#i ... am not going back to remake it

[surreal-duck]

Tuesday is chuu day! (x)

[haomnyangz]

Would I be able to straighten out the errors and mistakes and save all of us? I didn't grasp the depth and weight of this question. It was true that I desperately wanted to save all of us. No one deserves to die, to despair, to be suppressed, and to be despised. On top of that, they were my friends. We might've had our flaws and scars and have been twisted up and distorted. We might've been nobodies. But we were alive. - Seokjin – 2 May Year 22 HYYH; THE NOTES

[idalenn]

Honey, you're still on camera.

[mercymaker]

i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.

i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.

one thing in this 'apology' that really stood out to me was this:

how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?

how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?

how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?

all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.

and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?

and then this was from your apology back in march:

and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.

at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.

[confoundedluna]

https://imgur.com/gallery/v2eailm

NEW JESS SCENES AND A NEW DEATH IN THE REMAKE HOW ARE WE FEELING Y'ALL

also some shots of Sam's chase scene which is exciting but definitely gets overshadowed lmao

in case the link doesn't work:

[johnnyy-guitarr]

yeah i don't fucking know either - enjoy !!! 🖤

[raiiny-bay]

attempt no. 2 at making hair

[babvblue]

MARIE & NEUMAN gen v : sick

[wis-art]

I love my carpet thing

[slugpup2]

ryoshu that was going to be for 4/4, but i was too busy with school and playing canto 6. i tried making a detailed background for this one, but i didn't like how it turned out so that version is below the cut.

i had a really good image for this in my head but i rushed in without much planning, especially on the perspective... oh well. cityscapes are hard.

[bedlamsbard]

the 2010 film Centurion is deeply frustrating to me because it desperately wants to be about the Varian Disaster, every single beat in this movie would fit near-perfectly for the Varian Disaster, you could relocate this film temporally and geographically to Germania and not change literally anything except some of the names, and yet because Hollywood considers Britannia way sexier and more exotic than Germania it is set in Britain. this movie should be about the Varian Disaster! in every way but geographically including the drawback of the frontiers this movie is about the Varian Disaster! and yet. it is not about the Varian Disaster.

(the movie itself is fine. like, it's Agricola slander and Tacitus is rolling over in his grave, but my tolerance for historical inaccuracy is pretty high these days. don't go out of your way to watch it, but like, it's fine. if I had a nickel for every time Olga Kurylenko has played a Roman-hating British woman warrior I'd have two nickels, which is not a lot but it's weird it's happened twice etc.)

[momokatzetzgo]

Guys I gotta blurt it out Castlevania Nocturne needs to pick a theme for vampirism why r u trying to make vampires rich elitists but also oppressed but also unsympathetic but als-

[strwberieswsugar]

kinda hate how there’s nothing truly hot and new anymore, everything just feels like recycling past trends and nostalgia..

[the-cat-at-the-theatre-door]

[probablygayattorneys]

Okay, now that I've had time to get my bearings and sit with Another Code and really think about what I want to say about it, I am prepared to do so.

First off, the Switch remake is not Trace Memory. In fact, if you were like me and played Trace Memory as a kid but then it kind of fell off your radar and you didn't buy a used copy on eBay to replay it before you replayed the remake, you would be forgiven if you had a little niggling feeling that you couldn't place that you had seen all of this somewhere before, but not where. Ashley's name isn't even the same - Robbins is spelled with only one b, which I do understand is the same as in the original UK version, but was still quite jarring to someone who's only played the US version.

I didn't feel like I was playing the same game. There's not a single puzzle that I remember as being the game, and where the original made use of it's hardware, so too does this game, having puzzles that depend on the gyroscope, which might be frustrating if you're playing in docked mode and the controller you tend to use doesn't have gyroscope controls.

It is certainly more fleshed out. There are more parts of the map that you get to visit, and you learn more about the Edwards family, though it also felt like it unraveled more threads than it was willing to wrap up, which is peculiar because it also got rid of one of the most interesting aspects of the original game, which is the multiple endings. No matter what you do, the game funnels you into the "good" ending, which I won't say more details about, just in case anyone reading this hasn't played it. This is a little annoying, because it feels like it's taking away one of the things about the game that made it so special, that the choices you make ultimately matter, but is also overshadowed by the fact that I suck at this game and always have, so I never got the good ending on my own, so now knowing why what happened had to happen and how things ended up the way they did... it's nice to have the closure I was never skilled enough to achieve on my own.

Another cool aspect of this game is that Sayoko being Japanese is not incidental - they actually spend time explaining various aspects of Japanese culture, instead of DTS cards Richard's diary is left on origami cranes, and there's a sweet moment where they talk about the meaning of the name Mizuki. As well, there's actually more depth given to Sayoko's character, even though she was still fridged.

So ultimately... Is it a faithful 1:1 recreation of the source material? No. In fact, you might feel frustrated because it feels like the game is treating you with kid gloves - from things like the forced good ending to the fact that anytime you're working on a puzzle, you just have to press a button to get hints and if you go through all of them it basically just tells you the answer straight out - which, in all fairness, it is.

But is it still worth playing? Yes. It's still a good game, even with the oversexualization of Ashley and the fact that with the camera, you spend most of the game looking directly at her ass and she's 13 years old. If you like puzzle games, which if you don't why are you even following me, it's definitely a worthy entry into that catalogue, which does seem to have been drying up lately.

Now, do I want them to make a remake of Hotel Dusk in the same style?

Hell fucking no. The game was good, but not "I trust you with my baby" good.

[sortanonymous]

Wait, they're making another one? Oh-kaaayyyy... Not holding my breath, but hopefully it's at least better than the $h!tshow that was the second movie. (Even if that "version" of Silver is still there.) If it's any consolation, I don't know how much Sega is involved with the Sonic movies, but if it's a good bit, then maybe they can help out! At the very least, there's this amazing comment under the reveal teaser. (GOLDEN ISLAND MENTIONED)