just in denial and mad at how good Ed's train-reports are.

Guy from the Internal Amestrian Affairs sector who's responsible for auditing other internal military personel for any suspicious activity hitting about 1 million red flags for Edward Elric, issuing a STRONG and URGENT recommendation to suspend the alchemist pending further investigation into things like "literal bunk-buddies with two members of the Xingese royalty (enemy nation)" and "spent $10,000,000 of his stipend on a librarian to make her re-copy (what he seemed to interpret as?) military records in some extremely transparent effort to unearth state secrets (it was a recipe book but he was literally asking her about state secrets)" and "literally has never once obeyed an order, ever, not even once in his career, and is on public record having said 'I do not care about the goals and protections of the Amestrian Military. I am in fact only pursuing my own interests several of which are diametrically opposed to the safety and well-being of the governing body of Amestris'"

The issued recommendation is intercepted before it even reaches its intended desk. President Bradley himself has taken issue with it and denies it before a single set of eyes has seen it. The President's veto stamp is a terrifying hammer, used rarely, and it is now sitting on the auditor's desk.

The auditor sleeps with one eye open from then on out.