#i digress. this is how i see this arc if u dont like it well its my blog and im not tagging this so howd u even find it

[sameteeth]

anyways, i do think its really interesting that chuuya figures out that dazai was putting pieces into place to get him ousted from the sheep like a month ahead of time... its also really interesting to consider WHY dazai did it and the implications it carries. dazai watches shirase and yuan pressure and guilt chuuya about "doing his part" for the sheep as a person with an ability, then immediately takes action to relieve pressure from chuuya

which is kinda funny bc dazai at least in the short term is following what shirase is saying - dazai has the ability to help save the hostages, and he does lol. demon prodigy indeed. MORE IMPORTANTLY though. dazai recognizes that chuuya is being controlled by the sheep even though he is the leader. chuuya and mori make good comparisons here - this arc starts with mori bemoaning his responsibility as the boss of the port mafia, and we see chuuya consistently failing to do his responsibility as the leader of the sheep. he even denies the title of king, stating that it's only his ability that puts him above the rest. to digress a bit, i think this is partly why when chuuya joins the port mafia he so quickly submits to them - he is no longer the sole ability user, and thus the responsibility doesnt rely entirely on him to protect the group. something to be said here about the way bsd almost never touches on the ability user vs non-ability user dichotomy but ill save that. back to the main point. dazai takes it upon himself to free chuuya from the sheep. he acknowledges the limitations chuuya has to function under as the leader of the sheep and the weight of the responsibility he bears for no reason other than his ability

but then! dazai forces chuuya into the port mafia to save him from the sheep ! doesnt that seem contradictory??? isnt that hypocritical? chuuya seems pissed about it!

granted, I'd be pissed too if my friends stabbed me with a switch covered in rat poison then tried to gun me down. regardless, chuuya can see how dazai set him up to be outcast from the sheep without having to break the tie himself. chuuya is loyal to the sheep, even when they distrust him. But! this gives chuuya a chance to escape, even if it's to the port mafia. i think the important thing to focus on here is that the port mafia is an Actual organization made up of adults. the sheep are a bunch of kids, ones that are easily led. the limited pieces we see of them are shirase and yuan, who throw temper tantrums and try to clumsily manipulate chuuya when he doesn't listen to them. they admit to stealing alcohol from mafia-adjacent territory and just generally seem immature... because theyre kids. but what we see of the mafia is much different. mori is a strong leader because he is smart and rational. he thinks ahead. he, unlike chuuya, is the leader because he wants to protect yokohama, and understands the sacrifice necessary to do so. chuuya is the leader because no one could beat him in a fight. the port mafia offers a chance for growth (ignoring that these are children in the mafia ok play with me here) as a fighter and as a leader - chuuya becomes an exec when he's still a teenager i think (theres not a specific age anywhere i can find) and is a much more calm and smart fighter once he joins.

so it's good (play with me) that chuuya is able to join the port mafia. BUT he would never have been able to leave if dazai had not forced his hand. this paradox - the idea that chuuya obtains freedom from being forced to leave something he doesn't want to - is SUPER interesting to consider !! here i will dissolve into rambles. i learned about this paradox in the context of mary wollstonecraft and the vindication of the rights of women - wollstonecraft believed only educated people could truly be free, as they were not only free of oppression but also no longer slaves to their emotions, and were able to have opportunities and use their education for their own betterment. the situation with chuuya reminded me of this, because with the sheep chuuya had no one to rely on or to teach him, limiting his capacity for growth and ultimately his freedom. the sheep were reliant on him for protection, and feared him, but chuuya had everything to lose if he were to try and leave the sheep. he had nothing without them, and they needed him for his power. but they were beholden to their emotions, immature and uncertain how to actually get power. their primary motivators for action are retaliation - dazai mentions this when chuuya attacks him, and shirase and yuan mention this when they are urging chuuya to help them. but when chuuya talks to mori and koyo (<3) about their actions, both of them are much more forward thinking than that. mori is very cunning and sly, and koyo tells chuuya that even if things go south in the meeting she's taking him to to, they know how to move forward. chuuya's world has expanded beyond the sheep's limited gaze.

of course, he's still trapped in the port mafia, but if you REALLY want to discuss free will..... we'll be here all fucking night. free will is really hard to pin down and i always have to talk about determinism and its a lot to wrap ur head around and i just like drawing connections between stuff i like

[prettyboykatsuki]

I don’t thing Toga is dead or Bkg. I think that they’re going to have this whole drawn out thing where OFA transfers to everyone (like the bkdk in heroes rising ((i think it’s heroes rising))) Anyway I think it’ll be like a redemption thing for everyone where they all like team up like when Izuku in the opening says ‘This is the story of how I became the greatest hero’ or wtv idk it’s something along those lines. Anyway. I think it’s about all of them coming together as one hero (sort of) but also I’m probably wrong bc I tend to over analyze (autism) idk if this is relevant to anything you are discussing so sorry. I am wading into the waters to perish goodbye

i agree with this to an extent actually... tho idk if everyone will receive it i do have some confidence that bakugou will receive or become apart of it(thinking about that Vague Ass Quote from hori always) since the movies became canonized i will once again be very surprised if him taking the mantle of ofa with izuku is not integral to the final arc. plus it alligns completely w bkgs character that he ends up once again being the very symbol of victory but i digress

to me theres no instance in which deku takes on the last fight on his own in the first place so i can see everyone becoming part of ofa and working together. kind of like the ending of naruto in that sense lmao. it will likely be all of class 1a putting everything they've got towards it (once theyve all finished their individual arcs) and then bkg saving deku for the first time or deku saving him one last time so ofa becoming apart of that equation isnt actually that far fetched to me. that being said im unsure if that means bkgs physical body will live forever. a meta account i rlly enjoy has several theories abt bkg beocming a vestige or part of ofa instead of dying and i can see that very well.

anyway. not abt bkg rn kjdfbjkd. but i dont think u are overanalyzing. i keep saying bnha is predictable and i really do think it is but i dont mean that negatively at all. many of the major choices it makes completely align within the stories logic so if anything can be predicted it can be possible as well. this doesn't feel all that far fetched to me esp given the name of the quirk is literally One For All LMAO. it would honestly make less sense for only izuku to have it? and it's a quirk thats strength compounds based on how many peoples powers it touches. like i dont think thats actually that far off fkdjk.

i cant say for sure tho!! i suck at theory crafting because my brain does not follow story logic super well. im good at character analysis ONLY. but i can see it at the very least which means its v possible.

[cocksuki2]

omg can we talk about gojo’s past for a sec bc it feels like the little insight they gave us during his past arc was pretty much nothing, like they gave us crumbs of bread. I’ve been meaning to chat abt jjk for a hot minute bc gojo’s backstory bothers me SO BAD bc i dont know how he actually came to be nor why he’s a single man clan. “when gojo was born the balance in the world tilted” okay what hospital was he born in so i can look through medical records, talk to the doctor that was there that day, something, anything. like where are his parents now? why doesnt he have any siblings? what happened to them yk? it seems like everyone just kinda brushed that over and don’t talk abt it🫤

i have a theory on why his parents arent in the picture but i feel like it’s probably dumb to even mention💀

PFTTT pls talking about gojo with me is like opening an enormous can of worms u cannot even begin to fathom the depths of. he is so... i have so so many thoughts abt him.

i gonna put this below a cut bc it is LONG and contains jjk manga spoilers

anyway, gege never rly did explain what happened to the rest of the gojo clan, nor how gojo came to be the only living member of it. i think that they were slaughtered, though i'm not sure how. the most likely theory for this is that they died because their limitless technique was powerful and other jujutsu families were threatened by that power. it makes sense, especially since limitless is a technique that is passed down within the clan and belongs to the gojo clan only.

i also think it's likely that people knew that the birth of the six eyes holder, as well as a limitless technique user, would alter the balance of the world, so the gojo clan was killed off in an attempt to avoid the birth of another user like that. essentially, a retaliation for the sole purpose of keeping gojo satoru from being born (take this in context with the fact that the elders of the jujutsu world had been planning to/wanting to seal gojo for a very long time).

that being said, i am always especially intrigued by gojo being the reason the jujutsu world's balance was altered. i think that its a fantastic way to describe just how rigid the power system is, as well as highlight how important satoru is when it comes to the actual lore of the jujutsu kaisen world.

i also think it is incredible foreshadowing bc if there is one thing we know about nature, it is that nature always corrects itself. gojo satoru altered the power system of the very world he existed in and as a result, spurred all curses to become stronger as well. so i don't think it's far-fetched to say that the gojo clan may have been wiped out by jujutsu society itself (as in, those in charge) to prevent his birth altogether and avoid another "age of the six eyes" (referring to someone who uses both the six eyes and limitless technique) in which all curses and sorcerers see their power raised to levels that only exist when a holder of limitless and six eyes exists.

along this same vein of theory, i also think it's likely that kenjaku attempted to wipe out the gojo clan in an attempt to keep another six eyes from being born and preventing his plans (whether it was him directly or him through a surrogate). since the six eyes, master tengen, and the star plasma vessel are linked by fate. it seems likely that kenjaku would try and stop that connection by preventing the birth of another six eyes by eliminating (or attempting to eliminate) the entire clan.

however, fate is unavoidable and inevitable. gojo satoru, destined by fate to be a holder of the six eyes, is an unavoidable force. because he is linked to the jujutsu world by fate, his birth was similarly unavoidable and i don't think it's too unlikely to assume that gojo was born by a miracle that somehow allowed the survival of his mother long enough for him to be born.

i also think that gojo is the LAST of the six eyes to be tied in this particular way because of the birth of toji fushigurou, but i digress.

anyway, those are my thoughts on THAT.

[gokubrain]

hey sorry if this seems rude but do you personally feel like Vegeta's redemption arc was well executed? I ask because these past days I've been thinking it over and I realize that to me I think it was kind of wasted until certain parts of gt and the anime super. It started okay in the frieza saga, had that 1 really good moment near the end of the cell saga then kind of got dropped in the buu saga till the end because he only "settled down" but still didn't show it really. sorry again for the rant and if it seems rude, I just would like to hear your opinion on this.

omg i don’t think this is rude at all, ur totally entitled to ur opinion bro!!

tbh i don’t have a ton of room to talk on this?? because i haven’t seen GT or super (or... the buu arc I KNOW LMAO I KNOW but i’m getting to it i prommy, i’m rewatching the series rn so i’ll get there soon!! i also know a bunch of plot points from buu sooo...)

i think my major issue with vegeta’s redemption is that it’s kinda framed in a way that people chalk it up to like. him having a family and that being the reason he stopped being such a bad dude LOL LIKE. IDK IT REALLY RUBS ME THE WRONG WAY THAT PEOPLE ARE LIKE “wow... all vegeta needed was a woman to settle him down....” like... no no i dont think thats the intended message here LOL

but i’m kinda digressing LOL

like i said, i can’t speak too much on anything past cell arc. but i feel rly mixed on vegeta’s characterization lol, i don’t think it’s a secret that i’ve always been kinda negative towards it simply bc i think it’s not really,, that well done MDMFMF I MEAN IT’S FINE I GUESS BUT people are always talking about how vegeta’s redemption is iconic or whatever but i rly just. don’t agree lol

again though i think i just kind of cringe at the idea of people being like “oh vegeta knocked up this stranger he barely knew and now he’s a good guy” like it feels very ,, idk. 😬

but like yeah okay i agree with u that i feel like,,, a lot of things are kind of glossed over ?? like i feel like at the beginning of the android arc,, he’s just kind of. suddenly there and suddenly a “good guy” (i use that term so fucking liberally here because. holy shit? cell arc vegeta?? LMFAO yikes he is a mess)

like i get what you mean. i definitely think vegeta should have had a more in-depth exploration in terms of redemption. i would’ve loved to see his man vs self struggle really written out buuuuut akira toriyama doesn’t even like vegeta so i guess it’s to be expected 😭

[tacittherapist]

((HS2 Spoilers under the cut!))

((For all the shit I give the epilogues, it does have its moments. Specifically highlighting this bit of dialogue here: ROXY: you think you choice mattered so much that no one elses could measure up? ROXY: n then what ROXY: did u get what u wanted? ROXY: did your life end and the points got tallied and you came out on top or like what? ROXY: still p much seems like were movin to me ROXY: and you sure dont seem like ur winnin so wheres all this good shit you got that you gotta go around handin out apologies for? ROXY: also damn dude while were at it!! ROXY: u forgot to actually say sorry in that apology! JOHN: no, i didn’t — i just meant... JOHN: i’m sorry for fucking up your life, or making it not— ROXY: i like my life!!! ROXY: i mean it aint perf and i got my share of fuckups n mistakes in there but you dont get to tell me its fucked up ROXY: or that it isnt real or somethin ROXY: its mine!

First: criticism. The writers wield this little section like a crude cudgel. They use it to underscore the weight of ‘canon’. This is the ‘candy’ timeline, so it supposedly ‘weighs less’ than the ‘meat’ timeline, but its characters still have meaningful thoughts and emotions. Here, John supposedly makes a choice that supposedly invalidates a bunch of supposedly important events, and Roxy here blows it all out of the water by claiming she made these choices too and that part of the blame rests with her in the direction her life has taken... which is total dogshit used to justify a bunch of really overt swings in character thematic. Continued here: ROXY: you wished i was one way the whole time we were married ROXY: but i wasnt ROXY: but now that youre all convinced ur the only real boy in a crowd o puppets ROXY: here i am bein me just like you ordered only i did it without your help ROXY: widen ur zoom my man!! ROXY: im not actin like this now because you want me to or bc you dont want me to ROXY: i was bad at standin up for myself then and im learnin to be good at it now ROXY: ive got my own self actualization train ROXY: ur just pullin in to one of my many roxy figures some shit out stations right as i built it JOHN: but... JOHN: you were never like that before i... ROXY: dude ROXY: where tf do u get off trying to decide what is or isnt me being “like me” enuff ROXY: do u think ppl stay the same their whole damn lives or what JOHN: you’ve really never felt like anything about our lives here was... off? ROXY: off from what exactly?? JOHN: the way things should be? ROXY: what does that mean???

Roxy here argues that there is no ‘one right way to be’ as a half-baked wink to the audience that all this gross mischaracterization is intentional and that it diverges so grossly from the established character arcs in order to demonstrate that nothing is set in stone. While technically true, this also makes for some pretty terrible writing.

Roxy was a caring, almost too involved individual before the epilogues. Her ditching Calliope for John and this messy marriage business and just letting Jane warp into a full-blown dictator makes no sense, even couched within the idea that ‘characters change.’ Yes, characters change, but there’s generally a reason for it! And not a shitty deus ex machina reason such as ‘John makes a choice!’ What even fucking happened to Candy Calliope anyway? She just fucked off somewhere? How do you sincerely throw a character away like that and then have the gall to wink at the audience as if what you’ve done makes sense? Changes in character are generally brought on by catalysts in their life! Trauma, joy, death, new settings, new ideas, events! Not... John deciding to eat a plate full of candy. If we had insight into Roxy’s thought process behind ditching Calliope and marrying John and having a kid on a whim, this might be saved. But we don’t even get a glimpse. Instead we’re pawned this shitty excuse for a very glaring departure from what we knew about Roxy. Character development is just that -- development! As in to become more complex or advanced! Roxy has made wrong choices in the past, yes, but her reasoning was laid bare in such a way that those wrong choices made sense for her to make. She then makes different decisions later because she learned from her wrong decisions. This is development! Her character is learning and changing behavior because of the things they’ve been through! Her reasoning for this awful series of bad choices is just... not explained, despite going against a ton of shit Roxy has learned. It’s slipshod. It’s careless. It’s sacrificing the tree to showcase the topper. The audience isn’t vested in this Roxy because she’s seemingly robbed of her agency, and then they’re trying to foist this idea that she somehow still has agency on us as if they didn’t preface the entire timeline with ‘well, all this shit is going to happen because we decided it and no other reason!’

Now: the praise. This bit of dialogue has huge implications for ‘non-canon’ dynamic. No, not ‘non-canon’ in the cheeky way the epilogues and HS2 claim to be ‘non-canon.’ I mean ‘non-canon’ as in this blog that I run and all the blogs that you, the reader, are writing and reading as well. Roxy’s insistence that characters change can swing the other way, too. Characters can develop in bad ways as well! Not bad as in bad writing, but bad as in flawed character reasoning! Suppose what Roxy learned from her time in HS1 was that most things can be solved by unvoiding fix-all solutions into existence? Then we might be able to see her trying to fix the human-troll-population issue by just... making more planets! Or unvoiding some sort of device trolls could wear that inhibits hivemind tendencies! That would be interesting and perhaps morbid to write about!! It would at least track with her past experiences!!! Or better yet: perhaps she actually takes a side against Jane (as she has done in the past) but instead of using their friendship as the moral plating, she went right into sarcastic arguments FOR eugenics to demonstrate how bigoted Jane was being? That’s a very Roxy thing to do!! She could have made the argument that if trolls need eugenics to suppress their violent tendencies, then so should humans! Having read about the Condesce’s eugenic practices during her formative years, this should have been fairly obvious to Roxy that what Jane was suggesting was from the same playbook, at least.

But I digress. What this bit of dialogue really does is give credence to us, the audience, in exploring these stories we’re currently writing for these pre-established characters. YES, canon Rose likely didn’t dabble so thoroughly in game magics, and she likely didn’t have as much anxiety as my Rose. BUT I prefaced my Rose’s current state with a bunch of events that make sense! She missed her rendezvous with the others! She had to float adrift, alone in a broadcast satellite, for nigh on a decade! She’s had a long fucking time to develop all these anxieties and mental illness because that’s what happens when you’re isolated for years! It is a tool I use to express my own anxieties and explore how someone might somehow overcome them! And most importantly: she’s still Rose. She has unprocessed mother issues. She cherishes her friends. She’s more than a bit gay. And she knows when the meta is using her and when it’s not, because she’s had a traumatic experience being used by Doc Scratch as a plot device. And that trauma isn’t going away (well, unless she gets therapy, but given the setting we’re writing... not likely), so she’s going to be overly cautious when it comes to big decisions involving her friends. What she’s not going to do is suddenly abandon everyone she’s departed from because uhhh Jade ate some bread the wrong way or whatever.

tl;dr: What this section of the epilogues/HS2 (well, really just this bit with Harry Andersen, Tavros, and Vrissy that is somehow more interesting than virtually EVERY OTHER PART of HS2) is telling us, the audience, is that it is good to diverge from canon. Non-canon characters will still have very real feelings and face very real consequences for their actions. Just... don’t do it like they did it. All these characters we’re writing for and all these events we’re writing around them... they’re valid! They matter! Just because they’re not canon doesn’t mean others are willing and wanting to read them, and that makes them important! Unfortunately, this also means the epilogues/HS2 are important, but let’s ignore that for now. What I’m trying to say is: be indulgent! Write the things you want to write! As long as they’re well-reasoned, they’re good writing! Characters can be overpowered! They can be cliche! They can have teenage problems as an adult! Just... give them a good reason.))

[renamusing]

reuenthals replied to your post: reuenthals replied to your post: ...

in the folder re: konhiji like we’re not told how old toshi was when he met kondo but probably a teenager considerin sougo was 6-8 so i always thought toshi’d place kondo in a place similar to tamegoro but misunderstand those feelins as smth else bc he’s just a baby + kondou’s the first to show him real (or any) affection outside tamegoro n not fear or resent him in any way but actually want to help him (he later in life realizes hed just misplaced/misunderstood their 

nature). from that same era, i think his feelins for mitsuba would fit a similar narrative as in bc of circumstances she HAD to be the woman he loved bc all men must love a woman plus she had feelins for him (tho tbh i also dont think hers were any different from the familial love she had for kondou and it was also a matter of circumstance but thats another matter) so it was a done deal but still easy to leave behind for a new life n have as backup/excuse for any other

woman hed meet or more like a shield from havin to open up w/unravel to any feelins of love of a non familial nature for anyone. his take on love is rly naive n pure (contrasted to ofc my baby whos smart n no fool) bc it also serves as shield n hes also said to be unable to relate/open up to women multiple times but is defenseless towards men (n sorachi loves that trope esp w toshi n gin chan in which theyre ‘men that are more attractive to other men than women’) which

i think is why hes so well defenseless towards gin chan durin their duel in the rooftops like for gin chan thats just a ‘crazy cop attacked me again’ moment but for toshi it like shakes the foundations of his whole bein he like lies there all wistful like wtf…..im gay? no… w a blossomin crush that only gets worse the more he interacts w gin chan (cant blame him tho gin chan is an angel) but like the way hes constructed specifically as an archetype hes too set in

performin masculinity (kyuchan says this but he also says this abt himself also multiple times) n sorachi is aware to an extent (plus hes drawin from men who were practicin mlm themselves) what this trope entails wrt sexuality n its expressions like for toshi its comfortable not to think abt love or any of that bc he has a goal n the excuse of a dead woman but its impossible to read him as anythin but not straight no matter the degree to which he is aware of it (which

tbh i think its a lot more than what ppl in fandom give him credit for) i have more detailed backed up analysis of this somewhere but i cant find them but basically at the end of the day i think toshi meetin kondo n at least havin some mixed up feelins abt what he feels towards him that hes able to resolve as bein brotherly later on in life set the path for him realizin he can love other men not in a brotherly way n in the way he (as a man) is supposed to love women

wow long but yes like toshi’s archetype in other manga/literature is easily read n can be coded as mlm/gay n is often the case but his issues run too deep for him to even consider that part seriously (at least tbh until 551 maybe baragaki but i dont think that early) so he has to suffer for it he deserves the worst the only reason gh is okay is bc he provides economically for gin chan n would be willin to pay any outstandin debts as shown in the soul switch arc. the end

i feel like this was just a sneak peek into that folder, but I loved it 200%! it’s super hard for me to reply without going into my own headcanons about gh and how they relate to one another, cause the way toshi relates to gin is so different from kondo in my perspective; in fact, it’s why i can’t get romantic konhiji at all, though i admit you make a fair point when u address the transition of toshi’s “most important person” from tamegoro to kondo (at that young age mixed feelings would be acceptable) plus, i always saw kondo as the character that ‘saved’ toshi, while gin was the one that ‘healed’ him. ofc both relationships go way beyond these dynamics, but without any actual canon romantic proof it’s difficult to postulate from toshi’s limited pov. 

so, while the shinsengumi became his substitute family and kondo tamegoro’s substitute (the family core), it’s a given that toshi perceives this love as unconditional, would-die-for etc. however, it would be interesting to explore his feelings for kondo back then in relation to mitsuba; like in an effort to answer the love of a woman (as you so brilliantly put, that in those circumstances toshi HAD to love a woman) he tried to shift his romantic feelings/attraction to kondo’s masculine figure to her ? (IM ONLY  REALIZING NOW THAT THIS WAS PROBABLY WHAT YOU MEANT BEFORE? IM SORRY) tho i don’t agree that mitsuba’s love for him was familial cause ponytail toshi, mack, like pls, she had to be blind ???

then we come to ginchan, whose whole relationship with toshi is based, imo, in the fact that they not only see a part of themselves in each other (the guilty, self-hating, rebel part) but that in seeing it they understand themselves better and are able to open up, share their experiences and encourage one another; not to mention protect what’s dear to them. aka they love each other. there is literally no other explanation for ginchan waiting in the rain for toshi so they could go out for a meal? i mean, sakata gintoki sat in the rain, under his umbrella, looking all complacent & shit. ALRIGHT. 

btw i bolded some of your bits cause i rly relate to them in the way i see toshi, especially the ones about him putting up a shield. toshi has always had problems dealing with his feelings, even before we knew of his past with his brother (which for continuity’s sake was probably what triggered him to bottle  everything up), he had always been written/regarded as a cold, level-headed character who doesn’t let emotions get the best of him. his rank in the shinsengumi further emphasizing this (and his otaku persona as well). so, without disregarding ginchan’s merits, i think that kondo’s influence (and even mitsuba’s to some extent) may have contributed to lowering toshi’s shield enough that he was able to give himself a chance to connect with someone outside his comfort zone/past. the fact that that person happened to be a man only makes more sense given his background and the hints that tell us he was never able to relate to women or feel like he could make them happy. it’s Tough on my heart to say that ginchan is basically ideal because, even though he is the mc, it’s like he was made to play that role in toshi’s life. he doesn’t bring all the answers but rather more questions cause there’s no way toshi can be confused now because his attraction to ginchan cant be excused with the role of ‘brother’ or ‘fated woman he was supposed to love’, gh bond is their own, their closeness in canon SHOULD raise suspicion cause it sure doesn’t seem straight.

well, i digressed WAY more than i should, but yeah that’s it, kudos on that folder. 

[theworthofhollin]

SHITTY MOVIE REC OF THE WEEK: 

Nick Powell's OUTCAST (2014) starring Hayden Christensen, Yifei Liu, and Nicholas Cage. 

(i know. i know. bear with me here.)

Dudes. First things first: this is Hayden Christensen's perfect come-back film. like sure this is not a Great Film but I honestly forgot how good Christensen was as a physical actor??? and DAMN. with the physicality of this role...he is so good. (and what’s so great about this is watching it immediately following the clone wars tv show is PERFECT because its the same form of Anakin we see there: a killer, but war-torn, hungry, dynamic.) 

No, really. This is, I shit you not, the ultimate Anakin Skywalker AU Redemption Arc. But with more mohawks and stunning fight choreography and crazy good scenery and also did i mention mohawks. hayden christensen has a mohawk. anyways. if that alone doesnt make any sw fan want to watch this movie [on US Netflix too!!!] then 1. have fun living ur boring ass life??? 2. look at this photo, is that not rots skywalker to a t and 3. keep reading.

SO. Set in what we can assume is the late 1200s, early 1300s?? Hayden Christensen plays a Jedi Knight, sorry, TEMPLAR KNIGHT, named Anakin-- I MEAN JAKOB, who is fighting alongside his Master, Obi Wan Kenobi-- no, sorry, his MENTOR, NIC CAGE, in the Clone Wars, sorry, i mean THE CRUSADES. classic mix up.

SIDENOTE: If the guy who wrote this movie doesnt also have a secret ao3 account dedicated to his star wars prequel au fanfic collection that he’s been cultivating since high school then ill eat my fucking shoe. 

(also idk what Cage’s character’s actual name is considering I, like everyone else in the world, can only refer to him as Nic Cage in any role ever. But back to the point.) 

[spoilers ahead]

Alright. so. 

Somewhere In The Middle East, Nic-Wan Kenobi witnesses his protégé's bloodlust in a battle that results in the deaths of a temple full of innocent women and children, (THE YOUNGLINGS... ANAKIN....) and naturally he goes awol, while Jakob/Anakin spirals down a guilt-driven descent into opium, believing himself to be Damned, Capital D, for his actions. 

SIDE NOTE: Hayden looks especially good in this movie, but particularly when he’s PISSED OFF and EXTRA SAD. i dont want to use to the term smad but damn. smad is...a good look here. 

i digress. 

(serious spoilers below:)

Here's where we enter fix-it fic mode: 3 years after the Crusades have ended, (and in true Kenobi style, Nic Cage has disappeared into the vast eastern wilderness with only his patchy grief-beard and an extra robe he’ll probably lose) a Chinese King is dying, and wishes to make his heir his gentle-hearted 13-year-old son. His elder son, a brutal war-monger, says FUCK U DAD, kills him and takes the throne, but not before their sister LIAN, played by the lovely YIFEI LIU, escapes with both her younger brother and the seal to the kingdom under the cover of night.

(this is basically TPM with shittier gender roles, but otherwise a pretty obvious parallel to the sw Naboo Invasion) And its EXTRA interesting to me because in the sw universe, Naboo court regalia is canonically based off of ancient chinese imperial robes, with aspects of certain japanese and mongolian formalwear as well. AND most of the jedi philosophies are bastardized variations of asian iconography and medieval knights errant, so its fun to see that played out on screen and it lets me draw parallels wherever i want which is always a major plus.

(SIDENOTE: during the escape, her little bro is all decked out in black clothes with dark accersories for night camouflage etc etc while Lian shows up looking hella fine in hand embroidered white silk like. bitch??? u thought i’d downplay my aesthetic for my own HEALTH and SAFETY?anyways what a gift and if im being honest that moment alone made me go, shit, fuck, padme. love of my life.)

(she’s been running hard road for 2 days and just LOOK at her, jesus.) 

but back to the plot. 

While on the run from the SITH, I mean, the evil brother’s Black Guard, they happen to stumble into a cantina in the lower mountains, where they meet a drugged up, super smad Jakob pulling an Solo in the back of the bar. 

( HELP ME... JAKOB.... WHOEVER THE FUCK U ARE--)

The Black Guard then tries to take his LIGHTSABER, I mean, his special, holy, papal blessed broadsword, which ends up being a really bad move. (It's interesting how they play the scene as well: from under the brim of his hat, they make sure his eyes glow bright angry yellow in the reflection of the candles around the table. like. they switch angles and everything just so you’ll notice. It's all very Vader-esque. 

[MUFFLED ‘VADER’S THEME’ PLAYING IN THE DISTANCE]

Also immediately after this he pulls a Complete Anakin and flips a fucking table so people will pay attention to him, i love this boy, oh my god, he then proceeds to murder everybody in the bar, which is just. wildly satisfying.)

SIDENOTE: its important to acknowledge the fact that first time director Nick Powell is also a well known fight choreographer and has been a hardcore stuntman for most of his career, so the real highlights in this movie are the GLORIOUS action scenes. Honestly, the sword fights in this movie are some of the best ive ever seen onscreen. and Hayden is absolutely magnetic. 10/10 would recommend just for that alone.

ANOTHER SIDENOTE: Lian also knifes a dude in the neck here w/ her jeweled hairpin. So thats #neat

coincidentally, this also happens to be the moment where both Jakob and I fell in love. also #neat

(AND. this star wars concept art from ROTS and these shots of lian and jakob. discuss:)

(im the guy silently sweating in the back)

ANYWAY.

After witnessing Vader, I mean, Jakob, utterly destroy a full contingent of bad guys, Padme, I mean, LIAN, asks him to help get them to Xing Yuan, a city several days ride away that holds their father's army generals, who will support them and help them take back the throne. Jakob agrees, and then there's lots of exciting action sequences and Anakin and Padme falling in love (SIDENOTE: TRUE TO FORM, ANAKIN IS TERRIBLE @ FLIRTING IN LITERALLY ANY UNIVERSE. GOD BLESS.) 

BUT beyond that human disaster, this movie is so underrated. paralleling the sw plotline, the boy king gets his own little padawan training lessons, we get some crazy acrobatic swordfights here and there, they run into obi wan where he’s been hiding in the woods for a decade (#consistency) and its all very dramatic and on ridiculously shaky historical ground but who cares guys thats not why ur watching it in the first place. 

We all know why ur watching it in the first place.

the plot. you’re watching it for the plot.