#i also know they are WILDLY out of my budget

[beansnpeets]

Had another person on bluesky reply to my post about Echo's mischief from yesterday with just "google impact crate".

Like wow. Thanks 🙄

[brehaaorgana]

ADHD money/budgeting system I'm currently using for my benefit is going well (I've been using it for like half a year now?), and I wanna recommend it.

You Need a Budget is EXCELLENT. 10/10 do recommend. Uhhh rambling about it and my generic disclaimers + gushing extensively under the cut but TL;DR I think it's great for ADHD ppl, I've used it for 6+ months now and I find it super SUPER helpful. also weirdly fun.

DISCLAIMERS:

Budgeting helps you understand/know your money, it can't make money appear where there is none.

Everyone should learn to budget even if you don't have much money (especially then)

This is NOT a magic trick solution. Just like everything else, it is an assistive tool. This is one of those adult things we can't simply opt out of without negative consequences, though.

My advice is based on something I am currently able to do. That is, I can spend an amount of money on this specific thing that works well for me. If you have no extra money to spend then previously I was tracking things in a notebook. So you can still do this.

I believe Dave Ramsey is a fundie fraud/hack and no one should listen to him about money.

DID YOU KNOW THEY CANCELLED MINT???

Okay? OKAY.

Ahem.

You Need a Budget is EXCELLENT.

It is called YNAB for short. The first 34 days are your free trial, and that is my referral link. If anyone uses it and then signs up for a subscription, we both get a month free. Also you can share a subscription with up to six people (account owner can see everything but individuals can pick and choose what they share amongst each other) so like...idk your whole polycule can be on one account. Or your kids. Whatever.

If you are a student, it's free for a year. If you aren't, a subscription is $99 for a year (paid all at once) or $14.99 monthly, which is equivalent to paying Amazon prime. Go cancel Prime and get this instead tbh.

They got a whole article just on ynab and ADHD. They also have like...a big variety of ways to access their info? They have a book, podcast episodes, YouTube videos, blog posts, q&A's, free live workshops you can join (you can request live captioning), emails they can send (if you want) a wiki, and so on. They got workshops on all kinds of topics!!

So whatever ends up working for your brain. It also has a matching app.

If you lost Mint this year they have a gajillion things for moving from Mint.

Also they have a "got five minutes?" Page which has a slider so you can decide how much attention/time you have before going on lol:

They only have 4 rules of the budget, they're simple and practical, and it doesn't get judgey or like...mean about your spending.

1. Give every dollar a job 2. Embrace your true expenses 3. Roll with the punches 4. Age your money.

THEN THEY BREAK THESE DOWN INTO SMALL STEPS FOR YOU! They even have a printable! Also these rules are great because there's built in expectations that things WILL HAPPEN and it's NOT all or nothing with a fear of total collapse into failure. Reality and The Plan don't always align, especially if you have ADHD. So it's directing our energy towards the true expenses and not clinging to The Plan!! over reality.

You can automate a lot of shit (you can sync with your bank accounts just like mint, but also automate tagging the categories of regular expenses/transactions). And if for whatever reason you accidentally do something that makes the budget look weird or wrong:

A) you can usually fix it somehow OR b) they have like, a button you can press that gives you a clean slate and archives the previous version of the budget for you.

So if you forget for a few weeks or months, or accidentally input something wildly wrong, or just don't want to look at a really terrible month anymore and feel like you need a fresh start you can usually either fix it or start fresh which is really nice.

The app also (for whatever reason) scratches my itch to have things like...have incentives or little game-like goals in a way mint never did? I don't know why. Filling up the bars or putting money into the categories to cover my expenses is satisfying lmao. You can also make a big wish expense category for all the fun shit you want, and fund it whenever you can and then you can see the little bar go up and that's fun.

Anyways I've been using it for like 6+ months now and I think it's really helped me when I use it.

[ourflagmeansgayrights]

i think you’re right about how the industry works and the order this stuff happens but my money’s on you being wrong that this isn’t what happened in production in e6. like my bet is that studio*-mandated script rewrites happened after they had already bought/made the sets and the props and scheduled the cast to shoot. idk if that was weeks before filming this episode or just days but it was short enough notice that they had to build a new e6 plot around the materials they already had for the original e6 plot. like they had all this stuff planned for a wedding party, then they were told they can’t do a wedding, but they already had all the stuff to film a party, so the plot of the episode becomes about how theyre throwing a party for no real reason.

the biggest reason i feel like the studio fucked something up for the ofmd team really late in the game is bc pacing and story wise the episode is just kind of a mess. scenes transition awkwardly and end abruptly. i just rewatched some of the party scene and the camera cuts from stede and ed standing around near the crew to the first shot of izzy walking out in drag, and then cuts back to ed and stede and they’re in completely different spots on the deck. and in general the fact that samba and vico have told us about the original plan for this episode specifically, one of the objectively messiest episodes in the season, and it feels like those plotlined weren’t really like… replaced by anything?? the polycule plotline specifically feels like it was scrapped really late in the game bc i feel like if the writers had more forewarning they would’ve come up with something for those actors to do that would’ve given them more focus. ESPECIALLY when it comes to jim, they were the goddamn tertiary protagonist last season and then they didn’t rlly do much of anything this season! WHERE WAS THE JIM EPISODE

and you’re right, changes like that are unprofessional and unfair to the cast and crew. which i think is why samba said this was apparently one of the hardest episodes to shoot. everyone was probably stressed and frustrated and the vibes were probably pretty tense on set and shit was probably changing constantly as they worked out what the hell the new plot was supposed to be. and then on top of all that, the actors are supposed to be pretending they’re at a party having fun. i’m not an actor but i imagine switching back and forth between getting direction from a very stressed-out fernando frías and an equally stressed out david jenkins while the script is still cooling on the rack and the storyline you thought you were gonna act out got canned, and then pretending to be drunk at a party celebrating a made-up holiday sounds pretty fucking hard.

*ALSO studio management changed at some point last year after the merger with warner brothers, idk where s2 production was at when that happened but i could see that playing a role in throwing a wrench in things

actually super curious about samba specifying that calypso's birthday was one of the hardest episodes to shoot, when it doesn't really seem like it would be, compared to the intensity of the rain scene in red flags, underwater scene in the innkeeper, fight scenes in the finale, etc. it's mostly one location and isn't very demanding of the majority of the cast, like even when the crew are being tortured they're mostly just chilling in one position.

obviously samba himself isn't present for most of the more strenuous scenes in the other episodes i mentioned, but it sounded like he was speaking more generally about the shooting process as a whole rather than his personal experience, which makes me wonder if there were a lot of reshoots for that episode maybe? we know a lot changed since the original plan but this has me contemplating how late the changes were and if the episode was still being altered during the actual filming process which may have made it more arduous (especially considering how tired certain cast members look in the bts of that ep...)

idk maybe i'm talking out of my arse here and maybe i'm just living in hope that some of the original plot points were indeed filmed and we'll get to see (or more likely hear about) them someday it just seems odd to me

[clanwarrior-tumbly]

Hi! I have been reading you for a long time and would like to ask you something for the first time… The last message flow to the Lethal Company from the Nutcracker was WILDLY SWEET, however, it hurt me from the bracken that was shot through the lytic…. May I ask the bracken and the reader where the bracken constantly goes behind the reader's back…. JUST TO HUG! Someone from the team warns about the danger and the bracken gently takes the reader in his arms to his lair for even bigger hugs!

Bruh you have no idea how soft i am for brackens hfghhs (when I first started playing LC, they were ALWAYS killing me...but now they just like to pop out and scurry away when I look at them, so I consider us to be pretty chill)

Anyways woe Bracken fluff be upon ye <3

.....

Of all the creatures you've encountered during your time with the Company, Brackens were certainly the most complicated.

Even though there's been countless documents and reports of employees scanning, studying, and dying to these aliens...they were still seldom understood. The data on the terminal said so.

There was one in particular who had such a unique behavior pattern that remained a mystery to you.

And he lived on Experimentation, which was supposedly the "safest" moon to land on and gather scrap from.

Most of the time, however, that was a load of bullshit...as you and your crew had many encounters with aggressive lifeforms such as hoarding bugs, Thumpers, spiders, and turrets that were placed in the most inconvenient spots...

Hell, even an Earth Leviathan showed up and nearly consumed your entire ship.

As of right now, though, you were on-track to making the third profit quota's deadline. So a trip to Experimentation was an order, as you could grab minimal loot and still gain enough leftover money to buy some much-needed ship upgrades and tools.

Or maybe new suits or jack o'lanterns.

None of you were good at managing your budget.

But during this trip, you were less focused on getting loot and more eager to see....a certain someone.

Hopefully, he hasn't forgotten about you or mistook you for another random employee.

While two of your coworkers headed into the facility's main entrance and one stayed behind on the ship, you ascended the stairs leading up to the fire exit--armed with nothing but a flashlight and a walkie-talkie.

[Nearby activity detected!]

"Oh come on...can you be anymore vague?" You huffed, slightly annoyed that your scanner displayed the message before you could even touch the damn door.

"Activity" was awfully broad and could mean literally anything was waiting for you on the other side..

It could be a bunker spider or snare flea waiting to drop down on you and catch you by surprise.

It could be a Hygrodere spreading itself all over the floor, anticipating you setting one foot into it before drowning in its slimy body.

It could even be a simple turret ready to turn you into swiss cheese.

However, there's the possibility that it could also be the one entity here who didn't wanna give you a painful death, and you hoped to god you were right.

So you took a leap of faith and entered.

Surprisingly no danger was immediately present, although you did find a lot of good loot inside the room and smiled. "Oh sweet!" You grabbed the rubber ducky and Rubik's cube in the nearest corner, pocketing them. "This should set us way above-"

"Something's behind you!"

"Huh-?!"

All of the sudden, a pair of large arms wrapped around you from behind, pulling you back and causing your oxygen tanks to be pressed against the creature's chest-

Wait.

You only knew one Bracken that did that, and you couldn't help but laugh. "Oh my gosh, you scared me! You know you can't keep doing that!"

"Krrrrrr.." The entity purred softly, nuzzling his face against your neck as its leaves rustled with happiness.

With a chuckle, you patted his arm affectionately. "I've missed you, too, buddy. I told you I'd be back."

Knowing it was this Bracken, you felt safer than ever. He had a habit of greeting you this way: by sneaking up behind you like the rest of his species typically did, and attacking you.....not by snapping your neck like a twig, but by embracing and nuzzling you.

Of course, nobody in your crew believed that you've got a dangerous alien predator on Experimentation who always waited for you. Who loved you like a dog and would kill a Thumper for you.

If only they could meet him...but then again, he was shy.

"Don't tell me it's that damn Bracken again...did you tame it or something?"

The staticky voice of your coworker over the walkie-talkie startled the poor Bracken out of the hug, as it dropped you and flared its leaves out, wondering where they were.

"Relax, we're cool." You huffed, annoyed that they spooked your friend. "I gotta conserve my battery so...signal me when it gets close to midnight."

"....fine. Just don't die. Over and out."

After switching off the device, you turned back to him and smiled apologetically. "Don't worry. They're far away, so they won't bother us." You removed your helmet for the moment.

He nodded in understanding, crouching down to get a better look at your human features.

For some reason he never minded prolonged eye contact with you--and that was a good thing....otherwise, you would've been dead a long time ago.

You smiled and patted the top of his head, before he suddenly sprung up and scooped you up into his arms, lifting you completely off the ground. "Woah! Hey! Where are we going?" You asked as he carried you out of the room, taking you somewhere further within the facility.

Considering the Bracken knew his way around, you weren't too concerned with getting lost.

On your way to this unknown destination, you spotted a hoarding bug skittering down the hallway, eyeing the brass bell attached to your belt.....only to freeze as the leafy entity glared at it.

Luckily it understood the appropriate time to make eye contact with a Bracken, as it eventually looked away from him and decided to leave for another part of the facility.

It seems most of the creatures were knew who was the alpha.

'Man, whoever's tracking me must be so confused right now..' You thought to yourself as he continued walking.

Eventually you both arrived at a place many employees dubbed the "Bracken Room": a large open illuminated space with yellowish walls that looked out of place in the facility.

After setting you down on the floor, you looked at the Bracken with confusion, wondering why he decided to bring you here....until he brought you into another hug, wanting to sit down and have you in his lap.

You just smiled and wrapped your arms around him, giggling as he tucked his head underneath your chin, wanting to listen to the sound of a human's heartbeat.

Now you understood.

All he wanted was to take you to a quiet, safe place away from all the other monsters and employees. A place where he could have you to himself...at least for a couple more hours, anyways.

You knew the ship wasn't leaving anytime soon, so you didn't mind keeping him company.

While other Brackens are among the top three reasons employees hated their job...this one made you love it.

You feel so lucky, you'll consider buying a lottery ticket if you ever returned to Earth.

[thankskenpenders]

And now for something new

So, here's something I was never planning on doing, but I just couldn't shake the idea... Thanks Ken Penders is gaining a sister blog featuring an entirely different comic franchise!

Introducing... Thanks Steve Ditko, a blog where I read the Earth-616 Spider-Man comics, starting all the way back in the '60s! It's gonna be much more casual and less thorough than how I run things here on TKP, though, which I'll explain in a sec.

If seeing me post weird bits from old Spider-Man comics sounds fun and you need no further info, then just head right on over to Thanks Steve Ditko. But for longtime TKP readers, I know you probably have questions...

Number one: Why?

Spider-Man's always been my favorite superhero, and with the Spider-Verse movies kicking ass and my excitement building for the new Insomniac game, I've been in a Spidey mood. Inevitably, a thought occurred to me: Maybe I should actually read the comics that everything else is built off of and see the wildly varying contributions of all the original creators, rather than filtering them through big budget adaptations. If I can power through One Piece and all these other manga with hundreds of chapters, it can't be that hard... right?

And, well, after a few issues I quickly realized that my options were to either clog up my other accounts with random Spider-Man panels for years, or to just make a side blog. And so the side blog was born.

Two: Will this blog replace Thanks Ken Penders?

NO!!!!!!!!!

Okay but prove it

To allow the two to exist side-by-side, Thanks Steve Ditko will have a different format than what Thanks Ken Penders developed. Rather than an in-depth guided tour that critically analyzes every story beat of every issue, TSD will just be a place for amusing panels and brief thoughts as I casually read the comics at my own pace.

If you've seen me make a few tweets about reading Spider-Man recently, I'm basically just moving that to a dedicated Tumblr. It's a place for me to dump these things so that it doesn't fill up my media tab on Twitter for the next decade. (You know, assuming Twitter is still around in a decade.) There will be many issues where I only post two panels that I thought were funny. There will be issues where I don't have anything to say at all. Maybe I'll reach a run that I just cannot get into, and I start skipping around more. Who knows!

This may sound similar to what I thought this blog would be before it blew up. Aside from the simple fact that there's already mountains of Spider-Man commentary out there and therefore less of a void for me to fill, one of the main steps I'll be taking to avoid repeating the past is not enabling an ask box on TSD. I do not need people to ask me to go into ten times more detail on everything. I do not need to write seven essay-length responses to questions about Spider-Man minutiae every day. I do not need a place for people to chide me for not covering certain scenes, issues, or ancillary series.

It also won't have any kind of update schedule. I'm trying to keep it very casual. I'm reading these comics at my own pace, and if I feel like sharing a moment or commenting on something while doing so? It goes there. That's it.

(On the subject of format changes, I'm also listing the issue, writer, and penciller in the body of every post. This is a thing I wish I'd done on TKP so that people didn't misattribute every weird Archie Sonic panel I post to Penders.)

Three: So when will TKP come back from hiatus? You said it'd come back after you finished SLARPG!

I don't know! Sorry. I have a couple things on the backburner right now for TKP, but I'm not sure when I'll get back to proper updates where I read more comics.

I wanted to bring TKP back this year, and that's still possible. The main hurdle is that I want to reread my own archive (again) as a refresher, which is, uh. A lot of posts. I've developed a high standard for myself on here, and I feel like I wouldn't be doing my job right if I forgot half the ongoing subplots and character arcs and didn't bring them up in my analysis. Especially when I'm discussing the work of an author as obsessed with continuity as Ian Flynn. Unfortunately, the nature of this blog means that every time I go on another long hiatus for Life Reasons I have even more comic continuity to catch up on than last time.

(This is a big part of why I'm making Thanks Steve Ditko an extremely casual blog instead of promising to become a Lore Expert on 60+ years of Marvel.)

Mostly I've just been very burnt out this year after having finally finished a video game that took almost eight years to make. I haven't really had the energy for any creative projects, including TKP. But I feel a little bit of a spark here with Spider-Man, so I'm chasing that feeling to try to get back into the swing of blogging about comics - no pun intended.

So, basically, bear with me on this as I start this low-energy side project. But hopefully folks will enjoy Thanks Steve Ditko as its own thing, too.

Look forward to goofy shit like this

[nimuetheseawitch]

SGA Summer Vacation Recs

So, a few weeks ago, a friend asked for longfic recommendations to read while on vacation, and I did not really realize how many I was recommending at the time. Seemed like a good idea to make a post about it.

Time in a Bottle by astolat, 14K (not originally on my list because it was too short, but it's too perfect for a summer reading list, so I added it), McShep, Rated E, Creator Chose Not To Use Archive Warnings To see a World in a Grain of Sand / And a Heaven in a Wild Flower / Hold Infinity in the palm of your hand / And Eternity in an hour.

The Long Dark (series) by @logicgunn, 141K, McShep, Rated G-E but the first is M, Creator Chose Not To Use Archive Warnings An astronomical event causes two strangers to crash land on a remote island in the frozen Canadian north. Cue a fluffy slow burn in a survival setting.

Lord John Sheppard Versus Earth by LitGal, 61K, McShep, Rated M, Graphic Depictions of Violence Canon diverged before Jackson found Atlantis. The IOC stepped in and decided to make things more efficient. A gene testing program brought Major John Sheppard into the program earlier, but budget constraints and international treaties have kept Dr. Jackson out of the antarctic. So now John has to find his own team--and his own geek--or he's in danger of being stuck in the mountain forever as a light switch. However, as the universe changes, fate forces some things to return to proper form, and other things… they get wildly out of control. John isn't sure how he came to be Earth's enemy, but he's going to have to deal with the cards he's dealt.

Teamwork by onthewaters, 24K, McShep and others, Rated E, Graphic Depictions of Violence There is an Earth where things have turned out a little differently, and the people who go to Atlantis aren't quite the ones we know. AKA The one where Rodney is a Mountie.

The Doctor and the Sheppard by @hero-in-waiting, 70K, McShep, Rated E They've been in Pegasus for a year before Rodney is finally allowed to go off-world to meet with the mysterious leader of a group of allies against the wraith. The first meeting goes well, sending them down a path none of them could've foreseen, and leaving Rodney with thoughts of the mysterious leader with his bright eyes and dark hair.

The Hard Prayer by Rheanna, 30K, McShep, Rated M One year after the end of the world, John meets another survivor.

In Sickness and in Health by @a-storm-of-roses, 31K, McShep, Rated E "So I told a little lie, just to get you back to Atlantis. It was the only way, so try not to get too mad. I told them we were married.” When John suffers a major, life-changing injury on Earth, Rodney must pretend to be his husband to ensure his return to Atlantis. As he struggles to navigate recovery and accept his new reality, John must also come to terms with his new role as Rodney's husband and the new dynamics in their relationship. A story of healing, recovery, loss, love, and acceptance.

Enigma by sgamadison, McShep, 32K, McShep, Rated E, Creator Chose Not To Use Archive Warnings During an off-world mission, a piece of Ancient technology transports Rodney and John on a one-way trip to a deserted airfield. Working together to get back, it takes a vivid dream to make Rodney realize what's been in front of him all along.

Bridges by bussaiko, 52K, McShep, Rated E Engineer Rodney McKay went to North Carolina's Crystal Coast to help his sister design a series of bridges. He hoped to rebuild his career following a professional disaster; he didn't expect to be drawn into the small community of Athos Island, where he found friendship and perhaps something more with helicopter pilot John Sheppard. But when Rodney tries to learn more about John's past, what he discovers might tear them apart. (non-Stargate AU)

Apocalypse Rising by sian1359, 81K, McShep, Rated M, Graphic Depictions of Violence The Goa'uld are not the only ones who covet Earth.

Zen and the Art of Jumper Maintenance by Indybaggins, 39K, McShep, Rated M The one where Rodney gets sucked in and John… follows. Featuring a quirky John, Rodney in orange robes, crazy Ancient-worship, sheep milking and jumpers that aren't broken but need to be fixed anyway.

Black Helicopters (series) by whizzy, 141K, McShep, Rated T-E but the first is M, Creator Chose Not To Use Archive Warnings Screw the bet. Rodney was going to prove the existence of extraterrestrial intelligence. Oh, and incidentally, he might just catch the United States Air Force with their pants around their ankles.

Pegasus Purgatorio by MrsHamill, 127K, McShep, Rated E, Creator Chose Not To Use Archive Warnings It is difficult to write a paradise when all the superficial indications are that you ought to write an apocalypse. It is obviously much easier to find inhabitants for an inferno or even a purgatorio. (Ezra Pound) Yeah, I'd say that about covers it, Ezra. John and Rodney are left behind when Atlantis (and, by extension, Pegasus) is evacuated. While returning to the Milky Way, they decide to bring a few friends along.

What A Wonderful Bunker You Would Make by ocdindeed, 50K, McShep, Rated M Summary in simple words: Rodney is recluse and John has a kid. Summary in not so simple words: Rodney McKay has given up on the world, living a simple life up on a mountain devoid of people. He likes it that way, at least he did until a kid with a full head of dark hair ambled up his dirt driveway and changed his sequestered life forever. (AU - Set during SG1 & Pre-SGA timeline.)

G******, Tramps, and Thieves* (series) by auburn, 372K, McShep and a whole lot more, Rated T-M, Graphic Depictions Of Violence, Rape/Non-Con, later fics Creator Chose Not To Use Archive Warnings Vala Mal Doran and her partners, renegades Jehan abd-Ba'al and Meredith McKay, hijack the Tau'ri ship Prometheus and leave the Milky Way behind in search of the Lost City of the Ancients, Atlantis.

*I censored this title due to a common racial slur

[tobi-smp]

well ! if I'm posting about my other interests ! have a little how-to guide for getting into marble hornets:

firstly, what is it.

that's an answer in two parts! it's a foundational indie horror web series on youtube that was beloved in its time for its mystery, atmosphere, and editing (pioneering or popularizing many of the techniques that you'll see more commonly now in the analogue horror genre, just with the budget of college students in 2009).

and it's remembered fondly Now for its fascinating representation of mental health (in how it subverts the harmful ways that horror tends to depict more stigmatized disorders, but Also in how it depicts mental and physical health in general), and the underlying queer themes that While subtext at the time have ultimately been confirmed as intentional as one co creators (and actor for the main character) has come out as bisexual!

it is Also a wildly creative and beautiful comic series. written solely by troy wagner (the aforementioned co-creator) and illustrated by jackie reynolds (a long time fan of the series and insanely talented illustrator). taking place after the events of the webseries, the comics take full advantage of this new visual medium to express the horror, atmosphere, and emotions of the series in a more visceral way. and being self published they're free to make whatever they'd like

done entirely in water color and ink, it builds beautifully on what was laid down with the original series and carves out its own identity and legacy.

it's also just very lovely seeing queer creators who were once writing subtext be able to just. Be Open about it. both about themselves and their characters. it's a horror story that happens to have queer characters mind, but it's just ! nice.

.

now ! being internet horror that's sat in that weird space between args and analogue horror (nightmind would call it Unfiction, but unfortunately that term hasn't caught on as much as I'd have liked) it's not as simple to get into as just like, Watching A Show.

that's not to say you Can't just watch it, but rather I have ways to help you get more out of it :>

1: The full chronological playlist for the marble hornets web series, including the totheark replies: [Link]

this is exactly what it says on the tin ! the entire series in order, I've even included the dvd extras at the end of each season !

two notes: firstly, the full series is captioned, and I think they're very nice captions! and secondly, there's a lot of loud noises in the series, which the captions help mitigate a bit. this is due in part to the nature of the kind of horror it is (though it doesn't have straight up jumpscares), but Also because troy wagner was HoH at the time he was doing the audio editing for the series.

there's significantly fewer issues with the audio as the series goes on (troy actually got surgery for his hearing!) but for the most part it's fine just keeping it Somewhat lower. except entry five. entry five is so very loud <3

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2: The in-character twitter for jay merrick (the main character of marble hornets): [Link]

much like the youtube channel is presented as being ran by the main character/pov character of the series (jay merrick), the twitter was created to run along-side the main series! it mostly exists to give us further insight into jay's mental state and personal life that you don't get in the main series, especially early on!

it's a little cumbersome nowadays, especially since twitter doesn't Like being archival. but you kind of just have to scroll all the way to the bottom to when the twitter was created and scroll up to follow along jlkfasdjlkfdas

this is made a Little more difficult because the account got hacked in 2020 and reinstated 2021, so all of the dates are wrong now. but the account always posted when new entries were uploaded so it's easy to watch an entry, check what was posted after it was uploaded, and then see the link for the next entry and know to stop until you've watched.

you don't Have to do it this way, but I think it's the way to get the most out of it!

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3: All of the translated codes for totheark/tta listed in order: [Link]

back in the day, youtube allowed you to make Video Replies, which would be displayed Under whatever video you were responding to! this feature was ultimately removed because of the tendency to do make clickbait in response to whatever was currently popular, but it was Wonderful in this instance !

the youtube channel and twitter were presented as in character, and they took advantage of this by having a second channel created (named totheark) start Replying to the entries as they were uploaded. these videos were highly edited and contained codes and secrets that were meant as messages to the main character (and the audience)!

there was a dedicated community for code breaking throughout the show's entire life, and this list here goes through every one! I like this one in particular because it Also gives us information on How the codes were broken, in a digestible way.

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4: Nightmind's marble hornets explained series: [Link]

this is definitely Optional. it's obviously not official media, is outdated now that the comics have started, and I'd say was flawed even at its release. (it's not a spoiler if nobody knows what I'm talking about, so I'll say now that I'm not a fan of his theory with masky, and the seth theory is very famously silly).

BUT! I Do think it's a very good resource when it comes to putting certain crucial things together. as the whole point of the series is that it's a Mystery. you see nearly everything out of order and you're intentionally limited in what you know about characters and their motivations. this series works as a good jumping off point in that it helps to put things into Context and change your perspective on certain events and character With the benefit of said context!

like I said, it's not Required, it might just be helpful! a starting point to help chew on things once you've watched the web series in full for the first time.

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Comics!: [Link]

comics ! they're all available on troy wagner's personal website! (along with other goodies that are periodically available!) you can buy them either physically Or digitally ! personally I'd recommend digital, as it's cheaper, instantly available, and the digital extras are wonderful!

they come with the script for the comics, a commentary version (including comments from troy and jackie on every page), and other extras like backgrounds, behind the scenes sketches, character art, etc!

I would very much so suggest buying the comics if you're interested. this is an indie project being ran and funded by two people (and again! there's other goodies in the store that are worth looking at). buttttttt, my friends may dm me <3

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Extras! [Extras]

Anniversary streams [Link] on a few different anniversaries for the series several of the creators have done streams rewatching the series and reacting to it live ! this is a playlist where I've collected all of the instances that I could find :>

I Also included the dvd commentary here ! the format is different, but it's a similar concept so, why not ljkfsdajklfasd

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Interviews, QnA's, and con appearances: [Link] exactly what it sounds like !

I was, at one point, overtaken by some kind of madness and hunted down for every single Person Records Marble Hornets Creators Talking About Marble Hornets thing I could find, and then attempted to put it in order. this is just ! for fun. I do so adore it though, I have one con panel that was recorded on someone's 3ds.

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My silly posts:

some analysis posts I've main on my main account since having watched the series ! these all contain spoilers so I wouldn't suggest watching them until you've seen the show (though I Would suggest reading them if you do choose to watch the explained series)

this is my post going into what I think masky is supposed to be/represent, and why it's Important [Link] which I think pairs nicely with this post by tim sutton (one of marble hornet's actors) [Link]

my discussions on jay's mental health and behavior and how they're often misunderstood (which won't necessarily be needed if you've read through his twitter jlkfasdlkjafds) [Link 1, Link 2]

confirmation that jay is canonically queer :> [Link]

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Social Media

Social media for various marble hornets creatives !

Troy wagner (co-creator, actor for jay): Tumblr [Link] Twitter [Link] Instagram [Link]

Jackie Reynolds (main artist for the comics): Tumblr [Link] Twitter [Link] Instagram [Link] Linktree [Link]

Tim Sutton (actor for tim (I know)): Tumblr (inactive): [Link] Twitter: [Link]

Joseph DeLage (co-creator, actor for alex): Twitter [Link]

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and here's art jackie drew of masky marble hornets punching richard spencer in the face <3

[aphroditeslover11]

Hi what do you think about a Neil Lewis with a actress reader? Like they met before and he has already a crush on her and then he watch movie and see her ?

Another tought (not q request just something in my head) so I'm from Göttingen, an we have here q tradition if someone has his PhD they have to kiss the Statue of the goose Maid ( "Gänseliesel") he is not common with this tradition and so when reader ask him when he is planning do the kiss he assumed she wanna that he kiss her

I hope this is something along the lines of what you were thinking of. I’m not at my best at the moment so I’m sorry if there are any glaring errors. I hadn’t written for Neil before, but he’s actually very fun! Thanks for your request. Also, that is a fabulous tradition, it might get slotted into one of my other Oppie requests, I’m not sure yet though as it’s in the idea phase at the moment.

A Surprise Encounter

A/N: the classic films mentioned are all free on BBC iPlayer, go and give them a watch! I also have no idea where the store is, so I made it up.

Neil was absolutely beside himself when the invite arrived in the post. A new film that he couldn’t wait to see was premiering soon, it was low budget but contained a few big names who had decided that they wanted to promote the more independent side of the industry. He had been asked to attend an event aiming to promote smaller video shops like his rather than the huge, commercial ones that were taking over. When he read that you and the director alone were going to be on the panel he felt like he had never been luckier, finally a chance to meet his favourite actress in the flesh. Although he did admire your talents, he’d be lying if he didn’t admit that he also found you wildly attractive.

The next few weeks were spent planning everything. He rewatched a few of your films so that he could ask some decent questions of you at the press event and reading every article that he could on the making of your new one, a biopic of Julie d’Aubigny. He went out and bought a new suit for the occasion, had his hair cut. As far as he was concerned, there were going to be no disasters, not when he was going to meet one of his idols.

~

The day of the event had finally come. All of the invitees, including Neil, had been piled into an auditorium where they had been given an early viewing of the film, then being moved into a press room with rows of chairs set out in front of a platform. He was happy with his seat, about half way back in the crowd, not too conspicuous but with a good view of the stage. The previous hubbub died down as soon as the panel made their way up, the director taking his place, yet Neil’s eyes were fixed on you. Your hair was down and curly, framing your face, and that smile that everyone always talked about. You were wearing black heels a red dress that dipped down just enough to give a small view of your cleavage. He was transfixed.

Questions started being asked, the general types of how you had enjoyed working with the rest of the cast and what you had taken away from playing your character, some conversations were had about wanting to make sure that the smaller side of the film and cinema industry wasn’t dwarfed in the future. For some reason, all of the eyes in the room suddenly focused on Neil, it was only then that he realised that he had drifted off, his arm leaned on the armrest of his chair in such a way that you had thought he was asking a question.

“Uh, the gentleman in the blue suit there, do you have a question?” The sentence was coming from you, quickly drawing him out of his reverie.

“Um.. yes,” he never was much good at thinking on his feet. “I know that you’re promoting this film today, but do you feel as if classic cinema has been forgotten. My shop specialises in older, more hard to find movies and… well, yeah,” he trailed off. He was like a deer in the headlights, speaking as if he was full of terror. A few people around him were scoffing and hiding their laughter. Great, he had embarrassed himself in front of you.

“Actually, I do think that we’ve forgotten about classic cinema. Not only the thrillers and comedies, but for me the least talked about are the romance films. I grew up on Astaire and Rogers musicals, I know some people don’t like them and find them a bit politically incorrect know, but they still have a special place in my heart. If you think about their influence on modern cinema, we wouldn’t have ‘Sleepless In Seattle’ if it hadn’t been for a 1939 film ‘Love Affair”. What was your name?” Why the hell did you want to know who he was?

“Neil Lewis.”

“And where’s your shop?”

“California, its called Gumshoe Video.”

“I’ll pop in next time I’m in town, maybe you could give me some recommendations.” And that was the end of that conversation.

~

About three weeks later everything had returned to normal. Neil was back to running the store and the gang were still practically living there. It was a completely normal day when Lucien, who had been manning the counter, came around to the back to find him.

“Neil, you might want to come inside, there’s a customer asking for you.”

“Can’t you handle it?” He just wanted a bit of time to himself, making is response more huffy than he had intended.

“Trust me, you want to come and see this.”

He followed Lucien back into the shop, only to be caught in shock as he saw you standing there in front of him, dressed a lot more casually than the last time he saw you, but still with your hair down in its beautiful curls. He never thought that you would actually make true on what you had said, but here you were.

“Is there anything that I can help you with Miss y/l/n?”
“I came by to see if you had any suggestions for me, you know, classic films like you said you specialised in.” You actually seemed a bit nervous, though he had no idea why. “And please, call me y/n.”

“Right, y/n,” it just felt so right when he said it. “What kind of thing are you looking for, any genres in mind?”

“I always love a romance movie, the press don’t know yet but I left my boyfriend last month after he cheated on me. I’m down here to get away from it all, so a romance to take my mind off everything would be good, yeah.” He could see the sadness behind your eyes as you explained.

“He must have been an idiot then,” he said, immediately regretting it and walking past the stunned Lucien towards the romance section, beckoning for you to follow.

“So, you said that you liked Astaire and Rogers, but have you ever seen ‘The Sky’s The Limit’?”

“I don’t think I have, no.” He reached out for the dvd, showing you the front of the case.

“It’s Fred Astaire and Joan Leslie, came out in 1943. A musical about a fighter pilot who falls in love with a girl who wants to make it as a journalist, sounds like the sort of thing you might be looking for.”

“I think I’ll take that then, sounds perfect.” Something lit up inside him, you were smiling and it was because of something that he had done.

“Right, I’ll go and sort out a membership card so that you can rent it then, do you have any ID on you. Driver’s licence or something?” You followed him over to the till, rooting around in your bag to find what he had asked for. He busied himself, quickly handing over the card and the movie.

“What do I owe you?” you asked, reaching for your purse.

“Nothing, it’s on the house.”

“Are you sure, because…”

“Yeah, in return for having me at that panel a few weeks back. It was amazing.”
“Well, in that case can I pay you back in another way?”

“What do you mean?”

“Maybe we could watch the film together?”

“That sounds like a fair means of payment, I think I’ll accept.” You slipped him your number, telling him to call when he was free before walking out of the store, Neil wondering what the fuck had just happened.

[wutheringmights]

Thank your for the chapter. This is me submitting my request for director's commentary.

Sorry this is very late.

But, you know.

*gestures wildly at the state of the world*

This is the first chapter in a long time where I was actively having fun writing more than 30% of it. Writing doesn’t always have to be “fun” for me to write it, but spending most of this year stuck on two chapters I absolutely hated did a number on me. 

I still didn’t get to everything I wanted in this chapter; I have been trying to get to the fallout for the Knights of Hyrule encounter for most of this year now (jfc!), but I’ve had to expand the plot points leading up to it. This entire Castle Town arc was planned to be one chapter. Past Frankie was insane for thinking that was possible. 

Pacing-wise, this chapter really did need to be on its own. The important plot points needed their own space to breathe; trying to shove all of this and the contents of the next chapter into one would have led to a lot of things being overshadowed. So even though everything is still moving along relatively slowly, the pacing is somewhat on purpose this time. 

As previously stated on this blog, I sorely neglected updating AO3 with the new chapter total. There is 6 chapters left (5 plot chapters, then an epilogue). Rest easy. This story will take me a while longer yet to complete. 

That being said, don’t be too surprised if I keep budgeting in more chapters. But if this story needs more than 40 chapters, I will abscond from society and become a sheep herder in, like, Iceland.  

(Sorry to front-load the housekeeping information; I usually keep this stuff for the end,  all of this provides context for my first bit about the actual chapter.) 

I am so happy that pre-heart connection stuff with Proxi got its own chapter, as opposed to being included with the post-connection drama of how Link starts clawing his way out of his depression. 

I mentioned last chapter that everything with the first Proxi meeting was an utter failure to me. While this chapter doesn’t erase the problems of the former, it nonetheless is an improvement and more in-line with how I wanted this Proxi storyline to go. 

Link’s depression baths is 100% me projecting-- I had a season of my life where everything in my life kinda fell apart and I became extremely depressed and anxious. One of my coping mechanisms was to constantly take showers. Like Link, I got up to around four showers a day before I was told to knock it off for the sake of the water bill. 

Depression causing a lack of hygiene and self-care is fairly well-represented in media at this point. I relate way more to depression causing a spurt of “good” habits (that are just maladaptive coping mechanisms in their own right) more, and I want to include more of them into my writing. Link seems like the kind of guy who would overcompensate like that too. 

The events of the chapter were condensed from my original vision. The party and the fireworks were going to be two separate incidents, but I wanted to cut down on the bulk of writing each chapter requires of me (more on this later). Luckily, the original idea for the fireworks also included celebrating a holiday (New Years), so the change was easy to pull off. 

I did lose an aspect of that scene I really liked though: Link knowing he was experiencing a trigger deciding to hide in his cellar, all the while congratulating himself for reacting normally while Proxi is like hiding in a cellar isn’t coping, Link!!!!

Fireworks being a trigger is a bit of a cliche, and a part of me really wishes I found something more unique to trigger Link with. But fireworks is a really effective shorthand, partly because it’s so prevalent in real life, and partly because contrasting a celebratory activity with war trauma is so evocative. 

It’s also very silly how significant events in Link’s life keep coinciding with holidays and birthdays. I want to acknowledge both for the sake of world building, but going through the effort of developing them is only worth it if there’s a plot point attached.

But who hasn’t had moments of great revelations while at the family Thanksgiving party?

I like the idea of various holidays/feasts in Hyrule having different levels of importance depending on your tribe or what region you live in, as well as them being celebrated differently depending on your culture. 

Both the Sheikah and the Hylians would place heavy significance on the feast since Hylia is one of their main goddesses, but they would be celebrated differently. I brushed a bit on the idea of the religious ceremonies being different, but I cut back on sharing more of my ideas for the specific celebrations. 

Very specifically, I wanted the Sheikah to have a tradition of performing theatrical plays of significant cultural moments (basically a kabuki-theater version of a nativity play) (can you tell I was raised catholic?). 

I have plans to do something involving a kabuki play next chapter, so I won’t elaborate more on what the play was supposed to be. However, the play did get cut because I planted Link in the banquet hall with no care to move him from that spot. 

I like the idea of moms who are flawed moms in really normal ways. The way Ayane’s mother is very sweet to Link while having these rigid standards for Ayane is very real to life, in part because it’s based on how a lot of mothers I know act to their child’s friends versus their actual child. 

In a similar vein, I’m also fascinated by mothers who fail their children in such specific ways that it would only be a failure to their child-- like a mother giving too much independence to a child who needs more help, etc. That’s my design for these slow (and hopefully subtle) reveals of how Link struggles with his mother’s memory. On one hand, it’s obvious that he was made to feel like a failure of a child, and he probably knows that was wrong of her. On the other, she was a good parent overall and she’s dead. If you have never experienced that particular cocktail of guilt, let me just say that it messes you up. 

The kids who were doing the snowball fight are Ayane’s friends, which is why one of them remarked that Link was going to yell at them again (see: when Link yelled at Ayane the first time he picked her up from school). Katsuki is the only friend of Ayane’s I’ve consistently named-dropped, so I hope that cued you in to who these kids were.

Speaking of which: I stole that name from Bakugo from My Hero Academia. I was watching the show at the time, and I like the character. Ergo, I stole his name.

Link being very aware that he had been triggered during the fireworks show-- I have a very specific gripe about the way people write PTSD that bleeds through this sequence that I cannot explain in a sentence or two. But what’s important is that I have experienced that moment when your body is triggered but your brain isn’t-- so you can start to feel yourself freaking out while in your mind you know there is no threat, yet the body’s reaction starts to cloud your mind, causing a spiral of anxiety and panic. 

Proxi visiting the fairy fountain in Kakariko is one of my favorite scenes. I just like how simple it is, and how it gives a glimpse into what Proxi’s life is like outside of Link.

I did momentarily freak out after posting because I was worried I didn’t make it clear before this chapter that while there is magic lingering at the fountain it can’t heal. But no one has mentioned it yet, so I think I’m safe to wait until a future chapter to clarify that.

Fairies being too small to have more than one emotion is of course taken from Peter Pan. As a long-time lover of fairies (my childhood hyperfixation), it’s a whimsical idea that I just adore. I originally wanted to use that idea as justification for Proxi mirroring Link’s emotions without Link mirroring hers. 

There would be scenes where he is utterly calm while she’s freaking out or crying because he’s good at covering his feelings, but she can’t. I thought this would rid her of too much agency, so I changed it to a mutual sharing of emotions so that Proxi has more space to her own person while still being his “translator.”

I also like the idea of Link being able to gather the ability to talk, but only in relation to comforting Proxi. That’s development, baby. 

I do wish I rewrote that last scene where he feels Proxi’s joy for the first time, as I really like the idea that he would feel a sense of helplessness and horror to be controlled by another person like that. What’s there now is fine, but it could be better.

Now, onto the present-day section: 

It is very, very obvious that I meant to end the last chapter with that conversation between Warriors and Lincoln. Like I said, the original version really sucked (or at least, my original prose describing what the Chain’s arrival at the castle was like). It makes more sense for Lincoln to drop the information about Lionel in the same chapter Lionel is name-dropped.

Lionel was originally going to be Lincoln’s name, but I picked Lincoln since it has the more obvious tie to the Link-Linkle naming pattern. 

Also, this chapter includes a much needed discussion about the ethics of blaming all of the nation’s problems on a single ethnic group. On one hand, it is stupidly effective to utilize bigotry to gather power, and it’s a rhetorical technique even a more morally-upstanding Warriors would use. On the other hand, that’s an objectively terrible thing to do oh my god. 

So I kinda had to go in and cover my bases of having the characters talk and acknowledge what the implications of Warriors’s plan is. The big glaring issue of this conversation is that it also implicates Lincoln and rids him of his moral superiority. 

Personally, I kinda struggle to think of a real-world equivalent to the dynamic I established in the story, where the institution of the Sheikah does a lot of harm while the people within the institution are experiencing the social-consequences of being associated with it. The best I can come up with is Mormoms. 

Either way, I live in fear someone is going to tell me that this is actually about an underprivileged group I am not aware of currently, and I am contributing to their oppression by not critically analyzing Link and Lincoln’s plans correctly. Which would be a valid criticism to make, but one I could avoid if I had just worked out in advance what the hell is this is an accidental allegory for, educated myself, and then fixed the issue. 

If you guys can think of something, let me know so that I can get started on educating myself and such.

The Castle Town arc’s recurring theme is just bureaucracy, which does not make for exciting storytelling. But I do think it’s fitting for Warriors, who used to benefit from the system, to realize all the ways it’s not made to actually help people. I also think he’s the kind of person to realize he doesn’t have the time or ability to rehaul it entirely and has to settle on trying to work within it.

I can finally reveal my “Midna is a fantastic public servant” agenda. My girl was explicitly stated to be a good and dedicated ruler in Twilight Princess, and I will not let anyone else forget it. 

I really wish that this was more of an ensemble story so that I can write about Hyrule and Sky’s adventures in the Castle Town nightlife

If there is one thing I don’t really like about this chapter, it’s the sequence from Warriors talking to Lana about Cia to the end of Icarius’s capture. Reading it back, it really comes off as very corny and very carelessly written.

I initially planned for Icarius to be captured during the bell ringing in the lead up to Warriors trying to draw the Master Sword

I was imagining a scene where they are watching the news about the invasion be announced and, as Warriors is cursing the bad luck of it all, Spirit would just scrunch his brow and say, “Captain.” And Warriors, who is unfortunately drift compatible with him, would be like “go ahead.” And then Spirit would motion for Linkle to follow, and the two of them would reappear after the Master Sword rejected Warriors with Icarius already tied up.

The problem was that would block Spirit off from understanding the whole Master Sword rejection thing, and I really needed him to carve up Warriors’s hand. 

So I punted this whole ordeal with Icarius off to another chapter, and I have been scrambling trying to find another spot for him.

Ultimately, I do think this worked out because I have no idea what the hell the would have done with Icarius during the networking scenes.

After being disappointed with how this version of the capture scene turned out, I was very tempted to cut it and just have Spirit and Linkle haul Icarius into Warriors’s office, but I didn’t want to cut out a scene of Linkle being a bit of a badass. 

And let’s talk about Icarius, because it’s been a while since we’ve thought about him.

First off, you can tell that I was having a lot of fun this chapter trying to find ways to let them have a conversation with Icarius when he can’t speak verbally and they don’t know his sign. The dictionary combined with the gesturing seemed like a fun but logical solution.

Though, in the back of my brain, I kept remembering how stupid I thought that bit in Iron Flame about the translation was. So when I wrote about Warriors translating Faovarian with just a dictionary, I was sitting there feeling like the biggest idiot in the world. 

This scene also reminded me how tragic it is that Icarius can’t speak, because I know how hilarious this man would have been with sassing his captors. 

I also got a chance to put forth the core tenant of Icarius’s feelings for Warriors: mainly, that he thinks Warriors is both insanely handsome but ultimately stupid as all fuck. 

When I first made it clear that the House of Nephus was a reflection of Warriors, Time, and Spirit, I totally thought someone would put together that Icarius, as the Spirit-equivalent, was trying to save Philo. No one ever remarked on it, so maybe it was too obvious to mention. 

(If I were to ever do another one-shot side story in the style of Smoke the Pipe, I would probably do one about Icarius’s life before the events of the plot, if only because I have a lot of ideas of how Faovaria works and how Icarius and Nephus got to where they are now; though I doubt anyone would be as interested in my silly OC’s as I am). 

I also thought someone would figure out Philo was related to the whole Fused Shadow plotline when, in his introductory scene, he used Midna’s powers. I thought it was obvious. 

I also like the idea of the Dark Interlopers having different legacies outside of Hyrule; generally, I’ve just had a lot of fun taking different bits of canon Hyrule lore and figuring out how they could fit into a greater world. My favorite (not in this chapter) example is when Nephus referred the the Three Goddess as oracles mistaken for goddesses. We know Din and Nayru appeared as oracles outside of Hyrule, and Nephus’s line implies that they are still important folk figures in Faovaria, just not goddesses. 

Spirit’s snarky good luck being the nice version of his thoughts is exactly the kind of bullshit I would pull as a socially-inept kid; he realized what he originally wanted to say was too mean so he wanted to convey some kind of recognition that he understood Icarius’s thought process but still wanted to warn him how hard it was going to be. He really, genuinely thought good luck would be the nicest way of conveying that. He’s so bad with people. I love him. 

And, god. Time. Poor guy has walked around his entire life feeling like there has only ever been one person who ever cared for him, only for that one person to turn around and be like yeah I regret helping you. 

Then there’s Warriors who is starting to learn to not let himself get tangled up in fights against Spirit, who is so wrapped up in trying to stop this war that he doesn’t even have the energy to entertain Spirit’s bullshit right now.

Which leaves Spirit alone, with only Warriors to cling on to. 

His conversation with Warriors in the hallway is another favorite of mine, if only because it sounds really natural. I think my dialogue is too on the nose sometimes, so I’ve been trying to let the characters talk around themselves way more. 

Hot tip: if you are writing about men, make sure you mention their facial hair and shaving habits. As a long-time lover of facial hair, I love hearing about characters growing stubble or having to remember to shave in the morning. It’s a little detail that gets overlooked in fiction a lot, and I’m so bitter about it. 

Oh, the newspaper article. Let’s chat about that now. 

Public opinion plays a big role in political intrigue, which I never see enough stories taking advantage of. I knew from the beginning that I wanted Warriors to get exposed in the newspaper after he was well into cleaning up his act, but I wasn’t sure how to go about it. 

As many of you know, one of my most infamous cuts from the story is an original character who was a journalist during the war producing propaganda about Warriors. In the present day, this journalist would have felt so guilty for the role they played that they would have been on the pursuit of writing a story about what really happened back then. They would have been a neutral to antagonistic force in Warriors’s life. 

You can probably guess that this expose was supposed to be their work-- a decision to finally report truthfully despite being asked to lie once more for the greater good. I really wanted to juggle with the ethics of propaganda, and to have a moment where Warriors straddles that moral line by wanting to utilize propaganda for the greater good (but for real this time). 

I cut the character because a) there were too many bozos in this story already, and b) I didn’t think that a plotline about propaganda would be the most useful in a story about a kingdom where the people’s opinion does not matter (in retrospect, that’s a misconception on my part about what propaganda is used for). 

In some ways, I think it did hurt the story a bit to not have a specific character attached to the article. However, I ultimately like having no specific journalist attached to it since it places the blame more squarely on Impa. 

Writing the full article out was most definitely not the best use of my time or the best use of space, but I was worried that if I did not, readers would be really confused as to what the general public did and did not know. 

Stylistically, the article is meant to be more of an profile/investigation piece over a straight-informative blurb. The best example I can find is this article from the Cut on Usha Vance.

(I have spent the past month deep in the anti-Vance think pieces. Fuck both of them. I can’t believe I am going to have to keep hearing about these bastards probably for the rest of my life.)

As you can see, there is the occasional use of first person and more storytelling techniques used alongside facts. I chose this style mostly to make sure the article wasn’t too boring to read. 

I also struggled picking good numbers for the article that would sound severe, without being over the top. I think I picked some realistic stats. But if I messed up, it would be very funny and would invalidate all of my bitching about Fourth Wing’s bad numbers. 

At least I got to use this as an opportunity to drop some new info on you, such as...

Marigold was 19 when she gave birth to Warriors. Yeah, there’s a bit more to the Marigold story that is still left to be uncovered. There is a thematic reason to why Warriors does not seem to acknowledge how young she was when she became his mother.

How do I put this? There’s an irony in him knowing that he was failed by being made responsible for the kingdom at 17, and then not realizing that Marigold was also failed in a similar way. I think people generally have a problem realizing that the problems they see in the world are more widespread than they are, and that they take on multiple forms. And when one thing is wrong in the world, it usually is reflected elsewhere in an unexpected way. 

Warriors believes that Marigold had a responsibility to take care of him because she was his mother despite her age. Warriors had a responsibility to be the hero, despite his age. He understands that just because society at large saw this as his duty, it doesn’t mean it was right. He doesn’t realize this wasn’t Marigold’s duty either to take care of him.

I explored this idea earlier in the story with the use of child soldiers being contrasted with Kat’s underage prostitution. 

Also, Anders Brecht. His last name is a reference to Bertold Brecht, the playwright.

It’s nice to get his story out of Warriors’s perspective of my friend betrayed me and into this is a well-educated activist who was executed for trying to make positive change in the world. To this day, it surprises me how many people were not sympathetic to the turncoats in this story.

Another thematic point: both Anders and Marigold were the Hyrulean-equivalent of leftists. Despite having their influence on him, Warriors still turned out far more moderate than them, and far more prone to causing harm. Insert rant here about how just because you surround yourself with good people doesn’t mean you will turn out like them, etc. 

Spirit being ashamed about the article-- Spirit is definitely someone who understands that just because someone knows you went through some shit, it doesn’t mean they will really give you the validation you want. He’s what happens when the vitamin fantasy doesn’t yield the acknowledgement you thought you were going to get. 

And, finally, Warriors gets put into a corner and manages not to resort to using Spirit to his advantage. I enjoy that Warriors’s determination to not use Spirit as a pawn to sway public opinion back into his favor comes at the cost of, well, being on the verge of losing the goddamn fight. Oh Warriors, you can be a better person now but being a good person doesn’t win wars. 

While the opening conversation between Lincoln and Warriors would have 100% worked better at the end of the last chapter, I do think it’s nice that their conversations are bookends. 

I do think it’s kinda silly that celebrities have to apologize for doing something wrong to the general public, and a part of me wanted to use this story as a means to point that out. But I also have to admit that there is a social reason why we expect it, and I have come out on the side of pro-apology. 

This is the first time in-story that Lincoln hugs Warriors. 

Warriors really needed someone to tell him that they were proud of him and, I won’t lie, I also kinda needed it at the moment of writing. As much as Warriors still has a lot to learn and improve on, it feels good to see him get some of the praise he desperately needs. 

Warriors’s character arc really is just him realizing that while he has to do his heroic duties, he would much rather be living a quiet domestic life with his family. Well, he always knew he wanted that. He just went about it wrong with Spirit and Time. He’s just getting to start over with a better perspective and less coercion. 

And finally, the Knights of Hyrule are arriving. I’m not lying when I say that I have spent most of this year trying to get to this stupid plot point. I thought the trip to Castle Town to now was going to be one chapter. That was back in March. It’s November now. Ugh. 

So yeah. That’s the chapter. 

You might have noticed that my style is a bit different this chapter. Looking back on old chapters, I can see myself overwriting in a lot of places, especially in the narration the explore’s Warriors’s thought process. I’ve been trying to cut that back in order to both clean up my writing and cut down on the sheer bulk of words every chapter requires.

I think it’s working out so far, but I won’t blame anyone for thinking the chapter is a little underwritten, or it seems like I’m putting in less effort into the story. 

Ideally, I would like to get two more chapters out by the end of the year-- one for each month. I have no idea how that will work out when I am as busy as usual and the holidays are coming up. But I will try my best. 

(I also just realized that there is three weeks left to the month and I have not started the new chapter yet. Oof.)

(If I keep up the chapter a month pace, the story will end around April, aka: CTB’s next birthday.)

Thank you to everyone who has kept up with this story for so long. I love writing long stories, but there’s always a point where readership peters out (not surprising; comes with the art form). CTB has long hit this point (taking a four month break this year did not help), so I appreciate everyone who has kept up so far and everyone who has recently given this story a shot. Hopefully the next chapter will worth all the time and dedication you have shown this story so far <3

[ingravinoveritas]

UMMMM DOCTOR AGREEING WITH DONNA SAYING ISSAC NEWTON WAS HOT?!!!!!!! AND THEN WHEN HE ASKS IF HE DOES THINGS LIKE THAT DONNA WAS SAYING SOMETHING ABOUT HIS SEXUALITY ALWAYS BEING ON THE SURFACE?!!!!!!!!!!!!!!!!!!

Hoo, boy. Well, I just watched the second of the DW 60th anniversary specials ("Wild Blue Yonder"), and let me say...that was fucking awesome. As I've mentioned previously, I am a very casual Doctor Who viewer, but this felt so much tighter and stronger than "Star Beast" by several orders of measure. I know everyone talks about DW being owned by Disney now and how that has affected the budget, but this episode more than proved that you do not need fancy special effects or over-the-top action sequences when you have two actors who can just do what David and Catherine did.

I've only seen a few other DW eps, but I was amazed at how creepy this was, and having it be so intensely character-driven--that is, having the antagonists be copies of the Doctor and Donna and allowing David and Catherine to create two completely different other characters so that it felt like there actually were four different people on screen--was sheer genius. Absolutely brilliant and hilarious but also wildly unnerving at the same time.

Which then brings me to the moment you mentioned, which is thoroughly delicious on its own:

Right off the bat, what surprised me is how very not surprising this is, at least to anyone paying attention. We know the Doctor is an alien who transcends time and space, so there is no reason to think that he/she/they wouldn't also transcend sexuality. And again, not having seen as many episodes of other incarnations (Nine, Eleven, etc.), I have always seen Ten as being bi or pan, without any question. There was something about Fourteen saying this, however, that felt very akin to 57 academics punching the air, and I am just beyond thrilled that this made it into the show.

What's also been interesting to me is seeing the negative response to this development on Twitter, and the subsequent pushback to said response. I've seen a lot of folks saying the Doctor can't possibly be gay (nevermind that being into men doesn't necessarily make the Doctor gay, since bi/pansexuality is A Thing That Exists) because of Rose, and then other folks responding with examples from Ten's era showing all the ways in which Ten is not/has never been 100% straight. But as easy it is for these pushback people to see this as a possibility for fictional characters, they seem to have a very difficult time seeing that same possibility in real people.

To wit: I saw a tweet yesterday from someone who thought that Russell T. Davies was straight--much to my disbelief--and a subsequent reply on that tweet from another person who thought he was married to Julie Gardner. And sure, I'll grant you that not everyone is interested in the personal life of a DW showrunner/writer...but we are talking about the man who wrote the UK version of Queer As Folk, and gave the world Captain Jack Harkness, for crying out loud. The same man who made David/Ten look and act like the biggest bottom ever to bottom and earned the moniker "Russell T. Daddy" for a reason. Yet the grip of compulsory heterosexuality is so strong that all of these things (as well as the fact that he had an actual husband, who sadly passed away a few years ago) ceased to matter.

But...it also suddenly makes sense why so many people are oblivious to the fact that David (and Michael) are most likely not 100% straight.

If we are going to say that the Doctor is not necessarily automatically straight because of having previously dalliances with women, then it makes sense to say that David is not necessarily automatically straight for the same reason. I've talked previously on my blog about how assuming straightness when someone hasn't come out as straight or because someone is in a straight-passing relationship is a problem, and that people don't need to label themselves specifically to be who they are. Yet as willing as so many fans are to let fictional characters step outside of that confining box, those fans are equally willing to push the actors right back into it.

I still see people calling David a "straight man" when that very well might not be the case. When this year in particular, David has been more vocal than ever before about numerous facets of queerness in a multitude of forms (wearing badges, gay pride boots, t-shirts, etc). I've talked about how the clothes David wears seem to be reflecting who he really is more and more, and thinking about the roles he's played this year--Crowley, Fourteen--I see a similar pattern. And I keep thinking about that little boy in Paisley who was afraid to ask for a DW Leelah doll because he didn't want to be a "sissy." I keep thinking of David likely being told that his career would be destroyed if he was anything other than publicly straight, and especially while playing a beloved character like the Doctor.

For him to come back as the Doctor now--in the midst of a deeply charged period in history, with homophobia and transphobia spiking dramatically in the UK--and to mention finding another man hot in the most completely casual way is nothing short of astounding. And what better vehicle to potentially guide David toward opening up about himself than something he has loved for so long? What better show to serve as a lighted pathway, of sorts? Nothing Russell writes is not deliberate. Nothing being done in these specials is not deliberate. And if 900 years isn't too old to discover or become more open about a part of yourself, then why should 52 be?

So yes, those are my thoughts on this new DW 60th anniversary special, and this particular moment with Fourteen (Ten-Four) and Donna. It really does feel as though this is all leading toward something, and I am definitely looking forward to seeing the third and final special next weekend...

[docholligay]

Inspired by the person who asked for essential kitchen/cooking items: What would you put inside a beginner’s baking kit with a budget of 600$? Also, can you recommend a cookbook to go with this kit?

First of all, I want to say that this question is asked perfectly. Firm budget, noted for a beginner, noted that it is BAKING we're interested in mostly. I love the specificity.

Now, you may not be aware of this, but you live in Germany and I live in America. So the prices and availability may differ WILDLY.

But this is how *I* would spend $600 USD, for a beginner, and the cookbook I would include for it. It also assumes that I can't go to thrift stores and get some of this, which is how I slowly built up a kitchen. This is 'I want to buy it from a store, today'

Stand mixer-- Hamilton Beach 7 speed, $120.00

I CAN HEAR YOU NOW. 'but Doooooooooocccccc, what about a Kitchenaiiiiiiiidddddddd?" Kitchenaids are fine. They're fucking fine. They're like Le Creuset though: They are more about the appearance of having one than the having one. ESPECIALLY at the classic level, which is the entry level. * For entry level, the Hamilton Beach is PERFECTLY fine, and costs more than one hundred dollars less. The motor is actually more powerful in the Hamilton Beach!

Why a stand mixer at all? You can absolutely make do without one: My mom and I were talking about how things were at times hardscabble in our family, and she made whipped cream WITH A WHISK AND BOWL. Can absolutely be done. But, it's a lot easier and more fun with a stand mixer. If I had this budget, I would put it toward this.

T-Fal Airbake Cookie Sheet -- $36.00

I have no idea why this is impossible to find all of a sudden, I hope they aren't discontinuing them. Doc, is this really worth the price? Yes. The air circulation in the bottom makes for better cookie outcomes for many types of cookies. I wouldn't use this for anything that's not a cookie, but it helps the cookie be more cooked in the middle without burning on the bottom, which is a common problem.

Fat daddio's 9 inch cake pan -- $15.00 (x2, so $30.00)

Doc, didn't you say you use an 8 inch pan? Yes, I prefer the higher loft of the cake and also I know how to adapt cook times for it. I would not do that to a beginner. Most recipes are made for 9 inch pans! I say buy two because many recipes call for two 9 inch rounds and it can cause problems to cook them back to back instead of together. We want to help out where we can.

Nordicware Baker's half sheets-- $30.00

Doc, you already had me buy a cookie sheet. Yes well, rolls, croissants, macaroons, tuiles, sponge cake for a jelly roll, etc, none of those can go on an airbake. These are more all-rounder workhorses.

Nordicware one pound loaf pan -- $13.00

banana bread is one of the easiest things to make, and you need a loaf pan for that. It's good to have even if you are not a crazy person who never gets into bread! Also essential for pound cakes.

Nordicware cupcake/muffin tin -- $18.00

I know I'm bringing Nordicware up a lot, and there are other brands I use and own FOR SURE, but it's just a really solid quality one stop shopping brand. Anyway, you need to make cupcakes!

Emile Henry pie dish -- $50.00

Bitch, why are you all of a sudden having me buy a fifty dollar pie dish? Because I have a great budget, and pie is one of the few things you basically have to serve out of the container you cook it in, so when possible, I like it to look nice. Also, like most of the things I have here, it will last FOREVER. 90% of this list is ALSO great for people looking to trade up to better quality stuff. I have two of these, I fucking love them, and there is a huge difference in bake quality between them and the Albertsons brand ceramic one because of the clay in it.

Fire-King Glass 9 x 13 Pan -- $16.00

This is for brownies, sheet cakes, cookie bars, and cinnamon rolls in some styles of making them!

Fire-King Glass 8 x 8 Pan -- $12.00

I mostly use this for fudge, but bear in mind I cook for a lot of people--this is a great size for small amounts of bread pudding, a small thing of brownies, etc.

Marble rolling pin -- $30.00

So people who bake have OPINIONS on rolling pins, and different styles and materials. This is my guy. Marble, standard American style rolling pin. I don't like French style rolling pins, but plenty of people do! Your person will not know what their individual preferences are until they get into it themselves, but for now let's assume I'm right about everything.

Danish dough whisk -- $12.00

Great for breads, batters, things that you want to be careful not to overstir. It's one of the best things I've found in the last few years.

So I've spent $349.00 of your money. From here all you need are really straightforward basics that I don't think I need to suggest brands for: Spatulas, scrapers, a whisk, a mixing bowl or two (Though if anyone would like to buy me a huge mason and cash bowl, I'm all ears. But, like, a mixing bowl is a mixing bowl). Measuring cups and spoons if they don't have that, obviously. I would say a digital scale but most American beginners are not going to fuck with that, *I* barely fuck with that unless I'm doing bread. You could upgrade the stand mixer if you want, though the one I consider an upgrade in a real, tangible way DOES put you right at 600 with very little wiggle room, and for a new beginner I just don't know.

You could buy stuff for bread if they decide they'd really enjoy hating themselves actively.

So I'd probably get some spices and a nice vanilla and do all that with it.

Oh! The Coobook!

The Cookbook I recommend for absolutely everything is The Joy of Cooking. I have given it for countless housewarmings and weddings and graduations. It is the ne plus ultra of learning how to cook. I even use it, often. If I could only keep one cookbook this would be it. Great variety, excellently tested recipes, sections on technique. Best cookbook.

But if I HAVE to pick a baking-specific one, I actually love the old baking books, which were like, 'How not to fuck this up, new homemaking wife' and not made to be aspirational, wow wouldn't it be great if I actually cooked, books, as many are now. But there's two I like! The King Arthur Baker's Companion, and How to Bake Everything by Mark Bittman. I prefer KAF, but Bittman is FANTASTIC at writing very very simple recipes for people who GENUINELY struggle with coking and baking.

*"Well then what do YOU use?" Babygirl the mixer I use was more than the entire budget for this project. It was a combination Hanukkah and Birthday present, and only because I bake enough, and for enough people, to justify it.

[yo-its-alex]

FuriLumi hcs

Mmmm brain rot Furina reworks her budget to accommodate date nights or fun times out with lumine so she doesn't feel like a burden but Lumine being the millionaire she is (bc shes saved so many nations) buys her small gifts in return (one was a plush dolphin)

Shortly after FuriLumi start dating, Lumine invites Furina into the teapot to show her around and for a sleepover. when bedtime comes around, Furina starts doing a 20 step face routine and putting curlers in her hair while lumine just stares at her gf in both amazement and horror because she just knows its gonna take 2 hours and she wants cuddles.

before furilumi started dating, our blond hair traveler went to Neuvillette to just rant about furina bc no one knew more about furina than Neuvillette (apart from Lumine) and furina would feign major problems just to go and talk to our dear hydro dragon about lumine. He was more than relieved when they got together, only for them to increase their visitations to ask for advice.

Furina sleeps wildly, Lumine finds out when she wakes up after being shoved to the floor by a cacoon version of her love.

also if my love mine all mine was in teyvat somehow, they would take turns singing each other to sleep, well they try but it ends up with lumine singing furina to sleep more often due to nightmares (also furina thinks she has a cute singing voice) n e ways Clusterhug bu IDKBTFM reminds me of them so here it i

[sirfrogsworth]

So... I paid $220 to go from this...

To this...

I'm pretty sure that was not worth it.

But good for Dakota. He is an excellent salesman.

Now, my previous tire sensors were wildly inaccurate. Sometimes they were off by over 5-10 PSI. I can't tell you how many times I thought my tires were nearly flat and then I'd bust out my Jaco Elite Digital Tire Pressure Gauge with shop-grade accuracy, a robust stem, and a 360° swivel chuck...

And I'd be like, "Yo Jaco, my dashboard says my left front tire only has 18 PSI!"

And Jaco would be like, "Dude, chill. You're still at 27. You'll be fine. Also, remember that since your brother had to swap out a wheel, your sensors think your left front tire is your right front tire. He said it was a pain to fix and you should just remember which is which and he was sure that wouldn't be confusing in the future."

Narrator: It was very confusing.

If there could be one redeeming result from this, it would be getting those Cadillac-grade super accurate tire pressure readings.

So... let's compare the new fancy $220 pressure sensors to Jaco, who is certified accurate to professional ANSI 2A standards.

*drumroll*

Well slap my patoot and call me a Cadillac.

That's... amazing.

The largest delta was only 0.6 PSI!

I don't know if that meets ANSI 2A standards, but that exceeds FROGGIE 2A standards.

And the left front tire was the left front tire and the right front tire was the right front tire. And I'm sure all of that time I spent training myself to reverse the reading from the front tires will not cause any more confusion.

Narrator: It will.

This means I can actually rely on these readings. I don't actually have to bend over and kill myself trying to stick Jaco onto the little... *brain gears grinding* umm... the tire nipple? The pressure nubbin? The nubbin nipple pressure thingie?

The valve stem!

That's what that's called. The tire nubbin nipple valve stem.

Poor Jaco might end up collecting dust. I'll make sure I remember to press his rapid air bleeder every once in a while to give him some attention.

Narrator: He won't.

Poor Jaco.

In any case, having reliable pressure sensors that save me from bending over does make me feel better. Not $220 better. But better. I mean, having an expensive thing be functional is a low bar, but I am happy it works.

Alright, down to business. Who wants to see some beauty shots of these budget tires that get super hard in the winter?

May I introduce you to the Radar Dimax AS-8 tires.

So fresh and new.

So rubbery.

Those leaves were totally just there. By no means did I kick them in front of the tire to add a pop of color. I have journalistic integrity and I only shoot the truth.

Look at that asymmetric tread on this all season sport touring tire.

Do you want to go sport touring with me?

Is that a thing people do?

Look at how deep that tread is. These babies won't be balding for years.

Let's get closer.

Absolutely cavernous.

I'd even say that tread depth is downright... trenchy.

Like, I'm half expecting an X-wing to fly in there.

If only I knew someone proficient in the ways of Photoshop.

I'm that someone!

[forcedhesitation]

I definitely do not have the time for a full essay's worth of commentary on the Casting of Frank Stone, but I definitely could give you that if I did. There is...a lot to take apart there. I am certainly...fascinated...by some of the writing & gameplay choices they made, to summarise my thoughts somewhat vaguely.

A few spoilery comments under the cut.

Like I said, I don't really have the time to offer extensive analysis (a full paper) of the game, but I do want to say a few things.

First and foremost: Do not purchase this game. In the words of Mr. Otzdarva himself: Go and watch someone play it instead. Your play through will be 95% the same as theirs. It is not worth your 50 dollars. If you still want it after you've viewed someone else's playthrough, that is your own right.

I honestly became annoyed with the writing much faster than Mr. Otzdarva did, and at first I thought it was because I was spoiled by BG3's infinitely better writing. But no, it's rather that he was being very patient. He finished with a rather negative opinion of the game, after thoroughly going through it to test just how much control you as the player really have.

I will be fair-- It is certainly a visually stunning game, as far as Supermassive titles go. Much better looking than The Devil in Me. The music is also incredible. And some of the voice acting was well done and added much needed life to otherwise bland characters.

But good grief is the writing utterly nonsensical!! Even if you respect the "a multiverse exists, so anything is possible" fact which is canon to Dead by Daylight itself, it still doesn't make any damned sense. I mean, is it ever explained why there is time travel involved? Or how it is even possible? Did they simply expect people to just assume that Augustine figured out time travel in a certain timeline? Does it have something to do with the Entity, since it can clearly traverse time? If so, why was Sam able to voluntarily time travel to Madi & elder Linda's timeline? Why and how the FUCK is Frank Stone first bound to the mill and then camera using what is clearly the same magic as the horologium, when we know the Entity has not yet been brought to that timeline??

And playing the "anything is possible" card would be fine to explain certain things, I will concede, but it really starts to feel meaningless when you realise just how many massive plot elements are never explained and that none of your choices really have any impact on the ending of the game. The story literally ends the same no matter what you do. And to be fair, I do not think it is a bad ending at all. Barring the corny "trial starting" sound that they jammed in at the last second, I thought the ending was one of the better parts of the game. It works great to make you feel hopeless, and like there is truly no escape from the Entity. I just feel that this format of a "your choices impact the outcome of the story" game was the incorrect format for the story they wanted to tell. Because it truly doesn't even matter if you get everyone killed, or you save everyone-- everything happens the same way and the world's fate is the same.

There are other things that bothered me, too. I thought having Frank Stone appear as this corny, glitchy spectral monster for most of the game was...a terrible choice, both design wise and writing wise. Now, I do not think killing him in the opening was necessarily a bad decision. I honestly thought it was a bold choice that functioned well to surprise the viewer and urge them to continue, so they might discover how the story plays out after the death of the titular character. But keeping him as this ghoulish creature, that honestly looked as though it were from some solo indie developer's first low budget horror game, was awful. He did not feel threatening whatsoever, just wildly out of place in a visual quality sense. I hate the final design much less, it is certainly much more threatening and much, much more gruesome, but it still does not make sense as to why he looks that way. The Entity still had not taken him, why did he appear as this inhuman monster before his entry into the Fog? They should have kept a more humanlike design until the very end of the game, when the Entity arrives. Then, a transformation sequence where the Entity mutates him should have been restricted to the ending where no one from the cast is seen in the Fog, so players at least get something different in that allegedly "unique" ending. After all, if a cast member does get taken, at least you get to see visions of what followed the 1980s storyline.

Also why did Augustine work alone when she is clearly part of the Black Vale? The excuse of "the cult didn't exist yet" doesn't work here, because she can time travel and is fully aware of the multiverse she exists in. Like... I thought elder Linda's mention of secret passages being for staff "so they are seen as little as possible" was foreshadowing for Augustine having fellow cultists aiding her, but it just went nowhere. Another thing that goes nowhere is the baby that Sam can save at the very beginning. Should the baby live or die has absolutely no impact whatsoever on the story, which feels like an enormous mistake to me. That baby should have grown up to be a character that the cast could have interacted with to gain...oh I don't know, some piece of important knowledge, or an item, that could then later change the fate of the cast. This way, the player's choices in the 1960s segment actually have an impact on later gameplay, rather than meaning absolutely nothing.

I'd also love to know why the hell elder Sam was sent alone to prevent this situation from occurring, when the Imperatti (I think they were called? The parents of the Pariahs, or something, right?) would have surely realised the gravity of this situation? Like, how does this make any sense? And this is far from the only moment that makes no sense at all.

Why do Jaime and Robert have almost no relevance whatsoever after the 1980s segment concludes? Robert is guaranteed survival of this segment, as that part of the game is written so that two characters always survive-- be that Linda and Robert, or Sam and Robert. As annoying as Stan was, I didn't hate him because he had great dialogue that pushed other characters to have different dialogue than what we were used to. But it felt scummy that Robert was just given this sad, offscreen death instead of being included in a lot more meaningful way.

Not going to lie, it reminded me of how in Stranger Things 4, Patrick was the one teenager whose trauma wasn't really explored or given the same respect as the others. It's like the writers went, "Guys, guys! It's okay! We still have the other Black guy! This makes our game Diverse, and therefore no one could possibly complain!" Meanwhile, we get an entire cutscene about Madi's nightmares, and elder Linda's movie career and associated trauma is talked about numerous times. But all we know about 2024 Robert is that Stan took advantage of him, and then he later died, utterly miserable. Also, Sam somehow knows about this and he and Stan know one another, despite this Sam being from a different timeline than elder Linda, Madi, and Stan himself.

And Jaime, poor sweet Jaime, he really just feels like he's there as someone they can conveniently kill to shock the player. The first chance he has to die results in a horrible, very graphic death (although not the most graphic in the game by a long shot) that I feel many players will encounter because they see it as reasonable to visit the curiosities shop first, and then to later attempt to save Chris (even though her fate is the same here, regardless of what you do). And even if you should keep Jaime alive through that first confrontation with the spectral Frank Stone, it's not as though his survival impacts following events. He can die again, when fleeing Frank with Bonnie and an injured Linda. Why they have Linda, who has a gaping hole in her shoulder, attempt to pull Jaime up the platform alone while HIS OLDER SISTER just WATCHES is beyond me. But writing his death, whether it be here, or earlier, to have no impact on Bonnie's fate, or any future events, is plain bad writing.

You cannot save Bonnie, no matter what you do. And this scene makes no sense. When Frank grabs Bonnie, Linda points the camera at him, which should work. There really isn't any reasonable explanation as to why this should not work, or should not even momentarily distract him (Which could have led to a different ending where Bonnie lives and Linda dies instead?), because in the storm drain, so much as yelling at Frank causes him to abandon whoever he's attacking to seek out the new target. I suppose, at the very least, 1980s Bonnie's death does serve some kind of purpose in the 2024 storyline, because it serves as foreshadowing for Madi's potential fate. But just like Robert, 2024 Bonnie is given a sad offscreen death and we never really learn about how she or Jaime survived that night at the mill.

And I will say, it just feels shitty from a player point of view, to make it so you cannot save certain characters. Like, I'm sorry, is that a canon event? Where is Mr. O'Hara? Because Madi must be a god-damned anomaly, being Bonnie's daughter!! And Chris- god- Chris who mysteriously travels through time...I really do hate this part of the story because understanding its purpose can only happen if you manage to get the secret ending where she goes through the projector screen and DOESN'T burn and die. Which would require you to not have taken the pocket mirror or given the "protective" amulet to her. This unlocks a secret ending where she goes back in time to the moment where she, Jaime, and Linda were inintially shooting in the mill, right before Sam interrupted them. I took this as the writers trying to show us that there would be one timeline in which Frank Stone is never released (not sure how he ever was in the first place, really), likely saving them from the Entity. But other than the player somehow luckily getting this ending, I really don't see the point of Chris' time travel, because she can also be sent immediately back in the horologium, which does nothing meaningful. And why does it have to be Chris? Why not write it so it could be her or Jaime, so that maybe the player's choice to have her and Jaime breakup or not actually has some kind of impact on the gameplay?

One of the worst things about the game though, and I cannot stress this enough, is how badly the references to DBD are integrated. I love a good reference-- it can serve to add a little playful flair to a moment, or even go so far as to have the viewer look at the piece from a different perspective they had not previously considered. Buuuut... this is only if the reference is done well. And, well, what this game does could hardly be described as tolerable, even. In was so heavy-handed, it felt almost as bad as product placement in a Michael Bay movie. Many of these "references" felt out of place to the degree that someone with no knowledge of DBD would be likely able to pick them out, because they heavily disrupt either the game's aesthetic or the gameplay itself! One generator was funny, and honestly expected, but THREE of those damn things? Clunky, corny, and honestly? Lazy.

Unfortunately, I feel those three adjectives describe how I feel about the game overall. I feel bad for the people who put hard work into making it, because there is potential there for something great. But it really felt as though they were pushed to release this game as quickly as possible, so BHVR could sell us a 50 dollar, five-to-six-hour advertisement for their next DLC chapter. Hard to think anything else, really, when completion of the game is followed by a a literal ad for it.

All I can say is-- I really hope we get 2024 Linda as a survivor. It seems more likely that it will be Madi, but it is possible we could have a two-survivor chapter (unless they specifically outlined in the roadmap that there are no upcoming 2-survivor chapters?).

Madi and 2024 Linda would be cool though. We have no older women as survivors, despite having more than one older man. I think it's about damn time. And I love the mother/daughter bond that can sort of develop between Madi and 2024 Linda in the game.

[deeply-unserious-fellow]

Guys I love Willa and Bucky's friendship so much. It's genuinely one of my fave relationships in the entire Zombies franchise- I think having the two of them hang out and be friends was a really really good idea, and even though we'll never actually get to see that deeply into their relationship, I still really like reading into their dynamic. So here's an entire breakdown on why I think their friendship works so well :)

WARNING: I do take a couple liberties in their characterizations for this analysis. I would argue that the pieces are all THERE, since both of them are in really shitty situations that very clearly inform their behavior, I'm not actually exaggerating that much, but y'know. The movies never actually get that deep into either of their psyches outside of Bucky's verse in Stand, so a lot of this is just speculation about how the characters might've ended up the way they did. Yes, I know it's weird that I put so much time into analyzing these characters from a children's movie trilogy, but in mY DEFENSE!!!!! If these movies are allowed to have a scene where half the main cast get loaded into the back of an armored vehicle by the police and a scene where the entire group of people we just started getting to know start fucking dying because they failed to find their life source, I think they're also allowed to have some nuanced characters. As a treat. Anyways iT'S ESSAY TIME WOOOOOOOO

Willa and Bucky, on the surface, do not seem like they would get along. They're both very dominant personalities that don't like having their authority undermined, they have WILDLY different aesthetics that you'd think would cause at least Bucky to avoid Willa on principle since he's a judgmental little freak, and Willa doesn't seem like the type to be willing to put up with Bucky's constant stream of bullshit. But, weirdly enough, they actually seem to get along really well! They dance together at the end of Z2, which doesn't super count since it's an end of movie dance party but I still think is at least kind of noteworthy, in Z3 they seem to at least tolerate eachother enough that Bucky hangs out with the wolves more than he does the 'aceys, and in Re-Animated they hang out with eachother pretty consistently, with them even getting a duet in one of the episodes! So clearly there is SOMETHING that makes them work so well as friends, and I think I know what that thing is; they're both constantly under pressure from their respective communities to be perfect, and they can provide a unique safespace for eachother from those expectations that noone else really can.

Bucky is a teenager who is being idolized by at LEAST his entire school, adults seemingly included based off of the budget he's given for posters of his own face and the incompetence of the staff, and has been raised in a society that values perfection and conformity above all else, resulting in a deeply toxic environment that forced his cousin to literally wear a wig for her entire childhood. Willa, meanwhile, has been practically forced into being the leader of her community at an INCREDIBLY young age just by virtue of being the only person physically capable of doing so, and has the entire well being of every single person she cares about riding on her shoulders at all times. Obviously neither of them respond to these situations in particularly healthy ways, with Bucky becoming obsessed with keeping up his perfect reputation above all else because the spotlight is presumably all he's ever known, and Willa becoming aggressive and overprotective, refusing to show any real emotions besides anger and cool detatchment, because vulnerability makes you weak. They also don't really let on that they're struggling to anyone. At all. In any of the movies. Like, we KNOW they're struggling in some capacity, Bucky's downward spiral at the end of the first movie and literally everything about Willa's situation in the second make that pretty obvious, they just never actually open up to anyone about it. They're both trapped by their own complete unwillingness to let their masks drop for even a second, out of concern for either their own well being or the well being of the people around them.

But the thing is, neither of them really put a whole lot of stock into the other's reputation, and their personalities make it impossible for them to fall into the same traps other people do while interacting with them. Willa will never find Bucky particularly impressive outside of their mutual respect from A Wyatt Place, and he can't prod an overblown reaction out of her the same way he can with Eliza, meaning she won't give him negative attention either. Bucky will never rely on Willa the same way everyone else does because he's such a proud little shit he would never want to admit he accepted help from ANYONE, and he also doesn't view her as any sort of authority figure, meaning he has absolutely no expectations from her beyond what he expects from everybody else. They view each other as essentially just some fuckin guy, and that is EXACTLY what both of them need in a friend. Neither of them put the other on any kind of pedastal, meaning it's much easier for them to form a genuine connection. That's also probably a big part of why A-spen and Willa's relationship works so well but I'm gonna save that tangent for it's own deep dive I think. It also definitely helps that their issues have such similar root causes. Having something like that in common can A; allow them both to start working past those issues, if only a little, and B; make it easier for them to view the other as an actual person with Depth and Feelings, which they both work VERY hard to pretend they aren't. Bucky in particular would need that kind of common ground to stand on, because he has proven time and time again to be almost incapable of showing any kind of compassion unless he has first hand experience with whatever the other person is going through, he almost dies because he fucked up, or the person in question is Dae. I guess-

Also! They actually have a decent amount in common outside of similar traumas that, once specifically Bucky but also kind of Willa get over themselves, they actually canonically admit they respect about each other. Like in A Wyatt Place, Willa admits out loud that she respects Bucky's fuckin... alpha-ness, I guess(god I hate Andrew Tate), and even though Bucky doesn't say it out loud he clearly thinks the same about Willa based off of the fact that he was willing to work together with her at ALL in that episode. They're also both really over the top and proud of their appearances. Willa is a lot less in your face then Bucky, but she does still say shit like "stay out of our amazing hair" and "these sheep let us in? Baaaaaad idea" in the second movie. And to be fair all the werewolves are kinda dramatic? They literally sing 3 1/2 songs about how cool they are and Wynter also makes a couple comments about how the werewolves are all hot as hell, but Willa specifically just does SO MUCH weird dramatic shit outside of songs, like saying those lines I mentioned previously, or throwing her moonstone at the library alarm and stealing a bunch of books in broad daylight, or the massive speech she gave in Z3 to hype up the football team where she started scratching the van. Hell, We Own the Night was even basically her idea! Wyatt just went along with it because she's the alpha she's the leader she's the one to trust(trust). She's genuinely the only character who's flare for dramatics comes even CLOSE to Bucky's, and the only reason they aren't equally matched is because Bucky literally jumped through a poster of his own face only to reveal a second, bigger poster of his face was right behind it. I honestly think if they didn't have such wildly different aesthetics(and Z2 didn't ruin Bucky the way it did), the similarities between them would be a lot more obvious-

But yeah that's why I really like their friendship! I think it's really interesting how, on the surface, the seem like they would fucking hate eachother, but once you dig a little deeper you realize their friendship actually has a lot of potential! I've said it before and I'll say it again, all the choices the writers made when it came it Bucky in Z-O-M-B-I-E-S 3 were god-fucking-aweful EXCEPT for him hanging out with the wolves. The only problem there is that I genuinely can't tell if the writers actually put any sort of thought into that decision or it was a complete accident that the people working on Re-Animated saw and said "yeah we can work with that"- but no matter what the thought process was, they're canonically best friends NOW and you cANNOT TAKE THAT AWAY FROM ME IT'S LITERALLY CANON YOU CANNOT STOP ME AHAHAHAHAHAHAH(Im writing this while very light headed-)

Also! Bonus paragraph of me reading too far into their dynamic in the Screambook alternate universe; they seem like pretty good friends in that universe too(Bucky not joining in when everybody else chants "bust" in We Own The Night, him complimenting Willa specifically and their conversation after the song being my proof of that), and I like to think it's for the opposite reasons they're friends in the main timeline. If MT!Willa and Bucky bonded over a mutual feeling of pressure to keep up appearances and fear of slipping, AU!Willa and Bucky bonded over both being in shit situations where everything they stand for in the MT is lowkey falling apart. Willa lost the alpha contest to Wynter because of a butterfly distracting her, resulting in Willa kind of becoming the pack punching bag(see: "Willa was a bust"). Bree replaced Bucky as cheer captain for reasons we never actually find out(though I personally think it has something to do with him being Addison's cousin), which ABSOLUTELY pissed him off in some capacity, and then he got fuckin kidnapped. Their dynamic is kinda like... a platonic version of Loser, Baby from Hazbin Hotel, I guess. they both got screwed over, and they can't do anything about it, so they might as well accept their fates and role with the punches because they don't have much of a choice. I genuinely might plot out a movie-length version of the Screambrook special or smthn bcuz I think that AU has a lot of potential to be an interesting character study if given the proper time frame- but that's kinda unrelated so I'm just gonna end this here skfnvkkfkrk thank u for reading to the end lol

[luminiferocity]

Here be headcanons

It's happening! Kicking off the first day of 007 Fest 2023 with some MI6 worldbuilding headcanons for Headcanons Day (AKA the HCs crammed into my WIP to make sense of film-world MI6)

Q Branch is just a small part of Six (and everyone else thinks the double-oh programme is more trouble than it's worth)

Q Branch makes no sense. As film!Q is a shorthand for the mission support teams for narrative ease, Q Branch seems to run independently and Q himself is a polymath taking on all the roles.

Eh, I'm okay with genius Q because I love him 🤷 Other Q Branchers are all wildly smart and eccentric in their own ways. That's Q's hiring policy

Most analysis, missions, etc. are run through logical departments with hundreds of staff, which the problem children doubles-ohs and Q Branch build on for their specialist missions

Lots of Six staff don't like the double-ohs and Q Branch by extension – they burn through the budget, cause havoc and get away with multitudes, and a little more secrecy and intelligence in the SIS would be much preferred

Maybe it's for the best that Q Branch is away from HQ up-river at Millbank Pier (based on this excellent post)

Essentially, Mallory has hundreds, maybe thousands, of staff and assets globally, yet it's 1% of his staff that causes 99.9% of his headaches

Heracles isn't the first off-book project and it won't be the last

Mallory was used as a character to hang the Heracles plot on, but it leaves a lot of questions. Why was he even involved? Why isn't it the responsibility of the Defence Science and Technology Lab?

I figure all the UK's intelligence agencies have joint off-book operations like the Heracles research, some farmed out to private contractors, etc. So, Heracles isn't special, it's just that this secret got found out and had big consequences

Maybe Mallory had a hand in Obruchev defecting, so those consequences were extra personal

Also, imagine being Mallory: was Chair of the committee looking into MI6 shadiness, only to get hired as M and get tangled into all this shadiness

Q & Moneypenny besties: great; Q & Moneypenny & Tanner: even better

After Spectre, they didn't know who to trust, except one another. They keep Six running and they're each other's rocks and best bitching buddies

Q, despite what he says, is the most dramatic of the three. Moneypenny, of course, delights in winding Q up. Tanner isn't as catty as those two, except for when the mood strikes and he's the worst

Tanner gets swept up in various antics, often Bond's, along with Q and Moneypenny. However, he's perfected bland-faced innocence and Mallory never gives him grief for it. Q and Moneypenny find this very annoying