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tilbageidanmark · 29 days

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MOVIES I WATCHED THIS WEEK (#190):

Jeanne Moreau X 2:

🍿 First watch: MR. KLEIN (1976), my third by blacklisted Joseph Losey (after 'The servant' and 'Modesty Blaise'). An intelligent mystery about mistaken identity. Privileged art dealer in occupied Paris Alain Delon benefits from the misfortunes of his clients who must liquidate their collections at fire sale prices. That is, until he's suspected of being Jewish himself. One of Delon's best roles.

RIP, Alain Delon!

🍿 THE ADOLESCENT (1978), one of the only 3 movies directed by Jeanne Moreau, was a delightful coming-of-age French bonbon. In the summer of 1939, just before the outbreak of the war, a 13 year old girl is vacationing in a small village near Avignon, and falls in love with a young doctor, 20 years her senior. And then her mother, full of sensual energy, has an affair with him instead. (Suzanne Lindon re-worked the same story in her wonderful 2020 'Spring Blossom'). Thematically it was a bit thin, but the pastoral landscapes, accordion score, and nostalgic haze were catnip to any Francophile worth his Vin Rouge. Simone Signoret plays the grandma, and there's one explicit naked scene of the young girl. 7/10. [*Female Director*]

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I AM GRETA is a terrific 2020 documentary about Greta Thunberg, the then-17 brave crusader. It was made by somebody who had close personal access to her from the very beginning of her journey. I admired her steadfast heroism from the first weeks of her school-strikes in Stockholm, and was deeply-moved by her ascent into a global icon and torch-bearer environmentalist. And of course, she reminded me of Adora, both physically and in spirit. It's a very personal experience to me. What an legend. 9/10.

It must be devastating (to her, and to us) to look back today at the enthusiastic movement that she inspired, and recognize that it didn't amount to jack shit. (Screenshot Above).

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Bergman X 5:

🍿 BERGMAN, A YEAR IN A LIFE (2018), another documentary of another complicated Swede, is the best biography about the legendary filmmaker. It focuses on 1957, a year in which he directed both 'The Seventh Seal' and 'Wild Strawberries', as well as television play and 4 massive theater productions. He also had 5 simultaneous relationships, and spent a month in the hospital, suffering from stomach ulcer and mental exhaustion. It paints an honest portrait, warts and all, of a truly iconic 'artiste', and one who enjoyed, from this point forward, the recognition and worldwide admiration as a one-of-a-kind genius. But also a selfish, lonely 'Erotoman', a megalomaniac workaholic, and a power hungry autocrat. (Also, a Nazi sympathizer until at least 1946). Essential viewing to all Bergman fans. 9/10. [*Female Director*]

🍿 TORMENT ("HETS") (1944) is a love triangle between fallen "shop girl" Mai Zetterling, a good looking student who falls for her her, and a sadistic Latin teacher who tortures them both. It was the very first Bergman screenplay which was produced, and he also directed some of the exterior scenes. A good review - here.

🍿 WILD STRAWBERRIES was made by a 39 year old man and perfectly captured the mindset of a really 'old' man, a bitter and resigned man at the end of his life. Of all the thousands of great movies made, this is the one nobody will object to when calling it a 'Masterpiece'. An immaculate 10/10. Re-watch ♻️.

🍿 KARIN'S FACE, a 14-min. visual poem from 1986, composed of still photos of his mother Karin, the most important woman in his life.

🍿 MINNS NI? ("DO YOU REMENBER?") is a quick mash-up of clips from 170 Swedish films, including many of Bergman's. The concept was better played in 'Final Cut: Ladies and Gentlemen'.

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My 18th terrific film by Agnès Varda, SALUT LES CUBAINS. After her 1963 visit to Cuba, she composed a poetic montage out of the 4,000 still photos that she shot over there. A beautiful homage to the faces and the spirit of the people as well as the revolution. Narrated by herself and Michel Piccoli, and with great music score. I watched it in the original French. 9/10. [*Female Director*]

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Ali Abbasi is an Iranian-Danish filmmaker, who directed 4 features so far. After seeing his 'Holy Spider' last week, I wanted to continue with the rest of his work. BORDER (2018) is an inventive folklorist tale about a woman with a Neanderthal appearance who works for the Swedish Border Service. She uses her feral sense of smell to sniff out people's fear, guilt and shame, for example when they hide child porn on their phones. It's a dark and disturbing story which starts with an unusual premise, but ends as a weird body-horror fantasy about forest trolls and changelings and what-have you.

As a completist, I was planning on seeing his debut feature 'Shelley', which looked like a 'Rosemary's Baby' re-boot out in the country, but I'm not in the mood for another Horror Nordic. Instead I'll just wait for his upcoming Trump Origin story, 'The apprentice'.

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"Don't kill anyone unless you really have to."

GREEDY PEOPLE, a new, twisted black comedy in the Coen Brothers mold: Bumbling characters turn small time crooks by making one worst decision after another. A surprising fun ride, with a specific small island community feel. The title only comes up at 24:00 min. and the defining dog murder falls at exactly the mid point of the story. The initial reviews were not that great, but I enjoyed it very much for fulfilling its genre requirements. 8/10.

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OCEAN WAVES (1993), a lesser known Ghibli Studio film about two student friends who both fall for a new girl who just transferred to their school. Not a typical Ghibli drama of a teen romance, with flatter anime style, but still an understated, whimsical score.

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"The continent is peopled almost entirely by homosexuals..."

DANCE FIRST, my 3rd fictionalized film by British director James Marsh, (after his much better documentaries 'Man on Wire' and 'Project Nim').

A deferential, melodramatic and uninspiring Samuel Becket biopic. I dislike filmed literary biographies in general, and I hated this boring, affectatious one in particular. I don't particularly care for Gabriel Byrne high-brow/low-brow acting style, and I definitely couldn't stomach the dude who played his younger self. The fake inner monologue, the horrible attempt at bringing James Joyce back from the dead... It was excruciating to sit through.

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Michigan J. frog X 2:

🍿 “Hello, my baby; hello, my honey; hello, my ragtime gal.”

ONE FROGGY EVENING, a 1955 Chuck Jones cartoon which introduced the all-singing, all-dancing frog, but who does it only when it feels like it. Based on a Cary Grant movie from the 40's.

🍿 First watch: Mel Brooks Star Wars parody SPACEBALLS, the inspiration to 'Black Mirror' USS Callister. But I never saw any Star Wars or Star Trek movies, and it just wasn't very funny. The jokes were on the 'I Love URANUS' bumper stickers level, and Stephen Tobolowsky as a gay trooper. 2/10.

Colonel Sandurz was much better when he later played Rabbi Nachtner.

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2 by young Canadian documentarian Carol Nguyen:

🍿 NO CRYING AT THE DINNER TABLE (2019) is a simple, yet powerful, family interview. Vietnamese family, father, mother and sister, opens up for the first time about private traumas they each carry with them. Then they listen to the recorded conversations together. 8/10.

🍿 NANITIC (2022) is another simple and sensitive look into the psyche of a young girl who is spending the day with her Vietnamese grandma, as she lays on her death bed in the living room. 8/10. [*Female Director*]

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2 by another young Canadian, Justine Gauthier:

🍿 DEATH TO THE BIKINI! (2023) an award-winning short about a rebellious 10-year-old girl who refuses to start wearing bikini tops when going to the water park. Like the Jeanne Moreau film above, it features nude scenes of the unapologetic prepubescent girl.

🍿 "...So, there's only a living room and a kitchen and a bathroom?"

THE APARTMENT (2018), a newly-divorced mother spends the first weekend with her two kids at her new small apartment. Sad. 8/10. [*Female Director*]

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Philips Cinema / Parallel Lines had a contest in 2010 where 600 filmmakers created shorts using only six lines "What is it? ... A unicorn... Never seen one up close before.... Beautiful."

THE GIFT (2010), one of the only few science-fiction shorts I love. A messenger delivers a mysterious box to a rich man in dystopian Moscow. A frequent re-watch ♻️.

THE BURIED is a 'Breaking Bad' final scene at the desert.

25 of the finalists are on YouTube.

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A few more shorts:

🍿 In THE HAIRCUT (1982), busy executive John Cassavetes has only 15 minutes to get a haircut, but he gets the best one of his life. It includes a manicure, pedicure, shoulder rub, shoe shine, romance, and a performance by The Bangles. Directed by Susanna Hoffs' mother. [*Female Director*]

🍿 PAS DE DEUX (1968), my second by Canadian Norman McLaren (after 'Neighbors'). A ballet short with Romanian pan flute music score.

🍿 Only my second by D.W. Griffith, THE MUSKETEERS OF PIG ALLEY (1912). An early gangster movie, starring Lillian Gish

🍿 FUNERAL AT NINE (2022), a beautiful short directed together by 6 animators. Three brothers deal with grief differently.

🍿 THE COOK is like a Swiss 'Ratatouille' but with weed instead of food, and also it's just a dream.

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IT'S A GOOD LIFE (S3E8) is my fourth-ever 'Twilight Zone'. I wonder how much of the American mindset of 'Magical Thinking' was born out of it. Or did the 1950's paranoia and crushing conformity produce this sense of 'Normalcy' threatened by the mystic, the bizarre, the 'odd'? 'Everybody must always smile, and think good thoughts.'

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"...So I reached out to my local militia..."

AMERICA'S RIGHT-WING RADICALS is a new, German documentary about the military veterans who are systematically building a functioning shadow army ready for a civil war in the near future. Trumpists, Nazis, fascists and racists united for one glorious holy fight, to get rid of the Jews, the blacks, and the poor...

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Throw-back to the Adora Art project:

Adora with Alain Delon.

Waiting for Godot Adora.

Adora with Greta Thunberg.

Seventh Seal Adora.

Ballerina Adora.

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(My complete movie list is here).

#movies #adora #greta #greta thunberg #i am Greta #Skolstrejk för klimatet

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