#i can't believe we're really getting this podcast
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baronessblixen · 2 days ago
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HEY, you got your DD and GA podcast episode!!!!
I'm excited for me, obviously, but I'm really excited for you. :DDDDDDDD
(I feel like a wizard for predicting they'd meet in person, BUT, regardless, I'm excited for tomorrow? I think it is?)
I did! I mean we all did 😁 I'm so excited for all of us, truly. I know some people were hoping she wouldn't be one, and are not looking forward to it, so I hope they will find a corner of the internet tomorrow where they don't constantly have to see it or hear about it.
Meanwhile, I may not talk about anything else tomorrow! Maybe you are a wizard 😁we were all just hoping and grasping for it, weren't we? We got a pic. No matter what, Gillian and David - or at least Gillian - know how much a large part of the fandom loves seeing them together. And they're giving us that.
It's tomorrow! I will be completely useless until then - and afterward!
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prokopetz · 2 years ago
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One of the more frequent anecdotes you'll hear from Dungeons & Dragons podcasters is that any time they switch to a system other than D&D, even for a one-off arc, they immediately experience a large drop in listenership – sometimes up to eighty percent! – only to see most of those listeners come back once they switch back to D&D.
What's interesting about this is that the greater part of D&D podcast listeners do not play Dungeons & Dragons. They might have a general idea of what the game's rules look like based on what they've been able to passively absorb from listening to the podcast, but they don't have regular groups, they don't own the rulebooks or maintain subscriptions to the e-book service, and many of them have never rolled a d20 in their lives.
How, then, do we account for that sudden drop in listenership? Why does which system a tabletop roleplaying podcast is using matter so much if most listeners neither know nor care about the rules?
The answer is, unfortunately, quite simple.
In many ways, advocacy for indie RPGs has never moved past Ron Edwards' infamous argument that playing Dungeons & Dragons causes actual, physical brain damage. Deep down, a lot of indie RPG advocacy seems to believe there's something sinister in the structure of D&D that's responsible for what they regard as its unaccountable popularity. You can see this in everything from the casual assumption that D&D players aren't "really" having fun (and all that's needed to convert them to other systems is to show them they've been tricked into falsely believing they're enjoying an objectively un-fun activity), to the rambling thinkpieces that talk about getting folks to try other games like they're liberating people from the fucking Matrix.
Yet we come back to the same problem: how can the mechanical structure of D&D be implicated for its culturally dominant position in the minds of those who've never picked up a twenty-sided die?
The truth is that Dungeons & Dragons enjoys cultural dominance, both within the hobby and elsewhere, because it's owned by the same multinational corporation that owns Monopoly and My Little Pony, and benefits from all the marketing strength its owner can bring to bear. The problem, in brief, is brand loyalty. The aforementioned podcasts lose listeners in droves whenever they give a non-D&D system a spin because all most of those departing listeners care about is whether the thing that they're listening to is called "Dungeons & Dragons". The structural particulars of the mechanics are irrelevant.
The bitter pill we've got to swallow as indie RPG authors is that we can't fix brand loyalty in tabletop RPGs by fucking around with the shape of the dice. There are lots of productive causes we can support to help address the problem, but they mostly have do to with intellectual property and antitrust regulations and such, which are areas where our finely honed ability to debate the correct way to pretend to be an elf is of very limited utility.
Like, I enjoy an abstruse argument about the ideology of dice-rolling as much as the next nerd, but let's not fool ourselves that we're speaking truth to power here. The gamer who just wants to roll dice to hit the dragon with their sword is not your enemy.
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samandcolbyownme · 8 months ago
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Summary: Reader accepts Zach's invitation about coming onto the podcast, despite going through a hard time. 
Warnings: there won't be smut in this (I can always do a part 2), but there will sexual innuendos and other things that make it feel like it belongs in this book, kinda sad beginning, swearing, joking around, reader is good friends with Zach and Jared, reader feeling sad/down, long distance relationship? possible angst? 
I will be using some actual dialogue from their videos, but most of it will be from me. 
Word count: 6.3k | not edited
─── ⋆⋅ ☾⋅⋆ ───
It's been a few weeks since you and Sam sat down and had a long discussion about your relationship. 
You both agreed that it was best you "cut things off'' until things start to settle down - but you both didn't know when that was going to happen. 
No matter how hard you tried, your schedules were always packed. You were flying to one state on the other side of the county. 
Sam was flying to the opposite. 
It didn't really make sense, because things really didn't change romantically, you still said I love you. You still FaceTimed when you could. 
It's just, everything was always over the phone. 
Through texts, phone calls, pictures. 
You haven't seen each other since the night Sam left with Colby to do their overseas haunted tour thing that they've been planning for months. 
That was three weeks ago, and it's killing you - both. 
You both agreed that you need to give both of your lives all you got, and that's where it made sense. Putting your careers first, getting ahead so you have time to plan out the future together. 
You hated it. Absolutely despised it, but you truly believed that if your love was real, and you truly believed it was.. 
It will always contain the habit of coming back. 
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You hugged Sam tight, not wanting to let him go. His arms stayed around you, chin rested on your head as he basked in the last moments you had together before he had to fly to Romania. 
Then to Spain. 
Then Ireland. 
It was going to be non stop. 
"Hey." Sam whispers, "I love you." You sniffle, mumbling into his chest, "I love you." He slides an arm over your shoulder, tilting your tear soaked face up to look at him. 
He smiles slightly, biting his lip to hold back his own tears, "I don't care how complicated things gets. I still want you." 
You nod, "Always your girl." 
He kisses your forehead, "Always my girl." 
You can tell he nods, meaning Colby has signaled him, and you let out a sigh, "Let me know when you land." 
"You know I'll update you any chance I get." He pulls you into a hug, squeezing tight, "I love you. I love you so much." 
You try your hardest not to cry, but you can't help it and sob into his chest, "I love you." 
He cups your cheek, kissing you deeply before leaning back, "I don't want to, but I gotta go."
"Go." You smile, "But don't have too much fun." You laugh slightly before it quickly turns into crying again and you fight it, "I'm sorry." 
He shakes his head, "Never be sorry." He kisses you one last time, "Wait for me." 
You nod, turning around to see Colby standing behind you, "Safe travels." You reach up, wrapping your arms around Colby's neck and he hugs you tight, "It'll be okay." 
You nod, leaning back, "I know." You wipe your face, watching as Sam and Colby walk towards the gate. 
Sam smiles slightly, giving you one last wave before he walks through. 
Once he's out of your sight, you cover your face, absolutely breaking down and you didn't care that it was in the middle of the airport. 
Your friend walks up, wrapping her arms around you, "You guys are inevitable." 
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"I have to go in like ten minutes, we're getting ready to head to our next place." Sam says from the other end of the phone. 
You pout totally forgetting about the time difference, "Okay." 
"Hey " Sam tilts his head, "Don't do that." 
"I'm not doing anything. I've mastered waiting until we hang up." You laugh and he sighs, "Girl. You're going to kill me." 
"If I was going to do that, I would have done it before you left." 
You've been coping with jokes and humor. You were still absolutely dying inside with not being able to lay with him. Kiss him. Hug him. 
It was still eating away at you, but, as said, you've just mastered it with humor. 
"Part of me wishes you did." Sam mumbles with a laugh, "This is hell." 
You sigh quietly, sitting up as you rest your chin in the palm of your hand, "I know." You smile as you think about what your friend said, "But just remember that we're inevitable." 
"Damn right." Sam smiles and you hear Colby yell at him, "Alright, enough with the phone sex. The car's here." 
You laugh as you watch Sam's mouth drop and he pans his phone over his fully clothed in layers body, "Does it look like I have my d-" 
"I don't need to know what nasty shit you guys are in to." Colby laughs and you sigh, "Alright. I love you." 
You see the phone get ripped out of Sam's hand and Colby's face appears suuuper close to the camera, "I love you, too." 
You shake your head, laughing, "oh my god." 
Sam gets his phone back and he smiles, "Talk later?" 
You nod, "You know it. Be safe. Good luck!" 
Sam smiles, "Yes ma'am." He salutes you, "Alright, I love you." You smile, "I love you." 
The call ends and you feel that sudden rush of, once gated, emotions hit you all at once. You fall into the bed, specifically on Sam's side and take a deep shaky breath, "Fuck." 
You lay a pillow over your face and lay there for a second, taking yourself down from crying. 
Your phone dings and you hesitate for a second before you toss the pillow next to you and search for your phone. 
A laugh leaves your lips as you see a message from your friend, Zach Justice, Hey sweet cheeks. Come on the podcast. 
You click on it, typing out, oh now you want me to come on? 
You take a screenshot and send it to Sam. You stare up at the ceiling as you wait for a response from either one, trying to convince yourself that what you're going through, is going to benefit your future with Sam. 
Together. 
You bring your phone up, rolling your eyes at Zach's response, Not so much me, but the people in the comments. Your name is infesting every video I post. 
Infesting? That's a.. weird way of putting it lol. I'll see if I can squeeze you in to fit in my busy, busy schedule. 
Your friendship with Zach has always been playful banter, ever since you met, but he's always there for you. 
You haven't said anything to him, or Jared, about your current situation with Sam, but you know that just going on the podcast would definitely help you get through this easier. 
You bring your phone back up and laugh as what Zach had to say, So kind of you to consider hanging out with me. 
You laugh, I know, I can be sooo nice. I'll come if you buy me a plane ticket. 
And pick me up from the airport, with donuts. 
You see the message change from delivered to read and his face pops up on your screen. You take a deep breath and hit answer, "You couldn't have just texted me?" 
"Donuts you say? You must be really going through it." 
You laugh, "You have no idea." 
"Does this have anything to do with Sam?" He raises his brows when you don't answer him and he hums, "Thought so." 
"We're.. together but we're not together? If that makes any kind of sense. I don't know. We both agreed that our schedules are too much for us to be labeled as a couple right now, so we just, agreed to put more focus on the business of our lives?" You shake your head, "I'm just.. feeling a lot." 
"Yeah, you're totally coming on the podcast." He laughs, "I'll get your plane ticket." You can tell he's focused on something else and you laugh, "I was joking. I can get my-"
"Done." 
"Zach." You laugh, "I don't even know when I'm free." 
"Well, you better be free next Thursday." He smiles, giving you a wink, "See you then." 
"Don't.. wink at me. That's weird." 
"Ugh" he groans dramatically, "Sorry." He smiles, "See you next Thursday, I'll send you the deats." He winks and hangs up before you can yell at him again. 
You see a message from Sam and your attention shifts as you read what he says, You should definitely do it, babe. I think it would be good for you. 
You tap the screen, Zach really didn't give me a choice. He bought my plan ticket for me already so now I have to move stuff around, but I agree. 
Your eyes move up to the time, groaning lowly as you realize just how late it is. You remembered you have a meeting for a brand deal within the next four hours, so you reach over, turning off your lights so you can try and get at least a little bit of sleep. 
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Why'd he have to get such an early flight, you think as you zip your suitcase closed. You lift it off the bed and set it upright on the floor before replacing the spot on the bed with your body. 
The last two days, Sam and Colby have been camping in a place they don't have service, so you haven't talked to him. 
Your phone dings and you lift in hopes that it's Sam, but it's Zach, On your way to the airport? 
You laugh quietly, You act like you're exited to see me or something, but soon. Waiting on my friend to get here to take me. 
Your friend texts you, letting you know that she's there and you get a move on, pulling the handle from your case and wheeling it behind you as you walk out to the living room. 
She comes in, "You ready?" 
You look over at her, "Yeah I just have to grab my headphones, they've been charging." She nods, "You doing okay?" 
You shrug, "I mean, yeah. For the most part." You laugh slightly, "As good as I can be." 
"Where did he say they were camping again?" She crosses her arms and you look at her, "Some.. demonic forest? I have no idea. If I don't hear from him by tomorrow I'm sending a search and rescue team." 
She laughs, "No I don't blame you." She walks over, grabbing the handle of your bag as you stuff your headphones into your carry on, "I know how Zach is, and he's a jokester.. are you going to be alright?" 
You nod, "I talked to Zach about everything last week, I told him that joking is my way to cope, so I gave him the green light." 
"I can't wait for this to come out. I just know it's going to be better than the others." She laughs and you nod, "Oh you know it." 
.·:*¨ ✘ ¨*:·.
Walking into the airport was almost like you were reliving that day with Sam all over again. Luckily, you had to go to a different gate in a different part of the building, which really made it a lot easier in the long run. 
"Well. I'll see ya in a day or two." You lean in, hugging your friend, "Thank you." 
She squeezes you, "Don't need to thank me. Have a good flight." 
You nod, "I'll try. I'll text you when I land." 
You turn, walking up to the lady to hand her your ticket. She smiles, "Hi, y/n. I have to tell you, my daughter is a huge fan of yours." 
"Awe." You smile, "You'll have to tell her I said thank you.
The lady nods, "I will." She smiles, "Safe travels, y/n." 
You smile and walk in, turning back to wave to your friend before boarding the plane. 
You sit down in your seat, checking your phone to see if Sam texted - but no message. You sigh, unfolding your headphones and slipping them over your ears. 
You've been on enough planes to know the routine. 
After pressing play for your music to play, you send a quick text to Zach, letting him know that you boarded and should be there in about two to three hours. 
Your flight feels longer than it should be. It felt like time was dragging by as slow as it could possibly go. 
But once you land and are able to exit, you practically bolt to the baggage claim. 
I got my bags, where are you? 
You look around, waiting to either see Zach or hear back from him. 
Moments later, he texts, Standing in front of the Starbucks. Someone didn't send me their gate number so I figured I'd treat myself to cheer myself up. 
You laugh, grabbing your bag as you type with your thumb, you're ridiculous, did you at least get me one? 
Zach replies, No why would I do that? 
You roll your eyes and walk to the Starbucks, smiling as you see him holding two coffees, "You did in fact do that." 
He turns, smiling as he opens his arms to hug you, "Yeah yeah, don't ruin it."
You step back, taking the coffee he hands you, "Ready?" He nods, "right this way, sweet cheeks." 
"You just going to keep coming up with new nicknames each time you talk to me?" You laugh and he stares at you, "Um, yeah. That's what I've been doing? Right?" 
You roll your eyes, "What are you going to do when you run out of nicknames? Recycle the old ones." 
He laughs, "Boy are you funny. Listen here." He stops pointing to his head and you tilt your head as you watch him tap his temple, "This baby can go for miles. Don't ever underestimate me." 
You hold your hand up in defense, "Message received, sweet cheeks." 
He gives you a look, trying not to laugh and he sighs, "Not cool." He laughs, turning to lead you to his car. 
The ride to the house was filled with small talk, mainly catching up and what not since it's been over a year since you've seen him last. 
Once there, you're greeted by Jared and Alyssa with hugs. 
"How was the flight?" Jared asks and you shrug with a laugh, "Long."
"Did you do your hair recently? It's so pretty." Alyssa plays with a stand and you nod, "Yeah I went after a meeting last week. I figured I needed a change or something." 
"You know, I think I seen it on Instagram." She laughs and Zach rolls his eyes, "girl talk, yuck. I'm not doing this." He walks over to sit down and puts his headphones on. 
He motions to the empty chair, "Are we doing this?" 
"I still don't have a choice do I?" You laugh and Zach sighs, "Now you're finally getting it."
You set your stuff down, walking over to sit on the red seat. You put your headphones on and look around as Jared and Alyssa get settled in. 
"We good?" Zach asks and looks at everyone, and you all nod. 
"What's up guys. Welcome to one ninety six of Dropouts." Zach starts in a loud, cheery sing songy tone, "Were here with the guest you've all been waiting for..." 
Jared gives Zach a drum roll and Zach looks at you, "Miss Y/n y/l/n." 
"Hi everybody." You smile, "Just to let everyone know, Zach didn't give me a choice to do this, so everyone should go flood his comments-" 
"No, cut that out. We're cutting that out." Zach tries not to laugh, "Listen. It only took how long for you to finally get here?" 
"She's a very busy girl, Zach." Jared laughs, "Speaking of.. Did I, or did I not, see that you're going to be on the next cover of vogue?" 
"You guys heard about that?" You smile and look at Alyssa and she claps for you, "Powerful woman." 
You smile and look at Zach, "Jealous?" 
Zach raises his brows, "That I'm not a woman? Please. I don't need anymore problems." He takes a deep breath, "Anyway. Besides that, I want to ask you a very serious question." 
You time your head, "That could be anything.." 
Zach fights back a smirk, "You seen, two or three episodes back that we had.. Sam, and Colby on here, right." 
Jared laughs, "Zach, where are you going with this?" 
"No where. Well. I mean." He laughs, "Somewhere, but just, wait. We aren't there yet." 
"Clearly." You and Alyssa say at the same time and you both laugh. 
Zach points between the two of you, "See. This is why I don't like having them both here, they like tag team me and not in the way any man would want to happen, ya feel me?" 
You roll your eyes, "Sam and Colby, your question." You laugh when he looks at you and he smirks, "You and Sam.. getting down and dirty yeah?" 
You laugh, "If you want to put it that way, I mean. Yeah, but not like.. recently." 
"Why's that?" Zach rubs his chin with his fingers and you shrug, "in the words of Jared, she's a very busy girl, Zach." 
"Mm, okay." He raises his brows and shakes his head, "Now another question I have for you.. and don't get mad at me for asking this, because if I'm correct, they confirmed this when they were here." 
You raise your brows, knowing exactly where this is going, "Mhm." 
"Did Sam leave the states to be with Colby officially because, now, this is what I was told, you threatened to turn Colby into a spirit himself?" Zach leans back and you stare at him for a few second before laughing, "Oh my god." 
"That's.." Jared laughs, "Who did you hear that from?" 
Zach makes a face, "Oh so now you're going to sit there and pretend like that isn't what you told me last night?" 
"Whoa, okay. No. Y/n. I didn't-" Jared laughs and Zach cuts in, "Oh, see. He can't deny it. His face is as red as the seats and he's starting to smell because he's so full of it." 
"What the fuck." Jared rolls his eyes and you sigh, leaning in towards the mic, "For the record, I have never threatened to turn Colby into a spirit." 
"But you aren't denying that they're married?" Zach tilts his head, pointing his finger at you, "But even then, you'd have to ward off Colby because I'm sure his spirit will just attach to Sam." 
"No that's little girl spirits." Jared laughs, emphasizing again, "Spirits. We've been over this with them. Please don't take that the wrong way." 
"Anyway." Zach shakes his head, "When's the last time you talked to either one of them?" 
You sigh, "Oh gosh. This will be day three, but I've already said, if I don't hear from him by the end of today I'm sending in a search and rescue team for their asses." 
"Oh gosh, that just.. wow." Zach sighs, "Can I just.. that just brought up something very serious and I need to say it, like right now." 
"Or what you'll explode?" Alyssa asks causing you and Jared to laugh. Zach looks over at her, "Can you just shut up for two seconds, I have something important I need to say." 
Alyssa raises her hands, fighting back her laughter. 
Zach looks at you and he takes a deep breath, "Now this.. might be hard for you to hear, as well for everyone else watching and, or listening.. but.." he looks into the camera, "If you wanna see me go retrieve Sam and Colby from." He pauses and looks at you, "Where are they right now?" 
You fight back laughter, "Camping in some demonic forest." 
He picks right back up, "Camping in a demonic forest, subscribe to the Patreon, you can see all of that plus stuff that's already happened." 
"You're.. insufferable." Jared shakes his head as he looks down and Zach just shrugs, "People like them. And if they know that I'm willing to help them, they'll like me, too. Okay. Moving on."
"So you literally got in today? Like your flight." Zach asks and you just stare at him. He cracks a smile, "What?"
"You're literally the one who picked her up from the airport, Zach." Jared laughs and you gasp, "Oh, and he brought me donuts like I said to last week and a coffee at the airport while he was waiting for me." 
"Hey hey hey." Zach says quickly, "Don't be telling everyone lies. You know I spit in your coffee before I gave it to you." 
"That's atrocious, Dude. What the fuck." Jared closes his eyes and shakes his head. You stare at Zach, "No you didn't." Zach shrugs, "The world may never know." 
"I don't know if I believe him, because I can totally see him doing that, just like to fuck with someone close to him." You laugh, "Oh god, I drank all of that, too. Did you really do that?" 
Zach sighs, nodding his head as he speaks, "No, I didn't." 
"See!" You point to him laughing, "You're a child."
Zach laughs, "Yeah and you're the queen of England." He pretends like he's using a gavel, "Case closed. So. Back to Sam and Colby.. Since you're so close with them, like have you gone on any investigations with them?"  
"I used to. Like right before my channel took off, I would go with them maybe twice a month?" You answer and Zach nods, "Is that why your channel blew up?" 
You can tell he's asking something that does relate to being touched or spoken to by a ghost, "Are you-" 
"Yes." Zach cuts you off and you laugh, "No. I didn't sell my soul. I'm pretty sure it's still there, I mean I don't know how to check but." 
Zach reaches over and feels your wrist, "Still there." 
"Zach." Jared bursts out laughing, "that's her pulse man, not her soul." 
Zach shrugs, "You never know. She may have turned into some sort of succubus demon thing that doesn't have a pulse but she has one. She's good." 
You roll your eyes and you can feel your phone vibrating in the pocket of your sweatpants, "I'm getting a call." 
"That the devil calling, he wants to return your souls." Zach says and you laugh, "That was good." You pull your phone out, not even hiding your happiness when you see Sam's name, "It's Sam." 
You push your one headphone off your ear and bring your phone up, "hey!" 
"We just got to service, are you okay?" Sam asks and you keep smiling, "Yeah I'm actually doing the podcast right now."
"Oh fuck, right now? I'm sorry." Sam says and you shake your head, "No, you're fine, how was it?" 
You look over at Zach and he wiggles his fingers, "Put him on speaker." You hold up one finger and continue to listen to Sam speak, "I'll have to FaceTime you later and show you. It was pretty nuts." 
"Oh god, yeah I'm sure. Zach wants me to put you on speaker so I'm going to do that here in a second." You take the phone away and tap the button, "Okay." 
"Is y/n a succubus?" Zach asks straight away, obviously catching Sam off guard, "What.. the fuck?" He laughs, "Is she a what?" 
"A demon. I mean I checked her pulse and she has one so I think we're good, but I figured I'd check in with the main ghost hunter because you'd know her better than any of us." 
"What kind of things are you talking about on the podcast?" Sam laughs and Zach sighs, "I guess you'll just have to wait and see when the video comes out." 
"Um.. okay." Sam laughs and you take him off speaker, "You're off speaker, now." 
"Yeah so give it to her good, Sammy my boy." Zach yells and you roll your eyes as Sam laughs, "There's something wrong with him." 
"Oh I know. But according to him, his brain can go for miles." 
"Y/n. What did I say about telling my secrets." Zach shakes his head and you shrug, "Sorry, that must have been the devil taking over." 
Zach raises his eyebrows, "Clearly." He nods, "Ask Sam if he got my text, since they now have service and what not." 
You relay the message and Sam takes a second to check, "Oh yeah, I got it." 
You nod to Zach, "Yeah, he got it." Zach nods, fighting back a smirk, "Cool, cool." 
"Why are you acting like that?" Jared asks and Zach tilts his head, "What do you mean?" Jared looks from him to you, "You're being.. more weird than usual." 
"I have my meter for weirdness and it sits right here." Zach holds his hand up, "and I haven't gone above that level since... Mm. Let say. Tuesday?"
"What's going on?" Sam asks and you laugh, "Oh Zach and Jared are arguing. Normal stuff, you know." 
Sam laughs, "Oh yeah. Typical." You hear him sigh and you know what's about to happen so you cut him off before he can say anything, "Talk later?" 
"You know it. I love you." Sam says and you smile, looking down, "I love you." 
The call ends and you look up, "Alright." 
"Alright, now we can get on with other things." Zach claps his hands together, "Are we still going out after this?" 
You raise your brows, "Out?"
Zach furrows his brows and looks from Jared to Alyssa, "Is your guy's stuff acting up?" He motions to his headphones and they both shake their heads no.
"Mines good, why is yours?" Jared asks and Zach shakes his head, "No, I'm just trying to make sure that y/n can hear me alright because out is exactly what I said." 
You roll your eyes, "Oh my god. Shut the fuck up." 
"I didn't know if you could hear me okay or not, was just double checking, jeeze. No need to be so aggressive." Zach tries not to laugh and you shake your head, knowing that no matter how much you try and talk yourself out of it, you'll still be going out. 
So you just sit back and accept your fate. 
.·:*¨ ✘ ¨*:·.
Almost two hours later, the podcast comes to a close and you set your headphones down on the bench, "Is it just me, or did that podcast feel like it went longer than normal?" 
You look between Zach, Jared, and Alyssa. 
"I don't think it felt any different." Jared shakes his head and shrugs. Alyssa nods, "I think it went over just a little bit, but not much." 
You nod and Zach stands up, "That jet lag must be really doing a number on you." 
You shrug, "I don't know, but are we at least getting dinner because I haven't eaten since this morning."
"You are such a cry baby. Let's go." Zach laughs as he walks away and you scoff, following him out the door. 
You all pile into the car and start driving to the restaurant, "So where was Tara?" You ask leaning forward, "I texted her but I haven't gotten any answer from her." 
"She's like, really sick." Zach says, "I called her this morning and it sounded like she swallowed her phone." 
"Oh god, if she sounds that bad then she's probably sleeping it off." You lean back, looking down at your phone, "So what did you and Sam talk about?" 
You look up at Zach and he looks back at you in the rear view, "When did your name change to Nelly because you're awfully nosey." 
You laugh, "Fine then don't tell me. I'm sure he'll tell me anyway." 
"Yeah, he probably will." Zach turns into the parking lot and you roll your eyes, accepting that reverse psychology doesn't work on him. 
As you get out, you check your phone. You let out a sigh and slip it into your pocket before closing the door. 
"I don't know much about the situation.." Alyssa says as she walks over to you, ".. but I know that you and Sam are major endgame if you ask me." 
You smile, "Thanks. I just.. we talked about putting pause on our relationship and it's just so hard because the only thing that really changed was us making time for each other. I mean, it didn't really happen much lately anyway, but the fact that we just cut it all out in one shot.." you sigh, "I hate it." 
She nods, "I'm sure it's rough, but you both have great careers, and I promise that it'll work out in the end. It might not seem like it now, but it will." 
"Thank you." You take a deep breath, "I actually needed that." 
She smiles and rubs your back, "Come on, Zach is probably in there bitching." 
You laugh and roll your eyes, "Probably." 
You walk into the restaurant, making your way to the table that Jared and Zach are sitting at and Zach looks up, "So they didn't get kidnapped." 
"You can't get rid of us that easily." You laugh as you sit down, "So what's good here?" You look over at Alyssa and she explains some of her favorite dishes. 
Throughout dinner, you caught yourself checking your phone and your sadness grew each time you seen zero notifications from Sam. 
At this point, you wanted to go to a hotel and just sleep off your day. 
But that wasn't happening. 
"Why do you look more miserable than normal?" Zach asks and you look up at him, laughing slightly, "I'm just.. getting really tired." 
Wasn't a full lie. 
"Uh huh. Well you better wake up, because where we're going next will get your mind off, being tired." He tilts his head and you roll your eyes, "I hate that you know me." 
"You secretly love it. Now come on." He stands up, along with you and everyone else and you make your way out to the car. 
You're quiet for the most part, except for when they force you to join in on conversation. 
"When did you hear about Vogue?" Alyssa asks and you can't help but smirk, "I found out a few days ago. I kind of just waited, kept it to myself. It really didn't hit until Jared asked me about it." 
"So wait, the post that they made with your picture titled the next face of vogue didn't make it set in?" Jared asks and you shrug, "honestly, no." 
You laugh and sigh, "How much longer?" 
"We're here." Zach replies and you nod, looking out the window at the building, "So is this like a bar scene? I'm not dressed for that." You joke and Alyssa laughs, "You look fine, trust me. Your sweats were the way to go." 
"I am super comfortable." You laugh as you get out, not even bothering to check your phone. 
You follow them in, handing the bouncer your ID, letting him check it before making your way in. 
The music is loud and it's filled with a few faces that you've met before, not anyone you're really willing to sit down and have a conversation with, though. 
You walk up to the bar, ordering your drink as Alyssa does the same. 
"So don't.." she laughs, "Don't tell Zach I told you this, I mean, he'd kill me if he knew you knew this.." she pauses and you nod, smiling, "secret is safe with me." 
She leans in, "Zach is actually worried about you. He's afraid that you're working yourself too much and now he's worried that this whole Sam situation will break you." 
You're actually kind of surprised, but at the same time, you're not, "I kind of thought that when he called me that night instead of just texting me.. but I'm actually really happy to hear that from someone who's close to him each day." 
You take your drink, laying down your money, "keep the change." 
Alyssa does the same and looks to you, "Just let him think that he's doing something you don't know about. I don't want him firing me." 
"I won't let that happen." You laugh, "Thank you." 
She nods and you walk back towards Zach and Jared. Right as you walk up, Zach stands up and walks way, phone pressed to his ear and he doesn't say a word. 
You furrow your brows and point to him, "What was that all about?" 
Jared sighs, "Last minute cancellation for the podcast. He's not taking it good." 
"Oh gosh, who was it?" You sit down and Jared looks to Alyssa before he leans in, "Don't say anything, but it was the triplets." 
"Chris, Nick, and Matt?" You raise your brows, "Why'd they cancel?" 
Jared shrugs, "No idea, that's what Zach is trying to figure out." You pout, "oh gosh, I have Chris' number. I can text him and see-" 
"Alright. We're good to go." Zach comes back and sits down. You look over at him, "So the triplets are coming on? They're not canceling?" 
He looks between Jared and Alyssa before tilting his head, "You're not supposed to know.. so just.." he lowers his hand in reference to you lowering your voice and you nod, "Ahh." You lower your voice, "Gotcha." 
You sip your drink and pull your phone from your pocket as you feel it vibrate, "Oh. It's Tara." 
"What did she say?" Zach says and you read over her text, "Sorry I couldn't make it to the podcast. I was super sick this morning. I just now woke up, but I'm feeling a lot better, are you still in town? Would love to meet up with you before you leave again." 
"What's the name of this place? I'm going to text her where I'm at." You look up and Jared tells you the name before you shoot her back a text. 
"She said she'll be here in an hour." You put your phone back in your pocket and look down at your empty glass, "I'll be right back." 
You get up, walking up to the bar to get another drink.
"Are you okay?" Zach asks and you look over at him, "Yeah? Why wouldn't I be?" He shrugs, "I'm just.. asking. Jeeze. Can't a guy just ask a girl if she's okay?" 
You fight back a smirk, knowing that he really cares, "Yes, Zach. I'm fine, and you.. and Alyssa and Jared have all helped me get through the day without crying." 
"Good, because I really don't think I could handle you crying.." Zach laughs slightly, "Tara said she'll be here in an hour?" 
You nod, "Yeah, she has to get ready first, I guess." 
He nods, "Of course she does." 
.·:*¨ ✘ ¨*:·.
"Mm." You set your glass down, "Tara's here." 
"She is?" Jared asks shocked and you look at him funny, "That's what I just said, isn't it?" 
Jared tilts his head, "You've been around Zach for too long." He laughs and stands up, "I'll go get her." 
"No I will. I haven't seen her in so long." You stand up, but the three follow you out anyway. You glance behind you, laughing slightly as you shake your head. 
You make your way to the door and look around, "Where is she?" 
You get a text from Tara, Patio, sorry I saw someone else I haven't seen in a while. 
You look at Zach, "She's on the patio." 
"To the patio we go." He points, leading you down the side of the building. You round the corner, seeing Tara standing there with a huge smile, "Ahh!" She yells as she runs towards you, "I've missed you!" 
"Hey!" You yell and hug her, "I've missed you!" You lean back, "You look so good!" 
"Same for you miss cover of vogue!" She pushes your shoulder, "How fucking amazing is that?!" 
You nod, "Pretty amazing." 
You feel a hand on your shoulder and you think it's just Zach pulling you away to pick on Tara, but when you turn, your heart falls into your stomach, "No fu-fucking way." 
Sam is standing there, a huge smile on his face, "I couldn't go without seeing you anymore." He pulls you in for a hug, face buried into your neck and the tears you've been holding in all damn day are finally let loose. 
"Hey. Hey, hey." He lays a hand on your head, shushing you quietly, "It's okay." He turns his head, pressing a kiss to your cheek, "I'm here." 
You're glued to him. You want to let go so you can lean back and look at him but your body just wants to hold him. 
"I'm taking time off. I'm traveling with you. I want to be with you." Sam whispers and you lean your head back, just enough to look at him, "Really?" 
He nods, "Really. You're more important than anything in the world. We're making this work. I'm going to make it work." 
─── ⋆⋅ ☾⋅⋆ ───
The end feels kind of rushed, and I promised you guys this yesterday, but I've been battling a migraine attack non stop for the last four days, so I just wanted to get something out. 
A part 2 (with smut) is definitely in the brain for this, you know when I can get it to stop working against me. 
But as always, let me know how you liked it. Thanks for reading. I love you all! 🖤
likes and reblogs are majorly appreciated!
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w2soneshots · 5 months ago
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INside -Angry ginge
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words: 0.9k+
warnings: none.
summary: you enter the inside house and quickly get along with a particularly attractive ginger boy.
notes: hello loves! I’ve had so many people asking for more angry ginge fics so here’s a one off😉. Enjoy!!💓🫶🏼
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Today I'm going into a house with nine other people for a week. No connection with the outside world, no internet and with mostly strangers that I've never met. It's for the sidemen's new reality show. I haven't been told much about it so it will be quite a surprise.
The taxi dropped me off outside and I grabbed my suitcase from the boot. I pushed open the heavy door to reveal what looked like an airport security. I furrowed my brows. "The fuck is this?" I walked through the scanner then read the signs on the mirror. "Smile for the camera." I pulled a face then popped my suitcase onto the conveyor belt. Once I was finished I opened the door on the right.
The house was quiet when I made my way up the stairs. "Hello?!" I shouted out. I walked into the living room. "Hey!" Joe ran towards me. "Hi! I can't believe you're in here!" We shared a quick hug. I've known Joe for years. It was nice to know that someone I knew was in the house. Then another guy stepped forward. "Hello. I'm Morgan." He greeted me with a cute smile. I smiled back. "Hi, I'm y/n."
The next to arrive was Chloe (who I know since I was on her podcast), followed by everyone else. They all seemed nice but I could tell that there was a few people in it just for the money, which I understand but I want to make friends and just have some fun. We picked our beds. I ended up between Morgan and Manrika. We all sat down on the sofa to have a chat. After a little while Miniminter, Vik and KSI walked into the room. Everyone erupted in cheers and claps.
"Welcome to inside!" JJ started dramatically. "You will all be battling it out for a prize fund that starts out at one million pounds." Everyone clapped once again. "As you guys can see, there's not much in this house. That's because everything costs money." Vik said, putting on his best presenter voice. "No Vik no!" Joe joked. Simon began, "We're going to be opening the shop so you can buy whatever you want, but you're going to be paying for it through everyone's prize money." Vik went on to explain all about the shop, the daily challenges and food (we only get basic stuff unless we want to purchase it from the shop).
They left soon after and we continued to chat away. Until the tv screen lit up, reading 'the shop is now open'. Everyone raced downstairs. "Two grand for the pool balls?! You're taking the piss." Ginge stared at the board. "You have to pay for a shower? Are you fucking joking!" My eyes widened. I really didn't want to have cold showers every day.
After a long conversation about the shop and trying not to spend anything we all went upstairs. Then lunch arrived. It was freezing cold rice and chickpeas. I genuinely could not force myself to eat it, it was disgusting. Everyone went to eat their food then me and Ginge slipped away from the group to go downstairs. We giggled as we hurried into the shop. "I'm fucking starving." I ordered a packet of crisps and a fizzy drink. He ordered the same. We sat on the floor and ate in peace.
After the first night I slowly began to catch feelings for Morgan, and Chloe was quick to notice. "But do you find him attractive?" She asked me as we got ready. "I don't know. He's tall and he's cute." I replied, not making eye contact with her. "Oh you definitely like him!" She chuckled.
It started to become a running joke in the house. The way we looked at each other, our banter and the fact we always sat next to each other. Me and Ginge didn't talk about it directly but one day Specs was telling me about the conversation he had had with Morgan and it was very interesting. "He said that he would go on a date with you if he got the chance." "You're joking?" I was slightly surprised and I didn't want to look like a mug if Specs was just having me on. "No seriously. He likes you y/n."
Ginge left the next day and I actually missed him. It felt weird not having him around. I ended up getting into the final three before I left. I was really happy for Chloe and Manrika. I also saw Morgan again, we shared a quick hug then I gave him the rundown on what happened after he had left. We filmed tiktok's, took pictures and then said our goodbyes. I felt as though I had made some really good friends and made some interesting memories.
A few days after the final I got a call from Morgan. "Hey!" I answered in a cheerful voice. "Hi, I just wanted to ask if you were free anytime this week?" He got straight to the point and sounded slightly nervous. "Are you asking me out?" "Uh- well- yeah." He stumbled on his words. "So Specs wasn't joking." I thought out loud. "What?" "I'll explain on our date. You free Friday?" I asked. Unbeknownst to me a huge smile spread across his face. "Yeah I am." "Great see you then."
After I decided the call I quickly rang Chloe. "Babe, you'll never guess who just asked me out!" I began excitedly. "Who? Wait! Ginge?! No way!" She screeched down the phone.
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redclercs · 1 year ago
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DELICATE✰ CHARLES LECLERC.
v. i gave my blood, sweat and tears for this
— the one where both of you have given everything to be where you are.
warnings: misogyny, sexual harassment, this is how monaco went btw i accept no criticism. barely proofread, sorry. 3.7k words (+ article, podcast excerpts)
masterlist ✢ next
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'Have we let y/n y/ln get away with way too much?'
By Alan Gomez
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Yes folks, it might be our own fault, we have created a monster in the form y/n y/ln. Mediocre actress at best and with an even worse personality, if the latest events are any indication.
But how could we let this happen? Come on, we're smarter than this!
The thing is, y/n brainwashed us into believing that her doe-eyed, no-brain characters were actually her. Don't beat yourselves up over this too much, even I was a victim of those pretty eyes. But now that the blindfold has fallen, we have come to realize we have let y/n get away with everything!
You might know y/n from Supercut, the romantic comedy that took the world by storm in 2019, where she starred alongside Aidan Kim and it lead to these two becoming one of the general public’s most cherished couples. At least until two months ago, when their breakup was announced via Inside Out. Although there haven’t been any official statements, given the circumstances, we believe it was the actress who broke it off with Kim.
RELATED:
→ Aidan Kim and friends at Cannes Film Festival
→ Y/N supports alleged boyfriend at charity football match
But whether she’s dating a new guy now or not, why do we keep letting her do whatever she wants?
How did she actually brainwash us into thinking she’s anything close to an “it girl”? After Supercut, all she’s done is the absolute bare minimum to keep people talking about her, it’s all RomComs and no effort. I didn’t want to be that person, and you have to believe me on this, but Aidan Kim made her.
Let’s remember Aidan built his career from the ground as a member of Star-5 the early 2010’s boyband that split in 2018. He was the ‘someone’ in the relationship. How can people even compare having the hit song “Round and Round” in your résumé to being in Scream (Netflix) and The Mist (again, Netflix)?
Aidan made us like her and the writers of Parisian Valentine, The Hating Game and Last Night In Love, did her a HUGE favor by consolidating her as the “Queen of RomComs” by what standard? Well, don’t ask me.
The truth is, we accepted y/n into our hearts and homes, thanks to Aidan Kim and an unbelievable amount of luck, and we haven’t held her accountable for anything ever.
Here’s what I’m talking about, if you’re still wondering what the point of this article is, click on every link to be taken to the whole context, you’ll thank me later:
❍Y/N yells at paparazzi to leave her alone as she walks around Beverly Hills with Victoria Presley.
❍ Y/N praises Taylor Swift while tearing down several male artists for writing songs about their personal experiences.
❍ Y/N says in interview with ELLE that not every movie has to be “profound”.
And just for fun:
❍ A collection of Y/N’s disastrous looks.
It’s time we realize y/n y/ln is talentless, has a horrible personality and feigns innocence she certainly doesn’t have. You will NOT continue to take advantage of us, y/n! It’s all over for you, so I’m glad you’re dropping your pathetic career to become a WAG. #Y/NIsOverParty.
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↺ FROM ❛WE WATCH❜ PODCAST
Paul Byrnes: Can y/n really do another role now, after all she’s known for are romantic comedies?
Anna Sanchez: well, I really liked her in The Mist, she did great as character in a horror it was—
Paul Byrnes: No one cares about The Mist, Anna, just you.
Anna Sanchez: all I’m saying is she’s a good actress, she can do other things. That was your question, Paul.
Paul Byrnes: Well, in my opinion she can't and that's it.
↺ FROM ❛IT TALK❜ PODCAST
Greg Zane: Let's talk y/n y/ln and her fashion choices now that she's an F1 WAG. What do we think?
Riley Green: She's a what now? How long has it been since she broke up with Aidan Kim?
Martha Vincent: I think she's looking great, I just wish she'd let go of the ugly caps.
Riley Green: No seriously, how long did she stay single?
Greg Zane: I agree Martha, but caps are big in Formula 1, nothing we can do about that. I'm wondering if she'll go for a more glamorous look in Monaco.
Riley Green: guys? hello?
Martha Vincent: Oh Riley, we're not talking about her love life, let it go.
↺ FROM ❛HOLLYWOOD VIBES❜ PODCAST
Pauline Oscar: [cont.] I'm just so curious about the reason of their breakup, why hasn't anyone said anything?! It must be juicy.
Brenda Yim: I feel like it's bad for one of them, most likely y/n. Hello, can anyone offer one of their friends some money? Just like old times!
Pauline Oscar: [laughs] Definitely! We need to know! Can it get any worse than the fact that she's already with another guy? What's his name? Charles Le what? She soooo cheated.
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liked by charles_leclerc, vicpresley, mati.bassi, carlossainz55 and others.
ynfreesia UM THE LIKES?
xxynbaby it's "monaco" of course
aidanluvs you don't even have the decency to pretend like you're alone? fuck you
ynredstar i cannot defend you if you pull this shit girl
mati.bassi great view for breakfast with my best girl!💕
ynredstar oh ynredstar nevermind thanks mati ↳ feels4aidan don't be so gullible she's obviously covering up for them
THE COMMENTS FOR THIS POST ARE DISABLED.
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May 27th, Montecarlo, Monaco.
THERE are tears in your eyes, and despite your best efforts not to let them run down your cheeks, it's futile. The worst part is that you're the one doing this to yourself. There's zero need to read 'articles' from pseudo journalists on how a man gave you your career and how you're tossing it into the trash for another. Not to mention the cascade of curses you received for a picture on instagram, where everyone thought you were with the other man.
Has your life really come to this? People don't talk about you unless a guy is involved? You loathe it. Your career was never about Aidan, and it's not about Charles now. Who only makes things worse every time he shows up and yet you can't manage to bring it up to him.
It's embarrassing. You don't want to walk up to him during whatever free time he has in a hectic weekend, and ask him if it really doesn't annoy him everything the press has made up about the two of you, or if he's really that unbothered by being paired up with you in the wildest scenarios, and tell him that he can shut them down whenever he feels like it (you wish he would already), and let him know you won't mind whatever he says about not being involved with you.
But no, Mr. Leclerc is busy giving unclear answers at interviews and liking your instagram posts, as if this isn't already a wildfire.
You put down your phone and pick it back up almost immediately, Vic's ringtone fills your hotel room and you wipe away your tears before answering her FaceTime request.
"Were you crying?" it's the first thing she says, moving her sunglasses to the top of her head. There's a lot of noise in the background and you can barely make the words out, but she comes so close to the phone that all you can see is the tip of her nose. "Why were you crying?"
"It's nothing, Vic. What's up?" you sigh, rubbing your eyes only makes things worse but you don't want to worry about that now.
"I just got to Monaco, babe," the phone is at a safe distance from her nostrils again and you can see around her, the airport where you landed a few days ago. "I'm with my parents," she rolls her eyes, lowering her voice. "But if you could get me into the Ferrari Suite I can hang out with you tomorrow!"
They allowed you one guest and the spot has already been taken by Mati, so there really isn't much you can do in terms of getting her into the Ferrari Suite. "Well, let me see what I can do, okay?"
"Okay," she sounds unsure, you know Vic enough to be sure she expected a different answer. "I mean my parents have Lounge privileges but it's more fun to be with you."
Had she said something about coming to Monaco you might have been able to do something, but as far as you were concerned she planned to stay in France all week, enjoying Cannes and mingling.
"I'll do my best Vic, but you know how they are," you exhale heavily, "Plus it's a crazy-ass weekend."
"Isn't it always?" she's yawning now, "We can meet for dinner later and you can tell me what's up alright? Being with my parents is so boring."
You shake your head, "Be nice, they just want to hang out with you. I'll call you after Quali," you check the clock on top of the nightstand, it's 10 am. You have to get ready for FP3, which you don't care about attending or not but Stuart Schaffer asked to see you, so you haven't got much of a choice.
"Sure babes, love you." Vic pulls her sunglasses down again and blows a kiss to the screen.
"Love you too," it's your turn to yawn as you tap the hang up button.
You look at the special edition Ferrari cap you received as a gift yesterday on top of your suitcase and immediately discard the idea of wearing it. No caps. And then the wave of disgust invades you, are you seriously going to do what some random man said on a podcast you came across by accident?
The answer is yes, unfortunately.
─────────
You would rip your leg off if you could, at least it would mean you’d be able to get out of this chair and away from Stuart. But his palm resting on top of your knee feels like a death grip and you’re frankly afraid to move in case it goes further up.
Mati decided to skip FP3 and you’re really hoping she’ll be on time for Quali because you have no one else to talk to, Stuart is just parading you around again and keeping you way too close for comfort because he’s in a great mood since both Ferraris maintained their top spots and things are looking hopeful for Qualifying.
You know it’s your chance to ask if you can bring Victoria around tomorrow, and you know the answer will be yes, but you don’t. You don’t want to ask things from this man, he’s the type to never forget a debt.
You barely catch a glimpse of Carlos and Charles as they walk by on the way to their debrief and Charles waves at you quickly, with a single-dimpled smile. He’s wearing the same cap you refused to put on.
“I’m going to call my friend,” you blurt out once Charles is out of sight, finally moving your leg back to make Stuart’s hand drop. “She had the worst hangover, I have to check up on her.”
“Oh, you girls get wild in Monaco,” Stuart cackles as you sprint away from him, actually resisting the urge to wipe your knee clean.
"Hey y/n!" Mati's voice can barely be heard above the EDM playing wherever she is. "What's up?"
"Where are you?" you whine, looking back inside the Suite. "Help."
"What's wrong?" you picture her frowning as she tries to walk away from the noise helplessly.
You feel guilty for worrying her so you sigh. "Nothing, I just hate being here. Are you coming here for Qualifying?"
"Yep," she pops the 'p' and laughs. "Listen, why don't we have lunch here at the yacht and then go back for Quali?"
"Yes!" once again you look over your shoulder to where the Elix men are laughing at their own jokes and patting each other's backs. “I’m on my way, okay?”
“I’ll be right here, also don’t scare me like that again, please.”
“Sorry,” you chuckle, embarrassed. Maybe you’re a bit dramatic at times, but it’s really all good-natured. “See you in a minute.”
You turn to the door of the Suite, giving a short jump back when you open it at the same time as someone else.
“Oh, god,” you sigh, stepping inside as Charles moves out of the way to let you in. “Thanks.”
“Sorry I scared you,” he smiles, closing the door again once you’re fully in. Charles is once again holding a closed Elix can, tapping his fingers on the side.
You eye it suspiciously, wondering if the thing has really grown on him. After all, one of the first things he told you was how much it disgusted him.
“It’s alright. I thought you were in your debrief?” You grab a can of Elix yourself, looking good in front of the sponsors cannot hurt.
“It was a short one. Keep doing what you’re doing kind of thing,”
“Right. Well, good for both of you,” you look around for Carlos but he’s nowhere to be seen. “Would it jinx it to say ‘good luck’ for later?”
You know many sportspeople take their jinxes and rituals way seriously, and you don’t want to be the one to blame if something goes wrong for the local star.
Charles considers this for a second and then shakes his head no. “Wish me luck,” he smiles.
“Good luck, Charles.” You beam back at him, enjoying—despite yourself—the way his eyes burn into yours.
─────────
You’re back at the Suite with Mati 10 minutes before Qualifying starts. The tension that had seeped out of your body in the form of laughter and loud singing with Mati is already making its way back to your back and jaw. You’re not ready to be around the Elix people again, but you must. However, first, you make Matilde promise she won’t leave your side.
Stuart Schaffer is already patting the empty seat next to him when you make your way through the refreshment tables. You smile at him, a muscle in your cheek falters as you walk past him on your way to the balcony, to catch both Ferraris leaving the garage.
“Oh don’t drink that,” you whisper when you see Mati walk your way, two cans of Gold Elix in her hands. “Don’t.”
Matilde snorts, “You’re literally the ambassador of this thing, and you don’t like it?”
“SHHH!”
“Fine, but those guys are looking at us so we have to at least sip it.”
You groan, opening the one she offers you and then taking a huge gulp. “Yum,” you mock.
Mati laughs again before her face goes sour with the taste. “Oh my God,”
“Warned you,” yet you take another sip. You think that if it grew on Charles it might grow on you, but you don’t really see it happening.
Q1 and Q2 go by smoothly, at least for Ferrari and you’re on the edge of your seat for Q3. This is the race you’ve been more excited for, but it’s not like you’ve attended many others. Still, Monaco just hits different.
The end of Q3 almost gives you a heart attack, although you also blame your almost empty Elix. You didn’t even notice how much you drank, but the thing that really gets your heart jumping out of your chest is Victoria’s ringtone.
Begrudgingly, you turn away from the track. She has texted you a thousand times, without exaggerating, since Quali started and you know it’s because she’s bored out of her mind at the Lounge with her parents. But you’re starting to find this genuinely entertaining and you are bothered by the distraction.
“I told you I’d call you after Quali, Vic,” you singsong, looking up at the screens inside the Suite.
“Well Quali is almost over, no one cares about the last three minutes.”
You do, Max Verstappen is in first place, then Charles and Checo in P3. You’re crossing your fingers for Charles to manage to get above both Red Bulls. And for Carlos to squeeze in there too.
You don’t say anything else, too enthralled by the battle on the screen.
“Y/n?” Vic raises her voice, “Are you listening to me?”
“Yes Vic, what is it?”
“We’re going to be at Ferrari together tomorrow, right?”
You wince, glad she chose a phone call instead of FaceTime this time around. You haven’t asked and you don’t intend to. Vic still has VIP Lounge access, she’ll be fine.
“They said no, Vic.” You lie, your eyes scanning the screen, it’s the last lap before they get the checkered flag out. “I’m sorry.”
“What? Why? Did you tell them I can give them publicity? I have one million followers!”
“Monaco is different from Miami,” you explain gently, “But you’ll still be at the VIP, you have a great view.”
“Yeah, whatever,” she’s beyond annoyed now, as it happens every time things don’t go her way. You can’t blame her, but you also think it will be good for her to spend some time with her parents, whom she refuses to visit although they live in Malibu and pay her mortgage. “We’re still up for dinner though, right?”
“Yep! I’ll meet you at your hotel.”
“Okay see you then, babes.”
By the time your eyes return to the screen, Charles is in P1, Carlos in P3 and the Ferrari Suite is exploding in cheers.
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YOU’RE up painfully early the next day. Vic and you went back to your respective hotel way past three am and you’re exhausted, but at least you had enough self-control to avoid today’s hangover.
Nevertheless, the morning goes by in a blur between breakfast with Elix people, calls with Mildred and Walter, your manager, and two casting agents that tell you that no, you don’t need to go for an in-person casting, you’re not getting the role.
By the time you get to the Suite you have a headache and the knot on your throat is progressively getting harder to swallow. You only make things worse by rage-reading tweets with your #IsOver hashtag.
People claim, with more force every day, that Aidan gave you everything and you are starting to regret ever meeting him.
You have worked your ass off for years, taking on small roles, commercials, stock-photo deals. Learning scripts and going to castings and taking classes, you have been criticized and rejected for more things than just “not fitting the role”.
You have given everything you are and everything you have, and people assure what you got in return you owe it all to some man.
“Hola y/n!” Carlos is the first one to get back to the Suite and you wish he would rub off some of his good mood on you. “How are you today?”
“Hi Carlos, I’m alright and you?”
“You definitely look it,” he says, semi-sarcastically. “Something on your mind?”
The knot is back in your throat so you shake your head no. “And yours?”
“Nada de nada.” he smiles. You’re still growing on each other, but this is the most comfortable you’ve been while sharing the same space.
Charles arrives while Carlos, Mati (who is hungover from her party at the yachts) and you are comparing workout playlists. Wearing what now seems to be like his comfort cap, and a pair of ugly ripped jeans, he smiles brightly at the three of you.
You’re happy to see both Ferrari boys so smiley after the past couple races. Miami especially. And you hope they’ll do well; but you’re particularly scared for Charles, and whatever it is that made him unlucky in his hometown, you don’t want this day to end on a sour note.
You spend about an hour talking to them about anything, your movies, their races, Mati's tour with Romeo and Juliet. Music, hobbies and quirks, Charles and Carlos have an opinion on everything and they are actually quite fun to be around. Then, a Ferrari Team member comes to get them for the Drivers Parade so you wave them goodbye, wishing them a smooth race.
"You're not going to wish me luck, y/n?" Charles asks, the smirk on his face is one you identify as mischievous, and it makes a small wave of anxiety run down your back.
Mati stops the bottle of water halfway through her mouth to ogle at the two of you, and the palpable tension that has installed itself in the space.
"Good luck, Charles," the smile you return falters in one corner, but Charles doesn't seem to mind as he adjusts his cap and says thank you before leaving behind Carlos.
Mati has forgotten about her need to hydrate and is staring at you with both eyebrows raised. "I thought you were not doing that?" she gestures with her head towards the door through which both drivers vanished.
"I'm not doing anything," you reply, defensively. "He's being—"
"y/n, you could cut the tension there for a minute," Mati finally takes a swig of water and you wait for her to continue talking. "Like I said, I don't recommend it but... you're free to do whatever you want." she isn't unkind while wording that last part, but it still stings you with annoyance.
"Thanks, Mati." you bite the inside of your cheek, leaning back into the sofa.
─────────
The Ferrari Suite explodes in cheers once the checkered flag is out. After a frankly insane race with rain, crashes and too-long pit stops, both Ferraris have crossed the finish line, and most importantly Charles has finally managed to get rid of his Monaco curse. His enlarged picture appears on every screen with P1 right in the middle. Carlos is P4, but the points are extremely important in the long run, so people celebrate nevertheless.
Before you know it, Mati and you are being dragged down to the track for the podium celebrations. You're buzzing with excitement, holding Matilde's hand as you run to one side, where the mechanics can't crush you as they jump up and down.
Even above the general screams of happiness, you can hear talks of 'Charles deserves this so much', 'It was about time' and 'His hard work is finally paying off at home'.
At least someone's blood, sweat and tears are valued.
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YOU are probably not living down the Charles dating allegations this weekend. Which is not your fault, honestly, had they enlarged the picture, it would have shown Mati just as excited for Ferrari as you were. She's Italian, and she bleeds for Ferrari.
But right now, surprisingly, you're not overwhelmed with whatever it is they're saying on Twitter. Although it took Mati snatching your phone away and tossing it in her own purse before sitting you down to retouch your makeup for the celebration party.
Victoria is joining you too, because a 'the more the merrier' applies to any sort of party happening in a Monaco club, especially if it is for the unofficial prince.
It is the first time in three months you let go of your worries, even if it is for the shortest amount of time as you dance with Victoria and Mati and drink anything you please and whoop every time the DJ mentions Charles and Carlos.
You're happy to be with your friends, away from Elix and celebrating two people who can become something more than coworkers to you. Although through the night you see them on a few occasions, Carlos waves at you as he passes by a few times only stopping in the third time to let you congratulate him with a quick hug that's more of a shoulder squeeze than anything.
Charles is obviously harder to approach, and to be fair, it's not like you're even trying. He's surrounded by his hometown friends and by anyone who wants to have his attention for a minute, for a picture or a dance or to buy him a drink.
It's past three am when Victoria is beyond buzzed and you're starting to feel exhausted so you decide it's time to leave. Mati has found someone to take home so she's been gone for around forty minutes, minding her business.
"Come on, let's go," you are grabbing Victoria by the wrist as her ankle twists. "We've both had enough," you laugh, Victoria joins your laughter as you snake through the crowd of people pumping fists in the air, some of them point and wave at you and you smile back at them politely.
You hear your name being passed around a few times, but you focus on finding the exit while keeping Victoria by your side, who has started to whine about not wanting to leave.
Once you break into the outside, you take a breath of fresh air, the coolness makes your skin rise in goosebumps and you shiver, letting go of Victoria to lift the hair on the back of your neck.
"It's too early!" Victoria complains once again, her eyes are glassy and she's just as sweaty.
"It's not, plus you're drunk, we should leave," your ears still feel drowned in the sound of music. “My feet are killing me.”
The exit opens again, and a couple stumbles out laughing and they tell Vic and you goodbye in drunken French. Before the door shuts again, Charles is out on the street too.
"I heard you were leaving," he says in what you're sure it's a too loud voice. But your ears have barely stopped ringing, so you can't blame him. "Are you two okay?" he eyes Victoria, who is starting to lean down on her knees to soothe her dizziness.
"Oh we're alright, we've just partied enough," you smile at him. Charles is rosy, bright-eyed and sweaty. Is it corny to describe someone as painfully handsome?
"I didn't get to congratulate you," you add, trying to keep your attention on Charles while being aware that Victoria might start retching at any given moment. "You did amazing."
Victoria straightens immediately, her glassy stare focusing on Charles. "You're such a good driver, Charles, for real."
"Thank you," Charles nods awkwardly a few times as Victoria pokes him with her left index finger. "And thank you y/n."
"Come on, Vic," you chuckle, keeping her hand away from Charles. "Seriously though, I'm happy for you."
Charles smiles again, running a hand through his hair. "Thank you, really. I'm sorry I didn't see you earlier," he points behind him, to the club.
"It's your party, you can't be everywhere,"
Vic is yawning loudly, and you roll your eyes, amused. "We better get going."
"y/n, when are you flying to Spain?" Charles blurts out, the moment you turn to lead Vic down the street.
"I'm not sure, Wednesday probably?"
"You know, I can still show you a place or two in Monaco. If you want." He sinks his left hand in the front pocket of his dark jeans, and you wonder where the mischievous aura from what seems like ages ago went.
You pause, letting Vic put her whole weight on your shoulder as she finally gives up to the exhaustion. "Um well..."
The same tension that appeared at the Ferrari Suite is back, and the more you hesitate, the thicker it becomes.
Victoria pulls you down with her as she throws her head back, yawning again. Charles is just in time to hold you back up, his other arm pulling Vic back to a standing position.
"Only if you want," he says, he is far too close now and you can smell the mix of alcohol and cologne on him.
And maybe it's the alcohol in your own system, and you'll regret this once you sober up and realize that you told Matilde several times this is exactly what you were not going to do, but you say yes.
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─── team principal radio: ❝thank you for reading! I hope you've enjoyed this chapter. I want to say thank you to everyone who interacts with this series, it means a lot to me to know that you're enjoying it!♡❞
✰ paddock club members: @majx00
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mxqdii · 1 year ago
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hey! i love love your work, and i was wondering if i could request a chris sturniolo x fem!reader?
maybe reader is also a well known influencer, or an actress or something of the sort, and there’s rumours about her and chris being together that they haven’t really confirmed?
but they are dating and she’s on live one day and he calls her like an intimate pet name, or just overall says something that shows they are in fact together and like the comments on the live just go crazy and stuff and shes like telling chris she’s on live or whatver
im so sorry if this doesnt make sense 🙏🙏
stop bc i requested pretty much this same thing to another author (on wattpad) a few months back, so when i read this request it was such an "i made it" moment (i love u sm, you're just like me fr fr)
baby - c.s
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pairings: chris sturniolo x reader
summary: chris accidentally calls reader 'baby' while she's on live, revealing to the whole world that they're dating/
warning(s): fluff, reader calling chris bro 😔
not proofread
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i'm sitting on the couch, watching tv, bored out of my mind.
then an idea hits me, i could go on live!
i used to go live a lot with the triplets, but only on their account, so it would be fun to go live on mine.
i open instagram and click the live button, watching the stream fill with thousands of people
"holy shit that's a lot of people" i say with a nervous laugh
"uhh i guess i'll answer any questions anyone has! so feel free to ask anything!" i add, smiling
i read through the comments, lots of them asking where the triplets are
i can't help but notice seeing a few asking if me and chris are dating.
fortunately, those allegations are true! but we've decided to keep it quiet for, just for now.
still, there’s only so much one can hide from the public
and although me and chris haven't said anything, i think everybody knows anyway.
people can see our glances, our gestures, how close we are, it's all pretty obvious.
i answer a few questions like my favorite singer, when my next video is coming out, podcast stuff with the triplets, and just some other various topics.
suddenly i hear the door unlock, looking over at it, but not really caring.
maybe i can get whichever triplet that is to join my live.
chris walks in and i smile in his direction
"hey baby" he says and my expression immediately drops.
i look at him, PALE.
(absolutely terrified to look back at the screen)
"what?" he says, walking closer, i turn my head to the screen, anticipating my death.
i let out a sigh of relief seeing the comments
@ssturniolo BABY???
@strniolo AWWWWWWWW
@lvrsparadise GOODBYE I LOVE THEM.
@ellieswifie this is such a chris and y/n mistake 😭
@lavieenvalentina i'm so happy for them i'll cry
(shoutout to everyone tagged ILY<;3)
as i'm reading the comments, i smile, chris hovering over me reading them too
suddenly he hugs me from behind, squeezing me tight
"chris!" i say laughing
"let me go bro" i whine
"you did not just call me bro" he says, immediately stopping
his death glare makes me laugh
"consider it payback for you calling me baby on live" i say laughing
(him clearly not amused)
"okay fine fine im sorry, guys it's all okay he's not my bro please let me redeem myself" i say joking on the last part
me and chris stay on live for another 30 minutes, answering questions about how we got together and just stuff about our relationship.
"bye guys we love you!!" i say, ending the live
i close out of insta, putting my phone down with an exhausted sigh
"so?" i mumble, anticipating chris's response
"so? so nothing" he say's with a smile and i face palm
"chris! we just told like, the world that we're dating" i laugh
"yeah, and i'm happy about it, like honestly i can't think of a better way it could've happened" he says
we both look at eachother and burst out laughing
"we're a little interesting thats for sure" i say
"i can't believe we tell the world we're dating ON ACCIDENT and then you start calling me bro" chris says, making me laugh harder
"i was nervous! im sorry!" i yell with my hands up in defense
"yeah yeah, it's fine" he says, wrapping his arms around me
"bro" he adds on
"chris i swear to god-"
TAGLIST:
@strniolo @stargirlv0id @annaisabookworm
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sexy-sapphic-sorcerer · 9 months ago
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some iconic quotes from the podcast 'bait' about merthur
"if we're taking queerbaiting as representation, which we are, Morgana is a much better queer figure than Merlin is"
"Merlin's whole thing is 'if I stay closeted long enough and keep on supporting my oppressor, then maybe, maaaybe one day his son will love me'"
"the show ends with Merlin living in the present day still waiting for Arthur to rise again and maybe fuck him this time"
"because he's immortal, Merlin could have called the cops on Stonewall"
"Merlin in the present day is probably some Arthurian scholar and is absolutely insufferable" "writing really erotic– have you ever read an academic essay by someone who wants to fuck the historical figure they're talking about? that's what Merlin is doing"
"my favourite merthur fanfic trope is Uther will consistently be like, 'Arthur it's ok that you're having sex with a man because at least you're not going to get any bastards but you can't have sex with a sorcerer'. like, no it's the same thing! you don't understand the show you're watching"
"Arthur is like 'if you're a sorcerer Merlin, I guess that's okay, I just don't believe your kind should have rights'. he's one of those people that's like 'it's fine if you're a homosexual but I still think it's a sin'"
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leveloneandup · 5 months ago
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Christen Press on returning to soccer following ACL tear, season three of The RE—CAP podcast
Christen Press, the all-time leading goal scorer in Stanford history, has starred for club and country since graduating in 2010. With the USWNT, she has won two World Cups and scored 64 international goals. Press has played overseas professionally, including a stint at Manchester United, as well as in the NWSL with the Chicago Red Stars, Utah Royals and currently with Angel City FC.
After tearing her ACL in June 2022, Press required four surgeries and an arduous recovery. She returned to her first training session on Tuesday, after which she spoke to SBJ about her rehab and the new season of her podcast. Along with Tobin Heath, Megan Rapinoe and Meghan Klingenberg, Press founded a media and lifestyle brand called RE—INC in 2019. She and Heath are the co-hosts of the RE—CAP podcast, which returns for its third season on Thursday. The first episode includes appearances by USWNT legend Abby Wambach and author and podcast host Glennon Doyle.
On returning to the pitch . . .
I am currently in the car driving home from my first training. I would say the road to recovery happens very slow, and then yet it happens all at once. I have been back in the team environment for almost four months. So it's been a long time that I've been integrated into the environment, and it took four months for me to get ready to be in a warmup and a passing pattern — really simple, basic stuff. And I felt very ready for it. I felt almost underwhelmed by how easy it was because I've done a lot more complicated things, and yet it was also entirely overwhelming and joyful to be so connected to my teammates and be celebrated in the way that I have been these last two days.
I'm very grateful for that. They say it's the hope that kills you, and as I drive home, I just have this big smile on my face because I can't help it. I can't help hoping. I can't help believing that I'm going to make it back, and it's going to be everything that I see in my head. I'm relentlessly optimistic, I'm naively positive, and I like that about myself, and I'm not I don't intend to change it. I think the way that it left me feeling was just like, yes, I can do this.
On monitoring her rehab . . .
I'm a person of devices, so I have quite a toolkit, I'd say, of ways that we're tracking and measuring. The truth is we're really still working through issues with my knee, and I have chronic scarring of the knee, so I can experience some discomfort and some swelling that could lead to more scarring, which is incredibly rare, because most people don't scar after a couple months after their surgery. I'm now over nine months for my surgery and still at risk of scarring. So it just means that I have to try very carefully with how much impact my knee can take.
We're being careful, but we're progressing. In terms of my overall fitness, what my GPS has said is that I've got to like 60% of a match load, which is all that I really need to get in terms of volume. And yet, in the warmup and the passing pattern today, it felt like I played a 90-minute game. I was so fatigued. There's training, and then there’s really training. There's no way to get fit for football, except for playing football. And I've done a ton of running, I've done a ton of lifting, and now it's time to play.
On how deep she gets into data . . .
My performance staff would laugh because they said they've never worked with a player that cares so much. So right now, I wear a Polar Watch that I was given in like 2015 from the national team. It's just old school. And I wear my Apple Watch, which is connected to my GPS so I can see all my data live, from heart rate to distance to speed to all that. And then I do sleep with an Oura ring — although I'm not endorsing any of these products, I'm not connected to any of these products — but I do sleep with an Oura ring and track my sleep and my stress levels.
On season three of the podcast . . .
Our show really is about authenticity, and it's about creating a more inclusive space for sports and including diversity of perspective. And so that means we have hard conversations, and we have honest conversations and we have vulnerable conversations, and we have a lot of fun — the same spirit and joy that you saw last year during the World Cup edition of the show. We're back, and we're bigger than ever.
On the origin of the creating the podcast . . .
I never thought I would be in media. I think that's even more true of Tobin. There's two typical paths for athletes after soccer, and it’s coaching and broadcast. ‘So Christen, do you want to be a coach?’ ‘No.’ ‘So Christen, then you must want to be a broadcaster? I was like, ‘No.’
That's an interesting part of the story, but first and foremost, we decided to launch this show as current and active players, and that's unique and different. It's not really a stepping-back-from-soccer thing. It's current players trading stories and having a little bit more space to dictate the narrative.
And then secondly, we really approach this as business leaders. This is our business, this is our company. We are a 3C company: content, community and commerce. The most amazing thing about women's sports is the community, and we're trying to build the coolest women's sports community in the world in our membership, and we're feeding that with amazing content.
And I think because we have such an authentic and vulnerable relationship with our audience that we've developed over the last five years that we've been building this business, it made sense for Tobin and I to be our first piece of content that was really more large scale and more widely accessible. But the plan will be to find like-minded people that sit at the intersection of sports, progress and equity, to continue to hear stories from an insider's perspective. It really disrupts the industry in that way.
On topics they plan to cover in season three . . .
We're going to be talking about women's health, particularly in sport, which is obviously a really hot topic, and representation in sport — how we make it more diverse and equitable for more people, be it across the gender spectrum, the orientation spectrum, across different races and classes. I think that's incredibly important. Soccer in America is an upper-middle class sport, and almost everywhere else in the world, it's a very accessible sport that's found on the street. That's really the spirit of football, so that's really important to us.
On the role of athletes as activists . . .
The interesting thing about the community that surrounds women's sports in particular is they care about a lot more than the sports, and the values transcend beyond the pitch. And that's about diversity, inclusion, progress. And I think that's just inherent because it is disruptive in itself to see women embodied, powerful, unapologetic and also very celebrated the way that you do in the professional sports world today. The people that it's drawing in are the same people that want to march, and they want to create change and they want to stand up for what they believe in.
It's so embodied in the Angel City culture. The professional team that I play for has just nailed it. And when you're in the stadium, it's electric, and win or lose, it's a different type of vibe than any other sports arena I've been in because there's a connection point for all of the audience. They care about more than the X's and O's. They care about what we represent to them, the progress and the opportunity that we as women athletes represent.
On the versatility of women athletes . . .
It's always been that way in women's sports, and it's just becoming more popularized. I think the expectation is that we would always be multifaceted as women and expected to do multiple jobs in multiple roles, if we were going to have careers. And so it really did take to me and my personality to be a player and also be a leader off the field, on the US women’s national team, going through the Equal Pay lawsuit, going through the reestablishment of our players association.
For me, it was such a balancing sense of purpose that I continue to create space in my life for that, and I think that's what we've done with our business, RE—INC. RE—INC is reimagined, incorporated. We set out, in 2019 when we started this company, to reimagine the status quo, to reimagine the way women are seen and experienced in sports. And it's a very bold and ambitious goal, and we do it in a multifaceted way. And I'm really, really proud of that.
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jackhues · 11 months ago
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oops - b's version
note: this takes place in 2030, bee's 22 years old and graduated uni. she's in med school
summary: in which sid accidently spills who bee's boyfriend is
buttercup's world! au masterlist
buttercupcrosby
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liked by _connorbedard, mackinnon29, stephmarner & others
buttercupcrosby: life lately <3 (we're not including all the times i cried during med school)
view comments
kevinkorchinski: wow i can't believe you taught him how to put your shoes on -> buttercupcrosby: that's actually him taking my heels off and then giving me his shoes bcz i was tired -> kevinkorchinski: s i m p -> buttercupcrosby: okay? and what about it? -him
userone: nah girl's been soft launching THE SAME GUY for years now -> usertwo: we're never gonna learn who he is
e.malkin71geno: ooh what you reading? -> buttercupcrosby: percy jackson!!!!!! -> e.malkin71geno: the greek one that make you go crazy -> buttercupcrosby: ... okay that's fair
mackinnon29: i've noticed this isn't the spam, which means my comments will not be super unhinged -> userthree: NO NATE YOU NEED TO GO UNHINGED WE NEED TO KNOW WHO HE IS -> mackinnon29: please don't yell at me -> buttercupcrosby: he's tearing up rn -> mackinnon29: i'd watch my words if i was you
penguins: that's our baby crosby -> buttercupcrosby: AYEE PENG-WIN TN?? -> penguins: don't shoot the admin 🏳️ harass the players
stephmarner: ooh my girl's glowing 🥰 -> buttercupcrosby: mwah
userfour: WHO'S THIS YT MAN AND WHY'S HE WITH MY GIRL??
userfive: we're never finding out who he is are we 😭😭 -> usersix: frr! it's been yearsss
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TRANSCRIPT FROM THE TSN PODCAST, GUEST STARRING SIDNEY CROSBY (3:09 - 7:35)
podcaster: switching gears a bit, you have a daughter, correct? she's in med school i think.
sidney: yeah, buttercup, bee, bumblebee - she's got lots of nicknames *laughs* she finished university, doing a double major in sports management and biochemistry. which is pretty tough, especially since she was on the hockey and lacrosse teams. but she loved it, and she somehow managed to graduate in four years, so i'll take it! she's going to med school in chicago now, trying to be an anesthesiologist.
podcaster: wow, that's - that's a lot
sidney: *laughs* it's a lot, yeah
podcaster: fans noticed that you've been going on vacations more during the summer. is that to get bee's mind off of school, because you're not playing anymore, something else?
sidney: oh, it's a mix of everything, i suppose. bee's real busy during the year. she went to stanford for four years, now she's in chicago - like over the last few years, she's just had a lot on her plate. so yeah, we like going out a lot during the summer. but we spend time at home too. we all play monopoly together, we go fishing, they push me in the water-
podcaster: i'm sorry, they push you in the water? you're sidney crosby, i thought mackinnon idolized you growing up
sidney: not anymore, bee made sure of that. it's worse because they got connor involved in this too, so it's three on one. i mean i used to hold the fact that i'm a better hockey player, but they've been breaking records and i'm out of the game now, so- *shrugs*
podcaster: *laughing* oh man, this is gold
sidney: what're you gonna do? i mean, nate's been here too long for me to kick him out, and connor - it doesn't look like he's leaving any time soon.
podcaster: connor bedard's been having a great career, especially over the last few years. do we have you to thank for that?
sidney: no, no, he's a great kid. he's really good at hockey, he was amazing even during his earlier seasons. but i think the media was a little bit crazy about him, and once they calmed down, he got a chance to flourish. nothing to do with me, he's great on his own
podcaster: but you still like showing him up?
sidney: *smiles and shrugs* i mean i don't go up against him in the league anymore, so sometimes i gotta do it in the garage
END TRANSCRIPT
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buttercupcrosby and _connorbedard
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liked by mackinnon29, calemakar_, kevinkorchinski & others
buttercups: bet you never saw it coming
view comments
pinned buttercupcrosby: thanks dad 🙄 -> userone: THANK YOU SID
_connorbedard: you're not getting away from me -> buttercupcrosby: i fucking love you so much you have no idea -> usertwo: 😭 you don't get it 😭 he's using a percy jackson quote 😭😭 she loves those books
userthree: HOL UP! THEY'RE ENGAGED?? -> userfour: well they've been together for like three years now
mackinnon29: i'm so happy i can say whatever i want without checking whether it's ur spam or regular
mackinnon29: you guys are disgusting -> buttercupcrosby: disgustingly cute
marner_93: ugh we're finally allowed to talk about it
penguins: congratulations!! totally not crying at how big baby crosby is, nope -> e.malkin71geno: i am -> buttercupcrosby: aww geno🥺
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z0mbiefrank · 2 years ago
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Transcript for Marina Toybina on the Designing Hollywood podcast
I've seen a couple people searching for a transcript of her discussing Gerard Way's stage costumes, so I have made one! Feel free to share/link as a resource. Popular quotes are bolded.
Link to source video. MCR's section starts around 22 minutes in.
The transcript is beneath the cut.
Interviewer: Well now you’ve just finished working with My Chemical Romance, which is a band that I dig. Gerard Way is also a comic book writer and artist, created the Umbrella Academy. So, first of all, how did you get that job? Because there’s a design, I mean the look of that band and what they like to do, what they’re influenced by, they’re not just your typical rock band. So what was it like? How did you get that job? You designed the whole tour right?
Marina: I Collaborated with the lead singer, yes, with Gerard. Uhm, okay everything kinda has it’s place in time. About 15 years ago, 15 to 20 years ago, I was a huge fan. I’m a rock girl at heart, and back then a lot of their music was like music to my soul. It got me through some of the harder times. A lot of my friends were musicians. I never saw them live, never could afford to get to their shows, but knew one day in my heart there probably will be an opportunity, they were in like my top 5 favorite bands. He was an artist I’ve always wanted to work with. This past summer, while I was designing So You Think You Can Dance, I just happened to turn on their music - nope- let me rewind I'm so sorry. So a year ago I was reading a release that they're coming back together on tour and they're playing LA on my birthday. I looked at my team and I was like "I'm gonna be at that show. We're gonna go to the show, we're all gonna go together." And I just jokingly said “I'll probably dress them!” A lot of things in my career have happened to manifestation, I'm a huge believer in that. I think my intentions were so clear into the universe. I believed in it so much. That happened a year ago. Then this past summer, I was driving to work, I was listening to their music and I just happened to text my agent. I'm like “You know I really want to get back into music. It's what I used to do. I used to do a lot of live performances. I used to do a lot of music videos. I need to feel that again, even though I'm surrounded with music all the time and I'm doing all these shows. But there was a disconnect in my career, to where it's like I love live entertainment.” And she’s like “Who do you want? Like are we going after pop stars?” And I'm like “No I've done all that. I want to go back to my roots. I want like Incubus or My Chemical Romance or Red Hot Chili Peppers. Get me back to rock and roll.” And she was like “Well, you know, they're touring, but it's probably… I don’t know, let's put it out there.” Then within two weeks I get an email from her like “Hey their managers want to meet with you, he wants to meet with you.” One of the biggest things about their aesthetic is one of my probably top three costume designers, Colleen Atwood, did their black parade album and it was so incredible. Back then, I was always a step behind. It's like they did The Black Parade and then I met the photographer later. Then I worked on a project with him. So it was always like some better-late-than-never I guess. And I'm like “I'm gonna work with her someday, I love her work. I've been told by many people we're a lot alike.” You know? And I'm like “Why not?” And so we get this email “He would like to take a meeting, see what we can do.” I never expected to do a tour, I just wanted to open this door of opportunity, to just collaborate, maybe do one thing together. And he just showed up in my studio and it was just an amazing artistic energy.
Interviewer: Were you starstruck?
Marina: I was trying to hold it together. I mean before they came in, I can't tell you how much I paced. Usually, there's like 15 - 20 people at my studio. This was the time and day that I was alone. I didn't know what to do. Of course, my expectations were just to present myself and see if I would be a good asset to them because I love their music and I love what he's about. Also, it’s not just the frontman for me, I think he's a brilliant artist. So there's a lot of things. I just wanted our worlds to merge somehow. Within the first five minutes of our conversation, I'm like “Oh I get his brain.” I told them my story. I told him that this is like 20 years in the making. You know, I probably sound like a crazy-fan costume designer. But we share ideas, he walked me through the concepts of things he wants to do on this particular tour and they haven't started doing the US leg of the tour. I didn't know if they had a designer. Then he did mention Colleen was doing something for him and I was like “Okay, how - can this be a triangle? You know? Can I come in in the picture?” It was just a beautiful collaboration. It was a genuine artist to artist conversation. Like “Let's do something interesting.” He walked me through his concepts, his ideas and I'm like “Alright well, let me come up with some creatives, see if we're on the same page.” Again, as much as I wanted to be like “Hey we're doing this tomorrow!” I also felt like it's important now in my career and possibly in his, to make sure the relationship is good, that this is the right artistic match to one another and… it worked! From there it was just amazing fittings, amazing collaboration and some iconic things that went viral!
Interviewer: I love hearing this from you because this is like the joyous experience of 'oh my god I dreamt of working with somebody and you finally get to do it'. But I want to take you back to that because I'm curious. How would that process even begin? You're working with somebody that you already know their music, you already know his vibe. And Colleen Atwood, who I've interviewed by the way, on the show, she's incredible. Our interview had to - she was in the middle of a work day, so it was only it was a short interview. But how does a collaboration like that work with somebody like Gerard Way? How do you guys start working together? How is that process?
Marina: For us, it was just like an initial conversation. I introduced myself, my work. They already did some background checking up to see where I stand, what my aesthetic was like. And I felt I was in a place in my life, in my career, where I was able to bring something new. That's where my confidence I think came from. At the same time I didn't want to change the artist that's in front of me. I think that's always so important for me when working with music. You're dealing with a fan base, and a reputation, an aesthetic approach that's far beyond any artistic reach of anybody new coming in. So for me it was having a conversation, understanding what characters he wanted to bring forward. This was a very playful tour. This wasn't about dressing up the whole band. This was about him being in this world of iconic characters. And how can we bring this to life? What can we do that's still very recognizable to his fans but at the same time a little bit of a shock value? But at the same time, I wanted him to be him, you know? He was in this beautiful place in his life and career where he felt great and felt confident and I just wanted to uplift that. We did our creative decks, went through the conversations of which characters we wanted to go with, these are the shows that he had. I knew which city, we kind of wanted to play off where was the right time. Halloween was right around the corner, what do we do? So it was like very strategic conversations but at the same time so much room to play and be creative. So I just gathered the top 10 characters that we had discussed and kind of started doing my own thing, and keeping him and the music in mind. Had an amazing fitting. I've never worked with an artist that's so clear. It was not just directional and very precise and very distinct on his own style, but it was clear for me when we were doing fittings, this is somebody that knows his body. This is somebody who knows his aesthetic on stage. This is somebody that knows how they're going to perform. So it just made it so much easier for me to be able to fall into his world and do the fittings like “Is this going to come off? Is this piece staying on? Are we going to do options? Is the character going to evolve on stage? Is the character going to come down on stage?” So all those conversations happen in our fittings and then I just packed it all up, with distinct notes, send them off, and then kept checking in, making sure everything was okay.
Interviewer: So when you had a direction for the characters, were you doing sketches first?
Marina: No, not at all. This was something that I felt like needed to have the research. It wasn't just about designing something on paper. When he mentioned to me “I wanted to be a vintage cheerleader” I'm like “Okay, what era are we in? 50’s, 60’s, 70’s, 40’s?” and then he was like “Find me something that's within possibly this color scheme.” The image that went viral when he did wear the cheer uniform, it was probably like 10 different vintage stores that we went to. And I'm like “Okay everything's size zero.” or like “What am I gonna do? This stuff doesn't exist anymore. If I get it from Etsy it's not going to come in time.” There's like so much and it happened to be as we were leaving one of the stores I looked on a sale rack and I saw this damaged, weird, vintage cheer dress that had no zipper, that had no hem. And I was like “I love this! I love this because I can reconstruct it. I can go and get the fabrics that we need to still keep it original and authentic. And that's how we start working. I build out a mannequin his size at my studio, put it on, we reshaped it, took the whole thing apart, reconstructed it to be his measurements, and still kept it authentic. After he wore it, the pattern for the actual thing was sold out. Fans loved it so much that we were getting notifications that people actually found the original pattern of this 1940s uniform and were buying it out.
Interviewer: That's crazy, okay!
Marina: Oh it's amazing! I think, to me, that's when things are just meant to be. When not only did my work translate into something beautiful on stage, but then he becomes this incredible persona on stage that then delivers the character and plays it off. We did that throughout every single look. Every single look when it became a fan favorite or craze.
Interviewer: In terms of time, what was the process when you first got the gig and then to the first show that was performing using your work? What was the time frame?
Marina: I think I had about a month to get it all together.
Interviewer: Wow! That’s not much!
Marina: Yeh and at the same time, I had another huge project in the works so it was going back and forth. But I could not tell you, I've had difficult projects in the past, I've had difficult times with artists, or finding our own language, or how to execute some things. This was so easy that time didn't matter to me. It was such a great collaboration, it flowed, like Bruce Lee would say, like water. It just made sense and no matter how difficult my other project was or what was going on at the same time, it was like oh this is the universe showing me this is how it's supposed to be. This is what's inspiring me. And at the end of the day, the one thing I told Gerard was “You made me fall in love with music again. You came into my life as an artist that I've admired and wanted to work with for almost 20 years. There was a big part of my beginning that made me look back at this now and be like “Oh that's what. That was that feeling that I had when I was 16 or 20.”
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girl4music · 2 months ago
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In celebration of XENA DAY I’m going to leave the link to this podcast episode that the She Nerds Out hosts did with Steven L. Sears right here and transcribe some of it for you that I find the most fascinating and validating in regards to how the TV show and TV ship inform and influence each other in that the story arc/plot/narrative always wraps around the characters of Xena and Gabrielle instead of the other way around.  
The way Steven (yes, a straight white middle aged man) talks about Xena and Gabrielle is remarkable to me. He has such respect and reverence and just absolute sincerity when he talks about them both as individual characters and as a relationship dynamic that is primarily and predominantly romantic in his eyes. He confirms exactly why I will always highly praise the creators/cast/crew for what they did with this TV show and this TV ship and the timelessly magical experience it has on me and I know always will have on me. I can't believe that I actually had a personal conversation with this man for over an hour because I feel like he is a kindred spirit of sorts to me. At least as far as my interest and passion for TV art/entertainment goes. The way I know and understand the characters on a much deeper level than the show itself could ever really represent them to and for me.
You’ve just got to love how Steven automatically and intentionally wrote Gabrielle as a comphet lesbian. And I resonate so strongly with his words about her story arc and her journey in terms of how it applies to Gabrielle’s love for and initial fear of loving Xena the way she thinks - at the time - she’s only supposed to love men. Of course she’s constantly “running home to mama” because that’s where she knows herself best even if she’s always felt too queer to be mama’s little girl. And there is that very quietly played theme with her where she’s constantly struggling with that internally which is so brilliantly communicated in both Steven’s writing and Renee’s nuanced portrayal of Gabrielle’s character. And that is exactly what a “comphet lesbian” is. It’s someone that habitually runs home even when they know they don’t belong there because it’s safer or more familiar for them than stepping into the dangerous unknown even when it feels so much more welcoming than home ever did.
‘Xena: Warrior Princess’ is a queer story from the get go. Episode 1 is very queer storytelling actually in the way that these 2 protagonist female characters meet each other and become family to one another. It’s “I feel like a stranger in my own home but I just met you and you seem to feel the same way as me - let’s just stop being strangers and be a home to each other.”
I would really recommend listening to the whole podcast episode because the whole thing is just amazingly in-depth and insightful but if you can’t do that please enjoy these transcriptions of what I think are the best parts of it that explain so much about where the creators/cast/crew’s minds were at VS where the network/studio/executive’s mind’s were at because it’s important to be aware that they were not queerbaiting or pandering or exploiting LGBTQ fans which many show’s creative teams and their network/streaming service platforms still do with their lead same-sex characters instead of take them seriously.
As I said - most of the creators/cast/crew agreed with the fans and even viewed the TV show as a love story between the 2 lead characters themselves. Especially the big names. Steven is a great example of that fact. And if they were just “fan-servicing”, then they were serving themselves just as much because they wanted canon Xena and Gabrielle just as much as the fans did. They may never have initially saw them that way but they clearly knew that it was the natural progression for them so they didn’t dispute it. They embraced it.
STEVEN: “One of the things we discussed at the beginning was a flaw that you find in a lot of TV shows that have 2 leads. Generally, 1 is the lead who has the name on the banner and the other one is the ‘sidekick’. And I remember saying - not as an ultimatum, I just casually mentioned it in the meeting - I said ‘I don’t believe in sidekicks. Sidekicks are the props that you kill off at the end of the first season so that people will tune in the next season. They’re kind of useless and they just exist.’ And everybody agreed with that and we did not want to get to the point where Gabrielle was just standing in the background going ‘Get him Xena! Get him Xena! Get him Xena!’ And I remember we angst during the baby tossing episode ‘cause that’s all she did. She participated by grabbing the baby but she literally was acting ‘Get him Xena! Get him Xena!’ And so we decided that Gabrielle had to have a solid progression that was not just a convenience for us. In other words we didn’t want to do this just because ‘well, we don’t want her to be a sidekick so we’re going to pretend like she’s important.’ We felt she had to be. And so obviously the relationship between the 2 characters folded in with that perfectly. So this was one of the episodes (‘The Greater Good’) where I said - I kind of posed the question in my mind - I thought ‘what if Gabrielle was the Xena of this episode?’ Which, obviously, is what came out of it.”
HOST: “Speaking of that episode though,… that’s one of the most iconic episodes of the show. Definitely of that first season if not of the show generally. So when you say that building up [Gabrielle’s] character and making her more important to the story and finding that through the relationship - was their relationship sort of just natural or was that something that you guys were like ‘yeah, no, this has to be a huge part of what the show is now.’”
STEVEN: “There’s no yes and no for any of that so… the thing is that every TV show - unless it’s adapted from a novel or unless you actually chart out 5 seasons right at the beginning - which a lot of TV series now are doing because of the way that we stream. They’re basically novels - at a certain point as you begin to develop it, it takes on its own life. With everybody’s contributions the characters become real and just as all of you are real, I could write stories that you could do, but you will live those stories differently. Even if you do them together, you’re going to live them individually. So when we started out the series we were looking for having a successful series. We wanted to have fun - everybody in this business wants to have fun - and we wanted to get another season. But, in the way that I write - and fortunately in this particular group we all had the same mindset - we don’t believe in doing action for the sake of action. We don’t believe in doing comedy for the sake of comedy. We don’t believe in doing anything that’s not rooted in character first. So when we started the series I had made a comment about their relationship. I actually said ‘we’re going to have a very large gay/lesbian following’ and some of the people in the office were like ‘why would you think that?’ and I said ‘well,… my first show was 3 guys on a boat.’ And back then you didn’t have the internet for fanfiction but there were news magazines that went out that fans would put together. Fanzines. And - of course - I subscribed to 1 4 Riptide and almost all the fanzines dealt with their relationships with how they regarded each other. On every level. Romantic levels and just on brotherly levels or anything like that… but their relationships were a lot closer. So what I realized with all the subsequent series that I was doing - every time there were 2 leads of the same gender, this type of fanfiction was out there. Now as a backstory, I come out of theatre. I’ve been doing theatre since I was 12 years old. So being around the LGBTQ community was just… Tuesday, you know? So, for me, as I kind of explained this, I said ‘any time a dispossessed group of our society finds validation in any of our media - they grab it. Because they’re not given it, they have to grab it.’ And I said ‘so, you know, it’s going to happen.’ And thank god nobody went ‘oh, we have to avoid that’ or ‘we have to stay away from that’. Okay? Nobody in the room … So what we just figured was like we’re just going to let these characters evolve the way they evolve. And anybody looking at these characters and the way they came together and the adventures they were going on - I mean in retrospect,… was it really a surprise that they would have this incredibly close bond as they went forward? I mean however you ship it, it doesn’t matter. That bond had to happen or Gabrielle would have been totally unnecessary. We would have gotten rid of her. She would have been an annoyance. As opposed to us embracing the annoying aspect at the beginning and then allowing the audience to watch this incredible growth that she never would have had without meeting Xena and the incredible growth that Xena had that she would never have had if she hadn’t met Gabrielle. I’ve always said ‘Sins Of The Past’ was a suicide episode. Xena was trying to kill herself. She had nothing left. When she buried her weapons she was saying ‘I’m leaving myself open to the next warlord to kill me’ and then she hears the noise in the distance and she goes over there and she sees this young girl standing up against warlords and there’s a part of her that says ‘I was like that. That was me. What happened?’”
STEVEN: “I will say though that as the show became more popular the studio backed off on a lot of things with us because we were doing well and they trusted us. I want to look at it that way anyway. The President of Universal Television during that time was a guy named Dan Philly and I knew Dan since I started. He was actually one of the studio executives from NBC for Riptide. So I knew him from back then. Really cool guy. Awesome guy. And he was like ‘look, you know if this is working, people are happy, you seem to be walking that line…’ - which I always snickered at - it’s ‘cause ‘yeah, cause we’re NOT walking that line’ - he said ‘just go for it.’ And he was also one of the old style studio executives where if they wanted something they would trust you. They would turn to you and they would say ‘can you have a little more titillation? ‘Cause we like that. That helps. Give us more titillation.’ But they wouldn’t tell us to do it. They wouldn’t say ‘this is how you do it.’ They wouldn’t say ‘redesign their costumes so that their boobs pop out.’ They would just leave it to us. And so we would say ‘oh, this scene where they’re in the tavern talking about these really intense things that are going on in their life - we’ll put it in a hot tub!’ And that actually is how the hot tub tradition began because we thought ‘well, that makes it titillating’ and yet… we used it for the story and… it actually is kind of a bonding thing… ‘so put it in there.’ They’re watching the dailies and you hear [Lucy] say ‘where’s the soap?’ and we go ‘do we leave that in?’ ‘Yeah, we’ll leave that one in.’”
HOST: “As far as from the fan side of it, I don’t remember when the term ‘subtext’ started to become a word that the fans threw around and it obviously has become it’s own thing: the subtext of the show. But it sounds to me like it was just very organic for you guys. But when did you start to hear of the fans - LGBTQ+ specifically - latching on to what we would call ‘the subtext of the show.’ Was there like any kind of feedback you were getting? Were you then more inclined to kind of give us a little more like ‘wink wink, nudge nudge’ moments like the hot tub? Were you receptive to what the fans were asking for?”
STEVEN: “Yes and no. With the internet obviously we had direct access to the fans and we always made it a rule that we were not going to follow where the fans wanted us to go. We hoped that they would follow with us. But at the same time we kind of adapted things. I remember - because of my geeky nature - I was the one who was online first. I was really into that. I was the one who found the first AOL chatroom that Laura, a little 14 year old girl had set up for Xena. So I was listening in. And for those of you who remember back then, I never hid who I was. I wasn’t a lurker. I would go in and I would say ‘this is who I am’ not because I wanted everybody to go ‘ooo’ but I would say ‘talk freely.’ I said ‘I will leave the room if 1 of 2 things happen: if 1. you start talking about episodes you want to see because I can’t ethically listen to that or 2. if I become the centre of conversation ‘cause that’s not the point.’ I said ‘if I do that, don’t take offence, that’s just my own little ethics.’ But I was able to listen in. And so I do remember that at the beginning of this I told Rob this was going on and he said something to the effect of ‘yeah, well, it’s good they’re talking about the show but, you know, we don’t really care what they’re saying there, we’ve got to keep focused.’ I’m like ‘okay.’ And like an episode would come back and he would come out and come into my office and he’d say ‘so umm,… what do the fans think?’ And again, I was kind of looking for this because of my background so I was a little more aware of what was happening. The early discussions among the fans of where this was going was extremely interesting to me and I tried my best not to get involved in it because I wanted everybody to interpret it the way that they wanted to. I’m always amazed by the Xena fandom. I’ve been on other shows that have fandom and certainly a lot of my friends have huge fanbases on their shows, and I’ve said this when I’ve been on podcasts for other shows: the Xena fandom is the most incredible fandom that I’ve ever been involved with for a number of reasons. And one of them is that at the beginning - keeping in mind this was obviously in the middle 90’s - there was still some contentiousness as if people were trying to protect the girls from being lesbian. It’s like ‘we have to protect them, don’t say that!’ ‘Oh, okay, good, you’re going to protect me from what? Being a straight white male. Oh, thank you very much.’ So it was a little bit of that going on and there was some fire that went back and forth. I remember a few of the transcripts that were just so amazing. I kind of kept track of them. And what I started to see though with the Xena fans - which I loved - is that the people who wanted to maintain their shipper stance became friends. They began talking about it with respect to each other as opposed to ‘no, you’re that camp, I’m this camp’ and then the major contention was ‘do we ship Xena with Ares?’ And I’m like ‘okay, so what you’ve done is you’ve defaulted to the idea that she’s already with Gabrielle and now you’re just talking about a jealousy thing.’ And I’m like ‘that’s totally cool. I love that!’”
So the characters evolved. Now had they evolved in a different direction, well, we’d be having a different conversation here. Going back to the studio, one of the things that did come up was the studio did say ‘can you somehow remind people that, you know, Xena still likes guys and Gabrielle still likes guys.’ But they never said that they can’t like each other. And I’m thinking to myself ‘okay, what you’ve described to me is either the ultimate bisexual or what you’ve described to me is’ - and I don’t have a word for this ‘cause, you know, straight white male, how would I know this? - ‘is many of my friends who are a lesbian but denied that identification and fought themselves, and then finally came out - liberated themselves.’ So I said ‘you’re kind of describing that.’ And I remember thinking to myself ‘and that’s going to be Gabrielle.’ That she’s going to fight a lot of this internally. And so, you know, when we got to the Perdicus episode - with the marriage … you know we all get together and we would talk about how we’re going to put it together and some of us would come up with little things that go into somebody else’s script and it’s always the original writer that really is the owner of the script, but we always contribute things. And I remember we got to that thing and I’m like ‘okay, I know where I’m leaning on this’ and I’m going to lean into the curve on this one because what’s happening with Gabrielle is that she’s gone this far with Xena and suddenly this reminder of what her hidden past was - what her past was when she - well… you could say ‘denied’ -  there’s a time where - this is difficult for me because I’m not a gay woman so I can’t speak with authority from this. I can only say I’ve had friends that have gone through this - where their coming out process is so scary that sometimes they - what I call - ‘run home to mama.’ And mama is where they were - at least they could deal with it - it was familiar enough. So when Perdicus comes in,… she’s questioning a lot of things and she thinks ‘okay, and now I’m questioning where I am and why I’m here,… so I’m running home to mama because Perdicus represents my childhood, my past, my village.’ And that scene where Gabrielle and Xena have that discussion before Gabrielle goes off to marry Perdicus - again, I always remind myself I’m NOT that orientation, I’m NOT that gender, I’m NOT that - but that scene still sticks in my mind because it broke my heart because she’s looking right at the woman who is her destiny and she’s saying ‘I’m so scared of you because of what you’re going to reveal about me and so I’m going to run away to something I should never have been apart of.’ And I’ve seen people go through that so that scene still sticks in my mind. It’s literally in my mind. I see the entire image of that scene.”
HOST: “When you say that - obviously you’re not a gay woman but you know humans and you know people and at the end of the day those characters were very human and - I hate to say it, love is love - it’s very cliché, but it is, right? Of course, why wouldn’t you understand what those 2 character’s are feeling … Because you’re a human being who understands the concept of love. But I love what you said. It’s like, yeah, of course, Gabrielle knew what being married to Perdicus living in her old village would be like. Like you said - she could endure that. She’d been there. She understood it. If she stayed with Xena, it’s scary, it’s the unknown and it’s that great inner conflict in her. I hadn’t really thought about it but that scene is very heartbreaking and it’s got to be one of my favourites.”
STEVEN: “When she left the village that little girl was looking at adventure because she was bored. She had no idea what she was getting into on every level. Not just the action level, the adventure level, the danger level - but the emotional level. She had no idea. So then she got to a point where that all scared her. She was more scared of that than she was about the adventure and the danger. Warlords did not scare her the way that this scared her. And, you know, it was a huge turning point. Now whether you ship one way or the other way on this, it still works because she had to find her destiny. And I also make a little distinction in my mind that Gabrielle’s destiny was not to be with Xena. Gabrielle’s destiny was to be with herself and to love who she chose to love. It was to find her happiness and BOOM… it walks into her life. And that is the scariest thing that can happen to a person and it’s hard to admit it. So I’ve often described the relationship at the beginning as: because Xena was much more experienced Xena was much more focused on what she had won and lost in her life and she had a lot of repair work to do in her life. Gabrielle had a lot of growing to do. So when Xena and Gabrielle came together, I made this distinction: I said that Gabrielle loved Xena ‘cause ‘AWESOME! XENA! The legends, the things I’ve heard about you!’
So Gabrielle loved Xena… but Xena was IN LOVE with Gabrielle… from the moment they met.”
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wizardsvslesbians · 26 days ago
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Isaac here, with another recommendation response masterpost! It's a long one!
Anon said:
oh my godyou guys HAVE to cover metal from heaven by august clarke as the next thing to add to the list i just saw the reviews and it literally looks like main wizlez for the first time in quite a while
We actually have had an ARC of this one for some time, and we were intending to cover it! And I bounced off it real hard. So that's on me. Once it comes out properly and there's an audiobook I'll take another crack at it.
Seiya said:
“A Sweet Sting of Salt” by Rose Sutherland is for all the girlies who read Charity and Sylvia and wanted more of that. or, 19th century Nova Scotia selkie lesbians. the wizard is less a wizard and more a condemnation of the selkie folktale in general, but also the vibes are nice and this was a nice book
We're going to need a vibes are nice book - the vibes have been either rancid or very complicated for too long and I'm missing the simple days of boat lesbians and The Duke. Also it would be nice to follow up "Selkie Stories Are For Losers" from our last short story roundup.
Spiralochete said:
Not wizlez, but if you're ever in the mood, I would love to hear you guys discuss Borne by Jeff Vandermeer. It features a non-narcissistic parent of an extremely monstrous child, and I think it would produce interesting discussions in conversation with some of the previous entries in the podcast. I also think that the ecological themes would be an interesting change of pace. There are no prominent lesbians, but there are definitely wizards. If either of you have bounced off Jeff Vandermeer previously (I know that some people do), it's definitely a bit more accessible than the Southern Reach Trilogy.
I liked Annihilation! Then Authority bored me enough that I never bothered to finish it, so I'm, like, medium interested in this as a concept. Sounds like a guest episode, and so we'd need a guest who wants to cover it.
Anon said:
i think i might have just watched the first actual bona fide wizards vs lesbians film i've ever seen other than adolescence of utena, and i'm shocked i never heard of it before: harmony (2015), but for the podcast you guys might be more interested in the novel of the same name it's based on by project itoh (who i believe is also famous for having a kojima game dedicated to him posthumously). the novel is less explicit in the romance between protagonists (antagonists?) tuan and miach, which might be a point towards reviewing the film rather than the book, but it's up to you guys! really, really interesting stuff from this film, despite its flaws. it's good scifi
Any skepticism I might have had about this went out the window when I saw that Michael Arias co-directed the film. He directed Tekkonkinkreet, which is one of my five favorite movies of all time, one of the only pieces of media that makes me cry no matter how many times I go back to it, so I, at least, will be giving this a shot. Can't guarantee any more than that.
Anon said:
i know you only rarely cover graphic literature but tbh the more i think on it the manga land of the lustrous not only counts as (enby) yuri but also absolutely fits in the lesbian space atrocities/wizlez genre, the tragedy and war and double crossing and mental illness stuff with the initial motivation for everything being a gay crush that ruins everything.
I'm gonna be real with you: I had such a viscerally negative reaction to the anime when it came out that it would take a lot for me to dive into the manga. Toooo many lovingly rendered amputations.
Anon said:
have you guys ever read stuff by qing jun mo xiao? her baihe serials all are very much in wizlez mode as far as i can tell - clear and muddy loss of love has a full english translation available online, i dunno about female general and eldest princess but it's getting english volume releases!
There is an english translation online, but it's definitely fanwork, and with all respect to the person who made it it's probably best if we wait for an official release. When that does happen, I'm all for it.
Short recs:
the passion by jeanette winterson is a vintage wizvwlw novel i found recently which is magical realist napoleonic wars in venice - it might be of interest to you guys
On the list it goes!
the women could fly by megan giddings def looks like wizles, maybe it's worth checking out since it looks pretty interesting
On the list it goes!
i've not read it, but the light brigade by kameron hurley looks like interesting wizlez to me if you wanna check it out
I suspect we haven't done any Kameron Hurley books yet for a reason, but on the list it goes!
And finally, presented without comment:
Look I'm aware that due to the time commitment which is on par with reading Homestuck and the audio format it's basically impossible to cover all of it. But fellow wizards vs lesbians listeners should know that the magnus archives probably counts as wizards vs lesbians. There are a million wizards, women fall in love, and lesbians definitely attack the wizards. plus there's an assortment of bad mothers and monstrous children. It somehow has a coherent plot and themes by the end as well, if you can stick with the motw format long enough. However it's mostly wizard pov
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sunnyie-eve · 4 months ago
Text
16 | Explaining
Series: Unexpected
Paring: (Matt Sturniolo x OFC Brock!) (Chris Sturniolo x OFC Brock!)
Word Count: 1.2k
Warnings: none
| MASTERLIST |
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"Good Morning Campers, welcome back to Cut The Cameras Podcast. It's your favorite host Nick Sturniolo." Nick starts off.
"Matt's here, hello everyone."
"Hey Matt, you look good in your retro sweater today." Chris speaks up.
"Retro?" Dani looks at Matt's sweater. She didn't consider it retro.
"Thank you." Matt takes the compliment.
"Yeah, that's very vintage. I think it looks it." Chris says.
"Okay." Matt nods his head not caring all that much.
"Where did you get it? New? Brand new?" Nick asks him, "Did you buy it brand new?" Nick asks more so Matt shh's him.
"He got that vintage I know he did." Chris smiles.
"Brand new." Nick says again.
"Why are y'all so obsessed with a sweater?" Dani asks so confused and lost.
"Matt did you buy it or someone else?" Chris asks him, "Why is it a secret?"
"We're just curious." Nick adds.
"I did," Matt answers.
"Did you pick it because you liked it or was it because someone else might like it?" Chris asks bugging Matt and even Dani.
"Dani liked it." Matt says in a mono tone.
"I said he would look good in it because he likes blue and it would make his eyes pop more. Plus he wanted a sweater." Dani speaks up explaining.
"I'll tell you one thing. I wasn't the first person to wear it." Matt tells the guys then looks at Dani,
"Was I really?" She asks surprised since she thought he had already wore it by the time she wore it.
"Yeah because you were cold." He tells her.
"You had the AC set so low." She pleads her case to him.
"Yeah, but I had so many things and you picked this to wear." He tells her making her jaw drop.
"I didn't pick it! You handed it to me and said you can put this on." She sits up to correct him.
"What? I did not."
"You are such a liar." She laughs at him.
"I'm not listening."
"So much bickering." Chris shakes his head at the two.
"Yep." Nick agrees, "Such an old married couple."
"Whatever, what's our next topic?" Dani asks them, "Also yes, hello, Dani's here." She smiles/
"And Chris too." He adds.
"Here we go... Dani, people want to know why must you make yourself part of our group?" Nick reads off of his phone.
"Not this shit again." Chris huffs, "We already went over this!"
"For on, I'm not trying to be part of the group." Dani starts off, "You guys ask if I want to be apart of things. Like originally, I wasn't going to be on the podcast today. But the three of you asked me to so that's why I'm here."
"I've read that some people try their best to make you stop showing up in things." Chris looks for it on his phone. "I feel like they forget you're used to some hate by being in Sam and Colby videos."
"Especially when they started getting big." Dani states remembering back.
"Like they hated that you were Colby's sister." Chris adds, "It's not like you had a choice in that."
"It's because they didn't believe I was his sister. They thought it was a lie and I was just some girl who liked him and he had a small thing for me."
"That's so weird and uncomfortable for the two of you." Nick makes a face feeling bad.
"Oh, it was super weird. Seeing edits of people shipping you with your brother." Dani shakes her head, "I also grew up with unnecessary hate so you can't scare me off." She adds for the viewers.
"Give it up." Matt speaks up making Nick laugh.
"Like I said last time, she's staying." Chris tells the viewers.
"Oh, I've also been called jobless since I don't have my own place yet." Dani adds laughing.
"You're part of a modeling company..." Matt looks at her.
"It's a very unique company that's very diverse." Nick adds.
"The shortest model is 4'7 and the tallest is 6'10. We have from a size zero to 7X and up. They also let us come up with designs for the clothing brand. I mean, you have to work your way up to get you own line in the brand, which I'm almost there." Dani explains smiling proud of herself.
"You also have that little thing on the side that's in the works." Nick adds.
"That too. It's still a secret." She agrees, "Oh, off topic slightly! And I'm sorry if it makes you guys uncomfortable, but I'm gonna make this clear for some people out there. You know who you are... My boobs are not fake! People think I paid for them. No, I'm just a 4'11 girl with DDs and a descent nice ass, which also isn't fake." Dani looks straight into the cameras, "I'm sorry but I gotta make that clear."
"Trust her!" Nick gets loud with wide eyes, "They're real."
"Nick..." Matt looks at him.
"We were playing around and if they were fake... They would've popped." Nick laughs while Matt and Chris just look at him.
"His elbow landed so hard on my boob I cried it hurt so bad." Dani gives more context to what happened.
"Is that when she didn't talk to you for a whole day?" Chris thinks back.
"Yes,"
"He kept apologizing for the whole day." Matt remembers.
"She was so upset." Nick chuckles feeling bad.
"Let my elbow land hard on you nuts. Then you would understand and ignore me too."
After the podcast while Dani was in her Chris pokes his head into her room, "You busy?" He asks her.
"Nope, just listing to music while I type. What up?" She turns to face him as he comes into her room.
"Nothing just bored." He takes a seat on her bed.
"So you came to bug me?" She laughs at him.
"Well, Nick is editing and Matt is playing Fortnite so..." He messes with his hands, "Do you wanna go out?" He asks, "I mean like to the mall and stuff?" He adds quickly.
"I knew what you meant Chris." She can't help but laugh at him as he looked embarrassed, "But yeah I wanna go."
"Great, I'm gonna go get my stuff." He rushes out to go to his room while she gets ready to go.
When she was gone she walks to Matt's room since he was the closest, "Hey," She pokes her head in so he looks over at her, "Chris and I are heading out. We'll be back later."
"Okay, have fun." He gives her a thumbs up, "Wait, where are you guys going?" He asks before she closes the door.
"He wants to go to the mall so I'm taking him." She leaves as Chris comes up his stairs ready to go.
"That's a cute shirt. New?" Chris asks as they get in her car.
"Thanks and yes. Matt bought it for me. Like how I said said the sweater would look on him he did the same with this shirt for me." She explains starting the car so Chris just nods his head.
"He knew exactly what he was doing picking that shirt..." Chris thinks to himself glancing over at her. It was a cherry print buckle lace up cami top that hugged her curves perfectly as she matched it with a jean skirt.
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rosemarydisaster · 6 months ago
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Seeing Alice try to explain to Sam and Celia what happened and being unable to come up with a rational explanation despite trying with all her might reminds me more of John confessing that he believes the statements than it does the Martin-Prentiss incident.
You can't truly say there's something supernatural in TMA until the Jane Prentiss attack/Michael. That's when the audience and most of the cast say "got it, it truly is supernatural". Obviously as the audience of a horror podcast you were already pretty sure of it, but still. There's enough "it was actually aliens/the government" twist to be aware off.
In Tmagp things are different from the start, we don't have just one pov, we're more like a semi omniscient voyeur. We know the horrors are real because we listened to TMA (we may not know if it's the same horrors though). But not only that, several of our main cast already believed in the supernatural to begin with.
Sam kept asking Alice if she thought the incidents were real
Celia has never tried to hide that she believes they absolutely are
Colin is convinced something really weird/paranormal is happening
Gwen probably wasn't sold in the beginning but very soon she found out they are, in fact, very real
Lena Knew they were real
Alice was the only skeptical by episode 10. John was still going strong in the whole "there is no such thing as supernatural entities" by episode 39. And not only him. We only have his pov, but pretty much no one was talking(out loud) about paranormal things being real until they had a personal experience down the line. By the time John confesses he's not a real skeptic, both the audience and the rest of the characters know the supernatural is real. Meanwhile in protocol Alice is the only one holding the "nope, don't think about it" front.
Cue episode 15-16. Despite her best attempts at rationalizing what happened she can't find a logical explanation. She is reacting the way any normal, sane, human being would to a paranormal encounter. And the thing is, if this was the institute, her coworkers reaction would have ranged from "I'm going to go along with your story so you can calm down and later we can find out what really happened" to "well that couldn't have happened because ghosts aren't real".
But instead she gets Samama "hmmm this puter telling me a storytime sounds really compelling" Khalid and Celia "I'm from a different dimension that got overrun by the horrors" Ripley. And now that the last bastion for skepticism in the OIAR has fallen there's no reason to pretend. There's no image of professionalism to uphold. To Sam and Celia, Alice admitting to something like that is all the proof they need. It's confirmation bias from the last person that would want to confirm your bias so it must be true.
Honestly, I can't wait to see how this turns out. I wouldn't be surprised if Alice tries to convince herself she hallucinated the whole thing and then an incident comes in with eerily similar details...I just can't wait. I'm a sucker for skeptical characters having to confront something real.
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whumpdoyoumean · 20 days ago
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Whumptober #23
xxx i'm doing this for you
There's a man standing out on the pavement when John exits the building. He's taller than John, mid-thirties, and wearing a big winter coat that John thinks is slight overkill given the pleasantness of the weather. He looks up as the door opens then, upon seeing John, looks away again with a visible air of disappointment.
"Hiya," John says. "I've seen you round the pub these last few weeks. You introduced yourself to Sherlock the other night. It's Samuel, right?"
"Yes," the man says. He doesn't look at John when he speaks. "Is Mr. Holmes in?"
"Yeah, we're about to do our grocery shopping for the week, but we aren't in too big of a rush. Not like we have an appointment or anything, heh, can you imagine? An appointment for grocery shopping..." He trails off, clearing his throat as Samuel looks increasingly annoyed. "Sorry. Um. He'll be down any minute now. If this is about a case, though, you can talk to me and then--"
"Will you shut up?" Samuel interrupts, finally turning to face John. He looks angry, malevolent almost, and John finds himself taking a reflexive step back as Samuel continues. "I have nothing to say to you. That would be a waste of my time, just like every breath you take is a waste of oxygen."
John is momentarily stunned to silence, taken aback at the insult. He breathes out an awkward, disbelieving chuckle. "Well. That's a bit harsh, isn't it?"
"God's sake!" Samuel snaps, and suddenly there's a gun in his hand, pulled out from somewhere in his jacket.
"Whoa, Jesus!" John throws his hands up, the blood draining from his face. "Alright, mate, there's no need for that!"
"I am not your mate," Samuel snarls.
John hears the door open beside him and his stomach twists.
"Sherlock, go back inside," he says.
Sherlock, whose nose is buried in a book, frowns slightly as he steps out of their apartment building. "Why would I--"
"Just go back inside, please, mate!"
The frown deepens and Sherlock looks up, first at John with his hands raised, and then at Samuel with the gun in his hand. He stiffens.
"What's going on?"
"Mr. Holmes!" Samuel says, a wide smile breaking across his features that doesn't match the situation. He keeps the gun trained on John as he turns to Sherlock. "I'm not sure if you remember me, my name is Samuel. I listen to the podcast and I – I'm your biggest fan."
That's...not what John was expecting. Some fan.
"I do remember you," Sherlock says slowly. "I remember you calling John a rather rude name, and then suggesting I...'branch out on my own' is how you put it, I believe."
John can't help but make a small sound at that. "When did he suggest that?"
"While you were in the toilet," Sherlock says. "I told him at the time that I have no interest in parting ways with you, and that's still true. Put the gun down now, please, Samuel."
He takes a careful step forward, freezing in place when Samuel clicks the hammer back with his thumb.
"I'm trying to help you!" Samuel cries, voice cracking on the last word. He looks and sounds...desperate, practically on the verge of tears. His hand and the gun in it are shaking. "This man, this-this imbecile. He isn't worthy of your brilliance, Mr. Holmes. He's holding you back! You can't see it, but I can."
"Samuel," Sherlock says. His eyes are wide, and there's a breathless, frantic edge to his voice. "Don't."
Samuel smiles again. "I'm doing this for you."
Sherlock launches himself forward, but he's not fast enough. Samuel's finger tightens.
The gunshot is loud. John always forgets, somehow, how loud guns are. It's almost as startling as the impact of the bullet, to the left side of his chest, near the bottom of his rib-cage. It almost feels like being punched really hard, and he staggers backward and falls. He hears Sherlock shout as he stares up at the fluffy clouds that punctuate the blue sky. He's glad, distantly, that it isn't raining. It would be shit to be lying here getting rained on.
"Watson!"
Sherlock's face comes into view. He's wide-eyed and breathing hard.
"Did you get him?" John asks.
"No," Sherlock says. He reaches forward as he talks, tugging the scarf from around John's neck. "I disarmed him, though, and I have his full name and address to give to the police."
Full name and address? John thinks, and then, Of course. Of course Sherlock will have figured that out.
"My mum gave me that scarf," John laments as Sherlock wads up the blue-striped fabric and presses it against John's chest.
"She can buy you another," Sherlock says, pulling out his mobile and dialing with one hand. "Yes, I need an ambulance at 221B Baker Street, straight away. My friend was shot and is in cardiac arrest. The suspect is heading east on foot. I disarmed him, but he could be dangerous."
Watson frowns as Sherlock hangs up and drops his mobile on the pavement beside him.
"The ambulance is on its way now. I'm going to keep applying pressure to the wound and you, Watson, you are to stay awake."
"Did – did you just tell the operator I was in cardiac arrest?"
"Yes."
"Why?"
"Because the average ambulance response time for a situation which is immediately life-threatening, such as cardiac arrest, is eleven minutes faster than the average response time for an emergency, like a gunshot victim who's conscious and speaking."
John blinks, nodding slightly. "Ah," he says simply. Now doesn't seem like the right time to discuss the ethics of lying to 999. The initial shock and adrenaline that had flooded him when the bullet struck is starting to fade, and what takes its place is agony, deep and intense and burning. He tries and fails to hold back a groan.
"You're hurting," Sherlock says, and then almost to himself he adds, in that same detached way he speaks when he's going through the facts of a case, "The adrenaline must be wearing off."
"Yep," John grunts as another shock of pain lances through him. "Makes me want to go for a jog or something."
Sherlock looks at him with a slightly puzzled expression.
"Y'know," John says. "''cus of the...the endorphins. The hypo-whatever--"
"The hypothalamus endorphin," Sherlock supplies. "It's a natural painkiller, yes, but I hardly think that in this instance--" He stops, blinking. "You're making a joke. Referencing the conversation we had when we first met."
John manages a small smile, despite everything. "Yeah, mate."
"Well that's a good sign, I think. You've enough presence of mind for humor, or an attempt at it anyway."
He presses down more firmly against the wound, and the pain is dizzying. John closes his eyes.
"Stay awake," Sherlock urges. "Talk to me."
John doesn't feel overly chatty at the moment, but when he opens his eyes, Sherlock's expression is so open and pleading, and John doesn't want to let him down. He never wants to let him down...
"Is he right?"
Sherlock frowns. "What?"
"What Samuel was saying," John says. He takes a few heavy breaths before he continues. "About me holding you back – is he right?"
Sherlock's expression shifts, softening from confusion to something closer to sympathy in a second flat. When he speaks, his voice is achingly gentle, a contrast to the painful pressure he's keeping on the wound. "No. No, Watson. Of course not. You do not hold me back. On the contrary, you...push me. To do better, to be better. I've not always had much success at keeping friendships. I'm sure you've noticed that I have some tendencies that can be off-putting to many, and often this seems to lead people to view me as an irritant, or else a novelty. But you have never made me feel like either of those things. You're my closest friend and I owe you very much."
John's eyes sting, and he blinks back the tears that have sprung up. "Oh," he rasps, voice getting caught in his throat. He swallows. "That's, well...that's very kind."
Sherlock looks a little embarrassed, and he looks down at his hands. "I'm not saying it to be kind, John. It's the truth, that is all."
Another wave of dizziness washes over John and he swallows heavily. He's starting to feel cold, and tiredness is pushing at the edges of his consciousness. He was an army medic, and he recognizes the beginnings of shock. He doesn't know how much longer he'll be able to stay awake before the decision is out of his hands, but he's going to hang on as long as he possibly can. For Sherlock.
xxx
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whatiwillsay · 6 months ago
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What if the love story in folklore is either Taylor spending time with Matty in a Joe intermission, or Joe doing something similar.
It adds meaning to the “he wasn’t a fool” convo from long pond between Jack and Taylor. If Jack is saying Taylor wasn’t a fool to spend time with him at a point when things were over. It also links with Taylor’s songs with MH being about being children.
Though there might also be something to Betty’s “show up at my party”, and “crashed my party in your rental car”.
Teenage love triangle needs revisiting!
so taylor says "my husband is cheating" and "We learned thе right steps to different dancеs, And fell victim to interlopers' glances" on the album about joe so I definitely think our long-running suspicion that joe cheated on taylor is confirmed but I think taylor also owns up to her OWN missteps and I think the folklore love triangle is a comment on all of that, not JUST taylor's affair with matty.
i don't think you can just one for one fill in the characters of the love triangle with three concrete people (like for example I've seen people say betty is taylor, halsey is august, james is matty or something like that)
i think they're all vibey songs- cardigan is taylor's perspective of what it's like to have someone from your past come back to you and make you feel better. i do think this song, in general, according to taylor, is about matty showing back up while joe was letting her down if we're going to believe what she said on eras tour (this is about you, you know who you are, I love you).
but i do think betty is taylor and joe talking to each other, both apologizing for cheating.
and i think august is ALSO taylor's perspective perhaps talking about how she felt about being the other woman to matty's partner (fka twigs?) but also I think she may have been trying to take into consideration the feelings of whoever joe cheated on her with.
remember, taylor's team confirmed that taylor and joe were on and off for a long time and had broken up before the big confirmed break up in April of 2023 and I've of course had tea confirming they broke up many times as well. i think one of these iterations was over quarantine (I have heard they got couples counseling in 2020). hence them writing songs like betty, exile, ch probs, and coney island together! and of course, taylor writing songs like illicit affairs and ivy along with the love triangle songs (and also tolerate it and happiness IMO were just about struggles with joe).
i think one of these breakups had to do with matty and also perhaps infidelity on joe's part but they worked it out and wrote songs together to cope and taylor wrote a bunch of songs about infidelity to process and understand it all.
the way the house in ivy burns down at the end and then taylor lights the lover house on fire and burns it down on eras tour to me is just chef's kiss. and it just ALL comes together on ttpd don't get me started on matty's matches in loml ("your arson's match your somber eyes") and all the other connections to folkmore/the love triangle.
i think most of folkmore is about these affairs and the failures of taylor and joe's relationship (while still trying to come back together and heal it with songs like evermore and willow and long story short). you can't really blame her for hiding it all in a fictional setting given how the public would have commented on the drama esp if she and joe were trying to work it out!
i comment a lot on all of this in my Learning the Lore of TTPD series part I is here on spotify and here on apple podcasts!
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