#i just love everything about them and this episode so much

[caldella]

SINSMAS SPOILERS AHEAD

Fan theory time!

This part of this episode had me SCREAMING because I hope they're hinting at a headcanon/theory I've had for a long time!

The way this scene was such a DIRECT callback to S1E1 Muder Family, down to looking through a window and one of them being hesitant to go through with the job because there's a happy family?

In Murder Family it was the same situation (murdering someone responsible for a marriage falling apart), but Blitzø didn't think anything of it even though he had done the same with Stolas. Blitzø and Stolas' situationship vs. Stella could've well been a Martha and Mrs. Mayberry situation, if you remove the later knowledge he and the viewers didn't have at first. Mrs. Mayberry as a client could have very well been a Stella if we didn't know the context later in the episode said otherwise. Mrs. Mayberry was more angry that the public viewed Martha as a hero for surviving being shot than anything else.

And the entire Sinsmas mission making Blitzø hesitant, because now he's realizing that he relates to his target? Like, suddenly he's examining that his revenge murder stuff isn't always the best solution, and this might be hurting someone who has been through shit and should be happy? That he could be killing a Stolas or a Blitzø? That he could be ruining a family of kids like Loona and Via who don't deserve it?

That maybe like he's been doing with his personal life, he should be asking some more questions about the impact of the jobs he's taking on, too? Add in the way Blitzø insists constantly that he's an assassin, not a bodyguard, but he is super protective of his loved ones and has proven to be really, really good at saving people...

Incoming IMP revolution theories might mess this up, but I am going to be SO, SO HAPPY if the eventual end-of-show route for IMP is that they transfer from murder to being bodyguards for hire. Like IMP is now Imminent Murder Prevention or something. Blitz is getting over his mentality that he can only make people's lives worse, and what better symbolism for that than his entire company eventually being devoted to protecting/saving people instead of destroying them?

They still get to fight/shoot/kill if needed, but to help instead of harm. The absolute symbolism. The way that would probably be really good for Blitzø's mental health once he makes that connection because he loves helping people he likes or thinks need it. Moxxie might like it, too. Just everything about this possibility.

I would love it SO MUCH.

[carto0ncritter]

One thing I noticed in this shitshow of an episode is how fucking ungrateful Stolas was for everything Blitzø did for him since he came to his place.

Him being a spoiled rich white asshole:

I hate his facial expressions so much, you have no idea

I can guarantee you care about these 'nice things' more than you care about your daughter btw

Oh, we also have, let's see here...

*insert the entire montage of Blitzø (Stolas' victim) trying to cheer his abuser up since he's now in love with him thanks to good ol' Stockholm Syndrome*

Seeing that cigarette reminds me of when Stolas uh... *checks notes* called Blitz an 'itty bitty imp (racist)' despite him clearly hating it, grabbed his cheek and used his horn to put out his cigarette (not to mention Blitzø's severe trauma being related to fucking fire)

Okay so anyway, I think Stolas said "Oh, when have you ever asked" bc Blitzø stole from him and his family 25 years ago. correct me if I'm wrong here but isn't it manipulative af to bring up smth that happened that long ago, also it's totally unrelated to the current situation. I swear it's like a grown ass man saying to another "Oh I still hate you because, uhm, remember that one time in 3rd grade when you stole my pencil..."

So... if Stolas still holds this against Blitzø, let me ask: why was he ever "in love" with him in the first place? Answer? He wasn't. Stolas only used this imp for his sexual fantasies and for him to get to experience his "fairytale romance"

P.S. Imps are a race his privileged ass has always been racist towards and he hasn't ever attempted to, uh... try to understand them better? Understand how they live? I mean if you truly cared about your "boyfriend," Stolas, you'd have put in SOME effort to change your mindset/behavior and WOULDN'T HAVE EVER SEXUALLY COERCED HIM

He also r@p*d you blitz

And no he didn't do much, he's powerful af. Using those powers isn't rocket science heck he turned an imp to stone in s1 he can protect himself but is apparently the "bottom" in the stolitz "relationship". Also no, him leaving Octavia clearly isn't a huge deal to Stolas otherwise he'd have fought to earn her forgiveness and not just sulk like a wimpy loser. YOU ARE NOT ONLY A GROWN MAN STOLAS, BUT A FATHER. At least you were supposed to be

So was not thinking about your daughter until you lost everything, apparently

AGAIN WITH THIS SHIT??? WHY ARE WE TALKING ABOUT A TRANSACTION AGAIN

Alright I'm signing off until the next season drops, if that ever happens

This episode sucked, but kudos to our girl Via who waa smart enough to see through her "father's" bs 👏

ALSO HAPPY HOLIDAYS TO THE CRITICAL COMMUNITY (and to non-toxic stans too)!

[wineonawhitetee]

ALRIGHT SO

One of the things I noticed mildly in Mastermind and was given more content of in Sinsmas: Blitz is having a really good time. Like, ofc he's still suffering, but, the ending of the episodes are really good for him. And this is hugely contrasted by the fact that Stolas...isn't.

Blitz is so sweet and gentle with Stolas because he’s doing fine and Stolas isn't. Think about it

By the end of Mastermind, Blitz is in a pretty good position. He's basically become a celebrity among the working class imps. Combined with that, he's INSANELY relieved. Just a few months ago he thought he was going to never see the love of his ife again. A few hours ago, he thought he was going to die. A little after that, he thought the love of his life was gonna die. Then he didn't. He still has his family whole, Loona is freely admitting that she loves him, his employees are okay, Stolas is okay and living with him now. He's doing well.

Compare that with Stolas

He has just lost everything he has ever known. He's lost his powers, his money, his books, his house and -most importantly- his daughter. He is lost and shell shocked and miserable.

While Blitz is relived and hopeful.

This carries forward in Sinsmas, where Blitz is a lot more chipper and Stolas is still downtrodden.

The responsibility of working is weighing on Stolas while Blitz is happy to get him on the job. He doesn't take offense to Stolas's groaning and carries on like normal.

At work, it's also an instance of Stolas being miserable and Blitz trying his best to comfort him and to be supportive, even disagreeing with the client to make Stolas feel better.

Then it's the two things that fucking GET ME in this episode

Blitz trying to warm Stolas up, to be close to him, to cuddle him, to touch him, to comfort him and Stolas being cold and un-receptive (also both of them are hugging themselves nooooo please hold each other it'll helpppp 😭😭😭).

And these last shots that really sell it

Blitz is soft and happy. Stolas is defeated and distant. It's clear in the previous scenes that he loves Blitz and this is everything he ever wanted but it seems like a hollow victory because he thinks he's lost his daughter forever. He's so tired and it's so clear that he wants to enjoy this moment - to give in to the comfort - but he can't.

It also illustrates the development and reversal of Stolitz's dynamic perfectly. Earlier on, Stolas would've jumped at the slightest sign of Blitz’s affection. Now he can't even hug him back. Blitz is kind, hopeful and affectionate. Stolas can't find it in himself to reciprocate.

Y'all, I hate them so much

[rootspiral]

Agatha All Along deep dive: episode 8 part 8

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8])

so anyway rio could have stepped in at any moment and ejected billy into oblivion / prevented agatha from getting a full recharge. but did she? no, no she didn't. this is absolutely a fucked up game they're playing instead of talking about their feelings. rio tried to talk and agatha rejected her (almost) every time, so theatrics and blood it is! god it sucks so much that this stupid flirt/hurt/posture/dance is the only way agatha allows them to communicate.

agatha's smirk! she's like, now you're gonna get it! now I'm gonna fuck you up!!! rio has been throwing her around like a rag doll, but now that she has her powers back agatha can finally put allllll her shields up and do a little show of her own.

when it comes to agatha everything is about being in control of the narrative, being the one who hurts rather than being hurt, never showing any weakness or vulnerability. she was awfully vulnerable without her powers and that has allowed rio to creep in closer, something that agatha had managed to escape for so long. it's no coincidence that she chooses this appearance, the same one she chose when going face to face with wanda. this is what she was trying to look like with her purple coat too: the formidable, merciless witch. it's an armor she clings to, a mask to feel powerful that won't ever show the mess she's hiding underneath. this is what agatha chooses to look like when she's scared.

rio: fuck off you little meddling twink the adults are talking

agatha: mwhahahah I'm such a big scary villain just lemme check if billy's okay real quick.

actually let me gush for a second about agatha's greenhouse being full of herbs and potions! her witchy basement disappeared because she had built it with a magical illusion, but in here she's been totally experimenting with physical craft (neeeerd).

billy's like, are those two fuckers honestly actually flirting right now

CHILDREN I swear to god

LEAVE MY INFURIATINGLY STUPID EVIL MOM ALONE!!!

poor rio. just her luck that when she finally gets to corner agatha a baby maximoff comes into the picture. I love my perfect mama's boy.

the bittersweet look she gives billy. she's truly having a lot of firsts, now she finally admits that all her dancing/fighting with rio is futile, it's just for show and it won't ever truly solve anything. what is she even doing, involving billy? billy who's still so earnest, so eager to help.

I SEE YOU JAC SCHAEFFER! I SEE YOUR EVIL WAYS! I SEE YOU CREATING THESE SILLY LITTLE SHOWS SO YOU CAN EXPLORE THE IMPOSSIBILITY OF LOSS AND GRIEF AND OUR OWN MORTALITY!!!!

but she's being 100% genuine here???

okay, no, this is still agatha we're talking about.

she's being aT LEAST 80% GENUINE! she's having a moment of clarity, she's contemplating the true awfulness that would be sacrificing billy on the altar of her own fucked up issues. the mask has slipped and the real agatha is peeking through, swords in her heart and all.

her parting words to billy: you are not bad. the same words she wanted to imprint on him when they had their first mask off conversation. don't let people cast you as a villain, like they did with me.

Neither are you, says Billy.

You're the only one who thinks so.

The thing is, being so hated, doing all the fucked up things she does, really hurts agatha. It's no justification whatsoever, doesn't make her any less of a villain. she goes out of her way to be misunderstood, to never show any weakness, to selfishly rationalize all the horror she inflicts, because the alternative is opening up to more potential hurt, and she's been hurt too fucking much in the past. and the more she pushes people away, the lonelier she is. it's a vicious circle.

three people loved her despite it all: rio, and she ran away from her when things got too overwhelming. nicky, and that's a whole other mess that I'll get into next episode.

and now billy loves her, and she craves that love just as much as she wants to run away from it. she'll hurt billy to protect herself, she'll hurt him first because she's afraid that he eventually will leave or die or get mad and will hurt her. because right now? she's feeling so much love for billy, and that's terrifying to her. the more she loves, the more she opens up to heartbreak.

both gorgeous shots

billy: I'm not that nice.

also billy:

then she got an idea. an awful idea. agatha got a wonderful, awful idea.

oh this is perfect, isn't it, agatha? you somehow convinced the boy to turn himself in! if he goes through with it, rio has promised to leave you alone! you'll be free to crawl back to your dark dark corner and accumulate bodies and power like the old miserable smaug you are!

you can see agatha's survival instinct kick into high gear. this is how she has survived so long. this is what she does.

BILLY'S FACE. I got to laugh a bit, sorry kid.

rio shaking her head both in triumph and exasperation. of course you betrayed the kid, agatha you piece of shit. rio didn't expect any less from you.

and she can't even look at him, the coward.

but I thought we were having a moment??

he went ahead and made a grand gesture without being ready to actually sacrifice himself whatsoever, and now he's going "mom??? come back and pick me up, I'm scared??" it's like agatha is kicking a puppy.

the slow, dramatic turn. the evil grinchy grin. this is the most egregious example yet of agatha putting her mask on, and we have all the context to understand exactly what she's doing and to see what's going on both on the surface and inside her wretched little soul. she's not cruel and uncaring, that's play acting - she's actually small and scared and a coward. she's once again running away screaming, rationalizing it as a smart choice and breaking her own heart in the process.

so I know billy's telepathic line was added in post because disney execs feared audiences wouldn't buy agatha turning around on her own. what absolute buffoonery, such massive disregard for your viewers' intelligence.

...on the other hand. billy full on misreading the situation and trying to fix things that are beyond him, only to accidentally hit the target? somehow fixing a delicate fragile problem by hitting it with a hammer? totally on brand for him.

is this how nicky died? it kind of is. she did choose her own fear over nicky's well being, despite loving him so so much.

whether you choose jac's version or disney's version, here's what happens next: agatha stops in her tracks. her stupid grin fades away, and she clutches her chest. she finally did it, she told a lie too big. her poor heart, already bleeding from all the swords stuck in it, simply cannot take one more stab. sure she's all about self-preservation, but at this point she's damned either way: she either goes out saving billy or she's killed by her own regrets and sorrow.

she turns around. she runs. not to billy. to rio.

going back to what my mother jac schaeffer (whom I love more than jesus or pizza) said: this is not agatha enacting a grand plan, she's not taking a ~calculated risk like she'll tell billy later, the fucking liar that she is. sure, she had a vague hope of turning into a ghost, but she didn't know for sure. this is agatha's emotions taking over her brain - like they tend to - and forcing her to use what are probably her final moments on earth to TAKE WHAT SHE'S BEEN CRAVING ALL ALONG

agatha grabs rio's face and SMASHES their mouths together. FULL ON proceeds to EAT HER FACE she wants her so much. rio is shocked for a moment and then closes her eyes and gives in completely. and you can see the poison taking over because this idiot - this gorgeous, tragic dork - has decided to kill herself by absorbing rio's powers - but this is not going to be a mere 'peck of Death', no sir, that's not what it's called! agatha is gonna SNOG Death, she's gonna TONGUE that immortal being, she's GETTING ALLLLL HER MONEY'S WORTH. dear lord the HUNGER and YEARNING and DESPERATION on her face.

and I love that she's taller here. they're basically the same height so who's taller depends on the shoes they're wearing, but I love love love that agatha gets to engulf her for once. agatha taking control, rio giving herself up completely

what? you thought that now that magic has been absorbed THE KISS would be over???? well THINK AGAIN. because now we're going to switch angles, we're going to linger, we're going to make it look like almost gratuitous fan service, oh yes we are!!!

I truly don't know what to say. I would like to thank jac of course, and kathryn hahn and aubrey plaza for MAKING THE FUCK OUT and exchanging so much spit on camera like the true professionals they are. thank you writers room, thank you to all the crew who had to listen to the ungodly noises these two were undoubtedly making. thank you gandja monteiro for directing this. I'm going to even thank the lighting department for making it thunder so we can (more or less) see what's going on. this was truly a group effort. well done you all!

and they keep kissing until the very last available moment, and rio doesn't know how to let her go

but this is so on brand for agatha. you know if rio was in her place she'd try to be as gentle as possible to ease agatha's grief. agatha literally went for the most dramatic, most over-the-top, most emotionally devastating way to go. this was supposed to be rio's big moment! and what does agatha do? she makes it all about herself. again. should be the other way around, but once again rio gives, agatha takes. you just gotta laugh at this point.

Death looks on stone faced as her love turns back to nature and balance is restored. she wraps herself in her cloack and tries very, very hard not to cry.

agatha really went and made rio kill her, didn't she? rio, who isn't ALLOWED TO. these two are soooo wrong and so toxic for each other and yet they love each other so freaking much, I truly cannot get enough of them.

go to episode 8 part 9

[helluverse-rewrites]

Rewriting Fizzarolli and Striker

Yeah I'm putting these two together because if I were to just do one it would be to short I feel

Fizzarolli

Fizz is a fucking menace. He causes chaos wherever he goes with no regard for others. He's a selfish jokester and an asshole and legit loves to bully people and make others feel smaller than he feels

I hate how the show ruined his character and just made him uwu sub boy who has to be protected by his big dom daddy. Make him be an asshole. You guys had it in the first half

Sure, he was a jerk before working under Mammon. But after? He can read you like a book. He knows immediately what your biggest insecurity and will bully you mercilessly about it

I'm not going to spoil too much about my rewrite of Fizzmodeus just yet. But they didn't have the smoothest first meeting

Yeah he bullies people using their insecurities, but truth be told, he has a lot of insecurities he hides behind cruel words and snark. He is literally all bark and no bite

Okay he can bully you and he tells you exactly what he thinks of you. But around Mammon? He is very compliant, it's like he's a completely different person honestly

Striker

Striker :)))

We don't meet Striker until the halfway point of season 1, but his character is foreshadowed a lot in the first couple episodes. Wanted posters, offhanded comments, ect. but the thing is... nobody knows it's Striker. When assassinating people, he keeps his identity hidden behind different pieces of clothing. But one thing that points to his identity is that one golden fang. A passerby claims that the assassin's mask slipped off for a split second, revealing a golden tooth. A couple other people has claimed to also see the golden fang. And until his identity is confirmed, they call the assassin Golden Fang. Too bad so many imps do, in fact, have a golden tooth

The only reason the higher ups care about this is because he's killing royals, and that's unacceptable

Striker is a cunning, manipulative, and charming imp. Like I said, we meet him at the Harvest Moon Festival, and it's revealed that he's actually a family friend of Millie and her family. Moxxie immediately doesn't like him and Striker is oblivious

Man, wouldn't it be crazy if he ended up joining I.M.P which creates some fun dynamics 🤔🤔

Oh yeah I should probably go over the reason why he hates rich people. When Striker was only five, his family got killed by the Goetias. His family were trained fighters so they tried to fend off the Goetias. Striker, being smaller than them, and also a baby, just had to hide and hope for the best. He hid under his bed for five hours, hoping his ma or pa would come to retrieve him and tell him everything would be alright. But that never came

[blitzwhore]

Stolas just standing there and letting blitz hug him in the end is all good, right? He is just sad because of octavia and accepting that blitz is there with him right?? It's not that he regrets chosing him, right??? (I just need affirmation)

You know what? I've found myself needing reassurance about this too. So let's take a moment to look at the facts together, shall we?

(This reply turned out way longer than I expected it to 😅 sorry!)

Fact #1 - Stolas is still coming to terms with the consequences of his actions. He spends the whole episode finding out just how much his life has changed. Learning how to navigate groceries, and laundry, and meals, and having a job, and worrying about money.

Mid-episode, he has a breakdown where he truly questions if everything he gave up was worth it just for a fantasy. At this point in the episode, he still hasn't realised how much he means to Blitz. As far as he's concerned, he did all of this for someone who doesn't reciprocate his feelings. But by the end of the episode, though, his feelings have settled enough to understand and express what he has known to be true all along: that saving Blitz was the right thing to do.

What Stolas regrets isn't saving Blitz's life, or even loving Blitz in the first place.

What he regrets are the choices he made that led them to this. He feels guilty for selfishly (or, rather, naively) playing out his fantasies. He's the one who established the deal, who let Blitz illegally use the book for many months, who wasn't always sensible about how he expressed his love for Blitz publicly and despite being married, and who allowed himself to ignore the reality of his situation so he could live in his own, personal romcom—all of which ultimately led to the events of Mastermind and the loss of Via.

And all the guilt and regret he's grappling with (however justified it might be) is exacerbated by fact #2, which is:

Fact #2 - Stolas is off his medication. He's been off it for a month now. Symptoms of depression (especially untreated depression) include mood swings, irritability, self-hatred and low self-esteem, passive/active suicidal ideation, pessimism and hopelessness about the future, catastrophising, black-and-white thinking, and anhedonia (inability to feel pleasure and to find joy in things—and people—who used to bring you it). All symptoms Stolas exhibits throughout this episode.

So, even if he shows a lack of emotion toward Blitz at times, or irritation to seemingly minor things like low doors or "secretating" or Karen's behaviour, even if he acts regretful and angry and desolate... a lot of these emotions and behaviours are a result of his depression, and not of actually hating the life he chose.

Fact #3 - Stolas loves Blitz. He always has, and always will. I could point at a thousand different moments in the show when Stolas' love for Blitz has transpired, but I'm going to leave it at his line from Mastermind: "I would rather be dead than live life without you by my side."

Even after everything they've gone through, even now that he's taken Blitz off his pedestal and can acknowledge that Blitz can be a fucking idiot... Stolas simply does not want to live a life without Blitz. It has always been Blitz. It will always be Blitz.

Stolas loves Blitz.

Fact #4 - Stolas kissed Blitz. Before he truly hits rock bottom as a result of Octavia cutting him out, Stolas is so ecstatic that Blitz cares, that Blitz was willing to go to such lengths to save his life, that he can't hold back the need to kiss Blitz mid-air. Suddenly, none of his earlier frustration matters. Nothing matters expect for how elated he is that Blitz loves him back. So he smiles and he pulls Blitz into a kiss because he can't bear not to kiss Blitz for a moment longer.

Look at this man. Look at how happy he is. Because it's always been Blitz, and maybe it was a fantasy for a long time, but it doesn't have to be anymore. Maybe this can be real now. He's so happy he (and I) could cry.

Fact #5 - Stolas didn't deny loving Blitz. When Via said "You don't love me, you love him," the script very purposefully did not have Stolas go "no, no, Via, that's not true—" or say anything else that might make Blitz doubt, even for a moment, that Stolas loves him. Because that much is true. He does love Blitz. He just also loves Via. Which brings me to:

Fact #6 - Blitz knows Stolas loves him. At no point throughout the episode does Blitz doubt, even for a second, that Stolas loves him. And we know this because Blitz's walls remain down at all times. If Blitz doubted he was loved, if he had even the slightest of reservations, those walls would come crawling back up whether he wanted them to or not. It's what he's been trained and conditioned to do—it's how he's kept his heart safe ever since the accident.

But now, he knows his heart is safe with Stolas. He believes it enough to not depend on his walls to feel at ease. He believes it enough to let himself take care of Stolas and be soft with Stolas without the slightest trace of hesitation.

Look at Blitz's face. This is the face of a man who knows that even if Stolas isn't okay right now, things will get better. And when they do, they'll both still be in love with each other. This is the face of a man who can't wait for something beautiful to flourish between them, but who is in no rush to get there. He knows the road ahead is hard and painful, but he has faith in Stolas. In both of them.

Fact #6 - Stolas was happy to share a private, romantic dance with Blitz. Despite everything going through his mind, he found comfort and happiness in dancing with Blitz; in getting to have this little moment with him.

He found relief in the fact that Blitz stayed with him this time, even after Stolas told him, once again, that he didn't have to stay.

His reaction to Blitz initiating a dance between them is genuine surprise, immediately followed by an enamoured little smile at the mere notion that he gets to have this, now.

And, as they dance, he keeps smiling and leaning into Blitz, going as far as to manage a deep, heartfelt laugh at Blitz's words. This, for an unmedicated, depressed person going through one of the worst days of his life, is huge in itself. It shows that, even in the worst of times, he finds undeniable comfort and happiness in Blitz.

And, after their dance, Stolas looks at Blitz with a sobriety and soft sort of realisation that shows he's finally coming to terms with the fact that this is real. After everything he's lost, after all the fantasies he hoped for for so long and believed he'd never have, he finally gets to have this.

Despite the pain he's going through, Stolas looks at Blitz and sees the man he loves.

Notice how Blitz's eyes trail down to Stolas' mouth. And Stolas realises. And doesn't move away. Waiting, expectantly, for Blitz's next move, fully expecting it to be a kiss.

But then Blitz hugs him instead, and Stolas doesn't hug back.

And it's not because he doesn't want to be hugged by Blitz. It's not because his feelings for Blitz have changed, or dimmed, or disappeared. It's not because he regrets loving Blitz, or saving him. It's not because he doesn't want to have a close, healthy, loving romantic relationship with Blitz.

It's because of facts #1 (he's grappling with so much guilt and coming to terms with the consequences of his actions) and #2 (he's experiencing symptoms of unmedicated depression). And, above all, it's because of fact #7, which is...

Fact #7 - Stolas doesn't know how to be loved. Stolas has never had support. He has never had a shoulder to cry on, or someone to hold him when he needed it. When he's feeling vulnerable and broken, he defaults to hugging himself as a way to self-soothe, because that's the only comfort he's ever known.

And because he's never known comfort from others—because it was never allowed or safe for him to need or ask for comfort from others—all Stolas knows to do with his vulnerability is hide it. So much so that, the two times we see him begin to break down in front of Blitz, he either portals Blitz away or masks his tears and pain immediately. Even as he drunkenly rambles about wanting to be held, he still makes sure not to appear like he actually needs a hug.

So when he finds himself being held by Blitz in a warm, comforting hug, Stolas doesn't know how to respond. Because he's never had this. He's never had an opportunity to learn how to exist in someone's comforting embrace, how to interact with this kind of physical contact. He still has to learn how to feel safe between arms that aren't his own.

Simply put, Stolas still doesn't know how to hold Blitz back.

That doesn't mean Stolas doesn't want or need physical comfort. He needs it desperately—everyone does. But wanting something and knowing how to actually have it are two very different things, and Blitz knows that better than anyone, because he's wanted Stolas for a very long time, but didn't, until very recently, know how to feel safe accepting Stolas' love.

And that's why Blitz is completely understanding of the fact that all Stolas can do, all Stolas has the ability to do, is stand there and let himself be held, and let his emotions go through him. In, and out, with every breath, with every second. And get slowly acquainted with what being comforted by the person he loves feels like.

Thirty-something years of trauma can't be undone in a single hug, or a single conversation, and it's going to take time for Stolas to learn how to be present while in Blitz's arms, and how to return that emotional closeness.

But Blitz has faith in him. Blitz is willing to be patient and soft with him while he gets better. Blitz is ready to meet Stolas where he's at, because he knows, beyond a trace of doubt, that they love one another, and they're going to be okay. Even if Stolas doesn't know it yet—even if we, the audience don't know it yet—Blitz knows.

And that's just going to have to be enough for now.

And because this post got completely away from me, I shall conclude by quoting their song, because it summarises their story better than I ever could:

Truer love is hard to find. ❤️

[m4rs-ex3]

ok i'm so terribly sorry to be saying this but i'm kind of ok with sorvus not becoming canon canon

i know we were pretty much all expecting something but it doesn't feel like we were robbed; it doesn't feel like we were teased or led along or, ahem, baited. the show absolutely knows what it has but it's not a case where they choose to ignore it and it's incredibly frustrating. something tdp is very good about is not fully committing to something big (ie rayllum proposal) but gives you enough to satisfy + enough to allow for more future exploration (ie rayllum in episode 5 [sorry i have to make everything about rayllum jk im not sorry]). they take every opportunity to show how much soren and corvus care about each other and their chemistry is an unstoppable force.

in addition to the fact that it is by zero means not not canon even if they're not exactly canon, i think it works with the story. even being the world's biggest shipper who cares about a show's relationships pretty much more than anything else, i low-key hate it when a million couples are thrown in your face at once, especially in finales where it's like "ok the day is saved everyone's found love!!! isn't that so great!!!!!! happy ending!!!!!!!!!!!!!" this was part of the reason i was a little put off by terry's existence in the very beginning because it was just like.... do we really need another couple? even if i didn't dislike their relationship. and that's also why i'm so happy with the way they turned out because i love it when there are relationships that just don't work out (unless i have any sort of attachment to the ship in that case fuck you they should have been together forever [but then again if it feels like the only reason a relationship ends is because the writers said so then i kind of consider that bad writing anyway]). in the case of sorvus, i certainly wouldn't have been opposed if they'd gotten together near the end (especially since rayllum, yk, were already together so it wouldn't have felt they were fighting for attention), but it feels kinda right that they didn't. rayllum is the main event whether you like it or not and i'm very glad that they stuck with that. it wouldn't have exactly been fair to sorvus either, would it?

and, of course, this leaves so much more opportunity for them. especially if we get arc 3, but either way there's no way we won't get something of their quest. so this way they get their own spotlight, and they get way more time to develop to that point (which is another reason i don't believe they should've gotten together in s7 because there was just too much going on and even though their relationship has gotten lots of time it still would've been like "oh! ok! they're together! ok! what's happening!")

at the end of the day they are 110% in love - we know that, tdp knows that, and we don't need to see them make out for it to click (just like s5-early s6 rayllum to harken back to that unavoidable comparison), even if it might've been nice

[massy2ly]

Quick personal observation/interpretation of each BOYFRIEND in ep 5 because I’m absolutely floored by how well the actors managed to emphasize their differences.

Jojo the talented man that you are… it takes so much skill to highlight different dynamics while the couples are still stuck in that gray zone full of secrets, trauma and lies.

- Kant vs. Style: Style in this episode was everything I wished to see. I was a little skeptical about how he was going to act around Fadel after learning the truth. Is he going to be scared? Is he going to act like Kant and be all lovey dovey while avoiding any dangerous topic that might make him look suspicious? Is he going to put a mask on too and come across as oblivious and innocent? NOOOOO. He was a stark opposite of Kant and that’s exact what I wanted. Not because I don’t like Kant or anything but I just wanted that refreshing contrast between them.

Kant has opted for the lover boy disguise since ep 1. Charming, down to earth, normal, unproblematic, gentlemanly, pliant. He wanted to appear innocent too but when Bison learned about his criminal past he couldn’t keep up that lie for too long. So he turned that innocence into redemption. A thief became a hero, an avoidant guy with commitment issues became devoted and loyal. A man seeking redemption and a regular relationship with a cute, pretty and ordinary waiter. That’s how he wanted to get close to Bison as a way to avoid raising suspicion, to steer clear of any danger that comes with this hitman. SAFETY came first In his book and he was smart enough to figure out that Bison needed exactly that: a new standard life and to forget who he is.

Style on the hand… many of us had suspected that his curiosity and growing feelings would overrun his fear of Fadel. Style is smart but he’s also bold, confident, extremely curious, spontaneous and likes risks. But what’s interesting here is that, contrary to Kant, Style is at peace with himself and his emotions. He always allow himself to feel and express those feelings. This, in addition to his curiosity, could explain why he flirted with danger in ep 5. He needed to figure out what he was feeling, he wanted to unravel the mystery around Fadel. While Kant keeps fighting himself and his love for Bison because he’s convinced there’s no other way, Style can’t help himself. While Kant constantly tries to remind himself that Bison is a hitman, Style in ep 5 is digging for Fadel’s humanity, anything that could legitimize his feelings for him or explain why Fadel is the way he is. We see this so clearly with Style’s confessions, raw feelings that caught Kant by surprise and even pushed him, FOR THE FIRST TIME, to admit that he, too, likes Bison. Style’s open attitude and straightforwardness exposed not only Fadel in ep 5 but also Kant (fucking finally).

- Bison vs. Fadel: these two are so different, we knew that since ep 1 and it’s reflected in how they act in a relationship too. It may or may not be because Fadel had experienced betrayal or/and loss in his past relationship.

Bison has a childlike rawness to him that fuels his hope. Sometimes it comes across as naivety, especially during his exchanges with Fadel as the contrast in their personalities brings that out. Bison not only wants a normal and carefree life but he’s high key convinced that it’s achievable for him, despite being an assassin. He’s a little whimsical and likes to forget who he is by putting himself in the shoes of someone ordinary. I think that’s why he’s so drawn to Kant and that’s why Kant acts like a “honorable citizen” (lol James) around him.

You just have to see how their relationship developed compared to Fadel and Style’s. It had a traditional flair to it: the courting, the dates, the handholding and sweet words, the soft tone with which they talk, THE BED (that one took a while for the other two lol). It appealed to Bison because it gave him a sense of fun, safety and normalcy. Unlike Fadel, Bison acts sweet and avoids scaring off Kant, unless his emotions get the better of him. He prefers not carrying that sense of danger and warning sign around him, which would’ve worked if he wasn’t so temperamental.

Fadel on the other hand doesn’t want to forget who he is and is convinced he would never be able to turn over a new leaf. Call me sadistic but I really, really liked how he’s still pushing Style away, even after he agreed to be his boyfriend. The way he’s doing it rn is so sad and beautiful because it’s doubled with this new vulnerability that just… ugh left me feeling all sort of things. I just love how honest he is with Style (minus that ex lover thingy he denied or idk). He doesn’t pretend to be someone he’s not, he doesn’t ignore his reality. I even think he’s loosened his hold on the dangerous aura he carries because in ep 5, he’s very straightforward with Style. Before, he would just act annoyed like a hardass who can handle himself but still avoided raising suspicion. The shift in ep 5 is CRAZY. He told Style on numerous occasions: “look I’m dangerous, you need to leave. I won’t trust you and I can’t give you what you want because I don’t think anyone can love me enough to stay by my side through this.”

[puckpocketed]

Trying to absorb everything there is to know about ice hockey within the shortest amount of time possible really does strange things to a person. You come up against questions such as what do defensemen even do aside from skate backwards and do tummy time to protect their goalie? (Broadcasts aren’t the most informative) What the hell makes defensemen effective? What do the casters mean when they say “gap”? What are defensive details?

I love watching games back, I love trying to understand the game. I love hockey <3 But sometimes it’s nice to have help, and sometimes my favourite writers/podcasters collaborate!!

Here is part 1/3 of a podcast mini-series about defending, putting it here so I can have a copy of it in case it ever gets taken down + wanted to share with everyone some of my findings! (All episodes are available if anyone just wants to listen to them!) Transcript + edits done by me, all mistakes are mine.

Published 6th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #1 - by Hockey's Arsenal, hosted by Greg Revak (apple / spotify / youtube / bonus substack link)

part 2

[START Transcript]

Greg Revak: On the Hockey IQ Podcast today, we open up a new segment: we’re bringing back our favourite Will Scouch. If you’re on the Hockey IQ Newsletter you know his work by now.

Will, good morning. Earlier than most of us probably normally get up, but it’s a good day.

Will Scouch: Yeah, Greg, thanks for having me, it’s a lot of fun. Me and Greg go way back. We’re boys from years ago and I’m excited to hop on the show. I’m a keen listener, keen reader. 

[They exchange pleasantries]

GR: Beautiful. Well, today we’re gonna talk about three concepts. We’re gonna break it into three spots though, so everyone’s gotta come back next week and the week after that.

We’re gonna talk about defensemen, because everyone knows they’re important but how do we actually play the position well?

WS: Yeah, I mean, it’s a position that’s still, to me, being explored; both by, I’d say youth and junior coaches and pro coaches alike. There’s a lot of different ways that you can do it.

I mean, I watch a lot of hockey from around the world, all kinds of different levels. I’ve watched guys develop from 15 to 24 at this point, and just seeing how their games evolve and everything, and how effective various versions of this position is. And I think it’s a very interesting area that’s still being explored in a lot of really interesting ways, for sure.

GR: Yeah, I think back to David Savard; he comes out of the [QMJHL] as this high-flying offensive defenseman, and if we just forgot about the rest of his career and you just saw him today as this great shutdown, defense-first player, you’d be absolutely shocked.

I mean, you think about Rasmus Dahlin — kid didn’t even play full time defenseman until his actual draft year, he was still playing forward a ton. There’s so much to be explored here.

I feel like [to get a lot of] — for you NHL fans — to get a lot of value in the later rounds out of your defensemen, take those offensive players first, and we can find a lot of hidden gems later.

WS: Well, yeah. I mean, actually, I’ve said this a few times but your listeners probably don’t know, but I did a presentation during the pandemic at the Ottawa Hockey Analytics Conference about this topic exactly; how, when you look at the numbers and the defensive value of players in the NHL, I found that there were just as many in the top 50 defensive value of players in the NHL, there were just as many undrafted players as there were second round picks, second and third round picks combined.

So the draft isn’t really a great historical gauge on defensive ability. Offense is a different story from defensive players, which we could probably get into a little bit.

But I find, personally, that evaluating defensemen and projecting defense to the NHL is still really spotty and questionable. And I don’t know, in my line of work, watching a lot of defensemen, a lot of the ones who I think are some of the better defenders kind of go a little unheralded, because a lot of the time you don’t need to be particularly noticeable to be a good defenseman, but scouts are always looking for the noticeable guys.

So it’s a very interesting world and it’s a very interesting thing to pick through, but there’s definitely a lot of case studies you could dig into, and a lot of players you could look at as cases of, “Oh yeah, nobody was really paying a whole lot of attention to them!” or maybe people were thinking about them the wrong way. But if you think about things a little bit outside the box, you might be able to see something really interesting there.

GR: Yeah, so let's dive into why that may be. Classic example would be Lane Hutson, so maybe we'll pick on him a little bit, but I definitely want to talk about Rasmus Ristolainen, because he is an interesting case study that we wrote about on the newsletter.

So where I want to start with this is just modern day defending. How are defensemen defending today versus old times? A lot of times it was the big hit, separate the head from body. The puck’s somewhere, but let's separate the head from the body, and we’ll worry about the puck later — that is going bye-bye.

Every coach I talk to now, they prefer having the puck rather than having a head on a stake. So for me, it comes back to this old saying of, “position before possession.” We're gaining body positioning, we're not so much separating head from body, but puck from player.

All right, so we've got position before possession. It's super valuable in gaining the space that you need to have first whack in a puck or put the puck where you want it, or just push it to a teammate. Just having the idea of owning space and there's no better league at this and no league that values it more than the NHL. If you don't do this well in the NHL, sooner or later, you're going to find yourself out of a job making a heck of a lot less money in a league that probably no one really cares that much about. You want to be in the show, the big lights: you have to value this more than anything.

And this is actually the one thing that I noticed about Hunter McDonald. He's in the Flyers’ system now — he was an overager, but I was like, “This guy is unbelievable!” He’s a huge frame, you can’t miss him out there. He would just get the positioning before possession, and I was like, “Okay, that’s interesting, let me watch him further.”

And I feel like he’s going to be one of those bottom of the lineup guys who, unlikely, made it out of being an overager in the [United States Hockey League], going to college for a few years, but has those little details of a defenseman that you see in modern day play, which is positioning overall, which is an NHL trait to the nth degree.

WS: No, I know. I think I would definitely agree. Those are the players that are always really, really fascinating to me because you look at a guy like Hunter McDonald and the production just isn't amazing. But it doesn't — to me, when you look at defensemen, it almost doesn't really matter. That's kind of a very secondary-slash-bonus style of thing that comes with a player.

I see a lot of defenders every year and it seems like a thing where a lot of them, maybe at the lower levels, there is a little bit more of that “separate the head from the body”-type of player. And I think there are NHL scouts who still gravitate towards those guys but, at the end of the day when it all comes out in the wash, it's a lot of the time the guys that are kind of, I hate to say ”boring”, but just very effective, and just they're always in a good position.

The guy I always reference as a young defenseman who, I think, is just a really, really high-end defensive guy is Kaiden Guhle in Montreal. We're going to talk a little bit about Lane Hutson in a second, but Kaiden Guhle is a guy who, when he was in the junior level, just played such a great, balanced style of defense.

He was a good skater, but he had really good length. He was a guy who didn't just lay the body every single time, but he certainly could if he needed to. It was about his lateral mobility, it was about tracking rushes, keeping inside the dot lines, and preventing chances from inside and leading with his stick, but then finishing with the body if he had the opportunity or the need to do so. And he seemed to have a really good read of just how to do his job really, really well.

And so that's been a lesson for me for sure. He was a really interesting case study a few years ago, and he's become a pretty solid NHL defenseman. I mean, on a team this year that’s kind of struggling defensively I think he’s been one of the brighter spots on that defense group there, [he’s] doing a pretty good job at least suppressing chances against.

GR: I don’t watch as much as you do, prospects, but Guhle I did catch. For me, the play style wasn’t very good. He had elements of it, you could see the flashes, but he was just really brash. His decision making and his reads were quite poor. But the tools were there, and it was like, “Can he adjust?” Which I think he’s done a phenomenal job [of], and I think Montreal is probably the perfect place for him to develop a lot of that.

So I think you're spot on like, “Okay, how does he actually apply?“ Having assets is one thing, having the tools is one thing, but how do we properly apply those assets, those tools that you have in a good way? So I think another piece, for me, is if you do have the speed, is just making sure that you're controlling speed and then you're also keeping small gaps.

And just knowing with my high school team that no one knows what a gap is, let's define that real quick, which is: the difference in space between the forwards and the defensemen. So the space in between, “How much space are you [allowing]?” in hockey term slang. It's underneath you versus on the other side, which is above you or behind you. So, “How much space, what's that gap between D and O?”

(Editor’s note: He says O instead of F here, I assume because the person attacking isn’t always a forward. As in, “How much space between the defenseman and offenceman?”)

So you got the speed, shrink that gap as much as possible. Don't give them the space to operate or work in, or, I even call it the space to think, which [it often becomes] for forwards, especially unsophisticated ones.

WS: Yeah, I mean, that's really the bread and butter of a lot of the position. It's so much of this, like you said, gap control. I actually just did a bit of video work for a really high end player, [an] NHL draft pick playing in Sweden this year, who is producing really well.

But in terms of the defending side of the game, he's not the most incredible skater you've ever seen, he's not the biggest guy in the world. And a big thing that I noticed, that even at the professional level that was kind of a bit of a work in progress, was that gap management. Especially because the footwork wasn't amazing, [he was] keeping his feet a little too stationary, gliding backwards and sort of allowing that gap.

And when you watch the NHL that's the point of the whole exercise, watching the NHL and how they play. Forwards are fast and they're smart, largely. The guys who can score are the guys who know how to get through soft defensive pressure, the guys who know how to find lanes and cross up defensemen, and if you don't have the footwork or the mobility or the reach or all of it — all of the above — to track all that and manage it, then it's going to be a lot tougher to do your job.

But the interesting thing, though, is that there's a lot of different ways that you can get defensive jobs done. That's always been very interesting to me; seeing how different players approach the position in different ways and seeing the efficacy of that come out in the wash, and how their offense balances with their defensive ability. It's a very interesting world to dig into, for sure.

GR: Yeah, I think you've got a rabbit hole there. You just kind of opened up around defensive skating. What do clean feet look like? What does defensive posture look like, that actually allows you to have that kind of mobility?

So we'll leave that for another day. If anyone wants to go check it out on the Hockey IQ Newsletter, they can do so. Just look up defenseman skating development. We've got two good pieces there talking about building and maintaining defensive posture and keeping clean feet, which — actually massive base for anyone.

It allows you to have the proper gap that allows you to kill plays early, and ultimately, it's a lot about just controlling speed. You don't want McDavid building up to full speed. You don't want MacKinnon building up to full speed. You don't want anyone coming up to you at full speed. It's very hard to maintain that kind of speed going backwards [that we] even generate in the first place. 

How do you kill it early? How do you get a hand on someone? Or, my favorite example is just proper pivoting. A guy dumps a puck on you, how are you going back? What does that pivot look like?

I'll let you open that up because at the NHL it's almost too good, where you can't see what a bad example looks like, but you can see it's everywhere.

WS: Yeah, I mean, it's a make or break skill in the NHL. It's where a lot of defensemen die. I mean, it's a cliche at this point to talk about pucks in deep, to talk about [getting] pucks deep in the offensive zone, get below the goal line, dump and chase. People make fun of dump-and-chase kind of stuff. But if your team is built to do it, you can do it.

You can take advantage of defensemen in the NHL who just don't have the speed or the agility or the skating ability that some of your forwards might have. It is a lot easier to skate forwards than it is to skate backwards. That's just, you know, anecdotal, but also pretty factual — you're naturally going forwards.

I think an interesting trend that you're seeing a little bit more of [is] what they would call ‘scooting’. You're the coach; I don't know if that's exactly what the terminology would be, but [it’s getting] your defensemen in the neutral zone, kind of pinching a little bit more and having them skate forwards, tracking play towards the boards.

So it's not necessarily that they're doing their backwards crossovers, it's not necessarily that they're entirely skating backwards, but you see guys who are really talented skaters or do have a lot of quickness driving play to the boards in a more aggressive way than having the play in front of them. It's about them sort of tracking that play laterally, which is an interesting thing I think you're seeing more of now.

I think there are definitely coaches and systems that love to play their defensemen more that way, and the weak side defense can sort of fill between the dot lines for them and sort of leave the weaker side of the ice a little bit more open. That's kind of what I mean. There's a lot of different ways to achieve these kinds of goals, and I think you're seeing a lot of different things popping up to adapt to this. 

In situations where you have a dump and chase or something like that, or just getting pucks in deep or whatever you say, when you have a defenseman who has trouble with their footwork and turning around… Trust me, I'm a defenseman, when I play hockey, I strap on the skates — I play defense myself and that's where I fall apart, when I do fall apart. Which is often. But definitely, when play turns around and I’ve got to change directions or change my area of flow, it can be tricky. And in the NHL, I can only imagine how tricky it can be there. 

GR: Yeah. I mean, a good pivot you're looking at three steps total, like boom-boom-bam and you're there. You watch an amateur game and it could be like five, six, seven, eight chops before [they] finally get going and [it’s] looking like a proper forward stride again. [Or just] getting into a good defensive posture and positioning. It's total scramble mode.

A big one for me, too, is just the direction that you pivot. Do you wait for that offensive player to commit to their lane? It's just a great defensive habit in general, letting the offenceman make the first move. If you're making the first move, you're the one showing your cards. It's kind of like showing your cards first in Poker.

Let them make the decision and then you can pivot into them. Now you can get that position before possession, or at least get a chip on them, slow them down. You can either make it easier for yourself or your partner. So one, there's the clean footwork on the pivot, and two is making sure that we're controlling the speed and we're pivoting properly in the direction that we want to pivot.

There's a ton of times where I see, especially the lower levels, players coming up, they're in a bad spot, they're skating forward, defenseman skating backwards and they just chip it off the boards. And the defenseman is like a dog just following the puck and it ends up in the middle of the ice where the forward actually went. Again, the NHL is the best at this so it's really hard to see bad examples of pivoting into and controlling the space of the opponent.

WS: Yeah. I do a lot of work outside the NHL, and the biggest thing I notice is not necessarily the number of chops it takes, but the amount of time. You can see guys taking two seconds, maybe more, to get themselves turned around, tracking pucks below the goal line.

To me hockey is a game of milliseconds a lot of the time, right? I was working with someone years ago who really shared the idea with me that, in the NHL, generally goals are not scored if you have the puck on your stick for more than either half a second or a second.

I can't remember off the top of my head, but it's so fast in terms of; when you score goals in the NHL, it's when you touch the puck for a very short amount of time in the offensive zone and get a puck on net. And so, if you have guys who take too long — and “too long” might not be very long… If the difference is relatively short at the time you're making those pivots or those changes, but the [opponent has] got a lot more speed than you and you're [taking more] time to then start generating that speed to match the opponent, you're in trouble.

And in my opinion, I think that you want your defensemen to be more assertive. I always fall back on the strategy of; make them make a decision, make them commit. That might imply that you do the committing first, but that's where the importance of footwork and tactics come into question. 

You have to have strong support, whether it's from backchecking forwards or your partner. You want to be able to adapt to quick players who might fake one way, go another, and be able to use your stick or use your feet or both to be a factor regardless of what happens. 

It's very interesting to watch defensemen play. I find it really, really interesting to see the different approaches of different players and especially how they evolve and get into the NHL.

But yeah, I mean, [it’s so pivotal], the skating ability; defensemen who can skate, it unlocks so many doors for their career. If you're an elite level skating defenseman, it just unlocks so many doors that interest me. If you're not, and if that's not a strength of your game, then it can be a big struggle, especially against faster opponents. Even if you're big and physical and pretty good throwing the body or whatever, there's a lot more of the game in the NHL these days. Very, very interesting stuff. 

GR: I think that's actually the perfect segue into someone who, early in his career, threw the body too much and sold out too much on plays that he probably shouldn't: Rasmus Ristolainen.

Great case study, great case study from when [John Tortorella] started working with him to where he is now. Will, I'll send in the link here from the Hockey IQ newsletter so we can track a little bit better with each other. 

I found him to be a fascinating player. High draft pick, 8th overall in 2013. Really pretty, smooth skating, big body — has all of the tools that you would traditionally say, “Yep, that checks [out].” And then you looked at his stat profile and it was just abysmal. His micro stats were terrible. I think the only thing he was good at was D-Zone Retrievals, which, being able to take contact, it was kind of an easy thing for him.

WS: Yeah. I remember watching Ristolainen when he was in junior hockey, because that was the earliest years of me being kind of curious about that side of the game, and I did not really recall that being a premier area of his game.

I remember him being big, but pretty mobile, and has some skill to play around with. He did have a bit of a physical edge to him, but it feels like it was that tail end of an era in the NHL where those big, mean, physical guys were kind of in vogue, and people were kind of curious and needing guys like that. And I guess that's what Buffalo drafted him to be.

I remember being very surprised that he was in the NHL the year he was drafted. It just did not look like it was really working out there. And Buffalo just seems to have been not a great fit for him, they kind of turned him into something that he wasn't, but I do think that he's turned into some sort of serviceable defenseman.

But he, to me, is a great example of one that I always look back on and go, “Man, what if?” Like, what if things went a little bit differently for him? Because there was good stuff there, it's just I feel like the development was focused in the wrong areas.

To me, 65% of the work [is] scouting, and developing — the easy part is drafting good players, the hard part is developing them and bringing them along into being good NHL players.

So to me, if you can find the most amount of things that get in the way of that process being easy, then you're doing a really good job. And with Ristolainen, I feel like in his case they inserted more things to make that journey more difficult and sort of turned him into something that he wasn't, which is always a scary thing for me to think about doing to a player.

But it's not over for him, obviously. He figured it out. Obviously, Tortorella found something for him to do, and he has shown a little bit better. But yeah, he's always been a what-if guy for me.

GR: I always liked how Tortorella, after the 2022-2023 season, was doing his media stuff and he was like “Yeah, he's our most improved player.” You're a guy who's getting paid big bucks — I think he was making five million plus that year, still is, probably — and even him, he was like, “I was just bad the first half. And then around Christmas break, I started getting going. The second half was much better.”

Basically, the first half, they were just trying to rebuild his defensive game, and this is true for anything. Zach Benson's another good example of this. If you can't play defense in the NHL, you're going to be out quick. Benson can play defense despite being — I think they list them at five foot 10, but there's no way.

WS: Yeah, no, no. I know. He's a little guy, but he's another great example of a player where I, in my work, I do not care how big you are. I just care about how you play. Even in the NHL. And I feel like Benson's a really, really good example of that; a guy who, just forechecking alone is a really… The easiest way to defend is if he can cause turnovers in the opposing team's offensive zone, a guy like Zach Benson does that extremely well.

And if he needs to track guys through the neutral zone and backcheck, he'll do it, and he does it really well, and he does it at a speed that I found to be projectable to the NHL. And again, that's another one where I was a little surprised to see him in the NHL so fast, but he didn't really look out of place there.

He's had a bit of a slow start this season, but just a really, really talented player, and one where you kind of do look at and go, “Yeah, these smaller guys can definitely defend.” They just — the expectations are a little bit higher, and maybe for good reason, but he checks all the boxes for sure.

GR: Yeah. So for Rasmus (Ristolainen), there's two big things that, when I dug into this, that Torts was working at. At this point, I was so intrigued [that] I was tracking every single time Torts spoke and Rasmus spoke to the media. So I was like, “I wonder what they're actually doing?” Which, Torts can be tight-lipped, but he gives it away if you follow long enough.

The big one was just inside, like too much, he was finding himself, Rasmus was finding himself on the outside. So whether that be outside the dots, outside on bad ice, for whatever reason, or just finding yourself outside, like losing defensive side positioning to the offensive player.

If you finish contact, but now you're on the wall and your player's got to step to the net, that's trouble. There's a great, great clip the other night featuring, I think it was (Aliaksei) Protas [who] ended up scoring the goal and K’Andre Miller of the New York Islanders. So Caps — Rangers, not Islanders — Rangers… Where [Miller] went in soft, didn't really take positioning, got beat back to net, and Protas just put out a stick and just tapped it in, Igor Shesterkin never had a chance.

A similar idea of; okay, good, maybe you got some contact, you tried to make the stop, but you still need to maintain defensive side positioning. You still need to finish on the inside. So if you're doing contact, you can't overreach.

You just can't do that. You have to stay in good positioning.

And the second piece was just, finishing with contact to get stops, like stopping movement. Offensive play is a lot about movement, and defensive play is about stopping movement, AKA getting stops. So he would maybe make a play, or get a poke check, but the puck was still moving and could be easily on the other team's stick. 

So how do you make sure you're always staying in good positioning? Staying on the inside, as Torts put it. Or the other piece, which is getting stops, or finishing with contact — but smartly, not chasing the contact for contact’s sake? Being tactful in your play.

I feel like Risto really just learned how to play defense smartly. He was actually thinking and being intentional about what he was doing, rather than like, “I see a puck and a player, I'm going to go end that!” And then, boom, in the big scheme of things, it’s a net negative. Even though at the moment, it may have, especially to him — otherwise he wouldn't make the play — seemed like a positive, really it was a negative for the team.

WS: Well, that's the interesting thing too, going back to talking about junior players and the context in the draft and how defensive players might go a little bit underreported or undervalued in a sense.

I see this all the time, especially with North American defensemen, especially with Canadian ones, but there are definitely players who everybody talks about how good they are defensively, everybody talks about how solid they are. They're big, they're physical, they're mean, blah, blah, blah. But then when you watch things in detail, it's this sort of Ristolainen-style thing. You're talking about K’Andre Miller where it's like, they're along the boards, they're doing the thing along the boards, but they're losing.

They're allowing guys to get low on them, get through them, and even in the junior level, right? What good is it if you're trying to pin a guy against the boards and they give you a little shove, crouch down a little bit, chip the puck three feet out from you, you don't adapt to that, they get three feet of space on you, throw it out in front of the net, and boom, you got yourself a scoring chance, right? I see that all the time.

It's the focus on the body and not focus on the turnover, turning that possession back over, that really seems to be a tough lesson for a lot of defensemen to get over. I find that a lot of defensemen from the age of 18 to 23, in the grand scheme of things, their style of play doesn't drastically shift all that often.

And so, when I see things like that happening, I'm going, okay, I gotta either hope that this guy puts in the time in the gym and becomes, just, a strength nut, and pins that guy to the boards so they can't do anything, or they figure out a way to get into those situations, take a step back, chip at the puck. Really battle for the puck rather than focus on the guy.

Because I've seen it so many times with guys who are bigger and more physical, they apply it in a way where I feel like coaches will go, “Wow, look at you go, you're playing hard, you're playing the thing!” But then they escape, this opponent might escape, and create a little bit of space for themselves. And again, this is a game of inches, it's a game of a couple of feet, and every inch matters.

So in some cases, yeah, you get those situations where guys like Ristolainen, yeah, you're doing the thing, people clip the hits, people clip the physical play, but then five seconds later, someone's got some space on you and they generate a scoring chance. And so what do you really value, right? Personally, fewer scoring chances would be ideal.

GR: I love it. Last piece to wrap this up, because I think it'll go well into our next piece, which is point play. Shorting the zone.

I was able to find some phenomenal clips and do some photos of this for the newsletter. But the concept of; if you're watching a game in the NHL, if you can see all five of the people trying to break the puck out, low in the zone… A lot of it, you think about the NHL today, is like a swarm. We're going to do close support. I'm going to try to crowd the puck out.

A good way to respond to that is to short the zone, which basically means your defensemen, instead of hanging out at the blue line, are going to go into the offensive zone. And they're going to start with small gaps, they're going to be [at the] top of the circles, if not a little bit lower.

Tortorella is another big fan of this, so you can see it with the Flyers a lot, too. I would say [Sheldon] Keefe is another example of a coach who does this a ton. So you saw a lot in Toronto, now you'll see a lot more in New Jersey, which is  the perfect d-core to make all of this work. So I think Devils are going to be good for — that's going to be a great fit.

But just the idea of crowding in the space, setting small gaps, so when you do start defending, you can either cut a play off early — it's an easy pinch there if you don't have to go very far — you can cut it off. Or, 2; create a turnover in a much better spot than what is in your own zone. Why not make it in the o-zone? So from a positioning standpoint, phenomenal place to start, good way to kill plays early.

Before they can get going, before the team can build speed, and just being able to put yourself in a good spot to take advantage both from a defensive standpoint, but offensive standpoint.

WS: Yeah, I love when I see this being deployed. I think, again, I'm a geek, like I'm a math guy, and even just thinking about the numbers here, it makes such a difference if you think about it.

The offensive zone from blue line to goal line is 64 feet. So you're looking at the difference between a guy standing at the blue line being maybe 75 feet from the net or at the top of the face-off circle where you might be 20 feet closer, maybe 20, 25 feet closer. So you're cutting down the time at which you give the defense to adapt, the goaltender to adapt. You're cutting that time down by a third-ish, a quarter to a third. I'm ballparking here, but that automatically is just based on where you are on the ice.

If you can compress the offensive zone on your opponent, you're laughing. The second thing I wanted to mention here is this is, again, why skating ability and quickness and speed are so important to me. Because it is objectively a better position to be in when you're in that position — closer to the top of the face-off circles for your defensemen.

But if you do have a situation where the opponent has possession of the puck you have to get set up, you have to cover that gap, you have to cover for yourself, or you have to have some sort of system in place where a winger can cover for you if you're caught in the offensive zone. Ideally, you have your defensemen who can wheel up, get some speed going, get positioned well to counter that attack, and have a system that can swarm whoever has that puck in the offensive zone.

I think it's a really interesting trend for sure. It's a simple little thing, it's a concept that you see definitely a lot more now than you used to, but I'm all about it. It just makes sense mathematically, and it plays into exactly the styles of player that I always look for: guys who do pinch a little bit more aggressively, but have the mobility and the skating ability to cover for themselves.

I would rather have a player who tries something creative, or tries some sort of play that could lead to a high scoring chance, but may relinquish some space on the ice, but has the ability to cover for themselves.

And I can at least as a coach, rely on them — not that I'm a coach — but rely on them to cover for themselves. To go, okay, I can rely on them to try these things, because I know that if it doesn't maybe go their way, which happens in hockey all the time, I'm not going to be upset at this player, but I know that I want them to backcheck, cover for it, because I know they're capable of it.

I think that that's sort of the trade off that you have to live with, but I'm totally cool with it.

GR: All right, so we're going to call this end of the day on some modern day defending, and we'll pick up on point play in episode two.

[END Transcript.]

part 2 <- convenient link at the bottom <3

[jams-sims]

I understand Octiva so well and feel bad for her. I think she getting some unneeded heat. Stolas did abandon her, shes not the audeince memeber. She doesn't get to see how he struggled. All she knows is her dad was deeply unhappy, was on medication she had no clue about. She knew the marriage was bad but whos to say, she doesn't just see that as normal rich parent bullshit.

Then without warning on national tv he rennounces his money and status for his boyfriend. An shove you onto the back burner- this is where stolas piss poor commuication skills doesnt just start with Blitz but extends to other relationships in his life.

Because from Via point of view thats fucking insane. The guy your dad has been in an off again on again relationship is now his boyfriend for real. You've known this guy as your fathers body garud, and you had ONE conversation with this guys daughter and that was pretty cool. But otherwise ypu have no idea the shit your dad is going through. She basically watched her father in court say fucking everything and everyone take all of it. Stella can have all of my money and take the house. Then a month later realized he should have added an asterick and went

'Stella can have everything but i want custody of my daughter.'

Would it have been messy to lowkey invite your daughter over to your new mans house right after the divorce aYES but ya'll are already messy to begin with.

Also Stolas should have just talked to his daughter at some point, any point, to explain to her his situation better. Should he have told her everything NO god no. At least telling her that he was unhappy in his marriage earlier on would have saved him a lot of grief. Could she have come up with the same mindset, that she is just a burden, yes. But at least then he has a stepping stone foundation, to prove her wrong by coming to get her.

Also I think next season, there should be maybe a few episodes dedicated to Blitz showing up for Stolas daughter. Octavia is younger than Luna and she's very much still connected to her parents and Blitz wants someone he can be a father to fully. Loona Loves Blitz but she is still almost a grown-ass woman. Clearly not as young as Octivia- I think if Blitz had a connection, with her it would null out the narrative that he stole her father from her. I think Blitz would be more upset that a child thinking, he would hurt them than anything else. Especially, someone so close to the man that he is in love with.

[ashlynthecarrottop]

SONIC RANT!1!1!1!

My review for Sonic 3 >>>

Okay, first of all, WHAT!? The story line and character designs are insane!! I love how they created Shadows character and how keanu reeves kept is voice slam or good for whatever reason because of how Shadow’s character really is like.

Gotta add points to having Sonic, Tails, and Knuckles still as the greatest team the whole movie, even when Sonic left them out of his rage. I thought it was so sweet when they threw that little party for Sonic when he first got to earth, I just thought the little references with Tom and Sonic from the first movie was so nice to see and just overall a great start.

Tbh, I thought the part when Sonic and Robotnik were talking about family and how he didn’t have any was a great part on why he acted like a inspired child towards his grandfather when he showed up. I think it was weird but interesting on how they made robotniks grandfather, also Maria’s grandfather…sooo…does that make them siblings-? IDK JUST A THEORY- MATPAT CMERE

The greatest part of the movie to me was the end when both Sonic and Shadow used the emeralds to use their ability TOGETHER to save earth. The slow-mo scenes of them and just the duo coming into a movie was just so awesome for me to see.

MY LEAST FAVORITE PART IS WHEN SHADOW DIED WITH ROBOTNIK!! LIKE I GET ROBOTNIK BUT WHY SHADOW??? HES MY FAVORTIE WHYD YOU HAVE TO DO THAT😭🤚

But to be fair, shadow isn’t apart of Sonic’s actual team. We can see that through old shows like Sonic boom and all them when we have his team full of knuckles, tail, any, rouge and all them, but shadow isn’t apart of it. If he is he’s there as the idea of an episode, or just there in the background for a problem. So even though it’s sad that he was killed, at least he did it to save the world.

CHARACTER RANT

Sonic>>

Of course, the blue-blur is at it again, never sad, and always has the biggest ego. LOLL-

I’m glad they kept his character the same, it definitely was a plus to keep the movie was flopping like most people thought- only because it’s the third movie. I thought it was so sweet and emotional when Sonic near the end was in rage and trying everything to get revenge because shadow hurt Tom. Even though he knew it was wrong in the end, I still couldn’t help but feel that he did that more because he cared, then revenge, and that stood with me through that entire scene. So overall, Sonic in this movie, and just like all the others, didn’t disappoint

10/10

Tails>>

Gotta say, I have no complaints, over then he didn’t get enough screen time. Tails gadgets and positive attitude is cute and just fits him perfectly like it always has. I’m always impressed with the development and change in Tails mechanics because it definitely got better from the holograms to the gadgets stopping Robotnik. And the part when the little girl said he looked like detective pikachu was so cute and true I swear😂🤚

10/10

Knuckles>>

Just like Sonic, his character didn’t let me down with him wanting to be on top, and be the smashy smashy guy and it was just funny to hear him again after 2 years. I don’t know if anyone notices but he does speak like everyone else, but he doesn’t speak fully it’s like he takes away the words that aren’t needed…for example

Normal ppl - “So this is love”

Knuckles - “I feel the love”

Soo….yeah

10/10

Shadow>>

LEMME JUST SAY. KEENU REEVES DID NOT DISAPPOINT, and his character design and actions were just so cute to me and I love him so much😭😭…If I’m being honest I could probably do another rant but it’s literally just about how much I love shadow. Form him on the motorcycle, to him with Maria, to the flashbacks and change in emotion, to when he was with the emeralds, to him just being him, I love it all. I thought his backstory with Maria really shot through with this movie and I really enjoyed it.

“The world still shines when the star is gone”

-Maria & Shadow

100/10

The robotniks

Just..sigh,..no . Only good part of this movie was the dance when they were going through the lasers, nothing more.

Robotnik - 7/10

Grand papi - 2/10

And let me shut say that I feel bad for dr stone bro. He also most drowned, was rejected multiple times by Robotnik during this movie and then got replaced with robotniks terrible excuse for a family member😭🤚

Justice for stone🙏

8/10

ENDING RANT

FIRST OFF. We’re 3 movies in now, if you don’t sit in your chair and sit for after the credits to see the downfall of the next movie your an opp and not a real sonic fan ALR!? I said it.😤 BUT ANYWAYS-

WE GOT THE ROBOT SONICS!? I CALLED IT-!

AND AMY?!?!?!??

yo I can’t wait 2 or more years for this😭🤚…it was torture waiting for this movie to be finished. But I think it’s gonna be funny and cute to see a bit of Sonic and any shipping and blushing and cute crushing stuff lol.

So overall, I loved this movie and we be watching it on repeat for forever til SONIC 4 BABY!!

[myechoecho]

When the Phone Rings, ep 7

Nothing like getting shoved off a cliff to dramatically change your relationship with your spouse. This episode was so good.

We all knew he was going to find her and stay by her side. Hee Joo realizes just how much Sa Eon has always noticed her and listened to her. She finally speaks to him and it's to tell him not to go, which stuns and overwhelms him. All he can do is stay, when really he should probably get a doctor.

(also nothing like getting shoved off what looks to be a very high cliff and have only a few scratches to show for it)

I do find it a bit ridiculous that Hee Joo hasn't figured out that Sa Eon knows she's 406 but I suspect this is a parallel to Sa Eon taking so long to connect it. They are both blinded by emotions.

I love how Sa Eon picks her up to put her back in her bed but is hesitant to let go of her. He does tell her that he knew she could talk but not that she's 406. When she tries to talk she stops her so she can rest.

But later in the episode he gently pushes her to talk. He does not want her to go back into a world of silence. However, it's also funny to that while he wants her to talk, he also doesn't quite know what to do with her talking back in real life (her saying the grapes were not washed). He only knows how to deal with sassy Hee Joo when she is 406. I do like how her talking to him is a bit stilted and awkward, which makes sense since he's basically the only person she's talked to in 20 years who can reply back.

The hair washing scene was everything. And he dried and brushed it too! It's such an intimate thing to do and I wonder why more dramas don't do this. Also LOL at Hee Joo immediately thinking he was showering when she heard the water and then being flustered by the thought of him showering.

They go back to their weird phone flirting (they WILL have kinky phone sex everything is done) but Sa Eon doesn't let her come clean. Instead he gets her to help him bring down who is behind the phone by getting a description of the man who kidnapped her.

As much as I enjoyed Sa Eon breaking through the door to "save" Hee Joo and Hee Joo hugging him and holding on to him tightly, I never in my life have seen a hospital room door that had a lock. I did adore them cuddling in the bed together.

The scene where Sa Eon reveals he knew she was 406 was so good. "tell me how to hate you. Tell me how not to love you" had me screaming. And then the kiss was also spot on. This was not a simple peck. This kiss was 3 years worth (well probably more ) of pent up feelings and emotion all tumbling out at once from both of them. A++

Random thoughts:

Sa Eon father is trash. And also incompetent. At the bare minimum he should have learned the identity of who fell off the cliff. He really does not think he can win without Sa Eon

We see a bit of Sa Eon's past with his "family". Why even have the food her son does not eat on the table if not to be deliberately cruel and force him to eat what he does like? Same with the clothes. No wonder Sa Eon is a bit messed up

Hee Joo's mom remains awful. What type of mother does not even recognize that the women in the face mask is not her daughter?

I am still curious about In A. I suspect that In A knows Sa Eon is not the bio son and who gave that information is the person behind the kidnapper. But what other secrets about Sa Eon are there that Hee Joo's mother knows?

Secretary/Assistant, is still shady and I do not trust him

[cryinhell]

No one asked, but here's my updated top ten hellaverse ships (both canon and not)

10) Stella x Striker

What can I say? I love an evil couple. I think these two look pretty hot together, and it's interesting how Striker seems to respect Stella despite hating blue bloods. These two aren't canon, but I wouldn't mind if they were

9) RadioRose

Despite having mixed feelings on Alastor, I think these two are just so cute. Either as a couple or just queer platonic partners, I don't care. Rosie seems to be the only person to make Alastor genuinely smile, and she's the only one who can touch him. There's a special bond there I really like

8) Verosika Mayday x Wally Wackford

So this is the biggest crack ship on this list, but I think in theory, it's so cute. I really want Verosika to be happy, and Wally, despite being a bit of a scammer, is really sweet. I'm totally cool with Verosika ending up with Barbie as well, but I slightly prefer Wally. I wonder if they will have more interactions in future episodes.

7) Fizzmodeus

Is this controversial? Probably. I know Fizzarolli and Asmodeus are so loved in this fandom, so putting them at number 7 is awful...but they aren't my favorite. I do like them, and I think they're really cute! I just have ships I like more, but that doesn't take away how sweet these two can be. Sometimes obnoxiously sweet heh. So yeah, no disrespect to these two

6) M&M

So these two were at first kinda meh for me, but over time, I've grown to love them. They have a pretty healthy relationship, and I always hate when someone bothers Millie for marrying Moxxie or saying Moxxie isn't a good enough husband. These two clearly love and respect each other and clearly grow together with every episode.

5) Staticmoth

Like I said, I love an evil couple. Valentino is a monster, and Vox is deplorable. That doesn't stop me from loving them as a couple and thinking they are cute. I think they both should die, but also would be sad cause come on, they're cute together.

4) Cherrisnake

I love Sir Pentious, I love Cherri Bomb, so obviously, them together is a fun pair. I shipped these two before the show came out and was so excited to see Pen having a crush on Cherri. They kinda remind me of the early versions of M&M, but they need a lot more time. Cherri isn't ready to accept love, and Sir Pentious is well...in a different world. I can't wait to see these two develop and become an actual couple.

3) Adamsapple

So this and Lucilith could be here. Lucifer being happy is the main objective, and its Adamsapple is so fun. They clearly have a history, and there's a lot of feelings. If Adam comes back in season 2, I'd love to see this be fleshed out. I doubt they'd be a couple, but maybe friends? Who knows. I'm fine with this one not being canon, and just something fun in the fandom

2) Stolitz

Stoltiz is pretty important to me because it really got me involved in the fandom. I've been watching Helluva Boss since the beginning, but episode one of season two had me from casual watcher to actual fan. Blitzø is one of the characters I really relate to, and Stolas is just a really well written character. I love the development of these two and they are worth waiting for. I really gotta draw some fanart of them because they are everything

1) Huskerdust

Are you surprised? You must be new. These two are my everything and all time otp in the Hellaverse. I've talked so much about why I love them, and I will continue to do so until I can't any longer. Angel and Husk are not only my favorite characters individually, but their growing friendship and eventual relationship are just so ughhhh. I love these losers, and they will always be number one.

Thanks for reading my nonsense

Have a good one 💜💜

[fandomsandflyingstingrays]

Full thoughts on season 7! (Or at least, as many as I can remember, sleep-deprived and emotional as I am)

Starting off positive: things I liked!

THE RUTHARI REUNION WAS EVERYTHING

Runaan's gentle kiss to Ethari's hand? The way the camera rotated around them for their kiss?? Their hug afterwards??? Ethari's little "my heart"???? This was worth the six-year wait

The moonfam in general was one of my favorite things about this season. Runaan calling Rayla his daughter again, his and Ethari's unconditional support of her, the way they interacted with Callum... it was exactly what I dreamed of

And speaking of Runaan: his speech to Ezran in 7x09 will be living in my head forever. The way his tears weren't pretty, they were real. The was he said "I'm alive". It was such a stunning conclusion to his arc

On that note: the voice acting? Spectacular. Callum and Soren had me in floods of tears when they met in the ruins of Katolis. And don't even get me started on Zubeia during her fight with Avizandum

The lighting and music were also so on-point

TERRY'S REDEMPTION ARC LET'S GO

His speech to Claudia was stunning

Also, his "hello, Zuko here" moment made me cackle

I love that he and Soren are on their way to friendship, I always thought they'd get along

I also really liked that Aanya was present throughout the season! Every time she was in an action scene I was screaming

I thought the plotline with Miyana being pregnant was really interesting, because it presents a moral dilemma that isn't explored a lot. Plus, the way Karim reacted, calling the baby his heir and never his child, was very telling of his mindset and priorities

This is going to sound really weird, but I loved the moment of Rayla taking up Runaan's bow to fulfill his promise. Like, obviously it's tragic and I was in tears, but also, it really shows her respecting Callum's agency? She was able to respect his choice and put his wishes above her own needs, and it was cool to see

I'm so glad they addressed the bird theory. There was way too much of a focus on Pip for it not to go somewhere

Things I disliked:

There were times when the animation really threw me off. Like, after Callum froze all the guards in 7x02 and they were trying to break free, they were just... tapping the ice with their weapons. Really slowly. It kind of axed any urgency. And during Ezran's speech at the end, some of the characters in the background were just... done in a completely different style? I'm sure it was a reference to something, but as someone who doesn't know what that was, it really took me out of what was supposed to be an important scene

There was a lot of explaining things over and over. Yes, we know Aaravos never lies, you don't have to keep telling us. Yes, we know the Orphan Queen wielded the nova blade, you don't have to keep telling us. Yes, we know people are not all good or all evil. You used to be really good at showing that instead of making speeches about it once an episode

Also just a lot of monologuing? Like, why did Callum have to explain in detail to Aaravos his plan to trap him before he did it? I know we the audience needed to know but from a strategic point of view, it was... not the smartest he's ever been. It would have made more sense if he was trying to explain it to Rayla, I think

It didn't really... feel like a finale. They left a lot of loose ends open, and beyond that, it felt like there was very little payoff for things that had been set up throughout the arc. Why did we spend two seasons looking for the nova blade if we were never going to use it? Why did we spend all arc foreshadowing Callum's corruption if it was never going to happen? I get that they left it for arc 3, but even so, the resolution of an arc should still feel like a resolution, much like arc 1 did

(Also, are we ever going to come back to that hallucination Callum had? Like, is he not at all concerned by the fact that he had a conversation with himself with seemingly no magical involvement?)

I wish we had gotten to see Anya act like a person. It was great to have her around, but it felt like she was in queen mode the entire time, and I'm really curious about who she is beyond the crown

Finally- the thing that I disliked the most was the way things with Callum, Ezran, Rayla, and Runaan were handled in 7x02, because it made it very hard for me to root for Callum and Rayla afterwards. I totally understand that Rayla has an attachment to Runaan and Callum has an attachment to Rayla, but neither of them seemed to actually consider Ezran at all. Like, here is this twelve-year-old boy, who just lost the home he lived in his entire life. Who lost his father at a very young age and, as a direct result, was forced into a responsibility that he absolutely should not have had to carry. I feel like at the very least the people who are supposed to love him the most could say, "hey, I understand that you're angry" instead of treating him like he's totally unreasonable. And then! They just leave him! A twelve-year-old who just lost his entire home! Who has literally no other family! And whenever they talk about mending things, it's never, "oh, I'm sorry I left, I'm sorry I never took time to validate how you were feeling", it was just "we're family, we'll find our way back to each other eventually". That's not how it works. When there's a hurt like that, you don't just stop being angry without coming to an understanding. I love Runaan, and I wanted him to be free and happy, but I also think that he did in fact commit a murder (yes, technically just of a bird, but he didn't know that) and it's reasonable to expect him to face some consequences. Even if it's just, like, community service. You can be merciful without condoning

But just to be clear: I have absolutely no ill will for anyone with different views on this plot point. My frustration with it is more from a personal perspective than a writing one- my dad was killed a few years ago, so I'm siding with Ezran from an emotional standpoint. But I thought the plot was worth mentioning, since it really affected how I viewed the rest of the season

Overall, as a season, book 7 had a lot of moments that I really loved and will be rewatching very often. But as a potential sendoff, it didn't really leave me with much of a sense of closure. Fingers crossed for arc 3, I suppose!

[melon-fodder]

mkay how about instead of over sharing the bad/sad parts of my first blog and everything from 2020 I focus on the good parts that I never wanna forget 🥹

• posting mistaken for strangers, the fic that put me on the edge of the bnha writing radar

• people sending in requests and thirsts for Aizawa and Enji (I think I wrote my first p*ss piece at this time lmfao. The start of something beautiful)

• making my first like real friend and being invited into my first ever discord server. (forever thankful for you, meeps. you have done more for me than you will ever ever know)

• that one anon I will never forget who told me I was like mirio because of how positive and friendly I was (I’m trying to get back to that. It meant so much to me)

• meeting lauren. Staying up and talking, sending paragraphs back and forth cause we were so eager to get to know each other

• her introducing me to Nyki and all of us falling so in love with each other 🥹💚 we knew our friendship was something special

• voice chats between us that would last hours. That one night I could only listen cause I didn’t wanna wake my husband so I just replied to everything with emojis (🪿🥛) we were in fucking hysterics

• starting smut pile and watching it flourish into a truly beautiful community. I think we did a pretty good job running it tbh. People told us they felt safe there. High praise

• server game nights. Among us and jackbox. Sooo much fun

• people mixing lauren and me up on tumblr cause we were always on each others blogs. pleasant and present teehee

• tuning into the first server’s PowerPoint party and one of them making one about sounding jgkehrkdjd (this could be the start of something new~)

• watching Lauren and June suffer through attack on titan as they watched it for the first time and grinning maniacally as they fell in love with their true blorbo loves

• Marq’s wedding!!!

• my wedding

• watching Lauren’s graduation online and being so proud 🥰

• hosting the smut pile collabs and seeing how many people enjoyed writing in them. The effort and love they put into their fics

• seeing deflowered take off out of nowhere. (Mixed emotions about it but I’ll always consider myself lucky for getting to experience it and being able to touch so many people)

• streaming jjk with Nyki every week as the episodes were dropping

• getting close with dym and becca 😍

Many special times with many special people—friends and strangers online—that I wouldn’t trade for anything. 💚

[mountsmase]

Just sent this privately to loz

So sharing it with the class

imagine not living with him

You stayed at his every night since Sunday but today you finish work late and since his family was over you decide to go back at yours for the night

You see the post and call him

But Lewis or his mother answer and they tell you he’s closed himse in his room and is not talki to them at all

So his mum begs you to come over and you obviously run there

You knock his room door convinced that he won’t let you in but as soon as he hears your voice he runs to the door to open it and hugs you🥺

Thank you for sharing, the class really appreciate it 😌

I love this so so much 🥺

Maybe you’re still in a fairly new relationship with him, you’ve been together long enough that you’ve met his family loads and get along with them all really well but you don’t want to interrupt their time together too much so you decide to go home after work, also needing to get a few extra bits and pieces and do some washing before going back to his in a few days time

But then he makes the Instagram post and it catches you a little off guard because you weren’t expecting him to post it, so you call him just to see how he’s feeling and make sure he’s okay but Lewis picks up the phone instead.

Lewis explains that he made the post and then got a bit overwhelmed and disappeared upstairs, leaving his phone down stairs so he’s not tempted to look at any comments or anything, not knowing that Lewis had turned them off completely anyway

Maybe they tell you that his mum had tried to go and speak to him but he wasn’t letting anyone in his room and the door was locked (i imagine him doing that so that his nieces don’t just run in - he’d hate for them to see him upset) and you knew straight away that you needed to go and see him anyway but then his mum asks you to come over and you’re walking out the door straight away

You quite literally just put some shoes and a jacket on, grab your car keys, and go.

When you get there you quickly say hi to all of them and then grab a few bottles of water out of the fridge before going to find him upstairs.

You lightly knock on his door and try to open it but it’s locked and you don’t hear anything from inside so you try again, speaking just loud enough for him to hear you through the door saying ‘Mase, bubba it’s me. Can you let me in?’ and the door is open almost instantly

you just about catch a glimpse at his teary eyes before he’s pulling you in and straight into his arms

You guide him over to the bed and hold your arms out for him to fall into and you hold him close whilst he lets it all out, scratching over his scalp because you know he loves when you do that and letting him know that you’re there and you’ve got him 🥺 It takes him a while to calm down but you know he needs it, encouraging him to cry it all out and you don’t loosen your grip on him until he moves slightly to move his head out of your neck

you’ve spoken enough during the week and you know him well enough to know what’s bothering him, so you don’t make him talk about it, but he knows you’re there if he needs to

so no words are exchanged between the two of you as he leans forward and kisses you gently, a silent thank you for being there for him

and then maybe you decide to stay in his room for the rest of the evening, leaving him to watch a film whilst you pop down stairs to help his mum with dinner (you asked him loads if he was okay with you leaving him on his own but he encouraged you to go) and then you take your portions up to him and you eat it in bed before having a bath together and doing some skincare

You do a face mask with him which he complains about at first but it’s such a good distraction and takes his mind off of everything for a while because your laughing too much at how silly you both look

And then you get into bed for an early night, putting on an episode of the series you’re currently binging and he settles back into your arms, head buried into your neck as he drifts off to sleep, still feeling deflated about everything that’s happening, but feeling alot better after let it all out and having you in his arms