#i did this SO fast i'm sorry

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[dragondawdles]

did an art sprint challenge thing tonight have a sub-2 hour deku link

[deoidesign]

making mobile game ads for my webcomic. it's enrichment.

[electrozeistyking]

so i'm not sure if i'm the only one who noticed effective immediately or not but

[sluttyhenley]

Don't count on it.

MASTERS OF THE AIR HBO War Summer Gift Exchange @sheppardsmckay

[dewwshi]

we'll be there! 💖

[st4rstudent]

He's not very sneaky about it.

[pubbee]

I really don't think "y'all couldn't even handle Vivienne and Sera" is really a good excuse to have exclusively agreeable characters

[formosusiniquis]

🪱 Wiggle Wednesday🪱

Thank you @paperbackribs who tagged me last week, I saw it while I was in class and immediately forgot until I saw people posting their things today. But I'm always excited to share my current brainworms

This is a scene from a fic that I pick at every now and then, so it's basically always on the brain. It started as something about Lucas and Steve and trying to explain away the slight anachronism of Steve (popular and rich) being in Nikes before Jordan made them cool (thank you Air) and it has turned into something much more about Lucas and also his Mom relating through a shared love of basketball and Steve is also there.

It’s a Friday night after the end of the world, and strangely Lucas is at a basketball game.

Or maybe it’s only strange because it’s so normal.

A Friday night in a small town and there isn’t much to do except support the home team. Only Mom won’t watch football, she calls it barbaric, so she reserves all her team spirit for November when basketball season starts. Lucas’ skin itches a little under the Hawkins Tigers shirt he’s wearing, as he’s pretending to be normal when a couple weeks ago he learned monsters were real. What can he do though? Mrs. Byers has Will on house arrest, Mike is still mourning Eleven, and Dustin hasn’t been allowed out since Will’s Lazarus act.

Maybe he’s being too sensitive. Steve is here, who Lucas mostly knows from Mike complaining about being Nancy’s stupid boyfriend. Steve is playing like everything is fine, even though Lucas knows Steve knows. He heard whispering about it with Nancy when he went to the bathroom the last time he was at Mike’s. But Steve is smiling as he paces down the court. Miles better than the other players around him, when Steve has the ball Lucas feels like he does when he’s watching a real basketball game on the couch with his Mom.

If Steve can act like things are normal. If he can sink three pointer after rebound after assist, maybe it’s okay that Lucas is wearing his Tiger green. He floats down the court and everyone cheers. But no one cheers right. When #21 Hagan gets a rebound off of Seymour’s best player, a girl’s voice screams so loud it makes his throat hurt. No one cheers that way for Steve. It’s just excitement for the game, not for him and the way he is playing.

When the game ends, Hawkins 73: Seymour 42, and the crowd storms the court Lucas stands by his Mom in the bleachers. She hates feeling the push of the crowd against her and as he gets older, and people’s hands get rougher, he’s starting to understand. He’s too old to be caught standing by his Mom though. After everything, he knows better than to move too far away from her; going to the game with your Mom is one thing, being the kid getting called out over the intercom because she can’t find you would be life ruining.

Lucas watches the thinning crowd while he waits. Parents and girlfriends crowding their sweaty players. He doesn’t want to get caught looking at any of those boys for too long now that they aren’t playing. He isn’t sure why. So he keeps looking for something familiar.

Steve is standing beside a short, dark haired man who’s got what his father calls a beer gut. He doesn’t look anything like Steve, but he’s also the only adult anywhere near him. He’s the only person at all that’s really near Steve. They’re talking excitedly about something. He claps Steve on the back and whatever he says next has Steve looking down toward the floor.

“Is that Steve’s dad?” he asks his mom before thinking about why that might be a weird question to ask her.

“Who?” The way she says it makes him sure she hadn’t actually heard the question. She’d caught a name, when he interrupted her conversation with the lady next to them, but not enough to answer. It’s a free chance to drop the issue. To say sorry, never mind, and go back to watching people move on the floor below them.

“That guy,” she slaps his hand down as he goes to point. “The guy next to Steve, number 8, is that his dad?”

“How do you know him?” The question, instead of an answer, startles him enough that he looks at her instead of Steve. Stern, he knows he doesn’t want to lie to her, but he also isn’t sure how to say that this random high school boy saved two of his best friends’ older siblings' lives.

“He’s Nancy’s boyfriend. Mike talks about him.”

If he’d just waited. He would have gotten his question answered without asking Mom. They both watch as that man says one more thing to Steve, shakes his hand, and walks out of the gym. “I don’t see Nancy here.” Because they both know he doesn’t really need his other question answered anymore.

“I don’t think she really likes sports.”

Mom sucks her teeth, a judgmental tchk that has heat climbing the back of his neck when it's not even for him. "Well that's a shame, he's a good player." There's finally enough space on the floor that they could leave. He wants, desperately, for them to just go cause something about this conversation is making him feel guilty again. "Do you want to to say hi?"

There's nothing he wants less than that. Lucas thinks if he has to go up to this guy, who went toe to toe with a monster, while his mom trails behind he'll die. Lucas thinks if he says hi to a guy who has only seen him maybe twice in the context of Mike Wheeler's house, and has to sit there while Steve blankly accepts his congrats he'll melt into the floor.

"Can we just go home? I still have homework."

And some tags to @fuctacles, @cauldronoflove, @thefreakandthehair, @stevespookington, @stevieharringtonwifeguy

@eriquin, @grasslandgirl, @augustjustice, and anyone else who wants to play!

[ghostsprobably]

all i want to do is work on my winx stuff

but fuck

i forgot i have depression

[buffyspeak]

shadowhunters rewatch 2023:

alec and clary not trusting each other in 1.03 vs. alec saving her anyways

[egophiliac]

I love how you draw Leona’s hair…so soft and floofy…I know that man uses a 5 in 1 body wash and yet still looks like that…

thank you! 💛💛💛 truly, it is unfair how many of the Twst boys have absolutely gorgeous hair with zero -- nay, negative -- effort. do not make the mistake of asking them about their hair routine. it will only lead to madness.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[knifebaby3000]

happy new year!

[donttouchtheneednoggle]

don't mind me just dethorning the bramble in my stick insects' cage because a CERTAIN beautiful old lady

managed to snag her wing on one and got stuck there until I saw and detangled her and I am not eager to repeat the experience!!

ALSO I finally managed to get a picture of the whole family as it is now :DDD

1 adult Indian stick insect, 1 adult Pink Winged stick insect and three Pink Winged stick insect nymphs at various stages of development

(I also have an Indian stick insect nymph but she lives in a separate enclosure at the moment and is so tiny getting her out would be way to stressful for both her and me)

[peachysuffolk]

A true showdog!~