#i didn't forget about her!

[dollycxre]

real footage of me watching everyone in the AAA fandom use 'older woman' and/or 'older witch' to describe Agatha during her interactions with Rio in canon universe Agathario fics like Rio isn't literal Death and as old as the universe itself while Agatha is a mere 352 years compared to her and hence younger than her (thus not being the 'older woman' between the two of them):

#medialiteracyisDEAD

[rebouks]

Previous // Next

[cackling] Robin: Why don’t you guys find something better to do and pick on someone else-.. or better yet, no one at all! … Titus: What’re you gonna do about it, gingy? … Robin: Is that enough, or do I have to knock all your fucking teeth out too? Titus: The fuck-… Levi: Dude, the team-.. it’s not worth it. Harry: He’s right, man. … [raucous laughter] Aster: What’s so fun-.. woah, what happened? Harry: Gingy just fucking popped off, man! Threatened to knock Tit’s teeth out n’ everything. Aster: Oh my god, and I missed it?! Titus: [scoffs] I’d like to see him start again. Levi: Maybe let your nose heal first… [Levi stifled his laughter as Titus snorted, covering his upper lip with a fresh wave of blood] Aster: What’d he sound like? Molly: His voice was deeper than I thought it’d be. Titus: I think he broke my nose… … Robin: Sorry, I’m just sick of them treating you like that-.. thinking they’re better than everyone, it’s pathetic. … Robin: I don’t care when it’s me but it pisses me off when they do it to you. Robin: I guess I shouldn’t have threatened him though, or punched him quite so hard… … Robin: What..? Alex: Robin, you’re talking-.. like, a lot. Robin: Oh, yeah… [Alex clapped her hands wildly and squealed, failing to conceal her excitement] Alex: Sorry, sorry! I shouldn’t make a big deal out of it, I just-.. it’s exciting! Robin: It’s fine, I don’t usually revert once I’ve started. You can be excited. Alex: AAAAAAAAAAAA!

[deeva-arud]

A considerable amount of makeup was used to cover Deeva's freckles and face marks, and Cater also had to use magic to make her clothes his size. They did this as a joke, but they sure were committed to it! 💪

Original style swap challenge by @ashipiko ! (see her post here!!) If anyone wants to give it a try, go ahead, it's really fun!!! <3

[qcoded]

I do NOT trust Luz Noceda haters. Some of y'all looked at this neurodivergent, teen girl and claimed she was a bad character?? and a mary sue??? LEAVE MY DAUGHTER ALONE 💔

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[tubbytarchia]

I swear to god 99% of people watching WL forgot who won SL. Put some respect on his name

[natalieleif]

I know Jack and Maddie's relationship in canon is probably MEANT to be seen--depending on the episode--as a pretty bog-standard, 2000s-era "idiot big dad and exasperated, smart wife who puts up with him" trope.

BUT

my personal favorite interpretation is that BOTH are equally genius engineers who are also equally on the autistic spectrum, with a specific hyperfixation on ghosts and mad science.

The main difference is that Maddie has siblings and female social expectations, so she had to learn how to mask in ways that are seen as sociable and polite and attractive and "smart." When she does bumble major social cues (such as not recognizing Vlad's flirting until Danny points it out decades later, or humiliating her kids by showing up in a hazmat suit at school), it feels more "socially acceptable" from her.

She genuinely loves Jack because he could not care less about her being Feminine or Socially Acceptable. He just wants to shout with her about ghosts! So the nanosecond she's around him she can yank the mask off and go chasing spirits with a toaster turned into a machine gun.

[iwasbored777]

Remember how softly they were looking at each other when they wanted to kiss I swear I wanna cry they're so soft

Bonus:

Gwen's puppy eyes here 🥺

[o3o-lapd-o3o]

okay here's part 6! this literally was not meant to be as long as it is, but i got carried away while doing some archery research... and here we are.

hope you guys enjoy! part 7 will be uploaded tomorrow!

(p.s if you're an archer/know archery and i get stuff wrong please don't yell at me, google can only give me so much info hdshdshdh)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 7 | part 8

there's a masterlist now!

*athena had left not long after midday, but not before saying she’d see them all later at dinner*

*telemachus, odysseus & penelope are all together in the palace gardens*

*penelope is sitting on a bench, with odysseus also laying on it & his head in her lap as they watch telemachus practice using a bow and arrow* 

telemachus: *trying to aim for the centre of the target in front of him*

telemachus: *struggling but wants to show his parents what his training with athena is doing for him*

telemachus: *lets the bowstring go*

*the arrow flies through the air, but misses the centre of the target completely and hits the edge of the target*

telemachus: *drops the arm holding his bow to his side and sighs in disappointment*

penelope: *looks at her son and then looks down at odysseus*

odysseus: *looks up from his son to meet penelope’s eyes*

*both seem to have a conversation through their eyes*

odysseus: *smiles and nods at penelope*

odysseus: *gets up from penelope’s lap and walks over to telemachus*

penelope: *smiles while watching odysseus head over to their son*

odysseus: don’t be disappointed son, go ahead and nock another arrow

telemachus: *does as his father says*

odysseus: now draw and anchor, as you normally would

telemachus: *again does what odysseus asks*

odysseus: *looks at his son’s pose* ah i see some of the problem

odysseus: *gently takes hold of telemachus’ drawn back elbow* 

odysseus: ok your elbow needs to be a bit higher, and just straighten your back a little…

telemachus: *follows odysseus’ instructions*

odysseus: *stepping back so he’s not in the way* that's perfect! now breathe in as you would, but not to the point it hurts! 

odysseus: and then as you go to let the string go breathe out but not all the way, about only half way

telemachus: *breathes in as he aims for the centre of the target again*

telemachus: *steadily breathes out and releases the string*

*the arrow flies through the air again… and hits just slightly off the centre of of the target*

telemachus: *looks at the target in disbelief but in also joy*

odysseus: *cheers in happiness for his son* you did it!

penelope: *clapping and calling out to her son* well done telemachus! 

telemachus: *drops his bow and turns to his father*

telemachus: *gives odysseus a hug* thank you father!

odysseus: *hugging his son back* no need to thank me, i’m happy to be able to help teach you!

telemachus: *lets odysseus go while smiling*

odysseus: *looks down at telemachus’ bow then picks up it up and grabs an arrow*

odysseus: *nocks it with ease and shoots it in the blink of an eye*

*the arrow hits the dead centre of the target* 

odysseus: *turns and hands the bow back to telemachus*

odysseus: now, how about you keep practising? once you have this completely down i’ll teach you other things you can do with a bow

odysseus: *hand under his chin in thought* i’ll have to get an archer’s ring commissioned for you

telemachus: *stares at his father in shock at how easy he made that look* i didn't know you knew so much about archery- i mean…

telemachus: *thinks back to when odysseus shot an arrow through 12 axe heads*

penelope: *giggles to herself as she realises even their son doesn’t know about his father’s mastery & skill with a bow*

odysseus: *looks over at penelope, and then he understands just why she's giggling*

odysseus: *now looks at telemachus with an amused expression*

telemachus: *sees his father’s expression*

telemachus: *holds his hands (with the bow still in one of them) up hoping he hasn’t offended his father*

telemachus: not saying you didn’t know how to use one! 

telemachus: i thought you just knew the basics and that ‘trick’ you did to prove yourself, was originally just to impress mother?

telemachus: *puts his arms down and then looks down towards his father’s hands* besides, that ring you wear on your thumb is just a normal one like the other’s you wear isn’t it? 

telemachus: it certainly doesn’t look like any archer ring i've seen before at the markets…

odysseus: *laughs to himself and holds up his hand* oh this? you’re right it doesn’t look like an archer ring.

odysseus: *rubs his thumb along his index finger* that's because it isn’t a normal one

telemachus: *looks again at his father’s ring to see it now has a point to it like any standard archer ring*

telemachus: *looks up at odysseus’ face, then back down to his hand and then back up to his face again* 

telemachus: but- you- it- hOW?

odysseus: *rubs his thumb against his index finger again and the ring is back to looking like any standard ring* 

odysseus: *looks from telemachus to penelope* ask your mother, it was a gift from her

telemachus: *immediately swivels to face her*

penelope: well, as you’ve now found out…your father isn't one to let people know he’s a skilled archer, so i ‘commissioned’ an archer ring to be made for him that could hide as a normal ring when not needed. 

telemachus: wow! the jeweller who made this certainly is skilled then

penelope: *thinks back to asking athena if she could try to get hephaestus to make one*

penelope: yeah skilled indeed 

telemachus: *turns back to odysseus* so why didn’t you want people to know? about your skills as an archer i mean.

odysseus: sometimes it's best to not reveal all your strengths

odysseus: *grins while shrugging* keeping people guessing is also fun

odysseus: *walks to telemachus and ruffles his hair* anyway, back to practising! i’m going to head back over to your mother, but call me if you want me to assist with anything ok?

telemachus: ok!

*time passes as telemachus keeps on practising, odysseus is back to laying in penelope’s lap while she caresses his hair*

*odysseus wants to keep watching his son but is struggling to not fall asleep from penelope's motions*

*telemachus notices so decides to discuss some final dinner plans with his mother*

telemachus: so the cooks have everything they need for tonight, right? are you sure you don’t need me to quickly run down to the market for anything? 

penelope: *smiles reassuringly at telemachus* they do, and if on the off chance they don’t i'm sure one of them will go to the market themselves. no need to worry yourself my son.

telemachus: *nods while getting another arrow ready* 

telemachus: *starts pulling the string back when he has another thought*

telemachus: oh what about the seating plan? i should probably tell fathe-

penelope: *who knows about athena’s seating plan, and also knows that odysseus doesn’t (hey she wants to have some fun too ok?)*

penelope: *forgetting about her husband peacefully half-asleep in her lap*

penelope: *jumping up from the bench* NO-

telemachus: *not expecting his mother’s outburst*

telemachus: *lets the string go accidentally and also having lost his aim*

odysseus: *falls off penelope’s lap and the bench with a startled yelp*

*meanwhile the loose arrow now wizzes straight past the target, through the garden trees and over the palace cliffs, heading into what looks to be its final destination of…. the sea*

telemachus: *turns to face his parents* mother, are you ok? why did you yell no?

penelope: oh um… i’m sorry for shouting telemachus 

penelope: what i meant to say was, there's no need to spoil anything. we’ll keep it as a surprise!

telemachus: uh ok…

odysseus: *face down on the ground and groaning from the sudden series of events*

odysseus: *pushes himself up and looks at his wife*

odysseus: penelope why?

penelope: *laughs a little at odysseus’ rumpled state* 

penelope: *helps him up* 

penelope: i’m sorry my love *kisses him on the cheek*

odysseus: *smiles at the kiss and then brushes his clothing free of dust*

odysseus: what were you two talking about anyway?

telemachus: uhh-

penelope: -the final bits for dinner! speaking of which, we should all go and start getting ready!

penelope: *points at the sun starting to set* helios is not long from being done for the day, and i'm sure when selene takes to the skies, our dinner guests won't be long!

penelope: *starts to head inside* come along you two!

telemachus: *to odysseus* what about the archery equipment?

odysseus: *shrugs* we’ll deal with it later

*telemachus & odysseus follow penelope back into the palace*

[karaspal]

the way kara reacted to an alternative version of alex saying she is “straight” is so funny because she’s saying that if you’re gay in one reality, you’re gay in all of them? good to know, good to know.

HAPPY PRIDE MONTH TO ALL VERSIONS OF KARA ZOR-EL BECAUSE THEY ARE ALL VERY MUCH GAY CONFIRMED!!! <3

[teeayohess]

{ 18 simlish horror-themed recolors of misstiikeri+eir's m2f crooked tee } what a mouthful lmao

i wasn't too sure about how these had turned out at first, but after seeing them in game they actually grew on me, so here they are. thank you @gvaudoiin-tricou for encouraging me to finish them and share! i hope you like them :-)

since this is essentially a mash-up of several people's work (see credits), frankenstein-ed together, it feels pretty appropriate for the theme.... 🧟‍♂️🔪🦇🩸👽 consider this a tiny late simblreen treat, hehe 🎃

these separate tops are for AF only*, since that's what i needed in my game (but the TF/EF meshes should be easy to copy-paste onto) [edit: *added links to an AM version as well]

they are categorized as everyday, sleepwear and athletic (not sure who would want to sleep or exercise in fishnets but hey i'm not judging. also it's really easy to remove them if you like, since they're a separate texture from the shirt)

compressorized, tooltipped, and the files are labeled clearly. the swatch and previews are included in the rar file.

full disclosure, this mesh has a few issues i don't currently have the skills to fix: it has no fat morph (😑), and there is some clipping in places depending on how the sim moves, and a few dark spots (not super noticeable with the black texture, thankfully). if anyone feels inspired to fix the mesh or add morphs, i'll happily update this post and the linked file.

>>> get them here: { SFS } { MF } [edit: AM version here: { SFS } { MF } ]

credits, swatch & unedited pic under the cut.

swatch: (labeled according to the file names for easy id; i suck at reading simlish so 'flash' was all i could understand from that one, apologies if it's incorrect lol)

unedited preview: (taken in-game, with neutral lighting)

credits: the77sims & misstiikeri (original male mesh & 3t2 conversion) eir (m2f conversion) trillyke (fishnets), monilisasims (4t2 conversion) littlecakes (graphics), kalux (4t2 conversion) surprisepeach (graphics)

[team7-headquarter]

Whenever someone tries to make a point about something the Konoha kunoichis, I need to make a pause and remind them how out of character they were in some of those moments.

Kishimoto pretty much abandoned Sakura and Ino's friendship and then tried to bring it back during the War arc. Ino lost her sensei and then her dad, and when was Sakura? You mean to tell me she wouldn't care? About any of it? Or when Sasuke was declared to be killed, do you mean to tell me that Ino wouldn't have run to find Sakura?

The way Hinata was written on Shippuden???? Naruto aside, people forget that Hinata refused to give up during the Chunning Exams and forced Neji to almost kill her if he wanted the victory. She was stubborn, she was prideful too, she had more going on than simply a crush on Naruto. She was told by her father she was a failure and yet she didn't give up on becoming a kunoichi, did she?

Then why is that Shippuden wrote her like her sole ambition was Naruto, hm?

And Tenten? She was MEAN when she wanted to be because she was highly competitive. We know that she wanted to train under Tsunade, so where did the death of that dream take her? She's such a powerful kunoichi and yet we know so little about her personality, her life...

We got "Ino and Hinata know some medic min techniques" in the most random way possible... We know Sakura would walk around with Hinata even, so what about their girl bonding moments during the genin to Shippuden years?

It made me so angry whenever the girls treated each other like strangers in Shippuden. So many stupid situations made to highly their teammates even if I meant to write the girls out of character...

[radiance1]

Fuck it, I can't find the post so I can't link it here but who bloody cares.

Ahem.

This is bouncing off my other two posts about Danny and Vlad being turned into stuffed toys, wherein one Billy Batson kinda adopted them as friends, and the other being where Sam's soul was taken after she died and molded by Undergrowth into a lesser deity.

--

So, Sam, being a giant plant goddess lady (think Te Fiti from Moana) is just chilling on her island, minding her own business doing her dues, helping followers, making the island flourish.

Until one day, something was stolen from her island while she was busy elsewhere, a priceless 'artifact' that held a linkage to her past, mortal life, as Sam Manson.

Safe to say, she was absolutely livid.

So, she told her followers to not let anyone set foot upon this island, if they let someone on the island than it better be someone who's either utterly helpless or in need of help and even then, don't let them step a foot past the beach.

Then she set off.

She pushed her way through the sea, setting off for where she had a vague feeling was mainland and having the intention of getting back her belongings.

A few days later, the government caught wind of a new potential threat heading for the land, and as such, went out to sea to intercept them.

She ignored them, continuing her march and caring naught for the people around her. If they struck her, she would strike back twice as hard with all the fury of her part over nature.

When they struck at her, she summoned forth vines to bind their aircrafts and boats in vines and continued for the land. This goes on for a bit, before ultimately the Justice League have to be called because of the explosion of plant life spreading all over the city.

So they get to fighting her and is actually causing Sam some trouble here. For one thing, there are more of them than they are of her, another is that they're strong beings (as in Wonder Woman and Superman), another being that she's been out of combat for a while.

So she's rusty, sue her, and it's not like she used her abilities to cause harm instead of aid. Hell, this is the first time she even set foot off of her island when she became a goddess.

So eventually, it gets to a point where she just stops caring about causing mass amounts of collateral damage anymore and starts to use her abilities in order to fling literal buildings at Wonder Woman and Superman.

Then came another, highly powerful being.

Shazam.

She was growing tired of being denied what belonged to her, and she grew bitter about these so called 'heroes' trying to stop her as well, at least until, a certain doll, not even as tall as her fingernail just appeared before her.

Shazam tried to reach for them, thinking she would harm him too but, instead, she just stopped and stood there. Before whispering:

"Danny..?"

[jordieeeee]

I fear that I am obsessed with this show. Agathario. Mama bear Agatha. Patti Lupone playing a witch who's most definitely seeing things. Alice checking on Teen after he got flung into the glass. TEEN! I fear Teen is my favorite.

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.

[trans-leek-cookie]

chewing on my hands no curly did not need to fucking murder jimmy to protect Anya. He wouldn't, not Just because of the fact murder even in self defense is deeply distressing and therefore. Y'know a last resort (and Jimmy is his friend. I am curious how long Jimmy's weird resentment has existed and if it was ever obvious before the events of the game but I'm getting off track) but also. Anya LITERALLY SAYS "I have to believe our worst moments don't make us monsters" like I'm not saying she's at all okay w what jimmy did but like!!!

She's VERY OBVIOUSLY conflicted and coping! She DOESNT want him dead (well maybe she does but I don't think it's something she thinks would actually be an easy fix. She doesn't want it Logically bc the situation is. Y'know it's a spaceship w 5 ppl and he's the fuckin co pilot)

CURLY COULDVE STILL DONE MORE AND HANDLED THE SITUATION BETTER!!! Personal opinion he didn't realize it was SA and/or didn't realize how traumatic it was for Anya until she brought up pregnancy and its a mix of genuine and willful ignorance (which Logically Makes Sense but is still not an excuse) but like. He says himself she doesn't get psych evaluations!

Murder is not an easy solution! Some survivors/victims want their abusers to die and that's its own discussion, but even beyond morality and ethics: thats 20% of the fucking staff on this stupid ship!

There's a longer post to be made about the fact capitalism is the ultimate enabler of these issues and dynamics, because the combination of isolation, small crew size, complete abscence of support, disregard for employee safety and physical danger all contributed to the fact this Could Happen and the fact this Is Such A Fucking Hard Situation even if you always prioritize the victim bc. Anya's safety is threatened either way- letting Jimmy do Whatever is obviously dangerous, but also HES THE CO PILOT! The events of the game are literally an example of why you NEED A CO PILOT (though in game he's fucking. Shit at his job which y'know) because you need redundancies to make sure you arent Completely reliant on one person (like. Imagine if Anya got seriously injured. There goes the medical staff. Maybe the others have basic training but Jesus Christ being the ONLY medical expert on staff. And even then iirc she's a nurse which not to downplay the work that goes into that but it is fundamentally one of MULTIPLE medical jobs and only having A Nurse is. FOR OVER A YEAR OF TRAVEL GOOD LORD THIS IS A NIGHTMARE) anyways. Longer post by someone smarter Abt how even though jimmy is an awful person a lot of the harm he does is only possible bc of a combination of The Situation (isolation + small group) and His Power (social power as a man over the One Woman and power as the second in command)

This post got away from me bc this game makes me think a lot but what I actually wanted to say is: Curly could have done more by being more present for Anya and being more Aware of Jimmy's actions (and intervening to make sure he isn't able to interact with Anya in isolated settings). Like I also think straight up murder isn't an ideal solution but like. There's a lot of fucking THINGS YOU CAN DO TO SUPPORT VICTIMS THAT ARENT MURDER

In the end I think it's a consequence of basing the approach on punishing the aggressor rather than supporting the victim, because like. It's less important to Kill Jimmy (no matter how much you want to) and way more important to KEEP ANYA SAFE