Movies/TV Watched 2023
The Postman Always Rings Twice / Bob Rafelson (1981)
Secretary* / Steven Shainberg (2002)
Spirited Away* / Hayao Miyazaki (2001)
Watcher / Chloe Okuno (2022)
The Talented Mr. Ripley / Anthony Minghella (1999)
Pride & Prejudice / Joe Wright (2005)
Moonage Daydream / Brett Morgan (2022)
Volver / Pedro Almodóvar (2006)
Belfast / Kenneth Branagh (2021)
The Last Picture Show / Peter Bogdanovich (1971)
I, Tonya / Craig Gillespie (2017)
The Postman Always Rings Twice / Tay Garnett (1946)
Rocketman / Dexter Fletcher (2019)
The Unholy / Evan Spiliotopoulos (2021)
Mara / Clive Tonge (2018)
Frogs / George McCowan (1972)
Prometheus / Ridley Scott (2012)
Men / Alex Garland (2022)
All the Right Moves / Michael Chapman (1983)
Poseidon / Wolfgang Petersen (2006)
Saint Maud / Rose Glass (2019)
Monstrous / Chris Sivertson (2022)
Wander Darkly / Tara Miele (2020)
Howl’s Moving Castle / Hayao Miyazaki (2004)
Iris / Albert Maysles (2014)
Lamb / Valdimar Jóhannsson (2021)
In Fabric / Peter Strickland (2018)
The Elephant 6 Recording Co. / C.B. Stockfleth (2022)
The Visitor / Justin P. Lange (2022)
Smile / Parker Finn (2022)
Yellowjackets [szn 1-2] (2021-2022)
It Comes at Night / Trey Edward Shults (2017)
Everything Everywhere All at Once / Daniel Kwan, Daniel Scheinert (2022)
Black Bear / Lawrence Michael Levine (2020)
mother! / Darren Aronofsky (2017)
Weird: The Al Yankovic Story / Eric Appel (2022)
X / Ti West (2022)
I Heart Huckabees* / David O. Russell (2004)
The Right Stuff / Philip Kaufman (1983)
Goliath Awaits / Kevin Connor (1981)
Poltergeist* / Tobe Hooper (1982)
Doctor Who [TV Movie]* / Geoffrey Sax (1996)
Earthstorm / Terry Cunningham (2006)
Lake Eerie / Chris Majors (2016)
Fantastic Planet* / René Laloux (1973)
Synecdoche, New York* / Charlie Kaufman (2008)
Flight of the Navigator* / Randal Kleiser (1986)
NOPE / Jordan Peele (2022)
Women Talking / Sarah Polley (2022)
Striking Distance / Rowdy Herrington (1993)
Vivarium / Lorcan Finnegan (2019)
Saw* / James Wan (2004)
A Peculiar Noise / Jorge Torres-Torres (2016)
In the Earth / Ben Wheatley (2021)
Cats 2 / Jake Jones (2023)
Bringing Out the Dead* / Martin Scorsese (1999)
The Last Blockbuster / Taylor Morden (2020)
The Dance of Reality / Alejandro Jodorowsky (2013)
In the Mouth of Madness / John Carpenter (1994)
The Chamber / Ben Parker (2016)
Tenet / Christopher Nolan (2020)
Synchronic / Justin Benson, Aaron Moorhead (2019)
Paprika / Satoshi Kon (2006)
The Menu / Mark Mylod (2022)
Sunshine / Danny Boyle (2007)
Devil’s Island / Sean King, Taylor King (2021)
Benedetta / Paul Verhoeven (2021)
Scotland, PA* / Billy Morrissette (2001)
The Cook, the Thief, His Wife & Her Lover / Peter Greenaway (1989)
The Color of Pomegranates* / Sergei Parajanov (1969)
Face/Off* / John Woo (1997)
E.T. the Extra-Terrestrial / Steven Spielberg (1982)
The Gilded Age (PBS American Experience) / Sarah Colt (2018)
Aniara / Pella Kågerman, Hugo Lilja (2018)
How the Grinch Stole Christmas* / Chuck Jones, Ben Washam (1966)
The Quake / John Andreas Andersen (2018)
The Guilty / Gustav Möller (2018)
The Muppet Christmas Carol* [VHS] / Brian Henson (1992)
M3GAN / Gerard Johnstone (2022)
Caught / Jamie Patterson (2017)
Shot / Jeremy Kagan (2017)
A Charlie Brown Christmas* / Bill Melendez (1965)
Body at Brighton Rock / Roxanne Benjamin (2019)
Trancers / Charles Band (1984)
Higher Power / Matthew Charles Santoro (2018)
*Asterisk = rewatch
Favorites first watched in 2023: Men, In Fabric, Yellowjackets, Everything Everywhere All at Once, mother!, NOPE, The Dance of Reality. (ETA: Vivarium and Aniara, which I wouldn't necessarily call "favorites" but they've stuck with me.)
Favorite rewatches: Secretary, I Heart Huckabees, Poltergeist, Bringing Out the Dead
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The Existentialist Terror of Aniara (2018, dir. Hugo Lilja, Pella Kagerman)
there is something inherently terrifying about the idea of how vast and empty space is, which aniara captures in beautiful shots of sheer darkness and tiny stars, through windows, in still intercuts, enveloping the ship. it counterbalances these impressions with shots of human masses, sometimes loud and bright in the shopping mall, sometimes erratic and almost dissociative in the dancehall, sometimes motionless like an art installation under the yellow light of mima, sometimes moving like a single body through the corridors, cramped up in tiny cabins, huddled together in abandoned rooms. the atmosphere is both claustrophobic and overwhelming in its unimaginable endlessness. human intimicy becomes more and more of a farce as desperation envelops and isolates the people on the aniara. these topics are always relevant to the human condition, but appear more so after a good year of intermittent quarantine, and a good decade of growing fears about climate change. the question becomes: what if nothing is out there for us? do our lives still have meaning? can we keep going?
*
(addendum: this didn't really fit in here, but i loved the subtle worldbuilding like the strange names and the burn scars on several of the characters, both of which indicate in different ways how earth has developed until this point.)
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