#i also enjoy the possibility of a character being “it's ok. i'll be ok. i know i can survive this. i have all the time in the world”

[mercymaker]

fighting the "let's imagine the characters in the aftermath of above the vaulted sky" demons by projecting the horniest mal beams straight into my prefrontal cortex

[unproduciblesmackdown]

fr if taylor and philip don't kiss then what's this all been about. (the entire series of billions) what is it all for

[ohnoitstbskyen]

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

[thechekhov]

I kind of remember someone asking you that a long time ago, but can't really remember your answer (could be a totally fake memory actually)

Do you have any other stories you wrote and would be ok to share with us? Your writing is amazing!

Oh man.... The truth is, I've written tons of things. Not all of it is good! I've been writing for a long time - both fanfiction and comics. I don't know if I can recommend all of them, and I don't know if you want longer comics or shorter ones, but just as a few examples I guess there's these:

Pearls Before SW1N3 is my first long-form SU AU comic. I started it pre-Single-Pale-Rose. Looking back, the art isn't really all that great, and the story could be better, but I still think of fondly, because it was the first comic I did that surpassed 100 pages!

The Tale of Greatscale is a little comic about a DnD character I never got off the ground. I still think it's a neat venture into original comics for me.

And if you enjoy AUs and know anything about pokemon and Critical Role - I have another pseudo-AU that is basically a mashup of the Mighty Nein and Pokemon.

This is less a story - it's only a few pages. But I still think of this comic as a huge success, because I love the concept. However, I rarely go back to it because every time I look at the comments, I tend to go into a fugue state and commit atrocities.

And of course, if you weren't aware, I kinda accidentally drew uhhhh........ 5 seasons of a Steven Universe AU. Whoops.

I am also possibly maybe trying to work on an original story, a long-form comic. However, I haven't had a lot of time to work on it, so it's still very much being developed.

buuuuut I can't talk about that yet, because otherwise I'll stop working on it.

[ask-the-rag-dolly]

ok the askbox is open. im taking this opportunity to say ohhhhh im going crazy over the narrative constructed here. specifically with how audience (anon) interaction is intertwined with the main conflict.

because its like.. we are inherently a BAD THING. yes, some of us are actually malicious, but even if we do have kind intentions, and only want the best for ragatha.. just being there is a negative impact that outweighs any positives. we are a parasite, after all. and technically, the only positive action we could do is to simply.. stop engaging. leave the askblog alone. leave ragatha alone. except we could never do that, because we're too curious now, too attached- we want to see how the story continues, how it ends. we cant leave well enough alone, we just have to know. we need to know. so the cycle will continue nonetheless due to our nature. and we have to watch as our main character, the person we're rooting for, gets worse and worse. knowing that its our fault, because we're choosing to engage. we're choosing this path of pain. because we're curious, and that curiosity would kill us if we didn't feed it.

and of course its on a tadc tumblr ask blog of all things lol. no hate btw. im here enjoying it after all! though honestly i say that like this had any opportunity of existing outside of the askblog genre... or even the tumblr landscape itself- i feel like the anon feature itself is also a big part of this sort of narrative, as it allows those actively malicious anons to be even nastier. because it distances us from our actions. like.. we're given a mask, something that obscures our true identities (both to the other askers.. and to ragatha to an extent, as most all look the same to her. who knows, maybe that one supportive anon trying to cheer her up is the same one also encouraging her downfall! she cant tell!)- a thing that wipes our hands free of any consequences. a chance to become faceless and untraceable- so of course some people will indulge. be as horrible as possible. because, hey, its not like you'll be getting any consequences for it! no way to trace it back to you! no way to be held accountable! you can just sit back and watch the fire you made grow higher. more bright. thats the main goal, after all- to make a spectacle! to move the story along and make it exciting! thats the only thing that matters to you. that its entertaining. not the people you'll be harming in the process.

anyways sorry for the fucking. essay. in your askbox. i like talking and also i fucking love dissecting meta-aligned narratives like this. gggrrggrgrgrrrr chewing on this blog like a chewtoy. i hope everyone gets worse and this whole blog blows up!!!!!!!

i can't stop giggling at ' its on a tadc tumblr ask blog of all things ' . this was really originally supposed to just be a silly blog with little story but here we are . you really won't get this anywhere else

i get pretty happy when someone dissects this silly thing so no need to apologize !! i'm my own harshest critic when it comes to this blog so it's often difficult for me to grasp what meaning people get out of this lol truly thank you guys for wanting to see my insane , Unhinged ideas come through

and i love the dissection on the mean anons - a lot of this thing hinges on actions having consequences after all ! every little thing will have an impact on ragatha's mental state . i'll say i think the anons have potential to not be as harmful - as there was a point in the blog's time where they acted more like inner therapists to ragatha than reality-bending beings of chaos ( good times ) . it just really depends on being patient with an actually mentally ill person like ragatha - it does fascinate me how people's frustration with her echoes real life mental health situations .

but yeah thanks !!! i'll be kissing this essay and pinning it on the refrigerator that i call my brain (:

[byunpum]

Experiment 56 [part 3]

Neteyam x Human reader ( like a mix of human and Navi )

and sullyFAM x human reader, spider x reader , and quaritch x reader (dont blame me )

Tw: mmm neteyam baby, reader being mutant, neytiri being a sweetheart-mother, jealousy, a little 18+ but a little, all the characters are aged up 20's.

POV: Y/N is surprised that it is an indispensable piece for the human race. Her family will do everything possible to keep her hidden and safe…

Experiment 56 masterlist | Experiment 56 sequel Masterlist

PART 1 | PART 2 | PART 3 | PART 4 | PART 5 | PART 6 | PART 7

Note: I got a little carried away with the pov. So the reading is a little long. But I hope you enjoy it, I already have the other parts in my head. I know you're going to love it, thanks again to all of you. From now on I warn you that I am not very expert in this Navi culture, but I did my best. And I'll be using events that happened in the movie, but they won't be exactly the same. And sorry for the spelling. English is not my mother tongue.

"Ok, we're all awake now" Jake said, "no, loak is left, he went out to do something" kiri said as she braided your hair. "Well, I'll go get him" Jake came out of the hut. Neytiri came over to you and took your hands to see how your wounds are." How are they feeling? How do you feel? better?" said Neytiri as she also checked the bandages on your ankles. "I'm fine, mom." Neytiri looked at you and laughed a little.

You didn't usually call her mama, but when you did her heart would grow with joy. She didn't understand how she had become so fond of you. She thought it was because you had Navi blood, and that was the reason you were closer to her, but no, it was something else. She loved you as her daughter. It was like that time you were in the lab, you were about 5 years old, and you were in Jake's arms while Norm was taking blood samples. Jake looked up something on the computer, and put on a video of him when he was human. y/n stared at the screen, and then looked at Jake, "Did you see who's there? That's me, daddy." y/n looked at Jake "but you're pink and now you're blue" . Neytiri laughed a little, she was admiring the scene. Y/N was the baby she and jake would have had, if jake was still human. She fantasized about that idea. And if y/n was a gift from eywa, she was grateful for it. Because you were such a well-behaved, kind, strong child. Very strong.

"It's ready," kiri said as she continued to fix your hair. "I think the beads neteyam gave you, they look good "you looked at kiri with a withering look." Which beads?" asked neytiri while looking at your hair. "Yes, neteyam gave me some to put in my hair." Neytiri analyzed your expressions, "well… they look good on you." She shifted her gaze and got up to prepare breakfast.

"Kiriiiiiiii why did you say that?" you whispered to kiri while tapping her on the shoulder." Hey, I think it's cute…that coordinating outfits thing" she giggles at you, while still playing with her. You and kiri were so close. You said you were almost twins, since you gave them away on the same day to your parents. And they were the product of strange circumstances.

"Yes, but no one must know. You know… what mom and DAD will think. I don't want to imagine what dad will say, he's going to bury me alive and then you guys for covering up this secret." You look at kiri with worried. "hey…take it easy. Yeah, we grew up together and all. But we all know you and neteyam like each other…the looks and all. Trust me, I think dad knows something. Besides, neteyam was your first kiss." You turn completely around to look at kiri "kiri…we were 10 years old and it wasn't neteyam….it was spider." Kiri couldn't hold in her laughter. "ahhhh I remember now, it was a challenge. But neteyam kissed you later and ran off." You guys kept laughing until jake came in with loak.

"Ok, together everyone" You all settled in a circle and turned your attention to jake. "Family, you know what happened yesterday…the attack there was towards y/n." you lowered your head, you were trying to forget what happened. "Your mother and I talked and thought about going somewhere else." kiri stood up upset." what????" you tried to take kiri's hand." Hey, this is going to get worse… they want y/n. And then they'll go after all of us. This is for the best" jake took neytiri's hand "guys, it's the right thing to do" neytiri affirmed squeezing her partner's hand. Kiri didn't like the idea and left the pot in anger. Behind her were loak and tuk, these two were not upset by the idea, but went to look for their sister.

You were silent "dad?" Jake looked at you "yes, y/n" you took a deep breath "what about spider?" neteyam looked at you, while jake adjusted "honey, he's got…" "he'll stay here and that's it" said neytiri somewhat annoyed. You knew she didn't tolerate spider, but you still loved him so much. "But they're going to look for him. …. They know he knows me, he knows us. He must go with us. They can hurt him" neteyam stood up in discomfort and came up for air. Here you were again, worrying about spider, thought neteyam.

"Y/N, he will be fine. I promise", jake put a hand on your shoulder " no, please daddy…. He has to go with us. Please" jake looked you in the eyes, he knows how important he was to you spider. He knows his children love that monkey-human. "ok, that's fine he will come with us". "What do you say? No." Neytiri is upset. " Any clan we go to, they're going to reject us. And it's going to be his fault" you stood up and looked at neytiri "then they're not going to accept me either, mom look at me… I'm a human, a fucking demon. An experiment. A fucking human, with a navi tail. I'm sure they'll judge me more than the spider himself. We can't just leave him here." Neytiri looks at you with teary eyes, you just called yourself a demon. No, to her you were not a demon. "come here" neytiri hugged you " don't ever say that again… you are my precious girl". You hugged neytiri tighter, the woman looked at her mate and ascended with her head." It's okay, spider will accompany us." Neytiri looked at you, she saw your face light up. "thank you, thank you!!!" You ran off to break the news to kiri and the others.

"This is a disaster, How she knows it's an experiment. Besides, taking that kid…. I don't like Ma jake" neytiri moved closer to jake as he pulled her arms around her. "We'll be fine, I promise."

Kiri was with spider, loak and tuk. They were discussing the idea that jake had said. Kiri couldn't believe it, she loved her home. And leaving meant leaving everyone, leaving spider. Kiri looked up, when she saw you running, she had to laugh a little. You almost fell to the ground, you were funny when you ran. "Guys I have very good news" you go and hug spider. "what's wrong?" spider hugs you back as he puts his hands on your waist "ahhhh I'm so happy" you start jumping up and down, making spider copy your steps. Tuk joins you "what happened?" kiri asks, making you look at her." Spider is going with us, of course…if he wants to" You look at spider, the boy's eyes widened. "Is it serious?" Kiri couldn't believe it. She hugged spider. "Sure…but how?" spider couldn't believe what you were saying." Well…I have my charms" you say as you grimace, "sure, manipulative" said loak, as he pushed you to the side, so he could hug spider." Come here bro, I told you we would all be together" loak pulled you all closer in a big hug. "where's neteyam?" asked tuk. He was right, he was nowhere to be found. Oh no, you knew where he was and how he was. "Hey, why don't you tell norm and the guys everything while I go look for neteyam" Before you left, spider held your hand, looked you in the eye and rubbed his thumb over your hand. Your heart skipped a beat, you must admit that you and spider had a history, before you liked neteyam. Spider was your first crush. Loak and kiri looked into each other's eyes and tuk made a disgusted face. "well, you come or not" kiri said, as she dragged everyone with her.

You got to the soul tree, you knew neteyam was going to be there. And boom…you were right. He was sitting, while his queue was connected to eywa. He was praying. You sat next to him, and waited for him to finish. When he noticed your presence, he opened one eye and then ignored you. He just did that, you said to yourself." If you don't talk to me, I won't leave. And you know it" neteyam moved away from the eywa branches and settled down next to you. "Why do you always worry about him?" you couldn't believe what you just heard." Excuse me… are you talking about spider?" neteyam complained and you saw his face change color. "hey, don't be like that with me. Spider is part of the family. We can't leave him here" you take his hand "I know, but have you ever asked me how I feel? The first thing that popped into your head was to ask if…he can go with us." Wow, neteyam was right. You were always worried about spider, ever since you were kids. That was the reason why at 12 years old you had a crush on him, but when you confessed spider said you were "weird and ugly". Which caused neteyam to fight with him, loak to tell his mom and neytiri to try to drown him in the nearest river. Thank goodness Jake, everything was under control. After that, you became disillusioned. It wasn't until, at the age of 19, neteyam confessed that he loved you.

"sorry, yes. forgive me for not asking for you" neteyam settled in front of you, and took your face in his hands. "don't apologize to me, you know I don't like it when you do that." You lifted your heels and gave him a kiss. His lips were soft and warm. Neteyam slid his hands down to your waist, to pull you up onto his lap. Your hands tangled in his hair, as the kiss grew hotter. The kisses were messy, as neteyam kissed his way down your jaw to your neck. A gasp came out of your mouth, as neteyam pulled you closer to his body. Shit, you never went this far before. " neyet…" you sighed when you noticed how needy he was " that's not…mmm" you looked down at his crotch. "I'm sorry, I can't contr…" you interrupted him kissing him again. You two were so wrapped up in your make up section. That you didn't hear loak.

"ahhhhhhhhhh YUCK, NO NO NO NO. Ahhhhhhh" Loak yelled, you and neteyam separated quickly, trying to fix yourselves up a little. "you idiot, you need to learn how to call people" neteyam, turned his back to his brother, while trying to hide his recent erection. "hey, I'm not the one running around fucking in a PUBLIC area. You heard Public" Loak was yelling at his brother, until you hit him. "Shut up already, and don't you dare say anything." You threatened him, "I already knew you two were together, I'm not stupid. Plus, kiri, she's not that good at keeping secrets." You looked at him in shook, oh no. Why kiri had to open her mouth. "what do you want? what are you looking for us for?" neteyam asks, "dad, he says to pack up everything, we have to leave before sunset." Neteyam takes your hand, as you all start walking towards the shelter.

"You and I need to talk miss… I'm your best friend!!!! Why am I the last one to find out that you and neteyam are together. You know you're hurting me." I said loak, while still walking. "don't ignore me!!!!!" you and loak continue your discussion all the way to the shelter. Neteyam just ignores them.

AREA 12, northeast of pandora:

Quaritch sat staring at a fixed point in the lunchroom area, while his teammates laughed and talked about god knows what. In his head there was only one thing… you. How could such a beautiful woman, be the mix of a species that, to his taste, was unpleasant. Well not unpleasant, because now his body was the same. But he didn't find it attractive. "Hey…you're still thinking about that girl, aren't you?" said Lyle as he tapped his arm. "I'm just thinking how she could have gotten away from us" Quaritch shifted his gaze." Yeah, yeah…" Lyle giggled a little. "And did you notice that human boy?" commented Lyle, he looks like your son….miles" Lyle looked at Quaritch waiting for an answer." Yes, he does" There was a short silence until Lyle spoke, "do you think he's that girl's mate? He looked a little worried when John tried to touch her." Quaritch complained "that idiot…he doesn't know how to keep his fucking dick tucked away…. But I don't think boy is the mate. I think it's the blue monkey." Quaritch looked at each other as they analyzed the situation." Lucky guy…she's very pretty." Lyle said "hey…watch out." "I knew it…I knew it!!!!" Lyle got up from the chair and walked towards the exit as he teased Quaritch. "Knew what???" he yelled back…what did Lyle know.

After the saying goodbye to the clan and jake passing his toruk makto position. You all went to the area where the ikran were, all the family belongings were packed. Neytiri was checking that everyone was ready, putting on some kind of tunic, for the cold and wind. When it was almost spider's turn, she handed you the tunic "go and put this on him." Said neytiri as she looked at the poor boy out of the corner of her eye. You approached spider," look, this will keep you warm and safe" you place the tunic over his head, neteyam was next to loak talking about something until he saw the scene in front of him, "watch out… he might take your girlfriend away" said loak, causing neteyam to punch him in the stomach.

"hey, you two stop!!!! family are we ready? let's go!!!" announced jake, already getting into his ikran. Neteyam walked towards you, and took your hand walking towards his ikran. You had to go with someone, because even though you can use your queue, the ikran was too big a beast for you, so you had to share it with Neteyam. Spider noticed neteyam's look and lowered his head and walked over to kiri. "I feel that neteyam wants to murder me," says spider as he settles in behind kiri in her ikran, "don't mind him, he must be upset. After all… this is a big change for everyone" kiri tries to comfort spider. Everyone left, you sat right in front of neteyam, your back was against his chest. And he already had a hand on your waist. "hey…. Hands to the front" chuckled jake to neteyam as he noticed the position you two were in. You heard tuk giggling next to you, when you turned to look, you noticed neytiri was watching you too. Damn…this was going to be a long ride.

p.s:What do you think? Did you like it… Between today or tomorrow I will be uploading the fourth part. And remember the tag list is open. Just let me know. Kisses! <3

Neytiri babies tag: @st4rrry @valeriinee @inutheangel @gielrmn @sloppierjewel @purple7theparty @itscheybaby @ssc7514 @namorslit @ducks118 @tpwkstiles @elli-aesthetics @nao-cchi @uselessbutinteresting @msjae @austynparksandpizza @gamorxa @andyyy4444 @itssomeonereading @meivap @barbii04 @mm-nope @dorck26 @nessrin @purple7theparty @ssc7514 @sloppierjewel @yeosxxx @legendleopard100 @pandoragalora @jayzes-blog @ducks118 @laylasbunbunny @kyriekurokami @heesoftiefreak @teamanime

If there is any problem with the tags, let me know. Soon I will make a post with all the parts.

[bakasara]

Trying to parse my thoughts on Izzy's death and why I had a different reaction to it than I thought I would. To summarize: I thought I wouldn't like it, but also that they wouldn't do it; the opposite happened– they did it but I'm ok with it.

I'm also feeling like talking through some mourning for an amazing character, so follow along if that's you, too 😌

(I should probably clarify the following thoughts are coming from someone who deeply enjoyed this season.)

I first wondered what would be of Izzy around the end of season 1. I expected him to have a heel-face turn – which I object to calling a redemption arc and I'll get into why, because the distinction ties into his death imo. A lot of antagonistic characters' changes of heart end directly in death, but I thought they'd subvert that trope. And they... did, actually, despite Izzy dying. Not an option I had imagined.

What the show avoided is the logic, the set of tropes attached to the deaths of this kind of character. These deaths usually come as a consequence of the character's changed ethics or "redemption". My being against that scenario came from the diverging natures of traditional redemption arcs and OFMD's rhetoric.

A traditional redemption arc functions by a kind of catholic logic, if you will: the villain can become one of the good guys by balancing out his "sins"/bad deeds with enough good deeds to tip a moral scale. This often involves a purifying suffering, which acts as an agent to expiate one's faults. To the viewer, this suffering can serve to activate our empathy and make the character more sympathetic. It can also legitimize his quest: our trust in the character's good intentions comes from seeing that the character is ready to make sacrifices to become better and he isn't deterred by the hardships of doing the right thing.

The death occurring at the end of a traditional redemption arc acts as the ultimate sacrifice and/or purification. A number of ideas might be at play behind it, depending on each story: only in death can the soul become fully pure, or a final sacrifice is "needed" to demonstrate the change once and for all, or change was only possible up to a point after which there is no viable/acceptable future – the character deserves moral points for changing, but not so many that he also deserves a full life, or past crimes make him more expendable, etc.

But these are all ideas that aren't evoked in any of the crew's journey in OFMD. For starters, the show isn't interested in "catholic" redemption; its focus is on reintegration/rehabilitation into the community. Rather than appealing to the more traditional (in Western media) and more christian principle of "purification of the soul through mortification of the body", it plays with notions of restorative justice.

We see it especially this season with Ed and Izzy. Ed's arc is a whole little lab for it. We have the community being made to decide whether he can stay or should leave; catbell!Ed is made to apologize to the people affected – which he initially does abysmally, with what fandom has dubbed his "CEO's/YouTube apology". Later, he's given the opportunity to have a more honest and genuine conversation with Fang where he learns about how he hurt him. He's made to repair some of the material damage his behavior caused. Some members feel repaid by the idea that they did to him the same he did to them (Fang) while others don't (Lucius), and the show touches on what this means for each/legitimizes both feelings. Arguably, Ed using his treasure to throw Calypso's birthday party – a much needed refrain and moment of social (re-)connection within the community – is an additional form of reparation. While Stede's belief in Ed has a clear role in helping Ed change for the better, Izzy's s2 journey focuses even more intensely on the role of social support within an individual's constructive (re-)integration into their community. The show is condensed by choice of format, but the beats are all there.

With that kind of rhetoric set up, I'd never be able to accept Izzy dying in a way that feels like a punishment for his past crimes, nor in a way that should "confirm" his positive change/"purify" him for good. And he doesn't! By the time he dies, we know full well he's deeply changed, it's already established to completion. How it happens has nothing to do with proving himself – he's randomly shot in battle. It's never questioned that the time he got to live surrounded by affection mattered. The speech he gives Ed is only possible because he's changed, accessing a completely different perspective on piracy/life than before, like we see when he talks to Ricky earlier. The reason the whole crew is paying respect and crying is because he became "the new unicorn", a treasured member with a defined role. But his death itself is the show going back to the initial symbolism of Izzy as ultimate pirate. The narrative function of his death is underscoring that the age of piracy has come to an end. It's nothing to do with his change. It's posited as the "natural conclusion" (again, by symbolic function) of a character that represented piracy through-and-through, not the "natural conclusion" of a process of becoming better.

And for me, that difference changes everything. I can see and accept the logic behind it, even as I mourn Izzy as a character. It makes the grief feel like a catharsis I experience within the context of the story I'm watching, rather than a grief I feel from a show "betraying" me.

It's also a difference that completely changes how Izzy's death relates to his queerness. Izzy's change is intertwined with being able to express queer affection openly. Becoming "a unicorn" is this extremely queer imagery already – a magical rainbow creature. His role becomes akin to a mother to the crew (the mother hen!Izzy many headcanoned last season, tapping into his potential), a position that isn't extraneous to older queens, including our honored real-life mean-old-queer men. Last season he threatened another queer man for showing too much delicacy, effeminacy, vulnerability. Now, his change is a process that culminates in him singing a tender love song among the crew in drag. He's given the privilege of playing the soundtrack to our protagonists making love for the first time, which ties him symbolically to the event in a way it does no other crew member. Suffice it to say that insinuating his process of change should end in death would have been disastrous, as far as I'm concerned. Antithetical to the show's supporting ideology.

But that's not how it went. Grief occupies a big role in the queer community, but it's so rare that we get to experience it cathartically. In real life, we often have to contend with the ways queerphobia causes us trauma or even shortens our lives, or the lives of our friends. In fictional narratives, a lot of characters that get to express queerness unabashedly still die for the transgression. They're still usually the only queer character with relevant screen time or at all, at best one of two that formed a tragic couple.

We almost never have the opportunity to just mourn some motherfucker who died because they meant something else as well that was central to their character. To mourn and know we're mourning someone who wasn't ever punished for being queer-as-in-fuck-you and going all out. To mourn and not feel like it's another message of queer doom, because for once the character is surrounded by an entire crew of other queer characters that go on to live and be happy. To know the story is saying something about life, not about being queer. To know this kind of crafting was deliberate, too, because the creator has talked about working to avoid those tropes. I struggle to remember another time I had the opportunity to grieve for a queer character like they're a human being, without the implication that it's queerness itself that's a death sentence.

And honestly? It feels good. It feels like a form of catharsis I do not dislike. That I'm maybe kinda glad for. OFMD is and stays a magical world. Beyond that, in a show full of queers, one of them dies after getting some extraordinarily meaningful happiness, and it's peaceful, and I get to just be sad for the fucker without the gutting of being reminded that if you're gay, better not shoot too high. It feels like a completely different emotion that no other show, for now, would give me, but OFMD. To me, it's yet another thing it's pulled off.

As it's been known to do.

[hermajestyimher]

Hello <3

I am currently 20, in the process of enhancing every aspect of my life so I would really appreciate if you could generously list your resources for self-improvement in general.

And one more question, how to make people take me more seriously? I am quite the youngest member in my family and everyone have always been so over-protective of me that they always see me as this little girl even though I am almost a grown woman lol.

Thanks!

Thanks for your question. I commend you for wanting to invest in yourself and self-improvement.

The resources I use to shape my mindset toward success are a mixture of books, podcasts, subliminals, and direct revelation from God. I'll break these parts down for you:

✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞

Books:

There are a lot of books out that deal with the topic of self-improvement and you are almost guaranteed to find some that will be able to help you in whichever area of your life you wish to get better at. The key, when it comes to these books, is that you have to find ones that you know you can action realistically in your life. Theory can be energizing and inspirational, but it is ultimately futile if you are unable to put the gained knowledge into reality.

You must seek books that are practical in their way of describing how to succeed in whatever subject they touch upon and focus exclusively on that specific book so that you may action its commands and see real results in your life.

I'll give you 5 books that I've used throughout the year that have helped me mold my character in meaningful and practical ways:

She Comes First, by Brian Nox.

Can't Hurt Me, by David Goggins.

The Alter Ego Effect, by Todd Herman.

Stop People Pleasing, by Patrick King.

Fabulosity, by Kimora Lee Simmons.

Podcasts:

Podcasts are a good way of keeping your mind "fed" constantly with content and knowledge from others. I use them not just for knowledge, but also for entertainment. I enjoy podcasts that deal with politics, human psychology and behavior, societal phenomena, travel and culture, business, success life stories, and even some niche topics of interest.

Whatever podcasts you choose to listen to will be a very personal choice. My rule of thumb is to not waste time listening to someone just because they seem authoritative in the field of self-improvement if the messages they are putting forward do not resonate with you. It's ok to be picky with this type of content.

Subliminals:

This is something that I've never touched upon before directly on my blog, but it is something that I've been digging into a lot lately and I've found has been positively impacting my life.

Subliminals are audio messages that we play in the background while we do other activities. The concept behind them is that our subconscious mind can pick up and internalize the messages being played and therefore can help in reprogramming our own internal self-concept and beliefs. It can help you manifest things because you genuinely believe that they are possible for you, rather than pretending.

Subliminals are extremely powerful because if utilized correctly they can help you shape your entire personality and perception of yourself towards one that is more self-loving, positive, and confident. It can help us erase the damage of harmful things we've internalized throughout the years and replace them with thoughts that are working in our favor.

If you or anyone else from the blog would like for me to dive deeper into this subject and share some of the subliminal that have helped me (including my own creations), please let me know!

God:

This part is simply all about having communion with God. I've found out that in the periods that I'm away from him and that I do not take our relationship seriously, I become an easier target for spiritual attacks and also less in tune with my spiritual gifts. It's hard to hear from him when my spiritual life is filled with so much baggage that does not come from him. And whether you are aware of it, everything around us is spiritual in one way or another: the music that we listen to, the people we spend time with, the places we live, the content we consume, the things we allow others to speak into our lives, etc.

It's important that I read my Bible, pray, and worship without ceasing. God purifies our spirits and removes bondages this way. He gives us a renewed mind full of discernment and peace. We can hear from him more clearly and be led through a path of prosperity.

This is something that I need to get back on with him, as I have fallen off throughout the years. But understanding that you do not have to make life alone and that investing in your spiritual life can only tenfold your riches in the physical realm is crucial for us to live a life of purpose and success.

✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞✧༺♥༻∞

I hope this list was helpful, and if you or other people would like to delve deeper into any of these or other subjects, please let me know.

[eurydicees]

Also, I just saw you’re 23, I am too! It’s rough out here. Another idea: any characters, what’s it like being 23? Where are they at this point? I feel like hq shows that as being sooo grown up but like I’m just a big teenager right?? Idk just rambling

being 23 is so rough sometimes lmfao. i've got friends from high school getting married and friends from college having early life crises. i'm working full time and living alone but tbh mostly feel like i'm playing at house rn more than i am living on my own. whatever. it's fine. early 20s is just a silly time of life. anyways i don't have a fic for u but i Do have a headcanon list.

in no particular order, haikyuu characters as stupid things i've done in my early twenties:

atsumu: having a brother who is a chef does not prevent him from forgetting to take the cheese packet out of the mac and cheese box and dumping that into boiling water with the pasta.

udai: does not remember the last time he ate a vegetable.

oikawa: friends all went to a party without him and his coping method was getting so so so wasted on white rum and falling asleep on the living room carpet immediately after giving another friend a tarot card reading saying their breakup is imminent (to be fair, it was. but it was still kinda rude).

iwaizumi: after class, was led to a private stairwell by a friend, jokes "haha are you taking me to a hidden location to kill me." and then received a love confession. proceeded to say "uh. i'll think about it." then did finger guns. and said "im just gonna. go" and then fucking. ran. like not exaggerating, ran.

kageyama: went on a date. did Not At All Know it was a date, despite the very very obvious flirting. yes this was the same person as in the previous bullet point. don't look at me like that.

akaashi: took a 100 level class senior year and did not pay attention to a single lecture. instead wrote thousands of words of fanfiction in the classroom every day.

atsumu (again): another cooking one. i just think he'd be a terrible cook. sorry. anyways. "it's been 20 min, why isn't this scallion pancake im pan frying cooking yet?" (<- did not turn on the stove burner.)

yachi: hm the light in this room doesn't work. guess i'll just learn to see in the dark instead of inconveniencing anyone by asking to fix it.

akaashi (again): completely fell in love at first sight, but fast forward five months and it actually somehow worked out? however the five months were filled with the most insufferable pining possible, which could have been resolved so so so easily. also started talking about marriage, like, six months in.

bokuto: got sad. went out into a raging snowstorm in socks and no jacket. laid down in the snow for a long time. somehow, miraculously, didn't get a cold afterwards?

akaashi and/or yachi: changed majors and career paths because a pretty upperclassman asked them to. (i am very happy in my chosen path but jesus christ THAT was why i did it?)

hinata: flew from coast to coast of the country, then drove halfway back to the midwest in the span of three days. started a new job on the fourth day. didn't sign a lease on an apartment until the fifth day.

semi: skipped a day of work to drive four hours there and four hours back for a fall out boy concert. totally worth it but driving at 4am after a concert wasn’t the smartest thing ever to be done.

kuroo: started reading homestuck in the year of our lord 2024. this is an attempt to remain in contact with long distance friendships (by doing a bookclub) but jesus fucking christ dude.

ok this is getting too long and i needed to be ready for work, like 15 min ago lol. maybe i'll write more of these later, but i hope you enjoy these and my silly disasters are a little comforting :)

[aszles]

since my first pinned post had a tierlist of csm characters, i decided to redo it as a tierlist of Fujimoto works instead! (i had only read csm when i made this sideblog) it's a lot less ever-changing so i feel a bit safer keeping something like this at the top of my blog lol...

within the tiers there is no specific order, they're just the things i happened to put in first. if you wanna make one here's the template! (made by yours truly)

because i'm a nerd you can read my opinions about each work below the cut~

S TIER

Chainsaw Man - i mean, csm is just awesome. in all honesty, this manga has changed my life. i KNOW that sounds silly and corny but it's genuinely true. i have been able to get past a lot of my struggles and develop so much as a person since starting this manga. as a fun bonus i feel like i've finally started improving my art again (or at least changing it enough to feel fresh) after like 3 years. i can't really describe how much csm has done for me, but if i had told myself from 2021 that this would happen i would never believe it (especially because i had written off this series for some personal reasons...lol) but yeah. i think i'll forever be grateful for what Chainsaw Man has done for me.

Look Back - i think Look Back is seriously the best piece of media i have ever experienced. i don't think i have ever seen a story so beautifully crafted as this manga, it made me sob when i read it. i remember having to move the manga away from myself so i wouldn't get tears on it. at the time of writing this i am SO SO excited to watch the movie, whenever that will be. i will cry and throw up watching that thing LOL.

Nayuta of the Prophecy - ok maybe i don't TECHNICALLY believe this is an S tier work, but Nayuta is just such a lovable character that i can't possibly rank her any lower. Fujimoto was right to adapt her into csm because she deserves it!! however despite that, this oneshot is the only one that i genuinely wish he would make a sequel to. i think oneshot Nayuta and csm Nayuta are pretty different, so they still don't feel like the same character - i would love to see oneshot Nayuta's personality and relationship with her brother continue to develop!

A TIER

Sisters - one of the few other works i had heard anything about before i started exploring Fujimoto's other stuff, and i definitely felt apprehensive about it. but wow, the fact that Fujimoto is able to take the concept of "girl non-consensually paints her sister naked and it gets displayed on the school wall for everyone to see" and NOT make it weird is crazy! a sweet oneshot that i enjoyed, and love the nuance that was able to be created in such a short amount of time.

Woke-Up-as-a-Girl Syndrome - a really cute take on a silly trope that can often be handled... oddly. i love how much the characters in this really feel like teenagers, doing stupid things but being completely earnest all the while. (Spoilers) i really like how it ends with Toshihide being adamant that he is still male, and also Rie still loving him as he is. very sweet!

Love is Blind - it's no wonder Fujimoto won an honourable mention for this, it's such an adorable and funny oneshot. i was giggling the whole time reading it! i don't really have much to say about it, but i definitely enjoyed it.

Fire Punch - i don't really know where to start with Fire Punch, but wow. it is seriously so impressive to me how good Fujimoto is at tackling such sensitive topics, not shying away from them while also clearly not glorifying them. i also think a big place where Fire Punch shines is character relationships, especially Agni and Togata. they fucked me UPPPPP. it goes off the rails a bit near the end, but i also never got the feeling that it WASN'T what Fujimoto intended with this series. i may not quite get the ending, but it didn't ruin anything for me and i think the rest of Fire Punch is really good at what it does. plus the art is AWESOME ?????

B TIER

Goodbye, Eri - ohhh people might not like me for this one... i'm sorry guys, i just honestly didn't get this manga. i'll definitely reread in the future (me and my sister still haven't finished our sticky notes to read it blurry/clear) but for now i can't rank it any higher. i didn't feel much reading it, and the ending definitely confused me a lot lol. love the art though!

Shikaku - this one's interesting! i thought the story was quite cute, and Shikaku herself is completely adorable. though Yugeru is ummm... not my type let's say. i also do wonder if Makima took any inspiration from Shikaku - she looks similar to her, which to be fair for Fujimoto works probably doesn't mean much (as a lot of his character's look similar to each other /pos), but a clearer comparison is both characters presenting eyeballs they stole from people. (also... if Makima is inspired by Shikaku, is Barem then inspired by Yugeru? yuck) anyways just my speculation, back to the point. the reason this doesn't make its way into A tier is because to me it doesn't really feel like a Fujimoto work? i'm not sure why, but yeah.

C TIER

Mermaid Rhapsody - this one's definitely cute, but as a result of Fujimoto trying to create a "normal story" it unfortunately loses all of the charm of Fujimoto works!! i want it to be weird and fucked up damnit!!!!! though he did succeed in his goal of creating a normal story, so i can't complain too much lol.

Sasaki Stopped a Bullet - i don't have anything against this oneshot, but i think it just doesn't particularly appeal to me. unfortunately nothing in this story grabbed me

D TIER

A Couple Clucking Chickens Were Still Kickin' in the Schoolyard - it's no real surprise this is here, considering it's Fujimoto's first work. overall it was pretty cute, but i'm not all that into aliens..? not much to say lol

if you read all this then thank you >_o

[tyran-the-tyranical]

I’m currently writing a fic and writing for Raphael is a little infuriating if I’m being honest.

Mostly because he has such a way about him, and unlike the other characters where there’s some room for deviation, he’s quite rigid in his mannerisms. So I’ve literally been scraping through his dialogue and ‘analysing’ his behaviour, and this is what I’ve ‘boggled’ it down to.

EDIT: This is actually really long, and in fact not boggled down at all, Keep Reading at your own peril...

(OK, So I've completely reorganized this post to be more readable) 

Raphael is a complex and multifaceted character, but here are some main character traits of his that I'll delve more into as we go on;  

-Manipulative and Deceptive 

-Arrogant and Condescending 

-Sadistic and Enjoys Suffering 

-Cunning and Strategic 

-Relishes Power and Control 

-Patient and Calculative 

-Dark Humor  

-Alluring and Subtly Flirtatious  

-Dual Nature and Contradictory  

-Hedonistic and Indulgent tendencies

-Ambition

Though Raphael wants to paint himself as an honest person, that still doesn’t mean he isn't Manipulative with us, he uses many tactics to gain our trust, from crafting this honest and helpful persona to literally threatening us and building pressure to make a deal to escape ceremorphosis. 

"I'm here to help, not harm” 

"I am master here. A prince of bargains cloaked like scarlet satin. All that hidden under sublimely obvious truths that cannot be discounted." (From Chapter 3 of his Diaries) 

“Come now, why playing hard to get when you're in deep over your tadpole head all those pretty little symptoms sundering skin dissolving guts they haven't manifested yet have they?" 

"I'll be around watching you squirm like a tadpole through a nice juicy brain" 

As we progress his threats go from subtle to outright fear-mongering, but this also goes into somewhat of his dual nature as when he moves past his honest persona to just pressuring you, he still wants to paint himself as some sort of Saviour. Of course, this is also just another tactic of his, painting himself as a friend or helper, as though he doesn't have his own ulterior motives, which sure he admits outright but in the ending where you do give him the crown he drops this façade and tells you he's planning on taking over more than the hells and will eventually come for you next. I also think this bleeds into his own needs to be adored, you can see this further in his little plaques he has around his house. 

"Am I a friend? Potentially, an adversary? Conceivably, but a savior? that's for certain. Try to cure yourself. Shop around - beg, borrow, and steal. Exhaust every possibility until none are left.  And when hope has been whittled down to the very marrow of despair that's when you'll come knocking on my door. Take all the time you need but make up your mind before you're counting down with tentacles"  

Additionally, this all just feeds into his performative nature - to the extent that he sometimes borders on narrator territory. He has his little monologues as he talks about us as though we’re characters in a story and he’s just recounting our actions to some unseen audience.  

[His speech before the Yurgir encounter is a good example of this]

 

"Through the dark, she went creeping and awoke what was sleeping" 

"The Shadows grow long and the hour is late" - also wherever this quote is from works well too 

There are even more subtle moments where he's still being performative, even when he's not physically present, which goes into his desire and constant longing to be seen as something akin to a True or Full Devil (or archdevil). Since he is a cambion he is restricted a lot by his mortal half. He is held back by his human needs like sleep and presumably food too. I think he tries to cover for this through excess, as if you go to the HoH in Act 3, you can see the food on the table is just filled to the brim of just rotten food, basically all of it wasted. Also, there are loads of scattered areas that have fruit or wine throughout his house. I believe he does this on purpose to try to come across as though food is nothing but a pleasurable activity he indulges in now and again rather than a necessity and he doesn't care if he wastes it (Also just saying he's rich, let them eat cake, L + Ratio). 

However his façade isn't perfect since he is still fallible, and he can fail/die. We can see this because, at every opportunity he possibly can, he attempts to convey this front of being omnipotent and powerful - as close as he can to an archdevil. To be fair, he manages to do this pretty really well, At times he can even come across as this truly unbeatable force, that we can’t ever truly defeat. This is exemplified by the fact that, even if we kill him, if we look in his logbook of previous visitors, it hints at him trying to find a way to cheat death by transferring his soul into a clone or something adjacent. 

Now whether he ever managed to accomplish this by the time we attack him is uncertain, (though there is a non-canon / cut content line where he begs for his father's help as we fight him, kinda of insinuating he never fully realized his backup plan in time and he’s actually afraid he’ll die, but that’s also not in the game so who can say for sure) 

“I cannot lose to you. Not here. Not in my home. I cannot die! Mephistopheles, hear your son! I am at your mercy - save me!” - NOT CANON BTW, but omg do I love this line 

Another slight hint that Raphael might not be as indestructible as he'd like us to believe is when he is playing lance board with Mol. 

"My, the double counter Gambit. Vicious. Exactly what I would have done" 

Now for all intents and purposes Raphael does not need to win against Mol, that wasn't the purpose of their game, either way he already had his eyes set on her to make a deal anyway. Yet it demonstrates that whether you cheat or actually manage to outwit him, he can be beaten, since he can't hide behind a persona when playing (Mostly). 

Furthermore, Raphael is like an English teacher, he loves his little similes and metaphors, and just talking in a verbose manner, and it’s not just word vomit, no no no, he makes it sound interesting, he is performing for us after all. For me personally tho, it’s difficult to replicate, unlike other characters or companions where you can deviate their dialogue, like hearing Astarion say ‘fuck you’ to Cazador, I don’t think you could get away with that for Raphael.  

"The mouse smiled brightly it outfoxed, then down came the claw and that love was that"  

"Perfect, one more rhyme for Old Time's sake; The master was slain within his own house, they dined on him both, the cat and the mouse."  

"Like a mosquito nibbling at a dragon, be gone"  

I also think it's so interesting that the man who does nothing but spout rhymes and poetry will say this if you call his poetry out for being dirt; 

"I admit it isn't my primary interest not, by any stretch" 

Excuse me, sir?  I do think he genuinely likes poetry/writing in general, he supposedly even wrote a play before sooo, also I just think that all these contradictory things he says are on purpose, he's trying to be mysterious to some extent, and he doesn't want you to be able to gauge or understand him, he just wants you to believe in his persona he's crafted for you and that's all. Though like I've said before, his mask can slip off, especially in private or when he's enraged. An example is when he's referring to his employees who have failed him.  

"[A record of various associates of Raphael's, listing their duties, and their respective performance.] 

Korrilla Hearthflame - field work - so far I've barely 

had to singe the tips of her fingers. This one shows promise. 

Archivist - naughty boy, supposed to be looking after the collection, 

but has a tendency to drift. May have to start breaking his neck to 

give his spine a chance to recover. 

Nubaldin - little shit let Gortash get away. Not letting 

him near the prisons ever again. Chamber of Egress will 

do fine until I find a replacement for him." 

Moreover, he’s also very condescending/patronizing. (I think even in one of his dialogues, the devs noted he should even come across that way). I think that’s just a part of his little superiority complex, he’s the chess player and we’re all just his little pawns (that is until we kill him ourselves, it almost makes me think that Tav/Durge is actually the other player in the game and to some extent Raphael knows this and tries to play accordingly). He constantly wants to portray this cool and confident personality, that he’s accounted for every possible outcome (and in a lot of ways he has) and that even if he doesn’t get what he wants, it doesn’t faze him, and in fact, he’ll try to make it seem like either way it benefits him, and sure in some ways it might, but I do believe he’s just saying that to mask his failure to achieve his goal. 

"I should snuff you out and make coin of your soul, but it will be more amusing to let you see the consequences of your actions. Do you really think that the crown is safer in the hands of a goddess than in the claws of a devil?" (Look, I don't like Mystra, but do I think the crown is safer with her? UH yea)  

"Such an eager little pup."  

"You really do think highly of yourself. My sights are set on something much more valuable than your soul, succulent though it would be."  

He's Definitely pissed at us for being a little shithead and giving the crown to Mystra (even tho in the game if you complete Gale's quests you rlly have no choice lol) But he still tries to play it off as this will be terrible for you but great for him, since if shit hits the fan, he's just gonna get more souls - Though I'm sure this is him just trying to save face, or at least to some extent. We can see him actually lose his composure if we ascend Gale. 

"Do not toy with me, Wizard!" - R 

"I thought you liked playing games? You can have the crown Raphael, but you'll need to come and collect it from my realm" - G 

"You can't do this!" - R 

"I hit him where he's most vulnerable, pricked his pride, and sent him back to the hells to lick his wounds. He'll be back, the question is will he find us side by side?" - G 

This is really fun to see since even Gale knows Raphael has no power over him and can just mess with him, and initially, Raphael tries to gain control by saying like 'Oh no, I'm not going to take the crown Gale's going to give me it, like we agreed' and then when Gale fucks with him and it utterly infuriates him because there's not much else he can do really since Gale, though he might not be as powerful as Mystra, is definitely more powerful than Raphael. I also think it's very interesting that, even though we've basically gone against Raphael and screwed him over, he doesn't plan on taking it out on us, and I know he says he wants us to see the consequences of our actions but I think there's a different reason to why he doesn't take action against us. I think he's genuinely afraid of us, let me explain. He was clearly already afraid of our potential before any of the endings, shown in his dream he wrote about in his diary, and when we manage to survive everything that the game throw at us and defeat the nether brain, we've basically become undefeatable (Not really but you get what I mean) The only time he even suggests he'll take one of our souls is if Gale explodes while trying to ascend and well, there's not going to be much resistance since he's already blown up. 

"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 

In waking, my courage has firmed. I progress my plans for

the tadpoled even now. 

I am Raphael. I am not easily bested." 

Raphael is not only fueled by his ambition but his fear (I'll talk more about that later too) and so he acts accordingly, he plans and schemes for hundreds of years trying to account for every possibility, and at times he can even come across as a total control freak lol. He has Korilla literally stalk us throughout the game, he also knows personal facts about our companions (he’s done his homework), and he’s literally planned and orchestrated events in the plot to help lean towards us giving him the crown in the end (it’s implied he helped vlaakith chain Orpheus or idk some other devil did with infernal chains, and he’s the one who helps wipe Ketherics lil army to just one justiciar) he’s had a lot of time to plan and plan he has. He’s constantly aware of your movements since he picks very specific points to appear to you.  

"[Laughter] The good thing is though there's only one little voice you really should listen to, Mine" - Total control freak behavior  

"you'll be back, it's something of great importance to your master is it a love letter a warning or a deed of ownership I can give you all the Gory details"  

"Carved into that Ivory skin of yours is one part of an infernal contract between the archdevil Mephistopheles and your former master" 

"Karlach, why does that name ring a bell? hmm, perhaps I read it in a book somewhere." 

An interesting thing to note is that I think his controlling and performative tactics are the ultimate reason to why he inevitably fails (If you decide to kill him I mean) Since he's spent so much time controlling the narrative literally and figuratively, he's literally altered events leading up to our arrival so that we can give him what he wants and he even talks about us as if we are just a character in his story he's created, he's been doing this so long he truly believes he can control the narrative, that he's predicted every outcome and he really doesn't think we'd go against that we could go against him. He's been so out of the narrative himself, an observer who might nudge things to go his way now and then but never be in the action himself that he truly believed he was untouchable, that he could just float above it all like he did with Karsus’s folly happened. 

Now onto an aspect of Raphael I find very interesting – His relationship's with those around him. As I said before he’s a total control freak, and that’s clearly fueled (if not caused) by his narcissism and we can see that even outside of our protags. Look at Haarlep for instance, (there’s so much to dissect with these two) but Raphael strictly has Haarlep made to look like himself, and is the only form he’ll sleep with. There isn’t just one answer to why he’d do that, firstly, it just boils down to him being a narcissist sure, but on the other hand a point can be made that he’s doing it strategically. 

Haarlep was sent to distract him, and presumably to spy and report back as well (Hypothetically, it's not confirmed) and presumably, Raphael is clever enough to realize that. So why would he reveal anything about himself in such a vulnerable way, so why not just make the incubus be in one form and one form only? It also serves as a lil bit of a punishment I suppose, since Haarlep can be 1000 different people but is forced to stay as one. There’s also another angle to this, that narcissists generally find intimacy difficult, and being vulnerable with other people. So why be vulnerable when you can stick to the devil you know? 

Party member: How did you end up here? 

Haarlep: Sent by Mephistopheles... distract naughty son. 

He knows himself better than anyone, so why would he bother with anyone else? It’s a bit of a defense mechanism, he’s not willing to be vulnerable or let his guard down (and to be fair, for good reason) so it’d be better for him to stick to what he knows, what he’s comfortable with. I’m just going to throw this out here but he comes across as a total hedgehog dilemma sorta of guy, gives off real Shinji Ikari vibes tbh. (NOT REALLY, He's more Gman than anything but just without the charisma 💅) 

Party member: Did you ever turn into forms besides Raphael's? 

Haarlep: Raphael... loves... only... Raphael. 

Now, this is just supposed to be a Raphael analysis but I find it impossible not to mention Haarlep and their motivations as well, since they are arguably the closest person (Literally) to Raphael. Haarlep comes across as a complete gossip type since they seem to just love to air out Raphael's little secrets, they even say how Raphael can Deny them nothing so either Raphael does trust them to some extent to make them his confidant or well, Haarlep just Wittles it out of him during their sessions. Either way, they hold some closeness to Raphael, yet I find it revealing that they immediately will expose him and actually help you (for a price ofc) and intentionally try to help you kill Raphael. Now whether they believed we could actually kill him or not is up for debate, but after you give them your form they do say that they'll enjoy misusing you and they do tell you what will happen when they use your form, so if they believed you were going to die why bother? 

Haarlep doesn't seem to be the only one as in their letter to you in the epilogue it's revealed that even the devils in Mephistopheles's court seemed to hate Raphael. 

"Since the timely end of Raphael's reign, I've gone back to Mephistopheles' Palace in Cania. Many of his Father's court are celebrating the demise of my little brat - behind closed doors. And I'm making a fortune selling evenings in his form now there is no contract binding me to secrecy. Rather tasteless to desire a dead man like that, even amongst devilkind, isn't it?" 

Haarlep even calls Raphael their little brat, though perhaps it was out of endearment as even Haarlep remarks how low it is to desire a dead man when they use Raphael's form. This could possibly show some sort of remorse towards Raphael's death, but it's pretty unclear, yet that's also to be expected since Haarlep is a full devil and they even state they're a crueler master than Raphael so perhaps that was true as well. It genuinely seems that no one actually cares for Raphael, besides perhaps Korilla, and I mean that's fair in all honestly, considering how he treats most of his employees (Hope too) but it's also funny that the people he wants to impress or become most, the devils, also hate him or want to well.. Have some fun times with his form after he's already dead.  I also think it's interesting that Haarlep refers to Raphael as a dead man rather than a devil, they don't even say 'amongst his own kind', It's interesting because Raphael himself is so adamant on calling himself a Devil rather than cambion or whatever (tbf he's not the only one, Mizora does the same or at least out characters don't care to make the distinction) Yet Haarlep doesn't care to make that distinction. Now, of course, man doesn't necessarily mean a mortal man or whatever, but it's still intriguing to note.

An interesting thing to note about Devil society is that, unlike Demons who usually just outcast or kill their cambions, Devils at least allow Cambions to intergrade into their Hierarchy, but at the same time it's a system that wasn't built for them to succeed in since cambions can't physically be promoted, they aren't guaranteed anything form their work, so everything they have, they've had to work hard for. Unlike those around him, Raphael has had to work extra for his position (though I'm sure his title of Son of Mephistopheles did help somewhat) he seems to have it quite good, and tbh I even initially thought he was his own free agent, and didn’t even have to serve under Zariel (but he does) he just has it really good, or at least better than most cambions from what it seems. At the same time, I find it intriguing that he sparsely even mentions who he is in relation to his father. Through subtle hints throughout that game, it's clear that Raphael actually probably hates his father or is perhaps extremely jealous of him, since at the same time he mirrors him in some aspects.  

I think the Dungeoncast said it best when examining the devil's mindset that I also think apply to Raphael quite well too;

"Their dogma essentially revolves around seeking power over others, always adhering to an eye-for-an-eye principle. They exploit any kindness shown to them and show no compassion for the weak, exhibiting traits of a sociopath. Winning at any cost is their mantra, often cloaked in the guise of promoting personal excellence and independence. When they harm others, they rationalize it as providing motivation to succeed."

Even though his society basically looks down on him, whether he's successful or not, Raphael still believes in their mindset, mostly since that's probably how he's survived and thrived in the Hells. This mantra that the devils have has warped who he is as a person entirely and also his ambitions, he doesn't want any other than control, he sees no point in forming meaningful relationships or other interests, and he only sees domination and power as his goal since that's all his society has told him is important.

Another thing I’ve read about cambions is their sense of entitlement, especially over mortals, and well Raphael certainly fits the bill. Which might contribute to why he wants what he wants. I mean, why does Raphael want to take over the hells? To end the blood war? Sure, almost all devils want to rise the ranks but Raphael’s goals are a lot more lofty than that, and why is that? Is it solely his ego? To be seen as something kin to a god-like Asmodeus, or is it to best and humiliate his father? Perhaps both, or perhaps neither, it’s somewhat unclear, but perhaps he just feels entitled to something greater or maybe he wants out of the rat race that is the Devil's Hierarchy.  

"It's the Fatal flaw of mortal kind take away their free will and they call you a tyrant, allow them to indulge it and they become tyrants" 

 

A final point is since he’s a narcissist, he’s obsessed with his image, yea I know, very obvious. And it’s been mentioned a few times that this is probably why he and Haarlep look so different, it’s either insecurity or wanting to come across as something more mature, why he’d look older than Haarlep when they should be an exact copy. It’s the whole reason he’s been performing, curating this image to us, one that he barely even allows himself to break at home unless he’s enraged. If you look at it for what it is, it’s just insecurity and almost desperation. A desperate desire to be seen as something greater, something akin to his father (daddy issues are making their appearance) and it honestly comes across as erratic, and extreme. 

 

He’s so obsessed with his image that perhaps when Haarlep said they’re a perfect copy of Raphael they didn’t mean as an exact copy, they meant they’re are literally a perfect version of Raphael, a better version (most likely a result of insecurities of how he's perceived). Who can say for sure what the reason is why they look so different if they’re supposed to be mirrors of each other. His whole obsession with is image really matches his father, since Mephistopheles is known to change his appearance and curates it for mortals as well (It's why he's confused with Asmodeus a lot since he just goes for a basic generic devil look). 

One more thing, considering all the characters we meet throughout the game, Raphael is or is one of the oldest characters in-game, seeing as he's possibly 1000+ years old. Considering this, it makes sense that on top of him being a devil anyway, he finds himself detached from mortals as well as his own mortal half. Though he is quite proactive in his contract seeking seeing as he not only seeks us out but characters like Mol and Lyrthindor (Tho that was more towards orchestrating his own goals) Otherwise he can just sit up in his Ivory tower devoid of mortal's strive, I mean he even says multiple times that his house is a safe haven for the tired/sick/restless/etc. On top of him already trying to detach himself from his mortal half, he also has the benefit of being so old that he probably has already become numb to it, to mortal thoughts and feelings. He wouldn't be able to emphasize or understand it (tho him being a devil wouldn't have helped either) all he would understand is how to use their suffering to his own benefit. Any possibility for humanity within Raphael is either so faint it's practically not there or there is none left entirely.  

"Never have I been so attracted to mortals as I am to those infested by the tadpole." 

He even says this himself. Mortals have never had any impact on him, physically or emotionally. Yet in saying that, they've never really been given the chance to. The closest a mortal besides us the player to have ever gotten 'close' to Raphael or have impacted him is Hope. Raphael is not only a complex character but he has so many complex relationships with the few people he lets around him. As I said before Raphael is completely blinded to humanity, he's definitely a person who believes the ends justify the means and that has never been more evident than in what he does with Hope. He doesn't care what It takes just as long as it gets him what he wants, that's why he helps orchestrate the plot to lean in his favor, why he basically tricks Yurgir, and why he has no problem torturing Hope even though she's basically no one to him, she isn't even a debtor.  

Though Raphael is almost completely removed from being anything close to a human being, even after all this time, whether he likes it or not, he still does have some human traits. His interests for one help humanize him (Which tbh he is probably aware of and uses to his advantage) Sure he likes poetry and literature, but he's also just obsessed with everything surrounding Karsus and Hope (or at least the concept) He even names his house The House of Hope and whether he renamed it that after Hope or whether that was it's original name isn't clear but either way he really likes the idea of hope in hell. You can see this throughout his house on the little plaques he has scattered throughout, he definitely wants to be people's last hope or perhaps just hope in general, it would make sense as well since he wants to literally break hope and bend her under his will. 

"Karsus's folly the Bard and Scholars call it. I call it hope, the hope of creating a better world, and The Perils of unchecked hubris"  

(Karsus and Hope are basically his only two special interests that he starts to literally combine them) 

Another very human trait of Raphael’s is that Raphael has a fear of failure. He even has dreams about us destroying everything he's worked for and killing him.  

"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 

In waking, my courage has firmed. I progress my plans for the tadpoled even now. 

I am Raphael. I am not easily bested." 

Even though he reassures himself that he is Raphael and cannot be easily bested it's clear he's still very desperate. The only variable in his plan that he can't truly control is Us and he definitely knows this. Even other characters like Gale can tell how desperate he is. His facade of Invincibility is one of the tactics he uses against us to keep us in check against him. To be honest, all these things lend to humanizing him far greater than any poetry or quote he could ever spout because it shows his vulnerability, it shows he's not as invincible as he'd like us to believe, that he does have weaknesses and can in fact fail. A very mortal trait to have in all fairness. 

Also on another quick note, he totally has a special interest (obsession) in Karsus, like him seeing Karsus accidentally kill thousands of people in the netherese cities became a core memory for him, one that he’s never let go, even now.  

"The archdevil Mephistopheles snatched up the crown and squirreled it away in one of his vaults. He is not more than a frigid archivist"  

"I want the crown that dominates the Elder brain and then we all Gather in the House of Hope me dressed in my finest silks, you skinless, hanging from a hook to watch as your world dies"  

"you would have been Heroes if you only dealt fairly with me, instead you're not so different to doomed Karsus, overreaching your limits and burning your world to Ash"  

"The screams oh the screams hundreds of thousands of people watching in horror as the ground came up to meet them" 

His ambitions seem to be fueled a lot by his narcissism and this belief that he can achieve all he's set out for and actually do a good job in implementing order, etc. Whether this is a founded belief or not is debatable, since we don't really know what he achieves past supposedly Avernus. 

"Though with the crown, I would impose perfect order, Unity, efficiency, control, my kingdom would control its borders and stay within them" (Sure pal) 

OK, onto the kicker here; Raphael is a very alluring character, he can even come across as flirtatious at times (Also through his body language and I obvs can't demonstrate that here but u get it) Throughout the game he's saying how he'll wine and dine us if we give him what he wants, yet In the ending where we actually give him the crown, I think it's so telling that after all his promises of dining with him and getting to see him again if we deliver it, he literally doesn't follow through at all (There's a debate for this since we don't know if he might've once his plans were done) and this just proves what we were to him; that we were in fact just pawns to him. Even if he does invite us to dine with him, it'll most likely be with a purpose, that he wants something from us or for us to do something for him because otherwise he's gotten all we wanted from us, the facade has been lifted and he doesn't need to try charm or threaten us, he's effectively done with us (literally, since it is an ending). It's all just another aspect of his manipulation and Persona he uses against us (And I mean, It worked) We're all just a means to an end for him. 

ALSO, A little side thing I should note is the silly lil Dark humor Raphael has. Raphael, being a devil and all, definitely has a dark humor. You can defo gather that from his dialogue but also the way he comes up with creative punishments for his debtors. Now some of it is just basic evil shit like the guy who does the Self-flagellation stuff and the one who's forced to act like a dog, but some of it is more than that, like the guy who worships his chamber pot which just so happens to be under the statue of Mephistopheles or the debtor who's forced to dance (which I think is a reference to The Red Shoes story/movie where the character is literally forced to keep dancing) or the chick who just voyeuristically watches what goes down in the boudoir, like yea it's horrible but sometimes it just cartoonishly ridiculous and you can't help but find it somewhat amusing. 

"Hope [Laughter] such a tease" like when he says this, unbeknownst to us, he's referring to the real-life Hope, more of an inside joke to himself really. 

On top of all that - this specific paragraph isn't really poignant to Raphael's character necessarily, it's more of a personal observation but - I think if there were to ever be a romance with Raphael the best option is to not give him the crown (tho I do kinda wanna see him with his lil crown being the prince of hell). It's similar to Gortash, in that if you want to be his equal you shouldn't grovel and just give him the netherese shards, you need to challenge him and show your mettle basically. Now I'm not saying Raphael would be pleased with this, but if you wanted to be an equal, this is the best route, otherwise, there's always going to be that power imbalance like with ascended Astarion. (AKA, kill him, Do It) 

My final point that I wanna make is, that all the characters in Bg3 are designed with a fatal disbelief. Y'know Gale believes if he becomes a god he can prove himself to Mystra, Lae'zeel believes that  Vlaakith is righteous and will allow her to ascend, Shadowheart believes she can find herself/ her purpose in Shar, and Astarion believes he'll finally be safe if he becomes the vampire ascendant, yet we that these believes are all unfounded and end up being untrue wif they achieve them, and the same goes for Raphael. Now, if Raphael achieves his goal of getting the crown, he most likely will still end up not getting what he wants, for two reasons; Asmodeus literally cannot be defeated - Let me explain; So there are a few origins for Asmodeus and to most popularized one (and the one I prefer) is the one where he and some of the other archdevils were actually previously angels that got corrupted while fighting demons. 

Yet, in earlier editions, it's stated that all of that is just speculation and mythos surrounding Asmodeus and his real origin is that he is literally a cosmic force that was there at the beginning of time. OK. Now personally I don't care for this origin but either way, whichever one you believe I think my next point still stands the same. Whether Asmodeus is just a being that has achieved something as close to godhood as he can or a literal cosmic force of lawful evil, Raphael probably would still be unable to defeat him even with the Crown and scepter and any other of Karsus's little items, he most likely if anything could only get to the eighth layer. Now in saying this, this is still not his disbelief, because his personal belief is also one that all devils share, which is a complete lie, that being the entire hierarchy they abide by. Every devil abides by this meritocracy hierarchy, and the belief that if they become more powerful, and ascend - that they can reach Asmodeus status, but this is a complete an utter lie. Asmodeus keeps this facade that he could be defeated, but in truth, he's kinda way too powerful for any of the devils in hell, and he knows this and uses it as a tactic to keep them in his control.  

Now Raphael to some extent knows that he has to basically cheat to be even able to ascend, since he's a cambion and the hells system wasn't exactly designed for him to be promoted. Yet even if he manages to conquer every layer up to Cania, he's still going to lose since he's basically destroying the hierarchy and therefore he won't have control over the devils beneath him. Now the crown can be used to literally dominate people but that's not what Raphael necessarily wants - He wants to be adored and willingly followed, and of course, he'll use the crown when he has to, but to wholly subjugate everyone in hell to mindlessly obey doesn't seem to be his goal. There are more practical reasons as well why there are certain devils that have control over the layers, and Raphael, no matter what power he can possess, is still just one individual, and inevitably it seems as though there would be a lot of chaos rather the perfect order he believes he can achieve. 

I know that the crown can basically make you a god, and if Asmodeus has powers akin to a god and Raphael can theoretically do the same, then why can't he just defeat Asmodeus? well, it goes into Raphael's fatal flaw, his arrogance. If we look at Gale, for example, he made himself a literal god and still wasn't powerful enough to defeat Mystra, and yes, Raphael 'Is no mortal' but this is what I mean, he believes is above Karsus and Gale, that he'll succeed where they failed but that's just not the case. Like I've said before, Raphael desperately wants to be seen as more, his ego won't let him accept anything less but that still doesn't change the fact that he is fallible, and we don't have to look any further than when we managed to defeat him. Now in saying all this, this is all theoretical and kind of bleeds more into an opinion, since we don't know what plays out after he gets Avernus, perhaps the other archdevils managed to kill him before he achieved anything, or perhaps he really did manage to conquer Baator and the other realms, Who knows. (I might be cooked for saying this, especially since I do wanna see him be a lil prince of hell, but arguably giving him the crown, besides being our bad ending, is also his bad ending - No further explanation) 

Like I know I said, this is what I’ve boggled it down to and well, it’s not very boggled, but that’s what I mean! There’s so much going on with this little guy, it’s almost hard to keep up with, you gotta write him as suave and mysterious but also somewhat threatening and intimidating, he has to be articulate and persuasive as well as theatrical, while also keeping in mind his manipulative and narcissistic/egotistical tendencies, which doesn’t come easy to write for. 

This isn’t a slight by any means either, he’s a complicated character and that’s why I like him, but my sorry ass struggles to replicate it 🥲 though I hope this post will be a good reference to circle back to when writing for him. 

[latecommentevryday-blog]

I originally responded as a repost to this post by asgardswinter but I think it's important that the entirety of the fandom knows this.

Edit: I've been blocked by the OP :(

Below is my response:

There's a few problems with your take here and I'll break it down in the most respectful way possible.

1. Motion Capture and Actors

Call of Duty uses Motion Capture to animate its characters in game, which reflects the actor's real-life motions, and consequently (In Call of Duty's case) the image of the actors themselves.

"big cod fanartists draw the characters eerily similar to the VA’s even though the characters look VERY different from the VA’s."

When we look at Neil Ellice and John MacTavish's character model, the similarities are very close because the game developers have based Soap's looks off of Neil.

Here we have an in-game screenshot of Soap from MW3 2022 and Neil Ellice

The player model looked so similar, that they even had Neil do a live action sequence for advertising (Sources: Neil Ellice's Instagram).

Link to advertisement reel on Neil's Instagram

Link to sneak peak inside the studio on Neil's Instagram

"It also bothers me that these fanartists draw some of the characters such as Gaz and Simon exactly like the zionist VA’s even tho they clearly look very different."

Ok, I see that you mentioned Gaz and Elliot Knight. Let's analyze them.

Here's an image of Elliot Knight (Source: imdb.com)

Here is a skin available in the reboot MW3's store.

Elliot also appears as Gaz in the live action sequence for the Call of Duty advertisement (Again, Link to advertisement and an image from the live-action set from Neil's Insta)

Do you see the similarities? When the animators and sculptors were creating the characters, they essentially scanned the actors into their data-base and used them as the base models for each character.

A few other examples are:

Alejandro Vargas and Alain Mesa John Price and Barry Sloane Phillip Graves and Warren Kole

The fanbase, and in extension the large COD artists, are making assumptions that Simon 'Ghost' Riley's face will also reflect Samuel Roukin's facial structure because of the techniques the game developers used when creating the other characters. I encourage you to look further into how Motion Capture was used during the making of the Call of Duty Franchise.

2. Zionism, the Actors, and the Character's themselves

"Like u have no problem with drawing characters looking like real people that support genocide. Its despicable. Get a grip and stop being complicit in this."

Has it ever crossed your mind that there are other, different ways a person could protest Zionism?

Your way is completely erasing the Zionist actor's participation, which includes trying to change how the characters canonically look (With an exception for Ghost). While I respect your choice, it is simply not easy to change a game character's appearance, especially if we can clearly see the similarities between actor and character.

Drawing and creating such masterpieces is hard to do from scratch and artists use references from the game, which will, in extension, reflect the actors.

Does that mean the artist agrees with the actor's support of Zionism? No. Unless explicitly stated that they support Zionism and the actors, the only thing you've made are very damaging assumption.

These artists are paying tribute to a franchise that they enjoy interacting with and they have free will to choose what they want to look at, receive, and contribute.

Wombywoo blocking people for accusing her of being a Zionist is a fair and reasonable action, especially if the messages you are sending contains cursing, slurs, and other offensive and rude language. It's considered spam.

If you want to point out that an artist is supporting a Zionist actor, respectful language is the best way to get your point across.

Do I support Israel and Zionism? No. Hard no. I am extremely disappointed in both Roukin and Elliot for having such viewpoints and supporting such groups. The slaughter in Palestine and other surrounding countries needs to stop and Israel needs to be held accountable.

However, the game material and the characters do reflect the actors and the artists who portray 141 like their actors are doing so because they want to stick as close as possible to the original content.

The character's personalities are different from the actors and their careers are completely different, as well.

The best thing to do if content reminds you of something is to block that category and move on. Especially when the content reflects the in-game designs and consequently look like the in-real-life actors.

You are entitled to your own opinion, asgardswinter (this reply post does not encourage any user to go harass the original user), but there is more to these characters than just their voice actors. Find something else to associate the 141 with instead of their VA's and continue spreading the information that Roukin and Elliot support Zionism, but don't harass artists that draw the characters like their in-game designs who have not explicitly stated that they show support for Zionism themselves.

[anglercrit]

I never was a fan of CherriSnake at all, mainly because the dynamic was just like the others: Fanservice.

None of these characters have the SPARK needed for me to ship them. I usually don't mind canon ships as I would with crackships. But I've recently gotten to the Demisexual Logic when it comes to shipping characters.

Like if a character has a few moments type deal. Or if it's a Dating Sim type deal where 3 integeral moments happen for me to consider "Hey, this is it. This is ENDGAME" but with Saint Repentious in Heaven (That was not an idea of mine, I wanna clarify his name was inspired by Journey of The Light and possibly others.) and Cherri in Hell. I don't think that CherriSnake is ever gonna be a thing.

It was just like Martha and Mayberry. Completely there just to go "There, you got your silly WLW relationship! Now shut up!" It feels like any remote relationships that doesn't consist of MLM or Gay is often the centerpoint of attention while the other letters of our rainbow is often sidelined for Men.

I mean, I myself is Orientated AroAce. The feeling of validation is wonderful! But the fact Viv does not give a damn other than to reuse plots from Yoai BL infuriates me.

This was not a main point of mine, as this is leading to an idea, I wanted to say my peace before introducing this.

I am working on a Hazbin Hotel Rewrite (It's commonly referred to as "Left To Rot" but the working title is Redeeming The Hotel AU or known as Hazbin: Rewritten.) currently, Sir Pentious is the main characters love interest (as with Husk) and the storyline is:

Main Character is not Charlie, as she eventually loses her "interest" in the Hotel, after being belittled, taking after her father.

This leads to the MC taking over as the actual owner/founder of the Hotel in her wake, attempting to try and help with regaining Charlie's hope.

The Hotel is called Happy Hotel, but as time went on, she refers it as Hazbin as she believes it was a space for "has beens" and not "want to bes"

So the way I had the MC know Sir Pentious was interacting as his "Guardian Angel" (Although at this rate, the MC was being created in the Angel Ethereal pool) she was his guardian angel. When she was left in Hell, and she meets with Sir Pentious he recognizes her which led to Husk getting jealous.

Poly, Husk x OC x Pentious?

ok I have a lot of thoughts here (dw all of them good) so I'll just bullet point this

I honestly REALLY like the dating sim approach- I feel like cherrisnake COULD have worked, I like the idea of pent trying to seem cool to impress her but it really did feel fanservicey. And Cherri being in Hell and Pentious in heaven has some angst potential but I doubt it'll be explored.

even as someone who admittedly enjoys some trashy gay romance novels, yea the way viv handles her gay relationships frustrates me. It's probably because she hypes up how good the gay rep will be and then just recycles Hayes code era stereotypes.

your rewrite seems neat! I like the idea of someone else trying to reignite that hope in Charlie- honestly instead of the war against heaven the season 1 finale being Charlie beginning to lose hope and the hotel gang working to convince her that a sinner COULD be redeemed would be a sweet moment. Also I'm all for poly relationships so hell yea

[realclaramorrow]

wat spoilers (whole thing this time). more thoughts I'm full of thoughts (made better from my emotion blinded previous finished book rant)

ok now that I've had some time to sit and think, I enjoyed the book AND I think it couldve taken a couple more editing rounds. I'm sure none of these are new thoughts. I can't believe in my previous post I was right about everything except my opinion on dalinar.

kaladin telling ishar hes szeth's therapist and then being like man idk either was a clunky joke and really took me out of the moment. "honor is dead but I'll see what I can do" is a good line but also a bit cringeworthy at this point? I think his ending is at first glance what he needs but if you look deeper he's isolated from everyone he's ever loved (except syl) and has to be on the clock as a therapist for 9 people with multiple millenia of trauma 24/7. I'm upset for him. This is not a break.

adolin's situation is also good at a glance but bad long term. just like kaladin and shallan he's completely isolated from his loved ones (except maya). shakadolin was too powerful, they had to be stuck in different dimensions. he never got to forgive his father. maya is basically the only method of communication between free nations. at least he and gawx can be bros? I love the way they won azir. he's possibly continuing the absent kholin father tradition by accident.

shallan is pregnant maybe? I dont like that, I think pregnancy plots are usually stupid and poorly done. hope she can get back to the physical world because giving birth in shadesmar seems bad and dangerous (painspren, no midwife, not much access to food/water, no one she loves to support her). I wish shallan had had more complex thoughts about rlain and renarin because she's smart and while dealing with a great many things I think should've at least briefly thought like "oh god they are going to have such a terrible time in the physical world I need to make it so clear that I am supportive."

I understand that Jasnah was exhausted but the argument for thaylenah felt a tiny bit out of character for her. she's admittedly not great at talking to people and was caught off guard at every turn, but I think previous scenarios showed she could've handled it better, especially with so much on the line.

I can't believe (actually, I very much can) that odium did that to gav. thats so fucked up. and preserving his city's souls in the spiritual realm? absolutely fuck off. his grandchildren are safe but the only kholin grandchild doesn't get to be, directly because of him? this is a 20 year old with almost no real memories of the people that loved him, maybe a few faint ones from age 5 or before. this kid was groomed to be a lamb for slaughter for fifteen years.

I have hope for moash redemption? I imagine kaladin showing up and he's literally a herald (of second chances) and moash (with investiture vision) is like WHY ARE YOU GOD WHAT THE FUCK

the shattered plains got the best ending it could, in my opinion. free listener state!! yes!!

I appreciate that dalinar's death wasnt in combat, but by the strength of the storm. he was a king until the end, and I feel bad that I ragged on him so hard because he immediately started changing for the better. also, claimed by another? I can't tell if that's just death or if thaidakelsier wants him bad or if another god has spoken for him. gotta know. maybe valor?

also, I really need to read the sunlit man. for as much as I love sigzil you'd think I would've gotten around to it already. I also have not read: warbreaker, elantris, the emperor's soul, yumi and the nightmare painter, shadows for silence, sixth of the dusk, or white sand. its not like I wont be busy during these 7 years.

[shhrrroooommmmmyyyyyy]

S1: The Birb's Feelings

(pt 1.5 for episode 7 and 2 for season 2 idk when cause shit's crazy rn)

Stolas is one of the most morally controversial characters in the show. With the show revolving around Blitz's relationships, it's natural that the show gives us the most information about him because he is arguably Blitz's most complicated relationship at the moment (I'm not going to include Barbie bc we've literally only seen her for like 5 minutes in one episode which isn't enough information). I wanted to do a quick overview of how I perceive Stolas's feelings throughout the duration of the show in sort of a timeline format

~Episodes 1, 2, 5~

So, at first, it's obvious Stolas doesn't really think of Blitz too romantically and mostly sexually. Ok, completely sexually. However, there's a reason why that people often overlook sometimes. Stella openly said in the season 2 premiere that the only time him and her had sex was to have Octavia. Man's literally been deprived of anything enjoyably sexual his whole life. So when he finally does have sex that's enjoyable for the first time, he naturally wants more of it

As we all know, Stolas isn't the most self aware king (or should I say prince) out there (which is okay; he's still growing and developing as a character). The way he treats Blitz in these first few episodes sort of gives off sex toy vibes. Obviously, this is where Blitz gets that mindset from, that all he is is just a toy for Stolas

But after seeing what Stolas' true personality is now, I highly doubt Stolas knew exactly how he was treating Blitz during this time. Again, self awareness issues. Natural part of his character that, after watching Viv's writing since the Hazbin pilot first released (yeah og right here), I'm positive will be developed on later in the show. So hold your horses people, we're just now 2 episodes away from only being halfway through with the show. Give it time, it'll happen

Anyways, Stolas isn't a bad person (I'll fight anyone over this take, dont play). But he does the wrong things with the right intentions. He treated Blitz the way he did in these first few episodes because Blitz was the first person he's ever enjoyed having sex with. It's a big deal to him as it sort of "awakened" him. I think he was so happy about the sex after around 35 years of nothing, he didn't fully realize how he was treating Blitz in the process

*Not an excuse, but simply a possible explanation for his actions*

~Episode 6~

My favorite episode. Stolas shows up when I.M.P.'s sort of cornered by the agents and scares them shitless with his scawy big birb form. First he makes sure Blitz is okay, then he scolds him for getting caught. Almost like a mother who's mad but cares for their well-being (crying in ghostfuckers)

This may seem small to you guys, but for me this was when Stolas became my favorite character. Not only did this moment show he's more than just the cringy comedic horny relief, it also showed that he cared. Why would he ask if Blitz is okay if he didn't care about him? That has nothing to do with the book. If it got in possession of humans he could literally just kill them in like a second and take it back. Tbh (dont come after me pls) but before this episode I didn't like my first impression of Stolas. Despite the many takes calling the cringiness of his lines in the first few episodes "iconic", I hated it. It was just too much

And in this scene it's not just that he's asking in general, it's how gentle he's being with Blitz. Holding his face and speaking a bit softer with a caring expression on his face. I love it so much (aggghghhghghgahhaagh). I know his attitude changes after a few seconds, but still it was a nice moment that reshaped my perspective on his character for basically the rest of the show

*Like I said before I'l give episode 7 it's own post cause i'm too tired and there's so much to talk abt in that episode*

[bluektw]

CK S6 Part 1 Spoilers

I'M SO FUCKING PISSED.

ok, Keenry is still the best couple? Yes

But it was so out of character for him not go console her, like I'm sorry I would care more about my girlfriend than getting a headband. Other than that, he and Tory have probably the best set ups in this part.

I'm really pissed at Robby, but I do think that in part 2 maybe their promise will come back up, and they might support each other even in different dojos (Hard to believe, but it would be the best outcome) I also hope we finally see him going after Tory this time, S5 was only her pining, now is his turn

Tory Nichols they could never make hate you. You wanna fight in CK? go queen. I get why she's doing it, it's not healthy, will probably end bad for her again, but I do hope her going back has SOME payoff, please don't let her go back just to lose to Sam again. I'm thinking either her or Robby will be injured in the tournament, and I have seen theories she will jump back to MF but I don't know (and now I'm pretty sure Sam will win, and honestly I'll just have to make my peace with that).

Btw that flashback she had? ALL PAIN. I was crying. Also really sad no Brandon and that the first time we saw her mom she was dead. Can't she get a break? Like we know she's not the writers favorite, but come on?? You really gave her ALL a teenager shouldn't have to deal with in one episode.

Now hm... Why is Kwon so interesting? Can I have more of him? Why is he so angry with the world? is his family shitty? What happened for him to become like this? I need answers. (Manifesting him and Tory developing an ACTUAL friendship, I don't usually win but I hope I get this) (Also, three fucking revolutions in that move. THREE. How exactly is he going to lose? I don't know, but if the world didn't revolve around Miyagi Fang, my bets were on him to win)

Kreese... Holy fuck you know? Like wow, hallucination 10/10 loved that scene. And sure, it is for selfish reasons, but I still love that he felt something was missing without Tory. (Love this fucked up dynamic so fucking much)

How could they possibly make Chozen boring after episode 1? Why didn't we have more of him training students? One on one? I FUCKING WANTED HIM AND TORY TO HAVE A BOND.

Honestly Daniel, Johnny they could never make me like you, but not at least I'm more indifferent than disliking altogether. (I like Johnny a bit more than Daniel, not sure why)

Devon... Devon... I get why she did it, but come on? I really wanted Kenny to go. Also, the less Anthony in my screen the better, just let Kenny and Devon being friends and I'm good.

Sam and Miguel I have NEVER been more indifferent to your characters, arcs and whatever. How could they make them SO boring? I was almost skipping their scenes.

edit: Forgot to mention I did enjoy Sam and Tory dynamic an how they got over their shit, but now all is back to hell thank you Kreese.