#i accidentally deleted it too

[misclotus]

I’m not sure when during my first listen of TMA I started to headcanon Jon as having a lot of nervous ticks and bad habits similar to Danny— whether it be how they both obsess and throw themselves completely into things or how Tim describe’s Danny’s dramatic manner of speech. Regardless, I imagine Tim picking up on these similarities, giving him a sort of brotherly fondness for Jon at the start and making his anger towards him in the end only worse. Because why does it have to be Jon of all people that reminds him of Danny, even after everything he’s done?

With all that out of the way— here’s some incredibly angsty art :D

The first image I imagine takes place shortly before Jon becomes the head archivist at the magnus institute™️, the second showing Danny and early season 2 era Jon, and the last with season 3 era Jon and Tim

there’s a ton of tiny details and character design things I did specifically to make myself more sad so have fun looking for those <3

[seiwas]

₊˚⊹｡ see me through the morning glow | gojo satoru

wc: 1.0k summary: you and gojo have a slow morning.  contains: f!reader in mind, suggestive if you squint, food descriptions. a/n: unedited, i honestly dk what this is i just really needed to get this out of my system! this is how i cope with 236.

re-uploaded because i accidentally deleted!

You slip out of bed faced with the promise of sunlight. 

The curtains in your bedroom radiate a glow that bounces off the man lying next to you; it’s soft, near-white, almost ethereal, the color of his skin, hair, and bones. His back is exposed, arm reaching out over the (now) empty space beside him—the crinkles and folds where you once were. 

You’ve always thought your bedroom had good lighting, and now you can confirm why: in the shadows, deepening the line that runs down his spine; in the highlights, guiding your eyes to the pockets of muscle behind his shoulders. 

You look away, trying your best not to stare; the only reason he’s undressed is because of a cold sweat, from the nightmares—and the very need for skin-to-skin, to ground him in your touch. 

On mornings like this, you let Gojo sleep in. 

(Because you’re lucky if he can fall back asleep again). 

It’s slow today—no work, no missions that need you or him. It’s your favorite kind of day, and Gojo’s too (once he wakes up and smells the waffles you’ve prepared, double topped with whipped cream and maple syrup—his special, of course). 

A steady stream of warmth flows through the window to your kitchen countertop, the marble glimmering as light hits. The material was his choice; you don’t care much for glamor but Gojo likes pretty things—you especially, he likes to say. 

The batter is quick to prepare, a recipe you’ve done many times before, so you ladle it into the waffle maker before letting it set on its own. Then, you grab a pan to heat up, spooning in last night’s leftover rice, some soy sauce, and mirin, adding salt to taste, as needed. A standard fried rice breakfast, with a yolk to mix in later. 

The sound of his footsteps are concealed by the sizzles of the pan in front of you, but you’re caught off guard by arms wrapped around your waist, and his chin nestling itself into your shoulder as he nuzzles you. 

He’s still shirtless, you notice, so you inch backwards in case of any oil spatter. 

“Good sleep?” you mumble, certain that he heard you. 

He hums, before whispering, lips tickling the edges of your ear on purpose, pouting, “Not anymore when you left.” 

This man—a giant baby, puffed cheeks with long limbs hunched over you. 

Your big baby. 

Despite his whines, he’s telling the truth, you know, and you feel warm because of it, affection seeping in the cracks between his arms and the kitchen stove. 

You blow on a spoonful of rice before lifting it up to his lips. Gojo’s breakfasts are always sweet, but every time you cook, he looks forward to this: waiting right behind you to be fed over your shoulder.

His review will always be the same, of course, everything you touch turns out good. 

He reaches for the waffle maker with one hand while the other keeps you close, and you plate his little breakfast for him, whipped cream with little hearts drawn in maple syrup. 

You grab a bowl for your rice and sit by the counter, Gojo sitting thigh-to-thigh beside you despite the abundance of space around you. 

You realize then, that Gojo tends to hover. 

Not necessarily in a bad way, just that, he does it all the time—always wanting to be near.  

And for someone so perceiving, practically all-seeing, he doesn’t really have to for him to know what you’re up to, but with every opportunity he has, he never misses a moment to be close to you.

When you wash the dishes by the sink, he stays beside you, shoulder-to-shoulder, even when the sink is wide enough to accommodate him a few inches farther. 

Even the walk to the bathroom has him tailing you, following your footsteps as he traces the footprints of slow mornings with you. 

Your bathroom counter has two sinks, but of course, today, he chooses to stay by yours. 

“Skincare?” you raise a tub of face mask. 

He doesn’t need it, but you love pampering him, so he nods, whatever you want. 

You struggle for a bit (he’s just too tall), so he picks you up by the waist and rests you on the bathroom counter, against the mirror.

He stays in the space between your legs, hands flat against your thighs. His thumb kneads your skin gently, and any other time, this position would end very differently, but there’s a look he’s giving you—all words without speaking. 

And—

“Quit staring,” you mumble, turning shy. You’re about to rub the product onto his cheeks, under his eyes. 

“What, I can’t look at you?” he moves closer, keeping his eyes locked on you as he rubs circles on your thighs. 

“No, you can, but,” you swallow, “you’re looking at me like that.”

“Like what?” his brows furrow. 

“Like that.” you sigh, gesturing to his face. 

“Like I love you?” 

And it is like that. Like he loves you. That’s why he says it so casually. 

Because he does. 

You stay quiet, stunned, before you clear your throat and finish up the final area on his face. 

“Yeah.” you mumble, reaching over to wash your hands on the sink. 

Gojo waits for you to finish before he takes a small towel to dry your hands with it. 

“As if you don’t know.” he scoffs, pulling you closer to the edge of the counter. 

He’s right—it’s been said before, but there’s something else in his eyes right now, shiny and devoted, as if this is all he could ever want. As if you, on this slow morning, in this too-big bathroom is all he could ever need. 

But he doesn’t say anything. At least, not what he really means. 

“Not my fault you’re so pretty today,” he adds on, tucking a strand of hair behind your ear.

It should be funny, that he’s telling you all this with a mask slathered all over his face, but his compliments always speak to the depths of you, even when you don’t expect them to. 

His fingers mold against your cheek, to your ears, down to the back of your head, bringing you closer until he kisses you softly, a gentle peck. 

Bits of the face mask transfer to your nose and you giggle, wiping it off. 

“Beauty is in the eye of the beholder, they say.” you joke.

Gojo smiles, that look on his face, “Good for you then, you’re the only one I see.”

re-uploaded because i accidentally deleted!

comments, tags, and reblogs are greatly appreciated ♡

[fantaorange]

the husband and wife ever btw…

[ganondoodle]

botw2 (totk rewritten) ganondorf design (+some story) post

Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)

the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh

the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes

mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-

at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses

at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)

(after which he leaves the scene as zelda tries to understand what she just saw)

post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)

the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)

the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict

but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream

he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.

your friends arrive, and the battle begins.

(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)

Beast Ganon(dorf), normal appearance (phase 3)

at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda

(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)

Beast Ganon(dorf) while charging magic (phase 3)

Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)

at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-

the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-

zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.

(heres a rough example for his weapons)

(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)

[lesharl-eclair]

strollonso dump 2024

[zurka-durka]

saitama in baggy clothes and kingsai requests

[rockdrop]

this is random but the first thing i thought when i read this was "ah so kanade is like her pokemon" and she can command her to tail slap mafumom hHASHSADH so have a pkmn trainer mafuyu

[starlitsequins]

because there is so much potential in fiddlestan being exes. like imagine the guy you had a situationship back in 1982 blasted every memory of you from his brain and then has the audacity to show up 30 years later and ask for you to shelter half the town during the apocalypse. AND he now wants to turn your house into a giant mecha to go rescue your twin brother. who he may or may not have had a crush on.

on the other hand. imagine thoroughly destroying your own mind and, as you slowly regain your sanity, you keep getting homoerotic flashbacks about the local conman while you crash at his place during the apocalypse.

[demonicfarmer69]

he's obsessed with jiang cheng a normal amount

jc: i TOLD u not to eat it!!!

[rubikor]

🌟

[beetlebug---1]

Promptober day 23: sight 👁

[softlyapocalytpic]

I've spent the last... hour at this point typing a whole god damn essay in response to essentially say:

ya.

It's true.

I may love these games to hell and back but BOY DO THE MAKE ME SUFFER. It's been five - six years of me yelling about the same shit.

I want a re-make of Fallout 3 so bad if for no other reason than because the companions have so many interesting tidbits and traits that would be so interesting to go into depth with on a companion quest that are just kinda left to the imagination like, Fawkes’s could be about remembering who he was before he mutated, Charon’s could be linked to breaking out of his programming or whatever it is and burning his contract, idk what Butch’s would be, but he would absolutely be a more interesting companion if there were friendship level conversations you could have with him, because he grew up with the Lone Wanderer. Even though they antagonized each other they know each other better than anyone else out in the wasteland and it’d be such an interesting dynamic especially because!!! he flirts!!! with the female LW!! but we don’t have any option in game to flirt back or anything, we just give him commands.

[screwpinecaprice]

Reposting a connverse I made in 2021. Well, specifically posting this again after editing a few stuff.

I had been so bothered with how I kept editing Steven until I made his silhouette floppy-looking. So I fixed it a bit.

And that this was suppose to be flipped in the first place (which was why Connie's nose piercing was on the right side on the original.)

[milk-ly]

Kotoko and her connection to Dante’s Inferno’s Satan

Disclaimer: This is just about symbolism and I know how it sounds but I promise I’m not trying to imply anything or demonize her! I love Kotoko! Ive just been repeatedly noticing details about the parallel for several months now and I just really want to bring it up! This is just an analysis of the details MILGRAM has provided for it. I’m incredibly sorry if I make a mistake!

Kotoko has a lot of parallels to Dante’s Inferno Satan, especially in relation to Es.

To make sure we’re all on the same page, Dante’s Inferno is a Christian poem that outlines the 9 circles of hell. MILGRAM directly references Dante’s Inferno by quoting it in all the t2 door arts.

“Abandon all hope, ye who enter.” A quote derived from a sign at the gate of hell in the poem.

Each ring of Hell contains sinners with different levels of sins, and each ring’s sin was meant to be worse the further inside you go. Ive seen a couple theories that each prisoner correlates with a specific ring of hell. (Ex: Haruka is ring 1, Limbo; Yuno is ring 2, lust; etc)

But Dante’s Inferno only outlines 9 rings, what about our 10th prisoner, Kotoko?

While it could be that she’s again the “outsider” to the other prisoners, the last section of the 9th ring of Hell is significant because it is the center of Hell, containing Satan. So it could be reasonably argued that Kotoko correlates with it.

MILGRAM already has a TON of religious references. One that I’ve seen pointed out is how it seems the cover art of each novel is a reference to a famous Christian art piece.

The Es in each novel seems to be where Jesus relatively is. Remember that Jesus is both the son of God AND God. God gives sinners their judgements which sounds very similar to Es and how they're giving the prisoners (the human sinners) their verdicts.

Plus, the quote Milgram quotes is on the doors the prisoners are entering, and in Dante’s inferno, it’s on the gate of hell so you can compare or theorize that MILGRAM is a parallel to (or straight up is) purgatory. And Es, being the one who decides the verdict, parallels God.

Also, her t2 VD is named “YONAH,” which is the masculine version of the name Jonah. Not only does this relate to her themes of masculinity again, Jonah is a name that originates from Hebrew origins which means “dove.”

It is also a reference to the book of Jonah. A main theme of this book is “Jonah wants God to operate on his timeline [...] He wanted God to dole out punishment on his clock instead of according to God's plan. Yet God showed Jonah that in his infinite wisdom, he can't and will not be rushed.” Which is pretty much exactly what happens in YONAH, and also once again compares Es to God.

Dante’s Inferno’s Satan was an angel, a splendid being, apparently the most perfect of God's creatures… an “Angel of light.” We/Es deemed Kotoko innocent in t1. She had the highest innocent percentage in t1 too because a lot of people thought her murder was justified. You know, the most perfect of God’s creatures. The most perfect out of the prisoners.

“We really can work together.”

But then Satan tried to usurp God.

“If you don’t have the strength on your own, let me take care of it. Es! I can do it in MILGRAM!”

Kotoko wants to be the prison guard because Es isn’t capable in her eyes.

Satan was ultimately sent to Hell and punished as "the ultimate sinner" for his betrayal of trying to usurp God.

We are now punishing Kotoko for her attempts to judge the prisoners herself and “usurp” Es. It works even better now that she has the highest guilty percentage in all of MILGRAM so far as the “ultimate sinner.”

As a lot know, Fuuta also has tons of religious references too. (Ex. His VD is titled Baptism by Fire) By him also passing judgements onto people, you could say that he was trying to play God.

What is that saying about us, the audience, then? And our parallel/foil to Fuuta/Kotoko?

Dante’s Inferno as a whole is very much based around the idea of “evil will be punished,” which not only encapsulates Kotoko’s ideals but MILGRAM’s as well. It makes sense that MILGRAM says that Kotoko is a perfect parallel to the facility.

(I also wanna mention that there's something that could be said about the holy trinity in relation to Es + the audience + jackalope. For example, how Jesus is God in the flesh and Es is the audience "in the flesh," by acting as a personified version of us to interact with the "human sinnners" but I feel like I might be going into tinfoil hat territory.)

[its-kinda-snowy]

@pigeonneaux asked: Congrats on the 2000 followers! Your art is spectacular !! For the requests : how about Luke in his channel boots 😔✌️swag twink

AHH tysm!! RIP Luke you're the top twink of my heart ○|￣|_

[hyacinthsdiamonds]

I'm sorry

Logan physically couldn't finish the race and could barely get himself out of the car

Oscar spent most of the post race lying on the ground because he was so wrecked as did Max

Esteban literally threw up

Lance and Alex both needed help to get out of their cars and have reportedly had to seek medical help

a mechanic had to hold Alex's drink so Alex could drink out of it

EDIT: MULTIPLE DRIVERS HAVE FAINTED AT THE MEDICAL CENTRE MULTIPLE

Why the fuck were we racing in Qatar in this heat???