#i could live like this forever

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[flwrkid14]

Eternal Bonds: Tim and Danny’s Infinite Realms Marriage

In the Infinite Realms, marriage is an unparalleled commitment. Unlike the mortal world, where love can be fleeting and easily undone, marriage in the Realms is something far more sacred. It’s not just about vows or ceremonies—it’s about merging souls, creating a bond that not even the vast stretches of time can sever. The very idea of marriage in the Realms is rare, almost mythical, because it requires two beings to love each other so profoundly that they’re willing to bind their very existence to one another.

For the ghosts and entities that reside in this realm, eternity isn’t just a poetic idea—it’s a reality. Time is meaningless when you’re no longer alive, when your very essence is bound to the afterlife. And because of this, relationships are viewed through a different lens. There’s no such thing as divorce, no “time apart.” Once a couple is bound, their souls are intertwined forever. To dedicate your entire being—past, present, and future—to another means accepting that their joys, sorrows, triumphs, and failures will be yours too. It’s a partnership where breaking the bond is simply impossible.

It’s why marriage is such a rare occurrence in the Realms. The ghosts, who have already lived one life and often seen the frailty of mortal promises, don’t enter into this kind of bond lightly. It’s only for the strongest of loves, for the most steadfast of commitments. Because once you marry in the Infinite Realms, that bond holds through eternity itself.

And yet, despite the gravity of it all, Tim and Danny find themselves willing to make that very commitment. Tim, a mortal tied to a world where things end, where nothing lasts forever, steps into the unknown. His love for Danny is so deep, so unshakable, that he agrees to a traditional Infinite Realms marriage. He knows full well the weight of it—he’s not just vowing to love Danny in this life, but in every life after. In swearing to this bond, Tim is offering his entire being to Danny, for now and all of eternity.

For Danny, this choice means even more. As a halfa, he exists between two worlds, knowing both the mortality of the living and the permanence of the ghostly afterlife. His love for Tim is powerful enough that he’s willing to make this eternal commitment, knowing that there’s no one else in any world—mortal, ghostly, or beyond—he would rather be tied to. For Danny, the bond is as natural as breathing. It’s a connection that deepens their relationship in a way that transcends the limitations of their two worlds.

Their marriage isn’t just a declaration of love—it’s a merging of souls, a binding that makes them two parts of the same whole. It overwhelms them with the sense of safety and belonging that they’ve both craved in their lives. In each other, they find the kind of love that doesn’t just endure life’s difficulties but thrives beyond them. Their bond ties them together forever in a way that no one else could understand, but to Tim and Danny, it’s everything.

They are each other’s home. And in the Infinite Realms, there is no greater honor, no stronger connection, than to be bound by love for all of eternity.

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[fanfic-gremlin-ft-trauma]

a wip for u lovely people bc I won’t be active for a little bit during exam time :)

[theshinysnivy1]

Professor Layton when you start the series: what a nice puzzle man. Lovely puzzle gentleman. Does the silly point thing and solves the mystery. Funny guy :)

Professor Layton at the end of the series: is there any aspect of this man’s personality that he didn’t construct out of grief, carrying on the legacy of those he loved even at the expense of his own identity? Even his name is a fragment of someone loved and lost. He’s a walking coping mechanism. What the hell.

[secretlifeoflyss]

currently thinking about the way death’s at my door is staged: TW for brief implied su*c*de attempt/s*lf-h*rm

Pony starts the song while sitting at the top of the church with the knife he just used to cut his hair still in his hands. Pony’s tired and he’s been holed up in that church with nothing but his swirling thoughts to keep him company while Johnny is out getting them more supplies. He starts singing about how death follows him, how he’s a danger to those around him, looking back at himself in the reflection of the switchblade.

Unbeknownst to him, Johnny’s returned with water and has been silently listening. And at that line, finally makes his presence known.

“That’s crazy talk Ponyboy” he says. And Ponyboy comes down to meet him on the next floor down. Pony argues about how he’s cursed and Johnny should “move on” and is “better off without [him]”.

Johnny has heard this before. He’s heard himself say those things before and hearing them coming from Ponyboy is scary. Especially when he sees the way the knife in Pony’s hand trembles, the way his eyes refuse to look at Johnny’s, solely focused on the white knuckle grip he has on the blade.

Johnny has mentioned wanting to disappear to his best friend before and was always met with warmth and love from Ponyboy, assurance that he still wants Johnny around. So that’s what he provides for Ponyboy in this moment. He comes closer, making Ponyboy hear him when he says “the reason i’m living is you,” which finally gets Ponyboy’s attention away from the knife.

And in the way someone would approach a dog with something between its teeth that it shouldn’t have, he holds out his hand. He lets Pony make the choice to give the knife back to him. It’s a reach that conveys Johnny’s worry for what Pony might have done with that blade if he hadn’t come earlier. It’s his relief when Pony gives it back and they close their hands around it in their promise to never leave the other alone.

And they smile because they know that while the world seems scary and dark, they’ll always be there for each other. Urging each other to go on even when things look bleak. And it’s with that comfort that they finally let themselves go to sleep for the night.

[a-dumb-sarcastic-bisexual]

Nimona headcanons I wrote instead of sleeping

Sometimes the boys forget that Nimona isn’t human 

Like they’re used to the shifting into animals aspect of Nimona because she does it as often as she breathes

But sometimes she’ll do some really creepy shit like make her arms longer to reach something when she’s too lazy to get up

One time they shifted just their neck to be like an owl so they could turn their head 180 degrees instead of just turning around cause that was “too boring” 

Or he’ll mimic people’s voices without realizing it 

Sometimes he’ll tell a story and suddenly he’s using Bal’s voice 

The first time she did this Bal searched the whole house cause he was convinced that Todd has snuck in

Or she’ll grow an extra arm to hold more shit and they take a moment to realize “oh yeah we adopted a little weirdo” 

They get used to it after a while and the arguments surrounding it are always funny because both the boys will complain and say “I don’t sound like that” and they have to be told “No love you do you really do” 

You know those videos of babies reacting to their parents shaving their facial hair or putting on glasses 

That’s Nimona's reaction every single time the boys change their appearance even the smallest bit they cant shave or wear their reading glasses because if they do he freaks out 

Talking some “help me Nemesis I heard bosses voice but I can’t find him” while Bal was standing right in front of them 

It was the first time he shaved his face in years and he’s never doing it again 

Mostly cause Ambrosius kept telling him he looked like a teenager and it was freaking him out 

I feel like Bal and Ambrosius are those kinds of people who will tell people about the little injuries but neglect the big ones 

Like Bal mentioned that he thinks he sprained his ankle during the fight at the institute but he won’t mention that he’s pretty sure he got a concussion 

(BECAUSE THIS MAN HEAD-BUTTED TWO PEOPLE WHEN HE HAS A METAL ARM) 

(I’m bout to wrap this man in bubble wrap and give him a helmet because wtf) 

Ambrosius will complain the whole day about the fact that he has a paper cut

But will completely neglect to inform his doctors “Oh yeah I can’t move my left arm higher than my waist without pain and I can’t see that well out of my left eye or hear that well out of my left ear do you think that’ll be a problem?” 

It isn’t until Nimona makes an off handed comment about how this super weird that the laser did basically nothing to him that he told both of them

They literally dragged him to the ER because “Who thinks those symptoms are normal Nemesis what is wrong in that pretty little head of yours!!” 

When Bal tells Nimona she’s being a bit of a hypocrite (cause who refers to an arrow as a splinter?) she turns to him and says “I know you’re not saying something Mr. Human battering ram” 

It took literally everything in Ambrosius not to break down laughing

After that she forces them to have frequent checkups with the doctor because these dorks wouldn’t go otherwise

Honestly I'm fully convinced that some people in the kingdom don't know who Nimona is and are constantly confused why they let this little weirdo follow them around 

And finally the curiosity will eat away at them and they’ll finally ask 

Sometimes the boys will give some “normal” answers like “Oh that’s Nimona” and they won’t elaborate at all

Sometimes they’ll give funnier answers like “Oh that’s a raccoon we found in the garage who turned into a person one day” “I don’t know they just showed up in our living room” and their personal best “You see her too?” 

And their favorite that they only started using a couple of years down the line “Oh that’s our kid”

[smoosie]

Cosmic Bond

[chapollynh]

An excuse to draw my favorite characters? Of course I'll take it, thank you very much.

[jinikaris]

[ favourite hyunlix moments ✩₊˚. 1 // ∞ ✧ 2022 music bank 1st place encore ]

[ruporas]

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]

[shahrwrites]

BABE WAKE UP NEW ROBIN JASON COVER ART BY DAN MORA JUST DROPPED.

* Death in the Family: Robin Lives! #2

[mephoj]

late night chat

[kabutoden]

could you draw tavros bug? I looked for him but couldn't find him :[

Thx! <3 :]

i keep thinking about this ask. tavros bug. tavros bug. there is he. i think hes complaining about how people keep telling him to grow up when he's objectively never going to get to do so.

tavros...

[ricky-mortis]

Howdy hello- guess who made a wings au :)

More to come with this eventually- I’m working on my designs for other characters at the moment, but for now we’ve got Red-Tailed Hawk for Curt and Eagle Owl for Owen.

For DMA I had Barn Owl wings because a) Barn Owls are beautiful and I wanted to draw the wings for them, and more importantly, b) Owen would probably want to disguise his wings, and it would make sense if it was as a different type of owl. I just assume he’d dye his feathers in some way or another. Look- just don’t think about it too much.

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art