#however whether or not his potential interest will survive is a whole different story

[l3irdl3rain]

Ran into an unbelievably handsome man at the bar two weekends in a row. My friends have been trying to convince me he is hitting on me. Very cool, hope that’s true. do you guys think I could date an unbelievably handsome man and just not mention the 6 cats thing?

[ignitification]

Dissecting What-thefuck-Ever is Happening in Jujutsu Kaisen

Am I crazy? Am I going mad? Is this manga making me delusional? All of this are valid hypothesis. However, onto the content, because I'm confused and trying to give shape to whatever my mind is thinking.

The last couple of chapters really put my English comprehension skills to test: not because I don't get it, but all the different details and the shades which Gege uses to describe and entwine things is so subtle that sometimes I am afraid that the translation does not give it justice. And kudos anyways to those who put this into words, because this is one big mess on 'insert weird jujutsu thing'.

This New Arc (The Culling) is probably one of the most difficult, in terms of events and storyline, arcs in the story. Fair enough, Shibuya was pretty complicated, as events were happening at the same time - but in the end, Shibuya lasted about five hours and that was it. The Culling has origins which go back in centuries, and only that makes it interesting, dangerous and maddening to think about.

One thing which I want to mention before anything else, because I know that I will forget otherwise, is the sentence which Tengen repeats twice in Chapter 145.

Per his saying, he cannot read the Human Heart, once in reference to Yuki, and the other in reference to Kenjaku. The weird thing is that this makes it clear that despite everything and the implications, Kenjaku - is still human at the end. He is physical, material and therefore he is not invincible. I am not sure if this was the intent behind this words (to let them know how Kenjaku is as human as them, and therefore it it possible to stop him) - but I still it has some sort of relevance. Also, this makes me question, whether Kenjaku's technique is limited to the brain and its knowledge, and what generally his technique is.

Tengen tells the Six Adventurers that Kenjaku is at least as old as Sukuna, and the two have been involved somehow. His objective is so force human evolution. And in order to do, he wants to boost up Japanese individuals (likely because of the amount of immense cursed energy present) - and to merge Tengen, who is now more cursed spirit than human, with humankind.

This is because the next stage of sorcery (and humanity, intrinsically), for Kenjaku, lies in optimising cursed energy. But in order to do so, the potential which human retain needs to be exploited fully. Therefore, people have to be aware that there is still potential to be discovered (next stage of human evolution).

The objective of the Culling Game therefore splits into two currents: cull the potential vessels to fuse with Tengen and spread cursed energy like wildfire (with the end goal being a new golden era, Heian Era) by applying the natural law of the survival of the fittest (searching for the one who could completely fuse with Tengen) and making Japan the cull of all cursed energy - which would potentially attract other cursed energy, from other countries (even if as we know it is extremely lower compared to Japan) and as Yuki potentially already guessed in Chapter 136 to make Japan a monopoly on cursed energy.

Another things which gets mentioned, but at the same time I am not entirely sure has anything to do with the things I am thinking of (and specifically Sukuna's fingers and the remains of the clan ancestors - if this is even a thing), however boundaries and restrictions (f.e. Heavenly Restriction that both Toji and Maki have) are a very big thing in Jujutsu Society and Sorcery. A blatant example is the pact that Sukuna made with Yuuji (and that neither can break). However, according to Tengen the bond of fate between The Six Eyes, Tengen and the Star Plasma Vessel has been broken thanks to Toji Fushiguro, who killed Riko Amanai 12 years ago. (Also, the choice of words that Toji escaped cursed energy is very interesting, and worthy of further looking into). This allowed for Kenjaku to carry out his plan to weaken and further let Tengen evolve into an almost cursed spirit, which he could manipulate through Getou's technique (which explains why he seized his body) to finally let the ritual of breaking into the body and finally merging begin (the culling game). To allow this however, Kenjaku had to make different restrictions, one of which is not not be the Game Master of the Culling. But in this case, two questions come up: who is the Game Master and what are the other restrictions? Can this be used as an advantage by Yuuta, Yuuji, Megumi and Maki to beat Kenjaku, free Gojo and stop the Evolution?

And this also prompts the question of, if Kenjaku would merge with Tengen in Getou's body, what would the consequence be? Also, does this merging occur after the end of the Culling? What if Kenjaku finds another body to take advantage of and this way, the vows he made when it Getou's body are not worth anymore? Would that play in his favour? Could it even be possible?

However, in order to do so, and since Tengen's barrier optimises cursed energy, and at the same time protects itself, Kenjaku is striving to eliminate Tengen's barrier. In the end, if the cursed energy is dispersed, yes it would mean chaos, but as well it would mean endless possibilities to evolve. Furthermore, if Is stretch this into unknown territory, what the picture could be is: since for Kenjaku the only ones able to successfully merge with Tengen and have a use out of it are Japanese people (for reasons stated before), and from the things we know of Kenjaku (old as they come, acquainted with Sukuna and Uraume, mad scientist who tampered with the Womb Paintings - creating Choso among the others, and most likely having tampered with the Itadoris') it would create the picture of a mad scientist in full gear striving for innovation, evolution, creating by destruction.

It gets cleared with the content on these next two panels:

Kenjaku wants a chaotic world, one that even he cannot control, in which Cursed Energy is a limitless source and has no possibility to be put down. The question that comes naturally with it is definitely why, because I am afraid that merely 'evolution' is a downplay of the real intentions of someone who experimented so much and has survived different centuries, under different names - all of which (known for now) are of 'evil' jujutsu sorcerers (both Kamo Noritoshi and Getou Suguru), who did not conform with the will of jujutsu society.

Does Kenjaku want the whole to end, to go berserk - because if there are no barriers and one individual goes mad, everyone does? The creation of 'Trascendent Being' which are more than jujutsu sorcerers? To see what's over the threshold of jujutsu sorcery? To have the world as the scene for a new Shibuya but with the possibility to influence and kill more people? Territorial expansion extendable over a certain barrier?

Anyway, I am not sure what the point is, just that Gege's plot is absolutely amazing and I can't wait to know more.

[lokiondisneyplus]

A review of “Journey Into Mystery,” the penultimate Loki Season One episode on Disney+, coming up just as soon as I paper cut a giant cloud to death…

Journey Into Mystery was the title of the first Marvel comic to feature either Thor or Loki. It began as an anthology series featuring monsters and aliens, but Jack Kirby, Stan Lee, and Larry Lieber were so smitten with their adaptation of the characters of Norse myth that the Asgardians gradually took over the whole book, which was renamed after its hammer-wielding hero(*).

(*) The early Journey Into Mystery stories treated Thor’s alter ego, disabled Dr. Donald Blake, as the “real” character, while Thor was just someone Blake could magically transform into, while retaining his memories and personality. It wasn’t even clear whether Asgard itself was meant to exist at first, until Loki turned up on Earth in an early issue, caused trouble, and Blake/Thor somehow knew exactly how to get to Asgard to drop him off. Soon, the lines between Thor and Blake began to blur, and eventually Thor became the real guy, and Blake a fiction invented by Odin to humble his arrogant son. It’s a mark of just how instantly charismatic Loki was that the entire title quickly steered towards him and the other gods.

But once upon a time, anything was possible in Journey Into Mystery, which makes it an apt moniker for an absolutely wonderful episode of Loki where the same holds true. Our title characters are trapped in the Void, a place at the end of time where the TVA’s victims are banished to be devoured by a cloud monster named Alioth. And mostly they are surrounded by the wreckage of many dead timelines. Classic Loki insists that his group’s only goal is survival, and any kind of planning and scheming is doomed to kill the Loki who tries. But this ruined, hopeless world instead feels bursting with imagination and possibility.

There are the many Loki variants we see, with President Loki, among others, joining Classic, Kid, Boastful, and Alligator Loki. There are the metric ton of Easter Eggs just waiting to be screencapped by Marvel obsessives (I discuss a few of them down below), but which still suggest a much larger and weirder MCU even if you don’t immediately scream out “Is that… THROG?!?!?” at the appropriate moment. And all of that stuff is tons of fun, to be sure. But what makes this episode — and, increasingly, this series — feel so special is the way that it explores the untapped potential of Loki himself, in his many, many variations.

This is an episode that owes more than a small stylistic and thematic debt to Lost. It’s not just that Alioth looks and sounds so much like the Smoke Monster(*), that it makes a shared Wizard of Oz reference to “the man behind the curtain” (also the title of one of the very best Lost episodes), or even that the core group of Lokis are hiding in a bunker accessible via a hatch and a ladder that’s filled with recreational equipment (in this case, bowling alley lanes). It’s also that Loki, Sylvie, their counterparts, and Mobius have all been transported to a strange place that has disturbing echoes from their own lives, that operates according to strange new rules they have to learn while fleeing danger, and their presence there allows them to reflect on the many mistakes of their past and consider whether they want to, or can, transcend them.

(*) Yes, Alioth technically predates Smokey by a decade (see the notes below for more), but his look has been tweaked a bit here to seem more like smoke than a cloud, and the sounds he makes when he roars sound a lot like Smokey’s telltale taxi cab meter clicks. Given the other Lost hat tips in the episode, I have to believe Alioth was chosen specifically to evoke Smokey.

Classic Loki is aptly named. He wears the Sixties Jack Kirby costume, and he is a far more powerful magician than either Sylvie or our Loki have allowed themselves to be. He calls our Loki’s knives worthless compared to his sorcery, which feels like the show acknowledging that the movies depowered Loki a fair amount to make him seem cooler. But if Classic Loki can conjure up illusions bigger and more potent than his younger peers, he is a fundamentally weak and defeated man, convinced, like the others, that the only way to win the game into which he was born is not to play. “We cannot change,” he insists. “We’re broken. Every version of ourselves. Forever.” It is not only his sentiment — Kid Loki adds that any Loki who tries to improve inevitably winds up in the Void for their troubles — but it seems to have weighed on him longer and harder than most.

But Classic Loki takes inspiration from Loki and Sylvie to stand and fight rather than turn and run, magicking up a vision of their homeland to distract Alioth at a crucial moment in Sylvie’s plan, and getting eaten for his trouble. He was wrong: Lokis can change. (Though Kid Loki might once again argue that Classic Loki’s death is more evidence that the universe has no interest in any of them doing so.) And both Loki and Sylvie have been changing throughout their time together. Like most Lokis, they seem cursed to a life of loneliness. Sylvie learned as a child that a higher power believed she should not exist, and has spent a lifetime hiding out in places where any friends she might make will soon die in an apocalypse. Our Loki’s past isn’t quite so stark, but the knowledge that his birth father abandoned him, while his adoptive father never much liked him, have left permanent scars that govern a lot of his behavior. The defining element of Classic Loki’s backstory is that he spent a long time alone on a planet, and only got busted by the TVA when he attempted to reconnect with his brother and anyone else he once knew. This is a hard existence, for all of them. And while it does not forgive them their many sins(*), it helps contextualize them, and give them the knowledge to try to be better versions of themselves.

(*) Loki at one point even acknowledges that, for him, it’s probably only been a few days since he led an alien invasion of New York that left many dead, though due to TVA shenanigans, far more time may have passed.

For that matter, Mobius is not the stainless hero he once thought of himself as. While he and Sylvie are tooling around the Void in a pizza delivery car (because of course they are), he admits that he committed a lot of sins by believing that the ends justified the means, and was wrong. He doesn’t know who he is before the TVA stole and factory rebooted him, but he knows that he wants something better for himself and the universe, and takes the stolen TemPad to open up a portal to his own workplace in hopes of tearing down the TVA once and for all. Before he goes, though, he and Loki share a hug that feels a lot more poignant than it should, given that these characters have only spent parts of four episodes of TV together. It’s a testament to Hiddleston, Wilson, Waldron, and company (Tom Kauffman wrote this week’s script) that their friendship felt so alive and important in such a short amount of time.

The same can be said for Loki and Sylvie’s relationship, however we’re choosing to define it. Though they briefly cuddle together under a blanket that Loki conjures, they move no closer to romance than they were already. If anything, Mobius’ accusations of narcissism in last week’s episode seem to have made both of them pull back a bit from where they seemed to be heading back on Lamentis. But the connection between them is real, whatever exactly it is. And their ability to take down Alioth — to tap into the magic that Classic Loki always had, and to fulfill Loki’s belief that “I think we’re stronger than we realize” — by working together is inspiring and joyful. Without all this nuanced and engaging character work, Loki would still be an entertaining ride, but it’s the marriage of wild ideas with the human element that’s made it so great.

Of course, now comes the hard part. Endings have rarely been an MCU strength, give or take something like the climax of Endgame, and the finales of the two previous Disney+ shows were easily their weakest episodes. The strange, glorious, beautiful machine that Waldron and Herron have built doesn’t seem like it’s heading for another generic hero/villain slugfest, but then, neither did WandaVision before we got exactly that. This one feels different so far, though. The command of the story, the characters, and the tone are incredibly strong right now. There is a mystery to be solved about who is in the big castle beyond the Void (another Loki makes the most narrative and thematic sense to me, but we’ll see), and a lot to be resolved about what happens to the TVA and our heroes. And maybe there’s some heavy lifting that has to be done in service to the upcoming Dr. Strange or Ant-Man films.

It’s complicated, but on a show that has handled complexity well. Though even if the finale winds up keeping things simpler, that might work. As Loki notes while discussing his initial plan to take down Alioth, “Just because it’s not complicated doesn’t mean it’s bad.” Though as Kid Loki retorts, “It also doesn’t mean it’s good.”

Please be good, Loki finale. Everything up to this point deserves that.

Some other thoughts:

* Most of this week’s most interesting material happens in the Void. But the scenes back at the TVA clarify a few things. First, Ravonna is not the mastermind of all this, and she was very much suckered in by the Time-Keeper robots. But unlike Mobius or Hunter B-15, she’s so conditioned to the mission that even knowing it’s a lie hasn’t really swayed her from her mission. She has Miss Minutes (who herself is much craftier this week) looking into files about the creation of the TVA, but for the most part comes across as someone very happy with a status quo where she gets to be special and pass judgment on the rest of the multiverse.

* Alioth first appeared in 1993’s Avengers: The Terminatrix Objective, a miniseries (written by Mobius inspiration Mark Gruenwald, and with some extremely kewl Nineties art full of shoulder pads, studded collars, and the like) involving Ravonna, Kang, and the off-brand versions of Captain America, Iron Man, and Thor (aka U.S. Agent, War Machine, and Thunderstrike, the latter of whom has yet to appear in the MCU). It’s a sequel to a Nineties crossover event called Citizen Kang. And no, I still don’t buy that Kang will be the one pulling the strings here, if only because it’s really bad storytelling for the big bad of the season to have never appeared or even been mentioned prior to the finale.

* Rather than try to identify every Easter egg visible in the Void’s terrain, I’ll instead highlight three of the most interesting. Right before the Lokis arrive at the hatch, we see a helicopter with Thanos’ name on it. This is a hat tip to an infamous — and often memed — out-of-continuity story where Thanos flies this chopper while trying to steal the Cosmic Cube (aka the Tesseract) from Hellcat. (A little kid gets his hands on it instead and, of course, uses the Cube to conjure up free ice cream.) James Gunn has been agitating for years for the Thanos Copter to be in the MCU. He finally got his wish.

* The other funny one: When the camera pans down the tunnel into Kid Loki’s headquarters, we see Mjolnir buried in the ground, and right below it is a jar containing a very annoyed frog in a Thor costume. This is either Thor himself — whom Loki cursed into amphibianhood in a memorable Walt Simonson storyline — or another character named Simon Walterston (note the backwards tribute to Walt) who later assumed the tiny mantle.

* Also, in one scene you can spot Yellowjacket’s helmet littering the landscape. This might support the theory that the TVA, the Void, etc., all exist in the Quantum Realm, since that’s where the MCU version of Yellowjacket probably went when his suit shorted out and he was crushed to subatomic size. Or it might be more trolling of the fanbase from the company that had WandaVision fans convinced that Mephisto, the X-Men, and/or Reed Richards would be appearing by the season finale.

* Honestly, I would have watched an entire episode that was just Loki, Mobius, and the others arguing about whether Alligator Loki was actually a Loki, or just a gator who ended up with the crown, presumably after eating a real Loki. The suggestion that the gator might be lying — and that this actually supports, rather than undermines, the case for him being a Loki — was just delightful. And hey, if Throg exists in the MCU now, why not Alligator Loki?

* Finally, the MCU films in general are not exactly known for their visual flair, though a few directors like Taika Waititi and Ryan Coogler have been able to craft distinctive images within the franchise’s usual template. Loki, though, is so often wonderful to look at, and particularly when our heroes are stuck in strange environments like Lamentis or the Void. Director Kate Herron and the VFX team work very well together to create dynamic and weird imagery like Sylvie running from Alioth, or the chaotic Loki battle in the bowling alley. Between this show and WandaVision, it appears the Disney+ corner of the MCU has a bit more room to expand its palette. (Falcon and the Winter Soldier, much less so.)

[fanfiction-funtime]

Genshin AU: Early Impact

Or: an au where the travelers arrive as kids and Ei doesn't go crazy

This au might not be all that lore accurate because I don't fully know Inazuma and watsatsumi island lore. Plus a lot of artistic licence with the abyss, and Dainsleif is completely different.

This au likely won't get an official story from me, it's more so a setting I and others can use. So feel free to use it and even change it up! Just please credit me :)

Onto the au!

_____________________

Basic changes

To start, the travelers appear in Teyvat around the time Ei was about to go mad, and as little kids. The abyss twin escapes the unknown god and winds up in the care if Dainsleif, an abyss herald in this au, while the other ends up in the care of Ei.

Dainsleif starts a civil war to stop the genocidal path of the abyss(starts like the reformation with a 99 point thesis, but it becomes a civil war)because the twin is so precious he can't bring himself to want to kill people anymore.

Meanwhile the other traveler keeps Ei grounded because no matter how afraid of responsibility she is she can't abandon a kid. Problem is is that she was already working on the clones, so now she has to raise two babies and a kid(in the bright side: no Raiden being a dictator or anything!)

Because of this several things happen:

The travelers do not seek eachother out until much later in their lives because they're just children, however they eventually remember their sibling and try to move their responsibilities to search(for the abyss twin it's moving the war effort, for the Inazuma twin it's pretending to diplomatically help other nations)

Watsatsumi island becomes an independent nation and ally to Inazuma.

As the vision hunt decree never happened, none of its effects do either. However a cult of vision hunters does emerge around the same time the vision hunt has as to provide motivation for some characters.

Character specifics

Tomo is still alive, whether he dies or not is up for writer interpretation. He still wants to survive Ei's divine punishment ability however he can actually train for this rather than just die. He usually trains with Raiden(the clone in the original game that's called Raiden Shogun)to do this.

Kazuha is still friends with Tomo, and if I'm understanding his vision story correctly, the wanderlust he would get from stories Beidou might tell him would be enough to get him to go on adventures around Inazuma and finally joining the crux fleet. Thus he would get his vision much the same way.

Scaramouche(who probably has a different name but idk what it would be), and Raiden would both now be Ei's children and younger siblings of the Inazuma traveler.

Obviously the rebellion doesn't exist without the decree, however Gorou still serves as a general for Kokomi, but as an official general of the watsatsumi army.

Kokomi would be the leader of watsatsumi island and act as the general for the whole military. As well as everything else.

Itto gets his vision stolen by the cult, however as it was taken during a duel with Sara(who is the same as far as I know the lore of the original)so he has no interest in fighting the one who took it.

Thoma still works for Ayaka, and both help the Inazuma traveler stop the vision hunt cult. Thoma's ship was destroyed in a storm, but not one of Ei's

As far as I am aware that is everyone who would be affected by these changes in ways that need explanation. If I got something wrong please correctly me.

Paimon

Paimon is fished out of the sea one day by the Inazuma traveler, who promptly adopts her(more like Ei adopts her because traveler was too young at the time but the traveler still acts like a parent). They follow the Inazuma traveler everywhere they go

_____________________

Potential story outline

Of course I wouldn't make this au without a basic story outline for anyone interested.

The story would start as normal except with UKG(unknown god)much more quickly beating child travelers. The Inazuma traveler will wake up in the arms of Ei, who will adopt them.

The story could either skip straight to the traveler's journey or explore their childhood

Around the time the game originally starts the Inazuma traveler recives a vision of their lost sibling and want to leave. They would either sneak out on a ship or tell Ei they want to travel the world to expand Inazuma's diplomatic relations.

Either way the traveler gets on the wrong ship and ends up captured by pirates heading to mondstadt for a trade with abyss mages(the bad one, not Dainsleif's). They will be rescued by Amber who stops the trade by dispatching the parties involved. The story proceeds largely the same except with the archons remarking on Ei having kids, and obviously the traveler having some diplomatic weight and authority.

The story curve baals at Inazuma, where the plot begins with the traveler trying to warn Ei about the fatui, only to find out she's been sealed inside a sword while they were gone. Scaramouche will either be a part of the family still or run away to be a harbinger before the start of the game, your pick. Either way Raiden is in charge and has cracked under pressure quickly because she can't handle the gnosis, becoming paranoid and declaring martial law, she also becomes so delusional as to believe the traveler is the one responsible. Ayaka tries helping the traveler before Raiden tries stealing Thoma's vision(the first one this time and used as a sign she's too far gone). Traveler draws this fight to a stalemate this time but still has to run away with Thoma. They them go to watsatsumi island, where the clear signs of war are brewing despite Kokomi and Gorou trying to quell them. This part climaxes with Raiden declaring war on watsatsumi and an ensuing, much less one sided but still in Inazuman favor until the end, beach battle like in the original.

The whole of Inazuma would end with Raiden either redeeming herself or dying(writer choice), Ei being freed but only after the traveler trades the gnosis with Signora(so she can do her witch magic)or another harbinger the writer decides on who could free her, then finally a fight against the cult climaxing at a fight against the god the cult was trying to awaken(with Ei's help, and Raiden and/or Scaramouche depending).

Obviously this is a very poor outline meant to be improved and expanded on by whoever wants to. Maybe even me if I get the motivation.

Obviously I haven't included much of the abyss, that is because I don't know how to implement it before it could become a larger part of the story.

_____________________

The twins

Personally I'm using Aether as the Inazuma twin and Lumine as the abyss because that's how it is in my game, simply switch the clothing to get the other. Obviously you can characterize them however you want, I will ask you not to use my au for any hateful things towards anyone but I cannot stop you sadly.

Also I know face wise they don't work, sadly hero forge doesn't have a face sculptor(or lucky for me because I would go made trying to perfect it)

Aether(Inazuma)

Changes explained:

-since they came as kids they would outgrow their original outfit, and adopt a new one.

-I tried sticking to his original color palette, and tried implementing the scarf, but hero forge is both limiting and giving safly.

-speking of, the reason his pose is not like the odachi sword pose I was trying to mimic is because it is not a default pose, and I cannot move the legs. I tried but I'm very sorry to any practitioners and fighting/sword fans.

-the long hair is meant to mimic how people wanted Ei to look like, which is with long flowing hair(also not well done here), and since I accept the headcanon he has a braid because of lumine I changed it.

-the high heels are because Ei wears them and so she taught her kids how to fight with a technique requiring them, or at least in universe. Out of universe I just like them.

-he wields and odachi because it's cool, change it however you want.

-the purple is meant to be where his elemental energy appears, like the highlights in the game

Lumine(Abyss)

Changes explained:

-i tried doing her original hair, didn't work.

-I used dark blue like Dainsleif, and a grayer version of her original light blue(which would be gold for aether)

-adding on to the parentheses, on Aether the gold highlights would be the same light blue

-the white is because the abyss twin in the original game has white highlights. I decided to make it more noticeable.

-the wings are because people think the white highlights mean the abyss twin has already ascended, and I don't know if that's true but if it is they should have wings! And because of growing up in the abyss, the wings look more threatening.

-they are a spell caster because a lot of art I've seen of the abyss twin looks more like an evil sorcerer/ess, so I ran with it.

_____________________

Well that's about all I have for it. What do you think? I think it's pretty good, I'll probably make some one shots for it. Probably.

@genshin-obsessed @storytravelled @helpidkwhattoput @love-psxlm

[mst3kproject]

The Flame Barrier

I’ve got an awful lot of movies from 1958 on my resume, don’t I?  Why is that? Honestly, I couldn’t tell you. Apparently it was just a bumper year for cheap, crappy black-and-white films.  This one stars Kathleen Crowley from The Rebel Set and Rodd Redwing from The Mole People, in a movie written by George Worthing Yates, who also penned Earth vs the Spider.  Also featuring a blob from outer space, with motives even less clear than the one in The Space Children.

Over yet another stock-footage rocket launch, one of those deep-voiced 50’s narrators informs us that there’s a layer of Earth’s atmosphere called the Flame Barrier which destroys everything it touches. This particular rocket was no exception, and its crash-landing in the Mexican jungle may be related to the disappearance of explorer Howard Dalman, whose wife Carol has now come looking for him. She seeks out a pair of prospectors, Dave and Matt Hollister, to guide her to his last known location.  As they go deeper into the bush, they find they’re wandering into something unknown… something that can make men burst into flames!

This movie isn’t terrible.  It’s not great, but it’s not irredeemably awful.  It reminds me a lot of The Giant Gila Monster, in that there’s a story going on and it’s not a bad story per se, but it’s one that’s got nothing whatsoever to do with the title and premise that drew us to the film in the first place.  When the supposed main plot pops up again at the end, it makes for a sudden and jarring shift.

The Flame Barrier starts off all right.  We have the inevitable narrator to give us the backstory, and then it gets right on with meeting the characters.  They’re introduced one by one, telling us their personalities and goals: Carol is naïve and spoiled but she’s trying her best, Matt is a drunk fool but he’s got a good heart, and Dave is a gruff, cynical realist who loves his brother but is tired of his bullshit.  None of them are exactly nice people but you can see where they’re coming from, and they each get an arc.  Carol struggles with whether she really loved Howard, whom she barely knew, and the movie allows her to toughen up and learn how to survive in the wilderness. Dave spends much of the movie being a jerk to Carol but eventually realizes he judged her too harshly and apologizes.  Matt gets a chance to be a hero and takes it, believing that he owes it to Dave for never giving up on him.  The writing is frequently unsubtle but the actors are competent, and these little stories work just fine.

The movie that surrounds them, however, is often very sloppy.  The narrator tells us that the space probe from the opening crashed because ‘it unexpectedly lost its gravitational force’.  What?  What is that supposed to even mean?  The narrator also tells us it’s been six months since Howard disappeared, then mere minutes later Carol says it’s been four. There’s a bit where Carol is menaced by an iguana… the creature is never actually in the shot with her, so they couldn’t find anything scarier?  The stock wildlife footage on their trek through the soundstage sets of Central America includes hyenas.  I can hear Crow saying, “boy, are we in Afri… wait a minute…”  And, pet peeve, they describe a snake as poisonous instead of venomous.

This being a jungle movie, obviously there are ‘natives’.  I think most of these are actual Mexicans, although Wikipedia says Rodd Redwing may have been from India (if so, I like to think his entire career in Westerns was based on just walking into casting directors’ offices and announcing he was ‘an Indian’, and letting them draw their own conclusions).  Being as this is a movie from the fifties, the natives are there largely to provide a body count – white people aren’t allowed to die until the climax.  To its credit, The Flame Barrier mostly (though not entirely) avoids the trope where the natives have interpreted the mysterious happenings as supernatural, leading the white characters to scoff at the whole thing.  There is some of this, but Dave clearly knows these people well and respects their culture and their warnings.

Then there’s the love story.  Obviously this is a movie, so Carol’s gotta fall for one or other of these idiots, but neither of the Hollister brothers is a good choice. Matt is sweet to her but he’s also a useless drunk who only has a job because his brother puts up with him.  Dave spends eighty percent of the movie being an asshole and I have no idea what Carol sees in him.  At least the two men never fight over her.  I guess the love affair is important to the plot, because it spurs the party on to finish their search for the missing Howard Dalman despite the odds being stacked against them… but that basically boils down to Carol and Dave needing to be sure she’s a widow before they can bone.

After all this messing around in the jungle, with the run time half over we get to the plot, and the movie changes gears with an almost audible ka-chunk.  Now we’ve got this space blob sitting in a cave (how did it get in there when it’s still attached to the rocket?) doubling in size every two hours, which must be destroyed before it can consume the entire earth!  Suddenly we have a laboratory, because all the scientific equipment Howard brought with him is still in perfect condition despite having been sitting in the jungle for either four or six months.  Suddenly Dave the rugged survivalist is a scientist and mathematician.  It’s like they took the same actors and sets and started trying to make a totally different movie.

Honestly, I think this is more or less what happened. I think the multiplying space blob was the movie somebody originally wanted to make – it starts out as a tiny thing in a test tube, growing bigger and bigger until it consumes the whole building and will destroy the entire city if it isn’t stopped!  That sounds like a pretty fun 50’s sci-fi movie in itself. It also, however, sounds like an expensive 50’s sci-fi movie, needing miniatures destroyed and screaming extras and other stuff The Flame Barrier just didn’t have the money for. Hence the need to spend so much time wandering around in the jungle swapping tragic backstories before the characters are allowed to get to that point.

The unfortunate thing about this is that the movie doesn’t really have time to get into the nature of its alien.  In Spacemaster X-7, the Blood Rust was offscreen much of the time but we still had a good idea of what it was and of its capabilities, and the explanations we were given made a reasonable amount of sense.  In The Flame Barrier, we’ve got this blob that apparently lives in the rarified and super-hot outer atmosphere (the writers seem to have confused Earth’s atmosphere with the Sun’s corona), but can also survive on the ground… and its effects are all over the place. Sometimes when things get too close to it, they’re just electrocuted and disintegrated, as happens to the rocket’s original passenger, a very young chimpanzee.  Sometimes people get horribly burned and then burst into flames and are reduced to skeletons hours or days later, as keeps happening to the natives. And then there’s Howard, who somehow managed to get close enough to be swallowed up by the thing and his corpse is still completely intact inside it.

None of this makes any sense.  If the blob has that protective electrocution barrier that the humans must be so careful to avoid, how did Howard get close enough to be trapped in it?  How did the chimp get out to end up wandering around in the jungle?  What the heck is happening to the natives who get burned and then skeletonized and why doesn’t that ever happen to the chimp or any of the main characters?  And how do they manage to kill by electrocution a creature that uses lethal amounts of electricity without any harm to itself?  ‘It’s an alien – we don’t understand it’ can cover a multitude of sins in movie writing, but the blob’s random effects don’t even feel like they could potentially make sense.

The Flame Barrier reminds me of other MST3K movies, too. Prominent among them are It Conquered the World and The Crawling Hand, both of which ended on the same unintentionally depressing note: they suggest that the dangers of going into space are so great that humans will never be able to overcome them.  It Conquered the World tells us that there are eight more Venusians just waiting for their own turn to invade.  The Crawling Hand says that exposure to outer space causes mutations that will turn astronauts into mindless murderers.  The Flame Barrier posits that not only is space itself deadly, but is also full of deadly creatures, and the only way to avoid them is to stay on the ground.

This has always interested me because movies like this stand alongside things like the tales of Rocky Jones, Space Ranger!, in which humans have an exciting future among the stars. Stories set in space can be about either the exhilaration of discovery or the terror of the unknown, and this dichotomy seems to be as old as science fiction – Mary Shelley’s Frankenstein is considered the first work of proper sci-fi, and it encompasses both.  Frankenstein tells us that if we let our fear over-rule our curiosity, we’ll miss out on something potentially wonderful.  Movies like The Flame Barrier, and even modern space monster flicks like Alien, seem to say the opposite, that we shouldn’t meddle with the unknown at all.

This movie was kind of a compromise on my part.  I’ve had a lot on my plate lately and I picked The Flame Barrier as a movie that was kinda stupid but wouldn’t be either a test of my endurance or particularly challenging to write about.  I’m hoping to have something a little juicier for you next time.

[kacychase]

After the reawakening [NevraxMC]

[Commentary (the same as in the other posts): Please understand that all of this has my heart inserted into this after paying too much for a game dear to me, yet disappointing. Beemov, I hate to bother you as it seems to be a waste of time, but please… Listen to your readers, at least to the demographic you aim for and their constructive criticism. Your game has so much potential, it could be so much more, and it breaks my heart that it’s not. Please, for our sake… We have been loyal to you for so long. This fanfic is here because I loved the original story and characters – with its flaws all included, and ultimately, we love your characters (at least the original), and just want a game that gives them justice, that doesn’t make us feel used more so than enjoying a story]

Warnings: cheesy, so damn cheesy, level of extra layers of cheese, ALSO CONTAINS SPOILERS FOR BOTH ORIGINS AND NEW ERA SEASONS

Works: Ezarel | Nevra (this one) | Valkyon | Leiftan (Valkyon and Leiftan in the works)

When I chose you

It felt right.

The way you held me tight,

The way you would brighten

Up my day would

Bring sparkles in your eyes

That I wouldn’t be able to forget.

When things went south,

When people silenced my mouth,

When you let me down,

It took my time to count on you again.

Yet, here I stand, in your arms,

In your scent and your comfort,

In your loving embrace, forever.

Crystal or not, you were an ever-lasting

believer in me when I was in need.

Who could blame you for leaving,

for your sacrifice or getting

Over me?

In the end, I love you, still,

And whether you come back or not,

All of the memories, the emotions

Will never escape them,

Even if Mnemosyne’s spell

Would compel me to do so.

Nothing would make me get over you.

Nothing would make me want to lose you again.

My sacrifice should not be in vain,

And your happiness is what I need to

See as best for you.

Yet… Just so you know,

I love you still, and have not forgotten.

[Nevra]

You are so close to me, so incredibly close. Why must it have been 7 years ever since we have been a couple for you? I don’t even want to imagine my favorite, caring vampire must have gone through. Ever since my soul left my body... I swore to myself to keep you in the back of my mind, to at least try and fight to get out.

But maybe, I’m too late.

This will only result in me approaching him I assume. I can already feel the excitement bubbling up, countering the shock of the whole experience.

As I lay on the bed inside the infirmary, my thoughts seem to spiral by themselves. “How are you dealing with all of this?” I hear Ewelein’s concerned voice reach me, and I look at her with an appreciative look. Just like an olde sister, she examines me with a gaze that makes me shudder in guilt and heartache - she didn’t think that I were to ever come back.

“It’s so stange to see everything so different now that I woke up. The last thing I remember has been seven years ago for you,” I mutter, a little chill running down my spine again, and I look down. “But I’m glad that you’re all alive. The sacrifice was worth it.” Gathering the last amounts of strength, I smile at her in a way that I can’t describe. If I were to compare it to a graspable situation, it would be that I slept in a coma for 7 years.

“I can’t wait to see everyone who’s here again,” I mumble, and Huang Hua, sitting next to us and holding Ewelein’s hand, beams one of her enthusiastic smiles at me. “I can imagine. Chrome, Karenn and Karuto surely would love to see you! I also have to introduce you to the rest of the guard!” Hearing the second part of the sentence, for some reason, I feel a twist in my gut.

How could I get used to seeing the new parts of the guard right now? Currently, I’m still not entirely ready to confront reality yet. Looking at Huang Hua, she must have noticed my expression as she says: “... But maybe, we should take one step at a time. How about the two of us take a walk?” I nod with a relieved smile, looking at Ewelein, I can see a look of adoration towards Huang Hua.

They for sure make a cute couple: “Thanks. Ewe must be busy anyway,” I grin back and remark: “Congratulations to the two of you. I was rooting for you!” The two of them start laughing, and Ewe gives me a smack on the forearm.

“Ow!”

“We weren’t even an item back then! But I’m glad you didn’t tell anyone, everyone seemed surprised,” Ewe half scolds me, half thanks me for being a reliable best friend. Why of course, both of them should know by now, which I don’t refrain from telling them. However, before any of them can respond, a new infirmary worker calls Ewelein for help. With that, the three of us separate, not without me receiving a reprimanding to please pay a visit again this evening from my favorite nurse.

Looking at Huang Hua with a brow up, she nods to guide me to the hall, and once we are out, she suddenly pulls out a dark robe. “I have to tell you a few things before we take the round. Would you please wear this?”

And so, the round begins. Feeling the change and prosperity around the guads, all the exterior seems so lively - the parks, the refugium, the place of the cherry tree... Where Valkyon’s presence would probably rest if he could. Huang Hua explains it all to me - Ezarel and Nevra would be informed to gather in the crystal room immediately. Although Ezarel is rather hard to catch as he only is part-time assisting to the guard, Nevra should be here tonight... She explains to me the unnerving fact that Leiftan and I are the ones who have been gone into history books with our second sacrifice. It feels so strange how none of the ones still alive - or in Valkyon’s case, sacrificed as well - would never receive any credit. How is that any fair to the ones surviving the whole ordeal?

Disturbed of the two statues, I can’t help but sigh. “The two of you do look quite beautiful in these, don’t you think?” Huang Hua tries to lift the situation. But seeing how everything is so different, I can only nod. Suddenly, the pictures of the war that, only to me, seems to be fresh in my mind. Having realized that I won’t see quite a few of my friends anymore, at least I can assure that the rest of them are safe and sound with the life path they chose.

But, the two men that I consider closest family... I wish I could see them right now, especially a specific black-haired vampire that I fell for, seemingly 7 years ago. What has become of this place?

“He’s going to be back from a mission this evening. Until then, I will make an official announcement for the ones you’d surely want to reunite with. I will inform the other members of the light guard, too. That way, you can get to know them! Not until you’ve seen some familiar faces... Surely, that will help you into the situation,” she mumbles thoughtfully, and I’m eternally grateful for that. I can’t wait to see Nevra and hear him talk about what has happened. All I am are questions... But what I want to do, to tell him, to do with him is endless.

Now that I have awakened and been given the chance to live, I won’t let it slide. I just have to do it. Sure, it’s interesting to see what the new people are like, how the guard works, how I might help them... But I need to check on the person important to me.

What he might be like? Would he like seeing me? How has he been doing the past years? Well, I hope... But how should he be? The last thing I saw was how Ezarel left the guard not long after, adding Miiko and Kero. And, ultimately, he was left alone with the responsibility of the shadow guard, taking care of Krenn and Chrome in his own ways, and so much more...

Goodness. How much I want to show him my support right now... My heart itches to see him.

When Huang Hua is nice enough to grant me access to my old bedroom - which has been renovated in a surprisingly flashy way - I just try to get into my bed. Man, this is a lot to digest, but the rest I have taken makes me question whether I am supposed to do something while waiting. Huang Hua has informed me that people view Leiftan and me as holy figures, so should I risk a walk? Thinking of seeing my loved ones this evening, I realize that the time can’t come any sooner.

But realizing that I need to at least eat, I quickly rush to the cantine, trying to at least see how Karuto is doing. Sneaking a peak into how full the cantine, I can already see him serving the other people amazing dishes. Wow, and his clothing looks far more sophisticated! Thinking that Feng Zifu is around, I let out a small chuckle.

But peaking around like this, I don’t only see that this cantine is incredibly full, but that the two people who found me today are sitting there. As open-minded and curious as I might be, I realize that I don’t want to explain myself now, when I can’t even explain it myself. Quietly, I thank Huang Hua for informing Ez and Nev first.

But when I turn around to ask Ewe, Chrome or Karenn to order for me, I notice someone entering the hall. Something twists itself in my gut as I see him. My beautiful, now a little aged vampire no longer sports his eyepatch, and I’m glad that he doesn’t - he seems to have realized that he doesn’t need it. He looks so different, yet in his own way - his hair is now more mid-part, a little longer, his clothing still has purple, black and red accents, yet leave more of his physique to the imagination. But, and ultimately the source of my sickly feeling, I see him flirting with a girl - a beautiful woman I have never seen before.

He seems to have moved on, it seems.

Shocked, yet not entirely surprised, he and his date advance towards me, but I can’t move. For me, the whole scene is like a world crumbling in front of me... At least, that’s how my heart feels. Nevra unavoidably bumps into me.

“Hey, watch where you’re going.”

I wouldn’t have expected those to be the first words he has for me. But hey, they don’t count when he doesn’t know, right?

Knowing that it wouldn’t be fair to drop the information when it has been seven years, I just mumble, a shivery tone in my voice: “Sorry.”

Not even trying to turn around, I decidedly hurry out of the caféteria, hoping to find Ewe for the growling of my stomach before heading to my room.

~~~~~~~~~~~--------------~°~--------------~~~~~~~~~~~

Hours later, I am too exhausted to actually consider things well. Sorting my thoughts while laying on my bed, restlessly, I thought that I should probably read throught the information of the libary once I’m officially registered.

I’ve been lucky that Karenn and Chrome have caught me on my way out of the storage room, and ever since, they gave me a very secret update of their own - including their long relationship. They really are cute together, and I’m glad that they will accompany me to the meeting today - apparently not in the crystal room anymore.

It’s still an hour to go though, so I realize that I might as well visit the crystal room. Maybe, if I focused, I would get answers?

Noticing that I might as well find my alone time there, I leave the cloak in my room, taking the risk to finally be able to breathe. Once I enter the room, I take in all the changes of this place. It’s eerie to look at the thing I have spent my time in for years. Occasionally, I have seen people visit Leiftan and me, mostly to talk to me and address the crystal. It has been gut-wrenching, but I notice that these things stopped when I fell asleep...

Deep in thoughts, I approach the crystal, putting a hand softly on the big shard, once broken in the disastrous war. Knowing that I made the right decision soothes me, and the fact that my loved ones, this world, all of the people I have met survived it and could live in peace for years brings tears to my eyes. We made it. All of us together managed to save the world.

At this point, should I be mad at Nevra for moving on? I love him, my heart still aches, and of course, I shouldn’t assume the situation before communicating with him about the issue. But... I have realized that I went into this whole ordeal without considering how he must have felt, how much time he has spent without me... Taking a deep breath, all I can do is stand next to the crystal, the presence of it soothing me in an odd way. Now, without it, I can finally move, face the world, and not be imprisoned by it’s limitations anymore. So why am I scared now? What is supposed to halt me so much in my tracks?

“Gardienne?! Y-you’re alive?”

That voice. For a second I thought I must have imagined it as I have not heard any steps coming. But who am I kidding? Nevra is the head of the Shadow Guard - or at least, he used to be. My stomach seems to have solidified into stone by it’s heaviness as I turn around and see the same frame I have seen earlier today. The fact that he’s alone relieves me a little.

“I woke up today. Hey, Nevra,” I smile at him, but it must have looked as his shocked expression now shows worry. His eyes get bigger as he agonizingly slowly makes his steps towards me. I hear him absentmindedly mutter about Huang Hua and the meeting - he might not have known what it is about.

“Have I bumped into you today?” he asked again, his voice trembling just as much as mine as he comes to halt a meter away from me. He’s hitting the nail in the head as I take a breath and nod.

Just then, his face hardens, as if he doesn’t know what to do. I ache for his hug, for him saying that none of the things I’ve seen today are true. How much I wish for all of this to be a bad dream I can’t measure, but all about his behavior tells me enough. This is no time for wishing impossible things, a thing I have learned early in this world.

“It’s okay, Nevra. I won’t pressure you, it’s been y-years after all,” I mumble when all of a sudden, a lump builds up in my throat. This is no time to break down! I’m in no position to fault him for today!

“Yes,” he utters under his breath, then exhaling as he ruffles his hair with his hand, “I’m sorry that you had to see that first. I wish I could have told you before.” I hate the fact that my eyes appear glassy now. After all that I have experienced, THIS is what makes me weak? Keep your cool, woman.

“Again, it’s fine. You wouldn’t have expected to see me back there. But... how did you know it was me?” I just ask him to change the topic, I don’t want to dwell on the thought that my only love has moved on from me with other people, might do things that we have done for a longer time than necessary.

“I-I just knew. It was your voice, Gardienne. I felt it when I bumped into you. I am sorry for treating you the way I did today,” Nevra rambles while looking at his feet. It still feels painfully distant between us. Trying to approach him, I take my arm from the crystal and approach him. “It’s okay.”

That way, we stand in front of each other, taking in the silence. He doesn’t approach me, and I don’t know if I can.

“It’s been seven years since I left. I can’t fault you for moving on. I-I guess it doesn’t quite go into my head,” I admit silently, smiling sadly at him. His face appears bitter when I say that, as if something doesn’t sit right with him. Laying a hand on my shoulder, I see him take in a shaky breath.

Mumbling something I can’t quite understand, I don’t have enough time to ask him what it was as he continues, his voice now up in volume: “I’m glad you’re alive.”

That sentence is weird as I tilt my head at him. I wish I could just say ‘I’m also glad you’re alive?’ but I know that it doesn’t help the situation a lot.

“Are you okay, Nevra?”

Looking at him in more detail, I can see how deep his circles under his eyes go. Does he get enough sleep? And he doesn’t smile remotely as much as he used to. With that, my heart squeezes even more.

“Well, how am I supposed to react to someone who I have thought to be-” his voice cracks up, as if restraining himself to say the word, “to never come back. And here you are, all of a sudden, looking as if nothing happened between the war and now. A lot has changed Gardienne. I have changed. The H.Q. changed!” His words cut deep, and I don’t know how to react to them.

But it is clear that this is all real, and I can feel how my feet are too heavy to carry me. Sitting myself to the steps that thank goodness, they have kept inside the crystal room, I sigh deeply. Yet, I find the strength to turn around to him.

“Then... can we maybe catch up? I...,” gathering my words is harder than I thought, “I wish I could have been there, but I want to see what happened around here.”

His dark eyes muster me, one of them I know to be blind. Looking at it, I wonder how Shai’tan is doing. I smile at the thought of possibly meeting her again, trying to avoid thinking about the fate of my own companion.

He hesitantly puts a hand on his scarred part of his face, catching my stare. Do I see a blush on his cheeks?

“I don’t know, Gardienne,” he says, using my full name, “I have to get used to seeing you around. I...” He breaks off his thought process as he presses his lips together. He’s shivering.

Suddenly, I realize how hurt his eyes look, how much he’s frozen in place. This is definitely hard for him. I don’t want him to relive things how they were. It’s like a switch flipped, and I understand - I remind him of the things that happened. It’s no more me that he sees, he sees the war and the hard times after it.

“I mourned you. I am seeing that damn statue of you next to the cherry tree next to this traitor’s figure all the time,” he starts, and it feels like he’s breaking down. Holy crap. What am I supposed to do?? My whole body aches to hug him, to ease his burden. But will I worsen things?

“I tried to wait for you, to tell myself that you’d need me when you’re back. I tried to be there, I visited your place every day in the first months. Then... the chances became lower and lower. I thought that you were lost forever,” Nevra explains with a shivering voice, his eyes tearing up.

This is enough. Nobody makes the man I love hurt like this. Was this how he felt after the potion of Mnemosyne endeavor rolled along?

Quickly, I stand up from the steps and erase the space between us, my arms finding their way around him immediately. To my shock, his arms just press me against him even harder - it feels like he holds something fragile that might be gone.

“I-I found my different ways to cope. I couldn’t stand being lonely, not getting over you. Those women would help me forget you, even if it’s just for a little while-” With his whiny voice, I know that I should ignore the pang in my chest.

“All of this shit is cruel. To you, to me, to Valkyon, to Ezarel,” he whispers with bitterness. And it is the rage I can understand - I would have felt it too. All of this being seven years ago, I wonder how he must have felt to keep these emotions deep inside him.

For a solid few silent minutes, both of us just standing there, when tears also come out of my eyes. It’s indescribable what is happening. All of the emotions, no matter how long, eat us up. The war, our separation, the past seven years have taken a toll on us in a way. Nobody would be able to understand this moment, and I don’t plan to have this be a matter of discussion. We are here for each other, and I silently rest one of my hands in his hair.

Man, as much as I’m crying, I have missed him, his arms around me, us together. Out of impulse, I whisper, even if I don’t know if it’s true: “I’m here now. And I will do everything to stay with you for a while.”

When we head to the crystal room, we decide not to speak of it. I will give him time to process, but I have hope in us. We can get through it, and I will be there for him all the way - and I have no doubt that he will be there for me, too.

[zelskzerker]

Mangadex went down so I read alot 1/7

Lets review a bunch of isekai and related stuff I binged because mangadex went down. The scale will be a single thumbs up to a single thumbs down in terms of how much I would consider recommending it in general.

Legend

Chapters 1-51 Pretty straight forward in most aspects. For the best. Nothing crazy bad or good happening, making it surprisingly straight forward for an isekai. [Insert isekai startup here] but this time the MC is given a super magic body and the knowledge of ancient magic. Which he promptly uses to create a griffon buddy. Gets a THUMB IN THE UPPER CORNER for just being a nice, believable stay in a world, but I have read some stuff that really has interesting sparks the way this doesnt. MC is brutal at times and General Princess is cute. They make a good pair for each other.  Although there are no ecchi situations, that artist really knows how to slide in the lewds, whether its mid combat flourishes or pre chapter artwork.

The Black Create Summoner: Revolt of Reincarnated

All Chapters

Truly is revolting. A resounding THUMBS DOWN.  Apparently this was just an advertisement manga, which means that its intentionally incomplete and unsatisfying. Ontop of that, the sketchy artwork was generally rough and got worse to look at the more it went on. [Insert isekai startup here] but this time he has a grimoire that lets him summon stuff he draws. The power isn’t used that much though or in that creative of ways. Characters didn’t really leave an impact except maybe the elf little sister that is stubborn yet knows she is incompotent and recruits a dragon out of stubbornness. 

Minotaur’s Sweetheart

Chapters 1-16

So what if a minotaur accidentally seduced the adventurer that was assigned to kill him? This is a good romance manga deserving a THUMBS UP because the pure-hearted minotaur boy and the unmarriageable adventurer girl actually develop a relationship and progress as people. The manga is ultimately about monsters and humans interacting and is fresh due to having a plot that evolves the situation a lot beyond the initial setup of the manga.

Moon-led Journey Across Another World

Chapters 1-64

[Insert isekai startup here] but this time the god of the new world calls the MC ugly and banishes him to the edge of the world to die off. In order to help out the MC, the god of our world (Tsukuyomi) gives him a bit of power. The MC is funny to watch once you realize that he is an incredibly cautious pureboy and expecting every common street thug to potentially end him but in reality he is a god-rivaling cataclysm himself and never realizes. He is so powerful that he recruits the blue haired mist dragon, Tomoe, and accidentally turns her into a weeaboo. Tomoe can read minds and access pocket space with her mist ontop of her sick weeaboo katana skills. She really shines as the most mature person in the story, gaining information that no one else in the story has and carefully withholding it from the MC in order to protect his innocence. She is a DAMN good tomboyish waifu and sarashii is a blessing. Other main girl is yandere spider, Mio, which has shockingly good and well conveyed bouts of emotion. She has an extremely rare “can’t cook at all” joke that is explained due to her “eat literally anything” nature. In terms of plot, the MC hates the god of the world he is in and pretty much plans to do everything she doesn’t want him to. Which means mingling with humans, and eventually, god slaying/usurption. Odd think about this manga is that it’s heavily Japanese-inspired. That may sound odd because its a manga, but generally isekai are most medieval/western skinned than this one which leans in on Japanese mythos. Just look at the god of our world in the manga.

THUMBS UP.

The Unsuccessful yet Academically Unparalleled Sage ~A Cheating S-Rank Sorcerer's Post-Rebirth Adventurer Log~

Chapter 1-10 So lets set up this genre here. This is a part of the “reincarnation” genre, which is a spinoff of isekai. They generally depict a very capable mage who reincarnates themselves into the future of their own world. At which point they realize that although they were pretty strong in their day, they are now practically a god in the deteriorated modern day. This genre will hereby be indicated by [Insert reincarnation startup here]. For this manga in specific, [Insert isekai startup here] but this time the MC could only use lightning magic and was the best at it but failed the gene gacha then [Insert reincarnation startup here] and he fails gene gacha again but is still the walking thunder god. These kinds of manga are always precious when the MC can walk through the world and see the fruits of their past labor. Specifically through Merlin, the MC’s adopted demon daughter who has grown up to be his heritor and bridge human/demon relationships. Truly adorable and heart warming. Lacks a bit of spice from themeing or ongoing plot due to its short length however. THUMB IN THE UPPER CORNER.

Older Elite Knight is cute only in front of me

Chapters 1-17.1

THUMBS UP. This is an oneshota manga where shota is a chad with incredibly good tastes. A really good ecchi manga with a light hearted story featuring Haru(the shota) knight that joins Karen’s(the oneesan) knight crew. As with all good romance manga, the main plot isn’t romance. Knight shenanigins are always happening, with a big (and lewd) bad entering recently. Top tier variation on the lewds, even including a princess loli in on the fun. Must read for all oneshota fans.

Lonely Attack on A Different World

Chapter 1-91

[Insert isekai startup forma de classroom here] but this time the MC gets leftover garbage skills and has to learn to survive. Learning to survive thus makes him the most op and he can magic trick his way out of literally anything. Strong start as the whole classroom first tries to get their footing, but after the starting arc is done this manga starts spinning it’s wheels. The manga is kinda lacking in themes, overarching plot and end goals, so stuff just happens to make this a sort of slice of life trap room escape manga. Magic “just works” in this universe so its not very dramatic when the MC pulls out a new trick out of his bag of million tricks. Just kinda stagnates too much for my liking. THUMB IN THE BOTTOM CORNER.

The Unwanted Undead Adventurer

Chapters 1-34

Rentt Faina, the MC, is a good guy with no talent who aspires to be a legendary adventurer. But then he gets turned into a skeleton, giving the chance to evolve his way to greatness, kinda like in Spider isekai or Dragon isekai. The MC is most like Goblin Slayer in his serious and knowledgeable approach to the world, how characters that know him revere him. End goal so far is just him seeing how far he can evolve as he comes across other vampires and vampire hunters. Really want to see him go to the top. Fuckin great art. Girls drawn perfect. Like the hat on the guild girl, but nothing beats the witch Lorraine. THUMBS UP.

Teihen Ryoushu No Kanchigai Eiyuutan

Chapters 1-13

THUMB IN UPPER CORNER. Pretty funny comedy about a lord of a poor land who wants to be a stereotypical evil lord but can only use healing magic. Therefore he bumbles his way into accepting a heretical cult nun, beast men who hate humans, etc. All the girls are to crazy for him to want to sex them(weak. give the assassin nun your babies). Most interesting parts are aforementioned nun, his fujoshi assistant, and the MC’s willingness to use his power to commit heretical and immoral warcrimes. 

The Undead Lord of the Palace of Darkness

Chapters 1-11

Art average, don’t come to this one for spectacle. It’s strength is in the subertfuge that it’s recently-necromanced-back-to-life MC goes through to get his Master killed and to later, probably, evolve into a vampire. MC isn’t evil though, just wants to survive. Main girl on cover was born and raised to hunt vampires but has a compassionate heart. Obviously she goes easy on and relates to MC. Story is still kinda in it’s first arc so the overall trajectory of the story is a bit hard to gauge and not quite satisfying enough by its own right. Probably a thumb up with more chapters but for now THUMB IN THE UPPER CORNER.

The Reincarnated Inferior Magic Swordsman

Chapters 1-38

[Insert isekai startup here] but this time.... uh... THUMB SIDEWAYS. Usually I am patient, but 31 chapters with no goal and just barely plot? Wow. Saving grace is uh... I guess the world of “other isekai people existed but they sucked because they didn’t level uncap like MC” could go somewhere but. I take it back, lowering this one to a THUMB DOWN.

The Invincible Sage in the Second World.

Chapters 1-12

[Insert isekai startup here] but this time a pro mmo player in a game called “Broken Balance Online.” Guess what his class, the sage class, was considered in the game? Not far along enough to really pop off but it isn’t horrible. MC is moderately cautious to a healthy degree which is actually rare in most isekai. THUMB IN BOTTOM LEFT CORNER. 

The Dark Queen and I Strike Back

Chapters 1-29.5

Although technically an isekai, no isekai startup here. This a battle manga with a big mystery on the backdrop of a war. That is to say, the MC gets teleported to a world to kill the demons but he ends up defending them from the humans with all he’s got. Of special note is the complete seriousness of this manga that whiplashes into debauchery like tentacles, the above cover, oneshota, and even really dark jokes in some of the omake. That tonal lash effect will be either make or break, and it is a HUGE make for me. I love when a single piece can have both absolute serious scenes and utterly lighthearted and fluffy ones. Or in this case utterly lewd ones. May the average-human-amount-of-perverted MC one day slam some demon lord loli. THUMBS UP.

Chillin' in Another World with Level 2 Super Cheat Powers

Chapters 1-24

THUMB SIDEWAYS. Has the feeling of a nerfed slime isekai. Nerfed in all ways except romance. Art surprisingly good.

[i-am-just-a-kiddo]

ok so I tried to come up with three characters like you did for me but this was very difficult. so feel free to ignore some if you don't like it or feel like talking about someone else :'D but the beauty ghost/liu qianqiao (word of honor), yu tangchun (killer and healer, bc i know you like our opera boy) and seo moonjo (strangers from hell, bc i am always curious about you and this dentist lol)

Aaaah thanks for these! 💗 It’s been a joy to answer them, so I hope you can get through my ramblings about them. 

Referring to Give Me A Character

and I’ll break their ass down:

How I feel about this character

All the people I ship romantically with this character

My non-romantic OTP for this character

My unpopular opinion about this character

One thing I wish would happen / had happened with this character in canon.

My answers under the cut: 

Liu Qian Qiao/ Beauty Ghost (Word of Honor) 

How I feel about her: I love her and she deserves better. I’ve not finished the drama yet and I know surprisingly little spoilers about her. I just love to see her acting on her own accord, standing up for the person she loves. Being protective and so caring of Luo Fu Meng, it breaks my heart. From what I’ve seen, she’s gotten on my radar only recently - after they saved Luo Fu Meng from the prison, I got really excited to see more of her and them in general. 

I think she deserves better than that pathetic man whose name I don’t bother to remember. I’m scared of what the show will do to her but I’m so excited to see more, especially now that Scorpion got them in his clutches? She’s on par with him and I’m curious which direction this will go. However, as with many C-dramas unfortunately, she does not really feel tangible to me? There is always something missing, just a small piece that will make her feel more true to me. Maybe the drama will deliver on that? I’m not sure what to expect. 

All the people I ship romantically with her: Luo Fu Meng!!! Lesbian ghosts rights!!! Their recent scenes have been breaking me and I just want to see more of them. I want to know more about their past together, about their dynamic. Luo Fu Meng is her master but right now, Liu Qian Qiao is the one guiding and caring for her. It shows how equal they actually are, even if not in their title. Liu Qian Qiao’s devotion to her feels so burning and determined - whatever she has going on with that man just pales in contrast. She was ready to risk it all for her and she would never abandon her. She’s willing to do anything and I’m just praying for their lives - please don’t fuck it up, @ show writers. 

In short, I just need more of them. Please. 

My non-romantic OTP for her: I loved her interaction with A-Xiang a lot - she truly seems like an older sibling to her and it’s precious to see. I can see them being easily annoyed with each other but also fiercely protective of the other. I can see A-xiang being an unstoppable whirlwind and Qian Qiao trying to ground her, while being incredibly fond. I can also see A-xiang pulling her older sister out of her own head, grounding her and validating her? Tell her that she is more than she thinks of herself, and that she deserves a lot more than she allows for herself. I need more of their interaction because I’m weak for found family tropes and I need more of the ladies doing their own thing outside of Wen Kexing’s or someone else’s periphery. 

Also I want more interaction with her and the Evil Bodhisattva???? The potential that friendship has? Please gimme. 

My unpopular opinion: I don’t know any opinions? I’ve not yet dived deeply into the WOH fandom because I’m not done with the drama yet. I’ve generally seen little content about her and the other ghost ladies, which is a pity. Once I get there, I’m excited to dive into all the fandom has to offer. 

One thing I wish would happen / had happened with this character in canon: I’m on episode 24, so I can’t really judge what the show is gonna do to her, but so far I wish for more depth. Less of that horrible man being affiliated with her. Less of her being subjected to violence. More agency. More of her and Fu Meng interacting, caring for each other, being in each other’s space. I hope her to survive and not be killed, so I’m crossing fingers. 

Yu Tangchun (Killer and Healer)

How I feel about this character: OH BOY. I have freshly baked feelings about him, get ready. Warning for spoilers:

First of all, I always felt the drama did not dive into him as deeply as I had wished. Something was always missing there, but I can’t really name what. Maybe more depth, other than just being sick and out for revenge? He had more potential and I will get to it later. But from all I’ve gotten from him, I love how strong he is, and how much bravery there is in such a small body. He has his own mind and own agenda and doesn’t allow people pushing him around - I also love how deceiving he can be, even to his friends (namely Chen Yuzhi when he asked for that drug). He is a clever fox and I love that for him. Which also made him incredibly unpredictable to me in the beginning - I just couldn’t quite place him? 

In the end, am just incredibly fond and he deserved so so much better than the show ever gave him. 

All the people I ship romantically with him: Zhan Junbai, with all its flaws. From the first moment on, their tension just made me go ???????? the whole time. It was amazing and unsettling to watch, see its development and knowing this could not end well. A very delicious dynamic that always treaded the line of will they or won’t they (whether that refers to killing each other or otherwise). At some point I felt a little more invested into their plotline simply because it was so interesting and unpredictable. The mutual attraction is undeniable, which made what happened later even more heartbreaking and fucked up.

It could have never worked, even if Zhan Zhunbai had been less of a dick. They deserved a different ending - at least Yu Tangchun should have been the one to kill him, or at least they should have had a proper showdown together. After all - they were more than friends at this point. 

My non-romantic OTP: I loved his friendship with Chen Yuzhi, but I must say I would have loved to see him more with Chu Ran! If we imagine a different ending, they could have bonded together so much over what Zhan Junbai did to the both of them. They are both so gentle and headstrong, I wish we had gotten more of them together. It could be relaxing and freeing for the both of them. 

Also I’ve always wondered how exactly Yu Tangchun’s friendship with Jiang Yuelou worked? I think this got way too little spotlight. 

My unpopular opinion about him: I have no idea what is popular and what isn’t? Maybe that I sort of enjoyed the idea of Yu Tangchun joining Zhan Junbai, even though I knew it wouldn’t happen. Let me dream, that could have been a different level of conflict. 

One thing I wish would happen / had happened with this character in canon: Oh boy. Oh boy. SO MUCH. Spoilers ahead if you haven’t finished the show: 

First of all, his ending?? It felt way too rushed and while not out of character, he deserved so much more than his death being an afterthought to the plot and a few sad gay flashbacks. The entire ending felt rushed and oh boy, could I rant about it here, but I will try and focus on Yu Tangchun. So yes, give him the respect he deserves. 

Another thing which I have mentioned above is that I wished they had given him more depth? Just a little bit more other than the trauma and agony he went through. I also wish I had seen more of his opera and his story with it - how he got there, how he thinks about it. We only ever got glimpses and I get that a show can only focus on so much, but still. 

I also wish his ending with Zhan Junbai had been different - in a sense that I wanted him to break Zhan Junbai, lure some genuine emotions on his face other than anger. I wish they had gotten more….closure? I don’t even know. It didn’t feel satisfactory at all. Zhan Junbai went through so much trouble to keep him and then suddenly he let’s him go and then he dies? It just went too quickly. If at least Yu Tangchun had been there to kill him in the end, or at least get some sort of closure. I’m rambling now because I don’t know what I wanted for them but it was certainly more than what the show gave me. I am so frustrated about the ending of the show, help me. 

Seo Moonjo (Strangers from Hell)

How I feel about this character: Conflicted. That is the short answer to that, but of course I’m not here to give a short answer. Do I have to clarify that I do not condone the actions of a cannibalistic serial killer in real life? I hope not. Okay, let’s get to it then. 

Seo Moonjo (or Mr. Dentist, as I lovingly call him) to me is incredibly intimidating. Part of it is that Lee Dong Wook does an incredible job at depicting him as charming and terribly unsettling at the same time. From the first second he shows up on screen, you feel this presence - and you feel intrigue and fear. Which is what Seo Moonjo wants, it’s what he preys on. 

So when I think about how I feel about him, I think he is one of the best villains I’ve encountered recently, simply because he makes me feel the same way he makes Jongwoo feel. I’m very fascinated? I feel Seo Moonjo is a very lonely person, lost in his own ideals and morals. He has absolutely no sense of social propriety and does not intend to learn them. He’s so caught up in his own art and his desire for a certain life, it’s almost pitiful how much he desires it. But of course, once I feel a sliver of pity, he reminds me that he is - indeed - hell personified. I am still lowkey mad that he charmed me (why is being a villain so sexy smh).

Summing up, I love and hate him. What a creepy bastard.

All the people I ship romantically with him: Yoon Jongwoo, despite all the cruelty of it. I think comparing this show to NBC’s Hannibal is very valid, even though these two never got a proper development of their relationship like Will and Hannibal did. I absolutely think that Seo Moonjo is in love with Jongwoo and wants him to be his, wants to wrap him up in his life and make him the ‘perfect art-piece’ he had always wanted in his collection. No matter how sick it is, this obsession is probably the closest Seo Moonjo can get to feeling love - he does not know how else to love. 

So what do I want for them? I want Jongwoo to get his revenge, to make Seo Moonjo suffer as much as he did. I want Jongwoo to see eye to eye with him so they can walk with equal footing. I want Seo Moonjo to realise that Jongwoo has as much power over him as he thinks he has over the other. After this, they can be murder husbands for all I care, in true Hannibal-esque fashion. The emancipation of Jongwoo needs to happen first, and Seo Moonjo needs to realise that he is not the invincible one in this relationship. After that, they can have a good time together, no matter how fucked up that time may look like. 

Also, I am convinced that he ‘dated’ Yoo Gihyeok in a twisted way, before he went and fucked up his plans; and before Jongwoo came to cath his eye.

My non-romantic OTP: As mentioned above - Seo Moonjo is a lone wolf. Yes he had his pack and someone that guided him on this path, but none of them ever come close to him to see his heart. The show itself doesn’t give him much space to see a potential friendship except the one he has with Jongwoo. Jongwoo would be the answer for this as well. (also to be fair, I don’t wish anyone to be friends with him damn)

However, if I could explore more dynamics he has with other people, I would love to see it with Officer So. I think she is an incredibly interesting and strong character and the few scenes they had together were fascinating - she came as his patient and ended up being his enemy. In another installment of this show, I would’ve loved to see more interaction like that and see the development of them being pleasant acquaintances (and maybe Seo Moonjo realising that she too is worth his attention) to enemies. I want Seo Moonjo to find respect for her.

My unpopular opinion: I’m not into depicting him as fancy rich, as many do in fics. Yes he’s a dentist and surely has a ton of money, but I like the idea that despite this wealth, he would always be a shabby sort of person. Not decked out with a luxurious rooftop apartment and wearing dress-shirts every day and expensive watches; but rather using his wealth to make himself safe from detection, finding remote areas, buying utensils and appliances for his ‘art’. So no, I reject the vision of him lounging on the highest building in Seoul with a minimalist empty apartment. I see him in a ratty rundown but expensive old mansion/house that has many corners for his artistic endeavours. I’ve already picked the perfect house for him in Busan, on the top of a hill overseeing the city and the harbour. 

One thing I wish would happen / had happened with this character in canon: I’ve mentioned it above, but I wish Seo Moonjo had gotten to feel more pain. We got Jongwoo’s liberation and Moonjo being proud of his ‘artwork’ while Jongwoo kills him, but that was not the revenge Jongwoo needed. In the end, Moonjo still lingers with him, as a constant presence, and he never got a taste of his own medicine. While watching this show, all I wanted was Jongwoo to break Moonjo’s heart. This would not make up the suffering Moonjo put him through but at least they would be equal. So I have my own revenge fantasy with this character that is more than ‘merely’ killing him. Being killed by Jongwoo just felt like an honour to Seo Moonjo and I’m not satisfied with that. 

Phew okay I’m done! Thank you for giving me something to ramble about, it was a joy!! 

[uniarycode]

Takari Week, Day 1 - Confession

Takeru has spent weeks trying to confess to Hikari but somehow he can never actually get it out.  Hikari has a different interpretation on how they’ve been spending their time.  Done as part of @takariweek 2020

Today was the day.  Today everything would change for better or for worse.  Today marked the first sentence of a new chapter of his life.  Today was the day he was going to confess to Hikari.

Unlike all those other sentences he had to re-write.

This was not the first day this month Takeru had planned to confess.  However, he was a romantic at heart, and no matter how much resolve he had beforehand somehow the moment never felt right.  He would always be able to tell their grandkids about how they met, but he wanted to be proud or the story of how he first asked her out.  And none of the opportunities so far fit his taste.

It was either that or he was afraid.  

Even if his confession was successful, it would still mean a fundamental change would occur in his and Hikari’s relationship.  And Takeru had a mixed relationship with change. Change meant the loss of his father and brother.  Change meant the introduction of a strange world filled with monsters.  Even the first time Patamon had changed into a new form had led to one of the most traumatic events in his life.

But change also led him to meet Patamon in the first place, something he wouldn’t trade for all the riches in the world.  Change meant moving to the same school as Hikari, and meeting Miyako, Iori, Daisuke and Ken.  Change meant that one day society might accept Digimon as a whole.

And whether he liked it or not, change was coming.

It was still surreal to him; his brother and Taichi had always seemed so close.  They had never been part of the same cliques, and they spent almost as much time fighting as hanging out.  But their friendship always eclipsed everything else, social standings, heated disputes, none of it mattered; they were best friends, through and through.

Then college happened. Now the legendary duo’s primary means of communication was via their siblings.  Hikari would learn some new fact of her brother’s life, tell Takeru during the course of casual conversation, and Takeru would update his brother of the going-ons later that week.

It wasn’t just them.  Even Mimi, who had an incessant talent for attaching herself onto someone and refusing to let them go, seemed much further from the rest of the chosen then she’d even been while she lived in America.

Takeru knew their bond was strong, that what the eight of them had done could not be forgotten or replaced.  But even if distance could not destroy the bridge holding them together, it could certainly increase the hassle of travelling back and forth.

The last thing Takeru wanted was for that distance to appear between himself and Hikari.  This was their final year in highschool, if he didn’t at least try now he might not ever get the opportunity again.  He needed to try, despite the inherent risks.

Besides, Hikari had rejected Daisuke dozens of times, and they were still friends, right?

Gathering his courage, Takeru had asked Hikari if they could have a day to themselves, ‘just the two of them’.  He’d suggested Wednesday, when neither club duties nor pressing assignments devoured too significant portions of their time.

Ever the romantic, he had it all planned out: First, karaoke.  A good, private way to judge the mood, and get Hikari to let her hair down.  Next, they had tickets to a movie, the new Disney flick that Hikari had been dying to see but never gotten around to (and without someone pressing, likely would not until it became available on dvd.) Finally, a romantic stroll on the boardwalk at sunset.

The boardwalk overlooking the bay.

The bay where they fought Ordienmon.

The bay where they’d been forced to kill one of their friends.

It was only after beginning his long-rehearsed spiel that Takeru had this epiphany, and, fearful that his date may have been quicker on the uptake than himself, he scrambled for a plan B.  

Salvation came in the form of a nearby cat café, he knew as soon as he suggested it that Hikari would lose herself in the felines, paying more attention to the four-legged critters than she did to him, but it was worth it to avert potential catastrophe.

Fate still deigned to mock him however, from the instant he sat down a maine-coon attached to him, refusing to move from his side, or to let the memories of past failures escape.

All cats attached to Hikari, she merely shared them with the other customers as she saw fit.  There was no doubt she enjoyed herself, but the moment had been well and truly ruined.

Takeru had managed to obtain an opportunity of redemption. ‘Same time next week’ had been the agreement, and he had near instantly resumed planning.  Whatever he came up this time had to top what he’d just done, or else he might have to explain away his mistake.

But even the most perfect plan does not survive contact with the enemy, and the enemy presented itself as an ill-timed phone call from his father.   One of his coworker’s households had apparently been graced by the appearance of a small white blob with a voracious appetite, and Hiroaki was wondering if his son could stop by after school and help calm the panicking mother, perhaps also giving tips for digital care.

Hikari would not allow him to say no, and insisted on tagging along.  But the TV station itself held a lot of painful memories for the girl, every year she returned with an offering of flowers and incense for Wizardmon’s grave.

It was far from a total waste since an idol Hikari had been following was also present.  Somehow the idol had overheard their arrival, and considered themselves interested in the pro-digimon cause.  In fact, the idol had been downright helpful, asking questions of him and Hikari that the coworker was likely to embarrassed or too naïve to think of.  Hiroaki ended up taking them all out for dinner, and they chatted for hours, finally assuaging the fear of a parent whose daughter now had a dog-head as a life partner.  

By that point, he had to take Hikari home, with no real opportunity to confess, even if Wizardmon wasn’t on her mind.

The third attempt was a no go from the beginning, Hikari had been sent into a rare, foul state.  All she wanted to do was eat ice-cream and rant, so they went to a dairy-bar overlooking the beach.

He’d let her vent when she wanted to vent, and when she was done he did what he did best: deflecting the conversation to some odd antics of Daisuke or his brother, anything to get her happy and cheerful again. Even after her mood had recovered, steering the conversation towards a confession felt like he might be taking advantage of her, or putting her on the spot somehow.

Cheering her up was reward enough, even as he paid for the forty-flavor super-jumbo, bottomless Sunday that they’d managed to make a liar out of.

(He’d eaten perhaps an eighth of it, there was no doubt in his mind that Hikari could have eaten the whole thing; but she at least wanted the plausible deniability to claim that he’d consumed half the calories.)

The fourth attempt was similarly doomed, he’d been too sick for school that day, and while Hikari had dropped by, he was too delirious to form a real confession, or for her to take any confession seriously.

The feel of her hand stroking his hear as she tended to him had been so heavenly though.  He couldn’t regret the experience.

By this point Takeru was convinced their Wednesday gatherings were cursed.  There was little reason Hikari would even see them as special.  And while he always enjoyed spending time with her, especially just the two of them, he was worried that regularity may dampen the splendor he’d initially been going for.

This week he requested to move their weekly hang out session to Saturday.  It would allow more time for them to be out at night, and thus more time for him to enact his perfect confession.  Hikari’s father was away on business, and her mother had already agreed to be rather lax on her daughter’s curfew.

His mother had not, but she would not punish him if he told her he was out on his first date, nor would she punish him after getting rejected, yet another reason he needed to actually spit it out today.

And it seemed all the stars were aligning, on top of her father being out of town: a photography exhibition at a local gallery was going for half price, and her favorite indie group were headlining a public concert at the beach until sundown.  Finally, there was a forecast for a clear, bright moon, and a local botanical garden was advertising a moonlit stroll through their flowers.

Hikari had agreed on one condition: they could wade through the shallows, but not do any real swimming at the beach.  It had seemed odd to Takeru at first, but the beach had been more about the free concert than seeing her in her swimsuit.

***

When Takeru arrived at the Yagami apartment he was stunned by the vision of beauty that graced him.  Hikari was wearing a strapless dress, black with accents of pink and white, that he’d never seen her in before.   Based on how high her head was coming up his body, she had to be wearing quite daring heels as well.

And her makeup had been done with so much precision and effort he had to wonder if perhaps Mimi had come back to town to help her.

“T-Takeru?” she asked, and he realized he must have been staring.

“I’m sorry, have you seen Hikari?  Brown hair, about yea tall,” he held his hand about three feet off the floor, “may have a family of ducklings following her around.”

“That was one time.” She scolded.

Takeru stood on his tip toes and moved one hand to sit above his eyes, like a visor.  “Hikari? Is that you?  Are you trapped behind this radiant goddess in front of me?”

A tell-tale pink infiltrated her cheeks as she turned around.  “It’s too much isn’t it?  I could still maybe change and-”

His hand shot out and grabbed her arm before she could escape. “You look perfect.” He said sincerely, pulling her in for a hug. “Besides, people at the exhibit will be expecting beauty and art.  They just may not be expecting the source.”

“You’re just saying that.” She deflected.

He wasn’t.

Takeru was not the same connoisseur of photography Hikari was.  When push comes to shove, he wasn’t sure anyone was the same connoisseur of photography Hikari was.  That said, he enjoyed exhibits well enough.  He liked to look at the pictures, and soak them in.  Try and memorize every detail to regurgitate later.  

Or occasionally, he would find a particular picture, and write a story in his head.  How had they gotten here, to this moment, what did picture mean to the squirrel which was the focus?  What was he doing immediately before?  How did this moment change his life?

Such joys eluded him today, instead his focus was solely on the brunette accompanying him.  The pictures only mattered in how they changed the expression on her face as she examined them.  

After exiting the gallery, there was still about an hour before the band started playing at the beach, they stopped for a bite to eat, and Takeru did his best to fake his way though her questions on the exhibition.

What was his favorite photo?  He named one on the left wall of the one she stared at for ten minutes, that had framed her head the whole time.  Why?  He made up some impromptu story he’d concocted about the scenery involved.  It won him a laugh from her as he turned the questions around.

When they got to the beach, Hikari replaced her heels with flat sandals she kept in her purse.  Takeru noted that he at least recognized the heels this time, unlike her dress, but he’d still never seen her wear them before.

Despite her insistence they not swim, (something Takeru now realized had to do with the amount of time she’d spent on her makeup,) hikari had instantly dragged him towards the water, to wade in the shallows.  They didn’t go much more than ankle deep, anymore and they risked getting hikari’s dress and his shorts wet, but it had been romantic nonetheless.

When the main act began to play, they collected their shoes and moved towards the stage, communications dampening as the speakers drowned out all sounds but the band on stage.

Takeru didn’t need words, the sight of Hikari, framed by the sunset, losing herself in the moment was more than enough for him.

It was twilight when the band’s ‘second encore’ had concluded and the crowd began to peter out.   There was a small ice-cream sack on the beach, and Hikari rarely turned down an opportunity for more of the frozen delight.

They talked about the concert, the waves on the beach, of everything and nothing all at once, until the residual light from the sun faded and the moon came in full force.  In the city like this, there was always a glow of artificial light, but it did not diminish Tsukuyomi’s splendor.

Meandering towards the botanical gardens, continuing their chatter about daily life.  Just outside Hikari stopped him, finding a bench to switch back from flats to heels, insisting it was more ‘proper’.  Takeru didn’t let her get away unscathed, suggesting that if she wanted to feel taller, stilts would be more appropriate.  She responded by playfully warning him that he may ‘wake up one day, two feet shorter’.

Neither comment had nearly as much effect as when the woman at the counter remarked on ‘What a beautiful date this would make’ and how she ‘wished her boyfriend had been so romantic at that age.’

Hikari’s face could be mistaken for a tomato, and Takeru adopted an uncharacteristic stutter as he paid their admission and ushered Hikari outside.

The woman’s words had a chilling effect, the natural conversation had all but dried up, replaced with subtle pleasantries and tepid remarks about the moonlit flowers.  Before long Hikari had her camera out, taking pictures of the various plant life, abandoning most conversation all together.

Was this it, had such a small, well-meaning action already cursed him?  Everything was going so well.  Was he a modern Sysphus?  Doomed to forever push himself up the hill of a relationship with Hikari only to fall down at the pinnacle and start all over?

“Takeru?” Hikari asked, snapping him out of his monologue, “Are you okay?”

“Fine.” Takeru replied “Just thinking.”

She grabbed his arm, pulling him towards a nearby bench. “Come on, let’s take a break, these shoes are killing me.”

“The price of fashion.” Takeru said sagely.

After they reached the bench, and Hikari had relieved herself of her footwear, they paused, focusing on some hydrangeas flow in the wind, accented by moon light.  A weight appeared on Takeru’s shoulder, where Hikari began to rest her head.

“Right now.” She said “This moment just feels so…perfect.”

Takeru took a deep breath.  He had the most wonderful girl on his arm, after spending nearly eight hours with her. “Yeah, perfect.”

A perfect moment.

It was unlikely a better opportunity would present itself.

“Hikari.” He said suddenly, just as she chimed in with his name. “Sorry,” they said in unison.

Her head pulled off his arm, quite disappointingly in his opinion, as she turned to face him.

“Ladies first.” Takeru said “I insist.”  She gave him a soft look, knowing that he wouldn’t let her win this one.

 “Okay.” She started “This last month, has just been so wonderful, so amazing.  I know I’m not the most experienced with this, and I know we haven’t really put a name on it, but it’s still been like something out of a novel.  I guess I should expect that from you.”

She had begun to look down, rummaging through her purse, as takeru tried to sort out exactly what she was talking about.  Had it already been a month since they started these ‘friend-dates?’

Hikari continued obliviously, “It’s not much, especially since you seem to do all the planning, but I thought you’d like it.” She pulled out a tightly-wrapped box. “Happy  one-month anniversary.”

Ani-what?

Dates rolled back in his head as he began to piece things together; the dress, the makeup, the heels, those were all for him?  Had she always been considering these less friend-dates and more dates-dates?

And he, in a move of pure coincidence, had moved this week’s date to Saturday, one month to the day of that first date, and even asked her mother for permission to stay out late.

Takeru did the only thing he could think of in the moment.

He laughed.

“Tak-Takeru?” she asked, and he could already sense fear and hesitation begin to well up within her as she saw her (boyfriend?) laugh at her anniversary gift.  He grabbed her and pulled her into a hug to dissuade any doubts.

“Happy anniversary,” he said when his hysterics died down.  “One month, I’ve been trying to confess for a month, and you hit me with that.”

“Wait, confess?” Hiakri said, begging a laugh of his own that quickly spread to Takeru.  “All this time and you didn’t even think we were dating?  You completely stopped flirting with everyone else.  Did you really think I didn’t…”

“We’re quite the pair, aren’t we?” Takeru teased in response.

“Yeah,” Hikari agreed. “Well, if you finally managed to confess after all that, maybe I can do something I’ve been too scared to do for the last month.”

Takeru looked down at her, “What would that be?” he asked leaning in close.

“This.” She pressed her lips against his.

[notthatiwilleverwriteit]

Your posts are always interesting, this could sound weird but, what do you think about the sexual orientations in 19 days? I know it is shonen ai but in this kind of comic is usually characters are just in love with someone but no anyone else. But with zhanyi it has being shown at least that Zhan had problems thinking about it, what do you think about tianshan's as well? I am not into Lgbt knowledge, so i'm lost about it

Good afternoon, dear anon-san!

I’m sorry it took me a couple of days to get to your question. Thank you for your patience!

I’ve talked about my takes on the sexual orientations a couple of times by now:

Why didn’t HT want MGS to like him more and more?

Homophobia in 19 Days

Could HT be bisexual?

Could ZZX be quoiromantic?

Was ZZX a heterosexual prior to JY’s confession?

Zhanyi and emotional manipulation?

Was MGS HT’s first kiss?

My Tianshan “timeline”

I suggest you check out those previous answers to get a better sense of where I’m coming from. I’m probably going to repeat some of the things in this answer but not as comprehensively.

Also, before I get further into this, I realize this is a rather controversial topic in the fandom. However, I want people reading this to know that I am most certainly not against discussing how readers interpret the characters from this perspective. I know some people just genuinely don’t care one way or another - which is perfectly fine - but to me, it sometimes feels like “who cares” is used to shut people up. I don’t see why the aspect of sexual orientations can’t be discussed just like any other part of the story. Especially since I feel like it’s one of the major themes of 19 Days. And sexual orientations in fiction can be important peaks of representation and connection to many readers, so I do understand why people might want to talk about them.

In all fairness, though, I also understand why people might be annoyed by this discussion. Other’s interpretations can feel forceful to us, especially if they greatly differ from ours. Or it might irritate us if we feel like people are focusing on trivial things. I get it. I’m sometimes “guilty” of those feelings, too - I’m not trying to make it sound like I’m somehow above that. However, I don’t think the solution should be to make others feel shitty but rather to try and give room for all kinds of points of view.

Anyway. End of my usual rant when it comes to these things. (^_^ ‘‘)

“what do you think about the sexual orientations in 19 days?”

When it comes to sexual orientations in 19 Days, I feel like the most accurate answer I can give is “I don’t know”. I don’t think it’s possible to tell one way or another for sure, and anyone’s interpretation is as good as mine. The things I’ve said in previous answers - and what I will continue to say in this one, too - are merely based on the vibes I’ve personally gotten. I am not trying to make it sound like I have some kind of solid, concrete “evidence”. I want everyone to keep all of that in mind when reading this.

He Tian and Mo Guan Shan

I’m going to be fairly brief with HT because I’ve already talked about him in this sense a few times. In short, I tend to read HT as a budding bisexual. Partly because of the vibes I’ve gotten and partly because of my own bias as a bisexual. It’s a pet interpretation of sorts that I like to toy with.

There aren’t any solid extracts of the comic for me to base this on, either. Merely little details that had caught my eye and made me wonder (ch. 160, 190, 226. 307):

If someone says that none of those panels make HT a bisexual, I would wholeheartedly agree. But to me, as a reader, those little details muddy the waters. Reading magazines with half-naked women in suggestive poses on the cover doesn’t make anyone straight, bi, or anything, but it seems HT doesn’t at least mind that kind of content - perhaps he’s even interested in it since he’s supposedly spent money on them. Of course, it’s too hasty to judge a book by its cover so to speak but I’ve always been interested in that detail.

However, what has made me think HT might be bisexual more than that is the whole “I don’t want you to like me more and more” thing. I have somewhat mixed feelings about the note but regardless of that, HT felt the need to lie to MGS. Again, there could be many reasons for it - but I think one possible reason could be that he was conflicted. Initially, HT didn’t get interested in MGS for romantic reasons, but somewhere along the way his feelings shifted and developed. Was HT confused about his own feelings and that’s why he lied to MGS? Was it his first time discovering such feelings for another guy? Again, it’s impossible to tell for sure but I don’t see why that couldn’t be a possible way to interpret it.

In addition to all of that, we don’t really know enough about HT’s past relationships to tell one way or another. He’s only 15, so I doubt he’s had much experience whether it’s with girls or guys. How being a part of his family has affected him as a person is also something that should be taken into consideration when wondering about HT’s potential romantic past.

I haven’t really talked about how I see MGS’s orientation before. I think that MGS’s character was set out as straight, but it’s always been more like a like “default setting” rather than what he might actually be. I would say he sees himself as a heterosexual but I think that’s more about him just going with what’s considered “normal” without bothering to give it much thought (ch. 222):

That little conversation has always reminded me of the movie 40 Year Old Virgin. Like, if Buzzcut had asked MGS “what kind of boobs do you like?” and MGS had been like “yes” or “as long as she has them”. He doesn’t really seem to have preferences or a type when it comes to girls, and I think one reason for that is because he’s never really been that concerned about the matter. If someone asks, he’s into girls but that kind of conversation is over rather quickly with him.

One reason for MGS’s seeming indifference is probably how he’s been rejected by his peers, ultimately leading him to isolate himself and push others away by becoming even harder to approach. Girls wouldn’t be interested in someone like him, so why should he waste time thinking about them? I might be projecting too much but it seems to be like he’s basically rejecting that part of being a teenager. It’s easier to ignore it until you’ve become indifferent than feeling like you’re missing out on something. 

In addition to that, it seems MGS is easily irritated and disgusted by the idea of another guy making a pass at him and aggressively guards both his body and image in that sense (ch. 160, 170, 249, 250, 285):

I’m sure a lot of that has to do with his history of being involved in gangs and being a delinquent. To survive in that world you need to exhibit rather aggressive and masculine behavior. In other words, to be the top dog. In those circles, being gay is easily associated with being the bottom as in submissive and easily overpowered. So, in addition to MGS not being keen on talking about girls and romance, he’s also had to keep up a certain image.

Do I think HT has discovered MGS’s “true” sexuality? I wouldn’t really put it like that. I would rather say HT’s persistent influence has “unlocked” the world of love and affection for MGS. He can experience that part of life with HT instead of rejecting it. I suppose the million-dollar question is does that make MGS straight or homosexual. And to be honest, I don’t have an answer. Personally, I read him more as a heterosexual than homosexual. I can’t really him being in a relationship with other guys than HT.

Jian Yi and Zhan Zheng Xi

I’ve also talked about these two quite a lot, so I don’t know how much I have left to say. Generally speaking, I think JY is someone who might actually identify as a homosexual in the future. It doesn’t look like he’s ever been interested in girls. More importantly, though, it seems that as he’s fallen in love with ZZX he’s also discovered himself in a broader sense (ch. 143, 158, 164, 187):

I think the theme of coming of age when it comes to sexuality is the strongest in JY’s character. ZZX might be the only guy he has a crush on, but JY seems to be thinking about being in love with a guy also as something that might defy him. He feels confused about being different and scared of how others could react to him being in a relationship with ZZX despite how open he also is about his feelings. He might happily want to hold hands with ZZX or kiss him in public but he’s not always that confident. JY is surprisingly good at hiding behind a happy-go-lucky smile and carry the hurt and insecurity caused by prejudice in his heart. Those deeper feelings occasionally burst out when his guard lowers.

Again, this is just an overall vibe I’ve gotten from JY’s character. But I’ve always felt like he’s processing the whole thing of being in love with someone of the same sex on a deeper level than the others. I feel like his feelings for ZZX are connected to his identity more explicitly and him coming to discover himself sexually in the same way that real-life people would.

Compared to the three other boys, I think ZZX has always been a solid straight to me. I think before JY’s confession he identified as a heterosexual. He just was the kind of teenage boy who found girls and crushes too troublesome and annoying (ch. 51, 52, 102):

I doubt the idea of being in a relationship with another guy had really popped into his mind as an option. JY’s confession and feelings for him as a guy came as a big shock to him. Their first kiss seemed to tumble everything down in ZZX’s head and force him to figure everything - JY, himself, and his relationship with JY - from the beginning (ch. 151, 152, 165):

I believe a lot of it was rebuilt the same way but there were definitely changes and also room for future changes. A lot of the feelings ZZX already had for JY - protectiveness, affection, deep sense of bond - could also be applied to a romantic relationship. I believe they’re also the building blocks that ZZX as a character would want to cherish in his romantic relationship. All ZZX needed to do was to shift his point of view a little when it came to JY and see how he felt about it.

As big of a mental turmoil as I’m sure ZZX went through, I think it’s safe for us to assume what his resolve was. I might be too generous with my interpretation but this moment made Zhanyi canon in my head (ch. 209):

ZZX didn’t exactly return JY’s feelings in the same sense but he accepted them. He might not be ready to give all the things JY wants yet but he made a promise that JY will have a future with him. JY won’t have to feel insecure because ZZX will always be beside him. He just needs more time, and JY has to be patient.

But I suppose that once again the question of ZZX’s current orientation remains. And I don’t have a solid answer this time, either. I still read him mostly as a heterosexual, though. Just like MGS, I can’t really see ZZX in a relationship with another guy besides JY. However, I think that ZZX is also the type of character who puts more emphasis on the bond of the relationship rather than his partner’s gender. But...still, I imagine it would be quite a hump for him to discover that he could have feelings for guys in general, too.

“in this kind of comic is usually characters are just in love with someone but no anyone else”

This is very true and also partly why saying anything one way or another is quite difficult. In the story, the characters are in love with one other person, but you can’t make assumptions or conclusions based on just that. Just because you’re in a same-sex relationship doesn’t mean you’re a homosexual. Whenever I wonder about the orientations in 19 Days, I try to keep this in mind but I also feel like the vagueness allows readers to make multiple interpretations. I get certain vibes that point me in certain directions but I completely understand if others end up with other kinds of readings.

However, this kind of “he’s only gay for him” is also something I’ve seen BL been criticized for. It makes it look like men being attracted to other men isn’t a real thing but rather something that happens under special circumstances. Personally, I don’t have a major problem with that - it is what it is, I suppose - but I can see why that would bother people in BL. Do I wish some characters (for example, JY) would come out as LGBT at some point in the story (if you don’t think he already has)? Sure, I’d be interested in seeing that. And I think it would be a natural development for his character. Do I think that’s going to happen? I’m somehow doubtful, not at least in so many words. But that doesn’t really mean the comic can’t tell a story about discovering oneself, as we’ve already come to see.

Thank you for your question, dear anon-san!

[localhorrornerd]

31 Horror Movies for the Halloween Season

Well.. It’s a little bit over 31 bc of sequels and such but it’s a fun title for horror recs! For the record these are in no particular order in like what’s the best or anything! It’s just a list of horror movie recommendations that might get you in the Halloween mood. I tried not to have huge well-known movies on here, but I did throw in a few just because I love them and couldn’t resist. I did try to add small descriptions for each one, but given there’s like 31 movies on here, they are rather short. Either way, hopefully you’ll find one or a couple movies here that you’re interested in!

1. Trick ‘r Treat

A rather well-known one but is it really a list without Trick ‘r Treat? A fun horror anthology with four different stories that connect to each other in some way - including the fact they all take place on Halloween night! A fun one to actually watch on Halloween.

2. Hell House LLC

For the record there are two sequels (Hell House LLC 2: The Abaddon Hotel & Hell House LLC 3: Lake of Fire), however I have not seen either of them so can’t include them here, but if you want to watch them I’d say go check them out! Basically it’s a documentary style type film that follows what happened up to the days a horrible tragedy took place on the opening night of a haunted house attraction. No one knows exactly what actually went down, so the reason for the documentary is to attempt to figure out what truly happened that night.

3. Repo! The Genetic Opera

A horror musical! It’s set in a future where organ failure is extremely common so naturally a huge company comes along and is like “Okay you can have an organ transplant, but you have a huge payment plan and if you can’t pay then we’re just gonna kill you and take your organs back.” Also it has so many good songs would highly recommend if you haven’t seen it (and you can stomach a bit of gore).

4. The Devil’s Carnival & Alleluia! The Devil’s Carnival

Another horror musical! And done by the same people who did Repo! For the record The Devil’s Carnival is only about an hour long but the sequel is a full length movie! A short quick explanation is that it’s set in Hell (unsurprisingly) and follows the people who end up there - also during this the Devil is planning an attack - but I’ll let you find out the rest if you haven’t seen it yet.

5. Ju-On and/or The Grudge (Any Film)

It’s my favorite horror franchise, so of course Ju-On was gonna end up on here! Whether it be the original Japanese films or the American remakes, it follows vengeful spirits who were murdered in their home and are taking revenge on anyone who enters.

6. Sinister & Sinister 2

Okay I know Sinister 2 is one not very well liked, but since I have seen it I decided I might as well include it (though I don’t really remember my thoughts on it it’s been a while). Video tapes that contain children murdering their families and a mysterious being that may be at the center of it is the basic plot for these movies.

7. Tragedy Girls

Basically you got two best friends who capture a serial killer because they themselves want to become serial killers! Don’t wanna say too much outside of that, as that is the basic plot concept honestly, but it’s a really fun movie.

8. The Final Girls

A girl dealing with the anniversary of her mother’s death ends up, with a small group of others, stuck in a horror movie that her mother actually starred in. Okay as much fun as this one is it does pull on the heart strings a bit I gotta admit. But it’s truly great and naturally has a feel of an older slasher movie.

9. You Might be the Killer

Another one that’s got that older slasher movie vibe as it takes place at a camp. One where the counselors are getting picked off one by one by a masked killer. Comes in our protagonist, who is calling his friend, who isn’t at the camp and also is a huge horror enthusiast, for help to figure out what to do and maybe figure out what’s going on/who the killer is.

10. Danur (aka Danur: I Can See Ghosts)

A young girl who just wants friends finds them in the form of three potentially paranormal ones. Though it seemingly being just a childhood thing, it actually becomes of great importance as she gets older. This movie also has a sequel, Danur 2: Maddah.

11. Fright Night

For the record I am talking about the remake here, as I have not seen the original, but if you would prefer to watch that one - or maybe even both - go for it! Basically, teen starts to believe his new neighbor is a vampire after more and more people go missing. Also David Tennant is there if you go with the remake so that’s always fun!

12. Tales of Halloween

Admittedly I wasn’t too into this film, but I know a lot of people like it! Not too much to say, it’s a horror anthology with 10 different segments that take place on Halloween! So you’re bound to find something you enjoy within it, whether it be the paranormal, witches, or even just dumb fun horror comedy antics.

13. The Tag-Along

Based on an urban legend from Taiwan, “The Little Girl in Red”, it focuses on a man and his girlfriend. Of which the man’s grandmother suddenly goes missing one day - eventually leading to him discovering clues of a potential unknown little girl who had began following his grandmother around. There are two sequels to this movie as well that I have not seen yet, that being The Tag-Along 2 & The Tag-Along: The Devil Fish.

14. Three... Extremes

Another anthology film that contains three separate stories, each one coming from a different East Asian country. It also has a prequel, Three (or 3... Extremes II in the U.S.), and a full length film made from one of the stories within it, Dumplings.

15. The Hallow

Really feel like the point of this movie is like ‘Don’t fuck with the woods’. As it basically focuses on a couple and their baby, who seems to be the target for the odd things happening to them that seems rather connected to the woods nearby.

16. The Devil’s Candy

A man moves with his family into a new home, and slowly begins to feel as though something is possessing him in a sense. That and also the potential fact his family is being targeted by the previous resident of the home.

17. Wake Wood

Apparently FMA did not teach us not to fuck with the dead enough, so here’s a movie about a grieving couple that lost their daughter who move into a town that holds the power to bring someone back from the dead for only 3 days. Unfortunately like FMA, things go horribly wrong (just not... in the same way as FMA).

18. The Cabin in the Woods

College students go out to a cabin in the woods in which things quickly take a turn for the worst. Seems simple enough, but it’s so much more complicated than that - however I won’t be sharing any of those details for those who haven’t watched it yet.

19. Prevenge

A pregnant woman who’s husband has recently passed away, believes that her unborn child wants her to track down and kill everyone who was involved in the accident. An extremely wild but honestly rather fun time.

20. You’re Next

Home invasion, baby! In which everything goes to hell for a family and their partners when masked killers start trying to kill everyone there. Though things take a turn quick and you start to wonder who is really the ones being hunted down here. (A fairly well known one, but I had to recommend it given one of my favorite characters in horror is in this movie)

21. Kuronezumi (aka Black Rat)

Not too much to say here basic plot wise. Six students receive texts from their dead classmate, they follow as the texts ask and go to the school at night, and then start getting targeted by a killer wearing a rat mask.

22. Lights Out

A family potentially being haunted by a creature that only appears when the lights go out? Plus a whole lot of family drama? Always fun truly! It’s also somewhat based off a viral short film of the same name that the director had made before he got to make it a full length film.

23. Absentia

Absolutely had to put a Mike Flanagan movie on here. One that focuses on a pregnant woman who’s started towards attempting to move on with her life after her husband disappeared seven years ago. However, as she takes a huge step towards doing so, something rather odd happens - which I’ll let you find out for yourself if you choose to watch it.

24. Halloween III: Season of the Witch

Perhaps it’s because it’s the one Halloween movie without Michael Myers, or perhaps it’s because I was blanking out on movies I watched that aren’t extremely well-known, but I felt the need to add this one on here. It focuses on this man who is out to kill children on Halloween by using a line of Halloween masks. So basically another fun one to watch on Halloween!

25. The Barn

Teenagers go to a barn where there’s a supposed curse that can awaken Halloween-themed monsters on Halloween night. What could possibly go wrong? Honestly another one that would be a lot of fun to actually watch on Halloween.

26. Behind the Mask: The Rise of Leslie Vernon

A really fun documentary type film where it’s set in a world where iconic horror slashers are actually real! And a documentary crew are out to make a movie centered around Leslie Vernon, who wishes to go down in history as another one of the famous slashers. This one is really just *chef’s kiss* to me, very much recommend if you haven’t seen it.

27. Creep & Creep 2

Found footage type films in which we follow people who are hired by this rather concerning man to film him. That’s really all I can say unfortunately without trying to give away too much.

28. What We Do in the Shadows

Another documentary-style type movie! It tends to be more comedic than it is horror, but it follows  a group of vampires that live together! Sort of documenting their lives and how they survive day by day. Honestly it’s so ridiculous and hilarious, and I know many people have seen it by now but I have to recommend it none the less as it’s one of my favorites. Plus, it also has an equally hilarious tv series now that you can also give a watch!

29. The Banana Splits Movie

Who doesn’t want to see the Banana Splits as animatronics that start randomly slaughtering people after the news that their show is going to be cancelled? Honestly it’s really just a fun, ridiculous movie that isn’t meant to be taken seriously. Perhaps something to watch with friends to get in the mood for Halloween.

30. The Last Exorcism

Another one that has a sequel I have not seen: The Last Exorcism Part II. Another documentary style film (Sorry I added so many of these whoops), that follows a reverend who goes around performing fake exorcisms. Things start getting a bit more complicated though when lines start beginning to blur between what is real and what is fake while doing his current “exorcism” he was asked to perform.

31. V/H/S & V/H/S 2

There is also a third film, V/H/S: Viral, however I have not seen that one. Not too much to say here, they’re basically just an anthology of short horror films that are supposedly being shown from VHS tapes.

[gascon-en-exil]

But What If You Want to Come Out on Vers Bottom?: A “Coming Out on Top” Review (Part 1)

A review quoted on this game’s website describes it as “the Citizen Kane of ripped, naked big-dicked dudes in love.” Incredibly narrow superlative notwithstanding, that’s some high praise. Does Coming Out on Top earn it?

(I also solemnly swear not to make a relevant innuendo involving rosebuds, because there’s enough dirty wordplay here without my input.)

It’s been a bit unusual for me to return to CooT, having played it when it first released in late 2014 and then only on and off since then as the game was regularly updated. I believe it’s actually the first proper dating sim I ever played - no, Fire Emblem’s Avatar romances do not count as far as I’m concerned - and it set a very high bar for quality that has unfortunately never quite been surpassed by other (gay) titles in the genre.

This is perhaps all the more remarkable in that the premise here is not the most original thing in the world: Mark Matthews (you can change his name at the start, but I’ll be going with this default masterwork of blandness) has just come out of the closet to his two roommates Penny and Ian at the start of his final semester at university, and the story plays out from there as he meets, dates, and potentially falls in love with a wide assortment of men while also balancing his studies and his relationships with the aforementioned roommates who also double as his friend group. That’s...basically it, and apart from the romance plotlines the rest of the game’s content feels fairly extraneous. Mark can’t flunk out before the end of the story no matter how much you neglect his grades (although his job prospects in the ending will improve if you do work on them), and for the most part whatever money he amasses or friendship bonding moments he has during his free time on the weekends only plays into whether you get friendship endings with Penny and/or Ian. Unlike Chess of Blades survival is usually a given in CooT, and while there are quite a few death endings sprinkled throughout the game’s content almost all of them are played for laughs (and sometimes Steam achievements, because why not).

No, there are three major selling points here independent of the excuse plot. First and perhaps most noticeably, the writing never takes itself too seriously and incorporates everything from silly banter to fourth wall-breaking (refuse to come out at the start of the game, for an early example) to the sort of understated pun work that makes Dream Daddy’s script apparently living off corny dad jokes all the more egregious by comparison. There’s even a fair amount of self-aware meta humor, in a game released several years before the likes of Doki Doki Literature Club! made that par for the course for dating sims.

Then there’s the sheer diversity of options on display in terms of storylines and how certain scenarios play out, including the third point which is, well...the raw, uncensored gay sex. Despite the innuendo of CooT’s title Mark is not a total top, and most of the game’s myriad sex scenes can go down in a variety of different ways depending on what Mark/the player expresses a preference for - including situations involving various types of kinks. There’s also a very limited degree of body customization available; in the options menu there are toggles for Mark and all of his (primary) sexual partners that give you the option to add facial and/or body hair to their portraits and CGs. The hair options aren’t gamebreaking by any means - for Mark it only allows him to switch between twunk and otter, and while there is some diversity in race, age, and body type among his love interests and hookups there’s still a notable number of muscled 20-somethings. Still, I do appreciate that the toggles are there. You’ll notice my own preferences for the guys in my screenshots.

Back to that other kind of variety though. With six primary love interests and numerous divergent paths for each of them - some good, some bad, and some hilariously strange - there’s a ton of content to work through in CooT. The pathing is set up so that you get the opportunity to meet almost all of the love interests before you’re asked to commit to one of their stories, something the game heavily telegraphs so you’ll never feel like you’ve been unknowingly pushed past a point of no return. These introductions are generally on the SFW side, but there are two chances for some rauchy fun even before you commit so let it not be said that this game has strictly enforced monogamy at all times. On that note, there’s also Brofinder.

Penny comically missing the point aside, Brofinder is an in-universe Grindr equivalent. It can be accessed if you decline to pursue any of the love interests, or more conveniently from the main menu independent of the story. Fittingly for the type of app it’s lampooning, Brofinder dates are disconnected vignettes that all, if done correctly, end in some hot NSA action but impact nothing else after you’ve completed them. There are ten of these, all added via progressive updates following the game’s initial release, and taken together they add substantially to the many ways in which Mark can get laid.

I should also mention the secret seventh joke “love interest,” but as that one has become a bit of a minor meme and will probably come up if you Google blindly about this game I’ll leave it at that.

...Yeah. Leaving it right there.

There are some places where the presentation of CooT falters, but nothing on the scale of the dodgy voice acting found in some of the other gay dating sims I’ve discussed - mostly because there is no voice acting. Aside from the CGs and the character portraits the artwork can be rather workmanlike and forgettable, and similarly almost all of the soundtrack I would liken to elevator music which might have inspired one of the Brofinder dates now that I think about it. The supporting cast on the whole also doesn’t get much opportunity to shine aside from Mark’s roommates, because the love interests’ stories are all unrelated to each other and as such the people around them can only be involved in one of the game’s plots. I’m tempted to sum this all up as weak worldbuilding, but let’s be honest here - all this game needs is the suggestion of a generic American university and surrounding town peopled mostly with archetypes (at times comedically memorable ones, granted) to give it sufficient background. Most actual porn gets away with far less than that.

When I did my review of Chess of Blades I was able to discuss each of its love interests in a single follow-up post, but CooT simply has too much going on for that. Therefore this review will have three additional parts: two covering the six primary love interests, and a third going more quickly over the Brofinder dates. At time of writing I don’t think I’m also going to be grading the sex scenes of how realistic they are like I did with CoB, because there are too many of them and nothing sticks out as egregiously as it does in that game. There will however be as much description for them as I can manage; that is the main selling point here, after all.

[theravennest]

Final Predictions before the End

To start, I think SHIELD as an organization (like the TV show) is done after this. The team will likely come back after the Snap and/or after the Blip and have to move forward in that timeline without any chances to go back. SWORD is for sure taking over as the new SHIELD and will feature heavily in the Marvel Disney+ shows so no need to try to keep reviving SHIELD anymore.

Now for the character futures, we’ll begin with the ones I 100% believe will not die:

Daisy

Daisy will be fine. I don’t really have any fear of her dying. I have the idea that Daisy will run a type of community like Afterlife but not necessarily at Afterlife (tho that could happen). Daisy has been dedicated to finding a safe place for Inhumans since S3 so it would be 100% fitting for her to pursue that route. She could also start up her vigilante work again or be a more upfront superhero but that seems a bit unlikely. She’s always preferred the shadows. She could start up the Secret Warriors again as well. She has a lot of choices for her future.

There’s also the rumors about SWORD but those feel like wishful thinking rather than anything concrete and if it did happen I can see Marvel wanting to have fresh new characters instead of holdovers from a 7 season show. However, if it is true about a SWORD show, Daisy is kinda the only one I could legit see moving to it with any hope of success. 

Sousa

Wherever Daisy goes, Sousa will follow. We all know this. But if SWORD does happen and Daisy is pulled into that, it’s 50/50 whether the powers that be keep him as her love interest or drop him. Either way, he’s never going back to his own time so I can see him ending the season trying to discover the future and find his place in it. 

He has an equally strong drive as Daisy to do good. So if she becomes a vigilante, I can see him helping with that. I can see him helping her with an inhuman sanctuary as well or potentially joining a different agency. 

That last is a bit far fetched as he literally has no credible background that would pass a screening. Then again, in a post-Snap/Blip world, maybe things would be easier. He could potentially just...tell the truth or most of it. The world at large knows about time travel stuff after the Avengers brought people back 5 years into the future. And with Steve’s story being such public knowledge, the world could very easily buy a version of his story of being the actual Daniel Sousa time traveled to the future.

Fitz/Simmons 

They will be fine. The blood test is about a pregnancy, nothing bad. The only thing that doesn’t...quite jive for me is Simmons’ reaction in the time loops. It seemed more tragic than “I left my kid with my husband in a relatively safe place while I finished a mission” but I can see them playing it up for a red herring. Maybe it’s cuz I don’t have kids so I don’t emotionally connect the dots there.

May 

She will be fine as well. She’s not dying. They already went to that well in S6 and came back from it. I can see May retiring after this tho. They’ve been planting the seeds since S5 that May was slowing down as an agent and in S6 they transitioned her a lot into training the next generation of agents such as Elena and Davis, etc. I can see her continuing that as well. Or assisting Daisy with whatever Inhuman sanctuary she could potentially build. S7 has been leaning into May mentoring other gifted people using her newfound empathy so the set up is there.

Depending on if Coulson deactivates or not, he may retire with her and they may try to start a new relationship. Even tho it’d be kinda weird like dating your husband’s clone. D:

Elena

Elena will be fine. There is no reason at all to kill her character off especially so soon after her power upgrade. Her future however is pretty intrinsically tied to a couple of outcomes: Mack’s fate, SHIELD’s fate, and maybe Daisy’s fate. If Mack lives, I can see them moving forward with getting married and having kids. She has expressed her desire for that in S5. I can also see Mack retiring after this and leaving spy work but Elena still has a lot of drive to fight so I actually can’t see her retiring any time soon. Maybe Mack can be her house husband while Elena takes up vigilante work under the pseudonym “Slingshot.” Elena could also move to another spy agency or work as a private contractor. Vigilante is my best guess for her, tho.

I can potentially see Elena joining the Secret Warriors if Daisy starts them up again but this option seems less likely to me. I think Elena has moved beyond where she was in S3 and honestly I think there’s still some mixed feelings between the two about the last time the SW were formed and the events of S5.

If Mack dies, she for sure is going to be a vigilante.

---

Now for the characters that are a toss up for me.

LMD Coulson

I’m about 60% sure he’s gonna deactivate. They’ve laid the groundwork. Even before he was a robot, he was tired. Him dying for a final time would be fitting. Maybe it’s time for him to just rest.

On the other hand, they’ve gone to that well before in S5 so I can see them pulling back from doing that again. Additionally, even though LMD Coulson was made from Coulson’s memories, he’s not actually Coulson. They could have him reconcile with that fact and the fact that he’s ageless now to have him find a new lease on life. Maybe have him wait until May dies to finally deactivate so that he can give her the life his human self couldn’t give.

If he does decide to live on, he is for sure retiring and staying with May. I think he’s pretty done with the spy life either way.

Mack

Man...I have a feeling they are gonna kill Mack. It would be a totally unnecessary death but the fear is there. I prefer to have him finally quit for good and go back to being a civilian mechanic. Maybe move back in with his brother while Elena does her thing as a vigilante.

If they do kill him, I will not only be inconsolable, I’ll be spitting mad. That would mark 4/5 major Black characters killed in this show. Just let this man retire, for gods sake.

They set up a whole story line where he and Elena basically gave birth to Flint and adopted him. I’mma need them to follow through on that.

Deke

I’m about 80% sure he’s going to die. A small part of me can see him surviving but I just can’t help but think of the weirdness of him watching his mom grow up and potentially see himself when he’s born.

My guess is if the Fitz/Simmons’ kid turns out to be his actual mom, he dies. If she’s biologically his aunt after all the time travel changes, he lives.

---

General Predictions/Hopes

Fingers crossed that we somehow see Hunter and Bobbie one more time.

We’ll prolly get a Ward cameo but I don’t care one way or the other if we do.

We won’t see Trip again but we might get a shout out.

We’ll get a Mike Peterson shout out. I hope we get another cameo since he was so pivotal in the first season. Maybe after the timeline is reset we discover that all the horrible stuff that happened to him in S1 didn’t and he’s safe with his son, Ace.

I need, absolutely need, a Robbie appearance. Like, please god give me this.

Last shot of the episode will be Daisy flying off in Lola with Sousa in the seat next to her.

That’s all I can think of for now. I will see y’all on the flip side.

[terramythos]

TerraMythos' 2020 Reading Challenge - Book 24 of 26

Title: A Choir of Lies (2019) (A Conspiracy of Truths #2) 

Author: Alexandra Rowland

Genre/Tags: Fantasy, First-Person, Unreliable Narrators (Plural!), Female Protagonist, LGBT Protagonist

Rating: 9/10

Date Began: 8/24/2020

Date Finished: 9/07/2020

Three years after A Conspiracy of Truths, Ylfing finds himself disillusioned and alone. He’s seen how a story can crumble an entire nation, and is unsure if he wants to continue on his path to being a Chant-- a professional wandering storyteller. 

Taking a job as a merchant’s translator in the canal city of Heyrland, Ylfing’s new employer soon realizes his penchant for storytelling, and he grudgingly agrees to use his gift to sell stars-in-the-marsh, an exotic flower. Ylfing’s stories soon cause a frenzied demand for the flowers, and entire fortunes become tied up in contracts for them. However, an unforeseen disaster looms that could ruin the lives of thousands, and Ylfing must decide whether he can rise up to fix his mistakes, or let the city destroy itself. 

I can’t save everyone completely. But maybe I can mostly save a couple people, or save most people a tiny bit. It’s one little thing, and that’s better than nothing. That’s always better than nothing. 

Minor spoilers under the cut.

Full disclosure: I had a hard time getting into A Choir of Lies. Reading the first section of the book was an exercise in patience. Basically, the book has two protagonists. One's Ylfing, a fan favorite from A Conspiracy of Truths. Ylfing seems much different than his last appearance; it's obvious something major and/or traumatic happened between books. He's depressed, disillusioned, and directionless, questioning his life and decision to become a Chant, a wandering storyteller. He's a far cry from the optimistic, happy-to-a-fault character from the previous volume. The book itself is sort of a journal of his daily experiences living in a canal city called Heyrland (think fantasy!Copenhagen). On the other hand, we also have a new character named Mistress Chant, who has somehow obtained this journal, and provides ongoing footnote commentary about Ylfing and the events he describes. It's almost identical to what Shriek: An Afterword does, and like before I think it's an interesting tool to portray different, often opposed perspectives. It becomes obvious that Mistress Chant doesn't like Ylfing much, and her comments on his early depression and struggles are brutal. While she has a point, she often comes off as harsh and antagonistic. So... there's one character in a depressive funk that, while relatable, is not very fun to read about, and the other is a sarcastic and angry character criticizing everything he does. I found it difficult to really connect with the leads or the story because of this. At first. Boy am I glad I stuck with this one.  Despite my early struggles, this book is one of those rare gems that not only gets better over time, but completely redeems and justifies early "flaws".  While there's multiple reasons for this, the simplest and most notable is catharsis. (Holy hell is this book cathartic to read). A Choir of Lies is at its core a very optimistic book. One of the central theses is that even the most irredeemable person can do "one little thing" to improve or change the world. It's great to see the characters bite the bullet, overcome their issues, and improve as people. It's not all sunshine and rainbows, more "you have to put in the work to do the right thing and become a better person, even if it's an ugly and difficult process." Of course the first section of the book is tough -- it’s meant to be! The contrast is beautiful as you progress further in the novel.  Ylfing makes a terrible mistake in the book that potentially ruins thousands of people’s lives, and he's so caught up in his depression that he cannot or will not take responsibility. Yet after a revelation or two, he realizes he HAS to do something about it, and fights tooth and nail to do so. It's such a departure from A Conspiracy of Truths, in which the main character is caught in an unfortunate situation and does everything he can to save himself, everyone else be damned. It's interesting to see the previous book through a different lens, one which portrays the protagonist as an incredibly selfish character rather than someone struggling to survive a bad situation. Chant doesn't appear in this book, but basically everything about him is cast in a much different light. For me Mistress Chant was difficult to like at first, but she mellows out and entertains alternate points of view as the story progresses. It's satisfying to see her admit that Ylfing is right about some things, and how happy she is when he finally asserts himself and does the right thing. You can see why she and Ylfing don't like each other, but by the end it's bittersweet because you can also see how they could have been friends under other circumstances. I loved the general ideas on storytelling, like the importance of creating a "good" story even if it's not the true one, and how such a process can help one heal and cope. Or even the power of writing a story down versus purely oral tradition, and the strengths and weaknesses of each approach. That kind of stuff. Like the previous book, there's an emphasis on the literal Power of Storytelling and its ability to change fortunes and futures, but with a more grudgingly optimistic take. 

It also helps that I read A Choir of Lies at a time when I really needed it. I'm in a similar position to Ylfing right now. I really don't know what to do with my life, and I'm pretty depressed with the state of the world. While it's challenging to see my situation and coping methods as selfish, I think that's an honest assessment and it really made me think about where I am and what I'm doing. On the other hand, there are so many looming disasters right now in the real world that mirror the conflict in this story. Every day I see people do the wrong thing, the selfish and inhumane thing, and it's mentally taxing and demoralizing. Reading a story in which people initially suck, then do what they can to help others and address their mistakes, is inspirational. It's a reminder that people as a whole can still do good despite (and sometimes even because of) their selfishness. It makes me more optimistic about the future. Overall I liked A Choir of Lies much more than A Conspiracy of Truths. It is a standalone sequel that can be read without the previous volume, as most of the context from that book is well explained. While this isn't an action packed fantasy novel, the characters feel much more involved in the central conflict, which was my main issue with the last book. I liked the more cerebral ideas of storytelling, potential, and the ability to do the right thing as told through a fantasy lens. According to the author notes this was a tough one to write, but I think they did an excellent job and really improved on the general idea and concepts of the previous book.  

[mst3kproject]

Beast from Haunted Cave

I’ve actually received a couple of requests for movies to review, and I am looking into them.  I just have a few others I want to get through first… like this one.

Beast from Haunted Cave begins with a familiar tune – over the credits we hear the same jumpy ‘suspense’ music that opened both Night of the Blood Beast and Attack of the Giant Leeches.  It seems to have been a favourite of Gene Corman (Roger’s brother), who produced all three movies.  The writer, furthermore, was Charles B. Griffith, who did the same job for half a dozen MST3K movies, including It Conquered the World, Gunslinger, and Wizards of the Lost Kingdom II.  Finally, Beast from Haunted Cave has the strange distinction of being the only movie I’ve ever seen that thanks ‘the people of South Dakota’.

A master criminal and his drunk, stupid henchmen (one of whom is a drunk, stupid henchwoman) have decided to rob a mining operation.  In the process they annoy some kind of giant bug monster that was living in the mine, and it stalks them and their guide through the wintery mountains until they reach a cabin where they hole up to wait out a blizzard. Between the monster lurking outside and the fact that the gang are all getting fed up being stuck indoors and starting to hate each other (a familiar scenario in 2020), it’s a good bet that no more than two of them are getting out alive.  Probably the henchwoman and the guide, since they were kissing earlier.

Beast from Haunted Cave is a typically cheap Corman production.  The familiar music persists through the entire film, and gives the same impression it did in Blood Beast – the soundtrack people were given a set of pre-existing pieces and did what they could with them.  A terrible winter storm is represented by howling wind noises, but it never actually snows.  The monster is dreadful.  The webs draped over everything demonstrate that it’s a spider, but all we actually see is a featureless head and a couple of flailing arms that resemble nothing so much as one of those inflatable tube men at a used car lot.  When all we’re seeing is one leg reaching out to grab people it’s not awful, but as soon as we get a good look at the whole creature it’s clear that this is some kind of repurposed Hallowe’en decoration.  The gold bricks the thieves came to steal are just… well, bricks painted gold.  The paint isn’t even shiny.

Outside of that, however, the movie isn’t really that bad.  Everybody on the crew seems to have known what they were doing, and did their best to work within their meagre budget.  The photography is surprisingly competent.  The lighting rarely qualifies as atmospheric but there’s always enough of it – even in scenes set at night or in a dark cave, I never found myself squinting and wondering what’s going on.  The snowy landscapes are shot on location and look suitably hostile (although they could often only do one take, since after that the snow wouldn’t look pristine anymore).  You can see the actors’ breath, which gives a visceral sense of the cold.  The writing is mostly just serviceable but every so often there’s a little gem tucked within it.

The two places where this shows best are in the character of Marty and in the relationship between the mastermind, Alex, and the henchwoman, Gypsy.  Marty is a drunken buffoon but there’s more to him than that.  Early in the film he invites a cocktail waitress from the ski lodge, Natalie, to make out in a cave with him.  They disturb the monster, and Marty escapes but leaves Natalie behind.  For the rest of the film, even as he continues to be a drunken buffoon, it’s clearly eating him up that he abandoned this woman.  There’s an ambiguous moment when he finds Natalie’s still-living body webbed to a tree in the middle of the woods – perhaps it really happened, or maybe he’s having a nightmare.

Gypsy has clearly been working for Alex for some time, as secretary, girlfriend, and as a way of distracting the targets of his robberies. She’s an alcoholic sad sack who looks ten years older than her stated age of twenty-six, and clearly regrets her self-destructive life.  She cannot leave, however, because Alex is controlling and violent, and because she wouldn’t know what she wants or who she is without him.  When he beats her up for kissing Gil the guide, she later says Alex had a perfect right to slap me.  At the same time, the film hints of happier times between the two in a running gag, never explained, where Alex and Gypsy call each other ‘Charles’.  This seems to have once been an endearment, but is now a passive-aggressive insult.

One character whom I wish had done more is Gil’s housekeeper, Small Dove.  She rarely speaks, but she carries an axe and spends a lot of time judgmentally watching the stupid white people.  She could have been this movie’s Eulabelle, but she ends up getting eaten by the monster without ever doing anything badass.  Shame.

Let us now return to a familiar question: who is the main character in this movie?

I guess Gil is the ‘hero’.  He’s the hunky male lead, who gets the girl at the end. He never does much to further the plot, though, except for urging Gypsy to leave Alex and figure out how to lead her own life. Although she seems romantically interested in him, Gil may not return the sentiment – it’s hard to say.  He doesn’t kill the monster, Marty actually does that by setting it on fire with a flare gun.  Gil is just sort of there, a cardboard cut-out in the ‘handsome guy’ box all movies must have.

Gypsy has a much better claim on the protagonist role.  The script takes much more interest in her situation than in anybody else’s, and we are encouraged to sympathize with her feeling lost and trapped.  She survives at the end to run off with Gil, though we’re not given any indication of what they’ll do now or whether the budding relationship between them will last.  Like so many other movies of its era, Beast from Haunted Cave has no denouement.  We simply fade to black from the monster on fire (another thing they could only do once, since they actually burned the prop).

Gil is the one who describes the cave as ‘haunted’, but this never has anything to do with the story.  There is not even a hint of a ghost or even a ghost story connected with the cave.  I assume the word is in the title mostly because Beast from Cave sounds like a dinosaurs-and-cavemen movie made by the cavemen, and having put it there, Griffith felt he had to justify it with a line of dialogue.

The character who had the most potential to go through an arc is actually the antagonist, Alex.  He’s been pulling heists like this for years, and is proud of his success.  He has no reason to think this job will be any different, and yet as the movie progresses, Alex has to watch his plans fall apart all around him.  One of his henchmen is going mad from terror and guilt.  The other, Byron (who you can tell apart from Marty because Byron is The One In The Stupid Hat), is developing a crush on Small Dove and thinking about getting out of crime and settling down.  Gypsy is kissing Gil right in front of him, and Alex worries what she might have told him about the real purpose of the ski trip.  Then there’s the storm, which means the plane that was supposed to take them to Canada can’t get to them, and the lurking monster.  At the end of the film, Alex is still trying to regain control of the situation, even as the monster closes in on him.

Criminals on the run getting menaced by a monster seems to be a surprisingly common plot for a movie.  Voodoo Woman and Killer Fish were both variants on the theme.  I’m guessing this serves two purposes within the plot: the first is that it means we’re not too sad when the main characters die, since they were already bad people.  The second is what I think Beast from Haunted Cave was going for – it means that the characters cannot ask for help with their situation.  The group know, from hearing it on the radio, that they’re being hunted by the authorities.  If they were to call for help, whoever came to the rescue would find the gold bars in their bags, and they’d go straight to prison.

This idea is mostly implied.  Nobody ever actually suggests calling for help, or even trying to contact the people who were gonna be flying their getaway plane.  It also seems that they had no contingency plan for bad weather, which makes the whole operation look very poorly-planned.

One thing I did find myself thinking about is that the radio news mentions the police looking into the theft, but we never actually see the cops investigating.  This applies to the other movies I mentioned above, as well… in Voodoo Woman we’re in an area that doesn’t seem to have much by way of police, but in Killer Fish, too, law enforcement is entirely absent. This is a good choice on the part of the writers and directors, because it allows us to focus on the monster plot. If they were to include detectives, that would unnecessarily complicate things and require a resolution of its own.

Then again, if they had two resolutions, they might have had to include some ‘wind-down’ time.  I don’t like it when movies end abruptly after the monster dies, because it tends to leave dangling subplots.  Gil and Gypsy are still in the middle of nowhere, and must now shelter in the cave until the storm ends.  Are they going to be okay?  Last time we saw Small Dove she was weakened from blood loss but not yet quite dead.  Can they save her?  Will Gil and Gypsy stay together, or will he encourage her to go find herself? So there’s another lesson for aspiring film-makers: don’t end your movie until the story’s actually over.

[aethelflaedladyofmercia]

On Falling and Identity

One thing I’ve fallen out of the habit of doing is elaborate metas based on my fanfics every Wednesday. First I took a long hiatus to finish “What it Means to Be A Demon” and then I started posting it and it was angsty and that made me tired.

Plus, I’ve been posting chapters on Wednesdays, and busy enough that I couldn’t do a post and a meta.

But I have some time today, so I thought I’d share some of my thoughts on Falling and Identity. Because there’s more to “What it Means to Be A Demon” than physically and emotionally torturing Crowley (there’s that, too).

Names

One thing I think we can all agree on: the demons in Good Omens are not using the names they’d had as angels. We have plenty of examples: Cra(o)wley, Hastur, Ligur, Beelzebub, Dagon, even Satan (on the to-do list: re-watch while keeping track of various names used for the devil. I’m trying to remember where the name Lucifer is used outside Crowley’s drunken rant, and even that is a memory of their time in Heaven). 

(Fun fact: when I searched the GIFs for “Good Omens Devil” one of the results I got was Gabriel, and...technically incorrect, but still accurate.)

Regardless, none of these really fit the pattern of angelic names (Gabriel, Uriel and Michael are all standard angel names; Aziraphale does fit this phonetically, but the spelling is different; Sandalphon less so, but still a traditionally angelic name). So, disregarding the possibility that angels somehow rebelled and Fell based on the names they already had, it seems clear that they chose new names after Falling.

Were they forced to change their names? Did they forget their original names? Did they voluntarily give them up? We don’t know this, but I’m sure going to speculate!

Crowley, however, is the only one we know who changes his name, from Crawly/Crawley (note it’s Crawly in the book but Crawley in the script book). It’s called attention to very early in both - the first post-Eden scene in book and show is our two maggot husbands lurking in the graveyard, and one of the first things they comment on is Crowley’s name change, “what’s he calling himself these days?”

I find it rather interesting that the demon who changed his name - something notable enough for others to comment on - is also the one who winds up the most independent, the most free-thinking, the most human.

Identity

Names and identity are tied together in Good Omens.

Most notable version of this is Dog, a terrifying hellhound who very abruptly isn’t. And the moment he changes is the moment he receives his name: in the book, his shape changes as Adam describes his ideal dog, but his personality changes at the naming; on the show, everything changes at once. 

From the book: “The hound waited. This was the moment. The Naming. This would give it its purpose, its function, its identity.” (page 82)

There’s also the “Form shapes nature” passage on page 132 - in short, now that he looks like a small, yappy dog, he is a small, yappy dog. It can’t just be that simple, though - the Horsepeople (well, 3 out of 4) all spend much of the series walking around in very human bodies, yet their nature doesn’t become more human. So it’s not just being in the form, it’s accepting the form, letting the form be more than just the mask you wear.

So bring this back to the demons. On the series, we see that they have different forms in Hell and on Earth - not radically different, but the Hell version is more extreme.

Beelzebub in Hell 

Beelzebub on Earth

Crowley even more so - he appears as a giant snake, as a human with snake eyes, and as...whatever that thing was at the paintball game. It was vaguely snake-y. So we know they have options for how demonic they appear. Whether by choice or some other means, Crowley’s habitual form is the most human. As a result, his actions seem to be the most human.

Importantly, while it might seem fatalistic to say “Names determine who you are, Form determines nature” - both of these are Crowley’s choice (and presumably other demons as well). He doesn’t want to look like a snake, so he doesn’t; he doesn’t think the name Crawly suits him, so he changes it. Changing his name, changing his form, creating his flash bastard persona - these are how he develops his identity. These are how he makes himself into something more than a demonic snake.

Headcanons

So now we get to the part where I explain how this ties into my story, “What it Means to Be A Demon.” I believe everything has at least been hinted at in the story so far, so I don’t feel as much like I’m spoiling my own plot.

Names were lost. I established this earlier in “Early Days,” but Crowley and the other demons can’t remember their original names, they were taken away as part of the act of Falling. For the purposes of “interpreting canon,” both options are plausible (names were taken or names were rejected), but this is the one I felt had more story potential, because it meant:

Identities were lost. This is a little tougher to explain, and I hope I’ve been able to make it clear in the story. The demons are no longer who they were as angels. They can remember their past lives...to an extent. Names and faces slide out of focus, scenes replay without context, they can’t connect things into a coherent story. And the sense of the being they were before the Fall is just...gone. They became No One.

Demons rebuilt new identities. They chose names for themselves, distinguished themselves, built up cults of personality if you will by attracting followers and supporters. Hastur and Ligur, for example, have clearly built their personalities around cruelty and intimidation, but each even has his slightly different brand, such as Hastur’s brutal honesty (a few metas have pointed out that he doesn’t lie, but his truths are extremely cruel). Appearance is also part of this - while the angels have a certain uniformity to their look, the demons each have a different take on the general theme of “humanoid but bestial.”

Demons, especially low-ranked demons, must fight to retain their identities. This is a major part of what’s going on in “What it Means to Be A Demon.” You sort of need other people to acknowledge your identity...this is something you’ve either experienced or not. Whether it’s a gender identity, a sexual orientation, a diagnosis, or just run-of-the-mill interests - when other people ignore, refuse to acknowledge or outright reject something about yourself you know to be true - it f***ing SUCKS. It makes you doubt yourself, it digs away at you, maybe it even makes you conform more to how other people think you should be, because you start to lack the strength to be who you know you should be, or makes you feel like a failure because you can’t be who they want you to be. In the story, Crowley (still Crawley, as it’s around 2400BC) is abused and tortured, but he’s also forced to take shapes based on what others ask of him; he’s told how to present, how to dress, where to go; the other demons even call him “Crawly” which sounds exactly the same but isn’t a name and trust me in these circumstances you can tell. And it wears away at him, makes him question who he is. Destroys the identity he’s built for himself

When they lose their identity, they become...something else. This is not really based on anything specific from the show, except the endless hordes of seemingly mindless demons in Hell. But if their identities are something they must fight to hold on to, what happens when they lose them? In my story, I’ve presented two options: the Nameless (basically mindless bodies who go where directed, do as told, don’t speak, don’t react, no signs that they even think), and Chaotic ones (imagine a Hellhound in human form - instead of mindless obedience, mindless violence). This is the fate that the demons - that Crowley - fight to avoid.

Crowley is not going to let this happen. I’m dead center in this story, so sorry if this is too much of a spoiler, but I did mark it Canon Compliant. The demon who makes an Arrangement with an angel, the demon swaggering around Shakespeare’s Globe, or performing daring Bastille and Nazi Church rescues, who asked for Holy Water because he was going to fight Hell if he needed to - that Crowley is not a demon under existential threat of oblivion. In “What it Means to Be A Demon,” his identity is under threat, because of the things he feels he needs to do to physically survive. But his story arc for this portion of the overall series is all about Crowley finding his identity, and forcing Hell to acknowledge it, one way or another. And over time - he changes to Crowley, he adopts Anthony and Anthony J as his names, his sense of style becomes more elaborate, more personalized, his possessions more solidly representative of his self. And, ultimately, he creates an identity that is strong enough to go against Hell.

So, those are some of my thoughts on DEMONS and FALLING and IDENTITY. I have mentioned that I have a lot of them. ;) If my ideas intrigue you (and if you have a strong stomach for angst and abuse), I hope you will check out my story! Here’s the link one more time:

Read it on AO3! (Rated T for violence, language, and potentially triggering scenes)

Here’s the whole series! (All but two stories are rated G, so if you prefer something lighter...)