#i Do know what edit she was talking about. godspeed to the person who made it hope ur livin well and doing fine.
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shesmore-shoebill · 7 months ago
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Obvs, I am saying this as someone who posts about Amangela but doesn't make edits but. Honestly the way Amanda talked about the Amangela edits makes me so. relieved. Like, phew. I'm glad shes not bothered by it, I'm glad she sees it as like, the storytelling (functionally) it is, and not as actual speculation about her life or Angela's (which. It Isnt. And SHOULD NOT BE.) and I'm glad that she finds it hilarious, and not upsetting or bad. (I think finding it strange makes total sense, and what she and Courtney and Shayne are saying about people functionally making up stories and storylines. is. True. thats what we're doing lmfao).
But also she definitely sees some of this stuff AND we know Angela has sent her at least one Amangela edit AND she IS requesting Amangela honeymoon edit. so. we live in this world now.
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witchygirl99 · 3 years ago
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finding a photo of your enemy as a toddler, inukag
Ask, and you shall receive.
1800 words under the cut. Not edited. Written at work so it was a shoddy rush job and everything is very vague and you'll just have to accept this.
I'll write a proper, better video gamer AU one day. For now though...
Won't You Say (You Love Me, Too)
The thing is—
The thing is that Inuyasha isn’t meant to be here. Sure, he’s a little drunk. And sure, Koga’s stupid face dared him, because Koga is both stupid, has a face, and that face is stupid. Inuyasha didn’t have to listen, though. Inuyasha could have done a billion other things, like walk away, or laugh the dare off, or – or – could have even gotten himself another drink.
That… That would have been the smarter plan.
Inuyasha hiccups, flinching at the noise. He is so not supposed to be here.
“Inuyasha,” stupid Koga hisses from below. It’s probably supposed to be a whisper. It’s not. It’s like…quieter yelling, but yelling nonetheless.
Haughtily, Inuyasha glares down at his teammate. The window that he’s jimmied open to break into the Priestess House is still open. It’s unseasonably warm for an autumn night, but it’s strangely comforting. At least, Inuyasha thinks so. That could just be the alcohol talking, though.
“Inuyasha,” Koga hisses again, “what do you see?”
He blinks, frowns, and then squints into the dark room. There’s not a ton of illumination from either the moon, or the streetlights. He thinks, dimly, that this is a…bedroom? A bedroom. This is not, in fact, the office that they thought they were breaking into.
[Read the rest below the cut.]
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He takes in a deep breath, brain pinging at him worriedly. He knows this scent. It’s familiar. Too familiar. Inuyasha should know whose room he’s in and it’s on the tip of his tongue – his nose? No, that’s not a saying – when Koga makes another hissing sound.
Ugh.
“What?” Inuyasha snarls, so desperate to glare out the window at his stupid teammate and at said stupid teammate’s face that he nearly stumbles. Bracing himself on the little table underneath, he makes a point to roll his eyes when the wolf demon waves alarmingly at him. “What is so urgent that you need to—”
“I hear them,” Koga whisper-yells, because he’s stupid. “They’re just down the street.”
“What?” he exclaims, but this time it’s desperate rather than irritated. “I thought Miroku said the girls would be gone for at least an hour.”
“Well, his intel is shit,” Koga replies. “Now get out!”
So much for sneaking into their offices to find out if any of their playing strategies would be visible. The regional gaming tournament is only two days away, and every single member of the six-person Priestess team has been dominating the competition. Their battle strategies have taken weaker characters and turned them into something surprisingly efficient. It should be impossible. Character stats don’t lie.
And yet. And yet. The women of the Priestess House have made a mockery of nearly everyone there. And the worst of them?
Kagome Higurashi. The absolute bane of his existence. She came onto the scene about three years ago, rising up the ranks. Inuyasha hadn’t even given her a second thought until The Incident last year.
The Incident, in which she—
“Inuyasha,” Koga hisses again, like an angry cat. A cat. Not a wolf. Inuyasha should tell him this. Inuyasha is desperate to tell him this. “You need to jump out the window, you fuck.”
Right. The Priestess girls were coming back. Kagome would be with them and that would be— That would be bad. Not just because of the breaking and entering, or the trespassing. It would be bad because Inuyasha would have to be around her for likely more than a minute, which would mean that he’d have to stare into those dark eyes and that too-kind smile – like they’re friends, which they are not – and then—
“For fuck’s sake, I’m going to leave you,” Koga states, and that finally drills through Inuyasha’s pretty drunk skull. Can skulls be drunk?
No?
Maybe.
“I’m coming,” Inuyasha replies, pushing upwards, but he’s an idiot. The table underneath him isn’t that sturdy, and so his pressure on it to climb back out the window from which he entered sends a picture frame crashing to the ground.
“Inuyasha!”
“Oh my god, say my name one more time and I will murder you!” Inuyasha snaps. Koga is not helping, that fucking fuck. “Hold the fuck on, we can’t let them know—” And he bends down to grab the frame and put it back. Hopefully whoever’s room this is won’t notice.
And then he sees the picture in the frame, practically mocking him. It’s fucking Kagome Higurashi, no more than four years old and clinging to a small baby who looks distinctly unhappy by the entire experience. It’s undoubtedly her. While there’s more chub to her cheeks, those are the same sparkling eyes and that’s the same beaming smile. He would know that smile anywhere because it always makes him feel off-balance, confused. No one just smiles at people, at strangers. No one just smiles at you while they’re getting destroyed in one-on-one battle, and then shakes your hand with that same happy smile when they’ve lost. They don’t use that exact same smile when they see you again later in the year, at another tournament, and only stop smiling when they beat you so badly—
Oh god.
Oh fucking god.
This is Kagome’s bedroom. This is Kagome’s bedroom and he’s in her room and—
Kagome Higurashi at four years old smiles the exact same way, and she’s clinging to a little boy and that’s a big purple dinosaur right beside her on the couch. A dinosaur. She likes dinosaurs, oh god this is the worst—
“Godspeed, fucker,” Koga whispers-yells. “We hardly knew ye!” There’s the distinct sound of bushes rustling. His own teammate has abandoned him. Inuyasha is going to commit murder.
Firmly putting down the picture frame, Inuyasha starts the careful climb back out the window. He’s got one leg out, half of his body strained to reach the little lip in the brickwork he climbed up earlier. His hands grab at the sill, twisting him, and then he sees it.
It.
The purple dinosaur.
It’s on her bed, perfectly placed and disgustingly cute.
“Oh no,” Inuyasha groans, and then promptly shoves himself out the window. It takes him ten precious seconds to balance, and then another ten seconds to close the window and hide the fact he ever broke in in the first place. At the first sound of voices, Inuyasha freezes against the brick, propped up in a little corner and distinctly not looking down. It’s not a far drop, but the last thing Inuyasha needs is to lose his balance, topple into the garden, and then have the Priestess women come running to see what the fuck happened.
He waits, breath nearly held, until they start opening the door. There’s enough fuss and discussion that Inuyasha feels safe in making his escape, running away like the hounds of hell are chasing him. He doesn’t stop. He doesn’t look back.
When he finds Koga, lounging on the couch and drinking yet another beer at their shared gaming house, it takes a solid ten seconds of very slow counting to remind himself that murder is bad.
Besides, they have a tournament to win on Saturday.
X+X
The next day, Inuyasha finds himself looking for purple dinosaurs on Amazon.
This is, well, not ideal.
“What are you doing?” Hachi asks, eyes narrowed in confusion and then widening in concern when Inuyasha flinches to hide this embarrassing lack of restraint. “Wow, okay.”
“Fuck off,” Inuyasha replies, but he’s too mortified to even make it mean-sounding. He just comes off as pathetic.
There’s a snort in the doorway, and Miroku comes bumbling in with a clipboard. He takes his duties as team manager far too seriously. “What did Hachi do wrong now?”
“I didn’t do anything wrong,” Hachi replies, eyeing Inuyasha again. “He’s the one that went all crazy when I asked him what he was doing.”
“And what was he doing?” Miroku presses. He’s grinning like a fool because he’s the worst. The worst best friend a guy could ask for. Inuyasha doesn’t know why he’s teammates with these idiots. It’s bad enough he’s got to deal with Koga.
“I wasn’t do anything,” he tries, but Hachi’s just shaking his head.
“Looking at his phone. I don’t know.”
Miroku turns to him, a shark that smells blood in the water. “Your phone? Who are you texting?”
“No one,” Inuyasha scoffs. “Fuck off.”
This gets a nod, and he has one moment of hope that Miroku won’t push the issue when his best friend hums. “You’re right. You have no friends outside of this team.”
“I’m not his friend!” Koga yells from somewhere else in the house.
Inuyasha sighs.
“So you must have been watching something.”
“No,” Hachi argues, “he was holding his phone like this. He was reading something, or maybe scrolling?”
“Inuyasha can’t read!” comes Koga’s voice again. They all ignore him.
“You’re not on Instagram,” Miroku hums, playing fucking Sherlock Holmes. “And you’re definitely not on TikTok. Discord is just another form of talking to people, so that’s out.”
Growling, he shoves his phone in the pocket of hoodie and gets up. “I am leaving.”
“Ooh, he’s leaving,” his friend continues, blue eyes alight with something dangerously close to glee. “Fuck, it has to be about Kagome then. That’s the only time you get this pissy.”
“Ha!” Hachi laughs because he, too, is the worst.
“That’s my future wife!” Koga yells from the other room, but that’s just because he’s delusional. As if someone like Koga could fucking rub two braincells together enough to impress her. Inuyasha’s face does a thing at the very thought.
“Oh my god, it is!” Miroku cackles.
“No,” Inuyasha answers, and he thinks he does a pretty good job of remaining calm. “But fuck you, anyways.”
“Are you reading her Wikitubia again?” his friend asks and that is it—
“One time!” Inuyasha yells, storming away from the main room. “That was one time!”
His teammates’ laughter follows him all the way back to his bedroom. Shippo, rubbing at his eyes after his nap – because he acts like a literal child, it’s embarrassing – just stares at him confusedly. “What did I miss?”
Inuyasha doesn’t stop walking. “Absolutely fucking nothing.” He gets into his room, shuts the door with a disturbing amount of care, and then leaps onto his bed to try and suffocate himself with a pillow. The walls of their gaming house aren’t that thick. If he tries hard enough, Inuyasha could hear the shit they’re undoubtedly still talking about him.
One time, Inuyasha pathetically whines in his head. He was only caught staring at her Wikitubia page one time. He was sizing up the enemy. Looking for weaknesses to exploit. That’s the only reason he did it. Just like that’s the only reason he watches her YouTube videos religiously, at least once a day, and always at night once everyone else has fallen asleep.
It’s not because of anything weird. It’s because she’s the enemy. She’s the competition. Inuyasha must figure out a way to destroy her.
Later that night, when he goes back to re-watching an old YouTube video of hers – one Kagome had posted within the first month of her rise to so-called fame – that he sees it.
It.
The purple dinosaur.
Sitting propped up on some pillows, like a prized treasure.
“Motherfucker,” Inuyasha snaps. He doesn’t stop the video, though. There could be secrets. Weaknesses to exploit. Yadda yadda yadda, he’s not in denial, this is only his third time watching it, blah blah—
Kagome smiles in the video and his chest does the thing.
Inuyasha sighs. Miroku can never, ever see his browsing history.
X+X
Tagging: @ideasthatbuildcities​ @wolfcry77​ @alerialblu​ @misspepperpottss​ @sailorbabydoll92​ @willowandfog​ @amethystablaze​ @fawn-eyed-girl​ @noyourenotreal​ @hnn-wnchstr​ @liz8080​ @nsr0716​ @superpixie42​ @itzatakahashi​ @mandirox89​ @inussunflower​ @cstormsinukagblog​ @nartista​ @hopidoodle​ @princessinume​ @lavendertwilight89​ @anxietyaardvark​ @omgitscharlie​ @theinuyashareader​ @ruddcatha​ @umacaking​ @kagometaishostory​ @cammysansstuff​ @sacred-arrow-writes @sacred-arrow @gicu2 @neutronstarchild @kalcia
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gaystardust · 4 years ago
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through darkness of mind [Kanera Week: trust/vulnerability]
Synopsis: Kanan has nightmares. Hera helps. @kaneraweek Rating: T Warnings: discussion of Kanan’s past, discussion of parental death. Graphic description of panic attacks and anxiety. Trauma-related nightmares, trauma-related alcoholism, possible emetophobia AO3 Link: [link] A/N: Title from Godspeed by Frank Ocean. I’m on a new medication that gives me constant anxiety and regular panic attacks - so this happened. Also, I’m serious. Editing was hard because the panic felt too real - I tried to make it a little less so, but it’s still pretty detailed. Be careful, look after yourself. I am not responsible for your decision to read these.
  The world blurred as he sat up too quickly, barely aware he’d fallen asleep. His heartbeat was loud in his eyes, and his stomach twisted. The air still smelt like burning flesh, both from fire and his lightsaber blade.
The rolling acid of his stomach made him swallow hard. There was nothing in his stomach to bring up, but his body was still trying.
Nightmare. It was a nightmare.
Again.
Kanan made himself breathe hard through his nose, counting in and out. Really, he should have been exhaling through his mouth, creating a perfect circle of breath but the nausea wasn’t going to let him.
He was awake. Sweaty, shaking, and on the edge of hyperventilating, but awake. He was awake, and safe, and alive.
Even if it didn’t feel like it.
Mygeeto was almost a decade behind him. The constant feeling of darkness and despair still sat heavy on his soul, but it was over. Only its shadow remained, an outline only seen behind closed eyes.
He was safe.
Kanan forced his fingers to relax where they were digging into the hard duraplast of the table.
The table. The kitchen table.
He’d fallen asleep in the shared space again. That thing Hera had specifically told him not to do, especially when he could just go to bed - except he had no idea what time it was. They’d been aimlessly floating around space for the last week, and the standard planetary day-night cycle was already gone from his brain.
The world around him moved sluggishly as he looked around, still blurred around the edges. Was it a side effect of waking up mid-sleep cycle, or was he on the edge of a panic attack?
The vibrating under his skin suggested the latter, but maybe it was both. His toes were numb, and his fingers were sluggish and stiff as they tapped on the duraplast of the table. Something close to pins and needles ran up and down his legs.
He ran through a quick battlefield assessment to make sure it was nothing worse - and then immediately slammed down on the reminder than he knew how to do that.
Whatever it had been before, it was easing closer and closer to a panic attack.
Kanan closed his eyes, watching the patterns swirl behind his eyes. He counted his breaths, just like he’d been taught dozens of times in his life. Inhale the recycled air, still cleaner than some planets, and exhale all of the bad feelings.
The door at the other side of the room slid open. Kanan jumped. His muscles seized as he tried to size up the threat, forcing down the panic that rose in his throat.
Even seeing Hera there didn’t stop the rising pain in his chest. His breathing was mostly under control now, but his heart was beating too fast.
“Kanan?” Hera said quietly, hovering in the doorway. She overly still, her lekku held close to her back in a way that must have been uncomfortable. “Are you okay?”
He could feel the thu-thump thu-thump thu-thump behind his eyes, pushing everything out of focus.
He nodded and was caught in a loop of motion. It made him rock back and forth, until he forced himself to slump forward against the table. His fingers started tapping, but that was a good enough reroute. “Sorry.”
“Hey, no, it’s alright.” She moved a little closer, hands held up as if placating a wild animal.
He felt like one. A herd animal trapped between a cliff and a predator, about to make a terrible choice.
“Talk to me, love. What’s the matter?”
The pet name burned in a way he didn’t want to think about. He could hear it mirrored, in another accent, on another set of lips, in another time. The word was different, but the feeling was the same.
He couldn’t shake his head, not without risking another loop. He had to speak. “Just… just a nightmare.”
Hera nodded. “Do you want to talk about it?”
“No,” his voice cracked, “thanks.”
Her approach took too long, but when she sat down on the corner of the bench Kanan realised it was actually too quick. She was nowhere near him, but it was still too close. He could hear her boots tapping on the floor, rhythmic and irritating.
Or maybe those were his boots.
“Is there anything else I can do?”
Kanan took the risk of shaking his head, just catching himself before the repetition kicked in. “It’s fine, I’m used to it.”
The look Hera gave him was full of pity - or maybe his brain was lying. “Do you get nightmares a lot?”
“I used to. They stopped when I started going to sleep too exhausted to dream.” He watched Hera settle herself back into the seat. “Or too drunk to.”
She hummed. “So that’s why you drank so much?”
It felt too obvious, and some awful part of him felt like she should have realised already. Why else would he have been drinking so much, if not to stop his nightmares? Did she think he’d just been doing that for fun?
Or maybe it had been a fact of Kanan’s life for so long, it felt that obvious. That didn’t mean someone who’d known him only a few months would understand, not even someone who knew his darker secrets.
“I don’t want to talk about it,” he repeated, which seemed to answer enough for Hera. She nodded, not pushing him any further but not letting the room around them fall quiet. She didn’t seem comfortable with the quiet.
Or maybe he was just projecting.
He couldn’t tell anymore.
“After my mother died, I had nightmares all the time,” she admitted quietly, looking down at the table instead of towards him. It made his skin fizzle less. “I kept thinking that what happened to her would happen to me, or my father. The one day he’d go out, and never come back.” She traced an invisible pattern on the table, all straight lines and slight curves. “I only grew out of it when I realised it didn’t matter whether it happened to us - it had already happened to her. Worrying it would happen to my father wouldn’t do anything.” When Hera looked up again, she looked as anxious as Kanan felt. “It wouldn’t have stopped him, either.”
Maybe (when he was able to sort through his thoughts without uncovering more panic) he would work his way through everything he’d just been told. So much of it was new, but it wouldn’t settle in his thoughts. It would have to wait.
It would have made sense, if Hera thought he was afraid of dying. He hid himself almost completely, unwilling to do anything that would risk identifying him as a Jedi. But she’d seen through him instantly.
Kanan dropped his head into his hands, half in disbelief that he was going to admit. “I keep seeing people I care about die. And not just the battles I was in. Some of them, I only heard about in stories, but I still see everyone die right in front of me,” he gestured to the centre of the room, but didn’t look up.
There was a pause after he stopped talking, as if Hera wanted him to continue. He just shook his head - or shuffled it as much as he could without lifting his head - trying to make it obvious he wasn’t going to.
She seemed to take the hint, at least a little. “Kanan, you were a child. There was nothing you could have done.”
“I know,” he managed quietly, voice crackling. “But I still dream it.”
Even leaning into his arms, his head felt heavy. Shuffling his legs felt like moving dead weight. The adrenaline had left his system as quickly as it entered, leaving nothing but exhausting in its wake. Kanan sighed.
“I felt them, Hera. I felt the Force shrivel up and die, just like the rest of the Jedi Order.”
She reached out a hand, leaving it at the edge of his line of sight but not any further.
It took a moment for Kanan to realise she was asking for permission.
Lifting his head, he dropped his arms to the table. The back of one hand landed in her open palm.
Even with her lekku twitching in discomfort, Hera smiled softly, but not out of pity. More like mutual understanding.
“The Force didn’t die, love. It’s everywhere, all around us.” She laughed softly, barely louder than breathing. “That’s how you explained it, right?”
That had been months ago, just after they’d left Gorse. The fact she still remembered made Kanan’s chest flutter, but not with anxiety.
“Well, it’s all around us, but it’s also in every living thing,” he corrected, practically hearing the repeated lesson in the back of his mind. “That’s the difference between the Unifying Force and the Living Force… I think.” He never really understood the difference, even after so many lessons. It was blurry and difficult to identify, and there was no one to correct him now.
He could feel the spiral before he fell into it. Kanan huffed through his nose, forcing himself to focus on the feeling of air moving through his body.
Hera didn’t notice. “If the Force is in all things, then it definitely can’t be dead. I’m not saying you didn’t feel something awful, but the Force didn’t die.”
“The Order did.”
“Not all of it.” Her eyes were sharp, focused on him. She looked like she had a plan. “You’re still here. And if you are, there has to be others. Even you can’t be self-centred enough to think you’re the only Jedi with the skills to survive the Purge.”
But it wasn’t just the Purge. It was Knightfall. It was the person vendettas some of the Clones still held against their Generals. It was Kardoa, Mygeeto, Kaller.
He had no energy to argue about it, nor to think about the different types of trauma he had, and how that affected his nightmares. He doubted he would ever have the energy for it.
“It’s far more than that,” he just about managed, using all of his strength not to lie on the table again. “But I really don’t want to talk about it, Hera. Can I just go and sleep, please? I’m exhausted.”
Hera squeezed his hand. “Sorry. I shouldn’t have assumed.” He had no idea what she’d assumed, but he wasn’t going to ask. Then she stood up, gently pulling him from the bench. “Come on. I want to make sure you’re in bed before you fall asleep sat up again.”
He didn’t argue as Hera lead him to the cabin he was staying in. It was starting to gather the clutter of somewhere well lived in, but the blankets stacked on the bed were the thing he looked forward to most.
As soon as she deposited him on the bed, Kanan slumped sideways, pressing his back close to the wall. He didn’t bother stripping down, too aware of Hera in the room and too exhausted to work out clothes fastenings.
Hera didn’t move, just watching him from the doorway again. “Shout of me if you need anything, okay? I know the intercom is by the door, but you don’t have to say anything. Just press it and I’ll come and check on you.”
It Kanan far longer than it should have to understand, his adrenaline sapped brain not even sure what was words and what was just sounds. “You’re not staying?”
She hesitated, before shaking her head. “No, of course not. Why, did you think I would?”
He tossed the idea of her leaving around in his head before coming to his conclusion.
“Please stay.”
It sounded like a beg, and perhaps it was. He knew all too well the risks of sleeping alone. At least with someone else there, a heartbeat near him, he’d know everything was okay. That they were somewhere safe.
Hera hesitated before moving into the room. She hesitated again after a few steps, moving to push the flight suit trousers from the body. Underneath were the dark leggings she wore while they were to make up for the lack of heat while they were in space.
As soon as she sat on the edge of the bed, she pulled upright Kanan to remove his jumper, chucking it onto the floor. She moved to pull off his boots and put his own hands on his belt to make him remove it himself. He just about managed it in the time it took Hera to undo two sets of laces.
Then she curled up beside him, back pressed to his chest. One of his arms looped across her waist automatically, holding her close.
She was cool, surprisingly so. Did Twi’leks run cooler than Humans?
“Try and get some sleep,” she said quietly.
He hummed his understanding, the world around him warm and soft. “I’ll try. Don’t leave while I’m asleep, okay?”
If he’d been more awake, perhaps he would have noticed Hera stiffen, and then relax back into his body. “Of course not.”
His “goodnight” was muffled in her shoulder, making Hera laugh quietly.
“Sweet dreams, Kanan.”
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jlf23tumble · 6 years ago
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Episode 14 made me incredibly sad that my judging ot3 is no more, booooo, but it also cemented how much this whole thing is rigged, so I’m here for it. I mean, it’s pretty obvious both from the edit itself and from the connections behind the contestants getting through to the live shows, but that doesn’t mean I can’t enjoy the primo Louis content and the general garbage I’m here for! This recap is dedicated to @newleafover and @justlarried in particular and to anyone else who finds it all as entertaining as I do, too. I promise, they’ll be shorter after this!
Louis’s been told who to put through (Brendan), and he’ll do it (of course he will, he’s a pro), but I’d bet solid $$ he’s also doing whatever he can to help the ones he had to boot (J SOL) on the DL.
We pick up where we left off last night, with rosy-cheeked Brendan. "I'm excited about this," whispers Liam before Brendan starts. ORLY? Not me, I’m increasingly annoyed by him, lmao. Nile’s face as this performance goes on gives me life because it more or less telegraphs, “This kid? This one's the one Simon wants to win this bullshit? Alrighty then.”
Me as Liam midway through this performance (his commentary at the end of it = “Really great, really great”):
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Everything about this show is heavily, ham-fistedly edited, and I have to believe some of these facial expressions are copied/pasted from other performances because you literally cannot bop your head to the slowest version ever of “Nothing Compares 2 U,” Liam.
Anyway, when it’s over, Nile announces, “That song was written by a dear friend,” and god, it only reminds me of just how many people he’s worked with, the career he’s had. I can only pray that all three of them had incredibly deep conversations throughout the rest of the night, sigh.
Will I ever tire of Dermot looking vaguely hot and telling us super obvious shit, like, “Now comes the hard part, where Louis, Nile, and Liam have to decide which four go through to the live shows.” (spoiler: no):
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Will I ever tire of Louis and Liam low-key bickering and talking over each other about trivial things? (spoiler: hellz no):
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Nile says, “I'll have to be honest with you, man, I wouldn't want to be in your shoes,” and I laff and laff because I read it on at least three levels.
CAN I DIE NOW because Louis is seemingly the only judge who hangs out with Dermot (related: someone buy these blue-eyed British boys some shades, and Dermot some sunscreen):
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This is a farce, but Louis is ethereal, holy shit, he’s so emotional, so connected to all of these boys and what this ultimately means to them. Dalton is in (yay!), Thomas is out (boo, and boy, is he beet-red from both the sun and emotions), Armstrong is in, J Sol is out (BOO), Anthony is in (meh), and Brendan is in (MEH).
The best part of the chat with Brendan was Louis fairly emotionlessly saying, “I thought long and hard about this decision,” lmaooooooo. The other best part is that Brendan is the only one we see talking to his family about this shockingly great news, thanks, editors--got it!
Shitty editing means that the feedback overlaps among the boys, so you can't tell who Louis’s talking to or about, but on the plus side, lots of coodles with thumbs planted firmly in shoulders, no matter if the person is in or out. I also love hearing his “hahahahahaha,” and the occasional "loads of love" complete with Harry Styles-style bow.
After Mark Wahlberg’s British cousin Anthony is in, we get a lot of tears (and WOW, does Louis look like his mum in this whole segment :-\ ), a spot-on Anthony impression, Anthony kissing his neck, and something you won’t see on various other blogs, ahem:
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Godspeed, Liam, sobbbbb, I miss you and your eyebrows and your gold watch so goddamned much:
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We head back to Ayda/Robbie’s house for the overs, and I’ll keep this short because I really, REALLY do not care. Except to say I bet Ayda wishes Liam’s album had been released in time for this fancy pool party (in which nobody swims because it’s literally designed for children):
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Ayda’s group does yoga outside because of course they do, and it’s meant to be wacky, loony fun based on the shitty music/edit, but it’s more pointless than anything else. I soothe myself during all of this by thinking about that pool, sigh:
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The guest judges are Leona Lewis and Adam Lambert, who are both beautiful (Adam especially) and about ten thousand times more helpful than David Walliams, I mean, these two at least have lived it. And speaking of David, I’m still not over the entire leather daddy thing last night at Robbie’s house, and how it seemed to be played off as a joke? Was that a fever dream? Who else saw that and wants to explain it to me??
Anyway, back to Ayda, and I’m bored thinking about the overs, so here’s a real brief rundown: Janice and Ola were both outstanding; Ricky and Louise were both boring; Gio is ~not my fave, he looks like carrot top cosplaying Harry Styles, and I keep hearing Louis from the auditions describing his act as more musical theater than actual rock, and I’ve never felt more connected to him, sigh. Danny is very sunburned and sweaty, but he does all right...feels Bradford wedding singer to me, which is what I think he is? Very on brand, lol.
Thank Christ the actual singing is over, so we can get to the good stuff, i.e., Dermot in a tight v-neck sweater whispering in Ayda's backyard, and all the contestants pensively wandering the estate in the dark (I don’t know why it’s so hilarious, but it really, REALLY is):
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I low-key want Ayda’s (knock-off) Versace...maybe it's real? Who cares, I love it, and here she is, instantly regretting putting Gio through:
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Anyway, Janice, Ola, Danny, and fucking GIO are in, and  Ricky and Louise are out (this is so noncontroversial as to seem obvious).
In lots of ways, the overs are channeling Harry’s fashion from years gone by, so it seems kind of fitting to hear “Sign of the Times” in the background (I’m glad Harry gets some $$). “Gotta get away from here…” LMAOOOOOOOOO.
Next week are the live shows, and I can’t wait to see what happens! Nothing really will, but Louis’s promising fun times, so I’m there. Except I’m not because I have a house guest in town, and he’s a massive Harry fan, but I doubt I can make him watch this garbage show, so my recap will come on Tuesday.
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dullahandyke · 2 years ago
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THE FUCKING YUKITOUYA SHIT
As mentioned before, Yukito is bestie's with Sakura's brother. Touya is that brother. They are for real for real an item.
It's rare to see one without the other nearby, even at night. Yukito is at Touya's house half the time on sleepovers.
The teacher Sakura crushes on, Kaho, had a relationship with Touya that she had to break off because she was moving away, but she predicted that by the time she came back, Touya would have found another love. They meet again, and she asks if he's found another love. Moments later, in comes Yukito. Kaho stares intently at him, before turning back to Touya and going 'lmao typical touya!' And then she fucks off. Godspeed kaho
Throughout the story, its revealed that Yukito is actually the human version of a mythical creature called Yue, who Sakura binds to herself, but she doesn't have enough power to sustain Yue. Yukito also suffers a lack of energy because of this, passing out more and more often. Touya catches on and keeps trying to talk to him about it, and if you've ever seen anything that looks like a confession scene, that's that. That's the scene where Touya stops Yukito in the hallway and says "I need to tell you something" before being interrupted by Ruby Moon, and he storms off because she keeps doing this. Ruby, who has a crush on Touya, tells Yukito that if he doesn't make a move, she will. That's the scene where Touya kabedons Yukito against a tree.
Eventually, Touya gets a chance to talk to Yue about it, and Touya offers up all of his magical energy to sustain Yue/Yukito, even if it means that he can't see his mom's ghost or tell when Sakura is in danger. They embrace as the transfer happens and it's very romantic.
Later, in The World's Best Scene, which I will now provide a full transcript of, Sakura confesses her crush to Yukito.
Sakura: Yukito-san... I... love you.
Yukito: ...I love you too, Sakura-can. But... I'm not the one you love most, am I?
Sakura: Huh?
Yukito: Well, you love your father, don't you?
Sakura: Yes.
Yukito: And what about me?
Sakura: ...I... I love you too.
Yukito: But is the feeling the same? Is the love you feel for me like the love you feel for your father?
Sakura: ....Yes.
Yukito: It makes sense. I do look like your father, after all. Don't worry. I'm not trying to talk you out of it because I think you're a child. I know you can work it out for yourself.
Sakura: ...Yes. Did you always know, Yukito-san? About...?
Yukito: Uh-huh. I could tell that you loved me like family. It made me happy.
Sakura: And you knew the way I felt because you have someone else you love the most, too?
Yukito: That's right.
Sakura: Is it my brother?
Yukito: ...Yes.
Sakura: He seems mean, but he's really nice, isn't he?
Yukito: Yeah.
Sakura: Then again, he's shy about his feelings. He'd rather pick on you again than get all mushy.
Yukito: That's true. But even though Toya is my best friend, I don't know how he really feels about me.
Sakura: I'm sure you're number one with him, too. He gave all his power to save you, after all...
Yukito: Huh?
Sakura: You're important to me, Yukito-san, so I'm glad you feel that way about onii-chan.
Yukito: Sakura-chan...
Sakura: But if he picks on you too much, just call me! I'll punish him good!
Yukito: Thanks. ...You'll find your number one someday, too, Sakura-chan. And I'm sure they'll love you most of all. But when you find that person, let me know. If they make you cry, I'll beat the tar out of 'em!
Sakura: ...Thank you.
Like goddamn, gay stuff aside, the way Sakura's crush is let down easy and they come to a mutual understanding never fails to hit me.
Anyway, back to gay stuff. At the end of the story, Yue and his creator discuss shit not going to plan, and I have busted out the omnibus edition for this DIRECT QUOTE from the creator: "I had thought Yukito would choose Sakura as his first love... after all, she is the master of his true form. And I thought Sakura would continue to love Yukito the most as well. But... I was wrong. You know Yukito's heart best of all, don't you, Yue? Yukito chose Sakura's brother as his own."
In summary
They make me INSANE my God they make me insane. First explicit gay rep I saw aside from fuckin rory on Mrs browns boys. First gay romance I read. TEARS MY HAIR OUT. Wheres that one post with a picture of them captioned 'they were my heartstopper'
Mutuals who havent read cardcaptor sakura I CANNOT drive home to you how formative it was to me... literally every single main character except idk eriol is some flavour of queer and I'm like.... ueee
The protagonist, Sakura, has a crush on her brother's friend, Yukito. Her rival and eventual love interest, Syaoran, ALSO has a crush on Yukito and it is a sticking point in their early relationship. Syaoran realises he likes Sakura when he's trying to confess to Yukito but she keeps popping up into his mind and he's like "NO oh WHY would I be thinking about HER?! I only get like this around Yukito, why is my face red when I see her?!" Fucking legend, only character I've ever seen to realise he was mspec via 'oh, turns out I'm not gay, I also like women' instead of the other way around.
Sakura herself is also mspec!! She has a big ol crush on her substitute maths teacher, she says being around her makes her head go floaty n shit <3
Sakura's bestie Tomoyo is explicitly in love with her. She has a whole thing where she's like "Sakura, I love you! No, not just as a... I'll tell you when you're older!" One of the milestones in SyaoSaku is when Tomoyo inadvertently gives it her blessing by telling Syaoran that she doesn't care who dates Sakura as long as Sakura is happy.
Ruby Moon girlboss girlboss girlboss!!! She's like a mythical creature without an innate gender but she went 'FUCK that the girls uniform is SO MUCH CUTER, look at the skirt! Eriol, sew me a woman's kimono STAT" and Eriol, her master/keeper, goes "yes ma'am right away ma'am"
Oh God the fucking yukitouya shit. I'm gonna need a seperate reblog for the yukitouya shit
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I kinda hated ‘The Last Jedi’
I know a lot of people have said as much already, and normally I avoid negativity on this blog. But I saw it a couple of weeks ago and it’s still bothering me. I gotta purge. Spoilers, obviously:
Look, the whole scene with the bombers and everything was objectively cool action (and the stuff with Paige and her eventual death was top-notch, I felt the weight of that), but basic entertainment aside, it was dumb as Hell. Why would you have those insanely slow-moving bombers, with their incredibly unsafe and idiotic set-up, and not even any shields to compensate? Why wouldn’t you get something with a nice compact missile that you can fire at range? How did they even get their bombers over to the Dreadnought before the Dreadnought deployed fighters to shoot the bombers down? There’s no element of surprise when your ships move at a fucking snail’s pace. Who cares if you took out the Dreadnought’s exterior guns when they have individual fighters to blast you with anyway? How were those slow as fuck bombers supposed to get away back to the main fleet after dropping their payload? Everything about the Resistance battle plan here was moronic, and the First Order’s failure to stop them anyway was illogical.
Normally, battle tactics wouldn’t bother me so much, but they used the Pyrrhic victory with the bombers as a reason to get Poe demoted. He obviously did not formulate that entire basic-ass battle strategy on his own, so the Resistance leadership should be slapping and demoting themselves for that, not blaming the Commander who flew the mission. Poe not calling off the attempt after he took just sliiightly longer to take out the Dreadnought’s surface cannons doesn’t actually change the fact that the battle plan was idiotic to start with. If they had retreated when Leia said, and I were the First Order, I’d have sent out fighters (or just used the cannons on one of the other ships) to blast those slow-ass bombers outta the sky anyway. They were super slow, guys. You can’t just ‘oops, abort’ those back to the fleet in an instant. The bombers were sitting ducks, essentially on a suicide run to start with. That ain’t Poe’s fault, that’s the entire Resistance’s dumbfuck fault. The fact that he ignored orders is still on him, but when the whole situation is so transparently manufactured for idiotic drama, that kinda steps on the message.
Leia engaging in the ancient and odious trope of ‘woman slaps man to express her distaste for his masculine antics’ is gross. She’s a fucking General, it makes her look bad to be ineffectually slapping faces. Delete this.
I totally expected to hate Poe in ‘The Force Awakens’ coz I thought he’d be the usual cliche insufferable ‘cocky hotshot pilot’. I was delighted when he was competent without being an egotistical wanker about it. The shoddy attempt to tell some half-assed ‘toxic masculinity’ story by making him into a hothead in this movie is basically character assassination (not to mention kinda racist to play that ‘hothead Latino’ cliche?), and I am not here for it.
Leia Force-floating her way back to the ship was really embarrassing. Also, having never had her use the Force so overtly in the past, something as significant as this felt out-of-the-blue. Her prior Force use has mostly been passive connection to others over vast distances, going from that to ‘oh yeah also I’ma Mary Poppins through space’ was a lot to swallow. But my main problem was just that it looked stupid. For all its flaws, this movie was mainly very visually impressive, and this was a low moment.
Where are all the other pilots we met in ‘The Force Awakens’? Are they dead? Is every side character we met just unceremoniously dead?
Also do not approve of the implicit suggestion that Poe doesn’t respect Holdo on sight (’not what I expected’) despite knowing of her credentials in past engagements. How does he not know this person who is high up on the Resistance roster, anyway? She’s a Vice-Admiral, and there’s not that many Resistance folks anyway, at least not on these few ships. Having a not-previously-sexist character respond poorly to new (specifically female) leadership just to service the aforementioned half-assed toxic masculinity plot is some bullshit. I fucking love dismantling toxic masculinity, don’t get me wrong, but they did it fucking badly here.
P.s. why is there a guy still on the med ship when it gets destroyed? He didn’t need to be there to steer it or anything, it was out of fuel and floating dead anyway. Why did they not fully evacuate. Why.
Look. Holdo was right to NOT tell Poe what’s going on just because he demanded to know, he is not actually entitled to the information. However, there is absolutely no good reason presented as to why she wouldn’t tell THE WHOLE FLEET what her plan was; when Leia says she was more interested in ‘keeping the light alive than in looking like a hero’, that’s a nice cushy sentiment, but you know how you keep the light alive? Hope. Keeping up morale. The Resistance spends almost the entire film just...flying...running out of fuel...nothing happening for hours...there’s really no sensible reason for Holdo NOT to let everyone know that there is a plan, there is hope, so hang in there. Poe is wrong to try and mutiny, obviously, but there is no logical plot reason for the narrative pushing him to that point. It’s not about whether or not Holdo capitulates to the aggressive demands of some guy, it’s about whether or not she keeps up morale by letting her own people know they’re not actually doomed. I don’t blame her for this as a character, I blame the shitty writing that is too busy trying to tell that aforementioned half-assed toxic masculinity plot. If your characters are all behaving illogically to service it, you’re not making much of a point. This shit was weak, and it reflected poorly on the characterisation of everyone involved.
Holdo and Leia talking about how they totally like Poe and whatever also weakens this whole plot. If your toxic-masculinity narrative ends with the women who have been wronged agreeing that they like the dude anyway (despite the fact that he committed treason?), you probably did it wrong. Also, they don’t know it yet, but Poe’s actions also get almost the entire Resistance wiped out due to exposing their escape plan, so, like. Cool guy. Yeah, I like him too. Coulda avoided all of this with some incredibly normal and expected level of information-sharing, but whatever. Poe is absolved and the attempted narrative thereby rendered useless. 
Holdo’s sacrifice, taking out the First Order ships? That shit was awesome, I won’t lie. Let the record show that Holdo was great, even if the story she was stuck in wasn’t. One complaint: what the fuck with this ‘Godspeed, rebels’ line? It sticks out like dog’s balls and it sucks. Stop trying to make ‘Godspeed, rebels’ a thing.
 Two complaints, actually: bad editing makes it seem like Holdo sat around for AGES before she enacted this plan, and that makes it seem like the First Order should have shot ALL of the transports well before she got the job done. Editing fucking fail.
MEANWHILE, Finn. Why is he barely in the movie? Why is he stuck in an asinine subplot that has no ultimate impact on the plot of the film whatsoever? Bullshit. One of the best, strongest, most dynamic characters from TFA, and they waste him on some pointless idiocy that does absolutely nothing with his character template. Nothing. Coulda replaced Finn with anyone in this subplot. Better yet, replace the SUBPLOT.
If Finn and Rose could jump ship easy-peasy like that, why did the Resistance not have most of their people jump ship in the same way? They coulda dispersed all over the place and regrouped later, or at least sent out messengers to get help (or...runners...for fuel?) instead of keeping everyone in the same place to be shot at by the idiotic First Order (who could have done about a trillion other things besides just flying after some ships for eighteen straight hours. Why does no one in this movie know how to plan anything?). Kinda kills the non-existent suspense of having the Resistance stuck and running outta fuel, huh?
Rose deserved better than this useless subplot where her chief function is to exposition-dump about Canto Bight.
Just-so-happening to get locked in the same cell with a guy who has exactly the skills you’re looking for is an old cliche, not a good one, but it feels extra weak and convenient here because it’s so late in the film and also, ultimately, so pointless. So fucking pointless.
When Finn and Rose saw those racing animals, I literally sighed in frustration, because it was so obvious where the plot was gonna go. Most of the action of this movie was still fun to watch even when it was stupid. This was not one of those times.
Trashing Canto Bight is still pointless, and mostly just makes me concerned for the children minding the animals, and for the animals themselves. All the rich war profiteers will still go on, they’ll just party somewhere else for a bit while reconstruction is happening. They don’t fucking care. The poor downtrodden children, however, will be punished, and the animals will either be killed or returned to the race track, they didn’t get away, they were just right there on the hill. Finn and Rose didn’t achieve anything triumphant here, they just got the already-suffering into a worse situation. Nice job breaking it, heroes. Did I mention this was pointless? Also, anvilicious. 
Why even bother bringing Phasma back when you’re just gonna dispose of her after the briefest fight ever. TFA did a bad job of making her seem like she existed for a reason anyway, but this just hung a lantern on it. Stupid convenient pointless fight/death scene is stupid, convenient, and pointless. 
(on the subject of pointless characters: why does Maz Kanata exist? TFA at least gave her something to do, but it all just feels like Lupita Nyong’o and Gwendoline Christie were a big deal when TFA was made so they made characters for them and went ‘eh, we’ll find an actual purpose for them later’, but then they...didn’t. It’s a waste of talent, and egregious, too. You know who does exist for a reason, and yet both this film and TFA did fucking NOTHING with her? Leia. I can’t believe they wasted her so much. There are so many wasted characters in this film, and the fact that most of them are the female characters does not escape my scrutiny)
 Hux is also mostly useless, for the record. The narrative gives him more attention than he's due, considering he's basically just 'random First Order commander', he doesn't have more personality than that. I don't really require more characterisation for my neo-Nazi villains anyway, but when the character framing keeps acting like the dude matters, it gets conspicuous.  
 YOU KNOW WHAT WOULD HAVE BEEN BETTER THAN THIS??? A spy in the Resistance. The only logical reason for Holdo to NOT tell her own people that they had an escape plan would have been if there was a spy in the fleet (say, someone who could be broadcasting the signal that the First Order was tracking...); a spy in the fleet is also a good way to create some actual tension and, um, narrative, instead of the fleet just doing that flying-in-a-line-for-a-whole-day thing with the illogical Poe/Holdo drama the only complication. You can still keep the Poe/Holdo stuff! Holdo's secrecy just makes sense now! It doesn't even require that Poe not know there's a spy - he could just as easily suspect that Holdo IS the spy, or at least feel that she's not trying hard enough to find out who is and is just consigning everyone to death instead of going on a witch-hunt, there's plenty of potential for different ways to play that without losing the core story (and while also, maybe, improving it...). But most importantly: we could keep Finn ON THE FUCKING SHIP INSTEAD OF OFF HAVING A RANDO POINTLESS DRAMA. Finn, as a former Stormtrooper, would be a prime suspect for a spy in the eyes of plenty of people! People get irrational under pressure! Finn's past making people mistreat him now would be a solid way for his actual characterisation to be part of his narrative, plus opens a lot of avenues for telling worthwhile socio-political narratives! Concern for Finn's safety and the desire to prove his innocence enhances Poe's story and motivation too! Rose can easily be made part of that narrative and can go on a character journey instead of being physically transplanted places just to provide exposition and jewellery! Having two narrative threads (Rey, and Poe/Finn combined, instead of Rey, Poe, and Finn) helps streamline the storytelling AND frees up time to actual explore those narratives thoroughly instead of wasting time on useless stuff and axing important plot developments to make it all fit! I COULD GO ON LIKE THIS FOREVER!!!
I have seen a lot of people insisting that the only reason Rose professing her love for Finn ‘comes out of nowhere’ is because Rose wasn’t presented like a sex object so audiences didn’t think of her that way, but, guys, no. It came out of nowhere because the two characters just had a buddy adventure over the course of a day and now suddenly Rose is in love? After a day? Her sister died, she went on an adventure, and now she loves this guy she just met. If they didn’t try to call it a romance thing (at least not yet! I got no problem with them developing a relationship after, y’know, more than a day!), it would have worked better; she can still stop him from sacrificing himself because she cares for him as a PERSON, not as a prospective partner. We need more of those narratives, tbh, and we need more young pretty female characters who don’t spontaneously develop romance subplots just by existing. 
SPEAKING OF WHICH, Rey. Rey’s story was so consumed with Kylo Ren, I keep forgetting she was there. How did the other great break-out character from TFA get co-opted into a vehicle for the Kylo Ren sob-story? Rey barely gets her own story here, it’s all really about either Kylo, or Luke. Female protagonist reduced to prop in men’s story. Whoopdi-fucking-doodah. 
 Look. I know Mark Hamill was very vocal about how much he disapproved of literally everything written for Luke in this film. He was right, too: it's fucking OOC garbage. BUT credit where it's due: the guy is still fucking delightful. I love bitter hermit Luke, but I'm giving all the credit to Mark Hamill for doing a fantastic job with the material he hated so much (plenty of that bitterness drawn from a real place, methinks), zero credit for the writing because the writing is, indeed, moronic. It's not that I don't believe Luke could become disenfranchised after what happened at his Jedi training temple: I can't buy that he'd end up in that situation in the first place. Luke Skywalker, who famously ditched his lightsabre in front of his Actual War Criminal father, Darth Vader, and saved the day by compassionately appealing to the goodness he solemnly believed could still be found in the old man despite all the genocidal evidence to the contrary? That Luke Skywalker is not gonna look at his young currently-innocent-of-any-crimes nephew and go 'shit, you've got evil in your heart' and decide to maybe just kill the lad in his sleep. I don't even buy that 'for a second'. Dude wouldn't slice a confirmed war criminal, guys. And then even after the massacre at the temple and all, you're telling me Luke Skywalker wouldn't try to rescue his own nephew from the clutches of evil? That he wouldn't try to fix his mistake? That he'd just shrug his shoulders and mooch off and hide while his nephew got to genocidin' just like gramps used to do?? Come on guys. You might as well retroactively kill Luke at the end of Return of the Jedi and have it over with.
 Why does Luke milk a beast. Why did this happen in front of my eyes.
 They don't spend nearly enough time on Rey's interactions with Luke, it makes her 'lessons' with him feel perfunctory, and their conflicts forced. Also, Rey never gets her third lesson that Luke promised, but rather than it feeling like she just left before she could finish (as with Luke on Dagobah), it feels more like they just forgot to tie that off. As I understand, there's a whole deleted scene/sequence involving the third lesson, so it wasn't deliberately omitted, they just didn't bother to cover the editing mistake. Fuck y'all. You kept the bullshit Canto Bight animal-race, but this...
 Rey's mirror-vision thing was super boring because it was so predictable. Why did it go for so long anyway.
 I never want to see Kylo Ren's nipples again. I can't believe they shamelessly subjected the audience to this obvious bait. He's a genocidal maniac, guys. He's a mass murderer. You cannot make fetch happen with him, and it's disgusting that you're trying.
 Related: I normally barely notice/care about costuming, but there were several faux pas in this film and I was irritated. Kylo Ren's pants were one. Rey's outfits being sleeveless but thick on the shoulders was two, it made it look like she was cold and uncomfortable and walking around with her shoulders up around her ears the whole time and it made ME really uncomfortable to look at her. Three is the older women's outfits, Leia's but especially Holdo's: they're Resistance leaders, why do they look like some idiot costumer prioritised them looking like classy older women over them wearing functional practical outfits? Holdo's dress is great, objectively speaking, but in context she looks several degrees overdressed. Did she not have time to ditch the formal gown when she got called in for emergency Resistance-ing? I have seen it suggested that the outfit is supposed to be part of the whole Poe-not-trusting-her-to-know-what-she's-doing thing, and if that is indeed what they intended, it's triple stupid.
 Kylo Ren's sob story is not really a sob story. Yeah, even if your uncle was standing over your bed holding a lightsabre, that's a rough deal but it doesn't entitle you to SLAUGHTER YOUR FELLOW STUDENTS AND RUN OFF TO JOIN THE NEO-NAZIS. What the actual fuck. Why did we spend so much time on trying to pretend Kylo is sympathetic. I mean, he was also supposed to already be being seduced into evil, that's what Luke saw that made him wanna kill 'im up, so. If they wanted us to sympathise with Kylo, maybe they should AT LEAST have focused on what it was that Snoke was using to seduce him in the first place, explain what gave him the in (as deeply, wildly flawed as the prequel trilogy was, it at least did a thorough job of exploring the how-did-it-come-to-this for Anakin). I mean - same as with Anakin - explaining why someone decides that genocide and dictatorships are the way to go does not make it acceptable, and Kylo Ren would still be a whiny little dickhead in need of a nice beheading, but if they explained his susceptibility to Snoke's logic that would at least be character building. Pretending the whole training temple massacre was 1. Luke's fault, and 2. a sympathetic backstory is pretty grotesque. Great way to make it seem like a certain writer-director thinks that the neo-Nazi sith is actually an ok dude, though...
 On which note: Kylo's 'justification' for killing his own father is also, uh, not justification. Just vague-ing about 'destroying the past' does not an explanation make; maybe if we had some of that aforementioned backstory on what made Kylo so susceptible to corruption, that could also have been used to make this bullshit excuse sound slightly less bullshit? As above, it'd still be bullshit anyway, but at least it wouldn't be faking being deep quite so hard. I'm a bit embarrassed by how stupid this was. The idea that any of Kylo's 'justifying' for any of his murderous actions is convincing to Rey is an insult to her intelligence as well as the audience's.
 Remember at the start of the movie, when Kylo smashes his wannabe-Vader mask? I frowned at it then, not realising how much I was gonna end up frowning about it later: Kylo Ren sucks and has always sucked, but in TFA we had this widely-applauded portrayal of the new Big Bad being an entitled white manbaby, and everyone was talking about how great that was as a reflection of modern society's issues, etc. Smashing his Vader-mask in the elevator was the closest moment this film had to acknowledging the tantrums Kylo threw in TFA, which were simultaneously hilarious and disturbing as they did indeed reflect that kind of childish yet violent acting-out you see with entitles young white men these days. Thing is, where Kylo of TFA chucked tantrums and idolised his former-Nazi grandfather and tried to make himself in gramps' image, this movie is subtly ditching those less-than-flattering details. Kylo smashes his Vader-mask, and while Snoke at various points goes on about his potential to be 'a new Vader', Kylo himself expresses no further desire to follow in Vader's footsteps. Smashing the mask has symbolically severed him from that aim, and thus, from one of the most prominent aspects of his neo-Nazi-modelled characterisation. It's almost like a certain writer-director wants to make the character more sympathetic by giving him a 'sad backstory' and distancing him from his neo-Nazi dreams...
 Speaking of ditching plot though, there are two incredibly egregious examples here: Snoke, and Rey's parents. As much as Snoke was a dud of a character who I definitely did not care about or enjoy, and as much as disposing of him is a surprise that opens up a lot of potential for new and different storytelling, the fact that he was apparently some colossal Big Bad who appeared out of nowhere with no explanation and then was treated like a big deal only to get killed off halfway through is...weak. It doesn't seem clever, it seems like they should have just not invented him in the first place if they weren't actually gonna do anything with him. We didn't have to waste time on this.
 The 'reveal' that Rey's parents were 'nothing' is even worse, tbh. They made such a big deal out of the identity of her parents, in this film and in TFA, and TFA is retroactively weakened as a film every time TLJ ditches one of the plot threads or characters that TFA introduced, because it renders swathes of the content of TFA pointless. Not content to just be full of pointlessness yourself, huh TLJ? Gotta fuck up your predecessor too so that you don't feel lonely? I have seen it argued that Rey not having some fancy pedigree and 'coming from nothing' like a normal person instead of doing the Secret Princess trope is a great move, and I agree with that in theory, but as presented in this film? Hell no. Sure, it woulda been a huge predictable cliché if she was secretly Luke's daughter or something, and the entire universe expected that sort of a reveal so there wouldn't have been much point pretending it was a secret, but this 'reveal' feels less like a cool twist-with-commentary and more like a certain writer-director going for cheap drama points by subverting expectation for no other reason than to be shocking. This feels more like laughing in the audience's face for the fact that they FOOLISHLY expected that a built-up mystery would actually deliver a surprise. Subverting audience expectation is only clever if you have an original twist; just going 'ha! You thought there was something there but there was nothing!' is not clever, it just means the writer-director wasn't smart enough to actually find something to do with the plot set-up he was handed after the previous film. Considering how much he fucked up the characterisation of literally everyone and filled this movie with meaninglessness and plot holes, maybe that's not surprising either...
 You know what would have been surprising? Kylo ACTUALLY SWITCHING SIDES. I was so ready for them to throw us a REAL curveball by having him actually turn, and have to spend the rest of this movie and however much of the next one trying to make amends and work through all the colossal awfulness that would bring up for everyone (before, ultimately, dying a nice redemptive-sacrificial death, because the genocidal maniac is NOT allowed to live happily ever after). That woulda taken some real guts though, right, and we're all about cheap meaningless thrills that don't ultimately change anything, here.
 Why were there so many Praetorian Guard guys. I swear Kylo and Rey fought all of them twice in the course of that battle. Who choreographed this editing nightmare?
 Remember, a thousand words ago, when I started off by criticising the idiotic battle plans of the Resistance? Same goes for this useless assault they launch against the First Order cannon on Crait. Lets run these rust-buckets straight at all their guns and things, even though we've only got thirteen of them and nothing to do but drive straight at our enemies guns! Visually exciting, but completely devoid of intelligent design. Using this second DUMBASS BATTLE PLAN WHICH INEXPLICABLY GOES WRONG as a trite-neat way to show how Poe 'learned this vital lesson about when to retreat to fight again another day' is kinda undercut by the fact that the Resistance is still sending people out to die stupidly in suicide runs, so...maybe they still haven't learned the real lesson here, the one about ACTUALLY PLANNING. You wouldn't have to worry so much about your 'dead heroes' if you made sensible strategic decisions in the first place. Pretty weird, that.
 Force-projection Luke was great, but this seems like it's supposed to be demonstrating some character arc for him when actually it's just repeating his whole passive-resistance thing from the original trilogy, just in a less significant way; as a projection, he's not actually endangered as he was with Vader, so it's less of a statement and more of an '...oh yeah I literally can't fight you anyway, peace out I'm dead now regardless'. Like most things in this film, it's only surface-level cool, as soon as you engage thought processes it becomes as empty as a Jedi cloak in the wind...
 Rey and Poe apparently meeting for the first time at the end of the movie was Hella jarring. They may not have met on-screen in TFA, but they were on the Resistance base at the same time, both personally attached to Finn, etc. We coulda just assumed they had met at some point before Rey left. This awkward meeting was awkward and also hung a big ol' lantern on the fact that our characters all got split off for completely different adventures in this movie instead of doing anything together, like, pretty much at all. Nice.
 Why does this film end so many times. At first I thought it was gonna end after the space battle, and then there was this whole extra action scene on Crait and I was like 'that's weird, why would you add an extra small action piece AFTER your big climactic space battle?', then I thought it was gonna end on a cliffhanger with Luke stepping up to confront the First Order alone (they had this shot from behind, showing the fire around him and the First Order arrayed out across the horizon, and the music was swelling and it would have been a PERFECT cut to credits, but then it cut to Poe's face instead and I was like 'whaaatt, momentum of final shot destroyed!'). Then I thought they were gonna end after everyone got away, but THEN there was that useless end scene of the kids back on Canto Bight being like, sooo filled with Resistance Feelings, and it was fucking dumb. Why would you include such a weak finisher when you had at least three solid final moments already? Honestly I think there were several other almost-ends in there that I'm forgetting now (like maybe also right before the fight on Crait started? I dunno). It was a mercy when they finally picked an ending, but it was the worst ending they had at their disposal.
 Am I finished purging now? Probably not. I'll probably think of a bunch of other things after I post this, plus I see a lot of dumb posts and articles defending various aspects of the film, some of which I can shrug off as differences of opinion, and some of which stick in my head for being nonsense to rival the film itself. For every whiny neckbeard out there complaining about diversity and 'woman heroes', there's a 'progressive' writer who defends the decisions in this movie for seemingly no other reason than because it makes the neckbeards upset, and that's just annoying. You can admit that the movie sucked without that meaning that the misogynists were right, the two options are mutually exclusive, and you lend credence to all the problematic crap this movie pulled if you refuse to admit its flaws. But whatever. It wasn't the worst film I ever saw. It was mostly irritating because of how much potential it had, if someone had just bothered to do a proper critical edit of the script and maybe think about telling cohesive stories with it and maintaining characterisation across the franchise, etc. Maybe the third film of the trilogy will fix some of the shit from this film, but the fact will remain, it shouldn't have to. Trying to patch up the holes made by the previous film should not be part of the third film's job; this movie shoulda just been solid to start with. A lot of what was bad about it is structurally unsound anyway, and a third film won't change that. This movie was a dud. A stupid, largely pointless dud. Delete this.
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theday · 7 years ago
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anyways, ill say bye now... i hope ure well rested and have a good day!! (wait, i remember what i wanted to ask!! at least i think this is what i wanted to ask? anywys, do u know what u want to do now that ure finished w school? if u dont mind me asking, of course, i understand if u think its a bit personal!) ok, now im done, have a good day!! take care and stay hydrated!! (and now i really did send u a bunch of asks..)
omg i hope u dont mind but ill be answering the stuff from ur last ask here (the one where i… deleted everything) under cut bc itll be 2x longer now
so first !!!!! how i got into kpop!!! it was thanks to my good pal (@.briwoon) boxy! i follow her on twitter and despite her being a day6 stan twt i had her unmuted anyway bc.. after years of being an anime blog on tumblr and seeing all my anime mutuals slowly converting into kpop blogs one by one i was able to filter the kpop out of my brain?? smth like that since back then i wasnt into kpop and i didnt want to unfollow since im mutuals with most of them :-0 
another backstory - i was one of those people who never saw themselves getting into kpop? and i think the main reason was bc i thought liking kpop would make u seem lame?? due to the influence from people around me?? but as years went by and as my mutuals changed interests it stopped bothering me and that mindset kind of just? faded away bc who am i to call other people’s happiness bad?? but despite being okay with it i never really made the move to get into any groups lmao that was until i got tired of my interest at that time (seiyuu, japanese voice actors) and my interests would always. not last?? idk so maybe thats why i didnt want to get invested but it happened regardless 
anyway usually i wouldnt take notice of her rts but this . this beautiful man with orange hair and minion glasses caught my eye when i was scrolling through my timeline and i was like o worm? oh mu god? hes beautiful? so i slid into her dms and asked her whomst the beautiful man was and she sent me all their mvs after that from congratulations to i smile (the most recent mv at that time, late june) for me to watch :-D now at that time, from what little knowledge i had of kpop.. i understood that groups would be singing and dancing so i was prepared to see some sick moves or smth?? but then. i clicked on miss i smile and my wig flew off? bc… wtf.? they were playing instruments???? and they sounded good ??? so i was like oh my god? a band??????
before day6 i also had (have) a preference for bands and the way their music sounds so i was like?? ready to just. get on board yknow?? i watched how can i say and i saw the lanky noodle wearing glasses and i was like o fuck mu life? i caved and asked boxy for their names and other information and best decision of my life bc.. they really make me happy!!! after that like the day after ? myabe they did a vlive and i was like o shit? what do i do… so i downloaded the vapp and wowie i love it? its my second home…… i watched every vlive they had at that time and i thought that was a lot… (it isnt, compared to mx) and i was just rly content??
(ok i know u asked for kpop and not … day6 or other groups bc im gonna talk abt how i got into mx and astro too bc…… how can i Not.. u can skip this part tho i just wanna ramble abt my loves? ill tell u when u can continue)
that was peak happiness for me at that time.. until… boxy started talking about monsta x in our groupchat (with @.tokayhk) and she would just ramble abt this kihyun fella (who i vaguely knew bc my real life friend likes him and mx and i bought her his pc before along with the guilty clan part 2) so i was like hmm interesting… and honestly? i wasnt going to get into monsta x i really wasnt planning on asking her abt them (since i was scared id lose interest in day6 right after) but then.. she started linking videos and i .. my resolve crumbled down as i heard monsta x yelling and … this beautiful cover (which boxy sent to show us how powerful kihyuns vocals are but i was 2 focused on mister aka minhyukku) and she told us how funny these monsta men are and i was like o h no…………….. eventually one day in late august i asked her to tell me more about these monstas…… aftert that i watched every mxray episode (starting from season 2 bc i dont know 1 comes before 2) and even though i didnt know anyone who was on screen except jooheon i found it really funny and?? it made me laugh so much i love mx?? ya… boxys kind of like my guardian angel?? shes really the reason im living tbh… introducing me to all these lovely people?? thank u miss boxy i love u
now. for the astrosus….. they were a bit different.. because i didnt have boxys help and they were the first group i took interest in solely bymyself so i knew i was in for a wild ride (at first, i couldnt even differentiate brian from sungjin in day6 lmao) after stanning monsta x and day6 i became more?? open to kpop and i started watching unhelpful guides on youtube bc . they were funnie and idk its nice??/ and i stumbled upon the astro one (which wasnt that funny but more helpful than anythng) and i was like. oh worm? the cicada group… bc i watched a short clip of them catching that stupid cicada in their office as it appeared on my tl one day so i clicked on the video ..and after watching that it led me to another video of astro being extra for 6 minutes and those six minutes/????? best six minutes of my life because theyre so fnny and they made me laugh a lot? (combined with the editing from op) so bc they were funnie i decided to look them up and read their profiles/??? i watched their nimdle video and only knew mj bc his tag was the two letters m and j lol but it really made me bust both of my lungs i just?? laughed A Lot 
im not sure how i managed to put name to face so quickly but it mightve been bc after the nimdle videos i watched every ddoca and astro play as well as their vlives available bc..  i just inhale the content at godspeed?? 
for mx and astro i was drawn in by their personalities before their music because they were on more variety shows and had more chances to show dorky they all are which made it way quicker for me to fall for the two groups??? for day6 its a bit sad but the weekly scheduled vlives arent enough for me to tell what kind of people they are (although those r still hilarious) i just wish they would go on more variety shows?? its understandable if they themselves dont want to be on any shows though!!! i love all 3 groups with all my heart :-D 
ok if u skipped u can start from here ill be answering the questions now lmao
FIRSTof all,,,,, youre learning how to drive?? thats so cool >:-0 we’re not allowed to learn until we’re like...?? 18?? or 21 idk but not so Soon :-( and its cute u think abt me (or of what to say) but pleaseth stay safe... i hope ur driving lessons go smoothly until u end theM!!! hopefully youll be able to get ur licence :-D 
aNDD!!! the thought of drinking warm tea when its cold outside.. is so ?? nice to think about hecc u better drink that tEA and enjoy it !!!! stay warm and comfy miss RM ..... and it even snows there????? thats so cool tbh ?? (i love snow but maybe thats bc it doesnt snow here so i dont know the tru evil of snow but like.... its so.... white and fluffy??) i would ask u 2 take pics and show me but alas...... the time is not right :-( do u know when we’re allowed to expose ourselves?? i forgot rip... but its sometime next month right im excited???? since its near my birthday !!!!! 
ok now to answer this ask no i actually have no clue what i want to be after i finish school?? yikEs but last year i (jokingly) said i wanted to be a farmer??? idk if i might actually do that probably not i guess im just freestyling (going with the flow) for now we’ll see where life takes me 
and like i said u can ask me anything !!! im fine with it :-) alsooooo please dont ever feel bad about sending too many asks bc its a lovely thing to wake up to and i just?? get rly happy when i see all the asks in my activity :-D!!  
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lindsaykburton · 8 years ago
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Goodbye SourceFed
And here we are. I have no idea how to go about this. I don’t know how to begin. Maybe that was the proper intro. I don’t know.
SourceFed comes to an end tomorrow. I’ve delayed writing this because I’m having trouble processing everything that comes with the news we all got on Monday. 
In 2013, I found a channel as an 18 year old who just finished freshman year of college. I was on the edge of giving up my pursuit of an entertainment career since I wasn’t feeling it anymore. Then on May 12, 2013 - I found them. I found a Truth or Dare, then a Comm Comm, then a news piece, then a Table Talk and it spiraled into googling every host until 6am the next day. I found the channel when I found Steve and Lee through a YouTuber’s React and swear to god thought they were a comedy band (idk, they had the look). I went “Oh, SourceFed. That’s an interesting name for a band”.
They are what kickstarted my interest in YouTube. I had casually watched it since 2006 but I turned hardcore and obsessing over many YouTube creators since finding them. Their chemistry is unlike anything I had ever seen on YouTube and I have never seen anything like it since then. They reminded of my friends and that was something that resonated with me. 
I owe a lot to SourceFed. They propelled me into my YouTube and comedy career. They're the main reason I ended up at Groundlings which turned into everything else I do now. I’m still in the program at Groundlings as well as taking classes with iO West and Second City. I did two years of sketch comedy with my college and I have been making videos consecutively since last August.
They've given me the most amazing friends (Hi Lee, Andre, Sophie, Kara, Ming, Ryan, Carol, Katie and many many more). I have a lot of memories. Getting picked for TableTalk 5 times as well as CommComm and Truth or Dare. Watching BFTT, Santa Steve, Truth or Dare, and the SourceFed Christmas Special. The OG comment commentary couch. Jonathan Gay. I hate wasp. DeFranco Does LA. The SF booth at VidCon 2015. Going to VidCon 2015 (and 2016 and eventually 2017). Competing against DeFranco in Super Smash Bros at VidCon. Matt Lieberman was even my mentor last year at VidCon's mentorship program! Meeting any of them in person always made me feel so special seeing how personable and genuine and encouraging they were even while working in an industry that can leave a person so jaded. 
And then fan interaction went to a whole other level. Lee is now my friend and mentor at Groundlings and meeting her was one of the best things that happened to me. We’ve now known each other for a few years and she is like the sister I wish I had. That was something I NEVER expected to happen.
I went to their channel first when a friend passed away suddenly a few years ago. It was my go-to for laughing again after a hard day of school or work. Finding them changed the trajectory of my life forever. It ended up in my life at the right place at the right time. Watching the hosts grow into incredible pros in the industry and really wonderful people was a joy and I'm going to continue to watch what they do next because they will conquer the world. YouTube was blessed with 5 years of a channel that dared to experiment and I will respect them for that. It's the end of an era. But I know I speak for many people who say that SourceFed is what prompted them to pursue a career in new media and through that we can carry on the impact of those 5 years. 
I want to thank the team for pouring so much into their work to inspire and educate everyone who was lucky enough to find their videos. Thank you for inspiring me, pushing me, and encouraging me. Thank you for being so kind to my baby brother at last year’s VidCon (his picture is at the very end. It’s blurry AF but you get the picture). He got the best group hug he’s ever gotten in his life. I write this now as a 22 year old with an office job in programming but spends most of her free time during the day at her desk writing, reading scripts, editing scripts, planning camera shots, you name it. I’m gonna make sure to eat shrimp scampi at some point soon to commemorate. And then I will make you proud one day. 
Godspeed.
Sincerely,
Lindsay
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