#i also really want to do tanz der vampire and elisabeth aus if you know those musicals too

[a-pigeons-soliloquy]

gnawing on the bars of my enclosure at that Will Salieri art btw. i don't know ANYONE else in this fandom who knows that musical 😭

omg another person who knows mozart l'opera rock???? hello!!!!!!!!!! so happy that there's at least two of us lol

[emptymasks]

I’ve seen a lot about your thoughts on Elisabeth and Tanz der Vampire, and they’ve been really helpful getting into those musicals! But you have a huge list of other musicals that people can get into…

So I was wondering if you had any musicals you hadn’t mentioned in a while that you really like or would like to talk about??? (preferably something from your lists that has a blue heart please?)

Oh if only you knew how long the list of European musicals really is... I however have only seen 9 (if I counted right) and I have a lot more that I still need to watch. Oh also, I only put the blue hearts on any musicals that I was providing multiple links for so people could see which version I reccoment the most highly. If a musical only had one link and didn't have a blue heart it doesn't mean I didn't like it.

I've watched: Mozart das Musical, Elisabeth das Musical, Tanz der Vampire, 3 Musketiers, Mozart L'Opéra Rock, Dracula (the Graz production), Rebecca das Musical, Roméo et Juliette and Schikaneder.

If you enjoyed those two you're likely to enjoy Rebecca! It's written by the same composer/lyricist team as Elisabeth and Mozart (and same lyricist as Tanz der Vampire - though if you're listening to any German musical, original or translated, 90% of the time the lyrics will have been done by Michael Kunze that man is everywhere). The Stuttgart production has my favourite set design of any musical! Well... Actually probably. There are so many big set pieces it's insane, way more than I've seen in some Broadway and West End musicals. You can tell so much work went into it and the visual effects that I won't spoil if you don't know the plot but if you know the plot you know what I mean by the effects at the end are so good and I didn't expect them at all and I freaked out so much the first time I watched it. Jan Ammann as Maxim in the Stuttgart production is the best Maxim. No I won't take any argument. Other actors feel a bit one-dimensional to me, but the way Maxim acts at times comes from trauma and some actors and productions seem to forget that, but Jan really goes for it and his Maxim is a lot more sympathetic and I just want to give him a hug. Pia Douwes as Mrs Danvers, if you've seen her in Elisabeth what more do I need to say, she's amazing. A musical goddess. Her Danny is a bit more wild than some, but she kills it. My favourite video, which I put the blue heart next to, has understudy Christina Patten as Ich/I, but I adore her she's my favourite. She adds some spunk to Ich in act 2 and her voice is so pretty and aaaa. I just love these three actors together in these roles.

Roméo et Juliette is another favourite of mine! It's hard to choose which one to recommend, but it has to be the original 2000/2001 production because of the sweetness and chemistry and voices of Damien Sargue and Cecilia Cara as Romeo and Juliet. They're so pretty and work together so well. The only reason I say it's hard to pick is Mercutio. I adore him, but in the original production they cut out a song they had planned for him and he doesn't really do much at all? In the 2010 revival they gave him two more songs and you care about him so much more and John Eyzen plays such a good Mercutio. So I'd recommend the original but if you want to like Mercutio more, which you should he's amazing, I'd recommend watching at least clips of John's. It's an interesting musical because all productions are non-replica and also change around the order of songs, add or take away characters, all sorts. The Hungarian production is also very popular and I'm sure it's great, I just haven't' gotten around to watching it yet.

Mozart das Musical was the first non-English language musicals I watched so I have a fondness for it, but it's not my favourite. However, I do realise I have forgotten most of the songs and the few I've gone back and listened to are better than I remember.

Dracula isn't super popular and I understand why, I don't love the plot of the Dracula/Mina romance in it, however. I do love this musical because despite how I find the plot lacking, the songs are so good! At least, I love them. And the actors are all doing a great job. And it's one of the few Dracula adaptions to keep Quincy Morris so they get bonus points for that.

Mozart L'Opéra Rock and modern French musicals... This isn't necessarily a bad thing, but they're often more like pop-rock operas now. So if you're not into musicals with that style of music it might not be for you, but I still enjoyed it even though I didn't think I would because of the style of music. Mozart and Salieri's chemistry is very good, Salieri's bisexual crisis song is iconic, actually all of Salieri's songs are iconic.

Schikaneder... eh. I didn't like it that much and I didn't really like any of the songs. There's no English subtitles, but someone sent me the entire English synopsis and I watched it with a German friend so I had double the help of understanding it. Doesn't mean others might not like it, just none of the songs stood out to me and I had no desire to listen to any of them again. It's by Steven Scharwz of Wicked fame and I love Wicked, but I didn't love this.

3 Musketiers!! God it's so underrated and not spoken about within the European musical fandom that I even forget about it and literally forgot to write about it earlier in this post. It's a Dutch musical (though did also have a German production) and it's really good!? Faces you might know are Pia Douwes as Milady de Winter, Stanley Burlseon as Cardinal Richeliu (Netherlands Der Tod in Elisabeth), Henk Poort as Athos (Netherlands Phantom and Jean Valjean). The dialgoue is funny, the songs are good, some of the set pieces have no right to exist in this tiny musical?? They made this giant boat and pelt the actors with rain just for one 5 minute song and then we never see the boat again? And while I recommend the Dutch one because Dutch musicals deserve more love and it has official English subtitles!! Official ones, not fanmade! I have the DVD and it comes with English subtitles (and Dutch and German subtitles) which is so nice. The German version is also good, good cast, Pia came back and Uwe Kroger as Richeliu and omg they rearranged the songs and the German arrangement of Nicht Aus Stein is insane and amazing and frankly iconic.

That's all of the ones I have watched. Next on my list to watch are Rudolf and Notre Dame de Paris, both of which I have listened to some songs from and already love (I've listened to way too much of Notre Dame de Paris and am so in love).

I want to start organising streams where I'll host the musical either by getting the video from Youtube or my own files and anyone who wants to join can come along and watch with us, chat with us if you want or just watch there's no pressure to chat. I thought about doing weekly streams? This would also make me finally watch some of the ones I've been meaning to for ages. But I keep wondering about time zones. I'm in the UK and would want to stream at about 11pm at the latest (11pm BST/GMT+1 as we’re in daylight savings at the moment, if the streams continue past the end of October which would be wild then I’ll make a note of the time change that would be to 11pm GMT), which I know can work for other UK and Europeans, but for any Americans would be in the afternoon. So, I wondered if doing it on a weekend would be better? Then it doesn't matter if it's in the afternoon? Maybe Saturday evenings then? It would either be Saturday evenings UK time or Friday evenings UK time. What do you guys think? If people are down then I'll make a separate post with a list of what we'll be watching each week and if anything happens to me that means I can't stream one week then everything will just get pushed back a week, but I don't see that as likely to happen. And I'll only be streaming those that have English subtitles, so don't worry about not being able to understand anything.

edit: am also open to 10pm bst if others want that, im just trying to think of what time works best for everyone so sorry if 11pm is a little late for europeans, i know 10pm could be a little early for americans. also in case it sounded like these are the only musicals i will be streaming, thats not so, ive got more than just the ones mentioned on this list!

(Tagging some people who I know are or might be interested in streams to see what you think of that plan: @sirona-art @ringwraith100 @tanz-der-trash @smilingwoland @the-weird-dane @witchgaye @ami-fidele @kisstheghouls @looking-4-happiness @ladysapphire928 @sloanedestler @tinywound @persephonaae @phoenixdewinter @uwucoffee @freshbloodandgothicism )

[tanz-der-vampire-musical]

Personal concert review - Musical T’s - 29.9.2018 in Berlin

(gotta call them this because there is a thing called copy****t)

Please don’t share the audio outside Tumblr, not even the link. Thank you!

As I promised I wrote a review about Musical T's concert on 29th September 2018 in Berlin, Admiralspalast

The videos of the encore, you can find in this post!

Last time I decided to write the rest in German, but I try it in English to make everyone understand what a wonderful experience it has been.

The musical t's is a quartet, that includes 4 of the most well-known and popular musical actors in Germany who all happen to be tenors. Two of them are very well known by “Tanz der Vampire” fans. Mark Seibert and Jan Ammann, both portrayed the role Krolock in the past. The other two are Christian Alexander Müller, who played in the Phantom of the Opera musical 10 years ago and gained popularity by it, since then he was mostly in low-budget productions and off-musicals and Patrick Stanke , famous for potraying big lead roles in “3 musketeers” , “AIDA”, created the role Graf Axel von Fersen in the musical “Marie Antoinette” by Kunze/Levay and is known for his self-made shows “Stanke ohne Strom”. This is a quartet that fits to each other so well. You would never guess that in the first place, because they are all solo artists, but together they are in harmony.

I know now why I wanted this concert to happen so badly for 7 years. Yes 7 years ago I went to the same concert format and they never did it again in the past years. There was this CD back from 2011. (So if you don’t know it, listen to it, it is worth it.)The funny thing about this concert was, that even if it was 7 years later, I was immediately thrown back in time to 2011. Because many songs were just the same like back then, also added by some new songs from the musicals and concerts they did in between, but mostly same setlist as before. Also one little detail was different they all aged well and got even better in the years in between, but some of them just got a little, how should I say that, out of their old shape (you know what I mean, do you?)

The audio is the song: “Die unstillbare Gier” sung by two past Krolocks Jan Ammann and Mark Seibert

It is not an exaggeration to say, that this was probably the fan highlight both for me personally and also for the audience.

The whole audience was already very hyped by every song and I think I never saw so many standing ovations in a concert, where people sit. Usually standing ovations is to be seen after the last performance, but here we just had a contest for “who would jump first out of their seats”. And of course in a concert like this, there are mostly ladies, so screaming was foreseen. The audience was electrified and you could see that Jan and Mark were just overwhelmed after the standing ovation they received. I’ve never been to a concert like this with such a “wow” factor in so many areas.

Setlist and more detailed review under the cut!

Photos from here

To write about each and every song would be a bit too much, but I tell you a bit about my personal highlights and the TdV part.

Act 1

When the first notes were there I already knew it would be a great concert. In the Admiralspalast Studio there is a good quality about the sound. The band is never too loud and also each actor knows how to regulate his tone to make the right person stand out.

The “3 musketeers” medley is a greatly crafted piece, starting with original D’Artagnan of the original German production Patrick Stanke with “Heut ist der Tag” (Today is the day), joined by the whole quartet. It features one of my alltime favorit songs “Engel aus Kristall” (Angel of crystal) then went slowly to have “Wo ist der Sommer?” (Where is the summer?) and “Wer kann schon ohne Liebe sein?” (Who can live without love?) and then to gain momentum with „Heut ist der Tag“ to finish. You could see how much fun they had with this piece. Also amazing how songs originally sung by women in the musical also fits this quartet.

My personal highlight was Mark Seibert’s “Ein Traum ohne Anfang und Ende” (A dream without beginning and end) from the musical “Die Päpstin”. I heard him sing this piece in Hamburg in May and he is such a fit for the role with his warm voice.

Of course one song that gets the crowd going immediately with the first notes is “Die Schatten werden länger” (The shadows grow taller) from “Elisabeth”. Elisabeth is very popular among German speaking musical fans and Mark Seibert played “Der Tod” many years and so it was no wonder that song belonged to him. His duet partner was Patrick Stanke.  These two together singing the song just blow me away. You hear them fight for their lives in the song, this is what the song is about. You don’t need the costumes and the stage setting you just need their voices.

The other highlight that was amazing on so many different levels was Patrick Stanke’s “Du bist das Licht” (You are the light) what was written for him and also has a very personal meaning to him. He played the piano himself (I did not know he could play piano) and sung the song with such an ease to it that makes you feel that he loved the song. The tears just came because it was so beautiful.

I love “Phantom of the Opera” and “The music of the night” is a song that gives me goosebumps if sung like Christian Alexander Müller sings it. He sung this solo in 2011 too, but omg he got so much better. In 2011 I thought, that this is the best version I ever heard and even after seeing the musical in Hamburg after this I still have found no match, but this in 2018 just blew me away. The interpretation of the lyrics in every note and the nuances of the Phantom were so well played in the song. (I think I will share that audio with you later, because it was just this phenomenal.)

Also that little duet before with Jan Ammann from “Love never dies” “Til I hear you sing” was brilliantly sung, but I think some songs are meant to be sung alone.

 Act 2

“Who wants to live forever/The show must go on” is a showstopper at its best. It has everything you want in a quartet in this arrangement. I am not sure I will ever be able to tell how amazing that mashup is.

“Never enough” from “The greatest showman” is a song that I am torn about, because it is a good piece of music, but lacks a bit “wow” factor for me. Also that repeatedly “never, never” is a bit annoying, BUT Christian Alexander Müller sang that. And that’s a challenge for a man, that he mastered brilliantly. I will never be a big fan of this song, but what he did with it was really difficult and deserves an extra appreciation.

Patrick Stanke excels in Kunze/Levay’s “Wie wird man seinen Schatten los” (How do you get rid of your shadow)  from “Mozart”. This song just leaves so much room for showing off your vocal skills. It just leaves you speechless about what a great singer he is.

“Tanz der Vampire” could not have been left out at all with two Krlocks in the house. So sung with special guest Stefanie Schüper (Is this her name? I don’t know it…I am still so sorry) was “Totale Finsternis” and as my friend who went with me there just told me “Yeah well everyone is great, but Jan Ammann just stands out for fitting the role” and I cannot say it any better. The quartet plus special guest was nice and you will probably never hear such a diverse “Totale Finsternis” but some just fit the song like it is written for them, others just don’t have the feeling to it. And Mark Seibert is my favorit musical actor but I think “Tanz der Vampire” does not suit him as well as other roles. (He was still great when I watched him last year in TdV but I prefer Jan Ammann in this)

After this bombastic sound in Totale Finsternis, the duet “Die unstillbare Gier” just topped everything before. I don’t know if it was because of the hyped audience or anything else, but it was special. Mark and Jan both sung the parts alternately and in the end joined in two voiced. You can listen to it in the beginning of this post.

With this highlight it could have been the end of the show, but it was not. It followed two wonderful slow pieces of music.

Mark Seibert’s “Letzter Vorhang” (Last curtain call) from “Schikaneder” where Mark told a little anecdote beforehand. Mark  told us that when he worked with Stephen Schwartz that he thought the song would end in a bombastic sound like many ballads in musicals do, but Stephen Schwartz just told him “No it is not like this, it is just a little song, not one where you show off” . I appreciate that Mark chose this song, because he could have shown-off his vocal skills but he did not and this little song is a beautiful piece of music with very beautiful meaningful lyrics. So it felt just like everyone calmed down and did not really know how to react. Of course people applauded loudly but much calmer.

The other slow song is also one of my personal alltime favorit songs that make me cry “Bring him home” from Les Mis. This was a beautiful duet with Christian A. Müller and Patrick Stanke. Even writing about it, gets me emotional….

The finish was “Vivo per lei” that is just an appreciation song to music and a wonderful song to finish, just that this was not the end at all.

There came the ABBA Medley that got the crowd going and screaming and hyped the audience again (almost everyone took out their phone and filmed) and they ended it with “Look with your heart” from “Love never dies” . They ended the same way they did in 2011. And the clever part of this song is that they slowly walk off the stage and don’t come back so the audience cannot scream for more. Very clever, because we could have stayed there all night.

Thank you for reading!  I hope you enjoyed the read. Let me know if I should share a bit more audio files of the show, I would do it.

SETLIST: 

(Note: CA Müller is Christian Alexander Müller)

AKT 1

01.  Tenors – Limelight  Moderation A Alle

02.  Tenors - Drei Musketiere Medley

03.  Jan Ammann – Leuchtturm

04.  Tenors – Auf der Strasse, mein Schatz wo Du lebst

05.  Tenors - The Impossible Dream / Man Of La Mancha

06.  Mark Seibert - Ein Traum ohne Anfang und Ende

07.  Tenors – More Than Words

08.  Seibert & Stanke – Die Schatten werden länger

09.  Patrick Stanke – Du bist das Licht

10.  Tenors – Memory

11.  Müller & Ammann – Till I Hear You Sing

12.  CA Müller – Die Musik der Nacht

13.  Tenors – This Is The Moment

14. Tenors feat. Female Guest – I Believe in You

AKT 2

01.  Tenors – Who wants to live forever / Show must go on

02.  CA Müller – Never enough

03.  Tenors – Closer To Heaven

04.   Jan Ammann – Kalte Sterne

05.  Female Guest – divers, je nach Konzerttermin

06.  Patrick Stanke – Wie wird man seinen Schatten los…

07.  Tenors - Am Ende bleiben Tränen (Tu Cosa Fai Stasera)

08. Tenors feat. Female Guest – Totale Finsternis

09.  Mark Seibert & Jan Ammann – Die Unstillbare Gier

10.  Mark Seibert – Der letzte Vorhang

11.  CA Müller & Patrick Stanke – Bring ihn heim

12.  Tenors – Vivo per lei

Encore

01.  Tenors – ABBA - Medley

02.  Tenors –Look With your Heart

Setlist from here