#i can't even let myself talk about it to the person i've been with for almost 8 fucking years
hello & good morning/afternoon/night! feel free to ignore this ask if you don't want to or don't know how to answer. i have been following your blog for years now, i think, and i have been accompaning your life through the pictures you post. i always had similar dreams of living in a farm or just in a more "secluded" place in general - hiddem away from big cities, i mean, closest place being a small town or even village, you know - and though i have lived alone for 2 years now i have a lot of fears of living by myself in ambient where there is relatively less people (even if there are neighbors not that far away). yknow, classic fears, of being robbed, my house being broken into, etc etc. once again i know it's a different world and the probability of something like this happening is actually higher in places with a bigger populational number, but have you ever had experiences like this? have you ever felt a similar fear? i'm trying to find out if this is something i really want.
Hi ! I love that I read your message last week right after I fondly reminisced about hearing murder screams in my woods at night. I've been thinking about it and I think regardless of what statistics say, some people feel safer surrounded by people in a town while others feel safer in more secluded places—I mean there's probably a personal temperament aspect to this... I've always loved going out for walks in the middle of the night but I couldn't fully relax doing that in cities, while here I find it so relaxing. It's so dark and quiet it feels like walking at the bottom of the ocean <3 It's the closest I can get to the peaceful life of the sea cucumber. And since I'm alone in this forest and there's no one for several km around I feel like nothing bad can happen to me. But I have city friends who would never consider going for a walk with me in the woods at night.
Can't recommend having a medium-to-large dog enough! Despite his debonair manner Pandolf is a good guard dog—one time that I got to test this was when someone parked their car on the side of the road maybe 300m from my house, and stayed there for almost a week. It wasn't a camper van, just a normal car, and every time I went to see it during the day it was empty, but I saw lights in there at night. I didn't like it at all! Why park here in the middle of nowhere. Near my house. This isn't a convenient spot to fish or anything, so where are you all day...? I remember the night I noticed the light in the car from my window, and I sat in my bed like, okay, someone's over there, but even if he gets to my door I have 2 other ways to get out of the house, my nearest neighbours are like 40min away by foot through the woods, I know my woods better than this guy, I'll be fine.
It's the only time that I recall feeling a bit antsy at night—and Pandolf was very alert as a result, he could tell I was nervous and when I went to close the chicken coop in the evenings he went patrolling all over the place in a way he doesn't usually do. I have a natural talent for not doing anything about problems and hoping they'll go away on their own, but after a few days I eventually told a distant neighbour about this weird car, and he came the next evening to talk to this person—but the car left that same day. And when my neighbour came to tell me he hadn't found the car, it was already dark and he parked his car in front of my house and at first Pandolf refused to let him get out. Even though he knows this neighbour and the guy had half-opened his door and was like "Hey Pandolf it's me!", Pan just stood there growling continuously like Cujo. It was good to see that although he's a really friendly dog, if I'm freaked out he can get quite intimidating.
Other than that one weird car story I've never really felt scared being here alone at night, and I didn't worry about that before moving here either, I was impatient to go on nighttime walks in the woods, rather! But having neighbours I'm on friendly terms with that I can call for help if needed, and whose house I can reach by foot, is reassuring; so I think mostly it's a matter of finding the degree of seclusion you're comfortable with. There are all sorts of gradations between living in a big city and living like the first Desert Father :) Is there any way you could try spending some time alone in a more remote area for temporary stays, like holidays, to see if you get used to it and come to appreciate it, or if you feel safer in more populated places?
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So fucking pissed at people who say that hyperspecific labels “make the queer community look bad” or “is just pure attention seeking”, NO MF I JUST LIKE HAVING A NAME FOR THINGS I FEEL.
Like, my situation with gender is so fucking complicated that having a person coin something such as “dazegender” was so good to me, and I still have a complicated relationship with gender !! I’m so glad for whoever coined the term “Omnisexual/romantic” because it would've been a living nightmare to do mental gymnastics to feel like I fitted pan or bi.
“But those are spectrums” do people treat them as such ? Do they really ? Plus it's just difficult to my head to grasp the concept of “spectrum” it either is or is not, that's how my brain works personally. (My brain needs to be able to name things, basically. And also to know exactly what to do, if we're talking about chores, per say).
In today's generation so many people (me included) just find it SO HARD to put their feelings into words that it is genuinely a blessing to have labels that can label what we feel so precisely (to us, at least), “but you're overcomplicating something that should be simple” feelings are so far from being simple, honestly, and what is simple to you may not be to me, and that's okay, just don't call me attention seeking or whatever.
Also, also !! Hyperspecific labels/flags just make me (at least) feel more validated, since it makes it clear to me that I'm not alone in the way I feel and it kinda validates me (in a good way) :] And it's the Queer Community after all, so I think it's past the time we start actually acting like that.
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some friends convinced me to try using a dating app to get over this guy I have feelings for (the feelings are requited but long story short a relationship is not in the cards and ALSO we have to see each other multiple times a week regardless so we can't get away from each other 🙃) and like. why does this give me so much anxiety. I really don't know how to date. I don't catch feelings for people unless I've known them for a while. I'm the embodiment of friends to lovers. and until I catch feelings not only do I have zero interest in even holding hands, the thought of it also makes me anxious and then I panic and run away. why am I like this...
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Also since I am being too personal and there is a slim chance one or two members from that old college friend group might see this, in bombshell news Ren and I are no longer friends, and Ren and Fed (now Fae) are divorced. Ren and I ended late December 2022, so it's been 1.5 years and I am finally, finally starting to feel better.
In my version, I couldn't emotionally support Ren through their divorce anymore, and I needed a break from talking about it literally 4x a week. They found out I talked to Fae about the divorce after I set that boundary with them (because that was the third time Fae ever asked for insight about the divorce, and it was still almost too much) and Ren ghosted me! My best friend of seven years ghosted me because I set a boundary and wasn't capable of emotionally supporting them anymore. We literally talked every single day for our whole friendship before that point.
After 2 months of occasionally reaching out to them and getting radio silence, I ended our friendship. The ending was mutual in the last conversation we had.
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it is not slacking off to write or create it is not slacking off to do things that are fun i am not slacking off or procrastinating right now i'm allowed to do things i enjoy doing for fun including playing games and writing and such
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kinda really sucks that i've been made to feel so obnoxious and wrong that i just can't really talk about anything myself unless i'm asked something
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it's so annoying that if i Do choose to give up, i'll feel so so guilty about it. for some reason somethingggg in my brain feels like i have to go through with a job even if it means being absolutely miserable . like . people can try things out and then decide it's not for them . it's normal . and yet
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Rereading ayaka is in love with Hiroko senpai!!! Last time I read it I don't think it was finished/I didn't finish it but ack. Now I also want to be in love 😭😭😭
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i am getting started on productivity for the night but haven't figured out yet if i want to write or art first and there's also the tiny part of my brain that just wants to stare at kabru until it is ok to stop staring at kabru
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tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:
plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."
contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."
on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."
rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."
"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."
"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."
rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."
"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."
"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."
plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."
before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.
on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."
"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."
a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.
she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.
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"I love you but I can't say those words":
I would drown even the stars for you.
When I look at you, I just think about how much things have changed since we first met.. my how time flies..
don't you think looking at me like that will give me the wrong impression?
oh, by the way, don't be late for dinner.
I don't think I would have rather done this with anyone else..
did you ever think we'd grow so close?
how many times have I had to nurse you back to health now?
maybe you should sit this one out, I've got it for now
why haven't you told me this before?
Please don't do anything reckless
Will you sit with me?
When was the last time you ate??
Anything that you have to say to me, you can say infront of [B]
I know you're not feeling the greatest, that's why I brought you [insert thing]
you just love to give me hell, don't you?
You're important to me.
I don't wanna lose you / I can't bare to lose you
do you need some help with that? allow me
Hidden Confessions:
I don't think you understand just how much you really mean to me.
I know how you are, and that's why I've decided that you won't do this alone.
You can't get rid of me that easily (after an argument)
don't think so low of my loyalty to you for I would burn the heavens if it mean saving the stars in your eyes.
you've always been the one person who I could never stay mad at
I cherish the memories we make together
I will never let anything or anyone hurt you
you won't take them away from me
don't you dare lay a finger on them!
if you so much as make a move on them I will kill you where you stand, you hear me?
so precious, our time together
I love whatever this is between us.
do you ever think about where we'll be in 10 years?
careful now, you just might make me blush talking like that
Sappy Sentences:
I don't think the heavens or the hells below could fathom the level of love we share.
If there were a way to bottle your love, I'd get drunk on it every day
Sometimes all I really want is to lay like this, with you in my arms forever.
For us eternity doesn't mean for the rest of time. Eternity is just for the rest of our lives together.
I don't remember giving you my heart, but I know it's safe in your hands.
Watching you get hurt is like a blade through the heart, I can't take it.
Even if I had six hearts, they'd all beat for you.
I can't blame those who stare at you, I get lost in your beauty myself.
I'd worship you as my supreme deity, bathe me in your grace
I'd do anything in the world for you. Just you name it.
Come lay with me, I want to heart your heartbeat.
Everytime I'm with you, I can't help but feel at peace with the world.
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The effects of face paint on Harrowhark's psyche
I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.
Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.
I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.
All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.
Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.
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(unedited) simon loves you, he's just not the best at showing or saying it.
"no, simon. you don't-," you swallow thickly and forcefully pull your wrist away from his grip. "- you don't get to leave and come back when it's convenient for you." your lips are set but they wobble, teetering with the storm of emotions brewing within you. "i'm done trying. i can't do, whatever this…this twisted game is between us." [i’m sorry.]
he's been silent your whole talk, he seems so stoic as if the conversation is a hassle- like he could care less; and maybe he could. you can never guess what simon was feeling. he was like an impenetrable wall, unwavering— even for you; it left you feeling alone most days.
your eyes flit over his face, hoping to see something, anything that would make you second guess what you were saying. but as usual, he’s unreadable; and tears well up in your eyes as you continue, your voice trembling with a mixture of something akin to pleading and sadness. "i've given you countless chances, simon. i've allowed you to come and go as you please, hoping that one day you would realize the love i have for you. but i can't keep living in this constant state of uncertainty, never knowing when you'll decide to leave again." [no more, never again will i leave you. i swear it.]
you take a deep shuddering breath, trying to steady yourself, but the pain in your chest hurts fiercely. it steals your breath away, and flushes your cheeks with heat. "i deserve better than this, simon. i deserve someone who will be there for me, someone who won't treat me like an option. i can't keep waiting for you to change, to finally see my worth." [i see you. i love you with every breath that i take. until my lungs give out.]
your words hang heavy in the air, you wait for him to say something, to tell you that he loves you, that he’ll do anything to get you to stay. say something, you think. "i've spent too long trying to make this work, trying to convince myself that your attention is enough. but it's not. it's never been enough." [say something! tell her you love her, that you'd die for her. say something, simon.]
a singular, angry and furstrated tear escapes, tracing a path down your cheek. "i deserve a love that is whole, that is unwavering. i deserve someone who will fight for me, who will choose me every single day. and if you can't be that person, then i have to let you go." [don't say that, please. i love you.]
your brows furrow and your chin sets, your hands coiling into fists. tears flow in rivulets down your cheeks and you lift one fist and hit his chest weakly. “say something, you coward.” you utter, your other fist raises to hit him once again. “i hate that i love you so much, i hate you for being the only thing that i think about. i hate you simon.” [i love you, so much that you're the only thing i think about. i love you _____.]
your punches get heavier but he's unmoving, a tic starting in his jaw. in a sudden burst of frustration, you shove at him, your lips pressed tightly together, and your cheeks burning. yet, he remains motionless, his gaze steady and unwavering. “say something, damn it!” you wail, preparing to hit him again, however, his large hands swiftly seize your raised fist before you can and he pulls you into his chest, cupping the nape of your neck and engulfing you in…him. "i love you."
and you know you shouldn't but you melt in his arms, go completely slack, and cry harder. “then say that.” simon presses a kiss to your temple, and you freeze at the tremble of his lips, his chest rumbling as he speaks again. “i love you so much.” and just like that, he reeled you back in, just like he always does; and it felt like coming home. the familiarity of his touch, the warmth of his embrace, it all felt so right, as if you were finally where you were meant to be.
but you knew that as soon as the days turned into weeks, and the weeks into months, that the cracks in your situationship would begin to show. and part of you can't help but think that maybe, just maybe, you were fated to live this exact bittersweet cycle with simon until the end of time.
my eyes were sweating a little when i was writing this ngl
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