#i also just finished the episode and it wASN'T EVEN THAT BAD
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The Rise of Team E-Scope Headcanons: Part Eight
Idea Post Part One Last Part
I am skipping the aftermath episodes, but I might do them as a bonus after I finish the finale headcanons.
Slap Slap Revolution:
• Since Team Chris won the last challenge, they are not there in economy class to hear DJ lament about his animal curse, but Team Amazon is. This is where Eva gets worried for DJ and his mental health because the poor boy is distraught. Leshawna did nothing but tell him it was in his head, and it had Eva scowling. She believed it, too, but being friends with Noah, someone whose anxiety could get really bad, she knew it wasn't really helpful to point out the thoughts or beliefs were in their head.
Then she rolled her eyes when he tried to tell her it's wasn't that easy. It had Eva grinding her teeth. It was so disrespectful! Noah's sister, Nadia, was pretty superstitious, but no one in the family made fun of her for it and tried to respect her needs. Eva learned not to be so blunt with her thoughts because of Nadia, and she honestly really loved the woman and her kids.
• Apparently, Bridgette didn't appreciate Leshawna's response either as the girl huffed. "It's not that easy, Leshawna." Now, Eva wasn't very fond of Bridgette, but she appreciated the girl speaking up.
That got Leshawna even more annoyed, and it ended with Bridgette offering to give DJ a tarot reading to maybe help ease his mind, which he appreciated.
• Lindsay would have said something, but her, Katie, and Sadie were making the economy class people some smoothies. Katie even mentioned she would add some protein for Eva.
So it fell to Eva to be on Cody duty, not that she minded. So she had Cody sitting with her and listened to him ramble about some game he and Noah were obsessed with.
Thankfully, Sierra was distracted by Heather, but Eva still had a bad feeling about all that.
• Sierra was still talking about how she became president of her 15th Toal Drama fan club. She also still showed her statistics, which is something she's actually really good at. But instead of the statistics of Team Chris, she pulled out statistics for every team.
• Cody was just happy because Sierra couldn't get close to him, and Team Chris shared the insane amount of candy they got from the last challenge.
• Trent and Justin were the ones who were relaxing on the seat and having some bon bons. Justin didn't indulge in sweets much because of his strict diet, but first class had sugar-free ones and took advantage of the opportunity. Plus, Trent and Owen kept telling him his model diet wasn't the best for him, and technically, he wasn't under contract at the moment so he could indulge here and there.
Noah may not like the guy, but he some of his sisters and cousins had some problems with food for a while, so he knew how hard it could be to allow yourself the simple pleasure of something you crave.
So he made Justin a meal schedule to help him out with it. He would have cheat days or days where he tried something equally healthy but not on his meal plan his agent had him on so he could have some variety.
He got an almost kiss on his cheeks for his efforts, and Justin got a book to his stomach for his.
• Izzy was taking a nap, which was rare, which was why Owen was at the bar having a charcuterie board to himself. He made Noah a plate and pointedly looked at his little buddy until he started picking at it.
• Noah and Alejandro were on a couch sharing the mini charcuterie board Owen made for Noah as they discussed books they both have read and enjoyed. This is all part of Alejandro's plans to get closer to Noah and be his friend. To sus out Team E-Scope, of course! No other reason! He definitely didn't find Noah's company fun and comforting at all!
• Then being dropped from the plane was a stunt but also real as they were actually dropped a short distance into the snow. They were supposed to have their jackets on before they were dropped, but the interns forgot, and Chris is pissed about it. Apparently, it wasn't as accidental or forgetful as they claimed as Chef found out from one of the interns who had been close with Noah that the producers contacted an inside source and had them "forget" the jackets as people liked seeing people in distress.
• Alejandro still caught Leshawna.
• Noah would like to nominate Lindsay for an award with her acting because holy shit! "You must have me confused with someone else. The only guy I was ever into on this show was Tyler. And he's never coming back!"
• Also, he would like to simply cease to exist! Falling into the snow that deep was so awful. Snow got under his shirts and in his pants, thankfully not too far into his shoes, but it was still unpleasant. He was already shivering by the time Eva pulled him out and squished him between Izzy, Owen, and herself.
• But Izzy is an agent of chaos, and after cuddling a little tossed Noah to Alejandro, who was more than happy to help out his very cold friend! His very cold friend who had to stop squirming so he can help him warm up!
• Everyone hated the whisper singing.
• The reason why Lindsay finally "remembered" Tyler is because Chris told her she could before they resumed filming for the song. Yeah, he cut the cameras again so the cast could put on their coats and pulled her aside to say she could remember Tyler again, but to make it seem genuine yet funny. She delivered.
• Chris did this in revenge to the producers and made sure no interns were present when he told her. He was prepared to take out one of the producers' favorite bits. He still fully intended to pay Lindsay the agreed upon money and some bonus for her performance.
• The avalanche was another stunt/real. They were swept away by a snow wave, but it was planned. Noah still did not appreciate it, but it's okay because Alejandro held onto him the entire time, so there was no need to dig him out of the snow.
• While up the mountain, though, Noah broke off to go talk with Izzy, who was coincidentally walking by Leshawna and DJ. They made it look like they were whispering, but of course, Izzy didn't have an inside voice (sarcasm), and she loudly laughed.
"Oh definitely NoNo! It's so obvious! Maybe that's why Heather has been so rude to everyone. She's jealous!"
"Keep it down, Iz! But yeah, that's what I was thinking. Her crush on Alejandro is so obvious they could see it on the Nasa satellites."
"You're soooooo right. I feel bad for Leshawna now."
"Why's that nutso?"
"Well, Alejandro has been paying a lot of attention to her, and Heather likes him, and she's a little cray cray about things she wants. I mean, she has no problem manipulating people like the whole Trent thing, which made Leshawna talk everyone into voting him off. She also has no problem playing tricks and cheating, which we've seen before."
"Thaaaat...is a very well thought out and put point. Well, now I'm a little worried." Noah mumbled before Owen yelled something about food, and suddenly Izzy picked Noah up and carried him up the mountain, knowing fully well they just played Leshawna.
• It's not that they dislike Leshawna. They totally respect her, but at the same time, they need to keep low and go with the flow, and the flow was going against her. They knew that, what with Alejandro always flirting with her and inflating her ego a bit. They feel bad, but this is another elimination that doesn't seem like they had a hand in it at all, and they don't confess to it. Kind of like Harold's.
• When they reached the top and Noah saw the raw meat, he immediately yelled, "Code O!" Which had Eva and Izzy snapping into motion. Everyone was confused until they saw the two full-on tackle Owen to stop him from reaching the piles of raw meat.
This went on Alejandro's, Noah Isn't What He Seems List and his Team E-Scope Is Very Capable List.
• When Chris mentioned the meat grinder, Trent triumphantly held it up as Noah asked him to carry it to the cargo hold as the smaller boy had a feeling they were being called for a challenge. Trent was happy he listened to him.
• Alejandro had Justin on Owen duty to make sure the big guy did not eat their building material. He had Tyler on Izzy duty to make sure she didn't try to jump in the big grinder while Noah, Alejandro, and Trent worked with the electric grinder.
• Eva manned the grinding wheel while Heather was made to fill the grinder from the top, and Courtney tossed her the meat. Eva tossed Cody on top to help Heather because she did not trust Sierra. Gwen and Katie were stuffing the sausage casing while Sierra was building a disturbingly life-size Cody statue out of some of their meat.
• Leshawna took charge as she tended to do and ordered DJ to shovel the meat up, which he was fine doing. Sadie tried to tell Leshawna that she would stuff the casing as she had experience doing that since her uncle is a butcher and she used to be fascinated with his work and he taught her some of it until she lost interest when she was older. But the two still have a tradition of making sausages together for any family events. But Leshawna didn't listen and made Sadie get up on the platform to help shove the meat in the grinder. Bridgette got annoyed that Leshawna wouldn't listen, but they didn't have much time and Lindsay and Bridgette had to do the casing.
• No DJ accidentally throwing a bird into the grinder. DJ got too scared to touch the meat with the bird on top. Leshawna just kept yelling at him to hurry up, but Bridgette snapped back at Leshawna. Sadie had enough and jumped off the platform, and Lindsay snapped, too. Lindsay took charge instead and yelled out her orders but not in an angry way, just an authoritative one. She made DJ man the wheel, Sadie stuff, Leshawna shovel, and Bridgette to make sure the bird got away and not hurt.
• Chris did bring in those deadly goats. The man loves his dangerous animals.
• Team Chris was going down the mountain before everyone because of the electric grinder, so they missed the goat. Team Victory was second, and DJ did still hurt the goat. Team Amazon was last still because of Sierra and meat Cody.
• Eva was pissed and ready to throw Sierra off the mountain, but when Heather told them to jump, she realized what she was doing and said, "Do it." When Cody and Katie looked at her for guidance.
• Alejandro made Owen sit at the front of the sausage to weigh the front down more so they moved faster, and he had Noah sit in front of him. He doesn't know why, but in his head, he justified it with telling himself it was to keep Noah warm and ready for the next challenge. Owen fell off the sausage but held on to the front, which dragged Team Chris faster.
• They, of course, passed first with Alejandro only managing to hit Owen on a ledge once as he wanted to make it seem completely like an accident. When Trent started calling out directions because he thought Alejandro couldn't see where he was steering them, Alejandro had to pretend that to be true and listened to Trent.
• No dumb hat rewards because they honestly made no sense to me. The reward instead was extra training time to learn the Schuhplattler ( known as the slap dance, Schuh means shoe and plattler means slap!). The penalty was still the lederhosen for one person to wear and uncomfortable, not broken in, leather shoes for the rest of the team to wear. Team Victory just had to wear traditional dance shoes. Team Chris got the traditional Tyrolean hats that resembled Cody's penalty outfit.
• Cody was always going to wear the penalty outfit, so no having to try and get Sierra to wear it.
• Eva and Gwen sat out along with Tyler and Noah. Eva was glad Noah sat out because the guy is actually good at dancing and won against Eva and Izzy every time. They are trying to lay low, so it was a good move. Sadie was made to sit out.
• Sierra did sing her song, which disturbed not just Cody but everyone, and Trent did his best to shield the boy as they danced against each other.
• When Heather laughed at Leshawna's dancing and Alejandro started talking to her, Bridgette yelled out for Leshawna to focus. Leshawna ignored her, and Bridgette was so frustrated. That's when Heather noticed her frustration and mocked her for being jealous and started going in on Bridgette being jealous despite having a boyfriend and how it was the end of "stupid Gidgette!"
• Meanwhile, Alejandro continued on his manipulation with Leshawna. To which Justin was the one to point out the pep talk comment. He also threw in how Noah would not appreciate it given, "How smart and capable my little songbird is~."
To which Alejandro fake smiled and explained he was playing an angle but also, "He's not your anything!"
• While Bridgette stewed in her anger, Heather did try to warn Leshawna before the dance challenge started.
It was Leshawna against Owen.
Heather against Trent.
Izzy against Courtney
Bridgette against Justin
Sierra against DJ
Lindsay against Katie
Cody against Alejandro
• Heather, Leshawna, Izzy, Bridgette, Sierra, and Alejandro won the first round. Lindsay and Katie hit each other off the platform at the same time, so neither won. Then, the teams became:
Heather v Leshawna
Izzy v Bridgette
Sierra v Alejandro
• Again, Heather and Leshawna came to a tie, and the trash talking had been building the entire time. Bridgette won against Izzy, well more like Izzy got bored and pretended to fail, but only Eva and Noah saw that. Plus, Izzy didn't want to come across as too capable or like she was serious, so she pretended the light shock got to her, and she slipped off the edge. She had actually calculated when Chris would send the small shocks and made sure she was close to the edge when he next did it, which resulted in her fall. With Izzy falling and Justin's comment about Noah getting to him, Alejandro was doing his best to win but got distracted by hearing Noah's voice.
• Noah was throwing snow at Justin because the model was flirting with him again, and Noah was getting irritated. This situation distracted Alejandro enough for Sierra to knock him off. But to his team, it looked like Sierra got him out because her super strength kicked in when she saw Cody trying to help out Noah. That was a factor, but Alejandro could have dodged if he hadn't been distracted.
• Now is was:
Leshawna v Heather round 3
And
Sierra v Bridgette
• Alejandro still cheered for Leshawna once round 3 began. Which made Bridgette now suspicious because she had been noticing a lot lately and how he no longer complimented her and everything. Not that she wanted him to, but it was weird how he just shut off their communication the way he did.
• So when Heather shouted about Leshawna not being on Alejandro's team and slapped Leshawna. Bridgette yelled her agreement which made Heather mock her for being jealous.
Leshawna hit Heather off, and Bridgette jumped off the platform at the same time as Leshawna because Heather had finally pissed her to the point of snapping. Leshawna did slap Heather, but it wasn't over and over. She did it once and once was enough to snap her out of it because, man, this wasn't her. Bridgette slapped Heather once and yelled at her over all the comments about her and Geoff. She basically went off on how Heather was a sad, lonely, desperate person.
• Sierra won by default.
• No missing tooth, Heather, but she did get slapped on the same side of her face, so it was really red and going to bruise. Plus, she bit the inside of her cheek, so it was going to swell and be swollen for a short time. The bite wasn't super bad, more a nip, but she did still bleed.
• Chris then announced it was a double elimination for Team Victory. It wasn't that hard a decision for them given the growing tension between Leshawna and Bridgette. Plus, the team had gotten tired of Leshawna taking the role of leader and not listening to any of their ideas, suggestions, or input. Lindsay knew how that was, which was why she was confused about why Leshawna acted that way. You would think the girl would remember what happened to Lindsay season two, given the whole cast had a rewatch party a little while after the finale.
• Eliminated: Leshawna and Bridgette.
I think when we get closer to the merge, I won't reveal who gets eliminated as I might want to save that for the actual fic. But if you guys are okay with knowing, I don't mind sharing at all! I just thought maybe you wouldn't want me to spoil that.
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#total drama world tour#td alejandro#tdwt#alenoah#td noah#total drama#td izzy#td owen#td eva#td courtney#td bridgette#td dj#td leshawna#td sadie#td cody#td heather#td gwen#td katie#td sierra#td tyler#td trent#td justin#rise of team escope au#trote au
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no longer gonna have to see against my will absolutely dogshit dragon show takes that are the absolute pits of misogyny, racism, homophobia, classism, and inability to celebrate fact from fiction for at least two more years now
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#personal#house of the dragon#the algorithm keeps putting shit on my tl and like#i don't want any of this#the writing on the show is bad and i don't think a single one of you knows how to behave like a normal person#fingers crossed i'm not gonna have to even tangentially see any more olivia cooke hate for doing her job#as if she wasn't literally the second most popular name attached to this show for the core demographic when they were casting#(sorry but it's true people my age don't really know rhys ifans or paddy considine by name)#(and everyone else were relative unknowns due to being young or just not having their breakouts yet)#(but in terms of popularity for the young twenty somethings who were teenagers online starting in 2012)#(we knew matt smith and we knew olivia cooke sorry that she's famous and talented and was in an oscar project and also hot)#(and happens to play the secondary main character in a two person protagonist show)#(i know that makes a bunch of y'all wanna call her misogynistic slurs and accuse her of sleeping with the showrunner so bad)#but now i don't have to see it anymore because it is Done#and i can just use the tgc footage from the first couple episodes for augustus gifsets#and pretend that the writing for literally Every Single Character On Screen was not literal ass from start to finish#like regardless of team the writing was bad it was sloppy it lacked quality and substance#i don't think condal and hess are very good showrunners with good ideas#i think they lucked into it by miguel leaving and them having written the most episodes of the show combined
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MOMOKI MY GUY GO TO THE HOSPITAL RIGHT NOW
#crab watches#id:invaded#just finished and momoki deffo best boy for me#but being the gino expy of course he had a leg up right from the start lol#funnily i also really liked fukuda despite him being the makishima expy and me not really caring for/about makishima all that much#(they're not really expies in terms of personality but fill the same roles so it's just easier to call them that)#loved akane expy too though i wish we'd seen more of her#like the show feels like it could've used 2-3 more episodes#overall soooooo so so good#if i have one gripe (not even really a gripe) it's that the first world was so freaking cool that it set way too high a bar#glad we revisited it a bit at the end but it was in a slightly lackluster way#i guess i would also say the Big Bad was a bit too obvious but#don't necessarily have a problem with that bc it's the execution of the reveal that matters more than the content of the reveal imo#banger soundtrack too hearing miyavi unexpectedly always feels like a jumpscare lmao#and it wasn't just the ed there were so many miyavi insert songs too lolol
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i see all these comments talking about this after the new episode, but. i would like to state for the record that stolitz isn't. toxic.
first off, the concept of a toxic and a healthy relationship are such... vague terms. when you're online, drenched in language and tight moral boundaries, trying to put a nuanced story like helluva boss's into boxes is easy to attempt and impossible to do.
a toxic relationship is one where one or both parties is maliciously affecting the other. I'm talking fetid, nasty, rude interactions where there is more hurt than love. they're unhappy more often than not when they're with their partner, there's no respect or give from the other side.
stolitz is nothing like that.
![Tumblr media](https://64.media.tumblr.com/5a846cac41a2c631fe0a5ce0839af4b0/e147fb74509d3c8e-4f/s540x810/064b4358c160f3cc73093bfc59b8c8f25587c9d1.jpg)
Stolas actively cares about Blitz and actually has no fear or hesitation in ADMITTING IT OUT LOUD TO OZZIE. he has been calling, texting, commenting, laughing and finding ways to spend time with Blitz. he's throwing everything he has to the wind, finding the courage to move forward with the divorce, putting everything he has into trying to keep him. he's been alone in a palace since he was born, on medication, with such less people dear to him that he remembered the circus boy who spent a day with him DECADES ago- so when blitz comes into his life and brings back in laughter and color and sex, he's holding on with everything he's got.
![Tumblr media](https://64.media.tumblr.com/9ac9b3151ca7971cda4993ae2fc9e539/e147fb74509d3c8e-d2/s540x810/0d0e88447a466aeb9f4d09ffdd3a31351b91adf1.jpg)
and blitz does care!!! he cares a LOT, the whole series we see him falling in love with stolas through SHOW NOT TELL (his expressions, his choices, his fear, his lashing out) and utterly unable to process that stolas cares about him too when talking to fizz; almost a desperate kind of denial-
![Tumblr media](https://64.media.tumblr.com/63c3e0eaac1ea2d939f735e3194c1a2b/e147fb74509d3c8e-6c/s540x810/b3305236453d2074dd49e6eb01fd218eeee80b6b.jpg)
cause yknow. the first time he tried to confess something to someone he really liked, he accidentally killed half the people he knew and ruined the lives of the rest?
thats gonna leave just a teensy impact on the will to express your emotions in the future, methinks.
even before that, he clearly felt like on some level that he was unworthy and he's said twice that he despises himself for the accident even though it wasn't actually his fault. being self aware doesn't stop the emotions from emotioning.
he keeps insisting its only sex so urgently to anyone who doesn't ask because he can't even imagine it being anything else. he's both disappointed and relieved when he repeats that stolas sees him as a novelty, because what else can it be?
![Tumblr media](https://64.media.tumblr.com/46ae2ce36c4e5e0f18493ecb9580a81b/e147fb74509d3c8e-bc/s540x810/8b46df6093eace498b6fa018afd0229e11ea6f1a.jpg)
(there's a whole other spiel of how brave both Stolas and Blitz have to be to say it out loud even when asmodeus can't afford to, considering how publically and completely beaten down both were at the club.)
(there's also another whole spiel about how frustrating it has been for ME to see all these comments over time with such bad takes based on like,, 20 min worth of info of a show that takes months to release an ep. like godDAMN have some patience?? let the story UNFOLD MAYBE? IT WAS ALWAYS GOING TO HAVE AN EXPLANATION WHY WOULD YOU CRITICIZE THINGS THAT ARENT EVEN FINISHED ESPECIALLY AN INDIE ANIMATION- i digress)
mind you, this has NOTHING to do with abuse. an abusive relationship is one where one is actively harming the other with full awareness. Stella is an abuser and their marriage is abusive.
and stolitz isn't that; it isn't even unhealthy or toxic. it's a consensual, transactional fuckbuddy relationship that slid into something more for both of them.
but!!!!! one of the main reasons for the problems that everyone looks over is-
they're in a BDSM relationship.
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I can't possibly delve into dynamics without making this a 10k research paper BUT even though we've gotten only hints and costumes and dialogue- they're very clearly and undeniably in a BDSM contract. Behind the scenes of this crazy show is a whole different story, of these two delving into the most hardcore kinks out there- knifeplay, painplay, bondage.
if you've gotten into the community, if you've read a couple dozen particularly good fics by authors who know what they're talking about, hell; even if your only experience is fifty shades or 365 or whatever- you gotta know that BDSM scenes are crazy fucking emotionally heavy. there's so much that has gone down between them during their full moons that helluva can't get into!!
but you know how in so many of these popular medias and fics, the dom in the relationship is also like,, the billionaire/mafia heir/prince, etc, the one with financial and physical power? this isnt that. it has been very clearly stated that stolas is subbing, blitz is domming.
now take a moment and think about how much that fucks up the dynamics.
![Tumblr media](https://64.media.tumblr.com/f19befb303559afa1e29ac7f8d3bf02b/e147fb74509d3c8e-96/s540x810/093afc7f437f2caafcf843bc5f689b091e5f0426.jpg)
in stolas' eyes, blitz is a confident, dangerous individual who's an old friend and cherished memory of his, who he's trusted wholly with his safety during sex and he's lucky to have; and he has been in an abusive arranged marriage for the past eighteen Years, he's probably not going to be pushing his luck with his dom that much in the first place. plus, blitz is never cowed by him during their conversations- think back to the first phone call right after he stole the book, completely unafraid.
![Tumblr media](https://64.media.tumblr.com/8218f28a2d216a4fa62fbfa7728bc28b/e147fb74509d3c8e-78/s540x810/a1448d64b997bc3f320472ecb0f4f1448ad5f82b.jpg)
and for blitz, it's someone trusting him again- but it's also a royal- a blue blood who's nearly untouchable and so much more powerful- who couldn't possibly like a piece of shit like him, apart from the sex he gets out of it. he only flirts once he gets some sort of cue from Stolas; he's desperately trying to view this as only a Goetia trying to get his rocks off, despite all the evidence to the contrary, because anything else is unfathomable to him, no matter how clearly Stolas shows it, because of the ptsd.
both of them thinks the other has the power. both of them aren't expecting the other to keep shut if something's bothering them.
and there's so much conflicting messages from the other too!
stolas calls him a plaything when trying to intimidate the humans; stolas cups his face gently and asks if he's alright
blitz asks him on a date and tells him to get better soon; blitz yells that it's only sex and doesn't reply to his messages
ya see?
bring it to fizzozzie for a second now; even though they do look all good on surface, you can still see fizz's trauma and doubt in all their interactions, they're still forced to keep the relationship secret. do you see his face when Ozzie says in hyperbole that he's never leaving the house again, or when someone accuses him of being a pampered house pet or when he got sexualized in the 7th ep? whatever happened in the interim between the accident with mammon, it fucked him UP. even though oz seems to be well aware of this when he tells him not to apologise and in their general interactions, fizz still visibly has trouble separating plaything/commodity from healthy relationship.
![Tumblr media](https://64.media.tumblr.com/b06da496168abc91fb47a192bc17cade/e147fb74509d3c8e-4f/s540x810/ed73aacdd3463a67ab0ab05faa64e74ee5a093c7.jpg)
![Tumblr media](https://64.media.tumblr.com/f30e2a6d5bd77837403e945051bf76d7/e147fb74509d3c8e-4f/s540x810/326682773573f639cbbf84e17b0aa5df6ec722ee.jpg)
![Tumblr media](https://64.media.tumblr.com/5c411c1b0db3700ca034cad4ccd1f94f/e147fb74509d3c8e-8e/s540x810/3613d180ad11d6d473ff594572f1bffd44ac325d.jpg)
shout the fuck out to Ozzie btw, man knows whats UP. rooting for these two so much omg.
i forgot where I was going with this point, I'll edit it when i remember. but yeah! lovely fucking relationship, but damn what angst filled issues.
anyway, to sum up- stolitz is not a toxic relationship. the relationship is stuck sludging through misunderstandings and careless microaggressions and trauma responses, but it's not unhealthy or toxic because of the simple reason that most of the current hurt comes from... a misunderstanding. stolas didn't realise blitz would need reassurance about what they were and blitz didn't see stolas as someone who could get hurt.
unecessarily calling it toxic, even online, is more impactful than people think too. almost all spindlehorse ARE on all social medias; so MANY YouTube animators i know have found jobs there; they see your words, especially since a lot don't tag posts with "anti hb" correctly to keep them out of the main tag. there are Very few queer medias made BY queer people that haven't gone through heavy corporate revisions- helluva boss is practically a historical landmark in its success. it's very very very fucking easy to forget that not ten years ago some of the only queer videos on YouTube were butter lover (one kiss at the end post credits), dirty paws and welcome to hell (subtext).
the amount of "critical talk" helluva boss gets for what it is is very unprecedented. it's a beautiful show. can't wait for the next episode.
#helluva boss#stolas#blitz#stolitz#fizzarolli#helluva boss ozzie#okay im gonna make SO much content but i had to get this off my chest first#because so many people were like omg fizzozzie is so healthy stolitz take a lesson!!#and theres so much more nuance to it thats its so. frustrating to see a statement like that#meta#anyways#i love this fucjing show
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Please a The Rookie Tim Bradford x Shy!Adopted!Daughter!Reader? Where it’s her senior year and she’s a cheerleader and she’s doing her senior solo cheer and the stations there (Angela, Wesley, Nyla, James, Wade, Luna, Lucy, Aaron, Celina) and this is their first reaction to her cheer (her cheer can be this one: https://www.tiktok.com/t/ZTYognBE1/) and they’re cheering her on and you can finish the rest
Family Matters (Platonic)
Summary: Lucy likes to think she knows Tim at least a little, he is dating her best friend after all. However, what she learns is not something she ever expected.
Notes: Sorry to the requester as I think some of the other characters you mentioned come in later in the show, I'm only up to Season 2 Episode 6. Apologies!
Also, I'm from the UK and also very tired so I apologise if anything about cheer is wrong :)
Lucy knew Isabel was hard for Tim, a spot to not bring up. But, something was eating at him today. It wasn't anger, more...dare she say it? Nervous to him today.
He kept looking at his watch. Even Angela seemed to lighten up a bit with their friendly teasing.
Lucy didn't pressure him, though. So, she kept it casual, keeping their conversations how they normally would, when Tim's phone went off. He had put it in the holder, letting the audio book she recorded for him play as they went on patrol.
"It's Angela," Lucy said, picking up the phone, eyes going confused when she read the text - well, she only read the first part, when it was snatched from her grasp.
"Uh-uh," Tim said. His strict TO voice coming through, but also something else. Something like his look this morning.
"Sorry," Lucy said, hands going up.
"Relax, boot," he said, voice softening a little - ever so little, and yet she still picked up on it. See, she did know him at least, "I ain't gonna arrest you."
She snorted, despite herself, "just never seen someone so defensive over a phone before."
"Look, today's not the day, alright?" he said, sharpness coming back. He looked at her, and she saw a silent plead in his eyes.
"Of course, sir," she said. Then again, curiosity and all that --
"Who's Y/N?" it slipped out before she could even help it.
He looked at her again, this time a look she hadn't seen in his eyes since...well, maybe ever:
Life. Love. Hope.
"She's my daughter," he said.
Her eyes widened.
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You loved your parents, both of them. You knew what had happened with your mother, your father had told you as gently as he could.
You just hoped that she would be able to make her way out of her addiction. You wanted her to be ok.
She was getting there, taking actual steps to do so.
You would go see her, one day. Your dad had told you that she was ok with that, only wanting to go see her when you were ready.
As for you? You threw yourself into your cheer team.
You had a natural talent for it when younger, and your father had supported you with all he had.
However, as things took a turn, you and him ended up going a bit further into work and hobbies.
You weren't estranged, you still spoke and had parent and child bonding times of watching films. It was just more difficult as you both tried to deal with everything changing.
Tonight was a special performance, a solo cheer that you were doing. You had been doing all you could to practice for it. A chance to prove yourself.
You had been texting your aunt, as you knew your dad didn't like to use his phone much when at work.
She had assured you that herself and some of the others would be there, but that most importantly he would be there.
The other people in your cheer place were nice, friendly and fully got you for you. You didn't talk that much, preferred to be in the background - not that it was a bad thing of course, pieces to a puzzle and all - but they and your coach convinced you to do this solo.
So, you looked at the crowd before the game.
You took a breath, as one of your team mates can up to you, taking you away from the curtain to try help with your nerves.
Your friends were great, but you wanted your family.
------------------------------------------------------------------------------
Lucy now knew why Tim had taken a half shift that day. She knew why Angela had texted him. She knew why he was more on edge than usual.
He wanted to make sure he made it.
"Hey, we ain't having you miss this," Angela promised back at the station, putting a hand on Tim's shoulder as he sat on the corner of a desk, arms folded and staring at his watch every few moments.
A hard half-day had been the last thing he wanted. It had wasted time, even if he made people safe.
"We still need to book this guy," he said, looking to the criminal him and Lucy had brought in for...god, he was so distracted today. He'd missed things like this before, but this one he knew was special from what you had said about it when he got home from work.
He stood up, putting his face in his hands. Sure, he didn't like being as vulnerable as this at work, especially in front of rookies, but from the look Nolan gave him when he met his eyes for a minute, right now it didn't matter about work or ranks, it was a family matter.
"I can book him," Nolan even offered.
It was kind, but Tim waved him off, "she'd want to meet all of you, especially you new rookies. Just..." he looked back at them all, "just...she's a bit shy, ok? So don't like, pressure her to talk or anything."
Nolan was dead serious with the shake of his head, "oh, no, I wouldn't dream of it, sir."
Tim had a growing respect for Nolan, and this was just another reason to add to that list.
"Officer Bradford," Sergeant Grey said as he joined them all, "you are aware that we have other officers here and that this precinct isn't just you all, correct?"
"Of course, sir," Tim said, the others also nodding.
Grey nodded, sly smile, "so why are you all acting like we can't get another officer to book this man in, thus letting us all go and see Y/N's cheer?"
"You're coming?" Tim said and Lucy didn't think she could ever see him so happy.
"Course I'm coming," Grey said like it was obvious, "I've seen that girl grow up, Tim. I'm the favourite uncle."
"Wouldn't you be the gran--"
"Something you'd like to add, Officer Nolan?" Grey asked, eyebrow raised as he pretended not to hear that.
Nolan shook his head instantly, then coughing from Nyla hitting him with her elbow, "no sir."
Grey nodded, "just what I thought. Now," he said, looking at the rest of them before nodding to Tim, "lead the way, Officer Bradford."
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You took a final breath, your team giving you silent support before you walked onto field, to the centre. Your team hyped you on from the background, all eyes on you.
And so, you began.
You looked at the crowd for a moment, stumbling slightly but managing to catch yourself before anyone noticed.
You looked back to your team, joining in with your chants and pointed subtely.
There they were, old and new faces.
And right in the middle of them? Tim Bradford, your father.
He was clapping, everyone else joining in, both in rhythm and in the chants.
Just like that, it was over.
You all went to the sidelines, and the game went on.
It went by like a flash.
------------------------------------------------------------------------------
After it, you got changed and made your way out, but was swept up in a hug by your father, "there she is!" he said, his guard completely down, "you were amazing, sweetheart!"
You giggled, hugging him close.
"Y/N," he said, putting hand on your shoulder and gesturing for the others to come over, "I'd like you to meet Lucy Chen, my boot; John Nolan, Nyla's boot - previously Bishop's - and Jackson West, Angela's boot."
Lucy came forward, beaming smile and hand outstretched, eager to meet you. You clasped her hand gently, shaking it.
"Hi! It's so good to meet you! You were amazing out there! Tim, I'll send you some photos later and oh, sorry --" she said, knowing she was rambling.
"It - it's ok," you assured. Her smile grew more, before she stepped back, letting her friends go forward as well.
"I agree with Lucy," the older one said, holding out his hand, "John Nolan, pleasure," he had a parental feeling to him that made you feel safe, that he got that you wanted this to be quick.
"Pleasure, ma'am," Jackson said, hand outstretched, "and I concur, you were incredible. You should be proud."
You nodded, giggling a bit before turning to your aunt, "he always this serious."
Angela shrugged, "I'm trying to tire it out of him. We only did a half day, remember?"
You nodded, "...right."
She came over, hugging you before ruffling your hair - something she'd done since you were young, even if now in your late teens, "I'll get there. 'sides, he's a good guy. All three are."
You nodded, "I know, I know," you said.
"I gotta say," Grey said, "that was some cheer. You've grown a lot, Y/N."
"Thank you gr-uncle Grey," you said, looking to your dad who gave you a wink: nice save.
"Hi, Wesley," a man in a suit said.
You shook his hand, eyes coming to life more as you looked back at your aunt, "ah, so this will be my uncle-in-law."
He went red at that, Angela letting out a laugh and cough at that.
She looked to Tim, "traitor!"
Tim raised his hands, "hey, you know the rules when it comes to family -"
"'No secrets', yeah Bradford, I remember," Angela said, rolling her eyes fondly. You did clock how she held Wesley's hand after that.
You looked to Nyla, giving a smile and approaching with hands together.
"You must be the new TO," you said, "I know you're still getting used to being back from undercover. So, I understand if just a hello is ok for now. But, I hope I can get to know you more?"
Nyla smiled softly, "perceptive, aren't you?" she said in a soft tone, "ever thought about being an officer?"
You shook your head, "I'll leave that to you guys. I think I'd prefer just a simple life, however I can."
Nyla nodded, "understood. But, keep that sharp eye of yours."
You tilted your head, looking at her and then at Nolan, "do you both have kids?"
They nodded, "a son, Henry," Nolan said.
"A daughter. Quite a bit younger than you," Nyla said, "I don't know what she wants to be yet, she's still learning. But, and don't tell anyone else this," she said, leaning down a bit, "I might just start bringing up cheer more after seeing moves like that."
You smiled, nodding, before making a zipping motion to your mouth.
You went back to your dad, who put an arm around your shoulder.
This was your family, with new additions.
They loved you for who you were.
Your dad knew you worried. You always would. But, you also had friends to help ground you, just as he did.
Neither of you were alone.
#the rookie x reader#tim bradford imagine#tim bradford x reader#lucy chen imagine#lucy chen x reader#john nolan x reader#john nolan imagine#nyla harper x reader#nyla harper imagine#jackson west imagine#jackson west x reader#angela lopez x reader#angela lopez imagine#wade grey x reader#wade grey imagine#the rookie imagine
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Claustrophobia
Isaac Lahey x GN!Reader
Word Count: 800
Teen Wolf Masterlist
Warnings: mentions of the abuse Isaac experienced from his father, mentions of that abuse having a last psychological effect on him (in the form of claustrophobia); Isaac having a panic attack due to his claustrophobia being unexpectedly triggered; this is more of a hurt/comfort fic because the reader helps him calm down. Implications that the reader doesn't know about the existence of werewolves and the supernatural. The reader's gender is not described in any way. Also, I don't know if this is at all sound advice about how to treat someone during a panic attack - not something I am versed in. I think that's it? Not proofread cause I'm on a mental hiatus babey
A/N: I just watched Season 3, Episode 4 (I've been watching two episodes a day and really enjoying the pace of it) and naturally the moment where Isaac gets stuck in the closet called to me like a beacon of whump. So here's this. Also highly recommend pairing this with Claustrophobia by 3OH! 3
...
"Did it have to be a closet?"
Isaac let out a dry chuckle, a seemingly nervous laugh as he eyed up the space apprehensively before stepping inside, putting some of the supplies on one of the shelves.
The two of you began gathering supplies off the cart and loading them into the janitor's closet, carrying out the punishment you had been given. You had been fifteen minutes late to class that morning, and you had heard that Isaac was in detention for fighting - beating up one of the new kids. You knew that since his father died, he had taken on somewhat of a new persona - more bold, more unafraid to get in trouble. But you had a feeling that violence didn't suit him.
It made you wonder what the other guy did to provoke the fight, or what the truth really was. But you felt that it wasn't your place to ask.
"It's not so bad." You remarked, sensing his general anxiety about this activity, but having no clue why.
He seemed fairly confident in every other area of life - he took down guys on the field in lacrosse without even flinching, he walked tall in the halls with confidence (not that you had noticed, not that you stared at him or anything) - it did make you wonder what was so intimidating to him about a closet full of spray bottles and napkins.
"I'm... not so good with small spaces." He remarked quietly, shyly, grabbing some more of the supplies off the cart and stepping inside beside you to begin organzing everything.
Ah. He was claustrophobic. That made sense.
You had heard rumours floating around the school after his father died - you had even heard whispers between Scott and Stiles when they were trying to be subtle in their conversations but had a poor sense of tact. Isaac's father used to lock him in a freezer as punishment, among other things. It was a horror you couldn't imagine.
"You-"
You were about to offer for him to leave, offering to finish up the rest of the work by yourself so that he wouldn't have to be burdened by his anxiety, when the closet door swung shut, slamming closed in a strangely violent manner. Isaac rushed to the door, furiously ripping on the handle, trying to get it open.
"It - it won't open-" He gasped, suddenly sounding terribly out of breath.
He was panicking, likely overtaken by horrible memories that you couldn't even imagine.
"It's okay, it's probably just stuck, I can call someone-" You took your phone out of your pocket, trying to reassure him, but his panicked flailing in the small space, now shouldering against the door, trying to ram it down, knocked your phone out of your hand and cracked the screen.
You didn't know if it was still in working order or not, but you knew it would be wiser to calm him down first.
"Something - something is blocking it from the other side!" He said, his breaths becoming more panicked and frantic as he kept trying to charge the door down - how was he not hurting himself?
He was sweating and shaking, and you ached with sympathy for him.
In Isaac's mind, he was right back there. Locked in darkness, clawing against the tiny, enclosed walls, desperate to get out. He was suffocating, he was running out of air, he was gonna die. He couldn't breathe, he couldn't-
Suddenly, your hand moved against his shoulders, a flat, firm palm rubbing his back, trying to comfort him. The pure gentleness of the touch startled his senses back to reality - there had been nobody to comfort him back then. He collapsed against the door, pressing his forehead into the metal, and deeply against his will, he let out a sob.
"Hey, shh, it's okay." You told him, trying to be as soothing as possible. "You're being so brave-"
"I'm not brave." Isaac choked out. "I'm sorry, I-"
"Don't apologize." You told him firmly, fighting back your own tears of empathy had how distraught he was. "Come on, sit down. Let's take a minute to calm down and breathe and then we'll find a way out of here."
You helped him onto the floor - he practically collapsed into a sitting position against one of the shelves, his entire body shuddering and shaking. Though he wasn't the most naturally affectionate person in the world, he didn't deny your touches when you cradled his head onto your shoulder and continued to soothingly rub his back.
After a few minutes of silence, save for his whimpers as his tears died down, he spoke up.
"I'm sorry," He apologized again. "I just - my dad..." He trailed off, barely able to voice it.
"It's okay," You told him, and for once in his life - he actually felt okay, here with you, in your arms. "You don't have to tell me if you don't want to."
"Thank you." He sighed.
When Scott came and got the two of you out of the closet (after Isaac had apologized a dozen more times for cracking your phone screen) - he could sense something in the way Isaac looked at you now, but he didn't say anything about it. Not yet.
#sundrop writes#isaac lahey x you#isaac lahey x y/n#isaac lahey x reader#isaac lahey#teen wolf x y/n#teen wolf x reader#teen wolf fanfiction#teen wolf
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“I'm yours.” — Yoon Jeonghan
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Genre: fluff Warning: sulky hannie ☹️ Pairings: jeonghan x actress + f!reader Word count : 0.6k
★ note · got so giggly while writing this ^^
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You joyfully walk down the street toward your house, beaming with delight at the sight of it.
Indeed, the day at the gathering today was incredibly exhausting. Maybe being an actress wasn't so great as you thought, but you love being one. And, as Jeonghan always says, the most important thing is to love and enjoy your profession, regardless of what it is. And you really don't disagree. You love and enjoy what you are and doing right now, but it is okay to feel... I don't know, tired? sometimes. Despite all of this, there is nothing more comforting than being at home, especially with your loved one.
You carefully grasp the pastry box in your arms as you open the door.
"I'm home-"
"Welcome," To your surprise, Jeonghan was standing and leaning against the wall to greet you. He usually waits for you in the living room, so you flinch, not expecting him to be there.
"Were you waiting for me here?" Taking off your shoes on the shoe rack, you ask. Taking the pastry box from your hand and setting it on the coffee table, Jeonghan nodded.
"I watched the last episode," Jeonghan sat down on the couch, "of the drama." he finished his sentence as his gaze fixed on you. You looked up at him, "You did?" you smiled as you took the pastry box.
"Did you enjoy it?" you asked, placing the pastry box in the fridge. "No." Jeonghan's voice sounded stern and direct as he kept staring at you. You turned around to face him, "Why?" you pout as you walk towards him. "Was my acting bad?"
Jeonghan looked away as you sat next to him. "Is that really the case?" you asked, tilting your head and sighing as you looked away. "I also think that my acting has gotten worse," you say with sentimentality.
"That's not what I meant," Jeonghan paused, "the reason is something else." he added. "Then, what could the reason be?" You mumble, purposefully making yourself heard by him.
You really knew what could make him this sulky; the kiss scene at the end. Additionally, you knew that he didn't even mind it because he knows that you would never kiss someone else—the angle of the camera just creates the illusion that you are kissing. It is just his way of receiving extra affection from you (and you love his ways).
"I really can't think of it..." you sigh. "Well- it was the... ending." Jeonghan stumbled, trying not to make himself sound too obvious. You tried your hardest not to burst into laughter as you stared at his pouty, sulky face.
"Maybe I'll figure it out later." you spoke, getting up from the couch to leave. "No-," Jeonghan held your wrist to stop you from walking away. "Why don't you... try thinking now?" he stammered, avoiding eye contact. As you sat down, you could not help but laugh at how adorable he was.
Caressing his cheeks, you spoke, "I know exactly which scene you mean." you chuckled. Jeonghan pressed his face deeply into your palm to cover up his flushed cheeks.
Jeonghan is rarely the one who is shy and flustered, but when he is, he is the cutest thing ever.
He gives you a bear hug and presses his face into your neck as you lean in to kiss his pinkish cheek. "You know that I would never do that right? It was the camera angle." you spoke, gently. Jeonghan nodded.
"Seeing the people ship you both made me..."
"Jealous?" you giggled.
"It's not like that!" With a protest, Jeonghan pressed his face further into your neck. "There is nothing to be jealous about," you reply, gently pressing your cheek against his head.
"what the world doesn't know is that, I'm yours." You continued, earning a giggle from Jeonghan.
#svt x reader#established relationship#seventeen scenarios#oneshot#romantic fluff#seventeen fanfic#svt fluff#seventeen x reader#seventeen#fluff#seventeen oneshot#svt oneshot#jeonghan#jeonghan fluff#jeonghan x reader#jeonghan oneshot
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I finished watching Transformers Animated today!! (Yes I'm still watching and plan to finish G1, but my vacations are ending soon so I wanted to watch another TF show before that, which is also the reason I started watching Transformers Prime at the same time lol. I already finished Season 1 of Prime, but that's another post for later)
And can we all just agree that Optimus isn't the responsible one for what happened to Elita One?!!
Like it was Sentinels fault for suggesting going to that planet when it clearly wasn't allowed, and Optimus wanted to get out of there and voiced that thought. And even when they already fell through that hole before the spiders appeared he once again voiced that they should get out of there. And then when Elita fell into the hole of spiders and the Energon was exploding Optimus made the logical and reasonable choice of getting away from there cause they were gonna die if they didn't. And Sentinel then putting all the blame to him for the accident, and telling this lies to Ultra Magnus, making Optimus expelled from the academy (and Optimus letting it happen cause he feels guilty about the events. OPTIMUS MY BABY YOU WEREN'T I PROMISE :(((), and still calling him a loser after all this time??!! I'm glad that Sentinel at least got to be kicked around and bullied in his scenes cause the jerk definitely deserves it and more.
I just feel for so bad for this Optimus, cause he obviously didn't want to abandon Elita, but the place was literally blowing up and after the explosion ended her signal didn't came up, so what's the logical reason? That she's offline, not that she got turned into a spider-lady!!
But BOYYYY THOSE STORY SCRIPTS FOR THAT EPISODE OF SEASON 4 WHERE OPTIMUS GETS TO CHANGE THE PAST BUT HE ENDS UP BEING THE TECHNO-ORGANIC SPIDER??!! MAN I WOULD'VE EAT THAT UP SO QUICKLY I WANT IT RAHHHHH!!!
Also I'm checking the ao3 fandom tag rn and I'm seeing a lack of found family fics of the Autobots and Sari????!! HUH?????!! WHERE'S MY FOUND FAMILY FOOD???? THAT'S LITERALLY A PART OF THE CORE'S SHOW, WHERE'S MY WEIRD GIANT ALIEN ROBOTS AND THEIR WEIRD LITTLE "HUMAN" GIRL BEING A FAMILY CONTENT AT???!!!
Unacceptable. It seems like I'm gonna have to write it myself/hj/pos (psst. If you do know about some good fics about that, let me know please! And also about TFA Megop, cause I liked their dynamic, just don't be sexual, just some romance it's good!)
I'm probably gonna make proper and longer posts about TFA cause I really liked the show, I just wanted to get out my fresh thoughts rn lol
#transformers#transformers animated#optimus prime#transformers optimus#transformers optimus prime#tfa optimus prime#sentinel prime#transformers sentinel prime#tfa sentinel prime#elita one#elita 1#elita1#transformers elita one#transformers elita 1#tfa elita one#black arachnia#transformers blackarachnia#tfa blackarachnia#sari sumdac#transformers sari sumdac#tfa sari#megatron#transformers megatron#tfa megatron#megop#transformers megop#tfa megop#opmeg#michy speaks
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Never Alone
paring: Bradley Bradshaw x female!IC!reader (callsign Nike )
wordcount: ca. 3700 (only because this will be a multi-part thing XD)
synopsis: When Bradley stumbles out of the Hard Deck with a pretty tag chaser he has a plan for the night. Take her home, fuck her, kick her out. Not that this was something he did often but with the stress at work he needed to let off some steam. That is until he hears someone crying and his night takes a turn he hadn't expected at all.
note: I initially intended to post the whole thing (currently at almost 12000 words 🤯 ), but I really wanted to post a new piece and since I started a lot of new WIP instead of finishing something I thought this would be a good idea. Also, my Rooster debut so to speak (you can thank @mynameismckenziemae for this one. The fact that Rooster is the hero in this one is kind of on her 😅 . Thanks for helping me decide and for listening to my rambles on the regular. I am really thankful for the support) and I hope you all like it. And you know that navy inaccuracies are a given with my stuff, but this time I went a bit more ham than usual. The role of IC (Incident Commander) is existing in crisis and natural disaster management but fuck if I know if some work for the Navy. I made all of that up for the sake of the plot. Don't like that, please skip this one. And last but not least, yes this is yet again very self-indulgent stuff and it will get only worse with the next part, so if you don't like it, click off 😘
Trigger Warning(If I forgot something or you want me to add to the list, my inbox is wide open. You are responsible for your media consumption, so proceed with caution, you know the drill): plus-size!reader, military/navy inaccuracies, non-canon (not even sure if this is canon compliant so, take that as you will), allusion to trauma/dissociative episode, written by a non-native speaker
|| Masterlist ||
divider by @sweetmelodygraphics banner by @firefly-graphics gif by @jensens-ackles
!!!Minors do not interact! I block blank blogs/without age/Minors!!!
When Bradley stumbles out of the Hard Deck with a pretty tag chaser on his arm he knows how this is gonna end. Take her home, have some fun and then kick her out. He wasn't one to indulge often, but considering how Maverick had been on his ass during training all week, he really needed to let off some steam. His arms were wrapped around her waist, lips wandering over her neck as he manoeuvred her back towards his Bronco until he stopped in his tracks.
There it was again. He had almost missed it with the busty brunette giggling into his ear, but he was sure that he heard right. "Hey Casanova, I am down here", she puts a hand on his cheek to pull his focus back to her," You wanted to show me a good time, remember?" But Rooster couldn't focus on the way her hands were roaming his body or the way she began to kiss his jaw, leaving a trace of lipgloss in her wake. "Didn't you hear that? Someone's crying" "That's just a girl who got what you promised me", she retorts, but it only makes him cringe. If this is how she imagined the sound of a consenting couple, he sure as fucking hell didn't want her in his bed.
Untangling himself from her limbs he walked over to the dark place next to a huge palm tree. The curled-up figure was barely visible in the shadows, but the sniffling was getting louder the closer he walked. "Hey what about me?", the woman whines, stomping her high heel sandal-clad foot on the ground. "Go in and find yourself another set of tags", he growls back annoyed, regretting the tone of his voice and the volume the moment he sees the figure flinch.
This was bad.
For a moment he wondered if he should call Phoenix or even Penny to make sure he wasn't doing more damage than good, but then he saw how a ring caught the light from the Hard Deck entrance. He knows that ring. The silver laurel branches that are winding around a delicate finger. He has seen it more than once.
"Nike?", he freezes for a moment unable to compute the situation. He had been at the Hard Deck all night and was sure he would have spotted you in the crowd. Not to mention that you weren't one for bars. You said as much yourself whenever one of the others had invited you for an evening out. "Hey Nike, it's me. Rooster", he tries to make himself small as he approaches, not wanting to intimidate you, voice soft and gentle. "Are you...", he begins before he stops himself. Was he really just about to ask you if you were ok? It's so goddamn fucking obvious that you are not, so he settles for something else. "What happened, Nike?" You were still sitting there, legs pulled close to your body, head resting on your knees as you cried. He moved another step closer when you suddenly looked up at him as if only now you realised that someone was there. "Rooster?"
Your chest was heaving, your fingers nervously drumming on your kneecaps while you tried to focus on him, clearly struggling with the situation "Yeah. It's me. Shall I call someone?", he asked and as soon as he mentioned the call you began frantically shaking your head, reaching a trembling hand out to him to grab the wrist of the hand that was about to reach into his pocket. "No, please don't" He pulls his hand back out of his pocket and lifts it up in the air to signal surrender. "Ok, I'm not"
Bradley only knows you as IC. The woman for the impossible jobs and who you call when shit hit the fan and you need someone to fix it. A woman tough as nails and level-headed who always has a backup plan for the backup plan to make sure you got your people home safe and you were fucking brilliant at it. They named you after the goddess of victory for a reason. Whenever he was on a mission you were responsible for he felt a lot calmer and he knew he wasn't the only one. People trusted your competence and your judgement. They trusted you.
Hell, you were probably the only person on planet Earth to tell Admiral Simpson no if you thought something was a shitty idea and lived to tell the tale.
"Then say what you need Nike. Please?", he pleads feeling completely helpless. He has never seen you so utterly terrified and there is a feeling rising in his chest that makes him want to knock on the door of whoever left you so scared and very impolitely beat the shit out of them. You loosen the grip on his wrist and let your hand glide down his arm until yours is in his and he gives you a reassuring squeeze. Even with his fingers wrapped around yours, he can feel the trembling. When you finally answer him your voice is barely above a whisper. "A place to stay"
He didn't need to hear anything else. He just nodded and pulled you up by the hand that was still clinging to his own. Your feet were wobbly and the heels didn't make it any better. His eyes wandered over you, assessing whether there was any injury that he had to be mindful of before he let go of your hand for a second, the terror lighting back up in your eyes immediately. "It's ok, Nike. I am here", his voice is low and raspy as he places one hand on your back and bends down, placing the other under your knees to pick you up bridal style. He felt the way your body seemed to relax in his hold, face buried in his neck as he rested his head on yours before he murmured into your hair. "Let's get you home"
At a red light on the drive to his place he looks down where your hand is still holding his, his thumb gently petting the back of your hand while your head rested on his shoulder. In all the years of knowing you, he's never seen you so close to someone else. You usually prefer to keep people out of your personal space. It was something everyone on base respected and that makes him wonder.
You were so strong, so resourceful and intelligent. You had seen so much shit in your life and 9 times out of ten they called you in when it already hit the fan, so you were no stranger to working under immense pressure, the lives of people depending on the shots you were calling. How could someone bring you into a position where you would be so utterly terrified that it'd push you into a state that looked like a full-blown anxiety attack?
Considering the pretty dress, the heels and your by now smudged make-up it was likely you'd been out today and since bars and clubs are not your scene, he figures it must have been a restaurant. The thought that someone treated you so badly was infuriating him. You had dedicated your life to protecting people, making sure that they get back home to their families and loved ones unharmed. To treat someone like you bad enough to send you spiralling called for a grade-A asshole and a part of him hoped you'd tell him the name later. He would gladly pay that asshat a visit and he would bet, the rest of the dagger squad would happily tag along.
It's not much later when he puts the Bronco in park in front of his house, feeling the way you instantly stiffen next to him. "I'll go ahead and open the door", your grip around his hand tightens even more. You are holding on to him for dear life. Bradley Bradshaw was your lifeline right now and to be someone you trusted so much filled his heart with pride. He only wished he would have found out under different circumstances.
"I'll be right back, Nike", he hears you stifle a sob while you tremble. Whether it's the chill night air or your fear, he is not quite sure and so he leans to the side to press a gentle kiss on your forehead. "You tell me when you are ready", he adds, pulling you into an embrace as the two of you sit here in his car. He'd stay here with you for hours if you needed it. "Promise you'll come back" "I promise", he looks down at you and you nod. Letting go of his hand so he can get out of the car. Brad cannot remember any other time when he ran up the steps to his house this fast, unlocking the door and grabbing the quilt from his couch before he gets right back to you.
Seeing the way your eyes light up when you see him as he opens the car door makes his heart soar and ache at the same time. "Told you, I'd come for you Nike", he steps closer and gently places the blanket around your shoulders and when he picks you up again he feels how you instantly melt into his embrace. "I'll always come for you"
He tried to kick his front door closed as quietly as he could to not spook you even more and kept the lights off too as he made his way to his bedroom. From there he goes into the en-suite and sits you down on the counter. "Blanket on or off?" "Off" He nods, taking the colourful patchwork off of your shoulders and throwing it in the corner where he usually stores his dirty laundry. He could deal with that some other time. "I'll turn on my bedside lamp in the other room. Close your eyes and I’ll tell you when to look”, he was looking for any sign that you needed another moment but you nodded.
So he turns around and walks into his bedroom, turning on the lamp and throwing the next best piece of fabric over it to dim the light. It was enough to see something but not too much on your eyes that had probably gotten used to the darkness outside. "You can open your eyes", he says, turning back to look at you, eyes wandering over you for a moment to see if there was any injury that he had missed in the darkness outside the Hard Deck but he couldn't find anything. On his way back to you he rummaged around in his drawer, finding a Phillies jersey that could fit you if the dress wasn't comfortable enough for you to sleep in.
"I'm back", he announces himself and sees how your entire body relaxes, shoulders lowering and fingers no longer playing nervously with your ring. "I'm gonna take your shoes off first" He throws the jersey over his shoulder before he goes down on his knees, unlacing your oxford heels, every move slow and deliberate, before he places them down on the floor under the cabinet, to get them out of the way. He is looking up at you from his crouched position. He wants to seem as non-threatening as possible for what comes next.
"Do you want to keep your dress on or change into a shirt?", he asks, taking the jersey from his shoulder and showing it to you. He sees the way you are contemplating for a long while, brow furrowed and teeth sinking into your lower lip before you reach out for the worn-out material. It's soft and you are digging your fingers into the material and holding onto it the way you'd been holding onto his hand. Holding on for dear life.
"Want me to stay or wait outside?", he asks, not wanting to put you into a worse situation than you are already in. Damn, he wished you would have allowed him to get Phoenix or Penny, then this would have been not as bad by a long shot. You are quiet for a while and he wonders if you've drifted off again the way he found you in front of the Hard Deck, but then your gaze finds his and you take a deep breath. "Can you help with the zipper?" "Of course"
He gets up and watches you jump off the counter, your stance much more stable now that the heels are off. It's more the look he's used of you and it gives him the feeling that he's at least doing something right here. You turn around, his jersey still pressed to your chest, looking down at the washed-out red and white fabric as if it gave you some form of solace. Bradley takes a step closer, his eyes searching yours in the mirror to make sure you know what would come next and when you give him a nod he reaches out his hand, gently pulling down the zipper. Underneath the fabric is some sort of underdress all laced up with a pretty bow. Fuck. He would have never taken you for the corset-wearing type of gal.
You let the dress slide down to the floor before you pull his jersey over your head. He wants to help you to smooth it down your body but you shake your head and his hands are off immediately. "Sorry" "No...Can you untie...?" This time he's the one nodding, letting his hands glide under the fabric, pulling at the laces to undo the bow and then loosening them enough so you could let it glide down your body too and step out. The pile of fabric, tulle and boning is on the floor and he sees that you attempt to lean down, your hand on the counter for balance in order to pick your clothes up but he's faster. "Thank you" “I can put this on a hanger for you”, he nods over to where he usually stores his drying shirts. “There are loops...”, you start and he easily finds them, placing them on the hanger's hooks before he puts them on the clothes rail. As his eyes wander over the dress, he's wondering for a moment who you had met to doll up like this. "Anything else?"
He sees the way you are thinking, fighting with yourself "Whatever it is, if I can do it, I will" "Can you help with the stockings?" You don't meet his eye, probably embarrassed to make yourself vulnerable in front of a coworker like this but right now Rooster doubts that there is anything in this world he wouldn't do for you.
So for the second time tonight, Bradley Bradshaw lets himself fall onto his knees, feeling your hand on his shoulder for support while both hands are smoothing up your calf to your knee and under the jersey, feeling where the nylon ended so he could pull it down for you. His eyes are glued to the ground to make this at least a little less awkward for you. Once the fabric is gone, he switches to the other side and repeats the same movement before he looks up at you, the bunched-up material ending up under the sink next to your shoes.
"You good, Nike?", he asks, eyes searching your face for any sign that he's overstepped but all he finds is that gentle expression of fondness on your face, not quite a smile but considering the circumstances, Bradley would settle for this. You give him a small nod, hand moving from his shoulder closer to the crook of his neck, fingers lingering on his scars and Brad couldn't help but close his eyes at the gentle touch, willing his body to stay perfectly still to not destroy this moment of peace. Not for you and not for him. "Thank you Rooster", he's had your voice in his ear so often, assertive and commanding, but now your voice was gentle, as much a caress for him as your fingers. "For you, always", he looks up at you and for a moment he feels like the world stops turning and he wonders if given another chance at a different time, you would return to his home and allow him to prove to you that there were men out there who could treat you right.
When you finally pull back your hand he slowly moves up to stand before you, towering over you but you don't flinch. Bradley Bradshaw doesn't make you feel you need to and he cannot help but feel a pride rising in his chest that of all people, you chose him to put your trust in. "Now let's get you into bed", he steps to the side, letting you walk past him with his hand hovering over the small of your back. His hand wants to touch, but he doesn't want to push. Not after the night you had. That is until he realises that you are walking towards the door.
"Where do you think you are going?" "Couch" Fuck no. He would not make you sleep on that thing that was short and so worn out that it'd surely break your back. But what was even worse than the idea of you on his couch was the fact you believed that he would allow, let alone want that. Getting his hands back on you he picks you up bridal style and carries you back over to the bed. "You take the bed" "Rooster..." "No" There is a small smile playing on his lips. It reminds him of the first time he met you way back when.
You had just finished the mission briefing when Hangman suggested a change to the plans and your only reply was: "No" "What no?" "No", you looked Hangman straight in the eyes, pretty brow arched, and everyone in the room could feel the fury start to simmer in Hangman's veins at the way you're dismissing him and his points so easily. "No is a complete sentence, Lieutenant Seresin. Considering your reputation as base casanova I was hoping you'd understand the concept" That was the moment Rooster knew that he liked you.
Rooster was a navy guy and could sleep wherever, even on the hardwood floor if he had to, but you needed some proper rest. He lays you down on the bed as gently as possible and when he straightens his back he sees the expression on your face. It's such a wild swirl of emotions that are washing over your features, ever-changing like the ocean, that he doesn't know what to expect next, but it sure as hell wasn't this. "I'm scared of being alone"
He knows that this is far more than a simple statement. It is your way to ask for him to stay, to have him around for your comfort. It's not like he doesn't want to, but there is a part of him that wonders if this would be something you'd come to regret the next morning. He had always known you as someone who loved her personal space, avoiding even handshakes whenever you could. He had his hands all over you tonight and he didn't want to push his luck, but then he saw your pleading eyes and he smiled down at you. "I'll just get into some comfortable clothes and then I'm right back", he leans down and presses a soothing kiss to your forehead. He couldn't remember the last time he had been this soft around someone and yes, the circumstances were shitty at best, but there was a part of his heart that revelled in the gentleness of these moments. "Thank you, Bradley"
He has to stop himself for a moment, eyes wide with surprise as he looks at you. Never before have you used his first name. It was always Lieutenant, Bradshaw, Rooster or a combination of those three, usually depending on how pissed you were at him for fucking around with your meticulous mission plans. There was a flicker of fear that washed over your face as the realisation hit you what you just said but he reached out his hand, gently resting on your cheek, thumb caressing your skin. "No need to thank me, Nike. I am glad if I can help"
He allows himself another moment to enjoy the feeling of your soft skin against his before he pulls back and turns to grab some fresh clothes to sleep in and heads to the bathroom. His movements are hurried, almost frantic while he gets out of his clothes and ready for bed. All the while feeling a fear creeping up on him. He closed the door, to make sure to respect your boundaries but now he regretted it. It meant he couldn't check in on you, couldn't make sure that you were ok and not spiralling. Throwing his worn clothes over to the hamper without caring if he actually hit or not he just pulls on his sweat pants and opens the door, muscle shirt still in hand as he walks into the bedroom and pulls it over his head.
When he reached the bed where you had curled up already, he crouched down to be on eye level with you. “Tell me what you need from me", his voice is soft and quiet as he talks, pushing a strand of hair out of your face and behind your ear. He sees how you try to sink even deeper into the pillow as if you wanted to hide from him and that makes his heart ache. "Remember Nike. Whatever you need as long as I can make it happen, you'll get it" "Can you...", your voice is barely above a whisper and when he tries to meet your gaze you turn around and scoot over on the bed to make room for him. "I just really don't want to be alone"
You feel the way the mattress is dipping under his weight but you cannot bring yourself to turn around and look him in the eye. "You are not alone Nike", his voice is close to your ear and you can feel the way his breath is fanning out over your cheek and neck. And then you surprise him when you reach behind him and take his hand to place it over your waist, your fingers interlaced with his as your thumb drummed a nervous rhythm into the palm of his hand. "You are never alone"
Part 2
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#do I work on a greek pantheon with my callsigns who knows#bradley bradshaw x reader#bradley bradshaw x you#bradley bradshaw fanfiction#bradley bradshaw fanfic#top gun fanfiction#I hope you enjoy#even though I am not sure it's quality content#geh mit gott aber geh#my writing
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Sleepy Head | Wanda M.
summary: wanda just couldn't wait to give you her surpise.
18+ DNI.
warnings: dub-con, breeding kink, dildo with a serum, unconscious, fingering.
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Wanda knew from the moment you laid your head on her lap, you was going to fall asleep. She did warn you that it was way pass your normal bedtime but you insisted you were a big girl and could handle it.
You tired to keep your eyes open but Wanda's gentle strokes made you even more sleepy to the point where you were completely settled in a slumber. Wanda left you to dose off as she wanted to finish the episode but she couldn't help but notice how accessible your thighs were.
"Silly little girl. You always have to tempt me to do bad things, don't you?" Wanda whispered as she slid her hand between your thighs, feeling the wetness of your panties.
She begins to slowly rub small slow circles as she didn’t want you awake. Wanda always love when you were helpless, it gave her full permission to use your however she liked. It was also a good thing that you were a heavy sleeper as Wanda did want to try out a new toy on you.
"Sweet little angel." Wanda purred as she used one hand to slide your panties across and the other to groping your boobs. Her hand was almost soaked as Wanda began to slowly put one finger inside you throbbing cunt, the smell of your desperation lingered in the air causing Wanda's eyes to darken.
You began to stir trying to find the right position but as Wanda pinched your nipple, a small pop of a moan fell from your lips keeping you still as you lazily opened your legs wider. The feeling of something between your thighs made you thrust, giving Wanda a clear indication that you were giving her the all clear.
"Taking me so well, bunny. How about we put another finger inside you? Hm? I think your little mind wants that." Wanda whispered as she tugged on your nipples, slipping two more fingers in grinning at the soft whimpers you were purring out.
Wanda was in such awe. Her everlasting lust for you was evidently clear as she began to pick up the paste, grinning as she saw you grinding on her fingers. The moans that were escaping through your mouth made Wanda head form an idea. Her new toy that was tucked neatly in her trousers needed a form of air so what perfect way to use her new advanced dildo to see how far you'll go.
As her fingers were fucking you, Wanda lured your brain to a siren call she learnt back in Slovakia that would make your brain fuzzy. The call started slow, and Wanda used that opportunity to take her dildo out to examine.
"Oh baby. You are in for such a treat. You can't ever say that Mommy doesn't give you pretty things." Wanda mumbled before she let her hands go free, causing a stir of whimpers from yourself. "Such a needy baby. Don't worry, your hole will be filled soon enough, bunny."
Wanda placed you down on the sofa, freeing herself so she can straddle on top of you. The dildo was far longer than you have ever taken and had the power to breed you. "Look at you, my pretty baby getting all ready for Mommy's cock."
Before Wanda used her new toy on you, she lean forward to give you a light smack to test your ability of how far you were out. The stillness of your body confirmed that as Wanda gripped both of your boobs and slowly entered her dildo inside your cunt. The tightness of your cunt marvelled Wanda and the grip on your boobs were getting harder as Wanda forcefully pushed the dildo all the way in.
"Perfect fit." Wanda grinned and slowly began to thrust in and out of you. She looked down at your lifeless body, smiling at your beauty when you were out cold. It was always fun to see you weak as Wanda needed a perfect excuse to get the dildo inside you.
Eventually after a minute or so of prepping you with her dildo, Wanda could see your cunt wasn't as tight as it was before giving her the green light to go faster. She wasted no time and released her hands from your now bruised boobs and replaced her hands on your hips as she thrusted harder in you. The thrusted that Wanda was giving you were insanely quick and forceful. Each time Wanda saw the dildo disappeared, she made it appear again with rougher thrust as she needed to get the rest angle to release the breeding serum inside you.
"You are taking me so well, bunny." Wanda laughed as she fucked you harder. The sofa was beginning to squeak as Wanda pounded faster into you, feeling your cunt clench as Wanda forcefully tried to get a few more thrusts in before she exploded the serum inside you.
"You take a few more thrusts baby, I know you can do it." She told herself, laughing as you were completely in a trance. Wanda used all her might and dig her hands deep in your hips as she used one last thrust before releasing the serum inside you. The walls around the dildo came undone as Wanda felt her dildo becoming drenched with your cum.
She watched as the sweat fell down your face, smiling as she wiped them away still keeping the dildo inside you as she needed to wait a full hour for the serum to sink in. "I can't want for to see your beautiful surprise, baby girl."
#wanda maximoff imagine#wanda maximoff fic#wanda maximoff#wanda maximoff imagines#wanda smut#wanda maximoff smut#wanda maximoff one shot#wanda maximoff fics#wanda maximoff fluff
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Miraculous Ladybug Season 5 - An Overview
![Tumblr media](https://64.media.tumblr.com/53433f1e31206553a08eb54145b5d1df/4214f48c688becc4-42/s540x810/58c3bebb0a9274cf273abfeeca7d2a423f24916b.webp)
Well... that certainly was... the fifth season of Miraculous Ladybug.
While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.
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Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.
The Things I Liked About Season 5
Let's get all the good things about this season out of the way first.
For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.
Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.
Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.
Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.
We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.
The Final Season... Of Filler
We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!
Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.
It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.
When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?
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For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).
You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.
Retcons! Retcons Everywhere!
This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.
Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.
In case you didn't keep track, here's a little highlight reel of some of the retcons this season.
Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.
Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.
Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.
Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.
Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.
Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.
Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.
Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.
Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.
Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.
Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.
Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.
I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.
Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!
This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.
Season 5: The Show's Greatest Hits Album
Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.
So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.
In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?
And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?
But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.
But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”
What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?
It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?
Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!
Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?
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The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.
It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.
If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?
If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?
If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?
If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?
If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?
If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?
If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?
If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?
If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?
If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?
If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?
If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?
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With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”
For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.
Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?
The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.
It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.
Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?
And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?
With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.
We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.
The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?
I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.
I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.
The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.
The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.
Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.
And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.
In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.
First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.
Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?
All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.
Kagami Never Hesitates to Be a Complete Idiot
If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.
It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.
When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.
What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).
Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.
Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?
Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.
The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.
You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.
While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.
The Story of The Resistance (In Name Only)
I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.
Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.
I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.
And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).
Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.
The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.
Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.
And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).
Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.
And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.
Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start
I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.
For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.
I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.
Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.
The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!
Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.
It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.
And trust me, I'll get to the characters who actually got redeemed later.
For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.
At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.
I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.
I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.
I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.
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Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?
But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?
Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently
This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.
Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.
Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...
There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.
With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.
With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.
But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.
The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.
Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.
Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.
Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.
Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.
Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.
Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.
General Patton, eat your heart out. I think we all know who the real tactical genius is here.
Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?
What if Ms. Bustier didn't agree to hold a reelection for class representative?
What if Marinette won the reelection anyway?
What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?
What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?
What if Chloe wasn't able to record the full conversation between Gabriel and Andre?
What if Andre agreed to use the police robots without any manipulation?
What if Miss Sans-Culotte wasn't able to get Andre to resign?
What if Andre did resign, but managed to appoint a interim mayor until the next election?
What if Chloe didn't accept Gabriel's offer?
What if Chloe didn't accept Monarch's offer?
What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?
What if the French military was sent to stop Chloe's abuse of power?
What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?
What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?
What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?
What if Tomoe realized she lost her laptop and sent someone to track it down?
What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen
What if Ladybug didn't learn Monarch's identity?
What if Lila fell victim to Nightormentor's nightmare dust?
What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?
What if Gabriel caught Lila while she was attempting to sneak in?
What if Ladybug caught Lila while she was attempting to sneak in?
What if Nathalie caught Lila while she was attempting to sneak in?
What if the Gorilla caught Lila while she was attempting to sneak in?
What if some of the Miraculized caught Lila while she was attempting to sneak in?
What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?
What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?
What if Bug Noire wasn't able to defeat Monarch?
What if Ladybug managed to find the Butterfly Miraculous before she did?
What if Ladybug caught her while she was trying to find the Butterfly Miraculous?
Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?
Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.
At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?
Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.
Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?
The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.
Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.
Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.
Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.
The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.
Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.
Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).
Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.
Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.
The Redemption Misconception or: The Power of Love Always So Strong?
While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.
Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.
Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.
“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.
“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.
“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?
I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.
Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.
For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.
In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.
In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.
In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.
In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.
In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.
For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.
It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.
The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.
While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.
We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.
Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.
Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.
Adrienette Is Finally Canon! The Love Square? What’s That?
Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.
Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.
Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.
Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?
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To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.
You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.
I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.
As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.
The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.
Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.
SO DID THE FUCKING SHOW.
For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.
There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?
Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.
Adrien Who?
While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.
Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).
The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.
I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.
“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.
Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.
In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.
Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.
It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.
But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.
For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.
One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.
I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.
If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?
The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb
You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.
You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.
The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.
So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.
First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?
Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.
THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.
Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.
Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.
I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!
We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.
We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.
When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.
In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...
Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.
Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.
And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.
But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”
If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.
Eight Years for This?
I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.
While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.
To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.
Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.
#immaturity of thomas astruc#iota#thomas astruc#thomas astruc salt#miraculous ladybug#miraculous ladybug salt#marinette dupain cheng#ladybug#adrien agreste#cat noir#chat noir#felix graham de vanily#argos#alya cesaire#nino lahiffe#kagami tsurugi#gabriel agreste#hawkmoth#hawk moth#monarch#chloe bourgeois#nathalie sancoeur#tomoe tsurugi#lila rossi#Youtube
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The Penguin Episode 4: Cent'anni Breakdown
She goes through all these different levels of all these different personas: excellent daughter, overachiever, and this horrific feral state in Arkham. And it's not until the yellow dress that she finds the one that fits.
Kind of like sharks can't stop moving or they sink. It's that relentless pursuit of justice.
This changes her forever. She never comes back. Something so much bigger than her takes over in order to survive - Cristin Milioti
This was pointed out to me by my friend and, show of hands everyone, who else thinks it's unbelievably fucking sick that it is Sofia who gets to show up at the Falcone dinner table, wearing a thematically appropriate embodiment of her childhood trauma, and do a "None of you are safe" speech?
(Episode 1) (Episode 2) (Episode 3) (Episode 5) (Episode 6) (Episode 7) (Episode 8)
It probably felt odd to spend time with Sofia when we’re in a show called The Penguin. But I think it’s just as important so you can understand Oz psychologically. Even though I don’t view Oz as a hero or a villain, he is a greater villain in the show than anyone else. And for you to feel that way, I think you have to understand his primary antagonist more. And that’s Sofia.” - Lauren LeFranc
I gotta say I'm generally not enthusiastic about Penguin being depicted as overtly disgusting, like drooling and eating raw fish and all that Burton stuff (actually I do think the black bile is cool, but only so far as as that version goes), but for that opening scene, that was a spectacularly well-placed bit of grossness. Like this sheer craven animalistic ugliness of DeVito's Penguin descending for a second to show us how Sofia sees Oz, and even how right she is to do so at the moment because holy shit hahahahahaha
From what we can see of Sofia's pre-Arkham life, she was basically the Meadow Soprano of the family: The smart, overachieving golden child, whose social standing and eligitibility for leadership wouldn't even be up for debate if she was born a man like her loser brother (love AJ, relate uncomfortably to AJ, he's not at all morally comparable to Alberto, but he is very much a loser). Socially conscious and sticking up for victims but only if you don't poke too closely at her victim-generating family business, aware of some things but willfully blind to her own hypocrisy and insistent that daddy is still in average a good man who isn't as bad as people around her may say he is. I'd even say that the Sofia we see here is a more moral person than Meadow, although obviously being the daughter of Carmine Falcone is a much scarier, more isolating and horrific prospect than growing up the daughter of Tony Soprano (the ways in which the two Sopranos kids diverged and majorly prefigured American socio-political developments that kicked off after the show is a topic for another post).
(Also, I don't really want to bring up Sopranos comparisons because the shows are similar, they're really not, but I finished The Sopranos yesterday so they're gonna come up still)
I think Mark Strong does a really good job here filling in for John Turturro's role, even if he's not quite as good in it as Turturro. I think he plays the character differently in a way that works really well for this being a past version of Carmine, filtered through Sofia's vision. He is imposing and quiet and mighty, a lone titan of unquestionable power over the entire world, not even remotely someone to be defied or displeased. Turturro's Falcone was charismatic and affable and oozing with unspeakable yet casual cruelty, and I would have liked that here, but I like the idea that we're seeing a Carmine from before he was invincible, when he still needed Sofia to help him get Congressman Hill on the phone and still worried about the future of the family at Alberto's hands, a Carmine from when the Maronis were still around and he wasn't the sole ruling power in Gotham, who could still possibly lose even without vigilante intervention.
He is larger, more imposing, a stern and stoic father who had little use for pleasantries, and with no mirth to be had at the expense of the little people who think they can do anything against him that matters, even if he is getting there. I think the difference here adds a nice little arc to Carmine: there was a time where he needed to keep up appearences, there was a time where he raised his voice above a whisper to get things done, and there was a time where he wasn't the real mayor of Gotham. There was a time where he was a "proper" Don, when he acted like his comics counterpart, and none of that really became necessary over the following decade, when he grew more and more invincible and isolated and comfortable in this nightmare he made the city into.
They also confirm here that apparently the Iceberg Lounge/44 Below existed way back when Oz was just Sofia's driver, and it was already Carmine's prostitute slaughterhouse even then and Alberto knew about it. Possibly explains why Oz was handed the club in the first place, because the Falcones already called him Sofia's penguin and putting The Penguin in charge of the Iceberg Lounge would fit their idea of a laugh (and given how much Oz hates being called Penguin, he would hardly come up with the name himself)
Lmao, those dog comparisons I keep making really don't stop justifying themselves.
Credit again to Mike Marino and the prosthetics team for this younger Oz make-up, he strikes a very nice middleground between current Oz and the one we see as a kid.
Really like what we see of Sofia and Oz's dynamic here, again reinforcing that for all intents and purposes he was the sidekick in her HBO protagonist life. We see how Sofia likes his company and how she even kinda defends him from the family, but she really cannot bring herself to respect him very much and disdains him from the same very upper-class perspective the rest of the family does, she's just nicer about it. And in turn we see parts of where Oz's resentment to her comes from, and also the extent to which Oz was always lying in wait for an opportunity to get ahead regardless of her, his justified grievances as well as him being a conniving fuck. The really thin line this treads though, is that it establishes that neither of them were lying about how they meant something to each other, even if it doesn't help.
Sofia did have her life ruined partially because of Oz, she did endure horrific things while he got a promotion because he ratted her out to Carmine, and he very much did in part because he wanted to get ahead and saw an opportunity to do so. But also, Oz genuinely had no idea that this is what Carmine would do, and I think in large part this was also about keeping himself safe. It's not even that unbelievable that he was genuinely looking out for her, because holy shit you do not talk to the press about Carmine Falcone, daughter or not, and he tried warning her in the car before she rebuffed him and insulted him pretty deep for good measure. If Sofia talked to the press and would not stop talking (since he didn't know in the car that she rebuffed Gleeson) and shit started happening because of her snooping around, he would have absolutely gotten punished/murdered for it, it is not at all a stretch to assume that Carmine would have done something to Oz as punishment to Sofia.
Oz didn't plan any kind of misfortune, at no point did he mastermind her admission into Arkham (or even help keep her there with the letters, like the rest of the family), he just told Carmine something he shouldn't have, and neither of them expected anything too terrible was gonna come out of it. They both wildly underestimated what a complete scumbag Carmine is, but with Carmine (and the others) gone, there's nobody else to turn those grievances to.
Even if Oz could claim deniability for the Arkham thing, which he kinda can't but Sofia even tried to grant him anyway, he sure as shit can't for everything else he does in the opening minutes.
Oh hey it's Mr Mustache With The Broken Nose.
A thing that came to mind when I was watching the episode was the story of Rosemary Kennedy, JFK's sister whose father arranged for her to be institutionalized and lobotomized at age 23 as a reponse to "difficult" behavior. I'm not recounting it in more detail here because the rest of it is just too horrific, look it up yourself if you're curious. I remembered it because reading about Rosemary Kennedy ruined my fucking day and it still pumps up the breaks in my train of thought every now and then, so it came to mind watching this story about a young woman horrifically institutionalized and butchered for the sake of her wealthy family's image. Later I heard the podcast, and turns out that actually was exactly what Lauren LeFranc based Sofia's story on, which was nice. I'm glad it also fucks Lauren LeFranc up and that we both agree she should have gotten to wreak revenge on the entire family over it, thank you Penguin Show that continues to be made for me, this was nice.
Oh hey, Magpie. Just the name, yeah, but that was another nice surprise. I used to have a bit of a soft spot for Magpie, occasionally I thought there was something to get out of her and Penguin together, so a part of me likes that they put Magpie in The Penguin show even if just in name. Yes, she only exists to be annoying and die, but that's what she already tends to do anyway. And y'know, much as I may like her, she is still a John Byrne character, so she doesn't really deserve much more than that
Jesus Christ this episode gets uncomfortable.
I like that this establishes that Julian Rush kinda did make an effort to help her and kinda felt bad about it, but not nearly enough, and that he is very much a complicit contemptible creep who has it coming as much as any of the people who put Sofia in there.
Cannot state enough how much I appreciate that they didn't put any actual named Batman villains in the Arkham Asylum episode, guarantee a lot of creators would not resist the temptation. I mean okay I guess there is a Ventris already in Batman but, come on, you know who I mean. This did not need any references to like, Jeremiah Arkham or Jonathan Crane or Hugo Strange or any of that, and that's not a diss on any of those guys, it's just that unlike pretty much every other Batman story, this episode does not undercut it's point about the horrific institutional horrors dehumanizing and destroying Sofia by pinning it on a chief boogeyman supervillain that Batman is going to fight later. Dr. Ventris is not responsible for the systemic rot that got her there nor is he the sole orchestrator/perpetrator of the abuse it's inmates suffer, he simply answers to those, and thus perpetuates them, by doing his job in a mental institution.
I am still haunted by the inmate committing suicide with a fork. It is so fucked up that Sofia was tortured and goaded by the doctors into murdering another inmate, and when that failed, they tortured her again and again and again until she snapped. The whole point was to push Sofia beyond the breaking point to justify further incarceration. The doctors just standing there letting her kill Magpie.
I want Dr.Rush to die.
I have more thoughts on Arkham, but I'd call this the most horrific take on Arkham so far, because it is the most honest take on Arkham so far. Even at it's most run-down and monstrous, it is usually never at all into question that Arkham Asylum is necessary, because if it wasn't there, all the crazies would run rampant in Gotham. Over the years, it's monstrousness has always been tied directly and specifically to it's inmates, and whenever people have pointed out the shoddy conditions and inhospitable environment of Arkham as a factor for repeat offenders, it's pretty much always as a fandom joke outside of Batman stories proper, and if there is anything wrong with the way the Asylum works, it is always the fault of particularly evil villains attached. A Lock-Up, a Jeremiah Arkham, a Hugo Strange, etc. Arkham Asylum is in general a Batman concept that's raised a lot of discussions and calls for revision over the years, and a lot of the issues with it tie into larger issues around superhero depictions of the carceral system, that @artbyblastweave went into here.
Here, in large part because this is a realistic world and a Gotham without a rampaging supervillain contingent of repeat offenders who can magically break out constantly, it is never into question that the patients are the victims of this system, and if they are being turned into potential supervillains, it is because of Arkham inflicting this on them. This is an Arkham Asylum that remains a nightmarish, horrific force in this world, but not because it's Castle Dracula where all the crazy villains hang out, not even just because the rest of Gotham is hopelessly rotten and corrupt, but because it's a mental institution and depicted accordingly. It gets to dig into the real life horrors mental institutions inflict on it's patients without having to justify those measures as benign or necessary to keep crazy crimes from happening. Frankly, this take on Arkham Asylum has been long overdue.
In every form of Batman media, just about the worst thing that can happen at any given moment is Arkham Asylum falling and it's inmates escaping into the streets, that's generally what happens when Batman needs to deal with apocalyptic stakes (which is why of course it happens all the fucking time now). Here, that scenario would be regarded with cheer, because the worst thing that can happen in this universe is being sent to Arkham Asylum. It isn't just Batman's unofficial personal prison / punching gallery, if anything it massively raises the stakes on this Batman's next adventures, because now we know this is what's waiting for him if he gets caught and unmasked.
I like that Sofia and Oz are both trying to save/protect those they see as younger versions of themselves, while inflicting on them the kinds of tragedies that ultimately created them
Oz reached out to this poor disabled kid from the streets and is showing him the ropes, while also belittling him as a nobody and distorting his worldview and dragging him into life or death cornered scrapdog situations chipping away at his morals. Sofia saves her little niece who laughs at bad table manners and doesn't quite do what her family says, gently lulling her to sleep so she can kill her mom and her entire family.
Extremely important that Sofia Falcone makes her formal arrival as a villain by showing up dressed in a sexy yet fitting extension of her trauma / cultural reference (The Yellow Wallpaper / the walls in her mother's bedroom), before putting on a mask and enacting Gotham's first Mass Casualty Gas Attack, we love to see it.
I was frankly already calling Sofia one of my favorite Bat-villains even before this episode, I'm just glad everyone seems to be on the same page with me now. I'm seeing a lot of posts on Twitter and Instagram talking about how they're rooting for Sofia instead of Oz, that she deserves to win this war, and good, fucking amazing that they're doing this, again, this show is hitting home runs I could not have foreseen.
It is incredible what a character they've made out of Sofia, and the fact that we now see Oz as her antagonist as much as we see Sofia as his, and the fact that if Penguin wins, he will win this as a villain. He will steal a victory he does not deserve and rub it in your face and he will make the children of the world cry for it as any villain worth his name should be doing, and it frankly wouldn't be much of a fight if Sofia wasn't every bit the complicated, engaging protagonist he is. Lauren LeFranc claimed that she sees Sofia is the closest the show has to a hero even if she is not, and this is the episode that sold everyone on it.
Halfway through the show and it's only gotten better and better, can't wait for what's coming next.
#dc comics#the penguin#hbo#max#hbo max#cristin milioti#sofia falcone#carmine falcone#lauren lefranc#the batman
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I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.
I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.
I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.
There are two big things that stand out for me.
One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.
To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.
(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)
The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.
The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.
There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).
So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.
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so, you've been posting/reblogging about sam being the exception to the rules of "This is alright to do when everyone else does it/ It's not alright to do but we can do it to sam". Do you have any fanfic recs that throw that hat around? Like, they realize they were actually in the wrong? or some good fix it? some bad break it?
mmmmmmmmmmmmmmmmmm
honestly not this fandom's strong suit. probably the most self indulgent part of see something say something is having dean accept that sam going to stanford wasn't a personal attack, was something he needed to do for himself, and the no contact trauma of it all was pretty much entirely john's fault. in canon he's literally betrayed by sam going to college until he DIES. he never chills or gives credit to the idea that sam deserved and needed space to grow outside of him
there are a couple "sam dies in the panic room" fics floating around out there, which are pretty good, but relatively short and sort of only deal with the immediate regret that dean feels because his brother is dead and not really because he understands how he fucked up
here are some that sort of qualify, but nothing that quite scratches the id for this in the exact way i'd like. unfortunately i think to really dig into this (for me) you've got to hit "sam was both saved and destroyed by dean's deal" and "dean came back wrong" right over the head before you can really deal with the repercussions of it. which is both hard and sort of an unpopular opinion! so i get it
feel free to drop your own recs if you have them!
Crossed Wires by rivkat (summary: A spnj2xmas gift for costsofregret, who liked angst, pining!Sam, one thinking the other is dead, and hurt/comfort. It’s like you know me.) sort of deals with the concept of sam's autonomy but it's pretty brief.
One Saved Message by ratherastory (summary: After a hunting accident puts Sam out of commission for a couple of days, Dean decides to surprise his brother with a new phone, since his old one is toast. Even better is when he finds that he’s been able to save all of Sam’s old information and restore it to his cell. That’s when he discovers an old voicemail that Sam has kept saved for the last two and a half years… Charity fic for help_japan. sinka won a fic from me and requested some Voicemail fix-it fic, and that is what I have attempted here. Spoilers for all aired episodes up to 6.19.) deals with the voicemail but not really all the actions dean took to make that voicemail believable
Paint Me a Monster by TheMarvelousTolkienJob (summary: Sam is a freak. He knows that and, after everything that happened with Ruby and the demon blood, Dean finally does too. Not that they actually talk about it or anything. No, they wait around for Sam to be kidnapped and tortured before they do that.) is a fic focused on all of this and it addresses the voicemail and the reasons the voicemail was believable but it doesn't end with anything so much resolved as it is at least in the open air. which is a perfectly good ending, i just want closure T_T
The Talking Cure by Mollyamory (Molly) (summary: Dean tries to keep his mouth shut, but as much as he wants to keep quiet, he also wants to say--) set immediately after season 8 with no gadreel. dean feels the need to reiterate what he said in the church
Soft Like a Blue Triceratops by sprinkles888 (summary: Sam finishes the trials, expecting to die. Instead, he gets a life that sounds idyllic - the demons locked away, the angels gone (mostly), and Dean by his side. All he has to worry about is the various monsters attempting to fill the power vacuum; a too-empty bunker; his own deteriorating mental health; Dean’s dive back into alcoholism; and not getting enough sleep (even for him). Oh yeah, and that pesky fact that his dreams are starting to seem a little bit too much like visions. He can handle it. He can. (Sometimes he can’t.) If this is healing, Sam sure doesn’t want to know what deterioration looks like. A season eight finale/post-season 8 AU) is probably the closest i've found that really comes down to grilling both on how messed up the brothers are and how it's taking a toll on sam specifically, but it doesn't really get into the double standards of it all. bold for emphasis is mine, because my god that's really the whole fic. great exploration of them, but it did hurt to read
not at all in the vein of the ask, but by the same author Sounds Like Truth and Feels Like Courage by sprinkles888 (summary: Turns out that the Men of Letters had a way to perform magic on the regular without the messiness of witchcraft. All they need for it is a pair of soulmates, a couple of rings from the bunker, and a willingness to spend time platonically touching. And, well, the Winchesters are already sitting at two out of three… (In which Sam and Dean cuddle, spend time being emotionally vulnerable, mend relationships, learn just how powerful their souls are, find power in memories, watch way too much Netflix, and become targets of an organized group of monsters set on killing them.)) is a comfy warm fic about the boys by the same author that i can reread without hurting my own feelings
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Reminder that this is how bummys talk about Oliver and worse. Let's not forget some of them also made a 4hr podcast months ago saying awful stuff about him, all because he was posting about hanging out with Ryan and not Lou. They've also been repeatedly calling him biphobic/homophobic because he said Buck should get to explore his sexuality more and have sex.
Some of these people used to be Buddie shippers but the truth is they never really cared about Oliver or Buck. They have the nerve to call us fetishists when a lot of us have been shipping two best friends for years who we just want to see take their relationship to the next level. The main draw for them with b/t is wanting to see two guys they think are hot together because it certainly wasn't about Buck and his happiness. They weren't ever looking at his scenes with Tommy thinking is this really the best relationship for Buck? They've always been more concerned with Tommy and wanting him to be a permanent fixture on the show. Almost immediately after 704 some of them were calling him Buck's endgame. Even though we were shown time and time again how much Tommy was never the right person for Buck.
Now that their ship is over they've inevitably turned on Oliver and are blaming him for it even though at the end of the day the person who made that decision was Tim.
Also and this is something I really really wish bummy stans would get through their heads, actors are allowed to have personal opinions about the media they act in. Oliver has said he's a fan of 911 so I'm sure he watches the show. It's clear from many things he's said that he genuinely cares about Buck every bit as much as we do. So acting like he's not allowed to have preferences for the show and for Buck just makes no sense. He's connected to Buck in a way none of us are so if anyone should get to have thoughts on Buck's story it should be him. He's allowed to like or dislike a ship or a storyline. I know it sucks if an actor that's part of a ship you like doesn't support that ship but it does happen.
Oliver has supported Buddie for years and been very transparent that he wants to see it happen. He was never going to become the captain of the b/t ship. He's never really been super supportive of any of Buck's other ships nor does he have to be. Oliver has always been respectful towards his co-stars and fans and always given respectful answers about Buck's past ships in interviews and that's all he's really required to do.
It's honestly baffling how bummy stans continue to play the victim and continue to try and come up with all these reasons for why they think Oliver is a bad person for not supporting their ship and Lou. The reality is b/t was never meant to last. Oliver knew this and didn't want to lead anyone on. It's also very likely that Lou didn't get along with the cast especially given how they went out of their way to say goodbye to Callum and there was nothing for Lou. Not to mention Oliver very deliberately leaving Lou out of his photography spoke volumes.
I also think Oliver saw at least some of the drama online this year both from b/t stans and from Lou and it made him less likely to engage with that part of fandom. Bummy fans spent a not insignificant amount of time this year saying terrible sometimes racist things about Ryan and Eddie (like telling Ryan he should have finished the job when he talked about his s*icide attempt). Ryan is clearly someone that Oliver cares a lot about so if he saw any of this I'm sure it didn't endear him to those fans. On top of that they continually pushed for a guest character, who was never meant to be anything more than a plot device in Buck's story to be a main character and have his own Begins episode.
I'm just really sad and angry that this is the kind of stuff Oliver is having to deal with. Buck's bisexual journey should be this amazing positive thing and bummy stans have repeatedly tried to warp it to be their way or no way. I just really hope that Oliver knows there are so so many of us who love him and appreciate all the work he's done.
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For context with Floatshimmer she is an 11 moon old, with kits.
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goddddddd I just looked at the allegiances, trying DESPERATELY not to get sidetracked so I finish Star before the winds of my mental disorder pick me up and plop me down on a totally different task than the one I'm trying to do,
BUT
Lord it's bad. It's BEE-AY-D BAD. They didn't just make Moonpaw's parentage terrible, almost every choice (besides the expected Night/Sun and Blaze/Light litters) is weird in some way
We've got some new Orphan Warriors in the form of Fluffpaw and Silkypaw in WindClan, and Sprucepaw and Redpaw in ShadowClan.
Floatshimmer was just born 2 books ago, and is a mother as soon as Changing Skies opens up.
Breezepelt's daughter, Appleshine, now has Rustlekit and Stretchkit, making him a grandfather (not the weirdest thing I guess, considering how many descendants Lionblaze has... but still feels odd.)
Rootspring's sister, Needleclaw, now unceremoniously has Starlingkit and Robinkit in spite of having zero insight to who her potential mate is. EDIT: It's Kitescratch. Her first cousin once removed, a character I can't remember her hanging out with. Wasn't Kite one of Root's bullies
BOTH Myrtlebloom and Bayshine, siblings, are having kittens at the exact same time, and the Erins are really bad at remembering first cousins. I'm having That's So Raven visions into the future of shiptease between Moonpaw and Oak/Sun/Hazel and I'm practically setting up the plot hijinks of the sitcom episode hurling myself into action to try and prevent it
SOME CURSORY THOUGHTS TO HOW I'M GONNA FIX IT;
Orphan Warriors are easy for me to fix, I'll just link them up to some existing families. I guess now's a good time to casually drop that BB!ASC is going to end with the canonical "exodus" of several RiverClan cats, so I'm probably going to have both Silky/Fluff and Spruce/Red be fathered by RiverClan migrants.
Floatshimmer is waaaay too young to be having kits, even by canon's standards, but in BB cats start to have kits around 3-ish. I'm not sure if teenage pregnancy is a thing I feel personally comfortable tackling at this point in time, so I might shuffle her, OR take her kits and "hold on" to them so they get born later. Unsure.
I think Peepaw Breezepelt might just feel odd to me because of BB stuff, since he has his first litter with Harestar and Heathertail after BB!OotS. I'll probably end up shuffling Rustle/Stretch to Heathertail's half-brother, Galerunner, but include a little line or something about Breezy-P and The Polycule starting to feel old.
Needlekits......... hm. I could be tempted for the vibe that Needle had kids on accident and Rootspring is stepping in as an uncle parental figure... but ALSO I like the idea a LOT of Rootspring adopting kids one day. I might make them become Root's adopted kids. EDIT: Kitescratch being FCOR is putting the canon pairing in range of Onestar's Exception, so Needleclaw's litter is now even MORE likely to change.
Light's litter with Blaze is expected, that can stay unchanged, though I am starting to consider how to fix the way her character arc was more of a character stumble.
What I'm planning with Sunbeam's litter I can't tell you yet. Not because I don't know what I'm doing with it, but because I love it a lot and I'm grinning just thinking about revealing it. But you can't have it yet. I gotta finish Star. You don't get to know until I finish Star :))))
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