#i am in no way an expert on anything

[hotwaterandmilk]

Hi! I love your content and was wondering if you have any tips for those who might want to post their own scanned manga stuff on here?

I have some furoku, postcards, magazine clippings, etc and I enjoy scanning and cataloguing stuff, but I'm a bit shy about posting it online. I'm worried there might be some kind of etiquette regarding all of this that I'm unaware of. Like are publication dates important to disclose? should I try and find it for every scan I upload or can I just give some basic details about it? Oh and if someone else has already scanned something I own should I refrain from posting my own scans of that item? Hope these questions aren't too dumb, I just don't want to accidentally step on anyone's toes.

Hi, thank you for your kind words. I can only really share with you my opinion on sharing scans, as there are no real "rules" about doing this hobby that I'm aware of. I feel that things boil down to courtesy, like so many elements of fandom, and asking those involved when unsure.

I personally won't share something I'm aware someone else has shared before, unless I feel I can provide a better quality scan or additional context to make the effort worthwhile. For example, people have shared plenty of old Hana to Yume calendar scans in the past on sites like Minitokyo, but as they're not in 1200 dpi I feel like my effort in rescanning and sharing these images is "worth it".

If someone else is committed to scanning monthly furoku for a particular series, I won't double up by sharing scans of the same furoku - I'm wasting my own time by scanning/editing these items when someone else is doing them already, but I'm also potentially making the existing contributer uncomfortable.

However, we can't all be expected to keep track of every scanner on every website or through every fandom - sometimes there is overlap or there are multiple people passionate about a work. In that case, or in any case where unsure, I don't think it hurts to reach out to someone and ask "Hey, do you mind if I also share ____" ?

People can say no, but ultimately none of us involved in sharing scans/scanlating/fan works/etc. owns the original property and these are widely published titles. We can say "Hey I'd prefer it if you don't share ____ when I'm already sharing ____" but it is down to the other party if they wish to cease doing so.

In terms of things like publication information, that's very much a personal choice. My opinion on this is that it is respectful to include artist information wherever possible and publication details when you can so that others can find the original item for themselves. It's extra work, but it means I don't get messages asking "Where is ____ from?" as that information is already available.

The caveat to this, for me, is that sometimes we simply don't know all the details. Goodness knows I've got hundreds of postcards from 80s shoujo magazines that I've been gifted or received in bulk aucions without any information on the issue they were included with and at best I can narrow down the year they were released... right now I'm not sharing that content because I really do want to attribute that information if possible. But not everyone cares about things like that and that's OK, sometimes people just include an artist and the series and that's all.

I want to be clear that I'm not here to prescribe what you should and should not do when sharing your treasure trove. I'm just one person with a singular experience. So much of sharing scans as a hobby will boil down to what is important to you and how much time you have on your hands. And plenty comes from trial and error, along with feedback that others provide.

I feel it's important to convey that not everyone will like what you share or how you share it, while some will lift what you share wholesale to try and profit from it on other sites. I've had to develop a pretty thick skin regarding what people say about me online, despite being a nobody. I'd be lying if I said this didn't get to me sometimes, but for the moment my love of sharing has won out.

What I think is key, overall, is just that you want to share things with others and are willing to put the work into doing so. Missteps around doubling up on sharing may happen, but are more often than not resolved through communication.

I hope you can find a way of sharing the things that are important to you that best fits with your needs and schedule. ^^

[yangjeongin]

SKZ as DND CLASSES: WARLOCK FELIX

warlocks are seekers of the knowledge that lies hidden in the fabric of the multiverse. through pacts made with mysterious beings of supernatural power, warlocks unlock magical effects both subtle and spectacular.

[beneathsilverstars]

Siffrin+Loop system backstory/timeline for my modern AUs!

Age 4 - ▮ is in a major car crash with their family. Their eye is injured, and their parents and sibling die. They split; ▮ has most of the memories, and is inconsolable when they front. ▯ only vaguely remembers events from before the crash without much emotional attachment, and explains that ▮ died along with their family, and being a ghost hurts. They're adopted by their grandmother.

▮ fronts and has a meltdown whenever they hear their name, hear anything about their family, or are forced to drive in a car. Their grandmother gets their legal name changed (to something she knows was on their parents' potential-baby-names list) and moves to a city with great public transit. After going a while without encountering their triggers, ▮ fades out. ▯ mostly fronts at home and a different alter mostly fronts at school.

Age 11 - Their grandmother dies and they enter foster care. ▯ misses their grandma and has trouble adjusting, so they go dormant. The composition of the system changes to adapt to changing circumstances as they're moved between foster homes. Mal stays the most consistent through this time period; it doesn't front often, but its memory is the least spotty, so it tries to keep the rest of the system somewhat organized and consistent and careful. It's kinda annoyed by everyone else coming in and out and making a mess, but better them than it.

Age 16 - They get a shitty part time summer job, and Siffrin pops up to front for it. He's very disconnected from the rest of the system; he doesn't remember anything he wasn't fronting for, and he can't access the same headspace everyone else is in. He's good at quietly adapting to whatever situation he finds himself in, at least. Mal is the only one who can pop over to Siffrin's headspace and talk to him, and it pulls Siffrin away from the front for someone else to take over when it's time to go home. The job ends and he sleeps for a while, and then they get another job and he fronts for it again.

Age 18 - They leave the foster care system and move into an apartment with some college students. Without school or a foster home to return to, Siffrin stays at the front unless something triggers someone else out, which happens less often as Siffrin gets better at holding onto the front and avoiding triggers. They spend the next couple years moving between shitty apartments and shitty jobs.

Age 22 - Siffrin becomes almost-sorta-friends with two roommates, and they stick together for the next lease term. He lands a job with slightly better pay than normal and a decent shift lead, but a particularly cruel manager. One of the roommates starts dating someone who's kind of an asshole.

age 23 - The other roommate unexpectedly has to move out of town, leaving the remaining two with higher bills. After a couple months with no luck finding someone new to sublease or at least move in at the next lease term, the roommate's partner moves in. The roommate often gets into fights with their partner, who is turning increasingly abusive, and Siffrin can't do anything to help. Some headmates from the childhood subsystem start fronting more often again, which is stressful to Siffrin since they have no idea what happens during that time, on top of their own increased dissociation. Mal isn't being very talkative, either, and what it does say is pretty harsh.

age 24 - The decent shift lead at work quits and gets replaced by someone worse, but Siffrin can't afford to change jobs and make any less money, since the abusive partner isn't contributing to bills. After a particularly bad incident between the roommates and then a disastrous attempt to convince the nice one to leave, Siffrin splits into Loop and a new version of Siffrin.

Loop keeps the memories of ages 22-24 (and nearly nothing before that), and copes with them by thinking of all people outside of their system as empty things acting out their roles, rather than real people with feelings and the ability to change. Siffrin keeps the memories from before meeting the nice roommate (though they're a bit foggy by now), and his personality resets a bit accordingly to what he was like three years ago. Loop is fairly aware most of the time when Siffrin is fronting and can chat with him, but Siffrin still totally misses anything that happens when he's not at the front. Loop continues fronting at work, and at home when either roommate is home, and just pulls Siffrin to the front when it's safe. The childhood subsystem stops fronting entirely now that someone else is here to deal with everything.

Since Siffrin is now free from the work/home stress, they're able to find and work a second job, and then another which allows Loop to quit the first. Siffrin mostly fronts for these new jobs, but Loop steps in when Siffrin gets too anxious. When the lease at the current place is up, the two jobs together are enough for them to get a shitty studio apartment with no roommates to worry about.

Age 28 - Siffrin and Loop have found a decent balance. Loop's not fond of Mal, but Siffrin chats with it sometimes. Both Siffrin and Loop still refuse to go anywhere in a car; Loop knows it's some sort of major trigger but doesn't know why, while Siffrin just happens to always choose a different option no matter how inconvenient. They've switched jobs a couple times, and none of them are great, but it could be worse. They've stayed at the same studio apartment this whole time, which also isn't great, but it could be worse.

Mal can still choose to hang out in either the Sif+Loop headspace or the childhood subsystem's headspace. At some point, when they're feeling safer, headmates from the childhood subsystem (especially ▯) will start fronting a tiny bit now and then when triggered by reminders of important memories. Loop is just as cut off from them as Siffrin is, and the moments are so tiny that it's hard to differentiate them from just zoning out, but eventually they'll figure out that there must be at least one more headmate they don't know about.

Find more info on the "current" state of the system in my original headcanon post!

[butwhatifidothis]

(regarding the Fort Merceus scene)

"Claude doesn't know as much about the Seiros faith because he's an outsider" thanks for ignoring the entire point of Claude's route just to insist he doesn't grow as a character

Ohhh wait, no, it's not that he's not knowledgeable, it's just him definitely lying! Because disagreements? Regarding tenets of a religion? Impossible! Claude must be feigning ignorance and lying because that's all he does as a character! He's tricking the diligent Lorenz into thinking things that aren't true, because Church Bad and Claude would never tell the truth!

[carlottastudios]

Every day I get closer to making an unhinged behemoth of a post listing all of the things about Kaeya and his possible connections to mythology & stuff that I notice but NOBODY ELSE SEEMS TO BRING UP IN THEIR THEORIES

(edit: OMG I reached the tag limit I'm so sorry)

[collieii]

i'm sure it's been said but i do love how trimax handles wolfwoods death. i've seen so many stories that have characters die and they just go away after. i'm really used to stories where the other characters aren't allowed to grieve, the story keeps going and it feels like the other characters aren't really affected or get over it really easily. but in trimax wolfwoods death is so important. we see other characters grieving him. vash protecting the orphanage, expanding his power when he really shouldn't, because it was wolfwood's home, even though wolfwood is already gone. he gets an actual burial. vash and livio eating their way through the grief, which is more comedic but still shows us how important he was to the two of them, sets up how in many ways they're fighting in his memory.

even after he's gone he's still present in the story in such a strong way. we can see how he's affected the other characters, even when they don't explicitly mention him it's obvious that they're thinking about him. what he did when he was alive, and his death itself, are so important to the story even after he's not there. not just in a really abstract "this is someone we lost" way (though there are a lot of times his death and sacrifice motivate vash and livio to fight harder!) he's present in the finale in a material way to livio, who uses his serums to help fight against elendira, which ofc also ties into the way wolfwoods choice to ally with vash and fight against knives gave livio strength to do the same. wolfwood showed him that there are things worth fighting for, things worth protecting. that your body is a weapon, but you can choose what to do with it, use it for something meaningful.

and the way vash kills legato in order to save livio? vash outright says that he did it to protect what wolfwood fought for, sacrificed his life for. it's tied to the ongoing arc between vash and wolfwood, their conflict over the necessity of killing others. wolfwood pushed vash into having an understanding of his views when he was alive, demonstrating the necessity of that violence. simultaneously, vash inspired wolfwood to follow his path, a kinder one. vash remembers what wolfwood said to him, and his death gives those words added poignancy. wolfwood well and truly sacrificed everything to protect what he loved and fight for what he believed in. how can vash let that go to waste? he sacrifices something just as meaningful to himself, and he pulls the trigger. it brings him closer to wolfwood in a way he never was before. he understands now, fundamentally, what motivates people, motivated wolfwood, to act as he did when he took lives. there are so many other ways wolfwood is present in the story after his death i can't talk about all of them but it makes me so crazy

[sciderman]

(Idk if someone asked this already) since we’re on the topic of gender

sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)

i 'unno ¯\_(ツ)_/¯

[guinevereslancelot]

being the youngest person at work is being the honorary IT specialist despite knowing basically nothing abt technology except how to use google

[strandnreyes]

This has been something that’s been on my mind for a long time, but I wanted to talk a little about the way Iris has been talked about in the fandom from time to time.

No one is required to like the character or any of the storylines related to her. It's fine if you don't, but we still should be mindful of how we speak about her. Hating on someone because of their mental illness symptoms or using those symptoms as the punchline of a joke is not okay. She's not a villain and she doesn't need to be made out to be one.

Even if this show isn’t entirely accurate in her portrayal, or even if the show didn’t get everything right when it came to her exact symptoms, medication, etc., that doesn’t mean we shouldn’t strive to be better. Iris may be a fictional character, but people with symptoms like Iris'—atypical social interaction, difficulty reading non-verbal cues or things like humor or sarcasm, bluntness, flat affect—exist. They exist in and outside of fandom spaces. Everywhere.

There's already so much shit in the world and battles everyone has to face daily that if we can make it easier for even one person, why not try to do that. Taking the time to consider how our words are being perceived (what kind of messages we're spreading and the types of jokes we show are okay to make) is important.

There are already so many layered discussions in this fandom regarding TK's depression/addiction, Carlos' anxiety, or Judd's PTSD (which I know is in part by the fact that they’re main characters), and I feel like we all learn a lot from those discussions. Perhaps the same grace can be given to Iris?

This isn’t just a fictional world for some and empathy, understanding, and kindness can go a long way.

[pineapple-cheese-bread]

Alright tonight is a fun one.

Venom pure Sandwing, They are the 2nd Alter (that I've drawn) of Firefender, she mostly fronts if the body hasn't eaten/drunk/slept in awhile due to her you know being a Sandwing, she's a bit reserved and doesn't usually interact much with the other alters in the mind scape.

Two of Firefenders alters done five more to go

[ignitesthestxrs]

are you a kiwi? I'm american myself, but honestly feel like I haven't seen enough kiwis talk about the locked tomb (though i think im partly just missing most of the discourse anyway somehow??)..

if you ever feel like layin out some more thoughts ab tlt id love to read em! <3

i am a kiwi! there is a small but thriving kiwi sf/f community, but overall people are not...terribly online, or terribly into fiction lol. i definitely know there are kiwi fans of the series out there but in general i can imagine most of them simply not wanting to get into it. i don't really want to get into it! i just saw a reply on a post i reblogged and lost my mind about it for a couple of seconds.

as a pākehā/white kiwi i am like, both protective of these books, critical of them, and kind of ill-equipped to be the person criticising how māori characters and māoritanga/māori culture is depicted in them.

tamsyn muir is a pākehā author writing māori characters that she didn't initially identify as such getting like,,,increasingly more māori in depiction as the books go on and she learns more about the general consensus on how white people should write characters of colour. and those māori characters are involved in instituting, recreating, participating in a uh....very roman? sort of societal structure? and in the latest book there's this further māorification of Jod while also depicting him as a radical under fire from the government in a compound, and act which has both deep historical and very recent (2007!!)roots in aotearoa nz culture.

this māorification of gideon too with the prince kiriona stuff is also: something. what is it? i don't know. i don't think it's Cancellable Offense Bad, or even bad at all. but there's an overall freedom of mishmashing aspects of kiwi and māori culture into a broader sf/f context that muir has kind of taken it upon herself to perform, when ultimately it's not her who should have been the person who got to do it, you know? the structural racism of the global publishing industry means that a pākehā writer can step up onto that stage with an ease and popularity that a māori writer is going to have institutional difficulty accessing in the same way. do i think carl tor editor picks up these books if they're written by a brown author? idk man

and then on the flip side - this is a part of her lived experience too. as a pākehā writer, choosing to write, do you include your pākehā-ness? your kiwi-ness? choosing to do that, do you include your knowledge and understanding of te ao māori/the māori world? are you stealing or are you sharing? what is yours to share in the first place?

these are questions that i think every pākehā writer should ask themselves as they're writing and they're also questions that i don't think have a Correct Answer, or even an answer full stop. they're things that i think muir started asking around book 3 lol which is a very better late than never kind of thing, but it's also clear as the books go on that she's laying down her road as she runs on it, so to speak.

i think muir is Trying In Public, which is a deeply vulnerable thing to do, but also, she is right now a very popular pākehā writer introducing māori character and culture to a broader audience, many who have not encountered any of this before, in an environment where very few māori writers have an opportunity to do the same.

so when that broader american audience comes and picks up what muir has put down and then unthinkingly applies their own american cultural lens to what they have in their hands - it's weird, right? it's weird in ways that many (i generalise - not all, obviously, there are also many americans who do have global context) americans can't understand, because those americans don't live in a world where they are outsiders on the global stage. even americans who understand that the rest of the world is not america have not necessarily experienced that in a way that is intrinsic, intuitive.

the world is shaped by america, either by its presence or by its absence. so when a pākehā writer creates māori characters and uses te reo māori/the māori language in her work, which then gets read and used and consumed by an american audience as though it is a creation that belongs in their worldview - it becomes disconnected entirely from the source muir borrowed, or stole from, or grew up with. it forces the conversation into this place of whether or not the americans playing with this particular doll know what they're doing or where the doll came from or why it's a doll anyway, instead of like, why has muir made this doll and should she have and are there other people making dolls, or are other people making different things entirely.

links to some sf/f by māori writers:

THE DAWNHOUNDS by Sascha Stronach

LEGACY by Whiti Hereaka

WATCHED by Tihema Baker

PŪRAKAU, ed. Witi Ihimaera and Whiti Hereka

GUARDIAN MAIA

[vanweezer]

being extroverted must be awesome imagine feeling nothing after telling someone "wow youre REALLY quiet". im going to talk less around you now 🫶

[corviiids]

i think this might be a little silly to say, but some of your posts and analysis of the illiad/greek myth really inspire me to read more about greek myth and stuff like it

that's not silly at ALL in fact you have no idea how happy that makes me. i have a lot to say about the iliad / related greek stuff in general that i tend to keep to myself because i think generally people mostly follow me for The Jokez? and might not? want? or care? to read my slightly more serious takes on classic literature? so thank you so much for saying this and i hope you enjoy reading more about myth if you do!!!

[lindensea]

When I think about it, I'm not proud of how I use Tumblr for visual media. I see a pretty picture, hit reblog, see a stunning painting or animated illustration, hit reblog, keep scrolling. It's like I'm collecting posts instead of appreciating them. If something appeals to me, I want to stop and consider why and what the piece or photo means and think about it. With that in mind...expect more tags. You are my friends and we are in an art museum and I wont stop commenting on the pieces we're walking past. Let's appreciate visual media together!

[toyybox]

bring back weekly updates 🗣️🗣️🗣️🗣️🗣️

I am actually able to post weekly! I started writing Spiderwebs a long time ago, so all the chapters are already finished. I continued posting bimonthly because that was my usual schedule at the time, but since tumblr has polls now, I can let the audience decide ^_^

There will be around 40 more chapters in the series, not including AUs and extra writing like that.

Taglist:

@theelvishcowgirl @lthrboy @whumpy-wyrms

@yassifiedinformation @creppersfunpalooza @vidawhump

[langwich]

attention language learners with an interest in art and/or computers!!!

i've been looking to incorporate language-learning into my hobbies, namely digital art, but because i'm not pre-equipped with the right vocabulary to articulate specific aspects of my interests, i end up googling things like 「描き方」 and getting rudimentary articles about how to draw a circle.

i've been using medibang paint pro for about seven years now, and i've been learning japanese for almost three, but for some reason it never occurred to me to change the language of my art software? so i tried it out, and i have a feeling this is seriously going to change the game for me. hopefully this post will help others!

although i'm speaking from my own experience with my go-to art software, i'm sure this can be applied to other software and websites-- like canva, picsart, wix, ibispaint x, word/google docs, or anything else you use regularly for your digital/online-oriented hobbies.

in the past, i've tried changing the language on my phone and social media apps, and while i was exposed to the language outside of my regular learning materials, i found myself not gaining a lot of new vocabulary. i think this had to do with the fact that a) i wasn't studying every button i clicked because a lot of my motions were committed to muscle memory, and b) especially with social media apps, i was too distracted by the addictive elements and content, so that tore my attention away from gaining anything new linguistically.

by contrast, digital art is a slower process, and it involves more delayed gratification; the same can be said for hobbies like graphic design, coding, writing/typing, etc. plus, i'm always learning new things about medibang paint pro and other digital software, so it requires a conscious effort to find, read, and select the right brushes and settings. after all, not doing so would be disastrous :'')

i think that being able to interact with art- and computer-related vocabulary using software that i'm already familiar with is incredibly beneficial. i'm being constantly exposed to the vocabulary-- which will help with retention-- and i'm also learning words through images, context, and my own recollection of each button's location.

the added benefit of medibang paint pro in particular is that it was originally a japanese art software (made with mangaka in mind), so it has a very active japanese art community. the main hub is full of other artists' works and tutorials-- which i skipped over for years until i realized the potential it had for reading practice.

this goes to show that when it comes to looking for language-learning resources, creativity is important! with a more sophisticated vocabulary, it'll definitely be easier to find articles and websites that are more relevant to my interests. i would absolutely recommend that other frequent computer-users try this, and if anyone has any insights to share, i'd be very interested to hear them!

some art- and computer-related vocabulary i found:

取り消し と やり直し -> undo/redo

レイヤーの追加 と レイヤーの削除 -> add/remove layer

ガウスぼかし -> gaussian blur (my favorite tool for lineart)

名前をつけて保存 -> save as...

色相 と 彩度 と 明度 -> hue/saturation/brightness

かかと -> heel (from the high-heel tutorial pictured above lol)

even if it's rare or technical terminology that i might not encounter everyday, it's still interesting to learn :)