#i could be wrong still

[coyotecreek]

There they are, Clay x Lark worms.

She fed them right after I was done checking. They all look really good. I expected no less from this pair.

[hinamie]

trick or treat!

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[soranker]

tomorrow :)

[maythedreadwolftakeyou]

in The Wigmaker Job and to a lesser extent Veilguard we get a great deal of exposition/clues into how painfully observant Lucanis is. part of him being a top tier assassin is his ability to be hyperaware of everything going on around him and interpreting what that information means correctly, because if he gets it wrong he can die. so i don’t personally really think he was ever truly unaware that Rook was flirting or interested in him. i think instead his denial/avoidance about it stems from the fact that he feels like he is tricking Rook into thinking he’s someone deserving of love. he knows that they are interested in him, he just thinks they shouldn’t be, and wouldn’t want to be if they knew the “real him”

[beastlyidiocy]

Feuċ, súile Dé go fuireaċ air

[autumn-may]

terrisas really funny ithink

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[toadtusks]

I’ve seen some people thinking that the Mighty Nein cartoon isn’t adapting the texblade accent for Fjord, but the clip shared takes place pre-campaign in which canonically he wasn’t using the accent yet. Which Travis seems to have confirmed on Twitter. So it’s still quite likely Yeehaw Fjord will be making an appearance.

[leathfaic]

One of the things that pisses me off about MWIII and the lead up to it so bad is that whole "Oh I wasn't in the tank" thing around Graves.

Because it takes away from my success as a player and its just dumb.

But more importantly because Activision for some reason decided to play it like "Look at Soap being so dumb thinking he killed Graves, isn't he a ridiculous little man?" while Graves is given the "strong survivor" treatment by them.

Soap took out a tank.

Without dedicated gear.

He survived multiple assault teams while at it too. Not just survived, he took them out as well.

And then blew up a tank with nothing but some C4 to a point where no one in it could have survived.

Like he did that and you're telling me Graves wouldn't be fucking afraid of running into that guy again? If being in a tank can't save you from his wrath you're telling me he ever felt safe around him?

Nah. No way. We deserved to see him flinch the moment Soap enters the picture. To keep to the other side of the room. Trying his best to work with anyone but him.

Soap is unhinged and highly dangerous, or he would have waited for his chance to piss off instead of fighting that thing but he gets treated like instead of letting loose of his anger over the betrayal he was just a big dumb dumb and everyone else was in on the joke.

Like fuck man. That also means the player is seen in the same way, like you thought you just won a cool boss battle? Oh you stupid little player, that was for nothing and we're gonna take that feeling of success back. Games don't need to be gratifying, do they?

Actually that probably could be MW3s whole title.

[flwrkid14]

The Tim Drake Heartthrob Conspiracy – Part 2: A Heartthrob with Loser Rizz

So, Tim Drake is Gotham’s newest heartthrob. Cool, right? Except, well… there’s one tiny problem.

For all the brooding good looks, the sharp jawline, and that mysterious allure that has Gotham swooning, Tim Drake has absolutely no game. Like, zero. Nada. It’s a full-blown mystery how this man, who looks like he belongs on magazine covers, can be such a disaster in the romance department.

It all started with his date after that iconic moment when he rolled into the Batcave in that tailored suit. Everyone expected the night to go smoothly. It was Tim, after all—Mr. CEO, Mr. I-Can-Run-A-Multi-Billion-Dollar-Company. Surely, that would translate to his love life, right?

Wrong.

The next morning, Dick was the first to catch Tim yawning over his third cup of coffee. “Rough night?” he asked with a knowing smirk.

Tim just groaned, “I fell asleep on the rollercoaster.”

Dick blinked. “Wait, you fell asleep? On the rollercoaster?”

Tim sighed, rubbing his eyes. “I hadn’t slept in two days, and it was… kinda relaxing? The adrenaline and all.”

And that was just the beginning.

Steph found out later that Tim had somehow managed to spill soda on his date twice—once while trying to explain a complicated merger (because who doesn’t love business talk on a date?) and then again when he tripped over his own chair. By the end of the night, his date probably thought she was being pranked.

Cass, being Cass, summed it up perfectly: “Tim is Gotham’s biggest heartthrob, but he’s also Gotham’s most awkward date.”

Jason, of course, had to weigh in. “This is the same guy who walked into a glass door because he was distracted by a text.”

Let’s not forget the infamous “flower shop incident.” Tim, trying to be romantic, went to pick up flowers before another date, but things quickly went south. How? Well, let’s just say, when you knock over five vases, trip into a display of roses, and end up covered in petals, it’s hard to look suave.

By the time the Batfam heard about that little misadventure, Damian had had enough. “Drake, how is it that you have the charisma of a plank of wood?”

Still, Tim doesn’t mean to be such a disaster. It’s just, well, life seems to have it out for him when he’s trying to impress someone. He once spent an entire dinner talking about the intricacies of encryption algorithms—his date didn’t even make it to dessert. And don’t even mention the time he thought bringing homemade spreadsheets to a movie date would be cute. (Spoiler: It wasn’t.)

Yet, somehow, despite all of this, the mystery of Tim Drake continues to deepen. People are still thirsting after him. The forums are still buzzing with talk of his “quiet charm” and “endearing quirks.” Even his awkward moments somehow manage to add to his appeal, giving him this relatable, down-to-earth vibe that no one in Gotham can seem to resist.

And so, the Batfamily remains baffled. Tim may be Gotham’s biggest heartthrob, but when it comes to actual dating?

He’s a disaster wrapped in a perfectly tailored suit.

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[maareyas]

it's shadow's turn to be put in water | [Speedpaint here]

I thought I would be cool and added a bunch of rock under the water, but if you watch the speedpaint, it ended up making me frustrated instead lmao. anyways this one didn't end up being too clean because I wanted to do a low stress painting

original meme under the cut

[cherie-luvv]

“Which could mean nothing”

Dude you looked at him as if he was literally the Sun.