You know what kinda bothers me after watching Arjun Prince of Bali for a while?
Throne of Bali depicting Arjun in a not so favorable light, despite the entire movie's whole purpose is to promote his then up and coming series.
And in the end, Bheem became the savior. Like, ok, it's originally a movie from Bheem's side of the series, but CB team making anyone else the hero instead of Bheem challenge (impossible).
Once again, I'm not here to bash on either shows; they're my favorite shows despite all things considered. It's just that I have to be in overanalyzing state at everything ¯\_(ツ)_/¯
Arjun's Introductory
Arjun's introduction is anything but nice. First glance, he was depicted as an arrogant prince who thinks he doesn't need help from other people just because he's the prince.
And lo and behold, he softened up after half of the movie.
Idk if it's just me being biased. But if it were me, if I want to introduce a character that I wanted to make a whole series about, and the movie was my promotion tactic, I'd give him more character that still holds true when he had the series.
Like, ok, the series was like 3 years after Throne of Bali timeline-wise (Arjun being 8 at TOB, then 11 at APOB), so I get that he grew up and matured up. But god forbid introducing a character in such a way.
Tanya & Zimmbu's Absence
What kinda irks me is the fact that Tanya doesn't exist. So does Zimmbu, and they're supposed to be Arjun's little sister and pet respectively.
What I assume is that Arjun's story is still half-baked when Throne of Bali was up. So instead of fleshing out the story and characters first, they just decided to go with whatever they have, and went along with the movie's release anyways.
Which, I guess they're chasing a deadline, so I guess I should cut them some slack. But still, excluding very crucial people from Arjun's life other than his parents that make up for more than half of his character is a bit much, no?
Bheem Being the Story's 'Savior'
I get it, it's Bheem's movie originally, so I get why putting Bheem on a spotlight more. But again, it's Arjun's movie at the end of the day, shouldn't it be reasonable that Arjun be the ultimate savior?
He's the crown prince for crying out loud, why did it shift to Bheem being a prince??
Which, I supposed because Bheem was a well-known figure already, in which if he's not the main hero, less people would take interest in the series.
But then again, another solution is to make both of them the ultimate saviors. But hey, I'm no Green Gold.
Now, it's time for me to tackle on a bit of kinda like a rewrite but not really. I'm just gonna list out that what I would like to be changed in the movie.
Involving Tanya and Zimmbu
I think involving Arjun's closest person and animal is detrimental for his character overall. Despite his personality, Arjun is a caring older brother and would actually put his sister first before him (which, ik in some cases Tanya came second, but that's because she just wanted to do what her brother was doing, but my point still stands for overall reasons).
Arjun would still be hostile towards Bheem and his friends, which would make sense because he doesn't know them, despite being the people his uncle trusted. I'd replaced his arrogance to just focusing on keeping his sister from harm's way. He'd keep her close at all times during the span of the movie until Arjun could slowly trust Bheem.
Arjun's Personality
I get that he's made to be the type to enjoy attention and limelight, and also a bit of competitive. But how did it turned to complete arrogance??
In the series, as far as I know, the only times Arjun ever used his title against someone was towards villains who's making havoc towards the kingdom, and Arjun have to use his title to let the villains know that their actions are acknowledged by the order. Arjun might've still be only a prince, but he's the eventual ruler, so his words also holds power despite his current position.
Once again, I'm using Arjun's caring big bro personality at play here (Arjun acted the same way to Khojo, and sometimes even Sankat). Realistically, I don't think Arjun would've cared much about getting attention from his people while his home is literally being under attack. His main focus should be at making sure the people who's still unaffected by the curse remains safe.
Arjun would still kept his distance from the gang for safety measures; he still doesn't trust them in fear that they might've had some ulterior motives behind their help that Arjun knew nothing about. His hostile attitude towards them was to keep himself, and his sister and pet safe from potential danger.
Arjun would keep Tanya entertained and maybe comfort her when she's getting homesick. She and Zimmbu are his only family left at the time, so keeping them close to him at all times was an absolute need for not just for them, but also for himself.
I think Arjun would soften up when Tanya gets more close with the others. Arjun is still close Indumati and trusts her because she is family, but Tanya getting really friendly with everyone else was kinda like a stepping stone for him to loosen up.
As Arjun began to soften up and trusts them, he'll be more friendlier to them.
And trusting Tanya with the others was a huge step for him into completely trusting them. Regardless of everything, Tanya was at the top of his priority, so trusting his sister's safety with them was huge.
Ending
What irks me most was at the end of everything, Bheem was the ultimate savior. Hello, is this movie supposed to promote Arjun or not??
When Bheem fell into the cracks and into the lava, Arjun would be following him in an attempt to save him from falling into the lava, but both ended up falling in anyways, but was saved regardless.
Bheem would be told that he still have many lives to save in the future, while Arjun would be told that as the prince of Bali and the eventual ruler of the kingdom, Arjun have the utmost responsibility to keep the kingdom from harm, and possibly foreshadowing Bali's second calamity and his fight with Hiranya.
I think that's all I have to offer. If there's any more, I'd add it later.
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Do you have any thoughts about Alyosha's momentary crisis of faith? Because I understood why he had one, but not so much why he was immediately ready to drink and go see Grushenka. Interested to see if you've any opinions on the matter, either regarding Grushenka or just in general.
OOOOOO this is an interesting question and my answer is going to get kinda long, warning you now LOL
i think alcohol & drinking in general is often a big part of "the karamazovian nature"—fyodor pavlovich and mitya are open alcoholics & hedonists, and ivan's heavily implied to be an alcoholic as well by his delirium tremens at the end—and more generally as one of the wordly temptations that human nature as a whole is susceptible to (tangent, but this is also really interesting when you keep in mind ivan's cup analogy!! drinking & cups are tied to living & life so often; mitya chooses to "fill" his cup/life with alcohol, ivan drinks in secret until he throws the cup/life to the ground at 30 in rebellion, and alyosha instead chooses to fill his cup/life with god. one of the schiller verses mitya quotes in the ardent confession chapter even says "To the soul of God’s creation / Joy eternal brings her draught, / In strong secret fermentation / Flames the cup of life aloft")
and the common denominator is that they don't believe enough to overcome the natural urge to indulge. mitya does believe, but he can't stop himself and reproaches himself for it; ivan doesn't believe despite wanting to and that contributes too imo. but alyosha doesn't drink and is an ascetic for the most part bc everything for him is based off of his unwavering faith—and so when his entire worldview and moral system is shaken by both ivan and father zosima, he questions EVERYTHING and begins feeling detached from reality when it doesn't match up. without his bulletproof faith intact, he no longer has the external ruleset to dictate his behavior, and the karamazovian desire to ease pain with alcohol wins for a moment without being able to trust his prior moral compass
(on rereading for this post, i don't have a formulated thought on it but it's interesting that he agrees to rakitin's initial offer of vodka even though they end up having champagne instead—there's probably some connection there between vodka and worldly/russian baseness vs champagne, which while not communion wine is still wine LMAO)
this quote from the onion chapter is what stands out the most to me, bold mine:
"Alyosha cried out with a wail in his voice. ‘I speak to you not as a judge, but as the least of the judged. What am I before her? I came here in order to be destroyed, saying: “Go on, go on!” – and that was because of my cowardice, while she, after five years of suffering, no sooner did someone come and say a sincere word to her, forgave everything, forgot everything and cried! The assailant of her honour has returned, is summoning her, and yet she forgives him everything and hurries to him in joy and she will not take the knife, she will not take it! Oh, I am not like that! I do not know whether you are like that, Misha, but I am not like that! Today, the moment I received this lesson, I … She loves in a way that is loftier than yours or mine … Have you heard her say this earlier, what she said just now? No, you have not; if you had, you would have understood everything long ago … And let the other woman, whom she offended the other day, let her, too, forgive her! And she will forgive her, if she learns of this … and she shall learn of it … This soul has not yet been reconciled, we must spare it … This soul may contain a treasure …" (tr. mcduff)
when he loses his infallible external/divine guidance, he has to turn inward/to the world around him instead, where he finds guilt and the human urge to self-destroy (as well as the influence of rakitin & his schadenfreude) and as a karamazov, it naturally comes first in the form of alcohol (women, too, but alyosha never really shows any desire on that front) when he sees grushenka's kindness and forgiveness, he snaps out of it and his faith is reinforced (while he believes he's a sinner and unworthy, he sees in her christlike forgiveness and is reminded that although he has these karamazovian urges, giving in to them entirely isn't the answer etc etc im not a theologian and have been writing too long anyway)
this has been such a long ramble with so little structure but this is SUCH an interesting plot point, thank you for asking my thoughts on it!! :D
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