#i always wonder how the people who direct these make the actors cry. do they pick a person with a history of self harm and stuff

[strifethedestroyer]

bro fr #1 coping mechanism watching social experiments of suicide where passerbys stop and talk with the actor 💯💯💦🤟🤟🤟

[chaos0pikachu]

I am here actually to appreciate your post. I saw a blogger’s post saying The sign would have been ‘successful’ had it got filled with fantasy and romance and limit action to 10%. I wondered why that person, who says BL is all about romance, watched a show whose genre is action. Then I saw your post about people watching many shows to stay in fandom and I agree. Also you are right about dramas with a complex story receiving heavy criticism. Everything (even lack of proper plot or conflict) is exempted in a romance drama. No wonder most BLs are confined to ‘2 boys and their jealous & crying moments, routine conflicts enhanced by Escola or leads explaining how important Nikon printer is for their relationship’

Well damn hit me in the feels with this appreciation I'ma get all shy and shit.

I always wonder if by "successful" people mean in terms of critical acclaim, story telling, or monetarily. When it comes to Thai shows - and some please correct me if I'm wrong - it's difficult to tell how "successful" they are terms of audience reach/monetarily because there's no easily verifiable information. Like, there's Youtube numbers sure, but The Sign as an example, aired on Channel 3 what were it's ratings total on that channel? Idk, does anyone know that? Sincerely asking lol

Personally the way I like to judge a piece of media is what I call the Roger Ebert method; he often judged films based not solely on whether they were "good" or "bad but by how successfully they accomplished their goals.

If you read his review of Space Jam while it's clear Ebert doesn't think the movie is high art, "You can watch the movie on the sports and cartoon levels, and also appreciate the corporate strategy that's involved. [...] It is difficult for an actor to work in movies that combine live action with animation, because much of the time he cannot see the other characters in a scene with him. But Jordan has a natural ease and humor, an unforced charisma, that makes a good fit with the cartoon universe."

Ebert praises that the film, while filled with obvious product placement and banking on both nostalgia for the toons & star power of Jordan, accomplishes it's goal of being a family for that can be enjoyed by adults and children, and also the ability to blend techniques of live action, animation and 3D rendering.

I bring this up specifically b/c when I see "reviews" of shows in BL - the most common form of meta I see in BL fandom as a whole and that's not a knock just an observation - it's usually always about the narrative. Nothing about the filmmaking. And if there is discussion about he filmmaking it's usually misinformed or worse misinforming - no that's not what aperture means, yaoi framing isn't really a thing in film, the t-shirt is really just a t-shirt, etc, etc.

And like I get why. Fandom is more about story, what the words on a page or what the characters on screen are doing and saying. It's easier to talk about the amazing communication two characters have b/c you don't really need a film knowledge to discuss that. Which is a factor in why I think shows with lower stakes, more streamlined and straightforward plots get praised at a higher, less diligent and harsh level, than shows that are a bit more daring. They're less challenging in structure, they take less risks, so there's less to critique, and there's less room for a show to disappoint.

There comfort food, rather than trying something new at the restaurant. I'm not saying this is a bad thing, again, this is just a general observation.

To me, The Sign is miles better than Cooking Crush on a simple technical level. I only watched one episode of Cooking Crush and I found it pretty mediocre at best from all technical points: acting, editing, cinematography, directing, storytelling.

This isn't to say Cooking Crush is "bad" or that even if Cooking Crush was "bad" people shouldn't like it. I don't give a fuck if people like it, good for you chase the things that spark joy! I like lots of "bad" media, have y'all ever watched Jason Takes Manhattan?

For me, The Sign, like Space Jam, accomplishes it's goals and those were ambitious goals. An action fantasy BL that actually lives up to that premise and looks good?? The fight choreography looks great considering the obviously budget??

Like one of my issues with Laws of Attraction - aside from how painfully disinterested those kisses looked - was the fight choreography was bad.

The characters very rarely land hits in a way that looks real, or even marginally real. I can only speculate they didn't hire a stunt coordinator and/or couldn't hire stunt doubles so there was a worry of injury on set (for both reasons).

This isn't a disparagement on the actor(s) either, like stunt work is difficult and it's important to have professionals on set who can walk an actor through the steps so both them and others don't get hurt. Jackie Chan is probably one of the best known actors alive for stunt work, but watch how many times he fumbles and potentially hurts himself to the point where other actors are actively worried for him:

So yeah I'm going to give The Sign it's fucking gold star stickers b/c aside from some missteps in the gun handling - to many one handed gun fights but even then it wasn't all the time and bullets ran out of ammo! Y'all don't know how exciting for me that was to see - the fight scenes look damn good.

I understand the work that went into them, I understand the pre-production time that it took for the crew and cast to learn that and filming them well is another beast too.

There's a couple scenes with shaky cam that I dislike, but god do I love that first long take in The Sign. I love how good the CGI looks overall again, considering what is probably less budget than Black Christmas (2019).

I'm admittedly, fucking picky about what I watch b/c I'm really lazy and prefer watching films in general. I don't really like TV all that much, but if I am watching a tv show I wanna be impressed with more than just the characters talking to each other. Especially if said show is 12 hours or more.

When I'm looking at a piece of media - a comic, a novel, a film, a tv show - I'm thinking about stuff like "what were it's goals, and did it accomplish them? How was the filmmaking? How was the narrative structure? What is the time/place/culture this was made in?"

I'm not sure if people are arguing if The Sign was "successful" in terms of narratively, monetarily, or critically.

In reality we can only really speculate on how successful a Thai BL is based on data that's not not entirely accurate - social media, youtube stats, awards, etc - and even then most of that is based off international audience.

I can glean that 2gether was successful for gmmtv b/c it got a second season and a film, pretty much skyrocketed Bright and Win's individual careers but again, and created a cross country alliance for activism. But even all that is still speculation not facts (except the alliance that's a real thing that happened lol).

[This is all regardless of my own feelings regarding the show which is not kind. But feelings have nothing to do with individual discussion about how monetarily successful or accomplished a show is or isn't.]

Like it might be valid speculation on both shows but it should always come with a disclaimer of - these are not facts. Also, what is "popular" or "successful" can and will be dependent on individual countries too.

Take Cutie Pie for example, I would argue that it wasn't super "successful" here with American fans, but given how overwhelmingly popular Zee and NuNew are in both Thailand and Korea, I would then argue that the show was a success in Thailand and Korea. So was Cutie Pie "successful" or not? I would say yes!

Because "success" isn't and shouldn't be measured only by how western fans receive a piece of media.

In regards to The Sign, I'd argue it appears to be very successful with only the partial data I have at hand - social media which includes places like twitter, facebook, tumblr, the success of their sold out showing for the finale, a special episode, etc. If people argue it was unsuccessful in terms of narrative, well that's debatable and I have no interest in debating why the show is good except in terms of technical filmmaking and storytelling.

And even then it's a pointless debate like or dislike whatever just don't lie or mislead people regarding film terminology and techniques or harass people because they did like A Thing or clog up the tags with annoying posts about how you didn't like said Thing.

Overall, I don't give "reviews" on things I watch either positive or negative cause, well, I'm lazy lol, I don't believe putting how much I hate a show in it's tags and a thorough rating system would be to much work. I actually like how My Drama List rating system works, I just find most reviews on it to be Annoying lmao. Like giving Kinnporsche a 5 or below is absolutely bonkers to me but whatever es lo que es. But I also don't think my thoughts and opinions on shows are that valuable in terms of discussion.

These are mostly my general thoughts on fandom at large and it's not directly at any particular people its just observations at large across various social media platforms.

I think if you like more squeecore shows that's totally gucci, I just wish didn't proposite that 1) those are the only valid shows in terms of BL/queer media and 2) didn't overhype them to such sky high levels

[i-will-say-what-i-believe]

Okay. Fact time.

OS never cared about Buddie.

All he cared about was him getting importance over everyone else.

Its evident from all his interviews till s6. And now, that fact is just getting justified further.

Guy says he always played Buck as bi. But the fact is, he didn't.

That bi possibility ONLY came out when he was with Eddie & maybe TK. Not with any other man. AND OS was over the moon for mortalia being "THE couch" 🤢🤮 which completely eliminates the viability of his claim that he ALWAYS wanted Buck's sexuality explored.

Guy says the people who don't like Tommy & this plot are people who doesn't know how a story works.

And he does!? Because if he did, he wouldn't just dismiss the loyalty of one of the biggest fandoms after Destiel that kept the show in the forefront of social media all these years. If it was 1 person thinking so, it can be a mistake. There's LITERALLY tens of thousands of fans who have found Buddie on the show. Even when they had no idea about the ship before watching the show & realizing "wait....are they a thing!!??" out of the blue.

No wonder there are a lot of Buddie shippers who are hurt by his attitude, quitting the show. Not because they're h*moph*bic. But because he's been dismissing them & all the subtext that the show has thrown at them all these years without an inch of shame of taking advantage of it for all that time.

If he's so arrogant enough to think he alone can run the show, it won't be long until that ship sinks. Especially when the arrogance is directed to fans, the people who LITERALLY pay his bills, because if we don't watch his work, he'd be jobless.

People have been desperately grasping at straws with all the interviews he's been giving..."he knows something", "of course he can't straight up say he wants buddie... common", "that was a very good way of answering the question" etc etc.

Guess what... it WASN'T the best way to answer SUCH AN IMPORTANT question.

Of course he could say what he wanted. It wasn't like the interviewer asked what was going to happen.

I have always thought his quick answer of "I'm open to it" is SO ODD. Because THAT is not how someone who wants it will talk about it. I have felt it from the beginning. The first Ryliver live. That itself had sealed the deal that ALTHOUGH people desperately WANT Ryan to be the one OPPOSING Buddie (because that's the ONLY way that their h*te towards him will be justified), Ryan was the one who chose the ship name & talked about how Buddie is getting shipped every second. OS kept mum even then. His expressions & body language changed. As if he isn't so into it.

THAT has been going on every damn time Buddie was mentioned in interviews. As if he's not so keen to do it.

Let me say...his body language screams he didn't want to do the Timmy Turner kiss too. He's uncomfortable af. If you remove your "OMG OS is amazing" glasses off & view it as a critic, you'll get it in a second. He just seems to be in it because, again, his character is getting importance.

Among the 911 cast, there's no one MORE concerned about THEIR position, THEIR role, THEIR screen time etc as much as OS does. He'd promote the hell out of the lamest things if it meant he'll get attention . That's what happened in s6. Taking unethical advantage of the fandom's couch theory & promoting the mortalia track like a giddy kid & being over enthusiastic about "in another life"....all were the cry for attention. And the fandom fell for it.

THAT is what's happening now too. Plus he's copying words from other actors to make his "story" more interesting lol.

Anyway....guy has become more arrogant than he already was.

Arrogance NEVER ends well. History has it proved.

PS: People can try grasping at straws to support the guy & put him on a pedestal because he's a tantrum king. But don't @ me on this with your straws. Won't work. I don't like arguing with blind fans because you wouldn't EVER see sense even if it is ALL SHOVED ON YOUR FACE.

Truth is bitter & y'all are just proving it lol🤣

[georgiapeach30513]

They were definitely setting PH up to be an awards contender, in my humble opinion. I think the way the film was shot and the cast they chose, they were hoping for this type of receive. Initially anyway.

The problem like you and everyone else who commented, the film wasn’t bad at all but it wasn’t amazing. The story didn’t go places that other stories similar hadn’t already gone. I think it really goes to show how important a good script is to making a good film. This script was middle of the road and the direction was also middle of the road. A shame - I like David Yates and what he did for Harry Potter and I give him credit for completely stepping out of his past decade plus fantasy zone to do something like this. It didn’t quite work but I think we can see he pulled some really strong performances - at least out of Chris E.

I see more and more ppl are pleasantly surprised by his performance and also how the film is actually doing on streaming. A movie like this that had no press tour due to the strike and virtually no real SM promotion and less than stellar critic reviews but still raising general interest - as of yesterday it was the most searched drama on streaming overall.

It means ppl will still click when they see a film like this and likely when they see the lead actors in the film. People will watch for themselves if they wish and make their own decisions. Don’t be sheep.

It’s a sad thing to see so many “former/fans” on here now just focusing all their attention on discussing the pointless movements of one very irrelevant troll. I think you have a great attitude and space to share with ppl actually want to talk about the film and performances.

Thank you for sticking to what’s important!

I agree. I think the initial thought was for this to be an award contender.

I love what David Yates has done in the past. He’s an incredible director. But maybe this style of movie wasn’t for him. And with a mediocre script 🤷🏻‍♀️ I think everyone did what they could for what was given to them. And I do agree, he got some good acting out of Chris. Chris seems to flourish with the right direction. And even the garage/crying scene, I felt that. That’s a weakness for Chris.

I think the viewers are a definitely a better gauge on this than the critics. Kinda makes you wonder why they went at the movie so hard, especially Chris. And like you said, considering the lack of promotion done, it’s done great. I hate that SpiderVerse is about to take over it’s spot (at least this is what I think will happen). But if it stays in the top 10, more people will see it and click.

I want this space to be about the fanfics and Chris’ characters and work. It’s what I’ve always wanted. I’ll give a bit of attention if something new happens, but I’m bored and have better things to do than to worry about someone insignificant to me. And this space will continue to be about the stories, his characters, his work, thirsting, being goofy, and having fun.

[mozillavulpix]

a bunch of Future Redeemed thoughts before I call it a day. Currently on Chapter 3 where you have a quest to help make a certain Nopon’s workshop

my hand hurts i think i played it in an uncomfortable position

In no specific order:

these games are addictively fun because checking things off a list is fun. Rewarding you with % completion even when you discover a treasure chest makes things even more rewarding than usual

Matthew’s voice actor in Japanese (although I’m playing this in English) also voices Yuji Itadori from Jujutsu Kaisen and honestly Matthew is basically just Yuji. Casual, surprisingly empathetic bro who settles things with a good punch.

speaking of VAs, sad Al Weaver didn’t reprise Rex, and I’m not exactly sure why Skye Bennet didn’t come on for Glimmer, given it’s the same voice in Japanese there, but actually I think I like that. Just cause it’s their kid and looks like them doesn’t mean they need to be voiced by the same person. I love Dragon Ball Z (Japanese) but you don’t always have to do that

Holy shit the Xenoblade Chronicles (1) battle theme plays in the Gaur Plains area I was not expecting that. I think it took me a while because it also sounds like...Kingdom Hearts music. Did Yoko Shimomura do this track?

it’s like some of Future Redeemed here is a bit of an apology for having so much of the plot revolve around Rex’s children and their lineage that we’re going to do some more direct XB1 callbacks this time

the first big plain area definitely has elements of Gormott in the music though. Was Gormott never in Aionios before? That makes it three times they’ve remixed that track lol

I was weirded out when Rex started off all hostile to Glimmer, but they did explain it. Chad Rex isn’t just great because he big and buff, it’s cause he’s a giant himbo. It’s so fun to see him being written by someone who wrote him in XB2, some of his lines come so naturally out of his mouth

Also interesting how people who played game 1 and 2 they’ve basically confirmed Nicol and Glimmer are Shulk and Rex’s kids but it’s probably still vague enough that new players wouldn’t immediately figure it out

we now have a third time they have played The Weight of Life thankyou monolith

like I was a little disappointed the returning tracks from XB3 still have the flute in them because the flute isn’t a motif in this prequel, the off-seeing didn’t exist yet but oh well

instead of more flutes we get clapping. the claps are the new flutes. i wonder if that’s like, a symbolic choice, representing community or something

we had better get na’el playing piano on-screen at some point. maybe she sings the sad song in-character. maybe i’m going to cry a lot

btw I have a depressing theory about how Nicol and Glimmer get out of the 10-year cycle. my theory is Shulk and Rex give up their lives for their lifespans somehow. it’d explain where they went to. and why it probably can’t be repeated by anyone else. only people who originated from outside Aionios can do it maybe

good on Zeke and Pandoria for having a kid

Glimmer’s design is not too fanservicey, but it is very easy to do an upskirt shot if you move the camera. luckily she has shorts underneath her short skirt. she also has jiggle physics i think but again it’s very subtle. She *will* get a lot of doujin. But I like her. even if she feels maybe a bit too Mythra

i’m sure people will dislike glimmer for being the antagonistic one in the heroes but i say let her girlboss. she just wanted to die for a cause and is scared and confused.

oh yeah lore stuff, it’s confirmed Ghondor is N and M’s kid, which while adding to the “Noah is bad at naming” gag, also makes me ask what took Z so long to decide to revive him as Moebius. For the amusement? even then you’d think it’d hit harder if he had to either do it directly after his death when he knew people there or many centuries later when there were more of his descendants to kill rather than, like, 3. maybe he just wanted the sweet spot where ghondor was still alive but there were more of his kids to kill

that’s all i can think of for now

[xplrvibes]

re: snc review

what’s making me pause is how snc have given their holy word that not only did they hear the knocks coming from multiple directions (both inside and outside the house and its perimeters) but they also felt it. they felt the vibrations on the ground and that’s what’s making me go 🤨 because yes, sounds are easy to fake, but sounds coming from multiple directions and making the ground vibrate? yeah… I might need to think a bit more abt this

Yea, and that's the thing- I wholeheartedly believe snc in all this. I don't think, at this point in their careers, that they'd be stupid enough to take this kind of risk with faking something like this on such a grand scale. I don't think their families would be ok with bringing dead relatives into it, so I don't think they'd ever do that. I don't think they'd put all this into movie theaters if they were in on it.

I do think that Sam is a good enough actor to cry on command, given that he's done it before- but I don't think he was acting in this scenario.

The only non-paranornal phenomenon that I could attribute this to comes from a personal experience I had years ago, if you'll indulge an old lady telling life stories.

Many years ago, I went to Las Vegas and went on a ghost tour. At the end of the ghost tour, they told us that they were going to yake us to a certified medium to take part in a seance. I was very young, first time in Vegas, didn't really fully comprehend what Vegas can be like- so I was very excited about this whole thing. A seance, wow! Maybe I could make contact with some relatives, or a friend of mine who passed!

Anyway, we get there, and this medium is doing all the usual medium stuff, and it's all very exciting - and then the lights go out. Knocking noises start to happen, the room gets unbelievably cold, and the medium starts yelling out something about dark spirits sending snakes our way. The medium then screamed and disappeared, seemingly into thin air.

People in the room immediately start feeling snakes crawling all over them and start freaking out. Meanwhile, I am sitting right next to the medium, and when the lights went out, I heard the telltale sounds of a trapdoor in the wall being opened and shut. So, most of the other people around me could've sworn there were snakes crawling on them, but I was already wise to this whole thing being fake and somehow, I felt nothing.

But how did all those people feel the snakes?

I've always wondered that. Clearly, there were no snakes in the room, but so many people swore that there were. So, how?

Psychology is an interesting thing. Fear, and tricking people's brains into hearing things certain ways when they're on heightened alert due to fear, can make people hear and feel certain things.

I'm not saying the knocking was their snakes. I honestly have no clue. But that's the only non-paranormal explanation that I guess I can muster up.

[karasbroken]

One of the reasons that John is such a fascinating character to me is his physicality. I'm sure a lot of it comes from Ben's awareness of the camera and how little of his body is going to be in frame, so he's always pulling people in intimately close and then using things like kisses and touching the face to convey all this extra emotion and meaning. (Yet again I regret not being able to find more than a handful of original scripts because I think a lot of these choices are Ben's not the writer's but I don't know.)

If you watch other shows of the time, you just don't see this as much. John's so sensual! And that sensuality isn't reserved just for Aeryn or just for women, or just for people he likes.

It provides a lot of fodder for slash and other shipping and I'm fine with people enjoying their extra-curricular pairings. But for me it sort of obscures the main point of interest which is: here is a masculine, self-confessed bro, with stereotypical all American hero muscles and chiseled jaw and love of football. Yet he is so secure in himself that he doesn't (almost ever, they did screw this up a few times) fear being seen as weak or unmanly or queer for kissing a man (sarcastically or not) or for crying, or for showing off his ass in a pair of leather pants.

John can be camp, he can be slutty, he can look great in a dress, he can suck the villain's thumb, kiss his (kinda) little sister on the lips, sob and snot because he misses his dead mom, tell his friends he loves them, curl up in a fetal ball because he's hopeless or violated, so many emotions, so much physical expression of them!

But he's still a basically heterosexual nerd jock of a man locked into a kinda classic soulmate monogamous relationship from practically episode 1. Doesn't matter. Still going to kiss the girls and cry with the boys and get right up into everyone's face while we wonder whether this particular scene is going to be a kiss or cry one. (Hysterical laughter is also always on the table.)

He feels feminist because he's so feminine-coded sometimes. That contrast where Aeryn is the cold one who rarely touches and doesn't want to talk and only wants sex not relationships is so good, particularly because they move in each other's direction over the course of the series. Yes, as Aeryn softens, John hardens, but he never loses that core of emotion and passion and sensuality (except when he's literally on emotion-stealing drugs because he feels too damn much and he can't hold it together any other way.)

Not every actor could do scenes like this gifset, and make them work, but Ben does. And that priceless grimace of Crais is conveying what men are "supposed" act like. Bialar is the audience expectations stand-in during this uncomfortable moment when John is right on the edge of losing it once again. His life is madness, so what can he do except kiss this ridiculous bastard of a Peacekeeper and laugh.

John feels fairly modern even today because his emotional range and his lack of fear of judgement for his breakdowns and sensuality seem to stem from not thinking it's shameful to be soft, to be a woman, to be queer, to go to therapy, to hug and kiss platonically, to be a caregiver not just a protector, to sexually desire other people when you're already in a relationship, to need to be rescued, to lose his mind because of what's been done to him and what he's done. He's fine with being complex and fragile and fallible and human.

Just an amazing character. I wish we'd seen so much more of him.

Uh. Why didn't you signal? 'Cause the bad guys might be listening.

[scary-senpai]

hi dear, Weird Questions for Writers - 26, please??

Hello, wonderful Anon! Thank you so much for your ask—I love talking about characterization. It’s probably the thing I love the most about writing, aside from making jokes.

(Weird Writing Asks is still open--so feel free to drop me a question if you are so inspired! Seriously, it is my love language.)

26. How do you get into your character’s head? How do you get out? Do you ever regret going in there in the first place?

I like to think of myself as a theater kid, even though I don't have any professional training and the bulk of my experience was in high school (although I started taking classes again recently), but I tend to approach written characterization the same way I would if I were putting on a play: I'll revisit the source material, identify and analyze the scenes that the character appears in (as well as other scenes/events influencing those ones), and then work out any gaps in my knowledge and how to fill them.

I don't think of myself actually being the characters, though. I think of myself as a director coaching/negotiating with actors, and these actors sometimes vehemently disagree on how the scene should play out. In writer's rooms, when you're working with a team of people to develop a sitcom or something, it's not unusual to incorporate role-play as part of the brainstorming process (even if it's just the writing team and not the actors who play those characters), especially if the room is deadlocked on how a scene should go.

I have a little bit of experience directing, normally my own pieces written for specific IRL friends, so I guess it follows that I would do something similar with my beloved imaginary friends/fiends. All of my editing notes are written as if I'm working on a team, even though it's honestly just by me, for me. ^_^

Sometimes as a warm up, I'll write a dialogue between myself and the character where I'm asking questions about the choices they've made (usually in canon), and how they feel about them, what the implications are for this that I'm writing scene, etc. Part of this became a very silly fanfic, although occasionally it gets incorporated into the actual work in a more serious way--as actual dialogue, for example.

If I'm stuck on something, I'll go through this exercise a lot. A good example is Collateral Damage--I was having a difficult time getting Charanko and Garou to talk together, but I needed them to have A Moment (TM). So my editing process looked a bit like I was giving rehearsal notes to petulant performers:

Me: okay, so the heart-to-heart scene between you two feels forced and a little stilted. Garou: that's because it is forced and stilted.

Charanko: I'd never cry in front of Garou

Garou: he'd never get the opportunity, because I'd just leave.

Me: hm.... okay, so what if... Garou finds Charanko sobbing alone in the pantry, except this time, Charanko, you immediately hold your breath.

Charanko: why?

Me: because like you just said, you don't want Garou to see you cry, and you can't cry if you're not breathing. Garou is so intrigued by your stupidity that he forgets to be uncomfortable

Garou: I guess that checks.

Charanko: how long do I hold my breath for?

Me: until you pass out. that way, Garou has to catch you--so he just, like, leaves you against the wall and continues doing whatever he was doing in the pantry. and then Charanko wakes up and Garou talks to him--

Garou: nope.

Me: but feel a little bad for him, deep down, and you want to encourage him somehow.

Garou: yeah, but not out loud.

Me: what if... you draw a smiley face on a can of soup and hand it to him?

Garou: what if I throw a potato at his stupid face?

Me: we can work that into act 3. but there's no act 3 if you walk on Charanko, the scene just ends.

Garou: deal.

So I don't really ever fully enter a character's head, because I'm always thinking of them as a separate entity. I do often feel like they're with me, and that impacts how I experience the world--like I'll buy a lot of bananas if I'm thinking about Saitama and Genos, when I was writing the Genos Builds A Gingerbread House part of Holiday Hijinks, I dragged my partner to a baking exhibit, writing scenes with Garou makes me want to practice yoga because it's similar to martial arts, etc. Writing--particularly writing fic--is an escape and a joy for me, so the experience is usually lighthearted and fun.

On very rare occasions, I do get sad--like when I think about Garou's parents, who are my OCs... I think that was the only time I ever made myself cry as I was hashing out a scene. I tend to juggle a couple different projects and if one is bringing me down or putting me in a weird headspace, I'll cycle to a different one.

[tomboy-writer]

Prompt: Chris Evans story where your boyfriend is a cheating douche-bag. He cheats on you time and time again and you get into a bit of a depression. You confide in your best friend, Chris Evans. His consoling leads to sex, the sex soon turns into a regular thing and you get happy again. Your boyfriend sees your change and promises that he will never cheat again and that he will treat you better. You’re happy but sad at the same time because now you have to break things off with Chris. But Chris won’t have it; he says that you should stay with him and not your boyfriend. You’re not sure of which decision to make, so Chris lists off reasons why you would be better off with him.

Chris Evans x black!reader

A/N: my first Chris Evans story!! Let me know what you guys think of it.

A/N 2: I started this story a few years ago and it took me a long time to finish cause I was on a very long writing hiatus and didn't finish this until earlier this year, so some of the story goes off of what the summary says and I decided to turn this into 2 parts (could be more, depending on how long the 2nd part is). So no smut in this part, just angst and dumb jokes. This also originally wasn't going to be a black reader story, but seeing how my ACTUAL 1st Chris Evans story went pretty well (the Game On story) I decided to make it another one cause I love it.

C/W: angst, swearing, my dumb jokes, 3rd person story (it hurt my brain to write it this way, but I wanted to try something different)

“He did it again, Chris! Michael cheated on me with some big titted chick,” Y/N said as she sobbed into her best friend’s shoulder.

Chris rubbed his friend’s back, trying to calm her down. He knew how to handle situations like these since Y/N went through so many of them with her boyfriend. Chris thought her relationship with Michael was like a broken record: always repeating itself. It was good at first with the couple being so obviously in love, but that changed six months later when Michael decided that Y/N wasn’t enough and started to cheat on her with multiple women. Y/N had been given advice by Chris countless times about guys like Michael and she listened to him, she really did. But she always ended up forgiving her unfaithful boyfriend and enjoyed the makeup sex that Michael would give her after.

“He and that big titted chick can both go to hell for all I care,” Chris replied. Then he lifted his friend’s head from his shoulder and made her look directly in his eyes. “Hey hon,” he said using his ‘friendly’ nickname for Y/N. “I think it’s about time you dropped that lame ass zero and got yourself a hero.”

“Okay, Captain America,” Y/N chuckled while wiping her face.

Chris laughed too, but deep down he was really hoping that Y/N would actually consider dating him. They met seven years ago and became fast friends. But the bearded actor didn’t count on falling for Y/N a few years later when he was doing an interview for one of his new movies and Y/N was there to help support him and make sure his anxiety didn’t get the best of him. While in the middle of the interview, Chris started to feel a little fidgety, so he tugged on his ear; a sign that told Y/N that he needed her help. She was standing right behind the cameraman, so Y/N could see everything that Chris was doing. She saw the signal and started to make some weird faces for her best friend.

Y/N made Chris and the interviewer crack up that day, especially when she stood right behind the cameraman and started to bulge her eyes out at him, making him laugh as well. At that moment, Chris realized that he had found that special someone. That special someone that he wants to spend the rest of his life with and just keep forever, never let go. 

Y/N was sweet, considerate and loved Disney movies and dogs as much as he did. So he felt that she was just perfect for him. He even started to mentally kick his ass for taking so long to realize this.

The interviewer asked Chris one last question before he had to leave.

“So, Chris, is there a special lady in your life? Ya know, besides your mother and sisters,” she asked.

Chris chuckled and looked right in Y/N’s direction with a bright smile on his face. “Well, I don’t have anyone yet,” the blonde answered, his eyes never leaving Y/N’s, “but I’m looking for her.”

“Chris? Chris, did you hear me,” Y/N asked suddenly, stopping Chris from remembering the day he fell for her.

Evans shook his head no. “Sorry, I zoned out for a few seconds.”

Y/N rolled her eyes. “I said I would love to find a new boyfriend, but I’m still in love with Michael.” Chris rolled his eyes this time. “Don’t do that, man. I can’t help that these are my feelings for him.”

“But what are your feelings for him right now! Aren’t you sad? Pissed? Or feeling like you just wanna punch that douche-bag in the face so hard that his face caves in a little bit?”

Chris’s friend nodded her head yes and started to sob again. He felt bad for making Y/N cry; he would never want to make her tears fall from her eyes unless they were tears of joy. He grabbed Y/N and embraced her for a few minutes until she was calm again. Once was she was, Chris pulled away from Y/N enough to look her in her eyes.

“Hey, promise me that you’ll forget about that douche for at least two weeks and just try to find someone better. Okay?” Chris begged with sincerity in his eyes. 

“Okay,” I promise,” Y/N complied.

Chris kissed Y/N’s head and, after saying goodbye, left his friend’s house for the night.

           * * *

Chris returned to Y/N’s house a few weeks later. He rung the doorbell and heard a faint ‘it’s open’. Evans opened and closed the door behind him and blushed at the sight in front of him: there stood Y/N, wearing only a pair of boy shorts and an over sized t-shirt, no makeup. That’s when Chris thought, no knew, that Y/N was the most beautiful woman out there.

"Hi Chris," Y/N greeted her best friend with a warm hug and a kiss on his cheek. Evans couldn't help the blush that crept onto his face. He also couldn't help but to imagine if he and Y/N were together and he'd come home from being on set all day long, her greeting him the same way she was now except that she'd try to pull back a little to ask him about his day. But Chris would hold his lover in a tight embrace, kiss her so lovingly, so passionately, and ask about her day instead.

Yeah, Christopher Robert [Jamal] Evans would love that.

"Hey, Y/N," Chris replied as he breathed in the embrace. "How've you been lately?"

"A little bit better; not fully okay, but I'm getting there I think," Y/N answered.

Chris shook his head in disbelief. He knew when his best friend was lying to him. "Y/N," he whispered, "I can see in your eyes that you're hurting more than letting on. You sure you're doing fine?"

Y/N's smile was quickly replaced with a small frown. "I'm doin' fine, Evans," she answered, mocking Chris's Boston accent. "And, before you ask, yes I have went on a few dates with other guys; three to be exact. First guy wouldn't shut up about his ex-wife; like I was supposed to be his therapist or something. Second guy -this gorgeous dreadhead- we connected and shit, but he too wouldn't stop talking about his ex and his table manners were terrible." You rolled your eyes before finishing your list. "Last but not least, I went on date with Mr. I-Got-Tons-of-Money-Baby. We didn't connect at all and I'm sure it was cause of his cocky attitude and the way he talked down to people -it was disgusting! " The dateless woman flounced into her big living room and plopped down onto her L-shaped sofa. "Trying to find a new man is pointless, Chris. Either I start dating women cause why the fuck not!? Or I just give up on love all together."

Chris chuckled but then nervously cleared his throat after he came up with a great -but what he also thought was a heart attack inducing- idea. "Y/N," he stammered.

"Yeah, man?"

"If the whole thing with you dating females doesn't work out, but you still want to try to find love, then I know exactly who you should date next."

Y/N gave Chris a questionable look. He didn't say anything back, just raised an eyebrow and grinned mischievously. It took Y/N a few seconds to understand what Chris was talking about. But once she did, her mouth went into an O shape, showing her shock and surprise.

"Are you serious, Evans," Y/N exclaimed; eyes now wide as golf balls. "You wanna date me!?!"

The actor chuckled. He didn't think that his friend would be so shocked by his words. "I've been wanting to date you basically almost ever since we first met, Y/N. I just- -I just never knew what to say to you about it, or if you felt the same way or not and if you didn't then I didn't want to ruin our friendship, or if you did feel the dame way but then something bad happens to us down the road and then that messes with up our friendship and then there's the thing with paparazzi..." Chris was rambling on and on but Y/N was listening to everything he was saying. Hanging onto every word that was coming out of her best friend's mouth.

Y/N had never known that Chris had felt this way about her. It wasn't that she was completely oblivious (well, maybe a little), but she also never saw any signs of her friend being in love with her. Wait. Was Chris in love with Y/N? As far as she knew -or as far as she thought from what she was told so far- this was just a crush. A crush confession that apparently was a long time coming. She wondered how she felt for Chris; did she have the same feelings for him like he did for her? When they first met, all Y/N cared about was how Chris acted as a person, not as Captain America or as an actor in general. But as Chris Evans, an everyday man. Y/N knew, after that one day of meeting Evans, that she wanted to be best friends with the man, nothing more and nothing less. But now, with Chris' confession and continuous ramblings, Y/N was having different and a little bit confusing thoughts.

Sure Chris Evans is an very attractive man, physically speaking. But Y/N doesn't care about looks -much- when it comes to dating or anything for that matter. She thinks what makes people attractive is their personality more than anything, and she knows Chris has the best personality she's ever seen from a person. But she wasn't sure if she was ready to date him or anyone else for that matter. Although, if Y/N was going to date more, then Chris would probably be her number one pick.

"So, what do you say, Y/N," Chris asked, hopeful.

______________________________________________________________

And that's the end of part 1, everyone. Part 2 will be posted....probably next week or so. It is currently one of my WIPs so I'm definitely working on it.

But what do ya'll think will happen next? What will Y/N's answer to Chris be? Will she say yes, or will she say no? Who knows??? Except for me; I know. Also, you're Y/N; Y/N is you, so you better hope that you say something positive back :P Anyways, I hope you all enjoyed this! Thanks for reading!!

[toooldforfandom-liveblogs]

RWBY V8E11 - Risk

My main question going into this episode is... why did Ironwood's Ultimatum ask the same thing of Penny as the hack (assuming the Vault is in Atlas Academy)? I mean, in-universe it makes sense, he doesn't know what's going on. But we know. I'm not sure what's the narrative purpose of duplicating Penny's orders. Is it to have both Penny and her hacked self agree in what they need to do? To make her "lose" to the virus only because she agrees, without compromising the possibility of her coming back? Hm.

Anyway, I have no idea what the episode's title could be about so let's do this!

I think not even Palpatine in Star Wars went this hard with the dramatic lighting after his mask came off.

I hadn't considered that the bomb would be the thing to push people to reconsider working under Ironwood but, well, of course. On the other hand these guys saw Ironwood murder a councilman in cold blood without it ever coming up again, so I feel I have a pretty good reason for not thinking "this, this is the thing that breaks their loyalty"

All the light is gone from Ironwood's eyes, I guess the bomb threat finally killed whatever was left of him.

I love how the Ace Ops went from being awesome during their introduction to the slow reveal of how much they actually suck.

Winter just saved Marrow's life and there's no way she didn't know what she's doing.

I'm laughing IRL at their expressions and the situation.

Oscar is reaaally sounding like Ozpin right now

And Ruby finally, finally, got to her breaking point.

There's never going to be enough time for the show to get really into whatever is going on with Nora and Ren but I love the potential.

This is the payoff I've been waiting for almost two volumes and I'm loving it. Give me all the drama.

Nora's VA is killing it. I think I've never heard that particular tone coming from Nora before.

Wait.

What?

Of all the things I expected this is not one of them.

I wish they showed what Ren is seeing with his semblance. But I guess he could always be not using it right now.

Oh no, Jaune made me laugh. I'm getting soft in my old age.

I can't tell if that was a good apology or not. He assumed responsibility for what he said, explained the reason and made it clear that he knows what he is apologizing for.

I wonder if Nora thinks Ren regrets the kiss, since he mentioned Robyn's rally and she very clearly reacted to it.

That tiny flinch from Nora is absolutely wonderful.

The one thing that is distracting me here is Ren's VA. But maybe it's the way Ren in general gets directed which usually works for his character but feels a teensy bit stilted here, in a "ah, an actor is reading these lines" versus "Ren is saying this" way.

Still loving this scene.

Nora backstory!

now I wonder if he can turn off his semblance

If I hadn't been pausing I'd be crying right now, but this definitely got me teary-eyed.

All aboard the murder ironwood train

The most subtle of weapons, a giant Final Fantasy sword.

With that camera angle, he's already gone.

Welp, never mind

On one hand this is a natural continuation of Qrow's character development. A small return into his bad habits before continuing to get better.

On the other hand, I'm just not invested in his storyline. It lost me when Clover got killed and now I just want the writers to speedrun this bit so Qrow can either return to the main group or go do something else away from the show.

Who could it be to cause that reaction? Maybe Winter and Marrow?

lol at Ruby's angst pose.

Oh. We're going right into this.

I 100% thought they had missed the silver eyes or maybe save it for the last episode or something.

Ruby's VA is making a herculean effort to make her sound gravely while still keeping her squeakiness. And it's working.

This is amazing. I never expected the show to acknowledge that Ruby is perfectly capable of doing the same speculation as the fandom once she had the info. And I love how she's speaking.

Also, I think I can hear the fandom's reductive perception of Ruby taking a big hit.

And now I can hear my heart breaking.

I hadn't realized how much I needed this scene. When was the last time they got to be sisters?

aaand, it's gone. It can only be Penny, right? The one remaining issue in the mansion.

aw, c'mon. I don't mind (I do) if she's fully hacked but the internal fighting is destroying me. Just get it over with.

Nuts and Dolts fans: "Not like this... not like this."

This is very tragic but I can't help but find her eyes funny.

Emerald is helping! She's helping!!

Big fan of Jaune's semblance interacting with others'

From an objective point of view, this tracks. She's making a choice while she still can.

From my point of view: AAAAA, why am I watching this.

I'm 99.9% sure that this is not going to happen just because a super powerful main character makes the story harder to write.

And, also, I'm not sure Ruby would be able to do it, even though earlier in the season they talked about how sometimes they have to make hard decisions that they don't necessarily like. They were just talking about being optimistic, there has to be reason for that.

Winter would kill Penny here but Ruby is not there yet, and I doubt she'll ever be. That's just not who she is. I feel she's going to take a risk (ohh, that's why) here but I'm not sure what the plan could be. They can't stop Penny forever.

This episode keeps surprising me with things that make sense and I hadn't even remotely considered before.

That was weirdly anti-climactic.

same Weiss, same

I think I love Emerald.

lol

Okay, now you're just overdoing it with the title drops.

I think this is my favorite episode of this season so far, I liked every single scene. Marrow finally got a spine, Winter is (or seems to be) finally doing something, Nora and Ren finally talked, Ruby finally got to open herself up and reconnect with her sister, Emerald finally acknowledged she's switching sides and Penny finally "dealt" with the virus. All those "finally" are payoffs from things that have been building up for whole seasons in some cases, and all of them worked (for me). If I had to choose, I think Nora and Ren are the highlight of the episode, with Ruby being a close second.

For the first time since Penny got hacked I feel hopeful that she's not going to straight up die or choose to die. I mean, I'm still leaning towards that being the case but the aura thing is making me reconsider my pessimism. It no longer feels inevitable. Which is probably for the worse, since now that there's hope it'll just crush me harder when the writers decide to go ahead with it anyway.

I think that's all for now so, until next time!

[liberty-barnes]

Just Breathe

Tom Holland x Female!Osterfield!Bisexual!Reader

Summary: Childbirth waits for no one, not even the Oscars.

Warnings: fluuuuuff, pregnant reader, mentions of childbirth, good press articles, BISEXUAL READER WOOOHOOO

Word Count: 1.5k words

Estimated Reading Time: 6 minutes

A/N: heeeeey look @peterspideyy​ @parkersbliss​ that crazy idea i ranted to you about like six months ago finally got done! i can’t believe i did it... this feels too good to be true, is the world gonna end or something?

Masterlist 

"I don't think this is a good idea."

"Me neither."

"Please, just stay here."

You looked up to your brother and husband, frowning as you smoothed your hand over the soft black fabric of your gown.

"I am not missing the Oscars, Tom. I've still got two weeks until I'm due, it'll be fine."

You sat down on the bed and looked dejectedly at your shoes, then proceeded to throw puppy dog eyes your brother's way until Harrison had no choice but to kneel and help you put on your comfortable trainers. There's no way you're putting on your heels at 37 weeks of pregnancy.

"But what if Baby decides to come sooner? You could go into labour at any moment!"

You rolled your eyes and only raised your arms so they could help you out of bed.

"You guys are being over-dramatic. Nothing's gonna happen. We're just going to the Oscars, we'll have a good time, and hopefully, I'll leave with a little statue under my arm."

With that, you waddled out of your hotel room, ready to get into the limo.

---

"(Y/n)! It's so good to see you! You look radiant as always!"

You smiled at Kaitlyn, an interviewer you knew and trusted and rubbed your belly comfortingly. 

"Thank you, I feel like a whale, but Baby'll be here soon so it's worth it."

She smiled and asked you a bunch of questions about your movie and how you were feeling about being nominated for Best Actress.

"But anyway, how far along are you now?"

"I'm a little over 37 weeks, they should be coming soon. Tom and Haz were actually really apprehensive about me coming here since I'm so close to my due date."

She smiled and looked over at the two men, obviously on edge.

"Well, I wish you all the best and I sincerely hope you win."

You hugged her goodbye and posed for a few more pictures before being led inside by your husband.

---

"And now, for the moment you've all been waiting for..."

Everyone watched with bated breath as Brie Larson, last year's winner, got ready to announce who would take home the trophy.

"This year's winner, and taking home the Oscar for best actress in a leading role..."

Tom took your hand and you squeezed it tight, ready to applaud one of the other amazing actresses on their win.

"(Y/n) Holland, for her brilliant performance in Two Sides of the Same Coin!"

You felt like your heart was gonna beat out of your chest, run to that stage, kiss Brie, then promptly burst to flames out of sheer, unadulterated enthusiasm. Tom was hugging you and whispering how much you deserved it while your brother gently guided you to the podium. None of them would ever allow you to go up there on your own. Always one in front of you in case you trip forward and one behind you to catch you if you fall back.

Overprotective much?

As soon as you reached Brie, you hugged her tight (or as tight as you could with a human baby house separating you), taking the award while the two boys hugged her too.

"Holy Louis Tomlinson in a crop top."

The audience laughed, most of them already familiar with your strange One Direction inspired expressions.

"Wow, I didn't actually think I was gonna win this, everyone had such amazing performances. I-It's an honour, really. Two Sides of the Same Coin was a project very near and dear to my heart, so I'd like to thank the amazing Drew Barrymore, who wrote and directed the movie."

The room erupted in cheers and the woman smiled at you from her place on the front row.

"Bisexual representation is something we don't get very often, and when we do, it's always misjudged. So thank you for showing the world what bisexuality really is, and for giving me a chance to live out my dreams of kissing lots of people. This idiot tied me down too soon."

You pointed behind you at Tom, hearing his appalled squeak along with Harrison's guffaw of a laugh. 

In other news, the baby was starting to inconvenience you slightly. Baby had been going crazy since last night (not that you'd tell the boys) and the Braxton-Hicks were killing you, but it only got worse now.

"I'd also like to thank my amazing costars, Zendaya, Bella Thorne, and Owen Patrick Joyner, it was awesome to make out with you all..."

The crowd laughed while you felt something trickle down your legs.

Oh.

OH.

You'll never live this down, that's for sure.

"Uh, before I finish can one of you idiots call the car and get them to come to the exit please and thank you? Now as I was saying-"

"Wait, why?"

You turned to your brother and smiled innocently.

"Oh, my water just broke."

The crowd cheered.

Tom screamed.

Harrison fell to the floor, unconscious.

You sighed.

"New plan, can anyone try to wake my brother while my hus-" 

You looked at Tom, frantically doing small back and forths between you and his best friend, unsure of what to do. 

"-While someone else calls the car because both of them are apparently useless."

"We need to get you to the hospital!"

His terrified scream could be heard all through the room, even with no mic.

"What? No! I need to finish my acceptance speech, then go back to the hotel to shower and maybe take a little nap and then go to the hospital. My water just broke, Thomas, we have time, calm your tits."

You turned back fully to the mic, facing the hysteric faces of the crowd, very entertained by the exchange.

"Now as I was saying, I want to thank the amazing team that worked on this movie, you're all amazing and it was such a good experience. I'd also like to thank my family for always being there for me and supporting me and Haz in our acting careers. Thank you to my brother, even if he's unconscious right now, he'll just watch it on Youtube later, for literally forcing me to go to the audition. And lastly, I'd like to thank my wonderful husband, who hopefully hasn't passed out yet, for always supporting me and being my biggest rock through everything. Now if you'll excuse me, I'm off to deliver a baby, you know, just normal Saturday night stuff."

---

An Oscar in hand and another... down her legs?

(Y/n) Holland sure gave the Oscars something to be entertained by on this last Saturday. The wife of fellow actor Tom Holland looked radiant in her custom-made Valentino dress, looking ready for a night of fun.

(Y/n) was nominated for this year's Best Actress in a Leading Role award, alongside Meryl Streep, Margot Robbie, Cate Blanchett, and Tessa Thompson, but the Oscar went to her from her brilliant performance in Two Sides of the Same Coin. But it was during her acceptance speech that things got... slippery.

At 37 weeks of pregnancy, the Holland baby was ready to come at any minute, but apparently, theatrics run in the family. The actress was in the middle of her speech when she felt her water break, pausing in her talking to request a car be called.

You'd think her husband, Tom, and brother Harrison Osterfield, overprotective as they are, would be fully prepared! Unfortunately for them, and fortunately for our entertainment, they were not. Harrison went unconscious after hearing the news, dropping to the floor and earning himself a minor concussion, much to his sister's amusement

[image1-harrison-ice-pack.png]

@ynholland: "Don't worry, when you go into labour, I'll be with you every step of the way." Said Harrison Osterfield, then proceeded to pass out, get a minor concussion, and miss the whole delivery.😂 Good job, little bro👍

And just when you thought she couldn't get any better, she finishes her acceptance speech with: "Now if you'll excuse me, I'm off to deliver a baby, you know, just normal Saturday night stuff." We have no choice but to stan this iconic queen!

But for the news you've all been waiting for, Oscar Robert Holland (yes, the middle name is a homage to Robert Downey Jr. himself, we're not crying, you are!) was born just twelve hours later. Tom let know through a beautiful Instagram picture that he is in fact "perfectly healthy and loved by everyone already".

[image2-tom-and-oscar.png]

@tomholland2013: I present to you, my best creation to this date: Oscar Robert Holland. Thank you all for your prayers and kind messages, our boy is perfectly healthy and loved by everyone already❤️

But of course, Uncle Haz wouldn't stay behind.

[image3-haz-and-oscar.png]

@hazosterfield: Since I know you've all been worried sick and desperate to know how the baby is... I'm doing just fine, it's just a minor concussion :) Oh and my godson's great too.

And just to prove that the Osterfields are indeed the royal family of comedy, we leave with this wonderful picture posted to the happy mum's very own Instagram.

[image4-yn-and-oscars.png]

@ynholland: Guess I was so good they gave two Oscars instead of one ;)

-Written by Kaitlyn Storm

so anyway, Two Sides of the Same Coin is a movie idea i got a while ago and should maybe try to write one of these days but oh well or something. anyway, i’m not gonna rant about it here cause it’d be too long but i hope you enjoyed this and don’t forget to like/comment/reblog if you feel like it!

-Love, Miah

«────── « ⋅ʚ♡ɞ⋅ » ──────» 

Taglists: (if your name is striked through it means for some reason tumblr wouldn’t let me tag you) 

PERMA TAG 

@adriannajackson123​ @theamazingtomholland​ @inlovewithmobtom​ @andycanbeemotional​ @officiallyunofficialperson​ @lost-in-the-stars03​ @jeezkiddo​ @a-singleboat​ @wunder-13 @highlydisfunctional1​ @ellyseveronica​ @inthecornerchair​ @harishaanne​ @anjalika03​ @lozzypoz321​ @mendes-marvel​ @sovereignparker​ @bubbles-the-powerpuffgurl 

 MARVEL ACTORS 

@sarcasticallywitty15​ @agentnataliahofferson​ @onelovesr​ @agentnataliahofferson​ @parkerpetertingle​ @juliebean247​ @frustratingpaperclip​ @tacobacoyeet​ 

HOLLAND & CO. 

@sarcasticallywitty15​ @agentnataliahofferson​ @onelovesr​ @agentnataliahofferson​ @zeusmyster​ @parkerpetertingle​ @juliebean247​ @joyleenl​ @quaksonhehe​ @clara-licht​ @frustratingpaperclip​  @tutuabby28​ @tacobacoyeet​ 

LGBTQ+ 

@quaksonhehe​ 

[jemmo]

Habe you seen any of P'Aofs other works? I'm still quite new to BL so I wonder if he's just that good or if Ohm and Nanon make most of the greatness of Bad Buddy? I mean obviously they play a big part but with a shitty script even fantastic actors couldn't do much. 😳

hello dear anon!!

and yes, i've seen a lot of p'aofs works. from what i remember, his most notable series have been he's coming to me, dark blue kiss, still 2gether and atots. and they have all been very good in my opinion. i wasn't much of a fan of 2gether, but i dont know what p'aof did when he picked up those follow up eps but to me they were a big improvement, so he must have some kind of magic up his sleeve.

and as for all the others, i couldn't recommend them enough. to me, dark blue kiss is one of the best handlings of an established relationship in a BL ive ever seen. it might be a tad overdramatic and have its own shortcomings, and yes it is centred around jealousy which isnt always my fave, but i do honestly understand where both the characters are coming from. there are reasons for both of their actions and how they behave and i really appreciate that. plus tay and new do have great chemistry and i like their dynamic, but thats just bc i love when they bicker like an old married couple. and lets not forget mork and sun who literally invented side couple syndrome. i think they stole everyone's hearts, their storyline and dynamic was just so good and i so wanted to see more of them.

atots is atots. i feel like its already legendary even tho it only aired last year. such a refreshing storyline and setting. both characters felt so fleshed out and whole as people. and i love that, besides the romance which was amazing, you got to see how both characters went on journeys as individual people. i cry at a lot of things and there's a lot of things to cry at in atots, but what got to me the most was the scene where tian has to leave the village. let me tell you, if you love the found family trope and want to see a young man find true fulfilment and happiness in his life, watch this show.

and last but definitely DEFINATELY not least, he's coming to me. this show THIS SHOW. if the rest of my reply is trying to convey to you that p'aof really is just that good, this is where i say that if you pair p'aof with seasoned, talented actors as we did with bad buddy, you get a masterpiece. bc p'aof, working with singto and ohm in this show must've been a match made in heaven bc this show is amazing. for such an out there and kinda ridiculous concept, it somehow delivers. nothing about it feels like a joke. they took a story about falling in love with a ghost and made me actually care. not once while watching was i thinking in my head 'this is stupid and pointless bc this would never happen' bc i was too invested in the journeys these characters were having, of learning to move on and learning to be and accept yourself. and yes singto was amazing, but for me ohm stole the show. watching this series was what made me watch bad buddy, bc i just needed to see more of ohm acting. his portrayal in the series is legit faultless to me. at such a young age as well he gave me everything. the innocence and pure joy of someone so young and naive to the world, the sheer amount of empathy and care he had for mes, gosh i dont even know what else to say without crying he just carried this show. and i can see why it created such a strong bond between him and p'aof.

but bad buddy really and truly knocked it out of the park. and from what i can see, that is ohm and nanon. bc p'aof has brought magic to everything he's done but this is another level. bc to me, p'aof is great at everything he does and can do, scripting and directing and helping actors with characters etc, but where these other series dont compare to bad buddy is in the chemistry. ohm and nanon have the ability to act so naturally together and thats not something p'aof can create himself. sure, he can help a lot, but that chemistry comes from their close bond, their understanding of themselves and each other and their talent and passion as actors. its just a dream team the three of them. and i so hope that gmmtv will let p'aof run wild with experienced and talented actors again so we keep getting more masterpieces like bad buddy. bc there's no hiding now, we know they can do it, we know they have all they need, so just be brave gmmtv. let p'aof work his magic.

[missymurphy1985]

The Rebel (Cillian X OC OneShot)

Warning - smut - and this IS only a one shot, I can't cope writing another series at the minute 😂

Request? Yep!

Taglist @queenshelby @margoo0 @being-worthy @peakyscillian @janelongxox @elenavampire21 @noctvrnalmoth @ysmmsy @cloudofdisney @lauren-raines-x @namelesslosers @misscarolineshelby @screemqueen @cilleveryone @darlingjaye

"The fuck does she get off?" Cillian cried, throwing his bag across the trailer he shared with Paul Anderson.

"Someone's a fan of my new love interest!" Paul laughed watching Cillian fume as he paced the small trailer over and over again.

"I knew casting her was a mistake, she's fucking delusional!!!"

"What's she done now..."

"Literally THREW her coffee cup at her PA because she put milk in it... THREW IT!!! At her PA!!! Poor girl was fucking terrified man!"

"She's hot though, ain't she?'

"What? Fuck sake Paul you ever NOT think with your dick?" Paul smirked, raising his eyebrows at Cillian knowingly. "Yes okay, she's a good looking girl, but that doesn't mean she can get away with trampling over people to get her own way does it?"

"Maybe she just needs a good, solid man to ground her a little, bring her back to earth a bit?" Paul smirked.

"Go for it man, good luck to you. Last fella she had probably still needs therapy."

"Oh I wasn't talking about me mate." Cillian looked at him suspiciously.

"What?"

"Oh for fucks sake Cillian, when was your last eye test? Can you not see what's clear as daylight, right in front of you??" Cillian's eyes widened, not understanding a word coming out of Paul's mouth.

"You've lost me."

"Wonder if she's part Irish. Or wants to be...." Cillian's face contorted.

"Don't use that line it's fucking cheesy... Never works either. What's your point?"

"Mate if you don't get in there quick, she's gonna lose interest and Finn will be at it like a shot!"

"You're having a laugh aren't you? I'm not even remotely interested!"

"Uh huh. Okay. Just don't say I didn't warn you eh?" Paul put his baseball cap on and headed out the door, still with a smirk on his face. Cillian took a seat on the sofa and ran his fingers through what was left of his hair, rolling his eyes. Yes, Natalie was fucking hot... But my god was she challenging.

Throwing that cup today was one thing. Telling the director she didn't like her character was another. Her original character was supposed to be Tommy's new 'plaything' behind Lizzie's back, but Natalie had apparently requested a change of direction - she wanted to be Arthur's new love interest, nothing to do with Tommy at all. That confused Cillian, and he'd had to think back to see if he'd ever worked with her in the past, obviously he'd pissed her off at some stage, why else would being his onscreen love interest be so repulsive to her that she demanded an entire script change?

Heading into the bathroom, he glanced at himself in the mirror. He wasn't exactly repulsive, surely? Yes he had a few more wrinkles now that he did in series one, but he was nearly 45 now...

He shook his head quickly - why did it even bother him whether she found him attractive or not?? She was 32, not that much younger than him but still way out of his league, and to top it off she was a fucking nightmare!

But those legs... Her eyes... Her lips... He couldn't help himself imagining those lips wrapped around his cock when he lay in bed in his Manchester apartment alone at night... Without thinking he found himself palming the growing erection under his jeans, feeling that familiar stirring in his groin. Shaking his head quickly, he splashed his face with cold water and rearranged himself in his jeans, calming himself down before he embarrassed himself. Once his erection had gone down, he headed back out of the trailer and over to his hire car, the driver ready and waiting to take him back to the apartment block.

Natalie opened her apartment door and crashed onto the sofa, exhausted. A full week of intense filming, she was more than ready for a soak in the bath and a glass of Shiraz. Opening the cupboard in the kitchen area she groaned - no wine. She also remembered the bubble bath she'd bought, and subsequently left in her trailer back on set...

She fished around in her bag for her room key again, and bit her lip. She knew exactly who would have a bottle of bubble bath... She groaned to herself, having successfully avoided him up until now but her aching limbs were crying out for some Radox. She left her apartment and knocked on the door across the hall.

Cillian answered a few minutes later with just a towel wrapped around his waist and his hair wet.

"Erm... Hey?" He asked, not opening the door fully, more hiding himself behind it.

"Okay um, this is random I know, but I was just wondering if maybe you had any bubble bath going spare? Please?"

"Really?" He laughed.

"Is it so surprising to you that a girl likes a bath now and again?"

"No actually, what's surprising is that you actually have manners."

"I beg your pardon?"

"You said 'please'. Didn't think you had it in you."

"Listen, you either have bubble bath spare, or you don't, it's a simple fucking question Cillian."

"Those tactics won't work with me love." Cillian

"Forget it, for fucks sake..." She turned to leave, rolling her eyes.

"Wait.. yes I have spare. Come in, I'll grab it for you." He pushed the door open so Natalie could walk inside, before heading into the bathroom. Coming back out with his jeans on, she couldn't help but be drawn to his toned chest and biceps, his upper body still damp from his own bath moments before she'd disturbed him.

Cillian caught her checking him out and smirked a little, handing over the bottle of Radox. She took it, smiling a touch herself.

"You smile too." She lowered her eyes and tried to hide the grin on her face. "You're not as hard faced as you try and make out, are you?" His arms were folded across his chest now, leaning against the kitchen counter.

Her eyes suddenly watered, and she bit her lip. Cillian frowned watching her well up and instinctively moved closer, taking her shoulders into his hands.

"Hey now... I didn't mean to upset you..."

"No... No I deserved it. God I'm so sick of this!"

"Sick of what?"

"I have this reputation of being a diva... With my career... I just like things to be perfect and when they're not I can lose my temper so quickly and it's fucking horrible and I make people hate me!" She choked back a sob, and Cillian pulled her into his arms, holding her as her shoulders shook.

"We all like things to be perfect Nat, but life doesn't work out like a fairytale, things just go wrong and that's okay?"

"I know, and I always feel so fucking guilty afterwards.. I can't stop now - my reputation is the only thing keeping me in the press, keeping me relevant..."

"You're kidding, right? So all this bitchiness, the demanding ways - it's an act?"

"Some of my best work has been off camera Cill." He couldn't help but laugh. He opened the cupboard and pulled out two small glasses, followed by a bottle of Irish Whiskey. Offering Nat one, she nodded, and they both moved into the lounge area.

They talked for a while - comparing stories of Hollywood, other actors they'd worked with, before Cillian cleared his throat. He needed to know the truth about her changing the script to be Arthur's love interest rather than Tommy's, and now she'd sank a few whiskeys, she was probably loose enough to tell him straight.

She hung her head, embarrassed. She knew he'd probably find out eventually, being one of the producers, but she hoped if she avoided him long enough she'd never need to reveal the truth to him.

"I also turned down Inception. And they offered me Thandie Newton's role in The Retreat."

"Okay..."

"I turned them all down when I found out you were in them."

"Ouch!" He chuckled nervously, "I don't think I want to ask why!"

"Because.. and this is awkward so don't laugh yeah?" He nodded as a promise not to, but his eyes widened when she revealed the truth. "Because I've had a crush on you since I was a teenager... And I didn't wanna make it awkward but I guess I just kinda did.."

Cillian was stunned into silence for a minute, or five. His silence made her nervous, and she pulled herself off the sofa to head out, realising how much of a fool she'd made herself. Making a mental note to blame the whiskey in the morning, she stood up, only to feel his hands suddenly on her waist as he stood up next to her.

"So that's why you didn't want to play Tommy's love interest, huh?" He held her in front of him, his hands squeezing her hips as he pulled her closer.

"Would've been too awkward.. for me at least.." closer still, their faces now inches apart.

"Does this feel awkward?" Their bodies met, her heart pounding in her chest. She could feel how aroused he was, pressed up against her, making her breathing heavier.

"No..." He leaned down, pressing his lips gently against hers, just ghosting over them.

"And this?" He whispered, his hands moving up, not quite over her breasts, just underneath them and round her lower ribs. She couldn't speak, just shook her head. Her breath hitching in her throat as a hand snaked back down, under her leggings and underwear, softly caressing her inner thigh and mound. Cillian glanced at her, her eyes closed and breathing deepening as his fingers traced her core, pushing a finger inside her to feel how much she was throbbing for him.

"Want me to help you with that?" She nodded again, and felt his fingers probe her, moving up slightly to brush against her clit making her hips grind against him and her fingers press into his biceps. His fingers moved slowly, circling the small bud.

"That feels good...." She panted, rocking her hips to ride his fingers, needing more.

He responded by moving his fingers quicker, pushing the small button harder. Her head fell against his chest and she groaned, her orgasm coming quickly.

"Gonna make a mess on my fingers, Nat?" He whispered in her ear, her breath coming in short bursts now. His other hand moved to her hair, pulling the bobble from it and letting it fall down her back, running his fingers through and tugging it to pull her head back. His lips on her neck, biting and sucking at the skin. Her hand resting on his arm, keeping him in place as he fingered her.

"Don't stop... Don't stop... Faster..." She gasped, and he happily complied. Rubbing her clit hard now under her clothing.

"Make a mess on me, cum for me..." She came with a force she'd never felt before, gripping onto his arms and holding his arm steady, riding her hips against his hand as her orgasm began to subside. He gave her a few minutes to catch her breath before pulling his hand away, bringing his fingers to his lips to taste her, groaning at the sweetness and pressing his lips against hers.

Bringing her close again, he backed her up until her calves hit the sofa, before laying her against the cushions and pulling her leggings down, her underwear with them. She spread her legs, biting her lip as his mouth kissed up her thighs.

"You want me to fuck you, Nat?" He lifted her t shirt over her head, her body completely bare now as she nodded.

Her fingers pulled at his jeans, and he unfastened them, easing his erection out before allowing them to fall to the floor, kicking them across the room. Natalie pushed him onto the sofa, sitting up against the cushions before straddling him, his hard cock now pressed against her soaked core.

"I'm gonna fuck you, that okay?" She smiled, her forehead pressed against his as she sunk down on his length, gasping at the sensation of being completely filled by the man she had fantasised about for years. His hands moved to her hips, before she moved them, putting them behind his head, taking full control. He smirked, before his mouth fell open - her hips riding him felt incredible. Pulling her body up, keeping the tip inside, she bounced gently, teasing him. Sinking down on him again, only to repeat the process. His legs were shaking from the sensations.

"Don't tease me, ride me." His blue eyes were like ice, and Nat sunk down so he was fully sheathed before moving her hips back and forth. She released his hands and gripped onto his shoulders for leverage, arching her body backwards slightly so his cock hit against her g spot deep inside her. One of his hands moved to her ass cheek, the other to one of her breasts, both of them squeezing and kneading at the flesh as her body grinded against him.

The hand on her ass moved round to circle her still sensitive clit, making her hips jerk faster.

"Cillian.... Cillian...." Her breathy moans of his name, the way her pussy clamped him, claiming him completely, the feel of her firm breast in his hand, the way her eyes fluttered closed as her orgasm approached... She was intoxicating.

"Baby.. I'm close..." He groaned, feeling that burning coil in his abdomen.

"Me too... I'm on the pill..." He grinned and held her hips still, pounding his hips up hard from underneath her. He had to cover her mouth to silence her loud screams, careful not to alert Paul in the next apartment. That only seemed to turn her on more, and she took two of his fingers into her mouth, sucking them, still tasting herself on them from earlier. The hand on her ass slapped it and squeezed it hard in response, making her cry out.

"That's it... Good girl... Fuck, I'm gonna cum..." Her orgasm flowed from her at his words, and she felt him shoot several streams of hot cum deep inside her as her walls clenched around him, milking him for all he had to give her.

Their foreheads pressed together again, both panting as they rode out the waves of pleasure.

"Does that live up to your fantasy?" He chuckled, groaning a little as she gave him a final clench of her walls.

"More than... Fuck that was incredible..." She gasped, gently rocking against him, not wanting him to leave her body just yet. She could feel him hardening again, in fact she wasn't sure he even softened.

"Don't stop, keep moving... Nice and slow.. Just like that..." He helped her hips move slowly, riding him gently.

"You're insatiable, aren't you..." She groaned.

"You feel too good wrapped around me, full of my cum deep inside you... You gonna let me fill you up again yeah?" She didn't answer, instead just allowed him to move her against him. He brought her hand down to rub her clit, needing to feel her cum again. She circled the bud gently at first, then feeling his cock start to twitch inside her she picked up the pace. He suddenly moved them so she was underneath him, his hips pistoning into her as he bent his head down to watch her fingers pleasuring herself.

"I'm gonna cum, Cillian...."

"I'm right there with you, come on..." A deep groan from both of them as they came together, him filling her up for the second time.

His body fell against hers as she held his shoulders, his face buried in her neck lightly caressing the skin with the tip of his nose.

"Fuck... Natalie... I haven't been able to do that for years," he laughed, hissing slightly pulling his sensitive cock out of her. Their mixed juices flowing from her onto the sofa cushion.

"I only came over for bubble bath.." she chuckled, her head laid back against the arm of the sofa as she caught her breath.

"My bath's probably still warm, might as well jump in with me?" He offered.

"No funny business in there, I think I need a breather..."

"Better make it a quick bath then. You're not leaving this apartment tonight. Or this weekend, in fact."

[d-criss-news]

20 Questions With Darren Criss: How Acting Has Helped Him Make New Music

While Darren Criss has graced our TV screens with a range of characters, from high schooler Blaine Anderson on Glee to serial killer Andrew Cunanan on The Assassination of Gianni Versace, he was last spotted just being himself, on our For You Page on TikTok. “I’m walking to rehearsal with a guitar on my back with a Trader Joe’s bag ... I did not bring an umbrella because I forgot that it was raining. I’m rocking that NYC musician life,” the Glee alum explained in the hilarious clip posted three days ago.

While Criss’ acting work has earned him acclaim and stardom, he leaned into making music during the pandemic. On Aug. 20, he dropped a new EP, Masquerade, featuring five new tracks that Criss says were inspired by the different characters Criss has embraced throughout his career. After Criss wrote songs for his musical comedy web series Royalties and Apple TV+’s animated sitcom Central Park before the pandemic struck the United States, he then used those experiences as a precursor to his new EP. As Criss continues to promote his new music, he answered 20 of Billboard's questions – giving us a peek into how his new EP came together, and how growing up in San Fransisco shaped him as an actor, singer and all-around artist.

1. What inspired your latest project, Masquerade?

Although I would have preferred that it come at a far less grim cost, I finally had the time. Before the pandemic, I had written 10 new songs for my show Royalties -- along with an original song for Disney and another for Apple’s Central Park. These were all assignments in which I was writing for a certain scenario and character. Go figure. It was the most music I had ever written in a calendar year. This really emboldened me to rethink how I made my own music— to start putting a focus on “character creation” in my songs, rather than personal reflection. The latter was not proving to be as productive. The alchemy of having this time and having set a new intention with my own songwriting and producing made me put on a few of my favorite masques and throw myself a Masquerade.

2. How do you think your background as an actor complements your music?

They are one and the same to me. I treat acting roles like musical pieces— dialogue is like scoring a melody; there’s pace, dynamics, cadence, tone. Physical characterization is like producing -- zeroing in on the bass line, deciding on the kick pattern. Vocal characterization is like choosing the right sonic experience, choosing the most effective snare sound, and mixing the high end or low end. It goes without saying that it works in the complete opposite direction. Making each song is taking on a different role literally and employing the use of different masques to maximize the effectiveness of the particular story being told.

3. On Instagram  you wrote that “Masquerade is a small collection of the variety of musical masques that have always inspired me.” Which track do you identify with most in your real life?

Everybody absorbs songs differently. Some key into the lyrics, some into the melody, some the production, some into vocal performance. When I listen to songs, I consider all of their value on totally different scales. So it’s hard to say if there’s any track I “identify” with more than any others, since I -- by nature -- identify with all of them. I think I just identify with certain aspects more than others. If it helps for a more interesting answer, I will say I enjoy the slightly more classical, playful -- dare I say -- more Broadway-leaning wordplay of “Walk of Shame,” but that’s just talking about lyricism. I enjoy the attitude of “F*kn Around,” the batsh--t musicality of “I Can’t Dance,” the relentless grooves of “Let’s” and “For A Night Like This.” All have different ingredients I really enjoy having an excuse to dive into.

4. What’s the first piece of music that you bought for yourself, and what was the medium?

Beatles audio cassettes: “Help” and “Hard Day’s Night.” I just listened on repeat on a tape-playing Walkman until my brother and I got a stereo for our room with a CD player in it, which was  when I just bought the same two albums again, but this time as compact discs.

5. What was the first concert you saw?It’s hard to say, because my parents took us to a lot of classical concerts when we were small. But I guess this question usually refers to what was the first concert you went to on your own volition, and that my friend, was definitely Warped Tour ’01. My brother and I went on our own— two teenagers going to their first music festival, in the golden age of that particular genre and culture. It was f--king incredible.

6. What did your parents do for a living when you were a kid?

My dad was in private banking and advised really, really wealthy people on how to handle their money. My mom was, by choice, a stay-at-home mom, but in reality, she was my dad’s consigliere. They discussed absolutely everything together. They were a real team, and I saw that every single day in the house. They both had a background in finance (That’s how they met in the first place.) and were incredibly skilled at all the hardcore adulting things that I absolutely suck at. They were total finance wizards together. So of course, instead of becoming an accountant, I picked up playing the guitar and ran as far I could with it. Luckily, they were all about it.

7. What was your favorite homecooked meal growing up?

My dad was an incredible chef. For special occasions, I’d request his crab cakes. They were unreal. I’ve never had a crab cake anywhere in the world that was good as my dad’s.

8. Who made you realize you could be an artist full-time?

I don’t know if I’ve actually realized that yet.

9. What’s at the top of your professional bucket list?

The specifics change every day, but the core idea at the top is to continue being consistently inconsistent with my choices, and to keep getting audiences to constantly reconsider their consideration of me. But I mean, sure, what performer doesn’t want to play Coachella? What songwriter doesn’t want to have Adele sing one of their songs? What actor doesn’t want to be in a Wes Anderson film?

10.  How did your hometown/city shape who you are?

San Francisco. I mean, come on. I was really lucky. The older I get, the more grateful I am for just being born and raised there. It’s an incredibly diverse, culturally rich, colorful, inclusive, vibrant city. By the time I was born, it had served as a beacon for millions of creative, out-of-the-box thinkers to gather and thrive. I grew up around that. The combination of that with having parents, who were unbelievably supportive of the arts themselves, laid an incredibly fortunate foundation to consider the life of an artist as a legitimately viable option. It’s a foundation that I am supremely aware is not the case for millions of young artists around the world. I was absurdly lucky.

11.  What’s the last song you listened to?

I mean probably one of mine, but not by choice. I know, lame. But I’m promoting a new EP, what’d you expect? But if you wanna know what I’ve been listening to, as far as new s--t is concerned: a lot of Lizzy McAlpine, Remi Wolf, and Charlie Burg.

12.  If you could see any artist in concert, dead or alive, who would it be?

The Beatles is an obvious "yeah, duh." Sammy Davis, Mel Tormé, or of course, Nat King Cole. I would’ve loved to see Howard Ashman give a lecture on his creative process and his body of work.

13. What’s the wildest thing you’ve seen happen in the crowd of one of your sets?

I feel like just having a crowd at all, at any one of my sets, is pretty wild enough.

14. What’s your karaoke go-to?

The real answer to this I’ll write into a book one day, because I have a lot to say about karaoke etiquette. I have two options here: I can either name a song that I like to sing for me, for fun, or I can name a song that really gets the group going. The answer depends on what kind of karaoke night we’re dealing with here. So I will say, after I’ve selected a ton of songs that services a decent enough party vibe for everyone else, then I would do one for me, and that would be the Beatles’ “Oh! Darling.”

15. What’s one thing your most devoted fans don’t know about you?

What I have up my sleeve.

16. What TV show did you binge-watch over the past year?

Dave is a stroke of genius. There are episodes that I believe are bona fide masterpieces. Also, My Brilliant Friend is a masterclass in cinematic television.

17. What movie, or song, always makes you cry?

It’s A Wonderful Life.

18. What’s one piece of advice you would give to your younger self?

Get used to sharing everything about yourself and your life now, or more astutely, to the idea that you don’t necessarily get to control how your life is shared. I know it’s not really your thing, but you’re gonna have to get used to it, so start building up those calluses now. And don’t worry, all the stuff you love now will be cool again in your mid-thirties, so keep some of those clothes because you’ll be a full-blown fashion icon if you just keep wearing exactly what you’re wearing. Oh nd also, put money into Apple and Facebook.

19.  What new hobby did you take on in the last year?

I’ve always been a linguaphile. My idea of leisure time is getting to study or review other languages. This past year, I took the time to finally dive into learning how to read, write, and speak Japanese. Other than making music, it was one of the biggest components of my 2020-2021.

20. What do you hope to accomplish or experience by the end of 2021?

I hope I get to play live shows again.

[anonil88]

Malcolm and Marie live blog

I don't usually do liveblogs for movies but yea.

Spoilers ahead!!

I love that its modern timed but very 70s stylized.

A tune indeed.

When you are high and drunk on success and

How the white critic reacts is why I feel like gatekeeping my scripts. At the same time some things I do make are about race or involve.

Marie sitting on the patio smoking is a mood whenever men are talking.

So he's pretentious and unaware.

Whoever chose the music for this, I feel like we would be Spotify mutuals.

Can this nigga stop pacing.

Also can he stop talking;

Marie is so tired and unimpressed.

Also little booties matter and are to be bitten.

Oooo the tension and the jazz.

Title Card over mac and cheese.

Shitty boxes mac and cheese but still mac and cheese.

Tbh i always wonder if spouses/significant others get upset when their spouses don't acknowledge them during speeches.

John sounds so much like his dad but I really hope his acting style differs from his dad a lot.

Guilty confession?

He did not profit off of his partners backstory and then not even acknowledge her.....I.....

If that ever happened to me catch me cussing my partner out during the beginning credits, the end credits, in the car, and at home.

GASLIGHTER!

The way I'm excited for Zendaya to give me some, oooo can she work with Regina King. Please on my knees I pray.

Um no that's not your job to coddle your lead.

He's a dick and the type of dick who makes himself look like a good person around other people.

If Sam Levinson is trying to make his viewers more of misandrist, it's working.

I feel like Marie has her flaws probably a lot of them and we will surely see as this continues, but Malcolm needs to learn how to apologize sincerely.

70s vibes! 70s vibes!

Them kissing and talking about criticism and dreams makes me miss a partner. A partner that I've had and haven't had.

Women really are behind every great man.

Yea sir you fucked a happy moment.

Oh visual allegories for looking in from the outside and cat and mouse chasing and looking from the outside in.

She's saying she doesn't feel noticed by you.

Gas lighter :0 he called her an emotional support dog, bruh.

I would LOVE to co-write or take a writing class held by Sam Levinson. The fights i write are very much in this same realm of reflection and anger and monologue.

Sam.....sam.....are all the sides inside of you doing okay sir?

The ugly side of dating and being in a relationship with someone who struggles with their own demons.

Honestly I could close my eyes and listen to this script being read without seeing these characters visually. Just close my eyes and get a sense of these characters like it was a radio story.

Oh. Oh this is a new wheelhouse of Zendaya acting; a different voice is like breaking through here and her expressions aren't the same we are used to. You can literally hear another character in there....hmm.

Mans is outside really fighting with his invisible demons lmfao.

Selfish ass, how after everything she said you came out of it thinking about your own craft and self instead of how you hurt her.

So she's conditional.

Me: did sam (a white man) say nigga this many times in his script or are the actors adding their own inflections. Not just the lingo used but the topic of race and directing etc. being written by a white writer about black characters is always gonna be a critique when you're writer is a white person.

Alexa play Broken Girls by Saba

He is so hurtful.

A clown nigga a clown look in the fucking mirror you bozo head ass looking like you need some Mehron clown white and a size 16 in clown shoes.

John is doing a really swell performance and reading of these lines.

He is reading her for her insecurities by bringing up his experiences with other women and that.....is yikes.

Arguments can get messy like this in real life but it takes a lot of maturity and control to either not let it get to this point or have a healthy conversation afterwards.

This film is really shot on some very crisp lenses.

They sitting there like 🚬🧍‍♀️🧍‍♂️.

Leftover Mac and Cheese and unfinished cigarettes.

The nyt etc. pay walls are so annoying, but there is a work around look at the articles on incognito or add a period at the end of the url.

He sounds like his daddy so much here, weird, this is the only part I'm eh on the dialogue it feels real but a bit out of pace in how they are bouncing off one another.

Nail scissors? So the end is not the only part he based off of Marie. 🙄

ITS A GOOD REVIEW YOU DINGUS but also its a full review they are going to critique things. She isn't wrong though he did profit off of a woman's story that was not his own to profit from.

Yes Malcolm because unfortunately all marginalized people look through a lens of life that is inherently political because of the world they live in.

He is so mad and upset and had a lot on his chest. But I think he Malcolm and Sam are talking about something thats an issue and a non issue. Being critiqued for you art is hard but also Malcolm is not super self aware. He's like a stand in figure of for example rich depop sellers who wanna be oppressed so badly they yell at others instead of examining their own personal behaviors and ethics.

Oh Marie, when you know the spark is gone and you pick fights because.

He ain't even ask her to read?

One critic I have for most of hollywood actors is they learn their cry and that is it. A change from this is Margot Robbie, I adore her fluctuations of crying being similar but the crying is carried differently for each character. If I had to say any actor that does a cry scene amazing its this woman right here (Amy Adams)

You stole her story from her and gave it away, she has a right to be upset and angry and a rubber band ball of emotions.

Citizen Kane, not the cinematography, but the story is it even that good? (Unpopular opinion but meh, maybe in my rewatch it will be better.)

But that is what people want authenticity and whatever authenticity means to them. What is real for one is false for another.

To be honest look at the criticism of Euphoria, well earned, but a lot of people were like this isn't real even though he literally wrote about his own life. People said it was inauthentic like....wtf.

Ahh the smoking is just a habit, he quit and she didn't.

CAST ZENDAYA IN A HORROR MOVIE PLEASE FOR THE LOVE OF EVERYTHING. Get Lupita and Zendaya and some more black actors preferably less known ones in a horror movie. One with a interesting script and story, directed by Regina King. Please and thankyou.

I love Marie yep that was amazing.

Behind every great man is a greater woman, one that deserves her credit for how she has stood behind. I wonder the stories of those women, what they have sacrificed or not sacrificed. Their thoughts and feelings when the world is surrounding their partner and views them as a plus one. (I'd write a short script about this but I think do I have the time, can I, or am I equipped ?)

He is a shitty person for bringing up his exes, like she even said I don't wanna know any of that.

Imagine being on anti depressents and rarely having a sex drive and then when you do your partner starts talking about their exes and tearing you apart for all your faults.

I love when you see peaks of Zendaya's cadence in roles.

Tension, what if's and he didn't even bring her up in his speech.

Marie to herself and the audience:

He is not afraid that he will loose her but as my character says in my unreleased story, "i can't wait til you give me a fucking reason to leave your ass." Malcolm expects everything in order for not even doing the bare minimum and she is only asking him for something as simple as consideration. She just wants him to be considerate. He wants to get married and considers their relationship like rolling down a hill at full speed and he cannot apologize, he cannot be considerate, and he cannot admit his wrongs. He can only offer her I love yous that he probably does mean but he does not back up outside of what he's done for her in the past. The past which was more of her experience than his and he sees his part in it as a burden. He doesn't use his own vantage point of the past to further his career he uses her. He does all of these things without a real apology or thankyou because he is not afraid to loose her.

The restrictions of quarantine and the panorama have made Sam's writing very no frills. I wonder how other films from other directors and writers that are filmed in small contained crews like this will be structured. But this was a very good movie gonna add to my letter box 3.3-3.5

Oh shit this is my song,

Ratings/overall thoughts:

Script is like a C+, B- : I could go into my heavier big brain thoughts on the script but I don't feel like it. You catch hints of it above it centers conversation on race and privilege, mainly the writers and questions i have that won't be answered but Sam did make me grow disdain for Malcolm over a short time. Which is sometimes hard to do because im one sympathetic person but the sympathy i have for Malcolm is at 0. Maybe a 2 at some scenes but then it quickly goes back to 0. Some parts of the dialogue miss the mark or hit the are off balanced. While some of it like Malcolm's bathroom speech albeit mean is really strong or their conversation when he comes back from peeing really shines for me.

Performances: B+ to A- because they carried the script further than it could of gone with less talented actors. The monologues do well to showcase their current skill levels which are already high af and leave room for anticipation in where these actors go next.

Zendaya holding a knife: A+ with a gold star. That switch on and off and on is delectable.

John being a shitty boyfriend but following Marie like a lost puppy: B+ with a good job written at the bottom of the paper, Malcolm being nervous a frantic dialed up with more realistic nervousness would have sold me completely on Malcolm's anxious waiting.

Cinematography: A and a participation award.

The mac and cheese: A+ for the easy mac. Wish it was like Annie's or Velveeta.

Cigarettes: Participation award and their picture hung up for student of the month. Why the grill lighter? Everytime Malcolm opened up his mouth Marie was like sparks fly.

The music: A++ with a prize. Whoever picked the music probably makes good Spotify playlists.