#i didn't do a much making up a design but i had to do Some extrapolation and stuff. i did about as much as i have for hermits before

[the-ancient-dragons]

LeafWing Study!

Featuring the colours of Roridula, a character from a possible future project. She's named after a carnivorous plant :)

Details, explanation, and more art below. Otherwise, next week are the SeaWings. See you then!!

More Tribe Studies

Here is the first time I'm showing my full-body headcanon LeafWing design. I remember being disappointed that they didn't have four wings, and when I learned that technically the SilkWings/BeetleWings were the only tribe with four wings?? (The HiveWings got them only for being an offshoot of the BeetleWing tribe, but I still couldn't cope, lol).

I am not up to date on WOF lore so while you can correct me, please keep that in mind XD

I simply had fun designing them after lead-mimicking insects and geckos. I wanted to keep as much of the original design as possible while serving more of a leaf mimicry design. So the four wings work in tandem with the enlarged tail sail to make the whole dragon look like the end of a branch. They would do this formation on specific trees, otherwise they keep all 4 flat along their tail to look like one leaf. They have the extra frills on their legs so they can do a standing version of this if they're caught off-guard.

All of this would serve the purpose of visual camouflage. I read on the wiki that the Poison Jungle had extra large fauna and I ran with it. Perhaps in the past the jungle stretched farther, or the megafauna had access to more of the continent. Either way, the LeafWings had to hide, and they learned how to do it quite well.

The last thing I did was double the back sail and move it to the sides, so it doesn't look like a discount SeaWing. Sorry, but I wanted a more unique silhouette. That back spine design was already used for the SeaWings and I thought a smooth back would serve their camouflage better. They use their double frills to make their necks look thicker when they pretend to be a single leaf. I'll post some sketches of LeafWings camouflaging sometime!

[keferon]

So the Mech AU is something and it's captured me too.

Set sometime after Prowl discovers Jazz is a pilot but before they go to Earth

———————————————————————

"Do they all look the same?"

Sat in a makeshift chair made from a tarp thrown over a spare tire, Jazz was in the middle of refueling from a small plastic baggie when Prowl broadly gestured to the inanimate body of his mech.

"The mechs? Naw, at least not the ones that last. I've had mine long enough that it's gotten all sorts of unique design changes and upgrades. There's no other mech that looks or moves just like mine."

The reassurance that Jazz's mech form was an individual creation was pleasing for some reason. Perhaps Prowl didn't like the idea of a dozen identical blank visors, the body of his friend replicated and filled with someone else.

"There's like. three or four classes of mech I think?" Jazz continued unaware of Prowl's secret anxiety.

"There's Rescue Class, those are the smallest, and they actually aren't built for fighting but for digging through rubble and cleaning up chunks of alien. Plus, sometimes those tentacle freaks have parasites that drop off when they die so the R-class kill 'em before they can become an invasive species."

"I thought you said they weren't designed for combat?"

Jazz finishes their fuel and shrugs.

"Its a war. Nobody gets out of fighting completely. Before I left I heard they were sticking a medic into- into fuckin' Vortex."

There were, many questions Prowl had concerning that last sentence. How desperate were the humans to be making their caregivers into soldiers? Why was this Vortex so infamous?

Why did Jazz sound angry at first, but by the time he got to saying "Vortex" the name came out as a rush of breath rather than a proper word?

What stopped him from pressing further on the topic was how Jazz seemed to shrink. And sink.

And stare at nothing at all.

It was so nauseatingly not Jazz that Prowl nudged the tire a bit and guided the conversation back to familiar territory.

"So what class are you?" Prowl said, while crossing his arms on the table and resting his chin on them. It was, very off model posture for the Praxian, but without the ability to pick up EM fields, exaggerated body language seemed to be the best way to get through to his human.

On a hunch, Prowl lightly waved his door-wings as well. Jazz smiled at them, and at him and Prowl preened with a modest smile back.

"I happen, to-just-so-be-the-Top-of-my-class-a-thank-you-veeery-much!" Jazz said popping each syllable like a song, resting his chin on his knuckles to match Prowls gaze.

"In terms of mech?" He nodded in its direction.

"I'm Striker Class baby, we're the fastest, the most agile and in my personal opinion the the most effective fighters in the whole program."

"And you do not personally feel as though you are an outlier bringing up the average?"

Mouth agape in mock shock, Jazz placed a hand over his spark- Flesh? Flesh-spark? Prowl deleted the line of thought and focused on the performance.

“I assure you Prowler, there are plenty of other Striker class pilots out there that do good for our name. I mean, there’s Blur for one thing. The guys basically the poster child of the whole program. Ridiculously fast mech. There’s also Hot Rod. His mech had the funny little quirk of CONSTANTLY CATCHING ON FIRE, buuut he turned it from a bug into a feature and now that’s just his thing.”

“Just his thing?!”

“Yup.”

“Being on fire?”

Jazz sat up straighter and pointed a finger at Prowl, “Look. I don’t know the full story and I shouldn’t be the one to tell it either, but trust me when I tell you this guy earned it.”

Leaning back, Prowl processed the new layers of insanity humans would apparently subject themselves to before filing it under “Bizarre conversations with Jazz” in his processor and carrying on.

“So what’s your special quality?”

“Me? I’m freakishly good at syncing up with my mech. Like, Blur is faster, but I’m smoother. Like, like that really is me. It just, I dunno, feels right. Fits me.”

Jazz looked over to his mech for a long time. Frowning at the fuel packet in his hands and solemnly crushing it into a ball.

“In terms of mech?” Jazz looked looked over to Prowl, smile returning with ease.

“I think I might be the only one that’s built for the stars.”

Their conversation continued into the evening like a leisurely dance. Discussing Pool Time, the war, cultural differences , the quintessons, their homes, what remained of them, and all the people they know and once knew.

Prowl never brought up Vortex again, though perhaps he should have.

__________________________________________

"What," Prowl choked out, his voice more static than sound. "Is that?"

The sky was green. The quintessions were in chunks. A mech, matte black with a blank visor, caaaarved into the body of the last living invader. A blade that massive was too big to keep a clean cutting edge, so the mech made up for the lack of delicacy with brute force.

It. It wasn't killing the damn thing. It was vivisecting the aliens spinal column from its body, each rib snapping off with a supersonic POP that shook Ratchets hangar and barely carried over the fucking awful sound of the thing screaming in terror.

Prowl would have never thought a Quintession could be a Victim before that moment.

Spine and brain case finally extracted, the mech lifted its prize to its opening vi- mouth.

That is its mouth. It's head was the size of his entire chassis. Inside, a stranger. Over bright eyes, straining and shaking against restraints within to get a better look at what was being held up to him. The mech moved without any input, tilting its helm back and cracking the skull to fill its open maw with cerebral fluid.

A funnel cloud touched down in the distance.

"That.? Jazz said, leaning against Prowls good side. “Is Vortex.”

TH A T. IS VORTEX

Man……I think Cybertronians would consider themselves big and scary compared to primitive earth life. And then meet Vortex. And then see Vortex in their nightmares for the next five million business years

[mrgrimreaper1]

Dude this is sick, reminds me of this cool different Undertale multiverse idea I've made one day.

[this whole Multiverse happens like, years down the line, pretty much a time skip AU causing error and ink to be much stronger for some reason, there's a reason why I scrapped it a lot of the story is me making a scenario in my head and struggling to explain why it happens the way it does.]

In it error sans finally managed to end ink, and once he does it he regrets it later on because of the boredom that come from no one on his level to really attempt to fight back against him destroying things, and since there was no one making Another AU protector for so long, he needed to slow down on destroying the AU's because of [reasons that don't really make any sense for his canon character to do, because he would probably destroy them all regardless of how he would feel about it afterwards, which is why I've made this a completely different multiverse altogether AND scrapped it.]

Because in this MV (MultiVerse) he would die of absolute boredom if he actually destroyed everything in one swoop, so he needed to balance destroying things and then wait for creators to create more anomalies for him to destroy, which he finds really annoying, so in his absolute bored out of his mind state, he makes the choice to create something himself.

A replacement for ink that could rival him and force creators to work overtime and make more anomalies for him to destroy, he takes a pen and paper and sketches a sans design heavily based on ink, which is why this version of "ink" is named "sketch!sans" with nicknames like "sketchy, sketched, sketchup." [Ketchup joke, made by either classic sans or fresh sans, haven't really chosen who did it, could be any Sans', really.]

Then to bring this character to life error after a while of trying he would get really frustrated, because he doesn't know how to do it, making him throw the drawing away.

Causing it to fall down to the bottom of ink's doodle sphere where the remains of the destroyed AU's remained or something causing sketch sans to actually be created...

[...This only works here because I reworked what happens once you destroy an au, in this multiverse once you destroy an AU, the Portal to said AU in the doodle sphere turns into magic ink and it remains at the bottom of the doodle sphere for the rest of eternity, but thanks to how many AU's we're destroyed they accumulated and mixed together, making a huge mess.]

Thanks to the ink being mixed together this version of ink sans would come out with a lot defects, he would come out of the ink "colorless" or just "black, white and grey." Being straight up a blank Canvas, a husk of what the real ink is supposed to be, so a lot of his emotions were muddled and he didn't act like what you'd expect ink to act like...

...Causing sketch sans to be very insecure? Maybe, his whole character arc that I've had planned for him is him trying to live up to error's expectations and straight up trying his damnest to act like ink would, causing a lot of identity crisis's until he met the star Sanses and they explain to him why he simply can't get his whole attempt to imitate ink right, so they introduce him to the vials ink used to act the way he did, then sketch would start going after said vials to act more like ink, as he kept finding and drinking more of these vials he would slowly and surely becoming a lot more like ink and he would regain his colors with each vial, with error constantly encouraging this to make him keep going and get the real ink back, thanks to error's inability to care for sketch's whole identity crisis causing sketch to reach his breaking point when he meets Cross!Sans and his whole thing and experience with identity crisis's and making him realize how abusive this relationship with error is, causing him to either cut ties with error or just become his own person and completely ignore error's wishes, and just deal with him without the pressure of having to act like ink, or whatever, I don't have a proper ending to it.

It was nice getting this off my chest and head.

ERROR!INK (ASYNC SANS)

ok so, finally came with a full idea of this character:D an error version of ink. i'll be listing some facts and clarifications about him to prevent any kind of confusion, just under the cut!

i wanted to write his entire backstory on here but it ended up being a little too much longer than i expected so maybe i'll make a comic about it- or no (wheheh). but basically everything started when he also tore his soul but appeared in the anti-void instead of a normal void that would eventually become his doodle sphere

now, his design choices

he's wearing the first ever clothes he used in His Story comic

his eyes colors were chosen thanks to their inverts, those specific magenta and blue are the opposites of green and yellow, the first colors he experienced in his original story

the marks on his body are white to represent the meaning of the few white garments in his original design: "The white layer underneath says how he attempts to hide who he is, but his emptiness sometimes shines through."

his "tattoos" are no longer illegible when he turns into an error, they become common binary codes (the font used for these is Note This, ink's official font)

the red (magenta) eye is on the right side to somehow symbolize the blood his "scar" would cause

there is no yellow on his clothes to show how secretive he is, as he constantly hides half his face in his scarf

personality traits and extra facts!

as said before he is someone incredibly reserved, mostly because while being in his 5 senses he is afraid of his self without his doses of paints and tries to not attract attention

nonetheless, he likes being around people, he would probably travel across universes to hang out hidden in crowded places

the "specific situations" mentioned on the first part of the sheet refer, for the most part, to self-defense. but there may be other situations where he simply creates stuff that people ask for from time to time

compared to his original counterpart, he will take much longer to drain as he'll rarely use his powers

if he talks for too much time he'll glitch for an instant and forget everything he was saying. that is one of the reason he doesn't enjoy talking so much

when he's in the doodle sphere he often has momentary traumatic hallucinations, so he tries to leave that place as quickly as possible

these previously mentioned hallucinations also happen in panic situations or as a sign that the ingested paints are no longer effective

okie dokie i think that's all for now<3 if anything comes to my mind later or anytime i'll try to post it or smth! hope you like it🫶

ink sans by @/comyet

[donutwatches]

MHA 3.7 - What a Twist! - part 1/2

Not his bandaged arms making Deku look like he's about to break out into a Naruto run.

Shoji had it on lock, but he didn't know that we are suddenly in a Naruto episode, and the villains know the substitution jutsu.

At least it looks like Tokoyami is taking a peaceful little nap in his bubble. Bakugo looks like he might be having an existential crisis on his knees like that though. He's been turned into a tiny ball of minty bubblegum, how humiliating.

My jaw dropped when I was watching this, I could not believe Aoyama came through! I didn't know he had it in him.

Wow, what an a**hole. I love his character design. He looks like a fresh out of hot topic zombie.

I know this is a serious dramatic moment, but do you SEE how massive Dabi's fingers are on his throat! ...ahem...anyway. I can't believe they actually kidnapped him and got away.

Why did I tear up? I love how this quote could be read as him being rude and prideful like usual on paper, but the voice actor poured some soft emotions into it.

911, somebody call the doctor. The way Deku must be in so much physical pain from the beating he has taken, but it's this that sends him over the edge screaming on the floor.

Next part is coming soon!

Masterlist

TAGLIST

@sylv-e-on @hyperfixations-and-cringe @call-me-copycat

@noonthemoon @setfiretotheshadows @jessiedead

@champion-prism @bicheetopuff @granny-griffin

@blackaquokat

[yridenergyridenergy]

Live report - Tour24 Who Is This Hell For? 2024/11/23 at Sendai PIT

Setlist

CONCEIVED SORROW

DOZING GREEN

IIID Empire

Phenomenon

Keigaku no yoku

Magayasou

Tsumi to batsu

DIABOLOS

VINUSHKA

Soshaku

Ochita koto no aru sora

The Inferno

-encore-

The Devil In Me

Cause of fickleness

Uroko

Eddie

Wow, tonight was way more energetic and intense than in Sapporo, which makes me feel sad because Dir en grey don't tour in Sapporo every year, and it was just a matter of using one setlist versus the other.

And well, the highlight of the night was definitely that blunder Shinya did in Soshaku hahah!

First, the SE was the same. Shinya walked on stage wearing black pants rather than white like yesterday. I found that it didn't suit his grandeur that much. Die came next with the same thights but the tunic/vest he wore was white, I think with some smokey design? I was in shimote tonight, so I didn't see much of him. Overall, the members did not change places even half as much as they did in Sapporo, which is odd considering that the energy was much higher today.

Toshiya arrived and BAM, he has a beautiful red satin dress cut from a bit above the belt/hip all the way down, exposing his left leg. Sometimes, when he raised his bass, we could see his belly a bit! The top portion of the dress was like a somewhat ample dress shirt, with long sleeves and buttoned up, and Toshiya wore a black tie with golden ornaments, some dingle at the bottlm of the tie. I felt that it was a detail that tied in subtly with Kaoru's outfit, which was the Versailles/Innocent Rouge costume! It looks amazing! Nobody had mentioned that he was loyal to the style all the way to the toes: he wore shorts with black thights underneath, and I didn't see his shoes much but they seemed to match that old French royal fashion. He had an elaborate bowtie or whatever, hair tied and sleeked back except for one strand on his right. He looked downright fabulous. He remained entirely stoic and without a drop of sweat yet again tonight! Kaoru had some zigzag makeup lines on his left temple at least.

Kyo then arrived at the very end of the SE and,.as I thought I'd remembered, he walked slowly, smugly with his hands in his pockets, dressed all in sleek black. His chin was even a bit up, like he was indifferent to our cheers or that it was the very least he expected. Like damn, he and the other members know exactly what kind of effect they have on us!

Conceived Sorrow started and already, it was 100% felt, emotional. Everybody raises their hand when the line about not being able to reach comes up. Kyo ends the song with the loud a capella to seal the deal.

We didn't really do anything or make any noise after that ending, which Dir en grey seems to have prepared for because the intro to Dozing Green started soon after. Already, it was clear that Kyo was engaging us more into the show from early on, and I think he even had us sing one part in this song already.

The IIID Empire was then played, which I had kind of forgotten that it was in this tour! And man, these two shows have checked a few things off my bucketlist: I saw Toshiya throw his mic stand meters in the air, with my own eyes! Every single soul in the venue was looking forward to it, so it would be a real downer if he didn't do that one time. The crowd participated a lot in the lines, fist-pumping, etc.

And then, I really did see Phenomenon live! I feel like it must have happened in one of the early tours I attended, but I'm not sure that Kyo had been doing those hip sways with his arms up back then. If he did, then I certainly wasn't in the second row with a perfect spot on the side to watch it!

Phenomenon starts with Toshiya crouching, before any sound is even made, which is really like... intimidating hahah? He stayed in a low posture like that for a very long time.

Keigaku no yoku - How could I have forgotten last time that Kyo kicks at his crate right before the song starts? I've never seen him do it. The crate is taped to the stage, but his kick is strong enough that the crate moves forward a little. And it was an odd action today especially because I think we hadn't really cheered after Phenomenon's: "kore ijo" kind of grated by Kyo, so the kick almost gives the impression of being frustrated by our silence. Anyway, Kyo again changed most of the lyrics of Keigaku no yoku, and once it seemed like he was making a mistake and sang the second line of a verse before the first, but he ad-libbed the second portion, so let's assume it was intentional hah. I don't really remember what he said. At the end though, I want to correct that he sings about "you" shouting: "Hurry up and die!", not himself like I'd written in my 11/21 report.

Magayasou was as always Shinya's spotlight, but Kyo was definitely more invested in the song today compared to the Sapporo show. The backdrop video had a lot of colourful flowers which turned into... Mush? Something rotten? I,m trying to remember what kind of thing they transformed into by the end of the song.

I don't remember if there was as much of a break between the two songs as last time, but Tsumi to batsu came next and again, it feels like Kyo sang more diversely this time around. His growls are awesome no matter what though. He gets on his crate and crouches almost for the entire song. I think there might be a lyrics memo sheet taped there just for that song?

I think it was in Tsumi to Batsu that Toshiya literally dropped to his knees, out of nowhere? And/or there was another song where he went on one knee, then rotated to the side and stretched one leg while his bass touched the floor. Again, quite "intimidating" hah.

By the way, twice throughout the show, I can't remember which songs specifically, but Kyo was so invested that he almost fell backward from his crate. No actual danger, just a step backward which seemed to serve to catch his footing because he'd gotten intense.

DIABOLOS was once again very felt, but this time Kyo did not ask us to sing half as many "Blue Velvet"s. And by this point in the show, Kyo had already called out "Sendai" 2-3 times, and I'm certain he did during that song too. The segment before: "Saa, ningen o yamero" was also different and shouted, I'd say even more emotional than in Sapporo, like probably with Kyo clutching his shirt or his head during that part more? Oh and he thumped his mic on his chest super hard most likely in this song and another time near the end of the show.

Vinushka starts after the break with Toshiya just leaning back on his speakers, arms draped widely on his side while he looks at us sexily. There's no other way to describe it, and it's more or less appropriate for Vinushka hah?

Toshiya kept nodding and smiling at us, whether it was because we knew the beat or were reacting like he wanted to the melodies.

In Vinushka, I think it was, Kyo placed his hands at his sides, palms facing us, after throwing the mic over his shoulder, and raised his hands slowly to demand our cheers. I'd love to remember exactly what song it was, because Vinushka is pretty obvious from all the times they've played it, but the song in which Kyo did it and he got almost no response from the crowd, only after a delay, you could see that he raised his eyebrows and looked down at his positioning, as though pondering: "I'm in the right position, aren't I? Isn't it clear what I want?" It wasn't necessarily something he did every time in whatever song it was, but yeah, the crowd should have been more adaptive and smart.

Oh, in terms of Kyo's facial expressions, there's also one growl or scream he did at the end of a song, which he seemed taken aback, blinking a bit after it like he was surprised by how much it took out of him.

Soshaku... It started a bit off from the start, like Shinya was one note too late, but then he fucked up the drum melody for real by seemingly repeating that first 'phrase' of the song rather than moving on to the rest of the composition. The band kept going for a few seconds, but it was Kyo who just stared unimpressed first toward us, then circled back to stand right in front of Shinya without singing anymore. We couldn't see his face, but his posture exhibited a polite: "What the actual fuck?" Die had actually been at Shinya's platform already with one foot raised on it, but I don't know if he was subtly trying to steer Shinya in the right direction or if that's just what he wanted to do in Soshaku anyway. Once the others realized that Kyo had properly disconnected from the performance, everyone else stopped playing. Shinya appeared clueless at first, then he seemed to shake his head quickly. I don't think any words were spoken between the members. When Kyo was assured that Shinya would do his part, he turned around to face us and said: "Suman" (Sorry about that). They picked back the song from the start, and I can't say that Shinya's drumming was 100% synchronized or accurate, but at least he did proceed with a different phrase than the one he had repeated.

Kyo made extra efforts to pump us up after that, and even had us sing multiple parts of the song, from what I remember.

Same thing with Ochita koto no aru sora. Kyo gives me the impression of emitting a vibe of: "This song is yours, guys" and we sang a lot.

It was in one of those last couple of songs that Kyo actually smiled in satisfaction. Always so heartwarming to see!

Toshiya was the MVP backup vocalist as always!

The Inferno was very much the same as in Sapporo, with Kyo throwing his mic and leaving before the song's even finished. However, I think he engaged more with the audience this time, coming up in front of his crate, crouching, and at one point either in this song or another one, he even did the hook fingers or something like that toward us.

The Inferno ended much differently though, unless I missed something from being in kamite in Sapporo. Kaoru dumped his guitar near the front of the stage after he finished, Toshiya was low and dragged his bass across the floor toward the back for the audio effect and punkassery, Shinya left at some point and Die stayed to do some distortion but for a shorter period of time. He was all smiles as usual!

It was funny because all the technicians/assistants had to come on stage when the band left before the encore to clean up the instruments that had been left there, which I hadn't seen in Sapporo. Toshiya's guy even had a hard time with his mic stand, which in fact looked bent a bit. The technician tried to force it back in shape and tested its balance on the floor a couple of times. What's funny is also that Toshiya's mishandling of his bass was apparently so bad that it took forever for it to be tuned, and we chanted: "Encore! Encore!" for so long before it was ready. The poor guy didn't seem to be able to fix the cords, based on what I saw on the monitor in the background.

Maybe to make up for that delay, but it also felt that way in Sapporo a bit, but the members walked back on stage almost simultaneously, not one at a time for each to savour their cheers.

Toshiya made a gesture toward his left, presumably at Shinya, smiling and I think even clapping afterward. I don't know if the band had a mini "What the hell happened there?" chat backstage about Shinya's mistake, which could also explain why it took them so long to return for the encore.

Kyo was once again utterly nonchalant, indifferent, but in a super teasing way, as if to say: "I deserve all your cheers and attention, but it doesn't sway me."

Shinya had changed into a sleeveless version of the tour T-shirt, Die I think also had that custom sleeveless sweater, Toshiya came with the black sweater this time with the same shorts and long leather boots, Kaoru might have removed his upper jacket, and Kyo had only wiped off his sweat hah.

The Devil In Me was intense as always. Kyo did the noose at the end, and I saw exactly how he measures the right length. He didn't do the disvesting/shedding part with the mic cord afterward though. In the song, the bass seemed off at first, and we could barely hear the back vocals at all? Even more reason to have Die and Shinya properly do them on stage. Kyo asked us to sing the first or second chorus, which ends in: "What did you really love?" but it sounded like nobody sang or few people knew how long to maintain that: "Kaaaaaaaketa"

Man the people in the first row were almost not headbanging sometimes, it was so stupidly frustrating hah.

I remember Cause of fickleness starting and Toshiya just nodding like: "Yeah, you know which one." All the members who could came at the edge of the stage. Kyo had us sing most of the "Wake me up"s. He took off his ear monitor once in a while to hear better.

Uroko also had Toshiya nodding and mouthing like: "Oh yeah, you know it" hahah. Kyo demanded that we sing more than just the "Anata shidai de", or it was in another song, but man was he demanding tonight hahah. His own voice was spotless but he gotta come for us!

Before the last song, Kyo asked: "Sendai? Sendai? Sendai? Sendai?", so much that at one point we were exasperated, who else was he talking to if not Sendai hah? Then he asked us if we could go on, become one, etc. and I think his new variant where he growls about us going to die then or something?

Kyo let his mic drop to the ground after Eddie. He seemed to contemplate what to do after Shinya's last hit of the drums in the final climax, but he opted for not leaving and took one of his water bottles, drinking briefly from it, then tossing it in the crowd. Actually, I can't remember if it was with the first or second bottle, but he threw it in the general direction of someone in front of him who he gestured at and the reversed L that they had on their shirt. Hopefully they did catch the bottle meant for them, because Kyo's throw was not that gentle and precise hah. He also christened people a lot in front of his crate.

Shinya once more took a very long time to get off his platform. He seemed characteristically impassible, but everybody cheered for him, so I hope he felt our appreciation despite his mistake. He threw his four drum sticks and I believe he waved at us briefly.

Die squirted us from far away, huge smile on his lips. Kaoru did the same but just to shimote. He threw a towel right to the first few people in front of his position on stage, delicately.

Toshiya threw some picks and got on Kyo's crate to clap with us and smile. He climbed back down and bowed ever elegantly before leaving the stage.

On his way out, Kaoru pointed to the background, which had the tour name, as though to really make us think about it.

Die left with much appreciation and satisfaction as usual. People were cheering him on as he prepared his towel to throw, and he made it almost reach the back!

That's what I remember for now. I need to sleep hah.

[thezombieprostitute]

The Arrangement - Part 12

Summary: Jake's done a lot of things to keep his sister, and then his niece, safe from his parent's influence and manipulation. If he wants to keep them safe, he has to marry you.

Warnings: Anxiety, Bad parents and siblings, Talking about abuse. Let me know if I missed any!

Part 11 - Part 13

Series Masterlist

It had been just over a week since your wedding. You and Jake have improved your communication. He's also managed to really set himself up in the home theater where he'd spent that first night. Apparently one thing your parents got right was the massive pair of recliners specifically for that room. Jake swears they're more comfortable than most of the beds he's slept on over the years. It makes you feel better about taking the master bedroom for yourself. Clay had visited again bringing a few duffel bags of Jake's things, including his computer. The massive screen for the theater worked really well for his setup.

While you were cooking, Clay had made sure to update Jake on the status of his family. Things were working pretty well, but there were going to be a lot of paper trails to hide so that they couldn't be followed. Or at least, not followed easily. Aisha and Cougar had both caught a couple of people following his family around that were confirmed to be employed by his parents. Hopefully now that Jake had his computer he could get some better intel on the parents' finances and connections.

But you weren't privy to that update. Jake and Clay agreed it was safer to keep you in the dark about the details. Though Jake didn't doubt your sincerity, there were still too many unknowns about you.

You really didn't mind that they got quiet whenever you were near. Your mind was already at maximum anxiety with Travis, your brother, still being in the Intensive Care Unit. Your parents had been acting unusually as the week progressed and Travis didn't get better. According to the police report he'd been seen drinking heavily with friends before trying to drive home. Usually one of his friends would be the designated driver and keep everyone's keys but, somehow, Travis had gotten his keys.

And now your parents seemed to be readjusting their life plans, and yours as well. The one time you were allowed to visit the hospital you'd overheard your parents murmuring about "he can't be seen like this," "he'll be seen as weak," and other similar thoughts. It made you worried you and Jake would be even more under their scrutiny, set to even higher standards. Your breath hitched as you realized they may demand a grandchild to help change the public perception of the family to one of hope or something like that.

You and Jake were getting ready for your first public event as a couple. You're helping Jake pick out the right suit while doing your best to answer his questions about what to expect, what is appropriate conversation, how much both of you needed to talk to others before you could leave. You know you're missing things. Jake does, too. But neither of you can think of the questions to ask so you establish a silent signal for help. Jake squeezes your hand three times and you either step in or whisper some advice in his ear. It's not a great system, but it's all you can do for now.

Jake hates how he looks in all of this but he knows it's not about him or his comfort. At least he doesn't have to wear the torture device you call a dress. The thing looks impossibly tight on you. He's worried about your ability to breathe. And the stiletto heels have you warning him you'll be on his arm all night to help you keep your balance. Jake actually takes comfort in that because he really doesn't want to be left alone at this event. Probably any event, but this first one especially.

As the car pulls up Jake takes a deep breath and you attempt the same.

"We can do this, right?" He says quietly.

"I believe we can," you nod. You gently squeeze his hand in reassurance like you did that first morning with the parents.

He nods, "let's do this."

As soon as he's able Jake is out of the car and opening your door for you. The last time he did so you were scared of each other. Now you make sure to give him a small smile of thanks as he takes your hand. The elevator ride to the party is as quiet as the one you took together your wedding night, but less oppressively so. It isn't until the elevator doors open that you both put on your fake smiles. Both of you taking small comfort in the fact that neither of you is suffering alone.

After the first couple hours Jake is ready to punch someone, anyone, just so he can be forced to leave since he's not allowed out yet. He's incredibly grateful you insisted on eating a little something beforehand. The food here is barely edible and dissolves faster than cotton candy. He hates the wine? Champagne? Whatever the hell it is, he hates the taste of it but, in following your lead, he knows he has to at least sip often enough to warrant a replacement glass every 30 minutes or so. Jake was grateful to have your weight on his arm to help keep him grounded.

Especially when Charles Blackwood, a "friend" of his from high school, showed up. Charles had been nothing but a leech throughout all of high school but Jake was desperate for some kind of friendship.

"Jacob! Where have you been?" Charles holds out his hand and Jake grips it firmly.

"I've been okay, Charles. You?"

"Holy crap, you're married now? Is that why you finally came out of hiding?"

"Sort of," he admits.

He goes to introduce you but Charles stops him. "I know this lovely lady quite well," he admits. You avert your eyes. "We were engaged for some time."

"You were?"

"Didn't she tell you?" Charles smirks. "Would've been married for two years now if her parents hadn't stepped in."

"For once I'm glad they did," you interject. "You're a conman who shouldn't be here."

Charles gives a small laugh, "well look who finally grew up. Too bad you didn't pick up on what was going on before I got you into bed." Your cheeks burn with embarrassment. "How are those dolphin projects going?"

"Sharks," Jake snipes. "Her focus was on sharks."

"Ooo, nerd standing up for nerd. How cute."

"You need to leave us alone," Jake fumes. "She is my wife and I won't let you insult her."

Charles scoffs, "since when can you fight?"

"Since boot camp."

That gives Charles pause. He searches Jake's face for tells that he's lying but finds none.

"Yeah, alright," Charles concedes. "Just don't ruin this party for me. Lots of other potential targets."

As soon as he was out of hearing range you let out a breath. "I'm so sorry," your voice quavers. "I should have...I should have told you."

"Told me what? That your ex-fiance is an asshole? That's not something you need to divulge."

"No...that...that I'm not..."

Jake leans in so that you're the only one who hears him. "You're more than just your virginity status. I'm sorry your first time was with him, he doesn't seem the type to make your pleasure a priority, but I'm not upset that you've had sex before."

You take as deep a breath as you can to steady yourself. "Thank you for that."

"So, can we leave the party yet?"

You check Jake's watch, trying not to be obvious about it. "We've got at least another half hour."

"When we do get out of here, would you be up for going out for some real food?"

You chuckle, "maybe delivery? Or take out? I'm not going to be able to eat much in this dress."

"Fair. And thank you for helping me get through all of this."

"Thank you for listening to my advice," you counter.

"Always," Jake affirms.

Part 11 - Part 13

Series Masterlist

Tagging: @alicedopey; @ashdoctor; @delicatebarness; @ellethespaceunicorn; @embarrasingmf;

@irishhappiness; @jaqui-has-a-conspiracy-theory; @icefrozendeadlyqueen; @lokislady82;

@ronearoundblindly; @thiquefunlover63

[insert-something-funy-here]

PHIGHT OR PHLIGHT

This is part 2!! Part three is in the works!!

Part 1 || Part 3

I hope yall know it makes me so happy to know people are interested in this HEHEHEGRHEJHEGEHRGR,,,,

Anyway, enjoy!!!

What a wholesome moment.

A ship kept safe by its anchor, the ocean nourished by the sand it wears at. But there’s a storm rolling in, one that will force its light upon this resonant scene. 

Steps echo in the alley, a slow clap accompanied by thunderous laughter. 

“Wonderful job my beautiful creation! I expected nothing less of you!” Shocked expressions made they way to Medkit’s and Biograft’s faces upon hearing Subspace’s voice. 

Anxiety greets them both in Subspace's presence, for one it's an old friend, and the other, it's something entirely new. "What? Did you really think I didn't know know this would happen?" He sighs, good thing this experiment has served it's purpose. "You've changed from how I designed you, and look at how you've been dulled."

"I knew Meddy would never let me close to him outside of a phight, but then you presented me a new experiment to run! As tough as he may act, I know he feels some guilt. Enough to see you at least." Even with his mask and eyepatch, it was easy to see Subspace’s smile. Finally, after spending so long trying find Medkit, he would get his chance at vengence. "Come now my dear creation, help me finish this, and we'll-"

"No."

"No? What do you mean no?" Some defiance was to be expected with this. Allowing this variable to grow within him. But he's being led astray, and I have a parently duty to pull him back. "I was fine with a little disobedience, it served a purpose, but it seems you've strayed too far from my brilliance." He reached into a pocket and pulled out a remote. He sighs, "It's alright though, because unlike that man there, I can fix you!"

That remote. One of the emergency shut downs for Biografts. This one specifically was made for gen## Zeta Biografts. In Subspaces mind, Blackrock could handle the hit in security for a bit. Anyone who's worth something has a personal Biograft not connected to any of the servers one of those remotes would shut down anyway. And with one press, Biograft fell apart, "Well, isn't this familiar?" His laughter brought back memories, and it was sickening. Medkit felt himself back in that SFoTH forsaken lab, back against the wall, a deer in the headlights.

Though Biograft had fallen apart, there was a few seconds before his software finished shutting down. In these precious moments he saw a version of himself standing before him.

"Leave."

"If I do that we'll be back where we started."

"We're not the same anymore. You've changed your directive. Follow it before he makes you like us again."

A slight pause. "You're not yourself either."

"I'm surprised your body is still holding up." A desperate attempt at keeping composure.

"You didn't do that much to me!!" Evidence of how he's failing. "Him on the other hand," He looks at the fallen Biograft and back up Medkit. He steps forward, using mist walk, he clears the distance before Medkit could react. Biograft was supposed to be here to help, but perhaps Medkit watching his last chance at some sort of temporary catharsis die will put him at enough of a disadvantage.

Grabbing him by his tie Subspace shoves him into the wall, "Brings back memories doesn't it? Don't worry, you won't have to remember for much longer!" His other hand hovering dangerously close to Medkit’s last eye. Subspace's freezes for a moment, feeling Medkit’s revolver against his chest, and begins laughing. "What do you think you're going to accomplish with that, hmm? You use that to heal people remember? It's the only reason you keep it after all-"

"What do you know?" His grip tightened, "These bullets can end lives as quick just as they can save them."

"Oh please," Subspace moves his freehand to grip Medkit’s gun, "If you had the strength for that," he pulls it closer, "you would've shot me already."

In flash of teal light, Subspace is on the ground and Medkit has been freed. A familiar alarm blares in both their ears. Subspace sits back up and stares in shock, but before he can call out to the newly reformed Biograft, he's already left with Medkit.

"My creation... my once beautiful invention... my son..." it doesn't take long for this Biograft’s absence to eat away at him.

Biograft runs as far as he can, Medkit in his arms. He makes wide jumps across rooftops, no real direction other than away. Away from Subspace, away from his 'siblings', away from Blackrock. He's overheating, he's going to collapse again.

"Go left here."

Which meant they needed somewhere safe to go, and to follow the quickest directions there. Medkit knew somewhere they could stop, the two of them just had to hope Biograft could make it that far.

[oatmealdoodles]

I promise I’ll make Murder Drones art but let me get this out of my system

GUYS I AM READY TO MAKE THIS MOVIE MY WHOLE PERSONALITY

Going in I was a bit weary since I did in fact watch the original on broadway, and honestly, it didnt really click for me. Don’t get me wrong I LOVED the story and characters but I just never felt emerged, either due to the theater setting or its break-neck pacing. Luckily this movie works WAY better for me, and thats mostly due to them extending the runtime of act 1 to nearly double its length. We really get to breathe and be with these characters, and surprisingly I never once felt bored it was all so well made and paced.

The biggest concern I had though was that they were going to play down the charm of the original to make it “less broadway” and appeal to broader audiences. Mostly because I watched the new Mean Girls movie be so ashamed of being a musical that it got me worried for the whole genera. Luckily they didn’t they turned the campy charm up to 11, with full group choreography and some insanely creative set designs (Dancing Through Life). Like these are the EXACT VIBES I wanted from this movie.

One of my favorite parts of this movie is actually the production. Specifically the set design and filming, where they actual made almost all of the sets irl. They planted thousands of poppies just for the opening number, they actually made Munchkinland and Shiz, it’s all real. This movie also just looks great (ignoring some lighting) like the colors were POPING OFF the screen colorful especially in the beginning of “What is This Feeling” this movie is a visual treat. They really kept CGI to a minimum (obviously the animals but whatever) in order to pay homage to its theater roots. And it looks absolutely PHENOMINAL huge props to the team on that. Secondly they filmed the singing in direct, meaning no voice overs. And that weirdly didn't sound off at all the singing quality was amazing

that reminds me Cynthia Erivo and Ariana Grande were SO GOOD. They ate, they slayed, they Cooked, they every-other-gen-alpha-term-of-praise-I-can-think-of. Their casting just fits the roles so well with a 110% commitment coming from both of them. Cynthia’s Elpheba might actual be my favorite interpretation of the character I’ve seen. Also the part they added with the original actresses (Idina Menzel and Kristin Chenoweth) interacting with the new ones was maybe the most fan-service thing in this whole movie and I was here for it I gasped in the theater along with my friends.

Like I can’t overstate enough how much I ENJOYED this movie (I guess an essay long Tumblr rant will do) theres just an infectious enthusiasm and passion radiating off the screen. It really feels like a movie made with love, like everyone making this wanted to make it.

I can’t recommend enough that you go watch it if your a fan of musicals or broadway you'll have a ball with this one. 9/10.

[jules-ln]

Ok you guys I went to sleep at 1 am and woke up at fucking 5 am to watch arcane so here are my thoughts/review:

After I finished it, first of all, I was mad lmao, then I thought about it for a moment and I started crying, but like ugly crying with sobs and everything because holy shit Jayce and Viktor, then I stopped crying, thought about it a bit more, and I got mad Again lmao

Now spoilers

It was a fucking mess lmao

Like seriously what the fuck fortiche, what the fuck Riot, it was such a fucking mess, it was all over the place, the story was rushed, the characters arcs were rushed, there was a lot of things that felt very forced because they didn't have time to let it happen naturally and I can tell a lot of things that would've been good were left in the inkpot

About Cait and Vi: I truly and honestly couldn't have care less about them lmao

I know I know

But I already fucking knew they were going to end up together that Vi was going to forgive Cait for being a fascist etc etc, for me their arc was already finished and I didn't have time to care about them because I was more worried about what the heck would happen to the other characters and how in hell would they wrap up that mess. If they would've cut all their scenes and gave that time to Mel or something, I would've been so fucking happy

Also, the sex scene annoyed me so much lmao, I was thinking "IF YOU WANTED A SEX SCENE YOU SHOULD'VE ADDED ANOTHER SEASON FORTICHE! WE DON'T HAVE TIME FOR THAT NOW!" lmao

Mel: I liked the concept of her arc, I like the theory, I can see their vision, what they were going for

But in reality it wasn't fucking that

Like, I like the idea of having Mel realize that she was much more than the daughter of her mother, that she had her own value for who she was instead of simply being the blood in her veins. But boy, it didn't feel at all like she realized that lmao

It just felt like she was "now I'm confident enough about myself to confront my mother because the writers said so" like what? This is what I mean when I say that a lot of things felt forced

Viktor: ok, ok I'm just like *heavy sigh*

To be honest part of why I was mad at first was Viktor's character, I was like "So what? You stop being a humanity loving pacifist to become a fucking control freak who hates free will and emotions just like that?" But then I thought about it, and if you frame his arc through Jayce, it actually made sense, because you see, everything he did was for Jayce. When he came back and went to build his cult, I mean, Commune, he was doing their hextech dream, the thing they always wanted, the thing Jayce always wanted

When Jayce went and rejected him by shooting him in the chest (thanks Jayce) he was hurt, he lashed out and wanted to get rid of all emotions, ironically it was a very emotional reaction. So then as soon as Jayce was back with him, he realized his mistake and stopped

So yeah, it makes sense, the problem is that I shouldn't have to stop and piece together a character motivation like that Fortiche what the hell. I know some people say "let the audience do some work!" But I feel like I'm doing all the fucking work here

What they did was great! Good! But just like Mel, give it more fucking time please

And the machine herald design was a bit ugly lmao, like his design in the game looks better, but thinking about it, and looking at the other robots design and how Viktor dresses in the series. I think it makes sense that this specific Viktor would design something like that

EDIT: Oh! I Also forgot to add:

My favorite scene of him was when Jayce was taking out all of those things one by one and Viktor waited until he was done to push them all back LMAO he didn't need to do that

Jayce:

Jayce, what the hell

Like, I understand why Viktor acted like he did, but like, what was up with you?

I mean, the end implied that he knew all along what was going to happen (machine herald, save Viktor etc), but like, why did he acted so angry at the commune then? He seemed so erratic and Angry like he didn't know what was going to happen, but he knew, and then he switched back to normal but like, what was up with all of what happened before? If anything, why didn't just he let Viktor get to the hexgate peacefully and then talk to him? Idk, it just seems to me like Jayce was the character the most affected by the crossfire of the plot happening because the writers had a very specific ending in mind and no time to get to that ending naturally

Also "hextech is bad" Then proceeds to let everyone keep using it lmao

Ambessa and Singed: of all the characters I think these one were the worst of all lmao

Like the plot completely changed Jayce and forced Mel, but like, these two just were put aside? Lmao

Everyone at Fortiche was like "Fuck Ambessa and Fuck Singed" which is a shame because these two were really interesting

Ekko and Jinx:

I think of all the other characters, these two were the best ones

I didn't feel like their arc was forced, it felt like they were given enough time, but you know why? Because their arc started in season 1, in this season they just finished it

The only thing I will complain about is Isha, because it just feels like they used her and completely discarded her after like a broken toy. Like Silco was waaay better handled than her

Heimmerdinger: I mean, I didn't care much about him lmao, he was only there because the plot needed him, and when he wasn't necessary anymore they got rid of him lmao

But it was less obvious than Isha at least

Viktor and Jayce: now, this is the part that got me fucking crying so much, and this along with Ekko and Jinx are the things that make me feel conflicted about this ending and not hate it as much as I would otherwise

It was all left ambiguous, and the cynical part of me thinks "of course they can't make it any more obvious because then the dude bros who main Viktor and Jayce in LoL are going to cry about how they don't want to play as a man who wants to kiss another man"

But if I take it at face value... Ngl guys, it was good

Like how Jayce chose Viktor after everything he did, how Viktor tried to push Jayce away to protect him but Jayce refused to leave, how all they wanted wasn't progress, or fame or power, but simply be together. And they got to be together in the end

Damn, I'm crying again

I JUST FUCKING WISH EVERYTHING AROUND IT WASN'T A MESS!

And I wanted to add, when everyone in Zaun went to help everyone in Piltover to deal with Ambessa, I wouldn't have done that, fuck them, they put a fucking fascist dictator on power, probably made a lot of people "dissappear" and just like that they are like "Guys, we're sorry, we need your help now :(" fuck that

In the end, it doesn't feel like Fortiche earned this ending. Season 2 should've ended with Arc 2, and Arc 3 should've been a whole season

And I can't give it a rating, because I don't know, I didn't like a lot of it, but there were some parts that I really fucking loved

But if someone asked me if it was worth to give the series a try, I would say yes, but don't get your hopes up for the ending lmao

[randomfandomblabdom]

I think part of what's making the conversations around the casting choices in the live action HTTYD so annoying to me is that for me, it has nothing to do with any of the supposedly controversial casting and more to do with the fact the movie seems to be cherry-picking what it wants to carry directly from animation to live action.

We have to wait to see more but as of right now, it looks like a near shot-for-shot remake. I know the director, Dean Deblois, said it wouldn't be but he was also on record of saying he would never make a live action remake and called them lazy several years ago but here we are so forgive me if I don't completely take his word on that. They did their damnedest to make poor Gerard Butler look as much like animated Stoick as humanly possible even if it means it looks like he just walked out of a Spirit Halloween store. Hiccup looks pretty much identical to his animated counterpart including that late 2000s haircut. It appears that they tried their best to replicate set pieces and props from the animated film. They obviously didn't mess with Toothless's design in very obvious ways because he's so iconic that god knows that would've caused absolute chaos...etc.

But then you have characters who don't look a thing like their animated counterparts - not just regarding race but smaller details like hair color or their costumes - in a movie that already looks to be a direct remake of the animated film where other aspects of said animated film are being perfectly replicated (or at least they tried very hard to replicate them).

If they had decided to do something completely different with this live action adaptation and change up every character in some way, this would be a completely different conversation and frankly, none of it would matter but because they seem to be cherry-picking what is and is not a direct remake/replication from the animated film, suddenly the conversation needs to exist because if they're being so particular about Stoick and Hiccup and hell, even Tuffnut looks like a pretty accurate replication then you can't help but ask... well, then why isn't Fishlegs blonde? Why isn't Astrid blonde? Why is Snotlout dressed in bright fucking orange? Why didn't they cast actual identical twins?

They're picking and choosing and it's adding fuel to a fire that was completely avoidable if they'd just picked one side or the other. They could've gone the historical route, they could've said to hell with it and made it all completely different, or they could've made it exactly the same... instead, they've created this confusing mosh pit that frankly shouldn't even exist that is unfortunately going to spark this so-called nitpicking whether people like it or not because you cannot argue that hair color or costumes don't matter when so much of the rest of the film already looks identical to the animation.

[rametarin]

We would not.

What we might do, however, is pretend to hem and haw over it while we let Texas go to war with Mexico on Texan soil. All the while going, "Maybe we should just give them some? Maybe we can come to some sort of deal?" Just to give the Mexicans hope. To keep coming and attacking and trying to take parts of Texas by force. To make them think we wouldn't fight for it.

When the reality is, no, Mexico would have absolutely no hope of permanently seizing sovereign US soil. The only way in which we'd allow that is to give them something to throw resources and bodies at, and a ray of (false) hope. Hope that if we let them mob it hard enough, we may be too weak, feckless and ineffectual at home to defend what is ours. And in reality, use that gung-honess to make what they want into a killing field. A tomb. A place for their army to go and get torn to pieces, accumulating total dead and forcing them to waste precious billions their economy full of crooks and thieves just cannot sustain too much of.

And all the while, sanction the shit out of them with the international global order to make Mexico a pariah state, trade virtually impossible if not cripplingly illegal, and then examine ways things are sneaking through those lines.

We'd keep them throwing bodies until that "special military operation" of theirs became a full blown wartime economy for them. And we'd keep arming Texans until Mexico was reduced to using golf carts and hand-crank propeller aircraft, and old Ford trucks for armored personnel carriers. We'd slowly bleed them to the point their pride would blind them to all that they're losing. To where Mexico could not even function anymore because of its wartime economy, thinking, "Maybe if I just keep at it.. maybe just a little more.. maybe they're tired and about to crack," as hundreds of thousands of Mexicans a year die.

And then we'd offer them a ceasefire and negotiations. Negotiations which we would be on a good side of, seeings as they've just had their economy and industry utterly flattened first by Texan retaliation, and then over again by economic sanctions and embargo. Negotiations that would absolutely fucking hurt. Negotiations designed to humble them, crush what remains of their ego or ambitions, that would make them forcibly capitulate and tie their hands together as a state into the next god damned century if they don't want Texas annexing more parts of Mexico into itself.

And then if they didn't capitulate to those negotiations, Texas would suddenly get hundreds of Abrams tanks and F-15s. Until Texas as a state could go beyond the traditional borders of its neighbors in the US, and singularly as a state could act as THE border state to Mexico. Mexico would fucking bow to those demands, or lose more and more of Mexico.

This would repeat until Mexico got with the program and agreed to every blood sucking, egregious demand the US made, and possibly get permanently militarily gelded just as a consequence of losing the fucking war, if it ever wanted to do business in the international marketplace again. With laws that if it wanted to play nice, it had to agree to give up any nukes it possessed and sign away rights to ever make or possess any more. Since clearly as a big boy nation it isn't ready for those yet, and because of their actions, never would be again.

But y'know, that's just how the US would handle Mexico. I'm sure how it'll play out in Ukraine will be much different.

Also I'm sorry but Americans are so funny. For two years ya'll have hooted and hollered over how much stronger and capable the US army is and how you would steamroll Russia in a heartbeat if it ever came to it. But the second Ukraine starts to actually fight back and gain some ground and Putin starts to whine about escalation? "Oh please Ukraine can't you just give up that part of your country?" "Just give in to the Russians omg don't escalate" "Just give them Crimea omggg" "We should just stop sending weapons"

If Mexico invaded ya'll and the EU told you to "Just give them Texas", would you?

[clar-a-m]

Had the best time ever coming up with Imogen and Laudna designs alongside the one and only @the-junebugg for her the last of us au

I had made a few Imogen designs before but we got to add a few more for her and finally figure out Laudna's look!

You can check out all of Imogen's looks in a single image under the cut:

[fidgetspringer-art]

✧ The Ardal stars ✧

[triglycercule]

horror's about to get his shit rocked i guess but its ok he got to say a cool line. anyways i had this silly little idea :3 horror deserves to be the one inflicting pain onto killer sometimes anyways it can't ALWAYS be killer being sadistic 😒😒😒

[aikoiya]

Thank you so much!! I try! I really do! 😁 But then, I also enjoy it, so, ya know. 😆

I really like thinking about this & I'm glad that, if nothing else, I've given you some food for thought.

Now that you mention it, Thundra being Castor Wilds is a pretty interesting possibility. 🤔

I can understand your perspective & it's no less plausible than mine. Though, I will say that, for the nostalgia thing, I remember hearing that, part of the reason was that they thought they'd explored everything they could in as a unique a way as they thought they could, but that EoW showed them that the classic formula still had so stuff they could play with.

Huh... I wasn't aware of the sabaku pun! Cool! I like that, but yes, you're right. It could be a different location. Though, I actually think I knew about the Tabanta thing, but I still find it neat!

---

I'll be honest, I actually had a number of issues with TotK's story myself, but then I started watching analysis on the game & the character's motives from a more Japanese perspective &, when I did, things finally started to make a degree of sense.

For those living in the other timelines at the time of the merge, what happened was most likely something similar to what happened with the flood. The gods told those living in those timelines' Hyrules to scale to the mountain summits & wait. They did it before, why not again?

As for what they'd know? Myth & legend. Little knowledge of what truly happened, but then again. Not long ago, IRL we also believed that Sparta was a mythical, made-up city, but then the actual city was uncovered. Sometimes, things are just forgotten & then found again. It happens & yes, it's sad & maybe sometimes it makes things feel like it was all pointless, but that doesn't mean that it is.

So, even though it may seem that combining the timelines erases any consequences of Time dying, I actually wouldn't really say as such. Those things still happened. And, if I were to say anything, it's likely because of the merge that the Wild Era has so few references to the past. Because it would cause there to be 3 different histories with inconsistent narratives, which would likely be why the Era of Myth would be called as such.

Also, by this point, it's likely been approaching 50,000 years since SS... Like, I dunno, it just seems like that's a heckton of time, ya know?

Though, I guess that I feel like "just" is a bit of a stretch. Like, in my mind, the gods of Hyrule aren't all-powerful. They have limits to what they can do, so if they wanna do something as big as merging timelines, I think it would take literal millennia of planning & organizing & making sure that things are just so. As such, I'd be surprised if there wasn't some huge reason for this.

In my mind, the timelines still exist, but they eventually merge back together later down the line. Like, the pasts of those timelines don't just disappear. More so, it's like if a river divides into 2 before joining again somewhere else. There was still a point when they were separate, it's just isn't now. But don't take this as me trying to convince you of anything. I'm just a rachet-jaw (means I talk a lot) & I like chattering about my hyperfixations & explaining things. I understand that my takes are most likely pretty confusing, too, so I don't mind criticism, either! 😆

For the dragons, I actually really didn't like their designs. I preferred how they designed the Light Dragon, though I'd have liked it better if she'd had a more leonnine tail.

And, the dragons could very well be a reference to Skyward Sword, but I never thought that they were literally the dragons from then. A) They never talked. B) The element of the blue dragon was wrong as well.

For Rauru as the first king of Hyrule, my thoughts are that he didn't found Hyrule, but more so, he re-founded it unknowingly, likely naming it after the stories he heard from the locals of an ancient & prosperous kingdom of light. It wouldn't be the first time that a place was named after a legend in hopes of bringing about prosperity.

And, I actually think that it's heavily implied that before Rauru, Hyrule was unnamed & the tribes were at war. One thing I remember Ganondorf saying in the Japanese version was that he wished to return the world to how it was meant to be. But this would indicate that before Rauru, the land & its people were at war. Possibly for a very long time. If so, then if my theory is correct, then it would mean that the main populous of the land when the merge took place would've been the descendants of the Great Islanders of WW. However, if you recall, the islands ran in an acephalous manner, meaning without a single ruling head or centralized government. So, the citizens of the Downfall & Child Timelines would've been, in many ways, refugees of 2 destroyed worlds. Refugees that would begin to integrate into this post flood world that had only been called the Great Sea, but was now no longer a sea. A land that had no princess, because the princess had left to found a new land. It is why Sonia was referred to as a priestess rather than a princess before she married Rauru. Because the Royal Family had been dissolved. Much like how it was in BotW. And, to be fair, Zelda 2 was also a post-apocalyptic time.

Then, I think that Ganondorf also mentions that Rauru & Mineru were the only surviving Zonai... Which... yeah, that makes the fact that he causes their deaths even more effed up because he essentially just committed genocide...

And, it really isn't all that odd for magical sky beings to appear & be thought of as close to the gods or even gods themselves only to never be seen or heard of again. The Occa & the Minish for a couple. In my mind, the Zonai were just another race of people who lived in the sky. And, keep in mind that Hyrule has the same constellations as Earth & it's been said that Hyrule's world is an alternate earth where magic exists. In such a case, we have really & truly seen nothing as far as their world goes.

Like, absolutely nothing. Because BotW's Hyrule was very specifically based on the creator's hometown of Kyoto, so if this information follows, then this is all that we really know about Hyrule's world:

(Also, sorry about that. Vendettas is just an LU-style nickname I thought up for TotK's Ganondorf. Just ignore it.)

So, I guess that when I think about it that way, it's actually much more feasible to me.

Which is another huge thing I wanna see from Nintendo: remasters or sequels to Zelda 1-2 & the Oracle games! All we ever see is Hyrule! Show me some more places outside of that, Nintendo! Let's go back to these really super old places & retell those stories in a new style! Let's hear more about places outside of Hyrule! Let's hear about how Labrynna & Holidrum are doing! Let's learn about other kingdoms & their relation with Hyrule! Let's bring this story to the world stage!! We have an entire world to explore & all they've been playing with is that tiny, piddly little speck???

But going back a bit, I remember that Zelda inherited both Rauru's Light & Sonia's Time magic. In fact, she even said as such. So, I am very much under the impression that, yes, Zelda is their dependent, we just never hear about Rauru & Sonia's child, which is one of my only major issues with the game. As for Zelda's stone changing... Yeah? The stones themselves never had elements to them. They're blank power modifiers that take on the attributes of their wielder. You see it happen twice in the game with Zelda turning Rauru's Light Stone into a Time Stone & then Ganondorf takes Sonia's Time Stone & turns it into a Dark Stone.

And, I actually know a thing or 2 as to why Ganondorf got so much more from the stone than the others. And it has to do with a Japanese concept of how rancor & something known as On'nen works.

You should really look up QuestWithAaron & watch some of his Zelda analysis videos, they're really interesting because he dives in super deep into the original Japanese translations & even brings into perspective the nuances & cultural significances of things.

For one, that Demise & Ganondorf aren't literal demons. Not in a western sense. They're much more analogous to the Japanese concepts of Akuma, which are entities of negative karma born from overwhelming hatred. They are even well-known for placing the sort of curses that Demise did.

It turns out that there's a lot of Buddhist & Shintoist influence on the Zelda series as a whole & once you know this, you find it difficult not to see it.

On'nen is essentially what Malice was in the previous game & Shoki is what Gloom is, but a more accurate term for it would've been Miasma as it goes beyond simply being a corruptive force & into being not dissimilar to pollution or a plague (which is most likely why they went with Gloom instead considering the event that took place around when it came out). On'nen is rancor. It is an overwhelming & enduring hatred & resentment that can even be carried through multiple lives. And it isn't just some feeling, but can become a legitimately corrupting force. In a lot of ways, it's what allows for the existence of death curses. So, I think that due to the way that the stones work, which the Japanese version says that the stones very specifically double the power of the individual. But, the thing is that TotK Ganondorf's power is directly connected to his resentment & hatred. So, if this is the case, what happens when his resentment grows? Well, so too does his Shoki, which is why it's so bad. And, in fact, Shoki is just a more concentrated form of On'nen, meaning that Gloom is just a more concentrated form of Malice. And remember that Gloom didn't just decay the Master Sword, it also decays all the weapons in Hyrule, which itself actually connects the game back to BotW, because that right there is the reason for the durability in the games to begin with! The reason that all the weapons would shatter so quickly in both games is very specifically because Ganondorf's hate-magic was saturated all over the place & causing the weapons to be corroded. But knowing this, we now have a reason as to why the Master Sword was breaking! Fi wasn't weaker, Ganondorf just found the perfect way to combat her!

And, I actually think that we did sort of see something connected to the Zonai in a previous game. Or, more so, we say something they once were.

And, this one might be a bit controversial if goofy, but I think that they are, essentially, evolved remlits. 😆

But, at the end of the day, it's well within your right to have not enjoyed TotK's story or the Zonai. You stick with whatever hc you like most or think is most plausible! I'm just the weirdo who enjoys trying to fit things together regardless of whether Aonuma cares or not. Sure, he's the authority on it, but at the same time, this is just me having fun! 😁

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Regardless, my many many thanks for all your help!

This has been so very fun & I loved talking & speculating! And I'll definitely be using some of your suggestions, though before that, what do you think of a portmanteau of Croisés & Confluances? It'd probably sound like gibberish, huh? 😅

I was also thinking of naming things in the Zora area that are named after sages as Saint. So, Mipha Court would eventually become Cour Saint Mipha?

But, I gotta say... I would love to see a Zelda spin-off game where you play as a Sea Zora & you go around the ocean to different Zora settlements where we could see more of their culture independent of Hyrule. Like, I imagine them curing bull kelp, then twining them together to make rope. Or that settlements tend to either be close to the surface, on land, or near hydrothermal vents & that, because of this, cooking tends to be a more communal thing.

If not that, I'd like to see some more dark games like OoT & MM someday.

Like, hoy vey, dude! The Dead Hand was seriously messed up, but it gives so much food for thought!

But, sorry! Went off on a tangent! I've enjoyed hearing your thoughts, too! It's really interesting to think about all this! 😁

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^

[unma]

My theory is that you've had (or currently have) a big thing for roleplaying, perhaps directly related to your aptitudes as a writer.

I feel like someone just sniped me through a buncha buildings and windows and still hit a head shot. How could you tell? I haven't actively roleplayed in at least a couple of years—not because I don't want to, tbh, I would if I could actually get back into it again—so I'm surprised anyone could tell. I still have a bunch of my proudest rp posts saved (it was mostly crp), and I was into it for at least 3 years or so.

It's definitely related to my aptitude as a writer though. Having to respond so often to some of the most detailed crp posts where you would and often did get technicality'd into oblivion (and would do the same back) definitely made me care a lot about the details, and I'm not gonna lie I do still draw on that still when describing combat sometimes. Getting technicality'd into oblivion doesn't sound too fun, but I assure you it was (once you got used to it anyway), and that community was definitely my closest set of online friends for a good bit.