#i am just going to keep the specifics like names and plot elements to myself

[toastytoaster22]

Ooh is there anything you can tell us about your original work? Or is it fully a secret for now :3c

Ahhhhh I have kept this story so hush hush for such a long time, it feels weird to even mention it online. I've been working on it since 2017, and its a work of fantasy, so the first few years was near exclusively spend worldbuilding. And its me, so i mean I built everything from the ground up, literally. I spent so much time watching geology micro-documentaries. Gathered info on ecology. Weather systems. Volcanology. Birds. Weasels. What would happen to the food chain if certain animals never evolved. if other kinds did. I made a whole planet and drew it and my husband framed it for me for Christmas three years ago. The characters are most of the way there, as are their growing bonds and dynamics. Its been fun to make OCs and really dig into them in a way I don't have time for in fanfic. I love them all very very much. To no one's surprise there are lots of children. The story will be much like Issho and Nightjar in that the story is child-centric, but not necessarily a children's novel. It'll be a bit long and a bit too in depth on some sensitive topics for it to be "for kids" specifically, but I'd never stop a kid from reading it. The plot is... still very much in construction mode. I make wild changes nearly every day and my friends who are in the know about the story can barely keep up. But they all feel like changes in the right direction! So its a very exciting time. I'm soaking in the spring air and going wild with creativity. Its been YEARS since I made progress like this. Maybe unprecedented amounts of work being done.

Would you believe its Gay Dads and their Three Adopted Children With Issues?

[sailoryooons]

I am going to say something that has really been bothering me that not everyone may agree with, which is totally okay, everyone is entirely valid to disagree with me: There is a fast fashion problem in fandom, specifically fanfiction.

Disclaimer: This conversation is not about broadly writing the same tropes, genres, and ideas. I am not talking about people writing fics with similar themes or the same name. I am specifically talking about people writing fics that are very obviously heavily influenced by other fics. This is not me talking about: I wrote __ character as enemies to lovers vampires and so did this person so they stole. Please do not trivialize this conversation with instances that are very obviously not what I'm talking about.

As someone who exists in the fanfiction space, I want to express what I have seen specifically in this space in my own experience, my mutuals experiences, and random experiences I have seen on my dash.

Recently, it seems like there is a reoccurring theme of writers (often new writers) taking "inspiration" from fanfics that they love and value and essentially creating their own version of that story to the point it is bordering on plagiarism. I say bordering on plagiarism because while people may not be copying line for line or entire scenes in order, you can tell that it is a re-arranged duplicate of another story.

I am not talking about writing similar tropes and dynamics. No one owns a trope or a dynamic. I am specifically talking about people taking the plots, scenes, concept and core of fanfics and recreating it and changing some plot elements or placing it in a different alternate universe and calling it their own, when at the heart of that fanfic, it is taken from someone else's creation.

This to me, reads like people who read a work, fall in love with it, but think 'this is easy to do, I can do this myself' and they end up making a replica of a fic that you can tell is a replica of another fic, despite adding some changes. Nine times out of ten, these inspired fics lack the obvious thought and heart the original writer put into it.

Which, begs the question: How is this different than fanfic writers taking inspiration from media (i.e. published books, movies, music, shows)? Because fanfiction is meant to replicate a specific something from published media. It is not meant to duplicate an already established fanfiction contribution.

I know that the nuance between that line is very ambiguous and it brings up the discourse on 'should there be fanfiction of fanfiction' - to which my response is it is, generally, pretty obvious what the difference between being inspired by a fic and copying a fic are.

In the last few months, I have lost count of how many times I or mutuals have a) discovered someone has been writing a story based off of their fic 2) have been asked to use an already written work to make their own or 3) already have started writing works modeled after an already written work and in hindsight asked the author if they could keep doing so (this third instance almost always happens after someone accuses them of stealing another work).

This feels like the fast fashion industry. Someone finds a story that is popular (whatever that means to the individual), takes all of the elements they think makes the story works, rearranges it, posts it as their own and and says they were 'inspired' (if they credit the original story at all).

This is why so many works that readers are coming across feel like they are the same thing. It is the same A + B + C = D over and over and over again, because people are outright just taking what they think works from other stories and using it.

Again - I am not talking about people who come across a trope, AU, genre or dynamic they like and add something similar to their story. I am talking about the people who are very intentionally and obviously writing the same exact fic with their own 'twist' (whatever that means).

Why is this a problem (beyond the fact that it's essentially roundabout plagiarism)? You're taking the heart, soul, and creativity someone poured into something and posting it on your own and robbing it of the originality, the essence, and the intention behind it. You cannot replicate a writer's feelings and obvious emotions that they have poured into the original work, and it shows. And it is gutting to the original authors who are finding remixes of their work across the fanfiction space.

Please consider whether or not you are inspired by a story or if you are redoing it in your own image. If you find yourself worried enough about your story that you feel like you have to publicly credit someone to avoid scrutiny, perhaps the question needs to be asked of whether you're just redoing what someone else already wrote.

Please do not confuse inspiration and recreation. 9 out of 10 authors will love that they inspired you to write, but would not love to find that you wrote a fic inspired by them that is a rearranged or hollowed-out version of the fic they wrote.

The fanfic space wants and needs more writers, but it does not need people unwilling to create their own art, instead taking bits and pieces from others and calling it a success.

Also adding: This problem also directly contributes to 'smaller' writers or more niche (often queer and bipoc) stories not getting the hype, readership, or recognition they deserve. On more than one occasion I've seen stories that had explicitly queer or bipoc characters taken and turned into heteronormative or white-presenting stories.

Note: This 1000% goes for actual visual art as well, including gifs etc. in fandom but I'm not well-versed there and thus, did not include it.

[bratbarzal]

On Your Side (NH13) / Chapter Five

Pairing: Nico Hischier x Fem!OC Poppy Jensen*

*I say it's an OC, it's just a name and third person POV. I use minor character descriptions because I don’t get on with writing vague reader inserts/YN for long-form, story heavy fics, but I will generally try to avoid including race and body type or really any physical descriptors. I’m always open to feedback on my writing, or how to be more inclusive.

WC: 17k (holy moly)

Chapter Warnings: I tried to sprinkle some fluffy flashbacks and smutty references later in here just to lighten the mood but this is angsty!! probably cursing I honestly can't remember, and serious warnings rn mentions of hacking/gossip blogs/blackmail/cyber bullying/nudes being leaked, talia is her own warning tbh. I tried not to make a cliched ex comes in between them plot and idk how it comes across but yeah I was trying to toe the line between it being interesting/different and then going too far and not being able to write around it which is why the plot kind of fixes itself quick and is a leeeetle bit bad but there's some unresolved bitterness in that relationship for sure lmao she has a LOT 2 say!! did I mention there's angst in here? insecurity/self-doubt and miscommunication!!! in abundance!!! but!! luke is a cutey patootie in this I wrote his part with a lil smile on my face 💖 also a ridiculous conversation about huffing glue lmao

Series Masterlist

Previous Part (Chapter Four)

A/N: ok so in the grand scheme of things this is both a filler chapter and also like a pivotal point in the story to set something later up, but when I was planning this entire fic out, the only directive I gave myself for this specific chapter was insert angst. you wouldn't believe the amount of times I've written and rewritten and gone back and forth on what's in here. it's the kind of instruction only a complete melon would give themselves and I clearly just hate myself in ways that are spooky and strange to submit myself to this kind of torture.

and I hear your cries of hasn’t this fic just been angst so far??? yes!! you may be correct!! but you don’t get a rainbow without a bit of rain hun!!! grab an umbrella!!! I promise good will come of this lmao

I'm sorry this one took so long, it's the only chapter I didn't have any kind of plan or direction for obviously and I tried to come up with so many different options for the talia plot before I landed on whatever this is, but the next one I do have some scenes written out in my plan so shouldn't be as long in between. my goal has always been a chapter a week but like I said the other day work has been a lot for me the past couple of weeks so I am genuinely sorry for making you wait!!

you guys were very fun and very kind to me after the last chapter so please please please lets keep the good vibes going come chat to me about your thoughts about the fic about the weather about anything!! 💓

Nico

When Nico and Talia had first started dating, there had been an element of excitement to the dynamic. Nico hadn’t properly dated anyone in a while - had casual flings here and there, and for the most part spent his time swallowing down his burgeoning feelings for his best friend - and there was a novelty to starting something with someone new.

He had all the intentions of building something serious with her. She was fun, got on with his friends, had ties close to home that meant he wouldn’t be putting a wedge between the two of them should he want to travel back in his breaks, and sinking his teeth into the challenges of a relationship was something that actually intrigued him.

He liked planning dates, liked buying gifts to see that buzz of joy and gratitude it would elicit, and he liked the companionship - liked having someone there when he came back from a long roadie or a tough string of games. 

He liked it so much he never really opened his eyes to the fact that Talia didn’t. 

She didn’t like the dates he planned - didn’t like the restaurants he chose, the movies he wanted to share with her, the bars him and the guys frequented. She didn’t like America, didn’t like their coffee shops, thought their pastries were packed with too much sugar, their portion sizes were too large for her ever to enjoy going for lunch, always complaining about feeling bloated and sluggish after every meal. She hated Jersey - wanted to spend all her time across the Hudson, looking down on everyone she met and everywhere they went together. She didn’t make much use of the gifts he bought her - let every bouquet of flowers die a quick, careless death, said the watch he bought her didn’t go with enough of her other jewellery and turned her nose up at every effort he made to make his apartment feel more like her home. 

She wasn’t all that comforting when it came to companionship, either. Rolled her eyes when he came home aching and exhausted, went out without him on the days he was coming back from a roadie and returned home when he had long retired to his bed. She would always want to meet up with her girlfriends instead of hanging around the team, and only ever wanted to come to games if she could bring her own entourage - mostly to show off her connections and hardly ever to actually support him.

And so, despite the initial attraction, despite the excitement that first came with their blossoming relationship, Nico can only look at Talia with disinterest and frigidity now.

He barely greets her as he opens the door to his apartment, moving aside to let her in and waiting for her to trudge her small case in behind her before he closes it, leaning against the surface and watching her discard her bag and keys on the counter with familiarity.

When she turns to face him, running a hand through her hair and huffing out a big sigh, he takes in her dishevelled appearance.

Even when travelling, Talia usually takes great pride in her pristine exterior - hair blow-dried, outfit co-ordinated and steam-pressed to perfection, not a crease or stain in sight, and usually a light layer of makeup to cover the slight imperfections like the darkened under eyes and redness around her nose. This isn’t like her.

She looks like she’s been messing with her hair the whole 8 hour flight out and beyond, her eyes are rimmed-red with smudges of brown at the corners, her lips are chapped and swollen like she’s been crying, and her sweatpants don’t match her hoodie. It’s almost like she’d thrown on whatever she could find and caught the first flight out, fresh out of bed.

“What’s going on?” He cuts straight to the chase, losing all formality and courtesy. He should feel bad for his callous greeting, but she had broken up with him over text not even a month ago - she doesn’t exactly deserve outstretched arms and a warm embrace, he thinks.

“Hi Talia, how have you been, Talia? It’s nice to see you Talia.” She mocks, a frown overtaking her features immediately. “I’m absolutely amazing, thanks for caring, Nico!” Sarcasm spews from her tongue like pure venom, and his eyes practically roll into the back of his head.

Nico pushes himself off of the door, heavy footsteps leading him into his kitchen where he can make himself a coffee to get through this. His watch reads 6:05 - far too early for her antics - and rising to her nagging is only going to make things worse.

“Do you want a drink?” He asks, as he busies himself with his coffee press, unable to look at her too long without the pricks of guilt irritating him.  He doesn’t even know what he has to feel guilty about.

“I’ll get it myself,” she scoffs, venturing over to the fridge and pouring out some orange juice - her movements around his space eerily natural. She slams back most of the drink as he works out how to brew his coffee - but she sees right through him. He’s hardly ever used the press before, and he’s just doing so now to avoid her in whatever capacity he can. “I need money.”

Nico’s almost positive he hasn’t heard her right - that there’s some kind of mix up between her standard German and his Swiss - and he slowly turns to properly face her, brows slanting into a deep frown as he assesses her expression.

She has a hand on her hip, her jaw set and her eyes darkened and serious. 

“You have money.”

Talia comes from money - her father is some kind of film producer and her mother an artist, if Nico remembers correctly - and she makes good money, herself. She’s been a print model since she was scouted in some market in Munich since she was 15, has had her face plastered in ads in magazines and catalogues around the world. She’s hardly strapped for cash. She gets things gifted to her by whatever company she can get a hold of. What could she possibly need him to give her money for?

“Not enough.” Her tone is cold, her demeanour the same, and if Nico can still gauge her emotions correctly, there’s an element of blame that she is starting to shift towards him, and his whole body starts to feel tense.

“Not enough for what?”

He can’t quite tell what feeling washes over him - worry, at the thought she’s gotten herself into some kind of trouble, stress, at the thought this could be a recurring thing, and potentially pity, at the way she’s so clearly carrying the weight of something heavy - something she’s lugged all the way across the Atlantic on a long haul flight with her.

“Not enough to pay the guy who’s blackmailing me not to leak the videos that I sent to you.”

“What vide-“ he bites back, and the immediate arch of her brow tells him all he needs to know. “Oh.”

Shit.

“Oh? That’s all you have to say?” She sneers, fury in her gaze and dismay in her tone. “You’ve ruined my life, and all I get is an oh?”

“Whoa, slow down, I’ve ruined your life?”

Nico has never been one to shame any girl for sending explicit pictures - he’d been more than willing to receive them at the time - but he hadn’t ever forced her hand. He hadn’t even asked her for them, in the first place. 

She’d taken it upon herself to spice things up, as she had put it at the time, when the team had gone on the road in early December. It was just after he’d returned from his injury - a time in which he’d spent mentally distanced from her as he’d focused so much on getting back to the game, their relationship consisting mainly of not-so-passionate sex to avoid aggravating his injury and hardly of any kind of meaningful conversation - and she had thought that keeping him on his toes on a roadie would mean he’d come back more interested than ever.

If he’d been looking out for red flags at the time, he might have caught that blaring one; needing to try new things only a few months into a relationship to keep it fun and light.

He’d been in his hotel room in Seattle, freshly showered and ready to throw himself straight into bed when his phone had started to ping. It was suggestive texts at first, are you alone? And I’m thinking about you. Then it had been pictures, hands over lingerie and fingers between glossy, pouted lips.

And then videos, one after the other before he had any chance to respond - her phone set up far enough away that her whole body was in frame, touching herself while laying on his bed and calling out for him.

He had called her instead of sending anything back, and as he realises the severity of the situation, a selfish part of him is glad he did so.

“Talia, I didn’t even save those videos, and I definitely didn’t show them to anyone else.”

Nico could never. Not only for the fact that he was raised to be a decent human being, but he has a sister - if anyone ever did that to Nina, he’d tear them apart, limb from limb. 

“You’re the only person I’ve ever sent anything to.” She seems to have made her mind up, and Nico feels as if his heart plummets through his torso at the realisation. She’s travelled all this way because she genuinely believes he’s the cause of this - that he’s shared intimate videos of her without her consent, to someone who would extort her for them. “And he sent me some pictures as proof, had information about me like the address of this apartment.”

“Talia, I swear on my mother’s life, I wouldn’t do that to you - to anyone, not ever.”

Tears well in her crystalline eyes, and Nico waits with bated breath as she assesses the situation in her head. 

He isn’t a liar - he has never given her a reason to think he is one. In their time together, he had always been honest, always been loyal, and he hopes at the very least - despite her obvious distain for him now, and how little she ended up caring about their relationship in the end to cut it off in the way she did - she thought of him as kind. 

He can do nothing but be patient, let her come to whatever conclusion on her own, and it’s only when he spots the quiver in her bottom lip that he takes an apprehensive step forward, ready to console her if needed.

She practically throws herself into his arms, wrapping her own around his waist and bawling into his chest, and all he can do is hold her and wait. He tries to rub a soothing hand up and down her back, holding the other against her head as her body wracks with sobs. All he can feel is the pounding of his own heartbeat, pulsing throughout his entire body until it’s all he can hear, too.

Nico does his best to comfort her, shushing and cooing and whispering how it’s going to be alright, but it does little to help. She’s beyond relief.

“There’s a guy who said he can track whoever is doing this to me,” she sniffles as she pulls herself away. “He’s in Jersey City Heights, he’s some sort of ethical hacker, whatever that means, I’m going to meet him and he’s gonna go through my phone.”

“Do you want me to come with you?” Nico doesn’t even hesitate to ask - if not to protect her, and make sure she isn’t unknowingly getting herself into an even more dangerous situation, then to protect himself too. If someone has Talia’s pictures, and she only sent them to him, there’s a possibility his phone had been hacked, and if this guy is as ethical as he says, maybe he can check Nico’s stuff, too, just to be safe.

She gives him an appreciative smile, eyes still glassy and cheeks flushed. “I’d really appreciate that.”

“I’m gonna shower, then we can go. You can grab whatever to eat while you’re waiting.” He backs away from her completely, only just able to acknowledge the ache in his muscles once the intensity of the situation has settled a little, and he just needs to stand under the steaming spray and clear his mind before he properly immerses himself in her company. 

He has a lot more than this whole mess that he needs to think about, and maybe a shower can bring him a little clarity on how exactly he’s going to explain himself to the beautiful girl whose bed he had abruptly left not even an hour ago. 

“Why are you dressed?”

Nico stops in his tracks.

When he had got back to his apartment, he’d made a little effort for it to seem like he’d been there all night. He’d gone through to his bedroom, mussed up his sheets to make it seem like he had been sleeping in them - and not with the anticipation that Talia was going to be entering his bedroom, but with her, he never knows - trying to retrace the steps of his usual routine before he goes to bed, he had closed all the blinds, had moved his gym bag by the door.

But he hadn’t changed.

Still adorned in his sweatshirt and jeans from the night before, the clothing feels all that much heavier on his body as she brings attention to it, and he quickly racks his brain to come up with a valid excuse that doesn’t rouse further suspicion.

“I fell asleep in these clothes.” As easy as the lie comes out, he doesn’t feel great saying it. Doesn’t feel like erasing the night he had shared with Poppy is for the greater good, even if it is just to Talia, but avoiding another difficult conversation is a must right now - especially when he’d already lied to her on the phone. “Was out late with the guys last night, Timo threw a party for my birthday.”

“Right,” she drags out, and when he turns back around, she casts a scrutinising glance over him, top to bottom. “Sorry, I forgot.”

“No worries,” he shrugs, genuinely not offended. She has no reason to remember his birthday. Not anymore. “Like I said, help yourself to whatever, I’ll try not to be long.” 

When he undresses for his shower, he’s thankful he hadn’t had the foresight to change in anticipation of Talia’s arrival. He probably would have donned a t-shirt and some shorts, oblivious to the visible indents on his thighs where Poppy had dug her nails in as she took him in her mouth.

His chest and torso are littered with scratches, some faint, some a little deeper, and he can’t get the right angle to see his back but he imagines they’re the same - the memory of her clutching at him as both of their climaxes approached is vivid enough for him to picture the marks she left behind.

He groans as the thought of her brings back that swirling feeling in the pit of his stomach, as he notices the blooming arousal pool there, and feels himself harden as he steps under the spray of his shower.

If his phone had been on do not disturb through the night, he could be in the shower with Poppy, instead.

He could have woken up to her in his arms, could have pecked at her sleep-swollen lips until it brought her out of her slumber, and spent his morning making up for lost time just like he had promised her last night. He could have made light work of the pleasure he had given her the night before - could have had her underneath him in her bed, tangled up in the mess of sheets and falling apart before they shared a morning shower, where he’d have held her up against the tiles and would’ve moved into her until they couldn’t tell where he ended and she began. He’d have made her breakfast, something sweet, so that as she sat and watched him atop the kitchen counter he had tasted her on for the first time not even 12 hours before, he’d press his tongue into her mouth after she had eaten and savour the flavour of strawberries that had settled between her lips.

Instead, he’s here, turning the temperature of his water down until any and all excitement in his body is dampened, and all he can focus on is the effect the cold has on all his other aching muscles.

Once he has showered and gotten dressed - and has come to the conclusion that any further thoughts about Poppy need to wait until the Talia problem is resolved and out of his hands, he finds his ex girlfriend sprawled across his couch, music playing from the speaker in the corner, and taking helping herself to a whole new level. 

Her case is opened where she had left it by the door, and she’s set herself a little vanity up on his coffee table, fixing her appearance before they leave.

She’s changed out of her mismatched sweats, has dressed herself in jeans and a sweater, and has found an extension cable long enough for her to plug in whatever hot tool she’s currently running through her hair.

“You take the longest showers in the history of man,” she rolls her eyes, not even casting a glance his way as she focuses on her own reflection in the little mirror she must have brought with her. “I do not want to know what it is you get up to in there.”

“I was barely 30 minutes, are you ready to go?”

“Yeah, almost,” she runs the tool through her bangs until they flick out at the edges on either side of her face, and it reminds him of all the times he had watched her while waiting for her to finish getting ready. It makes him feel uneasy how familiar it all is, how she’s so quickly made herself at home again in his space.

He wants to tell her she needs to pack her stuff back up, that she won’t be staying here and needs to give his keys back, but the weight of the situation at hand dawns on him before he can open his mouth.

He’ll wait until they get back later, his decision depending on the outcome of their visit to her hacker friend.

As much as he doesn’t want her around, he isn’t going to kick her out with no place to go if her life is still shrouded in unsafe circumstances. 

Talia unplugs her stuff, wraps the cord around the handle of the brush she was using, and places it on a mat she must have brought with her so it doesn’t burn through the surface of the table. “Kay, let’s go.”

She marches ahead of him, picking up her bag and keys on the way out and leaving him to lock up while she calls for the elevator. They wait together in silence, his heart thudding an anxious rhythm in his chest as he anticipates the arrival of the elevator - and thankfully, it arrives empty.

He tries to distance himself from her as they enter, him standing in one corner, and hoping she takes the other, but she doesn’t quite get the memo, standing obliviously in the centre as she types away to someone on her phone and he presses the button to go to the basement.

Nico watches the numbers go down with bated breath. His floor, the next, the next one after that, and he uses any good will he has left with the universe to hope and pray it skips the floor coming up - but, as is just his luck, the elevator comes to a stop with a soft thud, and the doors open to reveal the very situation he’s been hoping to avoid. 

Jack walks straight in, eyes cast down to the phone in his hands, distractedly typing away and not even noticing the button for the parking level has been pressed before he pushes it, himself.

Luke notices straight away, halting in his movements to enter the space as his gaze flickers between the two people already occupying it. 

He diverts his eyes when they meet Nico’s head dropping as he steps in and stands beside his brother, uttering a quick greeting of, “Hey, Cap.”

Jack’s attention is captured immediately, spinning at an almost dizzying speed to face his captain, phone disregarded into his back pocket. “Schao! I thought you’d be at-,”

He’s thankfully able to tune into his perception before he carries on with his train of thought, a subtle movement in his peripheral diverting his gaze to the figure stood to the side of Nico. 

“Talia. Hi.”

“Hi, Jack.” Nico cringes inwardly at how disinterested she sounds. “Luke.” Talia had never really cared for Nico’s teammates - especially not the younger guys like Jack and Luke. She was quick to pass judgement, making comments on their maturity, or apparent lack-thereof, and wasn’t the biggest fan of how close Nico was with the pair. Didn’t like the time or attention he gave them considering the close quarters they lived in, and had always been resentful. She always claimed her English wasn’t good enough to hold a proper conversation with them, but he’d seen her enough around her American friends to know it wasn’t true.

“We’re just meeting up with some of the guys for breakfast.” Jack says, cautiously, in an attempt to fill the silence. The invitation remains unspoken, but Nico can tell in the way the younger boy cocks his head and meets his eye that he’s gauging his current situation for the morning.

“We have plans.” Talia must be able to tell what he was getting at, too and Nico can see Luke’s eyes narrow as soon as the word resonates in his head. Plans. Pre-meditated. Made before she had sprung all of this on him within the last hour or two. Panic stirs within him, and his throat itches to speak the truth, but it’s just not the right time to do so with Talia stood beside him. If he starts getting defensive, she’ll start asking questions, and the boys will have to bear witness to him skirting around the matter of Poppy. 

It’s not a good look no matter which way he swings it. He’s stuck in a thick, dark, tarry mess of not wanting to hurt anyone’s feelings but making all the wrong decisions. A minefield of not knowing how to explain himself without raising a million questions on either side, and hoping one of the brothers might toe the line of the boundaries of their relationship and just straight up ask why Talia is here.

He knows he has fucked up without the way neither of them are looking him in the eye.

He knew it the second Poppy’s door had locked behind him this morning - he doesn’t need Luke refusing to meet his gaze, doesn’t need Jack’s shifting side eye to tell him he’s made a mistake. 

“I’ll text you later.” Nico says, mainly to Jack but still trying to meet his brother’s eyes with no luck. It’s an attempt to say something, without saying anything. A silent beg not to jump to conclusions about what they’ve seen - and, although he knows they wouldn’t, not to tell anyone else. Not whichever of the guys they are meeting up with, not anyone else on the team, and definitely not Poppy.

“Yeah, sure,” Jack mutters in a poor attempt to hide his discomfort, and an even worse attempt at masking his relief when the doors ping open on the parking level.

“Have fun with your plans,” Luke huffs out, his tone like a tight fist clutching at Nico’s chest despite his courteous choice of words.

“We will,” Talia forces a smile. Nico gets the feeling she isn’t as oblivious to the tension as he hopes she is.

The four of them separate into their pairs with mumbled goodbyes, Jack and Luke heading off to Luke’s car on one side of the garage, and Nico and Talia heading to his on the other, and Nico can’t even let out a sigh of pseudo-relief before Talia jumps on him.

“That was weird.”

“We broke up, they weren’t expecting to see us together.” He quickly excuses as he starts the car up, turning on the heat and hoping the soft buzz of the air will fill the silence enough that she doesn’t feel the need to talk. 

“It’s been like 3 weeks, most couples get back together after their first breakup.”

Has it only been 3 weeks? He thinks, shuddering at how little time had actually passed between her sending that text and him restoring balance to his life.

“We’re not most couples,” he shrugs, shutting that train of thought immediately as he starts to make his way out of the parking garage, ascending the ramp where the doors open up to reveal the dull beam of the winter morning sun. “You dumped me over text a week before Christmas, we’re not getting back together.”

“Oh yeah, I bet you were real cut up about it,” she jibes, sarcastically. “Probably landed straight in the bed of some desperate puck bunny more than happy to take your mind off of how awful I was to you.”

His mind immediately goes to Poppy, to last night, to her bed - and despite the complete bullshit Talia has fabricated in her head, despite how much he wants to tell her she has it all wrong, he can’t bear to twist himself even further into knots to skirt around mentioning the girl who did make him better.

“We’re not having this conversation right now.” He decides, tapping at the screen in the console of his car until he brings up the navigation. “Put in the address you need, we’re not too far from The Heights.”

The location she enters into the system is for an unassuming condo in a quiet, suburban area. The neighbourhood itself is picturesque, the buildings colourful, the paths lined with trees that seemed to flourish even in the midst of winter, and when Nico pulls up across the street, he notices the amount of families around - parents walking their kids to school and couples with dogs getting their morning steps in. It’s the last place he imagines some hacker to be shacked up, but maybe that’s the point.

He still doesn’t entirely understand the ethical part.

“It’s the one with the red brick and the balcony,” Talia points to the other side of the road as she unbuckles her seatbelt, and Nico looks over at the building as if he’s going to be able to see all the secrets stored within it.

“Are you sure?”

“Yeah, number 414.” She shows him the messages she has exchanged with the guy, and sure enough, the address matches up. “C’mon, the sooner we get in there, the sooner we can figure this out.”

He follows her across the street, adjusting the cap he wears atop his head and making sure it conceals his identity from anyone with eyesight good enough to catch it, trying to shrug off the discomfort of the whole situation as he waits for someone to pick up the buzzer Talia relentlessly presses.

He hears a different kind of buzz, lighter, like the manual zoom of a camera, and cranes his neck to assess their surroundings as they wait, before he catches sight of the device in the top corner of the porch, facing directly onto them.

He hears the click of a lock as soon as his eyes make contact with the thing, and cautiously tries the handle on the door until it pushes all the way down, letting them into the building. 

The door to the ground floor condo is open, and stood in the entrance is a guy no older than 20, dressed in all black with dark, beady eyes framed by wire-rimmed glasses. If Nico could find it in him to see the humour in the situation, he’d laugh at how he looks like Luke - a mop of curly brown hair, tall with a slim build and ever so slightly poor posture.

He straightens up as the two of them approach, Nico keeping Talia behind him as he assesses the safety of the situation. If they’re being lured into some kind of trap, he could definitely take this guy - he can’t even maintain direct eye contact, never mind manage to subdue a man of Nico’s stature.

“You didn’t tell me you were bringing someone, Talia.”

He’s soft-spoken, his voice ever so nasally, and despite the fact that he’s talking to the girl behind him, his gaze has settled on Nico’s chest.

“My name’s Nico.” He introduces himself, holding out a hand to shake. He thinks he can write him off as a threat, for now, and if making him feel comfortable encourages him to help them, he wants to put him at ease. “

“I know who you are.” He doesn’t shake Nico’s hand. “I’m Myles. Come in.”

Myles doesn’t wait for the two of them, marching back into his place and leaving the door open for Talia and Nico to enter and close behind them. 

Nico isn’t surprised by the space - from his brief encounter with the resident so far, it fits him to a tee; neat, impersonal, furniture that looks fresh out of a catalogue. He follows him over to the corner of his living room, a PC set up with several monitors that he can’t tell are on until they’re standing straight in front of them.

Myles throws himself down into the large swivel chair, spinning until he’s facing the two of them and crossing his arms over his torso with disinterest. “So, nudes?”

Straight to the point. Nico can’t exactly be mad at it.

Talia steps out from behind him, handing her unlocked phone to Myles. “The messages started last week, just after New Years. Straight to my number, not in DMs or anything, but the number doesn’t even come up for me to call it from another phone or anything, just says unknown.”

Myles takes her phone and plugs it into his setup without even looking at whatever she has opened on it, and Nico watches as the screens come alive with mirrors of the device and some other apps that launch as soon as it connects. 

“That’s more helpful than you think, they have to use an app to be able to anonymously text you, makes it easier to identify them.”

The way Myles talks is monotonous and detached, but the way he works is anything but. His fingers move quicker than Nico’s eyes can track on his keyboard, typing away at whatever as different things flash up and leave his screen. It like something straight out of a spy movie.

“So we can find out who it is just from that?” He asks, arms folding over his chest as he watches in almost-awe.

“Not exactly. If it is a hacker, I could identify their signature. Doesn’t mean I could identify them, but we can work around it potentially.”

Talia throws herself down on the couch behind them exasperatedly, sighing loudly and making her displeasure known. “You told me you could track them down, that’s what I’m paying you to do.”

“I told you I could help you, I didn’t say I could specifically track anyone, that’s not how this works.”

“How does it work then?” Nico asks.

Myles wheels his chair to the side to make room for Nico to get closer, and starts walking him through the process, pointing through the different apps he uses and explaining how he uses them. One deciphers which app the person used to message Talia. Once that’s been deduced, he uses another to enter a backdoor into that app’s servers, perusing through them until he finds the account that sent the text, making sure the date, time and then content line up. Once he’s found the account, he can see the other texts sent from it, and a gallery spreads across two screens, with maybe hundreds of pictures, videos, messages and transactions all to or from that same account.

“You’re telling me you have the power to do all this and you don’t use it to like rob banks or something?”

“Ethical hacker, clue’s in the name.” Myles shrugs. Nico looks back to Talia, her jaw set as she picks at her nails out of boredom. It’s probably taken about fifteen minutes for this guy to work an absolute miracle, and she looks like she couldn’t care less. “We use all this information, and the access I have on the server, to shut this dude down and cut his con before he can do it to anyone else.”

“Whoa whoa,” Talia shoots up, “Won’t that make him mad? Make him just post all the photos?”

“I doubt it,” the hacker comments, bringing up a couple of the photos on the screens, some of Talia, some of another girl, making Nico divert his eyes. “They’re not even real.”

“I’m sorry?”

“Excuse me?”

Talia and Nico both question at the same time, leaning in to get a proper look to confirm what is being told to them. The other pictures Myles had brought up, the ones of other girls, are actually kind of the same. The same poses, the same backgrounds, the same outfits, or lack thereof, just different faces and different hair.

“They’re called deep fakes. Photoshop, essentially.” He has that aloof tone to his words again, and Nico can’t quite believe how simple it seems for him to say. “They put a bunch of your pictures into an AI generator and give it instruction, like put this face on a body posed like this or wearing that. I’d assume the video they have is the same.”

“How is that even possible?” Talia gasps, pushing herself forward and snatching the mouse from Myles’ grasp. She clicks into what she assumes is the video, and it starts playing before she can think better of it, thankfully without any sound. 

It’s Talia - that much is obvious from the initial close up of her face - but Nico doesn’t recognise anything else about it. He doesn’t recognise the room she’s in, the bed she’s on, the things she’s doing. He’s never seen this before. It’s definitely not one of the videos she had sent him, and when he looks closer, he realises the little moles on her ribs aren’t even there.

None of it is real.

“You said he sent you the photos? You didn’t realise they weren’t the ones you took?” He can’t conceal the bite in his tone, his brows furrowing as he looks at her in disbelief. She’s flown out here, disrupted his peace, blamed him for blackmailing her, and she can’t even recognise what is or isn’t her own body. 

“They looked real, I-,” Her shock disappears as quickly as it had come about, her mood shifting and a glare all of a sudden being directed at her ex boyfriend. “I wouldn’t have accused you if they didn’t look real, Nico.” She snaps, frowning at him like this is his fault. “You have no idea what it’s like to be threatened like that, I won’t have you blame me for panicking.”

Slivers of guilt seep into his subconscious, and he takes a deep breath, diverting his gaze uneasily and letting out a big sigh.

He knows he should be a little more compassionate, but there’s panicking, and then there’s this.

She had accused him of ruining her life.

“What about the rest of it?” Nico asks, “Like how did he get her number or have my address? You said he had other information?”

“He did,” Talia nods, looking over to Myles.

“The address he probably got when he got your number, and he could have got that from anywhere. Could be something as small as you ordering something online and the store having a data breach, or clicking a link that shared your IP address, and getting your phone information from that.” Myles starts his typing again, keeping a tight grip on his mouse so that it can’t be snatched again. “I could probably find out actually, they’re pretty easy to spot, do you clear your history often?”

“I wouldn’t even know how to do that,”

“Perfect,” Again, his fingertips work at lightening speed, and Nico watches as instagram opens on one of the screens. “Yeah, a DM sent to you from… Devils_tea. You opened a link to a shared drive to upload some pictures, the drive probably had malware and the pictures have location metadata.”

Nico rolls his eyes, that small ebb of pity washing almost completely away, and before Talia can stop him, Myles carries on. “Some of the pictures you sent them are the ones they used for the AI photos, look your face in this one is the exact same as this photo they threatened to leak.”

Nico recognises these photos. The ones that had been plastered all over social media when their relationship had leaked. Pictures of them back in Switzerland, on a weekend trip to Ibiza, selfies of them in his apartment, and even a picture of the two of them with his parents back at his family home in Valais.

He has been far too oblivious to Talia’s games for far too long, he realises. 

Of course she had been the one to leak everything - who else would have had those photos - but he hadn’t even considered it would be her; she had faced the harshest aftermath for it, why would she subject herself to all the subsequent grief that came with people knowing about their relationship?

Thank God for this guy’s lack of social cues, Nico thinks, or he would never have known that for as long as they had been together, she had been violating his revered privacy and trust.

“Nico, that wasn’t-,” Talia’s panic is evident, wide eyes, trembling hands raised in defence, “I must have been hacked,”

“Actually, there’s no-,” Myles begins to interject, fingers working again to fact check, but Nico doesn’t need him to validate what he already knows.

“Shut up,” Talia snarls, with a finger pointed at him, “You don’t know what you’re talking about, we’re done here.” She reaches forward to snatch her phone back, yanking out the wire that connects it to his monitors and throwing it onto the desk. “We’re leaving, and if you think I’m paying you anything, you’re deluded.” 

Talia marches past them and straight out of the condo, slamming every door she possibly can behind her. Nico can only cringe as the sounds of her stomping footsteps echo until they fade out - until she’s probably outside and waiting for him back at his car.

“Doesn’t she want me to shut this thing down?”

“I’ll pay you.” Nico sighs, reaching into his pocket for his phone and trying to push down the feeling that arises when he’s met with a blank lock screen.

Poppy hasn’t messaged him. 

Not that he deserves for her to make it easy, to let him off the hook and pretend he hasn’t royally fucked things up with her.

“If you stop him, does he still have all the photos? He could still release them?”

“Yeah, but they’re pretty easy to validate as fakes, especially when you have the source material. I don’t think this guy is sophisticated enough for a full blown hack into her phone for the real thing. I couldn’t find evidence of any breach of her cloud or her device.”

Nico nods, but the information does little to quell the anxiety that squeezes his chest in a vice-like grip. 

This whole morning has been nothing but a giant waste of his time. From the second his eyes opened, to this moment right now, he’s made nothing but mistakes.

Not putting his phone on sleep mode before he and Poppy went to bed had been a mistake. Taking Talia’s call had been a mistake. Not waking Poppy up had been a mistake. Leaving without a note, without a text, leaving at all - it had all been one error after another, and all he has left to do is face up to the fact.

He can’t do anything to dwindle the panic rousing in every fibre of his being, the scarring marks left by torturous lashings of regret that whip at his skin.

He’s never felt so ashamed of himself, in such disbelief at his own decisions.

Why didn’t he just wake her?

She’s the most level-headed, acceptable person he knows. She would have understood. He hadn’t had a reasonable explanation at the time, and he doesn’t really have one now - but she would have accepted it, whatever he could have told her, she would have listened, waited until he could give her more.

He needs to see her, to explain, before it’s too late.

If he thinks about the feeling settling in his stomach, if he can compare it to anything, it’s like running from a blazing inferno of doubt and insecurity, licks of fire racing to catch up to him, the soles of his feet pressing into the sizzling ground - and Poppy is the cool embrace of safety.

She is light cracking through a window he just needs to break through to make it out.

If he can get to her quick enough, if he runs, and runs, maybe he’ll make it before he’s jiggling at a red hot handle that won’t move, won’t give, won’t budge.

If he can just talk to her, maybe the morning from hell will be outweighed by the days of resilience, weeks of efforts, years of loving her in whatever capacity, and the promise of something better.

He just needs to get rid of Talia.

The car journey back to his apartment is carried out in a deafening silence. She had tried to talk to him when he’d made his way out of Myles’ condo, when he had found her waiting by his Mercedes with crossed arms and a sour look on her face, but he’d told her he didn’t want to hear it, that they’d deal with it in private.

He hardly wanted a showdown with her in the middle of the street.

And so, she sat in his passenger seat, jaw set, glaring out the window and letting out the occasional huff or puff for attention that he wasn’t entertaining.

The elevator ride up to his place had been the same. Silent, filled with the type of tension you could cut with a knife, and all he could do was ignore her continued petulance and take deep breaths to calm himself down. In through his nose, out through his mouth, overlooking the way she tapped her foot in his peripheral vision, and almost audibly rolled her eyes every few seconds. 

“Would it have killed you to defend me in there?” She scoffs as soon as the door closes behind them in his apartment, “You just let him accuse me of all that stuff and completely invade my privacy!”

Nico screws his eyes shut and pinches the bridge of his nose.

He can’t blow up, can’t stoop to her level. He won’t feel good after the fact. He knows how Talia operates, should have known she’d immediately play the victim card, and he isn’t falling into the trap of arguing to the point of being in the wrong.

He’ll say something he regrets and she’ll use it to her advantage, somehow.

“You asked him to go through your phone, Talia.” He sighs, making his way over to the kitchen and getting himself some water. Chugging at it does little to soothe the burning feeling prickling at the back of his mouth, or the itch of his tongue to spit out a scathing retort. “He’s shut down the guy behind it, he can’t message you or anyone else with any more threats, you should be happy.”

“I should be happy?” She follows him wherever he tries to get away, crowding his space and jabbing a pointed finger into his arm. “You have no idea what I’ve been going through this past week. I thought my career was over! How was I supposed to know it was fake?”

“You didn’t even look at the pictures-,”

“Because I was panicking! I was upset, you can’t expect me to be able to recognise what’s been photoshopped when I’m scared like that!”

“But you can fly straight over here and pin the blame on me for ruining your life? You weren’t too upset to point the finger, Talia,”

“Don’t be an asshole, Nico, it doesn’t suit you.” 

“I’m being the asshole? You don’t even care about the trail of destruction you leave behind you, do you? You send private pictures of us, of me, of my family to random people online who you don’t even know, for what, Talia? For money?”

“I don’t need their money-,”

“So it was just for the attention? You get to parade our relationship around like it means nothing more to you than a title, and once you get your fifteen minutes and a few more instagram followers, you just jet back home and dump me over a text?”

“Oh my God,” she cries, flailing her arms dramatically, following him yet again as he makes his way into his living room, picking her stuff up after her that she had discarded here before they left and throwing it into her travel bag. “Stop playing the victim, for Christ’s sake, you’re hardly heartbroken over it. I know for a fact you’ve been hooking up with someone, one of the girls messaged me that they saw you leave a party with her on New Years!”

“So that’s what this is?” Nico snaps, pointing to her, to her stuff, “You think I’m moving on so you fly back out here and spring this bullshit on me, try to make me feel bad?”

“You have some nerve, Nico,” Talia scoffs, folding her arms across her chest and levelling him with a darkened glare.

“I have nerve? You’re the one who broke up with me out of nowhere and think that you can just march back here and make demands, Talia, blaming me for something that was entirely your own doing.” He’s getting sick of walking on egg shells around the topic. If she hadn’t have been messaging people she wasn’t supposed to, this would never have happened - it’s no one’s fault but her own, and as harsh as it may be, he wants to wash his hands of the whole thing. “Calling me in the middle of the night, telling me I ruined your life, saying I need to give you money?”

“Out of nowhere?” Of course she would only pick up on that, he thinks. “My God, you are so self-absorbed.”

“What the hell is that supposed to mean?”

“Do you think that dating you is easy?” She questions with a measured step toward him. “Do you think I want to spend my life waiting around for my boyfriend, only for him to only ever come home grumpy,” another step, “Or whiny,” and another, “Or too tired and achey to do anything? And that’s when you do come home at all and aren’t half way across the country with the communication skills of a candle. It’s a constant uphill battle trying to get even a second of your attention, Nico, so God forbid I tried to gain some kind of advantage from being with you.”

Her words are starting to cut, but he tries not to react, tries not to bite back. He can count several ways in which she gained an advantage being with him, just off the top of the head - a girl like Talia is never shy of attention. Her courting gossip blogs and sending them private information is probably just scraping the barrel of the ploys she made for exposure while she was with him.

“I didn’t break up with you out of nowhere, I put up with you and the whole circus that comes with you for months, but God, is it exhausting being with you.”

“You knew what you were getting into, Talia. You knew my job, knew my life.” They had met initially through mutual friends - hockey friends of his back home, even - and she has other friends who happen to be wives or girlfriends of athletes. She can’t say she came into the relationship completely oblivious to the downsides of dating a professional player.

“Not really,” she shrugs, “All the other guys can find some sort of balance, but not you. All the other girls get a proper boyfriend, someone who spends time doing what they want to do, who sticks up for them when their psycho fans start to turn on them, who doesn’t keep them hidden away like some dirty secret.”

“That isn’t fair, I can’t control that stuff, Talia, it’s not my fault.” He wants to point out that she was the one engaging in their gossip and riling them up, but he can’t keep harping on about something she refuses to acknowledge. He doesn’t have the time, patience or energy for it anymore.

The initial ‘leaking’ of their relationship had caused their first major fight. Fans online had somehow - although Nico can now hazard a guess as to how - found out about the two of them, had dug into Talia, her background, her family, her job, and had found some pretty toxic posts on her social media. They had been old posts, and she had told Nico that wasn’t the kind of person she was anymore - and he had no reason not to believe her, had never seen or heard her act in the ways she had online in what she called her misguided youth - but someone in the PR department at the Devils had cottoned onto the topic, and had warned Nico of speaking out in her defence when the pitchforks started to raise.

He’d told her he supported her, but he couldn’t do so publicly - not without upsetting people within the organisation he had worked so hard to gain the respect of - and she had told him she understood. They hadn’t been together that long, it would have been a little unreasonable for him to put her above his work in the ways she was expecting, but she clearly doesn’t see it that way, now.

“Maybe not, but if I’d have known that being with you meant having my life invaded, my career ruined, I never would have followed you back here, Nico.” She sounds more solemn now - regretful, even - and as deep as her words cut, she says it like a piece of advice, “I just hope whatever poor girl you’ve got tangled up in your mess this time knows what she’s getting herself into.”

“And what’s that?” His throat feels tight as he speaks all of a sudden, his resolve in defending himself fading, and he tries to gulp down whatever lump is forming there but the feeling doesn’t budge.

This is what she’s good at.

Turning the tables. Reducing him to uncertainty of himself, of his actions, of his memory of their time together.

“A one-sided relationship with a guy who will never be able to put her first.”

There’s a point in every game he has ever had the misfortune of losing, as the seconds count down in the final third, where he has to come to terms with the fact that there’s no possible way for him to win. It’s sort of comparable to the way his insides churn when he’s on a plane and it drops into descent, like his body is falling at a different speed to his surroundings, or the feeling he gets in his gut when he’s hiking, and he dares to take a peek over the edge of whatever mountainside he’s trekking up, where his body can predict the fall, and his mind has set on there being nothing he can do about it.

This feels like all those feelings.

“Whoever she is, and I know she exists, she doesn’t deserve that. It’s not fair.”

Nico’s heart pounds in his chest, echoing and thrumming in his ears until all he can hear is the beat reverberating, ricocheting around his skull.

He can put Poppy first.

So many parts of their lives are intertwined, it would be so easy to make it work. They work together, they live close, he speaks to her more than he speaks to anyone else in his circle. They’ve spent more time together as friends than he has with any other girlfriend he’s had.

He’s wanted her for years, of course he can do it.

Except, deep down, he knows he can’t. Being in a committed relationship with someone is an entirely different ball game to a friendship, no matter how close he and Poppy have been over the years.

He knows there’ll come a point soon into the season where he has to knuckle down and focus, can’t let anything or anyone distract him, and he’ll close himself off. It’s what he has always done. He gets in his head, starts to carry too much weight that he can’t shift until that final buzzer blows - and he can only hope that it happens with his team in the playoffs. Winning, thriving, succeeding. And for that to happen, he can’t prioritise anything other than the game he’s already dedicated his life to, his training, and most importantly, his team.

It isn’t about what he wants.

What have you done? He thinks, his chest aching.

Talia is right.

Poppy doesn’t deserve that.

She doesn’t deserve him only being there in the physical sense, if she even gets that at all. Doesn’t deserve him getting snappy and stressed, doesn’t deserve him not being able to give her time, or give her attention or affection like he wants to, or like she’s worthy of.

“I need to go.” He manages to choke out with a shake of his head, shouldering past her to pick up his jacket - needing to be out of this conversation and away from Talia. “Leave the keys, I don’t want you here when I get back.”

He needs to see Poppy.

He never should have left her - he wishes with everything in him that he had soaked up the time he had with her before everything came tumbling down around him. And somewhere deep within him, there is a fragile, wilting piece of hope that clings to the belief he can make things right. He just needs her to hone in on it. If anyone can reach into the deepest cracks of his insecurities, can show him he’s overthinking things and everything is not as hopeless as he has made it out to be, it will be Poppy.

Poppy

The first time Poppy had ever fallen asleep beside Nico was at a movie night in Jack’s old apartment he shared with Ty Smith. Jack had invited more people round than could reasonably fit in their living room, and so everyone was smushed in - each chair and every inch of floor space used to its full capacity. 

Nico had attempted to save Poppy a space, to give him credit. He had scowled at each of his teammates who tried to throw themselves down in the tiny slot beside him - prime space, corner of the comfiest couch, facing the tv directly, a small table to the side where one could keep their drinks and snacks - only, by the time Poppy got there, he had barely gotten away with man-spreading to make room, so the small section of the couch between Nico and the arm rest had become her designated spot.

It was cosy, to put it nicely. He had to swing his arm over the back so that she wasn’t being assaulted by the hard dig of his shoulder with every laugh, and her closest leg was pretty much on top of his for most of the film.

She’d known the guys for almost a year - had been working in media, attending every game, home and away, and had integrated herself into the group pretty closely - and she felt pretty comfortable around everyone.

It wasn’t the kind of dynamic she had anticipated falling into when she first got the job with the Devils. She was supposed to start getting serious about her life - cracking down on mingling with co-workers and throwing herself into new social circles, and focusing on building a career for herself, climbing through the ranks and attaining the kind of success and happiness she could shove in her family’s disapproving faces - but the guys had charmed her.

Jack had been somewhat relentless in his pursuit of Poppy’s friendship. He rarely took no for an answer when it came to inviting her out. He was new to New Jersey - a much younger player in a slightly older team - and his rookie season had been rough, so it came naturally to Poppy to want to provide comfort. She introduced him to some of her friends, showed him her favourite spots close to his apartment, found him a decent barber, picked up extra fruit whenever she went to the farmers market near her parent’s house and took it over to his and Ty’s place when she came back home so she could mother him into having his 5-a-day as if he didn’t have access to the best nutrition coaches in the country. Despite her best efforts, Jack had weaselled his way under her skin in the way only a brother could.

Nico’s charm was entirely different.

Nico’s charm came in the form of convenience at first - in the oh I live that way, I can drive you and I have some time, I can do some media stuff for you type of way. Convenience blended into companionship - I haven’t eaten either, we should go for lunch together and I’ve been wanting to watch that movie, do you want to watch it with me?

It turned into grabbing food together, even on days neither of them were working - breakfast, brunch, lunch, dinner, even coffee or sometimes drinks if they could meet up with the rest of the team. It turned into him spending time at her place, whether it was helping her paint her apartment, putting up her new wardrobes, or just binging whatever crazy long series Poppy had decided to start over from the beginning - she provided him with a sense of familiarity and calm he couldn’t really find in anyone else he had met in his time in the states. She became his person, his home away from home, away from home.

And he became hers. 

There wasn’t as much she had to escape; her job not as strenuous, the expectations of her not as high, but when things built up for her - when her mother became overbearing, or her latest endeavour into a relationship crashed and burned - Nico was there. He’d make sure she had a distraction, made sure she was looking after herself, and, in turn, would look after her as well. He made sure she got home safe on nights out, or when they returned from a roadie and landed late - he would always make sure to see her off into the comfort of her own home before he went back to his own. 

And that first time she’d fallen asleep beside him, he’d done the same.

He’d wrapped an arm around her to make her as comfortable as possible for as long as he could, and when the movie had finished - when her face was burrowed into the side of his chest, soft snores falling from between her lips - he gently drew her back to consciousness with his hand stroking at her cheek.

She’d been a little startled, hand shooting up to wipe at her chin and thankful she hadn’t been drooling on him - although with the easy smile he was giving her, she had thought he of all people wouldn’t have minded. 

“Movie’s done, do you need a ride home?” His voice had been low and soft as not to worsen her apparent disorientation, and his hand was still lingering by the side of her face.

She had nodded, blinking away her sleepiness, and working her way up from the couch and onto her feet, stretching out her muscles as Nico did the same.

The two of them bid their goodbyes to the rest of the guys, made their way together to Nico’s car, and he had driven her back to her apartment, chatting on the drive about work and training. 

Poppy had been cramming to prepare for her interview for the Foundation at the time - had been getting herself seriously worked up, staying up late, getting up early, barely allowing herself any time for anything fun - and Nico had seen right through her. 

He’d stopped her before she got out of the car, had held her hand, rubbing at her knuckles with his thumb, and had told her that she should get some proper rest, and that she was going to absolutely rock their world in her interview in a few days time. And, knowing she was going to ignore any instruction he gave to make herself some decent dinner and go to bed early, had ordered her favourite Japanese takeout to be delivered a good half an hour after she got inside, with a text that followed telling her to sleep straight after she had finished.

She’d never expected to drift asleep with him on Jack’s couch - had never expected to open her eyes to the sight of his looking so warmly back at her.

And she hadn’t expected the same thing this morning, because, as her eyes drifted open to the intrusive light peaking through the cracks in her curtains, it wasn’t the first time she had woken up.

The first time had been to subdued movements, a slight groan of her bed frame, and the soft pattering of footsteps leading away. It had been to a hushed voice, the creak of her bathroom door, the flush of a toilet and the uttering of a name she had hoped she would never have to worry about again.

Talia.

The rest of his words had been uttered in his own language, but that she could understand.

She had acted purely on fight or flight instinct, laying back and pretending she was asleep - although as soon as she did, she regretted it, her mind racing at the million and one other possibilities she could have gone with. Sitting up, waiting for him to come out and asking him what was going on being the most rational.

But when had she ever gone with the most rational thought?

She tried not to react as she felt his presence, felt the soft press of his lips to her skin, or the placement of her bunny in her arms. Tried not to follow him as soon as he departed her bedroom, beg him to come back and whatever was going on could wait until the proper turn of the morning. Tried not to get up and go after him when the click of the lock to her main door echoed throughout the empty apartment.

And she tried not to cry as she laid in bed, overthinking herself back to sleep, thoughts racing to the point of exhaustion, and hoping when she woke up again it had just been a god-awful dream.

But it hadn’t.

The spot beside her in bed is empty, not even a crease in the pillow to prove he was ever there - only the t-shirt of his she still adorned, the one that when she takes a deep inhale, still smells like him, and the distinct aching between her thighs.

She finds more evidence of their night together in the bathroom, where she undresses herself with sore muscles and glances in the mirror to see the spattering of purple marks forming on her chest and neck. Her fingers trace over them lightly, her fleeting touch bringing vivid images forth of his lips pressing to her skin, practically able to feel the pressure of her flesh being nipped and bitten again.

He had been so attentive to her - so in tune with what she needed and wanted, and so ready to give her whatever that may be. He’d been gentle at some points, and purposeful at others, and every little thing he did, he did it with sweet disposition.

The kind of man who treats a girl like that doesn’t just leave her in the dead of night with no good reason, right?

Her mind races despite her body going into auto-pilot throughout her morning routine. Her shower is over in the flash of an eye, she strips her bed, starts her laundry, makes herself some tea and gets herself dressed - all the while weighing out all the possibilities of what could have taken him away from her, and what she would be able to understand. 

That quickly turns to her imagining the worst, and a tight, constricting feeling starts to consume her chest. 

There isn’t a single part of her apartment she can get away from the thoughts buzzing around her brain - her kitchen marred with the memory of what had happened on the counter, her couch, her bedroom, her bathroom - all carrying distinct memories of Nico that she needs to bench until she knows the truth.

She mistakenly thinks her escape might lie in her phone. There might be a text there waiting, explaining everything and relieving all the anxiety that has welled up in her very core.

Nia’s warnings from the night before don’t ring quick enough in her mind as the screen comes to life, the immediate barrage of notifications flooding in.

2 missed calls from Mom

Mom: Just calling to remind you of proper table etiquette in case it has slipped your mind, I won’t have you embarrass me in front of a Lyon.

Mom: Cutlery going from the outside in, hold your wine glass by the stem and dab with your napkin, don’t swipe!

Mom: Also let the man tuck your chair in and pay the bill, this 21st century woman nonsense is very unbecoming!

Mom: And I don’t want to have to bring this up but for the love of God, Poppy, have some class. I don’t want to hear mutterings of your promiscuity at the next luncheon.

Whoever taught her mom to text deserves a prison sentence, she thinks.

Tucker Lyon standing a girl up and ghosting her attempts to contact him is what’s unbecoming, not her trying to pay her half of the meal.

She can picture her mother as she reads the texts, sipping on her Manhattan on the couch in the great room, her dad already having retreated to bed at that time, and her having nothing better to do than sit and stew on her daughter’s sex life.

If she knew what was really going down last night, her mom would probably have a conniption.

Knowing she’ll no doubt be getting a call later that evening, Poppy swipes away at her text thread with her mom, immediately checking the notifications she hasn’t long received from her best friend.

Nia: hey if you happen to release yourself from Nico’s wandering hands at all today me and Kelsey are grabbing breakfast by my work!!

Nia: if you need refuelling we’ll be at Marco’s at 9 😘 

Perfect. Therein lies her escape. Breakfast with her best friends, where they can hopefully talk her down from the ledge she’s precariously placed herself on.

A catch up with her girls, and then she can distract herself with work.

Poppy: I’ll be there!!

“Hasn’t he text you or anything?” Nia asks, covering her mouth as she chews on her breakfast bagel, the three girls sat around a table inside their favourite cafe close to Nia’s office.

When Poppy and Nia had first moved in together, they rented an apartment in Hoboken, not too far, and their tradition of grabbing breakfast at Marco’s carried on despite Poppy living further down the river and working even further away in Newark. 

Kelsey had lived in Manhattan at that time, but she stayed over so often with the other girls that she practically spent majority of her week there, and so Poppy and Nia’s routine became hers.

Poppy had given the two of them a brief rundown of her night with Nico, a safe-for-work version of events, all leading up to the mysterious early morning phone call and swift departure.

“Nope,” she sighs, swiping to refresh her messages as if she hasn’t put her phone on loud just to be alerted when he does reach out.

“Have you text him?”

“Nope,” she repeats, putting the phone down and leaning back in her chair, running a hand through her already messed up hair. She’s going to have to throw it up if she wants to look any sort of presentable when she gets to work later.

“Is he usually this pathetic at communicating?” Kelsey asks, manicured nails swiping at a bunch of Sweet’n Lows like she’s trying to play Tetris with the packets. 

Kelsey hasn’t met Nico before, not that Poppy can remember.

Despite considering her one of her closest friends, their personal lives have never quite intertwined like that - not like hers and Nia’s.

In college, things were different. They were coming into their own together, figuring out just what they wanted their personal lives to be, and so Kelsey, Poppy and Nia would all share pretty much everything, just to have someone there to validate their feelings.

But that changed once they graduated.

Kelsey moved in with her boyfriend, Liam - who just so happens to be Poppy’s idea of hell-spawn.

The kind of guy her mother would probably love.

Liam worked on Wall Street, couldn’t go five minutes of conversation without talking about stocks or investment funds. His native language was risky money moves and belittling remarks, and he treated Kelsey like an accessory to parade around in public and discard in private.

Poppy had tried a few times to open Kelsey’s eyes to the way that it was, but it soon became apparent that she had to let her friend make her own mistakes, and some parts of their lives didn’t have to cross over.

They broke up around Thanksgiving, and Poppy had tried with all her might not to show her relief, but it has made her somewhat resentful when it comes to other relationships - like no one can be happy if she isn’t.

She knows it isn’t malicious, but she restrains from letting Kelsey all the way in, all the same.

“Not really,” Poppy lies, not wanting to clue her in on the Big Freezewhere he didn’t speak to her for months on end. It doesn’t entirely help her case. “I just don’t get why he’d sneak out to see her of all people, he told me they weren’t ever that solid, that he wasn’t happy with her.”

“Ooh, what if she’s pregnant?” Kelsey is entirely oblivious to the horrific realm of possibility she has just opened Poppy up to, evidenced by the casual chuckle and subsequent sip of her coffee. “Maybe she’s back to baby-trap him.”

Poppy thinks she would have to flee the state.

Nico is a family guy - if Talia is pregnant, he’d force himself to love her again, if he ever even stopped, for the sake of their gorgeous brown eyed, floppy haired baby, and push Poppy to the side just like he had before. And she’ll have to watch him from the sidelines, yearning for what she had just managed to touch the tips of her fingers to before it was violently yanked from her grasp. 

Maybe she’d have to flee the country even - move somewhere remote where she doesn’t even have the chance of being reminded of hockey, let alone of him.

Somewhere with no coffee shops that she’d enter, and the smell of fresh pastries would remind her of all the breakfasts they had together. No railways, where she’d be reminded of his love for model trains every time she came across the tracks. No weird club music that he loves so much, or dorky wizard franchises he chastises her for never having seen.

Maybe Antarctica. They only have penguins there. No real civilisation that she knows of. No brown haired, dark eyed Swiss Gods with deep, honeyed voices that make her knees weak and dimpled smiles that do even worse.

She wouldn’t be able to cope with losing him like that, living her life in an endless mental cycle of what ifs and maybes.

“Kelsey, I beg of you to read the room,” Nia chastises, swatting the girl on her arm before taking Poppy’s hand in her own. “Don’t listen to her, she just wants us all to be single at the same time.”

“Sue me for wanting to have fun! It would be just like college, you and me full-body plunging into the dating pool. Imagine the chaos, Pop, you don’t wanna be tied down to a guy hung up on his ex right now.”

“Dating pool?” Nia scoffs, turning to glare at her, “You’re hardly dry from your last relationship.”

“I’d rather be a grape than a raisin, Ni.” Kelsey chides back, and Poppy can’t help the twitch of her lips at the horrific comparison. 

“You’re really gonna listen to a girl who says that?” Nia asks, unable to mask the glint of humour in her eyes, and Kelsey bites back a smile, too.

Despite the ache in her chest at the thought of any of it - of Nico leaving her this morning, filling her up with empty words and false promises, potentially knocking up an ex girlfriend he is still secretly hung up on even though he told her otherwise - she manages to crack a full smile.

“You are terrible at analogies, Kels,” Poppy tries to hide the grin behind her cup, sipping at her tea and letting the warmth of it soothe the pain in her throat. 

“I’m trying to encourage you to be a strong, independent woman here!”

“She is a strong, independent woman,” Nia defends, “She also happens to be a chronic over-thinker with a deep seated fear of confrontation.”

“I don’t fear confrontation.”

“Then why are we here chit-chatting about hypothetical scenarios when you could just text him and ask what’s up?”

“Maybe ‘cause that’s scary?” Poppy scoffs, only half joking. “What am I supposed to say, hey I just so happened to eavesdrop on your private conversation before you fled my apartment this morning, and despite me not understanding most of it, I definitely heard you mention someone, so could you just let me know if your gorgeous model ex girlfriend is pregnant with your perfect specimen baby?”

“Sounds like you’ve got it all figured out, you don’t even need us.”

Poppy rolls her eyes.  

She could text him. Could be casual about it, a good morning or even an are you okay? Those don’t warrant the alarm bells she’s afraid of raising - the ones that blare out with the siren sound of run, this girl is unhealthily attached to you already!

But she doesn’t want to be the pathetic girl chasing after the guy sending her clear messages that he doesn’t want her.

It’s easier said than done not to overthink the whole thing - not to second guess everything he had said, or everything she had done last night.

She feels like she had rushed things. It was so impulsive, so charged, and after spending the majority of her week away from him, she just hadn’t been able to help herself. And that makes her feel like a hypocrite. She had told him that night he had first kissed her that things between them had gotten intense. It had been the whole reason for spending a few days outside of each other’s company, and in the first possible instance, she had thrown herself at him.

It was desperate.

And maybe that scared him.

It sure as hell scares her.

“I don’t know what to do,” She groans, throwing her head into her hands and scrunching her eyes shut to try and drown out the endless doubt. 

She feels two hands rub at either sides of her back, “Listen, Pop,” Nia is the first to attempt to console her, as always, and Poppy holds her breath for the harsh reality check she’s about to throw her way. “You know I am the one person who would usually be trying to convince you to cut your losses and run when it comes to guys who are no good, but this is Nico. I’ve watched the two of you ignore your feelings for far too long to let you get in your own way, now.

“And you’re forgetting I saw him last night, before you got there, there isn’t a chance in Hell he would have left you like that without a good reason. I don’t for a second think he’s still hung up on her.” Nia casts a side eye to Kelsey.

The only problem is that Poppy isn’t sure there’s a reason good enough. Not when it comes to Talia. Not when the memory of those months of radio silence is still so fresh for her.

“I have to go to work in a building where his face is plastered everywhere, Ni, I can hardly forget his entire existence until he deems me worthy of an explanation. Who leaves after a night like that without even a note or a text?”

“An idiot,” Kelsey mutters around her drink, rolling her eyes when Nia sends her another death-glare.

“I’m not asking you to forget, I’m telling you to wait.” Nia frowns, but her tone remains consoling and warm. “You need to stop letting what this thinks,” she flicks at Poppy’s forehead, “Get in the way of what this knows.” She points to her chest on the left side. “You know him. You know how much he likes you.”

She does.

She knows Nico, she trusts him.

She can only judge him based on his actions so far - the ones that tell her that he cares. He leads with his heart, it’s his most attractive attribute. He’s gentle and loving and she needs to focus on those things over anything else.

“Ugh, corny,” Kelsey drags, and despite her repeated efforts to discourage her, Poppy knows she isn’t being entirely serious. “If he has any non-stupid hot athlete friends though, I’m first in line when the two of you kiss and make up for double dates.”

Guilt pricks slightly at Poppy’s chest - for making her recently single friend sit here and listen to her complain about something so monumentally small compared to the breakdown of the long-term relationship Kelsey had just endured. Even if it was perceivably toxic.

“You’d make such a good WAG, Kels.”

It’s a poor attempt to make up for it, but it seems to console her friend all the same, a giant grin breaking out and flashing her perfect pearly whites.

“I know.”

Poppy tries to distract herself with work. Tries to make her way through her inbox of seemingly never ending emails and her list of ever-growing tasks. She types up lengthy responses, puts together a presentation, makes a bunch of phone calls she’s been putting off for God knows how long, sorts all her invoices out - she even sends a fax. In the year 2024. It’s her most productive work day she thinks she’s ever had.

She zeroes in on the ground every time she moves through the building. Ignores the pictures that line the walls of the Rock, pushes down the memories of all the times she’s walked these very halls by Nico’s side, and she thinks she’s done just about enough to clear her mind for the time being.

She hasn’t thought up some heart wrenching scenario in at least an hour by the time she’s wrapping up for the day.

She’s making her way back to her office after dropping some files off for Elaine when she catches sight of a mop of curls over the top of the chair by her desk.

Luke is sat in her chair when she enters, swivelling around and staring at the ceiling.

“You’re gonna make yourself sick doing that, you know.”

“You’re such a mom,” he scoffs, standing up and clearly trying not to sway, “You ever tried having fun? I think I saw a glue stick on a table out there,” he points through the door into the wider office space, where there are a few, less private cubicles and a common area. “We should go sniff them, let loose a little.”

“Is that why you’re here on your day off? To huff glue?”

“Yeah, I don’t get to let loose enough. Being a rookie in the NHL is hard, Poppy,”

“Bummer for you.” She pouts, mockingly, swerving past him as he rounds her desk and sits on the other side, flicking at the bobblehead version of his older brother that stands by her computer. “If you’re chasing a high can you do it with one of the other departments, it’s not a good look for the Youth Foundation.”

“I won’t tell if you don’t.”

When Luke had first joined the Devils, she hadn’t expected that she would warm to him the way she has - but, surprisingly enough, considering the fact they’re brothers, their relationship recently has started to mirror her and Jack’s.

Luke is funny. He’s sarcastic and a little silly, and it can be nice to have him around when work gets a little stressful. He doesn’t let the pressures of his own career outweigh those of hers, and, despite the gap in age, she actually enjoys his company.

But he never seeks her out like this.

Their interactions have always started through other people. Group conversations that dwindle to just the two of them, or he usually accompanies Jack to bug her and carries on when Jack’s ever-so-busy schedule takes him elsewhere.

She can’t think of another time he’s just shown up in her office alone.

Especially on his incredibly rare day off.

“Why are you actually here?” She asks, casting a suspicious but half-playful glare his way as she starts to pack up her things. 

“Came to see if you wanted to join us for dinner.”

“Aw Lukey,” she reaches over her desk to pinch his cheek, “I’m flattered and all but I’m a little too old for you.”

“Ha ha,” he swats her hand away, “Us. Me and Jack. Maybe a couple of the others if they’re free but you can pick where we go if you make a decision quickly, we were thinking a steakhouse.”

She narrows her eyes at him, expecting him to crack a joke about her being old, but he just looks back at her awaiting a response. “Why?” She drags out the question, her movements stopping completely.

“Maybe ‘cause humans need sustenance to live? What do you mean, why?”

“Why would you want me to tag along on your bro date?”

“Don’t call it a bro date,” Luke cringes, “Just remembered you were working today and we were in the area, don’t know why you’re being weird about it.”

“You’re being weird. You guys never let me choose where we eat. Don’t you remember that time we grabbed dinner when you guys drove me home and Jack told me to stop being a pussy about my seafood allergy ‘cause he wanted sushi.”

“Don’t blame me for the crimes of my brother, Poppy, he was obviously joking.”

“I had to eat tofu, Luke, I don’t find that very funny.”

“Are you coming or not?”

“That depends, how do you have your steak?”

“Well done.”

“Oh! Then absolutely not.”

“Remind me never to try to be nice to you again.” He scowls as they make their way out of her office, and she locks up behind the two of them.

“Gladly, it’s creeping me out.” She grabs at his elbow before he can carry on, stopping him in the otherwise empty common area where she knows no one is around to listen in. “Is something going on, seriously?”

Luke rolls his eyes, but she knows him well enough that it’s only done in an attempt to avert from her gaze. 

Bingo. He’s hiding something.

“I just thought you might want some company.” He shrugs, shoving his hands into his pockets and twisting his lips to keep from saying much more.

“Why?”

If Poppy wanted to spend her life getting a straight answer out of people for a living, she’d have become an interrogator. What is it with these guys and their inability to answer a simple question?

“Jack said you left the party last night with Nico.”

Poppy’s eyebrows scrunch so close together that she can feel a deep crease form between them. What on earth does that have to do with asking her to dinner? Or being overly nice to her?

Unless-

“You’ve seen him?”

“This morning.”

“Oh.”

All of her efforts from throughout the day seem to have been for nothing - an immediate rush of insecurities flooding her mind.

Where did he see him? What did he say? Was he okay? Was Talia there?

She feels like she can gauge an answer from the way Luke looks. Sheepish, almost, like he doesn’t want to say something he knows will hurt her feelings.

She had to have been with him. He wouldn’t just show up to her office like this if it wasn’t something that would seriously hurt.

She wishes she wasn’t the kind of person who did this - who filled in the gaps of conversations and always came out with the worst possible outcomes - but she can’t help it. She’s been doing it all her life, and there’s rarely ever an instance where her instincts have led her astray.

She knows it’s some weird part of her mind protecting her, but she needs to do something here. Nia’s words from earlier ring like a warning. Don’t let what her brain thinks get in the way of what her heart knows.

Her heart knows Nico wanted her. Knows Nico liked her. Knows Nico wouldn’t do anything to hurt her.

She needs to figure things out for herself and stop running, stop letting her mind fill in the gaps of a situation it can’t even comprehend to begin with.

She reaches her arms around Luke’s shoulders, stretching up on her tip toes to pull him into a hug before rubbing her knuckles into his curls, affectionately.

Luke Hughes is sarcastic and silly, and he cares enough about her to not want her to be alone if she’s going through something.

“Thank you for the offer, Luke, but I’ll be alright.”

“Are you sure?”

She nods, a tender smile tugging at the corners of her stubborn lips. It takes over her face, eyes glinting fondly and cheeks warming. 

“Yeah, you can walk me to my car if you’re that worried about me though.” She loops her arm through his elbow as they make their way to the parking lot, and when they get there, he makes sure she’s in her car and has set off before him and Jack leave.

As if her day can’t get any worse, the elevator in her building is cordoned off with tape and a sign when she gets home, and she has never regretted moving up a floor as much as she does when she’s trudging up 6 flights of stairs.

She’s exhausted. Emotionally and physically, and she just wants to throw herself into bed and pretend the last 24 hours were a terrible dream.

Only, as she rounds the final corner to get to her door, any hopes of that go straight down the pan when her eyes land on Nico, standing in front of her door with his hands buried in his jacket pocket.

He looks tired too - hair messed where he’s no doubt been taking his cap on and off for however long he’s been stood here, running a hand through the tresses until they’re all askew. 

His shoulders are slumped, and he doesn’t even greet her with that pretty smile he usually gives her.

His lips do curve up a touch - limp and half-hearted, not even enough for a dimple to form - but it doesn’t provide the comfort she had thought it would.

She feels anxious. A culmination of the day’s emotions washing over in one go. Sad, regretful, nervous, disappointed - all things she shouldn’t be used to feeling when it comes to Nico, but are all too familiar when she takes the last few months into account.

“Hi.” She gives a weak smile of her own.

“Can we talk?”

She wishes he’d have just said hi, back. That might have relieved the tightness in her chest just a little.

Nothing good ever comes of can we talk?

He steps aside as she approaches, maintaining a safe distance as she opens the door and enters her apartment.

The Nico from yesterday might have brushed past her, the graze of an arm or a lingering hand, but this Nico doesn’t. He barely even meets her eye.

He closes the door behind himself, watching as she discards her bag and keys to the console table on the side, and while she’s turned away from him, she tries to let whatever emotions need to come out cross her features where he can’t see them.

She needs to be cool about this, she thinks.

If she doesn’t get her back up, doesn’t get agitated, she won’t scare him off.

“Are you okay?” She asks once she’s turned to face him, not liking how he stands unmoving by the door. He hasn’t made any effort to settle in - his jacket still on and his hands still hidden in the pockets.

“Shouldn’t I be the one asking you that?”

She realises now that she can get a good look at him that the expression he wears is one of shame. Guilt. Apprehension. She needs to be careful and toe the line before he gets consumed by it, she realises.

She steps toward him a little, and he doesn’t back up - not immediately, not obviously - but he hardly welcomes her approach, either.

She doesn’t like feeling this way when it comes to talking to him - feeling uneasy and unsure, but there’s a part of her that’s tired of having to prompt him for answers.

He had been the one to leave this morning. Why can’t he just come out and tell her why?

“I’m alright,” she shrugs, not wanting to scare him off with the truth. “Super tired, though, can we sit?”

She wonders if he thinks about the same things she does as they make their way to the couch. Wonders if he can feel the scratch of her nails on his torso, or the brush of her lips against his, as they sit in the spot where not even 24 hours ago, their bodies had been intertwined.

He doesn’t sit right beside her as he normally would, and she finds herself missing the way his thigh usually brushes against her own.

She doesn’t know where to start or what to ask, and so she basks in the silence for a little - finding comfort in the fact that, despite the mess they’re currently in, they aren’t quite at the end yet.

But a part of her feels it coming.

She’d known it this morning if she lets herself listen to the rational voice in her head. As soon as she’d heard him say her name, as soon as he’d left, a part of her knew that was it, and maybe if she’d let herself believe it at the time - hadn’t talked herself down and convinced herself she was being irrational - she could have protected herself from all the ways this is going to hurt.

“I’m sorry.” He says, and when she looks up, he’s looking down where his large hands are now clasped together in his lap.

“For what?” She manages to choke out.

“Last night, I,” she digs her nails into the palms of her own hands to stop herself filling in the gaps as he figures out what he wants to say, but it’s no use.

He’s sorry for last night.

Last night, he made a mistake.

Last night, he was drunk, he was confused, he was just looking for something or someone to keep him occupied.

“I care about you so much, Poppy.”

That sentence shouldn’t be the one that fills her with dread, but it is.

“You’re my best friend, and I love you,” he does look up as he says this, eye meeting hers in an attempt to convey his honesty, but she sees more of the truth in his glassy gaze than she hears in his words. “This morning, I panicked, and I just needed some time to figure out what I want.”

No, no, no.

She’d rather he tell her what actually happened than do this. Than pretend he left because he doesn’t want her.

“I love you-,”

“You said that, already.” She can’t help the bite in her tone as she prepares herself for the hit. The I love you, but.

“You’re so important to me. Being your friend, it’s like it’s what keeps me sane lately.”

She chews at the inside of her cheek as she feels the tears start to well at her lash line.

“Poppy, I don’t want to mess up what we have,” he shakes his head as his gaze drops, dark eyes darting to focus anywhere but on her own, pleading and watery as she watches him slip away. “I don’t want to hurt you.”

“You don’t think this is hurting me?” She feels weak as her voice breaks, “You don’t think this is already messy?”

She reaches out to take his hands in hers, digging in to unclasp them, to try thread her fingers through, but he doesn’t make it easy.

“Nico, I love you, too, you know I do, we can figure it out, you don’t have to run away from me.”

It’s a desperate attempt and she knows it is, but she needs to know she tried. When she’s sobbing into her pillow and crying herself to sleep tonight, she needs to know she didn’t just let him go without a fight.

“I can’t give you what you want, I can’t be in a relationship, I’m no good at it.” 

Regardless of what she had told herself earlier, about taking what he says at face value, and trying not to fill in the gaps like she does so often with everyone else, she can’t help herself. When he says, I can’t be in a relationship, he means with her. He can’t be with Poppy. He would be no good with Poppy.

“Why are you doing this?”

“I told you-,”

“No, you said before that you’ve wanted this for as long as you’ve known me, you don’t just wake up and change your mind, not after-,” Poppy starts to feel panic building within her like a flipped over sand timer. Rising and rising until she starts to feel nauseous, getting harder with each second not to jump to conclusions. 

The voice inside her that tells her he got what he wanted and decided it wasn’t for him sounds caustic and bitter, and if she hadn’t wound herself up so much about this whole situation over the course of the day - the past week, even, or the months before - she might have been able to fight off the way it so easily convinces her.

“I have to put the team first, it doesn’t matter what I want, I have to focus on them, on hockey.”

She’s too caught up in her own emotions to notice how weak he sounds - glassy eyes unable to catch the glint in his. All she can hear, all she can see, is the minute hints of a cover-up - that she isn’t getting the whole story, that he’s lying to her, and that the excuse he’s giving is cowardly.

He still hasn’t mentioned the call, hasn’t mentioned Talia, hasn’t explained why he left her, why he didn’t say anything, why he didn’t come back.

“And you didn’t know that before?” She scoffs, pushing herself up off the couch and stepping away from him, “I can’t believe you would do this to me.” She wipes the tears from her cheeks as soon as they fall, but she can’t rid her skin of the feeling that they were there, her flesh damp and sore.

“I know we took things a little too far last night, but that doesn’t mean-,” She almost thinks he notices how bad that hurts her, referencing the night they shared as a mistake - an instance where they got carried away, and not where they followed through on years worth of built up tension and adoration for one another. She doesn’t even have to fill in the gaps, this time. Took things a little too far is clear enough. “We can still be friends. I want to be friends.”

“Friends?” Poppy jeers in disbelief, turning completely away from him now and missing the tears that drop from his own cheeks - missing the way his chest cracks and stretches open in a last ditch demonstration of his vulnerability, his desperation not to lose her completely. “You should go.”

“Poppy,”

“I can’t,” she tries so hard not to cry, knowing she won’t be able to stop, but the words come out in a choked sob, and her voice carries on in the whiney way she always hates. “You told me you wanted more, you said I was yours, and I’m supposed to just act like it never happened? Just accept you didn’t actually mean the things you said?”

“I meant them,” he says, defiantly, so sure of himself that it makes her head spin. “I wouldn’t-,”

“No, you didn’t. You’re a liar. You were either lying then, or you’re lying now. I don’t know which is worse. I can’t be your friend. I can’t pretend like you can that I don’t feel the way I feel.”

“Please, Mohn,” His fingertips just manage to reach out to land on her forearm before she shucks him off, wincing as if his touch has pained her.

“Don’t.” She takes an immediate step back, arms crossing over herself as a defence mechanism, body language screaming at him to go away, and she watches his pleading eyes drop to her arms just as she feels the cold of the metal there - so in tune with her every thought despite his denial of their true connection. Her arms move before her mind can make the decision, before it can remember what even sits on her skin, and her shaking fingers fumble to unclasp the jewellery adorned on her wrist. “You should take this back.”

Nico shakes his head, stepping back and away from the outstretched hand that holds her gemstone bracelet like it’s an actual danger to him. “No, that’s yours, Poppy.”

“I don’t want it.” She knows she’s the one that’s lying now. She wants the bracelet. She wants him. She doesn’t want him to leave. She wants to be his friend over being nothing. 

But she doesn’t want to hurt.

Looking at him hurts.

Remembering last night, remembering their kiss, the things he has said, the things he has done, it all hurts, and she can’t keep hold of a constant reminder of the pain, can’t wear it on her person at all hours of the day just to know deep down that the man who gave it to her will never want her the same way.

“I want you to leave.”

“Please,” he begs again, head tilting as devastation floods his features, brows pushing together, tears welling at the corners of his eyes, “We need to talk about this-,”

“No, you were right, we went too far, it was a mistake.” Her voice breaks as she says things she knows she doesn’t mean, but he’s already put it out there, so she doesn’t see the harm in echoing his own opinions. “There’s nothing more to talk about.”

She can’t look at him anymore, and so she drops her gaze to his hands, stepping and reaching forward and forcing him to take the bracelet from her before she rounds the couch and heads to the door.

If he isn’t going to give her the whole truth, she isn’t going to entertain part of the story, and she needs him gone so she can give in to the way her body wants to fold in on itself.

It takes him a minute to gather himself, but she refuses to look his way, waiting by the open door to her apartment and staring at the floor in front of her until his shoes appear.

“I do love you, Poppy. I’m leaving because I don’t want to upset you any more than I already have, and I’ll give you space if that’s what you need, but I’ll be here when you want to talk about this. I mean it when I say I can’t lose you.”

 She doesn’t say anything. She can’t say anything.

There’s a stabbing pain that’s building and building in the centre of her chest, and she doesn’t even think she can breathe in his presence.

He clasps a hand around her upper arm, and leans into her, his lips pressing a firm kiss into the crown of her head, and he lingers there for a moment before he retreats. 

She manages to push the door closed behind him, the click of the lock louder than ever, and waits a good few minutes in silence before her body is wracked with a silent sob.

The one time she had tried to be brave and fight her own intuition, and this is where it gets her.

So much for Nico wouldn’t do anything to hurt her.

Next Chapter

Taglist: @alwaysclassyeagle @bunbunbl0gs @idgaf-if-youre-here @youflowerr-youfeast @thearchersstuff @bellsdi0r @wonderheartz @jjgsunflower @butterflies35 @kenziepickle @josierosie @laheyxlover @mrsmattytkachuk (sorry if your tag hasn't worked btw)

[redux-iterum]

Writing question, not redux question! Do you or Lynx have any tips for planning such elaborate stories? Every detail of your world and writing has such thought put into it, so I’m curious how you organize or plan your works!

DULLARD: Well, what mainly helps this blog in particular is having two people working on this that specialize in different areas! My main job is to write the story, the characters and the more general lore, as well as answer asks. Lynx works in the specifics of the timeline, history, genealogy and keeping track of all the little details we come up with for future plots. I joke that I’m the blue collar to her white collar, if that makes sense - we have both sides of writing this setting covered. We also have an absurd amount of shared docs to keep track of everything and are in constant communication with each other, presenting ideas and discussing whether they’re worth keeping or not. We do write everything down, but I would be remiss not to note that Lynx’s excellent memory is the only reason half of this shit hasn’t been lost to the ether. 

If I had to give a specific tip, it would be to write EVERYTHING down - every plot point you think of, character note, idea (whether or not you use them), worldbuilding concept and anything else. You never know what you’ll forget, especially if you’re working alone! Having multiple documents organized by topic will help with that (one doc for mythology, another for culture, another for plot points, etc). Don’t do what I do, which is to name my documents and images extremely unhelpful names for the purposes of amusing yourself. You WILL lose track of which doc has what thing.

LYNX: I will be the first to admit that I'm far from the best person to give writing advice, considering I haven't published anything substantial and just have a lot of incomplete scribblings which may never see the light of day. Dullard and I also have wildly different ways of approaching our writing; they're more of a plotter/outline writer/architect and I'm more of a pantster/discovery writer/gardener. A lot of writing advice is geared towards architects while gardeners (at least in my experience as an aspirant writer) have their methods of writing left largely untouched, and so get the idea that writing as you go along is "bad writing" (ignore the entire body of works of Stephen King, Hayao Miyazaki, and Terry Pratchett, all written more or less on the fly). 

Yeah, so that's how I have barely written anything since I was a teenager :D 

I'm still relearning how to write myself; I just discovered I'm a gardener last year and I have years of ineffective writing advice to unlearn. I'll parrot some advice I've been told.

Keep documentation on-hand for easy referencing. I use the app Obsidian to make myself a personalized wiki for characters, worldbuilding elements, and suchlike. It's not built for having writing in it, but I can wrestle it into working for my needs!

It's okay to leave some elements ambiguous and open-ended. It means less work for you and more mystery and fun for your audience (even if that audience is yourself!)

If you're a gardener like I am, treat your long-form writing like each chapter is an episode of a TV show. You might have the season finale sketched out, so find ways to get your characters there and what complications arise in their path!

Your characters are tools. You may be attached to them, but they are here to serve a function in the narrative. If they are serving their function poorly, that's when they're a bad character.

The only wrong way of writing is one that stops you from writing.

[icedmetaltea]

Y O U

I've been meaning to do this for a while BUT I KEPT FORGETTING Fanfic emoji asks!

😅 🎢 ✨ 🎶 🍷 🍆 ❌ 🎃 🎯 🎨 🤩 🤯 🥰

(Hopefully it works because I am currently on laptop so I'm copy pasting some of the emotes :D)

Seems to have worked fine! And I looked back in my blog but couldn't find it so I just searched for it, hope it's the same one >.<

😅 What's a story or scene you've created that you're a smidge embarrassed exists? - Tbh I feel like after any amount of time, all of my work is embarrassing to look back at 〒▽〒

🎢 Which of your fics would you call your wildest ride? - Prolly Occupational Hazards, and maybe the one I'm currently writing since it's also gonna have a lot of action/horror

✨ Give you and your writing a compliment. Go on now. You know you deserve it. - NO >:ccc Ok well I guess??? I'm proud of like actually getting myself to make stuff I want to make. It's so easy for me to come up with ideas (well most of the time) but actually writing them??? Hhhhhhhhhgghhgh

🎶 Do you listen to music while you write? What song have you been playing on loop lately? - Yep! Atm my current go-to is this because it fits the vibe of the story pretty well

🍷 Do you drink and write? - Occasionally?? I don't drink much since I have a sensitive stomach and when I do I don't tend to try writing because I get all giggly and lazy

🍆 Do you write the spicy stuffs? If so, what's your most popular nsfw fic? - Technically?? But I keep a majority of them for me myself and I because a majority of my spicy content is in fact highly specific to my interests and well, it's eMBARRASSING ----┌( ಠ_ಠ)┘ Out of the two I've posted publicly in this fandom, How to Lure a Handler is obvs the most popular since I deleted the other gjreigjioejgioj (and for good reason, jesus christ it was self-indulgent to a fault)

❌ What's a trope you will never write? - Probably any kind of major character death, UNLESS they come back right away or it's a major character who sucks- like Pee paw Asston

🎃 Do you write fics for certain holidays? Which is your favorite holiday inspired fic? - Technically?? Usually I get too busy with holiday stuff/have too much pressure to write something for a holiday that it discourages me from actually writing anything, but You Will Be a Monument to my Name is technically a very late Halloween fic

🎯 Have any of your readers accurately guessed major plot points? Care to share which? - Some of my readers have created major plot points 😂 Seriously my readers are so much more imaginative than I could ever be (I use said plot points only with their consent + credit)

🎨 How do you feel about fan art of your stories? - I ADORE IT AND EAT IT AND DEVOUR IT AND WANT TO PIN IT ON MY WALLS AAAAAAAAAAAAAAA but at the same time I feel completely undeserving of it

🤩 Who is your favorite character to write? - ............ ogireuhgj3rhgu5r3uguihg Ya'll know this one ☀️

🤯 What's a genre you struggle with as a writer (ex. romance, action, etc.)? - Every genre tbh, but especially action/thriller/horror because idk I tend to write everything in a chronological?? way rather than using descriptive sensory elements and such. Ironically it's my fav genre/s to write

🥰 How do you feel about reader interaction? Are you open to receiving questions about your fics? - ABSO-FUCKIN-LUTELY and again I feel like a potato who does not in any way warrant any kind of people's time BUT I STILL LOVE AND APPRICIATE IT EVEN SO

[paragonrobits]

Movie Review - Holy Musical B@man!

I am a simple person, with simple tastes (albeit ones that periodically have me wistfully imagining people incredulously asking me if my brain is broken or if my entire life to date has been an incredibly elaborate bit I am doing), and my tastes in movies are fairly straightforward. Oh, yes there are certainly layers to it; on the proper occasion, perhaps one day my reviews will give me room to ramble on about my undying fixation on ‘robots and nonhumans as personhood’ plot elements, or extensive use of practical effects, and my love of bathos (or, as I always assumed it to be, the dramatic changing of register for comic effect, but apparently that’s a different thing), and it is this last point that I keep thinking about with Holy Musical; namely, ITS REALLY GOSHDARN FUNNY.

I’m not a very emotionally demonstrative person. It’s not that I am consciously detached or try to limit my expressions, but I am NATURALLY not a very emotive person; it’s just not natural or easy for me to express myself with the same extremes as other people do. Sometimes this is a problem; around my family I find myself having to constantly overact because they get upset and take it personally when my normal reactions are subdued. When I find something funny, I usually only have a small response; a small laugh, a little giggle, something like that. And when something gets a big belly-busting ‘oh god someone send help I can’t stop’ laugh, that’s either me making a TRULY HORRIBLE pun so awful I can’t even say it before busting up laughing, or I really was having the time of my life enjoying something.

This movie is the latter; whatever else it has going on, it got me a TON of laughs, over and over, and for that, I really have to appreciate it. Whatever else it has going on, it is genuinely and consistently funny.

On a broad strokes basis, this movie strikes me as being something of a reconstructive parody; specifically of the darker and edgier Batman, with both the first two Nolan Batman movies and Frank Millar’s well known (infamous, in my book, as I REALLY don’t much care for it) The Dark Knight Returns. Early stage Batman of this musical is definitely a comedic depiction of Batman at his most, to quote Overly Sarcastic Production’s take on the matter, ‘Punisher in a silly hat’. I normally DON’T like this take on Batman at all; I can’t stand people who go online and sincerely say that Batman is a billionaire that beats up poor people or reduce a nearly 100 year old running character to some pithy remarks so they can feel like a smart aleck for a few minutes. Yet somehow, this play makes it work for me; it’s probably because its just SO over the top and coming from a place of love that I really don’t mind, say, Batman depicted as an overzealous hunter of criminals that’s willing to pop out PLANE-MOUNTED GUNS on a guy who technically stole from his own till by forgetting to put in some money before he left.

Following a brief falling out with Alfred (who is essentially all of Batman’s friends in disguise, including Lucius Fox, a joke that had me wincing in discomfort the moment it popped up and feeling profoundly relieved when it just moved on, only to be repeated a few more times; frankly, I feel that if this has come out a few years earlier, we would be seeing outright stereotype racism jokes; the corners of the Internet this would have been popular around at the time went nuts for that and I hate that), Batman ultimately turns a new leaf when he meets Dick Grayson, in this portrayal played off more as a brotherly character rather than the more familiar depiction of them as a father and son duo. There is a LOT of Burt Ward’s performance as Robin from the Adam West Batman series, and this brings me to the fundamental point.

I feel that this musical is all about Batman starting out as a dark and edgy jerk-face with an overly zealous approach to crime and playing all the worst borderline fascistic interpretations of the character to comic excess, to gradually mellowing out as he befriends Robin and becoming a much more genuine and humane character, and with the campy tone, by the end of his character arc he resembles nothing less than Adam West’s famous depiction of Batman, played straight and with love, and I HAVE to appreciate that; it's sort of a love letter to camp and not being ashamed of its roots, as a lot of the ‘comics can be SUPER SERIOUS and we don’t have to be gross and campy’ attitude tends to go.

Batman’s villains are similarly extremely campy and they’re an absolute BLAST; virtually every line from them is packed to the brim with thematic puns and in particular I really like this musical’s take on Penguin; less a mob boss guy, and more of a heavily bird-themed crime villain who can’t go more than a few words without working in bird puns, and I LOVE IT. Everyone is like this, from Poison Ivy to Catwoman (And this alone is probably an indicator of this musical’s lean towards the likes of the West Batman show, as Catwoman hasn’t been considered a rogue in QUITE a while and her portrayal here is a dead ringer for that era). Of note, Joker off-handedly dies off screen early on. I say GOOD RIDDANCE. His role is instead filled by Sweet Tooth, an absolutely delightful villain chock full of furiously quick candy puns, genuine menace and a ton of fun pretty much every moment he’s on screen.

He’s very clearly a Joker stand-in, but without the kind of baggage that Joker himself usually brings on board. Its with him that we have a scene taken directly from the iconic ‘choose who dies’ bit from The Dark Knight, but instead voting on whether Robin lives or dies; I was struck at them in the death of Jason Todd, which never fails to impact me. (Perhaps not as much as harshly as Jason Todd outright referencing it in Injustice 2, but this is pretty close.) He adds in a Harley Quinn analogue, who carries both the blatant abusive dynamic and being a legitimate threat in her own right despite her silly demeanor. Interestingly enough, despite my assumptions that he was an original creation of this project, he actually IS a pre existing character, but a very minor one; he apparently has only had a couple of appearances prior to this and was considered forgettable even by the standards of one off gimmick villains. I consider this the equivalent of someone bringing back the Penny Plunderer as a genuine villain without losing a bit of campiness.

I mentioned before that I feel this musical covers elements of the Nolan movies and Millar’s work. From the latter, we have other superheroes periodically making appearances throughout, and here’s where we get SUPERMAN. Now, I’m honestly pretty defensive about works, especially parodies, getting Superman right in any capacity; I get REALLY touchy about it, and honestly, I think this movie does better to give Superman an antagonistic role than The Dark Knight Returns did, even with a similar scene (albeit with Obama rather than Reagan); instead of being a government stooge, this take on Superman is deeply insecure and resentful of Batman’s popularity despite his own vastly greater power and success, which also feels like something of a meta commentary on Batman often being perceived as a better character than Superman. (PErsonally I feel a guy in his 30s who has mastery of ALL the skills and martial arts disciplines, despite individual ones taking a LIFETIME to learn, is even more inherently absurd than a superpowered alien that happens to look exactly like a human, but that’s a whole different rant.) We see a bunch of other heroes throughout, most especially Green Lantern who has a running gag of being late for a Thing with Solomon Grundy (I don’t know if Grundy was picked for specifically starting out as a Golden Age Green Lantern villain, but I’d like to think so), and is portrayed as a shlubby Brooklynite, which is honestly a take that feels… right. Not sure why, but it does!

Ultimately, it comes down to Batman outright just asking Superman for help, because he’s the only one that can do things on that scale; essentially having him drop his ego and pride to sincerely ask for help, which feels like a really nice way to directly address the rivalry that is applied to them in a lot of comedic works and come to terms between them, and Superman doing the famous Reeves Time Warp spin (which was alluded to earlier in the movie) to undo catastrophe.

This in particular cemented a feeling that the movie is essentially about Batman developing from a parody of his darkest and most edgy characterizations set off by people imitating the vibes of the Dark Knight Returns and the Nolan movies, through a storyline that incorporates aspects of both into its plot, and at the end, through his friendship with Robin (a character notably absent from the Nolan movies save for Rise, and honestly I don’t feel that counts), and embracing the most fun and campy aspects through Robin, THE old school campy character, developing into something akin to Adam West’s Batman.

That said, Batman himself is a bit of a hard sell here. He’s a fun character, no question, especially as the movie progresses. But while he IS fun, he generally does work better as a straight man and it’s hard to say he handles that super well, at least to me. I do think Batman being just as quirky and weird as his cast is appropriate, but he’s mostly interesting not on his own but how people react to him. A lot of his best bits here are when he’s part of a larger scene, or people are reacting to him; his manchild mannerisms and demented behavior get a lot funnier then. They’re never bad, but they’re not really GREAT per se.

But all the same, it IS a genuinely fun experience that had me busting out laughing like a self-satisfied hyena, and you know what, I love it just for that alone. A great watch, all around!

Some other things of note:

- I really liked how no one seems to know what a robin is. “What is that, some kind of lizard?” And Robin’s parents being assassinated by one is honestly so bizarre but I can see that being a thing in the DC universe.

- Pour one out for poor old Killer Croc, who died as he lived; poisoning the water supply in the tradition of camp villains of old!

- People just… knowing that Superman is Clark Kent is honestly kind of a gas. Yes, there ARE reasons why he maintains his secret identity, but it's fun for the people involved to play it as a non-issue.

- Not a gag but Plastic Man looks fantastic in his brief appearance.

- Also not a gag but I read Garth Ennis’ Batman Reptilian not too long ago, and I’m struck by how both these works seem to poke at the idea of a much more brutal and callous Batman. Not much of a similarity, true, but it is striking how they go in opposite directions; this one opts for escape into the blessed realms of camp, while the other… well, it’s a Garth Ennis work, its exactly what you’d expect from the person who made the Punisher (and a completely non-ironic take) a signature character. If you HAVE to have Batman being the sort of person who takes glee in plane weaponry, I’d rather it be played for comedy.

- There’s a LOT of similarities between this and the much later Lego Batman. Apparently the people who made this even commented on that!

- Okay, okay, Robin determining his hero identity in a parallel of Batman’s is hysterical. SEARCH YOUR HEART. IT IS TRUE.

[corvidcrybaby]

12, 22, 69 (lol) for the fanfic ask game 👀

SCREEEEEEEEE HERE WE GO

12. Do you outline your fics?  If yes, how detailed are your outlines?  How far do you stray from them?

It's an even fifty-fifty. I outline my fics when I begin to have a lot of plot elements, narrative threads or allegorical references I want to work into it - if I don't, I'm liable to forget something relatively important and have to either shoehorn that thread in later, or do the Edit Of Shame where I go back and include something as a throwaway line. If you're curious as to what they look like, here's an example from when I was working on Formulas Fatal To the Flesh:

Some of these beats ended up in the final cut, while others didn't. I usually try to break it down based on "okay, what is The Moment I want Character X and Character Y to have together" and from there I build backwards and forwards. How they got there and where it takes them - I'll often keep a "scrap heap" of ideas or lines of dialogue (especially with Zemi since I entertain the fuck outta myself with writing her inane bullshit one-liners) on a spare sheet somewhere that I will pull from to weave into the story. This does look a bit like a mad scientist's scrawlings, and I like it that way! My trick is to outline and be thorough about it but not get too rigid. This is why I typically only plan fics in chunks at a time, with general ideas of where I want the story to go. Stories morph and evolve as one writes them, and I am the type who KNOWS that if I make the outline too demanding and rigid I'll get all up my own ass about it. Outlining too hard and trying too viciously to stick to it tends to shoot me in the foot so I avoid it.

Additionally, I particularly enjoy structuring stories based on conversations. Dialogue is often the first thing I write, and the rest comes after that. This comes from my background studying theatre - a thespian scholar bitch like me knows better than anybody that you can build a whole world around little more than a few words between two characters, so I like to let the rest of the work bloom from that organically. Not always, but these are common methods I use.

22. Do you title your fics before, during, or after the writing process?  How do you come up with titles?

Fuck yeah so glad somebody asked this one. I develop titles for chapters after I'm done writing them. I make it a point to title pretty much EVERY CHAPTER I WRITE for everything I've written publicly so far based on the title of a death metal track or album. I'll branch out into other genres like black metal and whatnot but I try to stick to death metal specifically. This mostly comes from my personal annoyance that there's so little decent media content based on extreme metal. Part of why I love Hellsing so much is just based on the fact I think it gets the closest to the aesthetic of the deepest bowels of extreme metal in its art style, themes, visuals, and so on. So when I need a new title, I deadass will just leaf through my music catalogue and pick a title I think fits the themes of the chapter in some allegorical sense - ditto for the little lyrical blurbs I put at the front of each chapter. Is it corny? Fuck yeah, man, but so am I. Sometimes I just say "fuck it, I'll put TWO songs names in the title, who will stop me?" When it comes to the entire fic titles, I put more thought into it and play process of elimination until I settle on one I think rolls off the tongue best. See: Formulas Fatal to the Flesh (Morbid Angel), Lesions of A Different Kind (Undeath), etc.

69. What are your favorite fics at the moment?

Aw shit man, puttin' me on the spot as I've been off my fic reading game for a minute but I'll plug what I can remember!

First off, shout out to the homie @neet0 with their work Revelations. Absolutely love this piece, I reread chapters from it a lot and feel like I learn something new about writing every time.

I'm also really into this My Hero Academia fic, In The End (We Are Left Bereft). Only halfway through, and some of the elements may not be for me personally, but first of all, anything that examines Bakugo as a closeted trans woman is gonna make me come running because I just ADORE that as a concept. Second, the issues this take on Bakugo deals with regarding identity and belonging, being touch-starved and alienated, etc? A bitch relates, what can I say. Good MHA fics are so hard to find in my experience so this one has been a delight to read thus far.

I also eat up almost everything that BirdOfHermes ever does. Because, listen mate, sometimes a bitch just wants that sweet, sweet cheesy wish fulfillment with fictional men. That, and their writing is so easy to read for me that it hooks me into stories about characters from series I haven't even watched or read. Never thought Harry Dresden would be hot to me, but, oops, they made it happen. Also, forever awaiting the glorious day they decide to finish Tame. One of my favorite Alucard/Reader fics of all time, I've reread it probably a dozen times by now.

Beyond this, I've been in a bit of a fic rut as of late, so if you got recs, send them my way!

Thank you so much for the ask it made my day for real <3

[him-e]

what did you think of shadow and bone? have you read the books? i only read the duology

Thoughts on Shadow and Bone, now that you've probably seen it?

I think the show is alright? It lacks a real wow factor as far as I’m concerned, but it’s enjoyable. It’s especially enjoyable in those parts I didn’t anticipate to like / didn’t even know would be there. 

Whereas the main selling points leave a lot to be desired.

The good stuff: the visuals. The aesthetic. The overall concept. Production, casting and costumes are excellent, the setting is fascinating. The worldbuilding isn’t perfect and is sometimes confusing, which is probably due to the show jumping ahead of the books and introducing elements that happen much later in the book saga, but I’m loving the vague steampunk-y vibe of it mixed with more typical fantasy stuff and slavic-inspired lore, the fact that it’s set in dystopian Russia rather than your usual ye olde England.

I find it interesting that in this ‘verse the Grisha are simultaneously superstars, privileged elite, legendary creatures and despised outcasts, according to the context and the type of magic they wield. It’s A Lot, and so far it’s all a bit underdeveloped and messy, like a patchwork of different narratives and tropes sewn together without an organic worldbuilding structure. (there are hints to a past when they were hunted, but how did they go from that to being, essentially, an institutionalized asset to the government isn’t clear yet. There’s huge narrative potential in this, and I hope future seasons will delve into those aspects)

Many of the supporting characters are surprisingly solid. I appreciated that Genya and Zoya eventually sort of traded places, subverting the audience’s assumptions about them and their own character stereotypes, despite the little screentime they were given.

Breakout characters/ships for me were Nina/Matthias, and even more so the Crows, i.e. the stuff I didn’t see coming and knew nothing about (having only read the first book). (I thought the entire Crows subplot was handled in a somewhat convoluted way, at least in the first episodes; it was hard to keep track of who wanted Alina and why, but the Crows’ chemistry is so strong it carried the whole Plot B on its shoulders).

HELNIK. As an enemies to lovers dynamic, Helnik was SUPER on the nose, I’d say bordering on clichéd with the unapologetic, straight outta fanfiction use of classic tropes like “we need to team up to survive” and “there’s only one bed and we’ll freeze to death if we don’t take our conveniently damp clothes off and keep each other warm with the heat of our naked bodies” (not that I’m complaining, but i like to pine for my ships a bit before getting to the juicy tropetown part, tyvm). And then they’re suddenly on opposite sides again because of a tragic misunderstanding - does Bardugo hate high-conflict dynamics? It certainly seems so, because between Helnik and Darklina I’m starting to see a pattern where the slow burn and blossoming mutual trust is rushed and painted in broad, stereotypical strokes to get as fast as possible to the part where they *hate each other again* and that’s... huh. Something.

^That’s probably why I’m almost more interested in Kaz x Inej, because their relationship feels a bit more nuanced, a bit more mysterious, and a bit more unpredictable. (I didn’t bother spoiling myself about them, so I really don’t know where they’re going, but it’s refreshing to see a dynamic that the narrative isn’t scrambling to define in one direction or the other as quickly as possible)

-

Now, as for Darklina VS Malina... I found exactly what I expected. 

Both are ship dynamics I’m, on principle, very much into (light heroine/dark villain, pining friends to lovers) but both are also much less interesting than they claim to be, or could have been with different narrative choices. I’ll concede that the show characters are all more fleshed out and likable than their book counterparts, and the cringe parts I vaguely remembered from the books played out differently. And, well, Ben Barnes dominates the scene, he’s hot as HELL, literally every single second he’s on screen is a fuck you to Bardugo’s attempts to make his character lame and uninteresting and I’m LOVING it, lol.

But yeah, B Barnes aside, Darklina is intrinsically, deliberately made to be unshippable. 

It makes me mad, because it’s - archetypally speaking - made of shipping dynamite: yin/yang-sun and moon, opposites attract, COMPLEMENTARY POWERS AND SO ON. And what does Bardugo do with these ingredients? A FUCKING DELIBERATE DISASTER:

^ Placing the kiss so early on (season 1, episode five) effectively kills the romantic tension that was (correctly) building up until that point, and leaves the audience very little to still hope for, in terms of emotional evolution of the dynamic. 

Bardugo lays all the good stuff down as early and quickly as possible (the bonding, the conflicted attraction, the recognizing the other as one’s equal, etc) only to turn the tables and pull the rug so y’all sick creepyshippers won’t have anything to look forward to, because THEY’VE ALREADY HOOKED UP AND THAT BELONGS TO THE PAST, IT’S OVER, THEY’RE ENEMIES. This, combined to the fact that she falls for him *without* knowing who he really is, is the opposite of what I want from a heroine/villain ship (it’s basically lovers to enemies, and while that can be valid too, I wanted to see more pining and more prolonged, tormented symbolic attraction to the Shadow/Animus on Alina’s part). 

But here’s the trick: it’s not marketed as lovers to enemies - it has all the aesthetics and trappings of an enemies to lovers (the Darkling is, from the get go, villain-presenting, starting from his name), so it genuinely feels like a trollfic, or at the very least a cautionary tale *against* shipping the heroine with the tall dark brooding young villain, and I don’t think it’s cool at all. It makes the story WAY less interesting, because it humanizes the villain early on (when it’s not yet useful or poignant to the story, because it’s unearned) but it’s a red herring. The real plot twist is that the villain shouldn’t be sympathized with, just defeated: there’s a promise of nuanced storytelling, that is quickly denied and tossed aside. So is the idea of incorporating your Shadow (a notion that Bardugo must be familiar with, otherwise she wouldn’t have structured Alina and the Darkling as polar opposites who complement each other, but that she categorically refutes)

Then we have Malina. The good ship.

Look, I’m not that biased against it. I don’t want to be biased on principle against a friends to lovers dynamic that antagonizes a heroine/villain one, because every narrative is different, and for personal reasons I can deeply relate to the idea of being (unspeakably) in love with your best friend. So there are aspects of Malina that I can definitely be into, but it troubles me that in this specific context it’s framed as a regression. It’s Alina’s comfort zone, a fading dream of happiness from an idealized childhood, to sustain which the heroine systematically stunts her growth and literally repressed her own powers, something that in the books made her sickly and weak. But the narrative weirdly romanticizes this codependency, often making her tunnel vision re: going back to Mal her primary goal and centering on him her entire backstory/motivation, to the point that when she starts acting more serious re: her powers and alleged mission to destroy the Fold, it feels inorganic and unearned. 

Mal is intrinsically extraneous to Alina’s powers, he doesn’t share them, he doesn’t understand them, he has little to offer to help her with them, and so the feeling is that he’s also extraneous to her heroine’s journey, aside from being a sort of sidekick or safe harbor to eventually come back to. People have compared him to Raoul from Phantom of the Opera, and yeah, he has the same ~magic neutralizer~ vibe, tbh.

The narrative also polarizes Mal’s normalcy and relative “safety” against Aleksander’s sexy evil, framing Alina’s quasi-platonic fixation on the former as a better and purer form of love than her (much more visible and palpable) attraction to the latter. This is exacerbated by the show almost entirely relying on scenes of them as kids to convey their bond. I’m sure there are ways to depict innocent pining for your best friend that don’t involve obsessively focusing on flashbacks of two CHILDREN running in a meadow and looking exactly like brother and sister. LIKE. I get it, they’re like soulmates in every possible way, BUT DO THEY WANT TO KISS EACH OTHER?

Which brings me to a general complain: for a young adult saga centering on a young heroine and full of so many hot people, this story is weirdly unsexy? There are a lot of shippable dynamics, but they’re done in such a careless, ineffective way that makes ZERO EFFORT to work on stuff like slow burn, pining and romantic tension, and when it does it’s so heavy handed that the viewer doesn’t feel encouraged at all to fill the blanks with their imagination and start anticipating things (which is, imo, the ESSENCE of shipping). The one dynamic that got vaguely close to this is, again, Kaz and Inej, and coincidentally it’s also the one we didn’t get confirmed as romantic YET. Other than that, where’s the slow burn? What ship am I supposed to agonize over during the hiatus to season two? Has shipping become something to feel ashamed of, like an embarrassing relative you no longer want to invite in your home?

Anyway, back to Alina/Darkling/Mal, this is how the story reads to me:

girl suspects to be special, carefully pretends to be normal so she can stay with Good Boy

the girl’s powers eventually manifest; she’s forcibly separated from Good Boy

the girl’s powers attract Bad Boy who is her equal and opposite but is also a major asshole

girl initially falls for Bad Boy; has to learn a hard lesson that nobody that sexy will ever want her for who she is, he’s just trying to exploit her

also, no, there is no such thing as a Power Couple

girl is literally given a slave collar by Bad Boy through which he harnesses her power (a parody of the Twin Scars trope)

you know how the story initially suggested that the joint powers of Darkness and Light would defeat evil? LOL NO, Darkness is actually evil itself and the way you destroy evil is using Light to destroy Darkness, forget that whole Jungian bullshit of integrating your shadow, silly!

conclusion: girl realizes being special sucks. She was right all along! Hiding and suppressing her powers was the best choice! She goes back to the start, to the same Good Boy she was meekly pining for prior to the start of the story.

... there’s an uncomfortable overall subtext that reads a lot like a cautionary tale against - look, not just against darkships and villain/heroine pairings, but also *overpowered* heroines and, well... change? Growth?

Like, it’s certainly a Choice that Alina starts the story *already* in love with Mal. That she always knew it was him. The realization could have happened later (making the dynamic much more shippable, too), but no. 

[downtonabbeyrevisited]

Season Two Episode Two

Following a typically chaotic opener, Episode Two of Season Two strikes a far more sombre tone. The arrival of Henry Lang as Robert’s valet brings the first of this episode’s three plot points that address the impact of WW1 on the mental health of its soldiers. There is nothing funny to say about either shell-shock or suicidal ideation both of which are vast, complex issues that, for my money, Downton Abbey isn’t the vehicle explore in (because they require more time and depth than the pace of the plot in Season Two affords) and it certainly isn’t my place to make light of them in this rather irreverent corner of the internet. So I’m going to have a go at treading a fine line here. Forgive me if I stumble. 

Lang is clearly in the grips of something awful and yet in an attempt to avoid the indignity of having maids in the dining room, he is bumped up to footman duty. He struggles throughout, culminating in him depositing his cargo on Edith’s dress. Mrs O’Brein has firmly taken Lang under her wing, recognising that he is struggling and offers him assurance and comfort that she has never gifted to Thomas. 

Across the Village, Lieutenant Edward Courtenay is in the hospital having been blinded by gas. The use of gas (both chlorine and mustard) had a devastating impact on soldiers in WW1 but was also the root of the development of Zyklon B. Frtiz Haber, a German Jewish chemist, enabled chlorine gas to be used a weapon in WW1 and his research was later developed into the Zyklon process which was used by the Nazis to murder millions, including his own family. This is only one of a dizzying number of appalling ironies to be found in the World Wars but as I said last episode, I’m not a military historian so I’m going to leave it there. Edward had plans to return to the country after his graduation from Oxford to pursue the simple life (although one gets the feeling that his idea of the pursuit of a simple life will still be one that is very well upholstered). Thomas has taken it upon himself to read Edward’s letters to him and  together with Sybil is helping him to adjust to living life with a different set of parameters. But growing pressure on the hospital’s limited capacity means that he is to be transferred elsewhere. All three voice their dissent at varying volumes to Major Clarkson who falls back on the very real backlog of wounded men. After Edward has died, Major Clarkson, Isobel and Sybil talk about a renewed need for the Abbey to become a convalescent home, an idea that has been bubbling under the surface for a while now. Meanwhile, Thomas has been left on his own to process both Edward’s death and the implications of witnessing a lack of support given by his own physician to those with depression.  

The usually reliably jovial Mrs Patmore also has a more somber episode with her pursuit for the truth about the death of her nephew Archie. Robert finds that he has been shot for cowardice. Not only does this mean that her family is in mourning but they will now have to navigate the stigma and undue shame that came with having a relative die in this way. So entrenched in British life was the derision levelled at those who were shot for cowardice or desertion that it was only in 2006 that pardons were offered by Britain for 309 of those that were executed by firing squad during WW1. I know I said I’d leave it there with the military history, but that felt like an important bit of context. 

We are now in 1917 and Matthew is still in the same trench that he was in 1916 (a detail I hadn’t actually noticed until I got the screen cap for this) so it looks like his strategy of downing tools mid-fight and continuously popping back to Blighty for important plot developments isn’t really paying dividends. Perhaps the addition of William to the ranks will help him? William certainly seems to think so and if the speed at which he moves through the various stages of his ‘relationship’ with Daisy is any indication of his tactical prowess, the British Front will not only be well within Germany’s borders but will be breathing down Russia’s neck in a fortnight. In any other episode, this would certainly get the award for oddest relationship dynamic but Sir Richard Carlisle exists. 

Sir Richard makes his debut at Downton, having been introduced in name only in the previous episode. He and Mary met at Cliveden which is a regular haunt of mine, giving me hope that one day I too will from a strategic alliance with a newspaper magnate. He may know how to talk his way around a boardroom but he is lacking in the sartorial department. Whilst Sir Richard manages to avoid catching fire in his tweed, Lavinia is not free from the heat as he threatens her with his connection to her uncle. He may not know much about navigating the niceties of Downton, but at least he has cottoned on to the fact that any major disagreement should occur under a specific tree. Whilst Mary’s signature move is weeping into her gloves, Sir Richard’s is grabbing women by the forearm. A female friend of mine told me that one of her favourite things about the pandemic and the compulsion to keep 2m away from anyone (and not just emotionally) is that she has not been ’steered’ by a male hand on her lower back since 2019. It turns out that she can enter and exit rooms just fine on her own and I get the impression that Lavinia could get the gist of Sir Richard’s rage without the vice like grip of a man probably about twice her age. 

Twinned with the ’tree of emotional conflict’, the ‘platform of romantic uncertainty’ provides the backdrop for Sir Richard’s proposal of marriage to Mary which is a declaration that really feels like it should come with a series of well-formatted charts. Mary’s heart, however, is still very much with Cousin Matthew. After being counselled by Carson in a type of conversation I cannot imagine her ever having with her father, she is on the verge of coming clean with Matthew. But in the second round of Lavinia vs. Mary, Lavinia declares that she ‘could not go on living’ without Matthew and Mary winds her neck in. 

Also having a romantic entanglement this episode is Edith. Drake, previously of dropsy fame, has lost his farm hands and Edith turns up to offer her help in a wildly unsuitable trouser and heeled boot combo. But she soon gets down to it by pulling up a tree stump and flirting in a barn whilst a rather lovely border collie looks on (I’m currently trying to talk myself out of getting a border collie and this incident has done nothing to help things). After showing Drake that she can drink from a bottle like literally every single other human on the planet, the two share a kiss and some highly awkward dialogue that only slightly resembles ‘Carry on Downton’. 

Whilst Edith is more than happy to crack on in a barn, Mr Molesley is much more backwards about coming forwards. Apparently having predicted the creation of ‘The Guernsey Literary and Potato Peel Pie Society’, he figures that a book is the perfect kindling for romance when you exist in a glossy depiction of the past. Sadly neither Elizabeth nor her German garden can lure Anna from Bates who is fast shaping up to be schrodinger’s boyfriend. Anna proceeds to make some odd analogy where she compares Mr Bates to her moon-based child, revealing a rather unhealthy amount of codependency in that particular relationship. 

Romantic declaration of the moment 

Again, it feels like anyone but Sybil and Branson should get this but I am an agent of chaos and here we are. Branson defends Sybil’s will to work and has ample opportunity to see her shine in her chosen field. The admission that she will not be returning to her old life is a little chink of light that Branson basks in. 

Expressive eyebrow of the week 

I nominate Carson’s entire face when he realises that he has taken on too much and goes an impressive shade of red. As Carson frets about spoons, sauce, and something I can’t quite fathom, he starts to resemble a man who is re-arranging the deckchairs on the Titanic. Carson’s battle to get a cork out of a bottle and knocking into chairs is a warm up to his rather dramatic collapse which is accompanied by a pretty disturbing groan. Sybil springs to action and he is soon efficiently ensconced in his own quarters. 

Wait, what? 

“I got a lot done on the train” Clearly Richard was on a train that was unencumbered with the wifi issues that plague the Pendolino.  

“It takes a good deal more than that to shock me.” Mary’s shock-o-meter is a pretty odd instrument. It is unresponsive to corpses of diplomats but goes into absolute meltdown at the notion that she might have to live in a cottage. 

“Let's hope my reputation will survive it.” I’ve not checked (and I categorically never will) but I would put money on the fact that someone has created a rarepair out of this. 

“How can Matthew have chosen that little blonde piece?” Is Lavinia blonde? Women’s hair is not really my forte but I would have thought she was more akin to Tim Minchin than 1998 Justin Timberlake. 

“I believe in this war. I believe in what we are fighting for.” William seems to have a better grip on what all of this is about than I ever did in high school history. The ‘A’ that eluded me is heading his way. 

“I thought he might've died for love of you.” How I love snipey Thomas. It’s good to have him back. To borrow a quote from Bottas (another man who is currently living a life in which his destiny is his own demise) ‘traditions’. 

“Fold it in, don’t slap it” The more season two goes on, the more I think that Moira is just an amalgamation of some choice elements of Julian’s kingdom. 

[amazingphilza]

DSMP!OC HEADCANNONS

i dunno if ppl on here make dsmp!ocs for themselves outside art but here’s my long list of headcannons?? idk what to call this, but assume all names have c! before it ofc :]

,, this is kinda messy & probably has a lot of plot holes but i just needed a space to write out all my thoughts LOL

also cw / ment of manipulation & ib: dsmp wiki <3

character origin :

previous life was the l’mantree :D

allegedly planted by schlatt, we will never know who’s my canonical parent(s)

reborn as a dryad after niki burns the l’mantree

i think being a dryad would fit especially since they’re typically nymphs of oak trees :]

appearance :

my character’s mc skin has long light brown hair & is seen wearing a flower crown with petals that are around the color of a pale violet and navy blue

clothing would consist of black shoes & a long light grey sweater that falls down to the legs and covers most of the hands which adorned with 2 black stripes on the upper arms

lore / history :

since my past life was the l’mantree, i would’ve known the ins and outs of the history when l’manburg was still standing, up until niki burned the tree

after witnessing everything, i’d hold a grudge on niki (+ allies?) and loyal to wilbur since he’s the whole person that made a meaning of the land of l’manburg

however i’d still be on edge w any side because i could sympathize with everyone to some extent after seeing some sort of distress from everyone at some point

i think seeing both sides of the spectrum when l’manburg/manburg still stood could change my perspective of some other characters

but at the same time, not everything was completely centered in l’manburg so i wouldn’t know the whole story of everyone’s character

i’m currently writing this just after tommy has left the prison & mostly everyone is treating him differently, so i’d try to befriend him by not showing that i dont care about his past & trauma but also not being fully faithful about our friendship ahaha,,,

he seems like the type that needs someone to see through his past history but tommy would definitely disapprove of my character visiting dream at the prison (i would do it anyway :))

vowing my current life to wilbur, i would help dream escape to revive wilbur & follow along with their plans of chaos

i don’t fully support dream but he is the only way to wilbur, making me comply with dream’s decisions

“growing up” in my past life and witnessing endless conflict, it is the only thing i know and understand; chaos

but i think during the process of helping dream & wilbur i’d keep my connection with them secret, being the person to obtain all the inside information they need

i could see myself as a type of equilibrium like ranboo but in a bad way, i don’t know how to explain it

but i would try befriending ranboo since he seems like he is involved in many things and would know a lot, despite his short term memory

unfortunately i’m not sure how much his character actually knows since i haven’t been able to watch his pov that much but i’m sure there’s a lot in his memory book...

to blend in as a normal person within the rest of the characters, i’d surround myself with connor a lot

not only because he needs more lore, connor is one of the “normal” citizens of the smp so i believe being with him doesn’t bring as much attention to myself, unlike people that’s related to the egg and their noticeable features after associating themselves with the egg

he is currently only on bad terms with techno which is rly good when comparing that to other characters and their relationships with other people

connor could probably sense my real intentions eventually & tell everyone else that i’m not who i say i am but if that’s my flaw & my downfall is caused by connor, so be it! sorry dream & wilbur

i feel like for being a young dryad, i’d still fool around with dream/wilbur & help give tommy an small “advantage” to defeating the two ?

like yes i’m supposed to be on your side but where’s the fun if tommy can’t do anything to begin with?

i honestly don’t know if wilbur was revived he’d actually be his vassal but let’s assume that happens, but either way i’m with wilbur on his decisions

but ya dream seems like the type to punish me for helping tommy and send me to the afterlife to learn & become smarter like wilbur had done or smth

in the end, i just want to give tommy bits and pieces that tease him from ending all the wars and problems he has been faced with

like here’s some info about dream and wilbur but it won’t be no where close to enough

but who knows, ghostbur said ‘villains are just heroes that aren’t convinced yet’ & maybe tommy could eventually grow on me & change my ways,,

maybe me fooling around & teasing tommy with answers he’s been searching for is a way to mask that i want to be a good person

ok but imagine after knowing so much about dream/wilbur, the revive book, & the afterlife & then i switch sides,,,

surely if tommy can’t put and end to them, dream would make sure i’m gone for good instead

but also if me & connor are in good terms & he’s canonically a necromancer & can bring ppl back to life,,,,

personality :

to all besides dream & wilbur, i’d try to act passive and friendly on the outside to get on everyone’s good side

however under the mask i am more mischievous & strive to cause more problems for everyone on the server from the inside out

in a way, i’ve taken up some of dream’s manipulative personality but still very understanding

i’d like to think of my character as a good listener,, trying to do less talking than others so i do not open up about my true self and intentions

i’ve seen rumors about schlatt & mexican dream also being revived along with wilbur & i feel like i’d have some soft spot for schlatt & pick up a few things from his own character, not sure what though

schlatt planted l’mantree theory, dad!schlatt au part 2 !! /j

because of my character’s closed off and quiet personality, i feel like i’d be pretty analytical

i would know how to slip between the cracks with some characters & notice the smallest things to make them question themselves

maybe my character is good at holding their composure, and not that susceptible to being “emotional” in a way so it’s easier to face people

like i understand when a situation is sad, etc but i can’t show emotion towards how i feel about it (i don’t know if that makes sense but ya!)

i wanna try to elaborate more,, like imagine my character before tommy visits the prison, i would be unfazed from when i found out he died to the point he’s released and we find out he’s been revived

everything is a constant blur hehe

i just can’t fully process everything i guess? i dunno if that’s helpful but yeah!

in the end though, my moral compass has been very tainted; despite wanting to show my loyalty, it can be slightly easy to sway me, making me internally feel guilty to other people

but me trying to get on everyone’s good side to impress wilbur/dream to seem useful to them would ruin me before i would even realize that i’m another “pawn”

we know damn well dream is faking it till he “makes it” but yk,,

but i’d be stuck in this kind of dilemma of not knowing what thoughts are my own or just something trickled down from wilbur or dream

there’s like maybe something that clicks in my head like “maybe i wanna think for myself for once” or smth

like who am i really?

powers , bonuses , etc :

since dryads can technically manipulate plants in some ways, theoretically i could control the blood vines to some extent ???

i’m pretty sure dryads can communicate with plants so i could understand what the blood vines are saying as well

maybe i could get a good sense of what the egg is all about and stuff

assuming that i understood anything that was happening with the egg in the first place but anyway—

i guess similar to ranboo like how he can’t really be around water without some type of amour or something, it would make sense for me to primarily reside in a type a forest or be near one ?? who knows

seems a bit morbid in a way because of the whole history but if i can somehow easily get rid of the blood vines without it affecting me (if there is still some there) i think it would be kinda pretty to build a tree base in the middle of the l’manburg crator (iskall tease)

like it can show a sign of some rebirth, not the same government repeated once again but a new era in general

you know how you see like destruction years after it the disaster or smth happened and it gets all overgrown with plants and stuff? ya that’s what i’m going for in my head (mumbo jumbo s7 tease)

i know it’s covered in glass already but i dunno, some broken glass and a giant tree emerging from the whole thing and all the rubble seems cool

i’m not a good builder but i have the vision LMAO

omg puffy is like a sheep human hybrid im pretty sure & like there’s a specific type of dryad that are a protector of sheep & other animals?? i’m not exactly sure but that seems like an interesting element to incorporate somehow

also glatt randomly planting a oak sapling in quackity’s lore stream yes pls feed my nonexistent dsmp character lore /j

i honestly dunno how to incorporate the fact dryads can turn shapeshift into trees when trying to escape something but i read something that if a dryad stays in a tree form for too long they’ll forget who they are and stay stuck as a tree?? which like woah that’s cool & some material but at the same time what—

since everyone’s backstory is kinda a mess, mr beast parent tease bc he planted a bunch of trees /hj

i have realized wilbur saying like “the whole reason i built this nation is gone” & blowing up everything or whatever is kinda a plot hole in like ‘why would i follow wilbur if/when he’s revived when he said this?’ but i’d like to think he was the one that made some meaning of the area lmanburg was on, which includes the lmantree

like he was the one that started everything and created that sentiment of that land, and however he views it now is how i would see it now

he gave meaning to my past life and now in my current life, i feel this obligation to repay him for it

not really lore bc i think it was cc!tommy talking to cc!ranboo about his height & age when he first joined but yk it would funny to make my dsmp character than his just to slightly spite him anyway

canonically 6’4 dryad yes . /hj

also i have no idea anything about hannah and her lore but we do be flower buddies :D

also omg like this isn’t at all important but the way ranboo can pick up grass blocks will just have me at awe, i dunno seems in theme with the forest/plant stuff

and i remember reading like there was something about dryads and apples but i can’t remember but i’d give tommy a bunch of apples /hj

apples am i right chat,,,,,

i’ll just have infinite apples in my inventory, like kill me in game, not like losing lives kinda deal but just in general and boom stacks of apples

“bee i get you’re half tree but do you just poop apples out like they’re nothing??” “girls don’t poop” /j

ok but like no matter how many streams i watch i cant grasp where everything is but omg but no if i was new to the server & stuff, canonically & not, i would feel my character to be the curious kind to explore everywhere

like besides a mini tour from some other person in the server, since my character only knows things in the bounds of lmanburg, i’d go off exploring different places like pogtopia, the sewers, showchester, etc

i feel like my character would be really into history, like they would have questions about what happened to lmanburg after the last war? what was life like before wilbur? what was the whole history about the antarctic empire? i dunno but reading a bunch of books from a library seems really interesting

oh but in theory, me and tubbo are loosely related if you wanna count schlatt as my “dad” because he supposedly planted the lmantree ???

i mean could make sense but it seems like a stretch

also if my character ever got close to schlatt, i’m not sure if this is canon, but i swear one time he mentioned how the whole dsmp sever is just a game/server in a game & he’s the only one that knows that ??? but like imagine if i found that out canonically,,,,,

big existential crisis pls

and i’m not 100% sure how dryad shifting works with like going from female to tree form and stuff but if i’m able to morph into different girls on the server & act as them,,,, the about of problems that can cause in the lore omg

lemme frame niki real quick and get inside information /j

oh ya and like hey bee do you support the government then? yes but no. whatever my “fav” person is canonically (assuming this is based in the beginning of this whole hc) whatever wilbur thinks, i think. head empty. but subject to change as the dsmp storyline progresses and stuff :]

ngl i wanna throw in some like random lore that doesn’t make sense to throw people off but i can’t think of anything

not actually really lore related but my choice of stream music like how ranboo has his undertale stuff that makes everyone cry, i will have in love with a ghost

yup i like in love with a ghost sm & i’m pretty sure their music is like not dmca too which yay but yk theoretically never gonna stream on the dsmp but still a fun aspect to think of bc i love listening to music & it’s very impactful to a story & associating something to it makes it more meaningful :D

like i could imagine the chill pop lofi piano stuff fits witha few lore streams of like exploring the whole smp before my character would really go out with being this lost villain in a way?

tubbo’s gangnam style who?

like i feel like i made my character bad/evil so they could have potential to get better in the future

on one hand, i’ll end up w dream and/or wilbur for the rest of my life, which is okay but i could also switch to be with tommy or even disregard all of them and be with techno/phil or quackity & potentially schlatt even who knows

also i cant wait for more connor lore tho, like as much as i tried to make my character give him more content i wanna see how everything goes with him having connections to schlatt & stuff

anyway i would’ve made concept art for my character but i honestly don’t rly like my art currently but who knows LMAO

and lastly if u read all of this ily /p

i might update this later when there’s more lore but ya

[mamamittens]

Long Awaited LoZ Thoughts

I’d like to start this off by explaining my background. I have a BA in English with a minor in Humanities. I have lived all my life in the Bible Belt of America, so my PoV of this series is inevitably going to be, at least in part, from the perspective of a Western-centric, Christianity-influenced woman. I have grown up with a deep interest in folk tales and mythology though, and took several classes on ancient cultures, so my base knowledge of religion all over the world is broader than what you’d probably expect. I am not religious myself, I’m actually agnostic. And this is just an in-universe look at the very strange religion of Hyrule. So, to make things easier, let’s just put aside the obvious meta issues with this world. The wonky timeline, complex lore changes between said timelines, and the fact that the whole series has clearly grown wildly over the course of its development without an overarching plot. The game mechanics being game mechanics. All of it. This whole thing will just be me trying to make sense of the world without the ‘it’s just a game, bro’ crutch. I will be drawing on what I know from the many games I’ve played myself, so if I don’t mention a big piece of lore from a specific game, it’s because I didn’t play it. Go ahead and rule out the early games before Ocarina of Time, as that’s the first game in the series I can remember playing. I was legitimately too young to have ever played anything prior to that, having been born in 1996. Now let’s get started, shall we?

 So, obviously everyone knows that the LoZ world is said to begin with the three goddesses. Din, Nayru, and Farore came together to create the world and before they yote themselves out of the narrative as direct players, they created the Triforce. A powerful artifact capable of granting a wish and giving their respective bearers undefined power. This is directly from Ocarina of Time and we see their symbol, the Triforce, all over the many games with very few exceptions. Now, to be clear, having a polytheistic religion with three main gods is hardly new. Hinduism has three main gods after all (Brahma, Vishnu, and Shiva), and depending on your flavor of Christianity, you have the holy trinity (God, Jesus, and the Holy Spirit). There’s even the Celtic goddesses that come specifically in threes (collectively called The Morrigan; Eriu, Fodla, and Banba). This isn’t an exhaustive list of three divine beings, by the way, just know that three is a weird trend in western-centric stories, including religion. But what’s different about the three Hyrule Goddesses? Well, they’re weirdly small for big shot gods. Let me explain.

        So, the three Hindu gods I mentioned earlier each handle a specific aspect. Creation, destruction, and preservation, not necessarily in that order though (which god does what isn’t the point, so just roll with me here). These are very broad and powerful subjects. Christianity is much the same, even though it’s a monotheistic religion. God is literally an all-powerful, omniscient, omnipotent deity. Jesus is his son who gave his life to basically forgive all sin. And I’m not totally clear on the Holy Spirit, but these three are clearly Big Deals with Big Ideas behind them. A good rule of thumb for old religion is that the older the deity, the wider the scope of their job or what they represent. Which makes sense. If you had to personify the forces of the universe, you’d probably start with the sun instead of like… whatever god is responsible for the creation of rice specifically. The bigger and scarier the natural force, the bigger deal that god usually is, putting aside politics and cultural trends. Egypt is a good example of this, as their roster of gods tended to change a lot depending on who was Pharaoh at the time and wherever the city center was. Horus is the god of the sun, or at least one of them, and is generally considered king of the gods. Which makes perfect sense for a land largely made up of a desert.

But what are the three goddesses’ rulers of? Power, Wisdom, and Courage. Each with clear elemental associations and people that are obviously affiliated with them. Nayru, Goddess of Wisdom, is clearly associated with water and likely has a close connection with the Zora. Din, Goddess of Power, is associated with fire and has clear connection with the Gerudo (unclear if the same goddess as the one present in the desert temple in Ocarina of Time). Farore, Goddess of Courage, is associated with all things green and of the earth, including the child-like race of Kokiri who perpetually inhabit the forest. Sure, these are broad topics, but not really… the first thing you’d think of for creators of the universe, are they? And it raises the question about the Hyrule people, who are said to be able to hear the gods due to their pointed ears… let’s put a pin in that and move on.

So, we know there are many gods in this universe, primarily because we meet them. For example, Zephos, God of Winds, in Wind Waker. But he’s clearly a fairly forgotten god, as he shares a shrine with Cylcos, God of Cyclones, which is about as bare as it can be. Just what appears to be a Tori gate with two stone monuments with the simple notes to summon them, almost completely out of the way. Which… I mean, I don’t know many gods with their extension number written on their monuments. That would kind of like going to church on Sunday and seeing “Hit me up if you need me, J-Boy 555-TAKE THE WHEEL” written on the podium. And remember, this is a world and game where the gods actively flooded the world and would therefore hold or have held enough power to directly interfere with Hyrule.

And Skyward Sword clearly has divine beings, one of which even flooded a whole area, though they’re subservient to Hylia. Who we will get back to later, I promise. The three dragons (again, that magic number), capable of divine power, though where that power comes from in unclear. The dragons are of a high status though, as evident by their servants and clear reference to high-class dress of their clothes. These dragons are revered, but clearly not worshipped, much like nobles in that regard. A curious note is the parallels to the three goddesses, and how the symbols are muddled and mixed for these dragons.

Lanayru clearly has the symbols associated with the Zora, and by extension Nayru, but is yellow. He also is saved by time travel used to grow a magic fruit, which Link often uses (time travel) in many games to advance the plot himself (and wouldn’t you know it, but mixing blue with yellow does produce green. Weird). Faron is the water dragon who flooded an area, and she is almost entirely blue (as well as unsettling to look at), surrounded by a species clearly related to the Zora though closer to octopi. But her name is Faron, which is weirdly close to Farore’s name, not Nayru. I mean, they are close to locations that resemble their names of course, but it’s still an interesting note. Finally, there’s Eldin, clearly bearing a symbol associated with the Gerudo without any strange mixes of symbols for the series. Oddly, he’s also the most open of the three dragons, especially considering the Gerudo’s traditional stance of being a ‘no-sausage’ club. Not terribly relevant, but I just thought it was interesting to point out. You can consider the Giants in Majora’s Mask on the same level as them, though their status is unclear (Since they’re summoned by a song and can stop the moon from falling, they probably straddle the line between mortal and divine).

Now, spirits also exist in this world, both as the ghostly variety and the more pseudo-divine. Not to be confused with actual divinity. Divine being can be spirits, but not all spirits are divine. In this context, spirits can be defined more as being of power capable of granting aid in return for something. Zephos can change the winds if called upon, but you don’t need to feed him, for example. But the spirits in Twilight Princess need aid before they can help you. And they’re also not very independent and are able to be fooled easily, which isn’t usually a god-like quality. While more physically present than the three goddesses, they’re also not strictly tangible, and seem to be extremely limited to their location. At best, these spirits could be classified as minor deities below the gods we see in Wind Waker. They also share the same abilities in keeping the realm of Twilight from falling over the land of Hyrule, as well as their weakness to parasites of undetermined origin. An interesting note is that they all seem to live in bodies of water. Let’s put a pin in that one too.

Someone that also counts as a spirit would be Fi and her counterpart, Ghirahim. Literally two halves of the same coin, these two are both very limited in power and function. They don’t represent anything on their own and are very dependent on others to achieve results. How or why they were made is unclear, but it is obvious that both were forged at some point, and clearly gained sentience. Even their personalities and allegiances are a bit odd. Fi for her sci-fi appearance and calculating personality in a fantasy land, and Ghirahim for his… well, everything. I don’t know why the root of all evil would make his weapon a full-tilt diva, let alone on purpose. Ghirahim always struck me as odd since his bombastic personality seemed to clash with his ultimate fate of just being a weapon for Demise.

Okay, so the Great Fairies are weird, okay?! Like, really weird. They act as spirits (I can’t think of any that aren’t restricted to a body of water in some form), but are very independent. They also don’t necessarily need anything from Link to offer assistance. Sometimes, just opening the fairy fountain is enough to gain items needed to progress. And there’s also the fact that fairies heal you upon ‘death’, though with a limited heart capacity. Sometimes they need you to do something though, like the Breath of the Wild fairies need rupees to function or items to upgrade equipment. They also usually look human, like Majora’s Mask Great Fairies are clearly just… giant women with color coded accessories. But like, they float. Where Great Faires come from, or even just regular fairies, is unclear. Until Wind Waker, Great Faires were adults. But when you finally meet the real Great Fairy in Wind Waker it’s… a child. With a doll that looks just like the ‘Great Fairies’ you’ve seen along the way. This sort of implies that Great Fairies age and die, though clearly with a different lifetime than most races in Hyrule (the child Great Fairy also only looks somewhat human compared to other Great Fairies, so make of that what you will). And it also implies that all the adult Great Fairies are dead (you’re welcome for that depressing thought), with the last one trapped in a hollow tree only accessible by the power of a God.

In Breath of the Wild, the Great Fairies are both diminished but more powerful. They literally are stuck in a giant flower with water in it, with few fairies around them, and require riches to get stronger. The connection to their new restrictions to this need for material wealth is unclear. It’s also interesting to note that their fountains are no longer places that appear to be man-made holy temples and they seem to be out of the way… well, for a given value of ‘out of the way’ (looking at you ninja village). These fairies can accomplish more tasks, but certainly won’t be doing it for free or with minimal effort. A far cry from their first appearances (no, I don’t consider using explosives a difficult task).

But Fairies are also companions with nebulous tasks, such as in Ocarina of Time, where Tatl follows Link until the end of the game. And Kokiri have their own fairy as a sign of whatever accounts for adulthood in their race. The Skull Kid in Majora’s Mask has two fairy friends who seemed to have been either lost or abandoned. Who or what gives them purpose and life is unclear, though the Great Deku Tree from Ocarina of Time can give commands, it doesn’t seem to be something he does normally? As a side note, it’s really not clear what, if anything he can actually do. Though the relative safety of the surrounding area is clearly tied with his wellbeing in all iterations, he doesn’t seem to directly influence it, or be capable of self-defense.

Now, onto the elephant in the room! Hylia! Who the hell is this?! A more recent entry to the series, her divine roll is unclear (though she clearly guards the Triforce in some capacity). It can be assumed that she’s somehow a goddess tied directly to the Hylian people, but when she appeared is up for debate. Timeline wise, it’s almost like knowledge of her was suppressed for some reason, giving rise to the Triforce mythos we all know and love without hide or hair of her seen. We know that she favored the original Link greatly, enough to shed her divinity to be reborn as a mortal and assist him. How or why is also unclear, though it wouldn’t be unfair to assume she loved him, as divine ladies holding an affair with a mortal isn’t uncommon in mythology (or even male gods doing the same, before anyone brings up Zeus). But she makes a resurgence in Breath of the Wild, with statues and everything, with the three goddesses left to only vague references in the background. Which is super weird, though not uncommon for places like Ancient Egypt. The fact that the ruling family was literally descendant from a goddess is what makes it weird though, since any monarchy worth their salt would milk that until the peasant folk revolted and made a new religion to justify killing a god.

Zelda in every incarnation is literally descendant from the original and still held at least a fraction of that divine power. So much so that a cornerstone of a powerful religious artifact inevitably ends up in her hands (or on the back of her right hand, as it were). But what is Hylia a Goddess of? We don’t know. It’s never said. Anywhere. And that’s super weird, even for a ubiquitous deity. Sure she’s a Goddess of Hyrule but… what does that mean? That can’t be all she is? Her reincarnation is literally locked in a generational struggle against the forces of darkness! What can she do as a Goddess? Well, she makes Link stronger in return for items, but that seems to be it. In Ocarina of Time, Zelda was capable of sending Link back to the past, but that was with a magic item. And we know Hylia isn’t the Goddess of Time, because Zelda references her in Majora’s Mask (sequel to Ocarina of Time, therefore implying that there are more gods unmentioned at that time), when Hylia should be mortal or at least fragmented (because Zelda exists at the time with powers and a Triforce piece). The Guardian of Time in Hyrule Warriors also fell in love with Link before splitting into Cia and Lana (and was unable to fuse back together again), so it’s unlikely that she’s the Goddess of Time Zelda was referring to, though that detail is interesting to note. No, I will not discuss if Hyrule Warriors is canon (either game), as this is already long enough as it is.

So, that brings us to Ganon, or in his original form, Demise. Which… what’s up with that? Who is this guy? He directly opposes the gods and just… gets away with it! Repeatedly! Sure, he loses most of the time, but still. It’s unclear where Demise came from, or even what he is, though judging by Ghirahim’s ‘Demon Lord’ title, it can be assumed that he is some type of demon himself. And that the many monsters we see are also considered demons, which makes sense with how they always work for Demise (or his many iterations) in some form or another. Considering how much it takes to simply seal him away, he can’t be just a demon though.

        Demise obviously pulled the same trick Hylia did, which directly sets him up as a counterpart to her, but what does it mean? Why would he do that? What is Demise that he can’t be beat with the power of a Goddess alone and needs not only a brave knight but a blade literally made to counter him? Within the context of religion, the best guess I can make is that he’s some form of a God of Darkness, possibly also Temptation, Greed, and Pigs Corruption. It fits within the narrative since power is often the strongest form of temptation and we know that demons capable of opposing the gods exist. The Horned Statue literally takes Hylia’s blessings in exchange for wealth, and was turned into a statue for it. What it stands to gain from any of it is unclear, but interestingly enough, Hylia doesn’t mind that it closely resembles her own statues. So, this raises the question… why isn’t Demise a forgotten statue somewhere along a dusty road? How did he curse(?) both a reborn goddess and a human in an eternal struggle for the fate of Hyrule?

        Being a god is about the only explanation for why he can do the things that he does. It explains why, in every incarnation, he ends up a rule (like Zelda). How he controls so many different species with ease. He corrupts the conflicted as easily as breathing. An interesting note is how Demise in his many forms usually ends up corrupting once good forces in some way, typically with parasites or evil spirits. And with this context, Hylia must be a Goddess of Light, and possibly some form of Will and Purity to oppose Demise’s power. It would also make her a good candidate for looking after the Triforce in that case. And yet we don’t know any of this for sure either, which is, again, very strange considering their presence from the very beginning. Literally.

Now, I want to mention the temples as a last point before wrapping this up, because it has bothered me since I was a wee little whipper snapper. For a place of worship, they sure are hard to navigate, even when they’re empty of monsters. And it’s not like Hyrule doesn’t get this, because the Temple of Time in Ocarina of Time is straight up a church. Just… without pews, so clearly not perfect, but it is possible for people to come in and… worship time, I guess. And no, not the Goddess of Time, because there’s no statue for that. I mean, I know it’s secretly hiding the Master Sword, but it is definitely a church otherwise. What a normal service looks like I can’t say for sure, but it’s definitely not like literally any other temples we see.

        Now, I know it’s a little hard to remember, but temples are usually places where one goes to worship the gods (or even just a god). And we know gods exist in a very real way in Hyrule! They still manage to name Zelda the same thing despite having seemingly buried their divine origins, so some knowledge of gods walking the mortal realm exists. But the temples/dungeons we see usually don’t have much in the way of religious iconography, with a few exceptions (interestingly it’s typically the desert area that actually has statues and could feasibly have had a real capacity for worship). You want to be a devout follower of a god anywhere else? Well, fuck you. Hope you brought a sword and a good pair of boots. If you’re allowed inside at all, since it’s usually the local leaders that are only allowed inside for some reason. And most games don’t seem to have very religious people, despite all the references to divinity. Not like we’d expect them to, at least. And I personally can’t blame them. If I tried to join a religion but found only a wall as an entrance, I’d be pretty disheartened too. Then I’d be pretty pissed to find out I needed not only a royal instrument handed down the monarchy, but their freaking lullaby to even get in to the place of worship. But we know they pray to the gods at least semi-often, since that’s one of the inciting incidences in Wind Waker. And they have offering to statues of Hylia.

        The temples suggest the bar to impress the gods is pretty high, and not in a ‘sacrifice your eldest child’ kind of way. To even get the chance to reach the inner chambers you better hope it’s been kept well and that you didn’t skip leg day recently. Something I didn’t really mention before is that usually, the less involved the gods are, the more independent the people are from worship. If you worry that your local deity will flood your fields, you’re probably leaving regular offerings at their nearby shrine or temple. But if you know that the gods don’t care about literally anything you do, why worship them at all? Why make statues, art, or temples? Why bother with any of it? The answer is you don’t. So these highly selective temples are pretty weird unless you go with the idea the gods are just really done with people and never want to talk to them unless absolutely necessary.

So, I’ve rambled for over twelve pages now. What’s the point? What does any of this mean? I’m honestly not sure, but I have a sinking feeling that there’s some serious shit going on in the Hyrule pantheon. Mortals have been mostly abandoned to their doom. Gods cast out and forgotten entirely. And somehow advanced civilizations keep forming and getting destroyed with only remnants left behind with zero explanation. Assuming the original gods are even alive at this point, which I’m not entirely certain of. Their death certainly explains how Demise/Ganon keeps getting stronger, looking less and less Hylian as time goes on, if he looks humanoid to begin with.

I wouldn’t even assume it’s entirely voluntary at this point either, as Ganon clearly doesn’t have the same motivations in every incarnation (see my previous post about Wind Waker). I’m rather excited about Breath of the Wild 2, as the implications of dehydrated husk Ganon is compelling. Particularly in light of the character development Link and Zelda have received in the first Breath of the Wild. I wouldn’t be surprised if Ganon/Demise turns out to be a fallen god trying to get back home (a nice parallel to Wind Waker, actually), cast out as a scape goat. Blamed for every form of corruption and greed that naturally follows in his wake. I think I said this before, but it is interesting that he is always reborn among the Gerudo, a race famously all females. Sometimes thieves, but nearly always in a position that would naturally crave power to take control of their lives compared to Hylians. Regardless of the consequences.

Is it true? I don’t know. Probably not, but the fact that I can draw these conclusions in three hours of writing is pretty neat. I have a lot of feelings about this franchise, having grown up with it, but I eagerly await what comes next. And I should probably go to bed. Make of all this what you will.

[starberry-cupcake]

The Chinapuri finale and its montage aka censorship who?

I decided to do all of this in one post and read more, so that the 95% of my followers who are uninterested on this particular drama/source material can easily skip it. Here are 7 relationships showcased in the montage ranked and 2 bonus (a family relationship and an extra). 

Note: I’ll speak about the relationships as they were portrayed, whichever the form of relationship chosen to display in this version. Also, I’m glad that everyone was aged up in this version, kinda wild but very much appreciated that some of these actors are my age or somewhere around there lol 

#7 Lu Xia (Echizen Ryoma) and Qi Ying (Ryuuzaki Sakuno) 

This drama was a bit more romantically-inclined in terms of these two than the anime/manga was, but some of that may be also influenced by them giving their version of Sakuno more room (which yay!) and having them be older. 

For this to stand alone as a drama, it was a needed step, I believe. I found Lu Xia to be more vulnerable than Ryoma, he doesn’t feel quite as ~cool~ and it doesn’t take away from the character that he has moments showing internal struggle (in tennis as well as at home). These two were sweet and adorable, which gave the drama probably more of an expected appeal for a wider audience, to make it stand on its own as a drama and not only an anime adaptation. 

#6 Yan ZhiMing (Inui Sadaharu) & Liu Lian (Yanagi Renji) 

Kinda mad they didn’t do this for Fuji (Zhuo Zhi) and Saeki (Zuo Xiaohu) but they did good with these two. I didn’t know at first why they started to build up their relationship so early, but it ended up being a good emotional plot point during their match, which is, as we all know, a determining factor in Seigaku’s (Yu Qing) win against Rikkai (Hai Guang). 

I don’t remember being as invested in their match in the anime as I was here, maybe I was just too focused on the Fuji match at that time, but what they did to build that game as a decisive point in the season finale was so well developed, I was impressed. 

#5 He XingLong (Kawamura Takeshi) & Ya JiuXin (Akutsu Jin) 

This is a relationship that can get complicated and even problematic if handled incorrectly. Akutsu’s journey through the anime is pretty long and takes a while for him to be on a healthier place, but the added element of aging the characters could have gone really wrong here if they had done him exactly as in the anime or manga. I think they did pretty well with the time they were given, showing his turmoil and learning curve. 

XingLong was allowed to have a more in-depth journey being older and about to graduate, it made more sense for him here to think about his career at this stage and added the gravity of this being THE moment to decide whether to keep pursuing the sport or take over his dad’s restaurant (they even adapted the type of food they cook to match the cultural impact of the family-owned business, which was great). 

I think the two complemented each other really well and worked interestingly together, in a way I didn’t think the drama was gonna give them time to do, so I’m really pleased. 

#4 Qiao Chen (Momoshiro Takeshi) & Zhang BaiYang (Kaidoh Kaoru) 

My younger self is thriving with this one being included tbh. These two were so much fun in the anime, two rivals and opposites that represented the future of the team upon their elders leaving. 

I was surprised to see them so focused here, because it’s not a relationship most adaptations put emphasis on (their loss), but it paid off immensely by the time their game against Bunta and Jackal (Jin WenTai & Ke Jie) came around. 

Kaidoh is a tough one to adapt most times, and they did him so well in this one, I think this is my favorite live action Kaidoh in any adaptation, and I’ve watched a whole bunch of tenimyu in my day. They really captured the ambiguity of his character, how he balances a tough exterior with a sensitive core. Qiao Chen maintained his feelings for Xu Xingzi (Tachibana Ann) but that didn’t stop them from showing these two every time they could. 

#3 Mu Siyang (Tezuka Kunimitsu) & Ji Jingwu (Atobe Keigo) 

Oh, these two. Hyotei (Xing Yao) wasn’t featured as much as one would probably expect (I’m a Fudomine fan and with Yu Feng I got more than I even was expecting, but I admit Hyotei is a riot and I always live my best life when they show up). Still, they did the Tezuka/Atobe match justice and then some. 

Mu Siyang was incredibly compelling as Tezuka, and had a vulnerability to him that made me worry for his health more than I probably did for his anime counterpart. Maybe also the fact that he was older than his anime version yet looked younger than him made it sink more that his injury was something to worry about. I wish we had time to include anime!Tezuka’s issues with yips with Siyang, because I know the drama would have pulled it off, but that was further down the line in the story. Maybe for a season 2. 

Anyway, the Atobe/Tezuka game is one of the best games in tenipuri history and the drama knew it. The game felt like it earned its gravity with the development of both Siyang’s injury and Ji Jingwu’s determination to play against him. Then they sprinkled the camp on top, as the anime does, with Ji Jingwu paying for his every expense and calling him to get updates, which is 100% canon compliant imo. 

I feel like Ji Jingwu didn’t have enough room to be as much of Atobe as he could be, but then again, that’s not easy for anyone to pull off. Not even Kato Kazuki can do Junichi Suwabe as well as Junichi Suwabe.  

#2 Bai ShiYan (Yukimura Seiichi) & Tian ZiLong (Sanada Genichirou) 

So, it’s tough to feel for Rikkai (Hai Guang) at this point of the story. You learn about Yukimura’s health and it’s difficult, but you just met them and the first impressions haven’t been great. 

However, the relationship between Sanada and Yukimura has always been something pivotal for the way the team is constructed (they were named that way for a reason, two parts of a same hero and all that) and they sustain the team in a way other teams don’t have to. They are the mom and dad of the team, the coaches, the leaders and the pillars. They have a balance of severity and permissiveness, of strictness and instinct. They are like a couple who has been married for 25 years. 

How on Earth, I asked myself, will they achieve that with censorship on the way? I don’t know, but they did it, the mad bastards. 

It really does come through 100% the importance of their relationship and the way in which the captain’s health affects the team and, more than anything, their vice captain. It reaches a crescendo during the final match, before ShiYan’s operation, and they manage to pull it off with the time they have. 

Also, their scenes are like shot for a contemporary romance drama and I appreciate that vibe. 

#1 Tang JiaLe (Kikumaru Eiji) & Chi DaYong (Oishi Shuichiro) 

Oh boy. Look. I still own Golden Pair merchandise from my Days, ok? These two hold a special place in my heart. I saw actors who portrayed them grow up, succeed and pass away, sadly. I still sing Depend On Me sometimes. There is a cheerful vibe with these two, a sense of overcoming obstacles and finding balance, I don’t know. Fuji is my favorite character but these two are special in their way. 

This freakin’ drama just went full on Golden Pair. The level of content was off the charts. The moment they came on the screen, the second they talked about their doubles, it was already setting the tone of how deep their relationship was going to go. I am a bit amazed that they avoided to get closed down for this ngl. And I appreciate the risk because it paid off.

They have a body language communication that is captured in every shot. Even when they’re not the focus of the scene, they’re close, touching or holding each other, arms around each other, hands on each other’s shoulders, grabbing each other’s clothes. When they fight, that language changes drastically, and the distance they take feels intense and cold. You go through it with them and the team shows it as well. There’s an entire episode I had screencaps of and never posted when the team falls apart because they do. 

My favorite part, though, ironically, isn’t what they did with them together but what they did with them apart. They took time to develop them as individual characters with their own issues, their fears, their worries and weaknesses. They were allowed to be flawed and wrong and have to mend their ways. 

What really got me and impacted me deeply was the fact that they chose DaYong to talk about mental health. They gave room to speaking about the physical implications of anxiety disorders and about how self esteem issues can give more magnitude to ongoing issues with your mental health. Again, the age of the characters being changed helped add a depth to some issues that get developed with more intensity in a drama of this kind, and the way in which it takes TIME to get resolved, it isn’t a one episode thing, it’s an underlying issue that spans the season...*chef’s kiss* 

Even though there’s a specific tenimyu incarnation of these two that I hold dear and will always remember fondly, I think that Xu Ke and Zhu ZhiLing are the most successful and best portrayed live action Golden Pair I’ve ever seen. 

Bonus that was in the montage but it’s specifically about a family relationship: The Zhuo Bros

I have said Fuji has always been my favorite and his relationship with Yuta as an older brother (albeit he’s not the eldest sibling like me) is one I always felt close to. 

In the anime, the two have a rocky relationship that gets developed throughout, but the drama is very good at establishing not only Zhuo Yu’s (Fuji Yuta) self esteem issues, the subsequent use of that Guan Yue (Mizuki Hajime) does and Zhuo Zhi’s (Fuji Syusuke) attempts to breach the gap between the siblings, they also use it to develop Zhuo Zhi’s character and his reticence to show weakness. 

It’s tough to get Fuji towards a place of vulnerability without breaking character, but they used family and the care he provides to his brother as a point to further his story, and I appreciate that a lot. They managed to build Zhuo Zhi up with this sibling bond as one of his core elements, and that gave a lot of dimension to his games and his character. 

Bonus that wasn’t in the montage but I’m including in some capacity: Mu Siyang (Tezuka Kunimitsu) & Zhuo Zhi (Fuji Syusuke) 

I thought these two deserved a place in the list, even if they weren’t grouped much in the montage, because the drama did make them share moments together that I feel gave more depth to their characters. 

There was a very interesting moment in which they showed Mu Siyang and Zhuo Zhi establishing their differences when approaching tennis, and how serious Mu Siyang is about taking the team to victory. I think that strengthened the character as a captain to me, in a way that shows it rather than tells it, and allowed for his guidance to still be present when he wasn’t physically there. His determination ultimately influenced Zhuo Zhi to take things more seriously, and that was a pretty interesting development to see. 

All in all, I should, at some point, go and do a serious review for MyDramaList but I wanted to leave in my blog how much I appreciated this adaptation. I wasn’t expecting much and I was delivered everything.

[thickenmyblood]

I love how you really put a lot of thought into how you regard and read fanfic as well as how you respond to questions about how you feel aout it. Can I ask what are some parts/ideas in fics that really made you go wow, this is well planned or like I never would have thought about this or I forgot that this plot point and device were even a thing! I hope this makes sense

I love you, kind stranger. Thank you for reading my delirious posts and giving me the chance to scream about fics, which is always a pleasure. 

Note: If your fic is in this post and you don’t want it to be, let me know and I’ll take it down. 

Zeitnot by thereshaegoes

I love the idea of time travel, so when I read this fic’s summary I bookmarked it instantly. At first, I thought it was going to be eight chapters of Laurent waking up the day of the battle of Marlas, but the author really surprised me.

I loved that someone died at the end of each chapter (at first, at least) but what really made me go ‘oh’ is when Lauret realizes the Damen from “this new reality” is, in fact, his Damen! 

Damen not being with Jokaste was weird to me, but I shrugged it off as a personal choice the author had made. Then, when Damen was talking about abolishing slavery, I was still in denial. ‘Oh, well, some people don’t like to write Damen as a slave owner, which is cool’. And then, when the big reveal finally came, I was just… amazed. I literally put my phone down and went, ‘okay, this person really knows what they’re doing when it comes to writing’. 

I love the little plot twists. In my head, a plot twist most basic example is ‘oh, X is a traitor’ but… this? This is so much better.

Between the Shadow and the Soul by Anonymous

This work was… insanely refreshing, innovative, transgressive, and outrageously good. It does feature a lot of sex scenes, but at the same time, it felt like sex was the least important part of the story. I don’t know how to explain myself when it comes to this fic (and God knows I’ve tried) but… The sex scenes aren’t there just for the smut of it all, if that makes any sense. 

Auguste as a narrator is so unusual, and yet it made the fic so painful and enjoyable! I loved the way it left you wondering just how accurate his POV was. I loved the sex scenes with actual characterization. This author never, not even for one second, stopped focusing on the dynamic between Laurent, Auguste, and Damen. It could be argued that the Laurent/Auguste bit weighted more than the overall OT3 bit, but still… I had literally forgotten what sex scenes were for until I read this fic.

Sex scenes, especially in this particular work, are not parentheses in the story. They’re not there for the reader to take a break from the “actual plot” or “narration”. They are what holds the story together, and they’re opportunities for the reader to learn more about the characters

.

Cherry Wine by SteeleStingray

Yes, I’m back on my bullshit. Yes, I’m talking about CW again. But I’ll make it short because there is no way you don’t know how I feel about this work. If you don’t, check out this comment (which, by the way, is not even a fraction of what I wanted to say to the author when I read the fic). 

What I found innovative and made me go “is this allowed?” about CW is not the idea of an OT3, but rather this particular take on a relationship that consists of three people. I’ve read a few published books that feature similar couples (all of them suck, and when I say they suck I mean it) so I was very hesitant to read this because of that reason. 

Usually, when people write OT3 they pepper in a lot of stuff I don’t like to read about: extreme jealousy, misunderstandings, cheating, weird dynamics that feel stilted, awkward sex scenes where one of the three just sits in a chair and watches the other two like some voyeur from Juan José Saer’s stories. Guess what doesn’t happen in CW? 

Another thing I liked about this work is that it reminded me that themes in fiction aren’t limited to one specific work. This author really likes nicknames. At the time, when I had only read CW, I thought it was just a one-time thing. Turns out, it’s not. An emerald-coloured nightmare also features nicknames. I like this idea that you can tell who wrote something based on little details and narrative choices. It’s like the author is winking at you, going ‘ha, did you get it?’

Ink on Paper by deripmaver

I don’t usually like fics with non-linear narrative because I’m a lazy bitch who can’t keep up. I’d never really seen the point in using flashbacks, scenes from the past, or anything like that because my writing style (oh, fuck off, my writing style, who the fuck do I think I am) is more about references. And then I read this fic. And I was like, ‘okay, I’ve seen the light of not writing everything linearly like an idiot’. 

The Mannequin Gallery by marrieddorks

Yes, I realize I’m talking about all my favorite fics. I feel no shame.

This fic is a Modern AU. Everyone who has ever written a Modern AU knows that one of the trickiest parts is finding characters professions that make sense with who they are/what they like/what they’re good at. This story features Damen as an influencer. That’s it, that’s my whole tweet. 

It reminded me that even when you’re writing a Modern AU (or any sort of AU, really) it’s important to know what the essence of the characters you’re writing is. The way even Jord’s job makes sense… And how it feels like the author didn’t just steal the characters’ names and use them to create a random story (which is valid, too)... and… Okay, this has nothing to do with a plot twist or a narrative device but have you read this Nicaise? Have you? You haven’t read Nicaise until you’ve read this fic.

(and that's why) you're so beautiful now by iwasgonegonegone

This fic is 612 words. It has no plot. One of the tags reads, “listen they're in love and they're cute and that's all i have to say” and I… yes. This fic inspired me to write plot-less stories again. Not only that, it made me enjoy writing them. 

Lately, I’ve been talking to a friend of mine about a new pairing we both like a lot. We go back and forth for hours sometimes just talking about what they’d do, details about the worldbuilding, a billion ‘what-ifs’... and I love it. If one of us sat down to write a story based on all our conversations, it would be a character study fic. It would have, maybe, some plot to it, but… Plot would feel like an excuse to talk about their relationship. And I love that. I fucking hate plot, I hate it, and this… Yes. This fic is like a little slice of life. The author has mentioned before that they enjoy writing poetry (more than longer pieces of fiction) and this story reads like a poem. You know when you read a poem and you get this weird tingly feeling? Read this and feel that, you’re welcome.

The Life We Live by homewithyou

I’ve said before that I don’t go looking for mpreg. Sometimes, mpreg has come looking for me, and I’ve closed my door on its face. I read this fic mainly because I never pay attention to the tags on AO3 (healthy, I know) and I was too busy making myself toast to read the summary. 

I was five paragraphs in and this bit hit me like a fucking electric hammer to the head: “...which had been going haywire more often than not since the pregnancy began five months ago.” I was like, ‘wait, did I—am I reading—why am I—’ and then I just shut my mouth and continued reading. I’m glad I did. I’m glad I didn’t let my narrowmindedness stop me from giving this fic a try. I’m glad people out there are writing stories that they enjoy, about topics a few others would deem controversial. 

This also applies to the Lamen/Auguste fic I mentioned above. What’s the point of writing if you’re not going to take risks and be honest about what you like to write about? It takes honesty and commitment to write anything that strays from the norm. And so I’m glad this person posted this story, because it changed me in a small way (‘what if I shut the fuck up and read more mpreg instead of instantly clicking out?’).

This is another perfect example of how plot is poison and you don’t need it in your life (unless you enjoy poison. In that case consume the plot, write the plot, sniff the plot. And die). A morning in bed, just nuzzling and talking… living life… Again, this made me realize that you can say a lot about two characters just from a morning in bed. It made me want to write 25 pages of dialogue in bed (this and Manuel Puig’s book titled Kiss of the spider woman, which I recommend fervently). 

Plot? In this house? We don’t know her. You’re a strong, independent writer. You don’t need no plot.

For a more general response, I’d say that Steele’s worldbuilding is impeccable and made me look at the setting of stories differently. 

Foreshadowing is always amazing, but I haven’t read a lot of fics where it’s a prominent element (which is not to say authors aren’t good at it, I just don’t read enough fics to give you a good example of this). 

I really like oxymorons and when writers use funny adverbs. GallaPlacidia’s adverbs are to die for, so definitely check out her stories if you’re interested in that. 

I also love the way xlydiadeetz writes archs. She does this thing where she divides the story into different… timelines? archs? I… don’t even know. Amazing.

I hope this answer made sense. 

[kinetic-elaboration]

August 15: 2x03 The Paradise Syndrome

I have seen this episode once before and I remember it being pretty awful... but tbh, I didn’t think it was so bad this time around. Maybe that’s just because my expectations were, like, Spock’s-Brain low. It definitely had issues but there was stuff I liked too!

Hmmm, that’s not the bridge. It appears to be... California?

Wondering what people might be so “blessed by this environment”--what a manly he-man action/adventure guy thing to say, amirite?

How does Spock know the significant markers of all the Native American tribes at a distance, off the top of his head?

(Answer: he doesn’t; all of this information is wrong and also one of those tribes is completely made up lmao.)

Honestly, who’s to say these people aren’t advanced? How do YOU know?

“Just so peaceful... no command decisions.” Oh no, Jim’s feeling Romantic again.

Honestly, imagine this characterization in AOS: overworked starship captain think he wants a break (but is wrong). Beyond made a vague attempt but missed what it is that Kirk finds stressful about command--it’s not that it’s boring, it’s the weight of the responsibility and the inability to find love.

Although funnily enough, even on his Native American Vacation, he still finds himself in a command position. He just can’t be stopped. Anyway, I’m getting ahead of myself.

Oh no, the obelisk ate him.

Maybe these people specifically built the obelisk so that they could return to this idyllic ““primitive”“ state, hmm? Maybe they like their lives this way. Maybe they experienced "progress" and then decided that whatever era of their development looked like indigenous American peoples had it right. (This is not correct but it roughly is the plot of Errand of Mercy so I’m not without precedent.)

Spock’s using simple tools to explain his point to Bones lol. “Here, let me dumb it down for you, lesser man of science.”

“Who am I? What are these?” Cpine morning voice: “This must be a dream!”

Kirk looks so confused. The god from the obelisk.

“The engines are showing signs of stress.” Seems to me like SCOTTY’S showing signs of stress.

And yet the music is so whimsical.

Honestly Kirk’s expression here = Denny Crane’s when in a meeting

White man brings CPR, is hailed as god. (I wish I were making this up.)

Damn, Salish has been demoted. How embarrassing for him.

This is a VERY interesting Spock. He does all his calculations, but the he takes all the risks. He’s very certain and single-minded, almost obsessed, not afraid of anything. I think it’s IC but I also think you can see some Kirk influence, perhaps... You can see how Spock has grown in his command abilities since The Galileo Seven.

The wise ones = the aliens.

“He died before he could tell Salish the secret” to opening the Obelisk and stopping the asteroid. That IS unfortunate.

“How does this shirt open?” Lol.

“Your name is Kirok?” “Yeah, sure, whatever.”

“I’ve never been this happy and peaceful.” Funny how he looks neither happy nor peaceful. Maybe it’s something like “I’ve never been this happy and peaceful...and I don’t like it.” Or “I’ve never been this happy and peaceful... there must be something wrong.”

“Here there is much time. For everything.” No there isn’t, there’s an asteroid coming.

Kirk’s cottage core fantasy.

Poor Scotty, so stressed out. Maybe he needs some time with the indigenous aliens.

The Joining Day? Lol okay.

Kirk has no chill, at all. “Oh, you want to get married? Tomorrow? Okay!!” Is this how Gary was able to successfully distract with him the blonde lab technician?

The “stardrive.”

“Estimated repair time?” “FOREVER.”

“And you lost Jim.” Cool it Bones, there’s no need to be cruel. Spock’s already in his thinking pose so you know he’s taking this seriously.

Love Spock’s chair. That’s not Starfleet regulation.

“I have found paradise.” Is he high??

Requisite highly choreographed fight scene.

“You’ve barely eaten or slept for weeks.” That’s because he’s worried about Jim. And the giant asteroid. This is a great Spock and McCoy scene though.

I can’t believe this. Spock lies down (barely!) and McCoy just leaves like he actually thinks he’s won, and then Spock immediately gets up again to go back to work.This guy is even easier to fool than Sarek.

You know Spock spent his whole adolescence going "Sure, I'll do the thing" and then just not doing it.

“A strange lodge that moves through the sky...” Well okay.

Okay I’m sorry, is he sensing the enterprise or is he sensing SPOCK? Because most of this dialogue might just imply he’s generically remembering his old life... but he also specifically says that the “flying lodge” was farther away and now it’s closer again, and how he could he know that otherwise?

She’s pregnant? That’s not good lol. AWKWARD.

Also the closest that TOS will ever come to acknowledging people have sex.

Omg he made a lamp. He made a lamp on his first day there. Does this imply that Captain Kirk had an arts and crafts phase?? Like CPR I understand him knowing--I’m sure everyone in Starfleet does. But hand-carving a lamp? That’s a whole other skill.

Various cultures including “certain Vulcan offshoots” use music notes as words omgggggg I love this information PLEASE tell me more.

“The Preservers” is a good concept imo. Nifty sci fi innovation: taking aliens from endangered places and giving them a new place, then setting it up nicely for them.

Stop throwing things guys! It’s not helping!

“I need Nurse Chapel.” Damn right you do.

Spock really doesn’t like that “wife.” He sounds like “Wife?? How dare??”

Then he suggests it’s a hallucination even though there’s a woman right there.

"Naturally, since he did not come from there. He's my man, get your paws off him."

Vulcan mind fusion? What the heck is that? How is it season 3 and they still don’t know what to call it?

“He is an extremely dynamic individual.” Spock was really taken for a ride in that brain.

“The landing party is expendable.” There’s the Captain.

“I have an excellent eye for musical notes.” Brag.

“Just press the right button.”

Looks like Spock was the god they wanted all along.

Okay, that was an uncool ending though. I know they basically had to kill Miramanee as soon as she was pregnant but like, there was also no reason for her to be pregnant??? I would have preferred if (1) Miramanee hadn't been pregnant, (2) Jim got over her as soon as he regained his memory and (3) she lived and they just parted awkwardly.

Also I think it would have been nice if they had ended with the Enterprise explaining to Salish how the obelisk works, and then maybe even a hint that he and Miramanee will get back together. Like, maybe not that, since I’m not a fan of women just being used to, like, make men feel better--though I’m also not a fan of them being fridged because of Inconvenient Baby--but he should have at least gotten his position back and, more importantly, the knowledge he was always entitled to. Also, the very existence of an asteroid deflector, along with the people’s extensive knowledge of what weather signifies Oncoming Asteroid, implies this happens to them with some frequency. So in other words, the threat will return.

Plus Salish never got enough credit for being right, which he was! The whole time!

Oh and also I would have liked some acknowledgement that Jim does like being Captain. If you watch the whole show, you know that he occasionally bemoans the stress and his inability to maintain a romantic relationship, despite his love of long walks on the beach, but that he’s also ambitious, he loves exploration and adventure, he gets bored if left in one place too long, and he believes in the necessity of progress and discovery to keep not just individuals but societies from stagnation. But if you just watched this episode, you’d think he’d never been happy in his entire life, and that returning to command makes him miserable.

Aside from the Native American stuff--which was awkward and rather unnecessary and has aged, as you might imagine, very very poorly--I actually didn’t hate the episode. It had some VERY interesting Spock stuff, which I think is within a reasonable Spock characterization, and some great Spock and Bones moments. Kirk’s story line was surprisingly engaging for him being completely separate from the crew, and the general theme that he sometimes needs, or thinks he desires, a break from command, is definitely in keeping with other episodes. I liked the asteroid as the Big Danger, which was surprisingly dynamic--by which I mean, it did a good job of connecting the very disparate story lines on the Enterprise and on the planet. I also liked the Sci Fi Concept of the week in the Protectors. And it was interesting to see an ep take place over a longer period of time.

None of this is to downplay how awkward the Native American elements are--incredibly fetishistic, and also lazy--like, “I want to show something Simple and Idyllic...I know! Indians!” There was no reason they should look like American Indians. In fact, it makes no sense that they do: the Protectors take peoples from planets that are about to be destroyed and (somehow) discreetly move them somewhere else, but Native American peoples still.... very much exist? And so does Earth as a whole. So obviously these aliens weren’t transplanted from Earth. So why should their culture resemble some awkward mishmash of Native American cultures?

So overall I’d say, the ideas of the episode, the structure, the characterizations (mostly), and the overall ideas were good, but it was just very awkward and unfortunate that it chose the... aesthetic that it did--especially because it was very much an aesthetic choice and not a well-thought-out, culturally sensitive one. Gonna be honest and just chalk that up to it being 1968 though.

Next is And the Children Shall Lead, which I actually think was one of the first TOS eps I ever saw... But I don’t remember it at all.  So we’ll see!

[avwrites4ever]

Fantasy Setting Idea - Classic Japan (Heian Period)

It’s a New Year! And what better way to start it off than gush about something I love! I hope you will enjoy it too, and get excited, because I’m bursting with ideas!

I’ve even gushed about this to people at my work, the poor things. That’s how excited I am.

I just love discovering new writing ideas and hoping someone will do something wonderful with them. It doesn’t have to be me. Just someone.

So.

The Heian Period.

Also known as the Golden Age of Japan.

I think it’d make a fascinating base for a fantasy setting. So would ancient Korea, if the movie Ramage taught me anything.

*NOTE: This isn’t a history lesson. I’m just examining broad strokes of certain elements of culture & setting which I think would lend themselves to a fascinating fantasy story.

(Although there is a History of Japan in 5 minutes video at the end.)

Fun Fact:

The Tale of Genji, written during this time period, is probably

the world’s 1st novel.

The 1st novel. Ever.

Written by a court lady in Heian Japan, no less. She is known as Murasaki Shikibu, but that’s a nickname (her real name is unknown.)

Chiefly, I’ll quote from Royall Tyler’s intro to his translation of The Tale of Genji.

And if I can find my copy of The Pillow Book, written by Sei Shonagon, I’ll include that too. (Please don’t confuse with the film of the same name, which is not the same AT ALL.)

Here’s a summary of The Pillow Book:

http://cup.columbia.edu/book/the-pillow-book-of-sei-shnagon/9780231073370

*Not sure if this is the best translation, I just like the summary.

*Note: Translations are tricky, & often if you don’t like a translated text, it might be because the translation is bad, and not actually the fault of the original work! Please keep that in mind while reading.

The Tale of Genji & The Pillow Book are both primary sources, by the way, meaning they were written by people who were actually living in the Heian Period!

(And both ladies were rivals of each other, which I find hilarious, considering I like both of their works.)

They’re not dry & boring either. Far from it. (I mean obviously, or I wouldn’t recommend them.)

I recommend The Pillow Book first. If you have a good translation, while reading, you’ll learn about how life was during the time, which will make reading The Tale of Genji easier since, being a novel, Genji assumes you live in the Heian Period and so know all about it (the inside jokes, the word play, the burns, everything.)

I also find Sei Shonagon a fascinating person. Very funny & clever. She journals like I do, only less randomly. She’s very interested in the world around her & all its funny, heartwarming, or baffling moments.

If not for the barriers of time & language which, funny enough, translation has more or less broken, I feel as we’d have some great conversations.

I love how real people in history are both very relatable & very different from us.

I mention these 2 because it was chiefly while reading the intro to Royall’s translation of Genji that I got the idea for this post. Though I was already fascinated by Heian Japan while reading The Pillow Book.

Though, if anyone is interested, I first became intrigued by Japan’s history while reading Rurouni Kenshin. Considering it’s a manga, consisting of pictures & text, you might start there.

(Though Rurouni Kenshin is set shortly after the Meji Restoration, which I believe is something like the start of Japan’s modern period, since samurai are in decline. But don’t quote me, I could be wrong.)

Anyway.

Also, Tumblr apparently doesn’t know what the Heian Period is, so few pictures here will be actually of the Heian Period, and doubtful if they’re accurate.

Actually, I’m using this as an excuse to put in pictures of Toshiro Mifune & old Japanese black & white films & pretty landscapes & cats & anime, because I can.

So! What about Heian Japan so intrigues my writerly brain?

Lots of things, naturally,

Certainly a fantasy world based around the Heian Period will be different from your typical western Medieval-esque fantasy settings which are so popular.

Yes, I’m brilliant, no one would ever have guessed that.

(Though speaking of Medieval-esque fantasy research has taught me those, such as Game of Thrones, to give a popular example, are actually closer to reflecting the Early Modern Period.)

See this link for better argument by someone more researched than me:

https://acoup.blog/2019/05/28/new-acquisitions-not-how-it-was-game-of-thrones-and-the-middle-ages-part-i/

https://acoup.blog/2020/12/04/collections-that-dothraki-horde-part-i-barbarian-couture/

I mean yes, I was surprised too that a person who claims to do their research apparently hasn’t, but here we are.

Speaking of which, take everything I say with a grain of salt, because I know nothing. Nothing!

By which I mean, I am not an expert about the Heian Period, or even Japanese history. For example, a lot of what I’m talking about will involve the perspective of court nobles & rich people, since those were both the characters in the primary sources & were what the authors were themselves.

I’d love to read a story where the main characters & people involved are peasants in the Heian Period. (And who stay peasants, & aren’t secretly royal or noble.)

I’m only suggesting this as a way to expand your mind beyond fantasy settings which have been done before.

I hope too that I’m not advocating cultural appropriation either (an easy trap to fall into.) If you think I am, let me know!

Now that’s all out of the way, here’s some specifics about what I love about the Heian Period:

It’s a Hidden & Secret World Insubstantial as a Dream, Structured by Social Manners & Rank

What struck me right away while reading The Pillow Book & The Tale of Genji is how closed their worlds are. Noble women especially lived in a world of curtains, panels, blinds, and  paper, silk, or bamboo screens, and walled gardens. People speak to each other not only through these divides, but also through messengers / servants.

What connects all these things are how fragile they are.

As Royall writes in his introduction to The Tale of Genji, even in courtship, (pg. xix):

“He cannot see her, and he may have no idea what she looks like. He will not normally see her even if she speaks to him in her own voice, since she will still be in another room, behind a blind and a curtain, and the curtain will remain even if she allows him into the room where she is.”

Seeing another person is very intimate. This makes it very easy to build up mystery and intrigue of a person before you actually meet them. Catching a glimpse of them or a snatch of their voice, or the hem of a sleeve from under a screen can be electrifying. Especially of a gentleman to a lady, or vice versa, because of all those blinds and screens and so forth. Royall mentions this in the introduction to his translation of The Tale of Genji. 

“If he then takes it upon himself to brush her curtain aside and go straight to her, he will by that gesture alone have claimed something close to the final intimacy.” (Introduction, pg. xix.)

What prevents him, of course, is a combination of good manners & reputation. Royall writes, “Good manners maintained a proper distance, which amounted to unholding the accepted social order.” Loss of reputation could mean loss of friends and entertainment and wealth, even exile. Having other people to talk to or play games or music with was essential.

Introducing ghosts, shape-shifters, and uncertain magic to such a setting is only to be expected. (There is a ghost in The Tale of Genji.) 

Also note that then & now personal names were seldom used, & especially not in public unless by someone intimate with you (such as a family member or old friend) or the person was extremely rude. Instead, people were referred to by their rank and title or last name, or even the place where they came from. Some were even referred to by a number, for example, First Princess (Onna Ichi no Miya.)

Notes or letters were vital within such a formal social structure. Even more vital than text messages are today. For in notes, especially poetry, someone could speak from the heart. So much that even the type of paper used was important. For example, most romantic notes were written on thin, colored paper, often kept in the front fold of a robe. They could also be scented and contain a branch from a tree or flowers.

And of course, clever word play and innuendos were all the rage. People were also expected to memorize poetry, and judged if their poetry or writing wasn’t up to standard.

Anyone who loves words would excel here. Think of all the possibilities! Secret lover’s notes, inside jokes between friends, sick burns between enemies or rivals. Plots to overthrow the Emperor could happen in plain sight. Throw some curses and magic to the mix and see what happens. Having some sort of mystery would also work well.

Hope you enjoyed this & makes you excited about creating a unique, rich, fascinating fantasy world.

Or really any part of Japan’s history, which roughly goes like this:

Obviously, if any of this intrigues you, & you want to use Classic Japan as a setting, you’ll need to do research. And I mean it. Or I will hunt down some rusty spoons.

I’m serious though. The reason why I’m writing this post is, hopefully, other people can also learn about Heian Japan, or more of Japan’s rich, beautiful, bloody history. Share the wonder with others, so the wonder won’t be lost or forgotten.

And in doing so, discover the wonder at being able to laugh at jokes made by someone who doesn’t even speak the same language as you, doesn’t even live in the same time or place . . .

It’s truly amazing. People are more alike than we know. And amazingly different. Reading manga & learning about Japan (and other countries) has been & is such a glorious experience. I understand myself & other people better.

It’s opened up the world.

[aion-rsa]

Why The Great North Isn’t Just Another Bob’s Burgers

https://ift.tt/3rSBEcN

It’s easy to take one look at FOX’s newest animated comedy, The Great North, and assume it’s exactly like the long running and beloved Bob’s Burgers. Two of The Great North’s creators wrote a good chunk of Bob’s Burgers episodes and the shows share a near-identical art style after all. At first glance some of the Bob’s Burgers character archetypes seem to be involved as well: awkward daughter, an odd sarcastic youngest child, and a loving, if somewhat offbeat, father.  So why bother with something like Bob’s Burgers when you could just watch Bob’s Burgers?

While there are a few surface similarities, by the end of the first episode of The Great North you’ll realize there’s so much more to it than just an Alaskan set version of the Belcher family. It’s got humor all its own, unique characters, and the potential to be something that isn’t merely a rival to Bob’s Burgers but a truly unique experience.

So let’s head up north to discover all the reasons why The Great North is so wonderful. As a brief primer, the show is set in Alaska and follows the Tobin family with fisherman dad Beef, artistic daughter Judy, loveably dumb son Ham, bear-suit wearing son Moon, oldest and eager to please son Wolf, his always chipper and new to Alaska fiancé Honeybee, and Judy’s best imaginary friend Alanis Morissette…played by Alanis Morssette.

The Family’s Lack of a Mom is Refreshingly Handled

A lack of a mom is a huge trope in animation at this point (look at damn near every ‘90s Disney movie) and if there is a mom, especially in a comedy, she tends to be wacky or overly loving. The Great North puts a new twist on both of these in its very first episode.

The plot of the premiere deals with Beef struggling to get over his ex-wife years after she abandoned the family. An ex-wife isn’t anything to write home about, a single dad taking care of a family is a comedy trope in of itself, but it’s what we learn about Beef’s ex that makes this element so refreshing.

Instead of the mom just not being present or having died off screen, Beef only acts like she’s dead, a fabrication everyone goes along with to keep him sane. When he isn’t around though Judy is quick to point out the rest of the family doesn’t buy this and they never liked her much anyway. She even flat out states,

“She was a really bad mom, okay? And it was actually better when she left.”

The other kids then list off horrible things she did, like name their dog Grandma solely so, “she wouldn’t be lying when she said we were with Grandma when people asked.” She runs a blog with her “new lover” about stores that wont chase you if you shoplift. Even in her goodbye letter to Ham she just wrote, “smell you later.”

I love this so much because it replaces all the easy sentimentality of a dead or simply absent mom that comedies love and instead opens up some fantastic new storytelling opportunities. In the pilot alone it gives us deep insight into Beef, that despite how awful she was he refuses to think anything but the best of her. Why is he like that? Is it his way of not thinking about all the terrible things she did? She’s left him so broken he has to concoct an elaborate fantasy to keep himself sane. It makes you instantly love the character and while he does seemingly get over this denial in the pilot I can foresee it impacting him for the rest of the series.

It’s also so refreshing because the kids aren’t all that broken up about it. Knowing their mom was terrible helps reflect a lot of what kids go through in real life. Sometimes they just have a bad parent and there’s no deep explanation of why, they just are and it’s not great. Maybe Judy and the others are hurt by this and I’d love to see the show tackle that in the future but even if it strictly keeps this part of their characters on the comedic side of things? It’s empowering. These kids aren’t broken up by their awful mom and want her back; they’re thriving BECAUSE she isn’t around. 

Nick Offerman Being Nick Offerman

Over the years Nick Offerman has perfected the deadpan and loveable character that brought him to fame in Parks and Recreation. His role as Beef isn’t a major departure from that mold but it does allow Offerman to be even warmer than his most famous character. 

As Beef he’s a capable man who gets up to see the sun rise and chop wood. He loves nature so much he steals a potted plant from a mall to take better care of it. His love for his family is on full display and he often goes to absurd lengths to keep them together. Offerman brings a great charm to the role and all of the jokes he delivers are winners. 

The Rural Location

Bob’s Burgers draws much inspiration from its city setting, while The Great North is set in rural Alaska. This may seem like a surface level change but once again opens up all kinds of new opportunities for stories and characters. Where the Belcher family was somewhat cynical to city life (you would be to with a landlord breathing down your neck) the Tobin family openly embraces the chilly north.

Judy sits out on the roof and talks with her imaginary best friend, Moon takes great pride in his ability to mimic a soon to be eaten cadaver laying out in the snow, and Beef specifically gets up every morning to stare in wild wonder at Alaska’s majesty while whispering “hot dog.” The whole family even delights in going to the mall, which is the kind of joy only someone living out in the middle of nowhere can truly appreciate.

The Different Character Dynamics

Even after eleven truly fantastic seasons Bob’s Burgers characters still manage to never feel stale and the team behind the show always finds new ways to play around with them. With such a rock solid cast of characters you’d think they could tackle any story imaginable but The Great North is already proving to be a home for stories that just wouldn’t work for Bob’s Burgers.

The most noticeable change is that most of the kids are older. Judy and Ham are both sixteen which opens up a lot of possibilities that couldn’t be done with the Belcher kids. They can get involved in more serious relationships, have jobs (as Judy gets in the first episode), and are able to be more autonomous from the family. Wolf, the oldest of all of them, is engaged! Imagine what could be done with a soon-to-be married couple? Honeybee herself also functions as a delighted fish out of water to Alaska, her thoughts on the Tobins’ life a needed commentary. Her outgoing personality also clashes well with Moon’s stoic nature.

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Judy and Ham also share a more loving sibling dynamic than any of the Belcher kids ever have. In Bob’s Burgers the kids don’t wear their hearts on their sleeves, they’re more likely to make sarcastic quips about one other. The Great North though has Judy and Ham share a special bond, the two have a secret handshake that goes for an indeterminable amount of time. It’s really sweet and it makes me excited to see what kind of comedy can be mined from this more openly affectionate family.

Ham Is Gay And I Love Him

Ham is my favorite character so far in this show. He’s a little slow on the uptake but loves everyone in his family a lot and can even make a perfect replica of a cadaver… in the form of a cake. He also happens to be gay, a fact that is wonderfully confirmed in the first episode when he blurts out, “I AM GAY!

To which Moon responds, “we know. You’ve come out to us a bunch of times.”

Beef then adds, “we love you just the way you are, damn it!”

Ham, clearly not remembering his past comings-out, yells, “WELL, THANK YOU FOR BEING AN ALLY!”

It’s a great scene and kicks any subtext out the door. Queer audiences don’t have to sit around guessing who COULD be queer in the show (as they’re so often forced to do with so little representation in media) there’s a character who said OUT LOUD he’s gay. He’s one of us!

Bob’s Burgers has had several one-time gay characters (Bob did refer to himself as “mostly straight” once but that was more of a gag) but getting a gay teen in the main cast is sublime. He’s also a different sort of gay teen then we’re used to in television, with a tiny “probably thinks it’s cooler than it actually is” mustache and his “not quite all there” personality. He’s not a stereotype, he’s got some obvious flaws, but he’s loveable! Sure enough, his family loves him and accepts him.

Having a gay character in the cast opens up so many story possibilities. Are there any other gay kids in this rural town? What if there’s only one and he’s forced to date him? Does he know what kind of guys he likes yet? Where do the gay kids hang out in this town? 

It also must be reiterated that his family loves him and accepts him. While drama over coming out and acceptance is totally valid, I’m glad that Ham will get the chance to just be gay and his family will support him all the way. We can just see him happily (if somewhat absent-mindedly) live his life and that’s needed in a world with so little queer representation. As a pansexual man myself it’s heartwarming. I wish I had a character like Ham when I was growing up. 

Alanis Morissette Is A Main Character

Yes, Alanis Morissette is in The Great North (played by the actual Alanis Morissette) but in an absolutely perfect choice she’s not the REAL Alanis Morissette, she’s Judy’s best imaginary friend who just happens to be Alanis Morissette. Judy’s artistic so it makes sense she’d look up to someone as incredible as the Canadian musical genius. As an imaginary best friend she tends to serve as a sounding board for Judy’s thoughts and gives absolutely flawless advice.

Even better though? The imaginary Alanis Morissette also only appears in the Aurora Borealis. That’s… incredible. What a way to take advantage of the show’s location!

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 The Great North is a delight. It’s only been two episodes (the third one premieres February 14 and the first two are available on Hulu) but it’s already shown a lot of promise. Not in the “oh it’ll get good eventually” sense but in the “no it’s already great and I want to see more of it!” Don’t think of it as another Bob’s Burgers, just think of it as its own wonderful moose-filled show (it’s Alaska, what did you expect) and you’ll have a fantastic time. Truly, in these dark times we could all use a little help from imaginary best friend Alanis Morissette.

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