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aperrywilliams · 7 months ago

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That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary: You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers

#spencer reid #criminal minds #spencer reid fanfiction #spencer reid x reader #spencer reid x fem!reader #spencer reid fluff #spencer reid fanfic #spencer reid x you #aperrywilliams #amanda perry williams

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waughymommy · 9 months ago

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Diaper Discipline Guide

Emma & Henry

My boyfriend of 4 years has always had regressive and sub tendencies while I’ve wanted to talk more control in our relationship. We tried several bdsm activities including smacking and bondage but the occasional nature wasn’t really doing it for me.

After finding out more online about Female Led Relationships I came across DD, initially dismissing it. But the more I read, the better and better the idea appealed to me. After some planning I decided to confront my partner and say I wanted to add an element of control and domination into our relationship, by saying I hadn’t decided how to do it yet we had a long discussion without diapers being mentioned where he agreed in principle to “lifestyle dominance” as long as it could be kept between them and not impact his job, friends, etc.

This guide was invaluable to me to plan the rest and it solidified my decision. It took me two weeks to discreetly buy the required supplies, getting them delivered to our apartment on days he was at work. I decided that I wanted a high initial level of DD where he’d be in diapers 24/7 at home.

I decided to start on a Friday night after work. He’d known that I had been preparing for something and I started the conversation by saying my proposal was weird, reassuring him that it wouldn’t be painful/harmful and nobody else would find out but you wanted him to agree to try it for at least 6 weeks.

Although nervous he also seemed excited by the prospect and agreed. We moved to the bedroom where I told him to get undressed before I diapered him for the first time. There was a lot of objections at this stage but I talked him round and the agreement to try it for 6 weeks was helpful.

To make the shock less I started with a medical diaper which wasn’t too thick and let him wear his normal pjs over it. I left him to explore it on his own while going to make dinner. After dinner it was time to tell him all the rules, the main one was that the toilet at home was now banned and he’d be in diapers whenever he’s at home. I kept the baby elements to a minimum and said he’s have to also wear out the house sometimes but I’d make sure nobody could tell and never when he’s at work or with friends/family. I’m not going to lie and say this didn’t involve an argument, especially when he realised that no toilet meant #2 as well but we got through. We ended up watching a movie which was a good way for him to calm down.

He wet his diaper for the first time after the movie which was funny to watch as he was so nervous it was going to leak everywhere. Even though it wasn’t too wet I did change him straight away and made his change extra special too. That night he slept in a diaper for the first time.

Over the first weekend he did get more used to wearing and I allowed him to use the toilet for a bm on Saturday. Sunday however I decided to fully enforce the rules and he messed himself for the first time. I didn’t change him this time and he took a shower. There was a lot of protests again but I said it was none-negotiable. The smell did seem to be the biggest thing that bothered him so I bought some Devrom tablets which had been recommended, it took a few days for them to arrive and a few more of taking them but now his messy diapers hardly smell and the protests have stopped. I’d actually recommend you use these from day 1 to make the transition easier.

The first week was tough but we got through it and I’m happy to say we’re now 7 months in to him being in DD. Over that time I’ve moved to thicker abdl diapers, he wears onesies regularly around the house and the toilet has remained unused by him with only a few exceptions.

We both work mainly from home so I’ve gotten used to checking and changing his diaper but thick diapers + devrom has meant he generally only needs a change after waking up, sometime in the early afternoon and before bed. I’ll also let him change himself if I’m busy or cba.

The best news is after an initial rocky patch, our relationship feels stronger than ever! He proposed to me 5 months in and I can’t see his DD ending any time soon. I’ve increased elements overtime and now the toilet is banned even when out of the house together. Public wearing did take him a while to get used to but actually it’s easy.

I’m sure DD is not for everyone and is much more involved and hard work than other lifestyle changes but for creating a caring bond between you and your partner I’ve found it to be great!

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vroomvro0mferrari · 4 months ago

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LN4 | Happy Anniversary!

Summary: When Lando forgets the date of your anniversary, you can get over it. However, the pressure of his job isn’t a good enough reason to excuse all of his forgetful tendencies and lack of attention for you.

Based on this request!

Lando Norris x fem!Reader, established relationship

WC: 4.8K

Warnings: cursing, angsty, sad fic with happy ending

Masterlist

The soft morning sunlight peeks through the curtains of your bedroom, casting a soft rosy glow over the room. You take a deep breath, a gentle smile settling on your face at the realisation that it’s already been a year – a year of being loved, of sharing every thought and story, of new experiences and memories... One year of being married to the love of your life. It’s hard to believe.

You turn on your side to face your husband, propping your head on your palm as you watch him sleep peacefully. Your hand is softly stroking his chest while you smile with adoration. “Good morning, baby,” you say when you notice the change in his breathing.

Lando merely grumbles, not quite awake yet. Nevertheless, he pulls you closer to his side, letting you cuddle up against his warm body. Pressing your face against his chest, you leave a few kisses along the bare skin.

Lando sighs, stretching out his body. “Good morning, darling,” he mumbles, pressing a kiss to the top of your head.

You smile excitedly, sitting up to look at the handsome man you get to call your husband.

“Do you know what day it is?” You whisper.

Lando frowns as he wipes his tired eyes, “What day?”

The confusion is evident in his voice. Regardless, you nod excitedly. Your smile falters as you watch the wheels turning in his head, gathering that he doesn’t remember. You move to the bedside table, rumbling through the drawer until you find what you’re searching for.

The expression on Lando’s face changes from confusion to guilt when you proudly show the present you’ve wrapped up so neatly, the realisation settling in. “Fuck. It’s our anniversary today, isn’t it?”

You nod, “I got you a little something, to celebrate,” you clarify. The smile on your face is gentle, comforting, and it nearly makes Lando believe you don’t care that he forgot.

“Oh, baby, I’m really sorry. I can’t believe I forgot our anniversary. God, that’s bad, isn’t it? The first year, and I’ve already screwed it up. I’m so sorry, love. Fuck.” Lando rubs a hand over his face, his expression pained.

“It’s okay, Lan. I know you’ve been busy,” you reassure him, “besides, it’s only the first year, we’ll have many more anniversaries.” You offer your gift again. “Just open the present, please? I want to know what you think of it!” You say enthusiastically.

Lando’s not fully convinced yet, “But I haven’t got anything for you,” he protests.

“Doesn’t matter, I already got this for you. Open, please!”

Lando sighs, but doesn’t resist further. However, the guilt of his forgetfulness settles deeper when he opens the carefully wrapped gift. You had taken the time and effort to make something, rather than buy a present, and he couldn’t even bother to remember your first wedding anniversary. He felt like an asshole.

At his silence, you felt the need to explain, “It’s a jar of notes,” you take the jar from his hands and open it. “It’s got different things: my favourite memories of us, things I love about you, what reminds me of you, just whatever I could think of. Then, when you’re gone for work, you can pull one out whenever you miss me,” you demonstrate, grabbing a note from the full jar, “or you could just call me, or whatever.” You put the piece of paper back, close the jar, and look up to your husband.

“Do you like it?”

Lando smiles lovingly, “I love it! Thank you, baby. I love you,” he says before kissing you softly.

“I’m really sorry I didn’t get you anything. I swear I’ll make it up to you. In fact, I’ll make a reservation for tonight right now, we can go out to dinner together to celebrate, and if you want we can go shopping today too, I’ll buy you anything you want—”

You cut him off with a laugh. “That’s not necessary, Lan. I know you love me. Besides, I’d much prefer to spend today at home with you, while you’re still here,” you say, stroking his face fondly before you pull him in for a kiss.

Regardless of your objections, Lando still manages to make a reservation for tonight at your favourite restaurant. He doesn’t make a single comment when you order the salmon despite his dislike for fish, and for weeks after he anticipates every single need you might have before you can utter even a syllable. He brings you the snacks he knows you love most on his way home, makes homecooked meals for you (however bad at cooking he is – he switched to take away after the first two times), and watches your favourite shows with you even though he hates them. He does anything and everything he can think of to make you feel loved and appreciated.

Unfortunately, his efforts only lasted a few weeks. Now, you knew what you were getting into when you married Lando last year. You had been in a relationship with him for several years before the wedding, so you are well aware of the time he needs to put into his work, even outside of office hours, not to mention the amount of stress and anxiety that come with racing at such a high level. That’s why it doesn’t bother you that much that your husband forgot about your anniversary; you know the pressure he’s under.

However, lately, his work has become even more time-consuming, more stressful and he’s become less attentive. It’s no surprise with how well the last races have been going – Lando’s finishing on the podium every weekend – that pressures have increased. He’s no longer fighting for only the constructor’s championship, but he has an actual chance at the driver’s championship too. The team is excited, and working hard, and the same is expected of Lando. Additionally, the fans have been putting more pressure. You know how much Lando’s affected by the stress of it all; he doesn’t want to disappoint, and now that the car’s performing, the only factor that could cause a loss, is him. The pressure, stress, and anxiety are taking over his body. He’s becoming more forgetful and instead of spending his free time with you, his wife, he’s thinking about the next race’s strategy, working out to improve his performance, or practising the tracks. Formula 1 had taken over the number one spot in his life.

You get where he’s coming from, you really do, but one of the most important things, if not the most important thing, in a relationship is communication and recently, Lando wasn’t communicating with you. He doesn’t tell you about the pressure or anxiety, all you know is from reading the man. After the number of years you’d spent together, you know him well enough to be aware of his struggles without him having to tell you.

You’d address the issue, ask him to talk to you, but you don’t when. Lando’s gone so much that you barely see him. His early mornings and early nights don’t align with your schedule; Lando’s gone before you’re properly up and has already eaten when you get home from work. The both of you have always been busy before, but at least you’d always eat together, and talk about your day. Now that those moments are missing, you feel lonely.

Lando has no clue of the things running through your mind. After all, you never told him. Even during the summer break, you keep quiet about your feelings, not wanting it to affect Lando’s performance during the races when you know how hard he's working to do well. Besides, it does get better during the break; Lando’s home more often and his mind's not as occupied with thoughts about his work. Nevertheless, he’s gone most of the time. You had expected for Lando to spend his time off with you, but instead, he hangs out with his friends.

Although the break has positively affected his behaviour, Lando's forgetfulness remains the same. You had told him about your friend’s birthday party several times during the past weeks, asking him to come along. When he promised you would, you thought things were finally going back to normal. But now, as you are waiting for your husband to come home so you can leave for the party together, you realise nothing has changed.

It’s already quarter past eight. Fifteen minutes later than you had said you would leave. You are ready to go – makeup glowing, favourite dress on, present wrapped and purse checked – when you decide you won’t wait any longer. You had given Lando plenty of chances to show his care for you and to consider you in his plans. You always visited his friends with him when he wanted you to, and he couldn’t show up for one party you asked him to come to? You leave the house, no messages sent and your phone on do-not-disturb: let him worry.

You plaster a fake smile on your face when you arrive to your friend’s house, pulling her into a hug when she opens the door.

“Hey, girl! Happy birthday!” You say in a high-pitched voice. “I can’t believe you’re finally 25!” You continue, squeezing her tight.

“Thanks, babe,” she responds when you let each other go, looking over your shoulder. “Where’s Lando? Parking the car?”

“Uh, no, actually. He couldn’t come.” The awkward smile on your face says enough, she knows not to ask any further.

“Oh, okay. That’s too bad. I would have loved to see him. You know, congratulate him on his podiums, it’s been going well lately, no?” She walks you into the house as she speaks, turning her head to watch your reaction.

“Yeah, the team’s really improved.” Once again, the tight smile on your face is clear.

A frown forms on her face at your reaction and she’s about to ask further, whether everything is okay, when she’s interrupted.

“Hey, Y/N! I haven’t seen you in a while! How are you? You never come to the races anymore,” Carlos tells you with a fake pout.

You look at him in surprise. You always forget that everyone in Monaco knows each other. Carlos and your friend met at the golf club and had somehow become good friends. Usually, you liked seeing him, but tonight you would’ve preferred not to see him. Not because you don’t enjoy his company, but simply because you’d rather not talk about Lando, whom he’ll undoubtedly ask about.

And so, your mask shoots up when he pulls you into a hug. “Hey, Carlos. I’m good. How’ve you been doing?”

“I’ve been doing well. You heard the news? That I’m going to Williams next year?” You nod, saying a quick “Of course, congrats!” Naturally, you heard the news; everyone had. But this conversation was already heading in the wrong direction. “Yes, glad to have found a place that will appreciate me, even if the team’s not doing the best right now. Talking about the best, Lando’s been doing so well. You must be proud of him, hm?”

“Ah, yes, of course,” you say indifferently.

Carlos frowns at your reaction. “Everything good between you two?”

Your smile drops, apparently, you aren’t as good at hiding your feelings as you thought you were. “Yeah, everything is fine. Why do you ask?”

Carlos shrugs, “Just the way you react, is all. You seem kind of tense…”

You sigh, letting a silence fall for a few seconds. You might as well tell him, he’ll figure it out eventually. “You’re right. Things… haven’t been so great lately.”

Carlos frowns at your comment. “Between you and Lando, you mean? He didn’t say anything was up, he seemed fine the last time I spoke to him,” he says confusedly.

You roll your eyes at the suggestion, “I’m not surprised. He seems to be clueless to what’s been going on.”

Carlos takes a sip of his drink, “Have you talked to him about it?”

“That’s the issue. Lando’s never home, we barely speak anymore. He’s been so stressed with work that nearly all his free time is dedicated to racing. He gets up early and goes to bed before I’ve even had dinner. I’ve had no chance to talk to him.”

The frown deepens, and he breathes out a puff of air. “That’s tough.”

“I’m sorry, I shouldn’t be putting this on you.”

“No, it’s fine don’t worry about it. Sometimes you need to get it off your chest.”

You look up at Carlos, hesitating to continue your story.

“Has the break not changed anything?” He pokes further.

Another sigh. “No, not really. Lando’s using his time off to catch up with his friends. And his forgetfulness has clearly not improved either.”

“His forgetfulness?”

“Yeah, he forgot about the party, clearly.” You have to resist the urge to roll your eyes again.

“What else did he forget about?” Carlos asks with a frown.

“I don’t know if I should tell you,” you hesitate, “but he forgot our anniversary. I told him it’s not a big deal, which it isn’t, but it’s just that everything is adding up. I feel kind of alone in the relationship at the moment, like he doesn’t really care about me anymore. How can I think otherwise, when we barely see each other, let alone speak?”

“I’m sorry, Y/N. That really sucks.”

You smile sadly, as if to say ‘it is what it is’.

“It’ll work out in the end,” you tell him. You hope. “Maybe tonight he’ll realise he forgot something important, again. Maybe that’ll make a difference.” You offer an awkward smile.

Carlos breathes in deeply, putting an arm around your shoulders. “Let’s get your mind off it, huh?” he says while directing you towards the fridge.

You nod, follow him, and accept the drink he offers you. Tonight is not about Lando, it’s about your best friend and the fact she turned 25. You are not thinking about your husband until you get home.

– – – – –

You slam the front door of your shared apartment louder than necessary when you enter. Nevertheless, there’s no reaction when you enter the dark apartment. You switch the lights on, noticing Lando isn’t in the living room or kitchen. Did he really go to sleep not knowing where you were or who you were with? Whether you were safe or not? Lando obviously didn’t remember the birthday party or he would’ve come, yet he didn’t text you to ask you where you were? Does he truly care so little about you? Does he even love you anymore? It feels like a punch to the gut – like someone had ripped your heart out.

The man had been basically avoiding you for weeks, barely saying a word at the moments you did see him, but at least he was still awake to see if you arrived okay. Now he doesn't even stay up to check if you get home safely anymore? Or text you to ask where you are? To say you are upset is an understatement, you feel angry and neglected at his disregard. You feel lonely instead of beloved. The lump in your throat is a painful reminder of how close you are to crying. But you don’t.

You swallow the lump, blink a few times to get rid of the lingering tears in your eyes and go into the bedroom to take off your makeup. You lean on the counter, sniffling silently, and close your eyes. You breathe in through your nose deeply, before breathing out through your mouth. It’ll be okay. Right?

When you enter the bedroom you stare for a minute at the man sleeping peacefully before you. It feels wrong when you climb into bed next to him, nevertheless, you do it. It’ll probably take you a while to fall asleep tonight.

– – – – –

The situation hasn’t changed a bit when the racing season starts back up again. No matter how strained your relationship has become, you do want to say goodbye to Lando before he leaves for the next race. So, the morning he’s supposed to fly, you make sure to get up extra early. You don’t know how, but he still somehow manages to finish his breakfast before you’re even out of bed, the container already in the trash.

“Good morning,” you mumble, wiping your eyes as they adjust to the bright light in the kitchen.

Lando looks up from his phone in surprise, clearly not expecting to see you awake this early. “Hey, what are you doing up?” He asks in a soft voice.

“Wanted to say goodbye,” you say as you walk closer to the kitchen island at which he’s sitting.

“There’s no need for that, Y/N. I’ll see you again soon enough.” The smile on his face is sickeningly sweet, a clear contrast to the words coming out of his mouth.

You frown, “You’re leaving for a week… What do you mean, there’s no need?”

Lando sighs at your question, “Never mind, it’s kind of you to get up extra early just for me,” he smiles dismissively before getting up from his seat. “It’s time for me to go,” he says looking at his watch before grabbing his backpack and suitcase which are sitting by the door, “I’ll see you in a week.”

You’re left staring in surprise as the door slams closed. He didn’t kiss you goodbye. He always did that, even during the worst of fights. That’s your rule. Formula 1 is a dangerous sport, he could be hurt in a split second, never mind being killed. From the start of your relationship, he always kissed you before he left, just in case. You hated the thought at the start, but learned to think it was sweet; that, in case something happened, at least he kissed his girl goodbye.

You’re watching your marriage crumble before your eyes, and Lando doesn’t seem to have a clue, or pretends not to notice. This is it, you decide. This cannot go any further. As soon as he gets home, you will talk to Lando, no matter how badly it will affect his race. You can’t do this any longer.

However, somebody else is already one step ahead of you. Carlos had noticed the toll your strained marriage with Lando was taking on you, and couldn’t help confronting Lando the first second he saw him. It didn’t help either that Charles was way too curious about the relationship drama. He had been pushing Carlos to find out more to save his gossip-desperate soul after the radio silence during the break.

“Hey, Lando!” Carlos yells, jogging up to Lando and matching his pace.

“Hey, man! How are you doing? Had a nice break?” Lando asks, giving Carlos a quick hug.

“Yeah, yeah, I had fun. What about you?”

“Ah, yes. Of course. It was good to get some time off. I really needed it; finally got to see my friends again,” Lando grins while Carlos raises an eyebrow at the answer.

“What about your wife? Finally got to spend some time with her now that you didn’t have to travel so much?” Carlos asks.

Lando laughs awkwardly at his suggestive question, “You know it!”

Carlos ignores the casual response. “I actually saw Y/N last week, at a friend’s birthday party. Was surprised to see you didn’t come with her…”

A frown etches onto Lando’s face. “What birthday party?”

“I think she’s one of Y/N’s best friends, she turned 25?”

Lando’s eyes widen in realisation. “Fuck, yes, I remember now.”

“She told you about it?” Carlos asks, watching as Lando’s expression shifts from realisation to discomfort.

“Yeah… She mentioned it a couple of times,” he admits. “She didn’t tell me that she went...”

Carlos lets him ponder it for a moment before adding, “Well, she was there. We talked for a bit, actually.”

Lando feels his stomach tighten. He tilts his head slightly. “What did she say?”

Carlos hesitates, glancing around the paddock while he weighs his options. “Uhm, she said you’ve been distant lately. That you haven’t been paying much attention to her, that you missed your anniversary…”

Lando stops walking. “She told you about that?”

“Yeah, man.” Carlos sighs. “Look, she didn’t go into too much detail, but… she sounded upset. Maybe you should make some time for her, take her out on a date or something. It seems like she feels pretty lonely.”

Lando shifts uncomfortably, his heart sinks in his chest. “Lonely?” The word echoes in his mind, unsettling him. He knows the feeling all too well. He’s the reason his wife has been feeling lonely? The guilt settles deep within his soul as he mulls it over. He tries to laugh it off, but it feels hollow. “She knows how demanding the season has been. I’ve been swamped.”

“I’m sure she does, but… it’s more than that. She told me she feels like you don’t really care about her anymore.” The look on his face is serious as he says it.

Lando blinks, the weight of Carlos’ words sinking in. How could he have missed something so crucial? Why hadn’t Y/N said anything? More importantly, why hadn’t he noticed?”

“She thinks I don’t care about her?” He mutters to himself. His gaze is unfocused as he chews his lip, running a hand over his face out of frustration. “Why didn’t she tell me?” He says quietly.

“There was no opportunity to tell you, she said. You're never home.”

Carlos lets out another sigh. “I’m sorry. I know it’s none of my business, but I don’t want your marriage to be ruined. I know you love Y/N to pieces. I would be upset with myself if you guys don’t make it out together knowing I could have done something about it. That being said, I think you should talk to her.”

Lando nods absentmindedly. He didn't even consider that they might not make it out okay. “You’re right. Thanks for telling me, man.”

As Carlos walks away, Lando is left standing there, his mind working overtime. He had been busy, yes, but surely you understood that, right? He’d been working so hard for the both of you, to secure a future for you. But… had he been neglecting you without even realising it?

The conversation with Carlos continues to replay in his head throughout the day. Maybe he hadn’t been as attentive as he thought. Maybe all those nights out with friends, all those early mornings spent focused on racing had a bigger effect than he assumed. He tries to push the thoughts away, to justify it with the pressure of the season, but it doesn’t sit right anymore.

The rest of the weekend Carlos’ words echo through his head, ‘She feels like you don’t really care about her anymore.’ Lando can barely concentrate with the guilt that’s gnawing at his conscious.

– – – – –

By the time Lando leaves his hotel, he has formed a plan. He has rehearsed a dozen different apologies in his head. He’ll explain what happened, that he’s been so busy with work that he didn’t notice, and he’ll say sorry and change his behaviour. And after that, all will be well.

His plan is thrown out the window as soon as he gets home and sees his wife sitting on the couch, your face pale and tired as you watch TV. The state of you makes the practised words dry on his tongue. How could he not have noticed what was happening?

“Why didn’t you tell me you felt lonely?”

You look up in surprise at the abrupt question cutting through the silence. No ‘hello’, no ‘how are you’, no ‘I missed you, baby’, just the sharp edge of confrontation.

“What?”

“Carlos told me you’ve been feeling lonely. Why didn’t you tell me?”

You frown at his directness, “When was I supposed to do that, Lando? You’re always gone.”

“That’s not true—” he tries to protest, but you cut him off.

“There was not one moment I could have told you, Lando! You’re always busy with work and when you’re not, your friends take up all your free time! You haven’t made any time for me in weeks, months even!” You yell.

Tears well up in your eyes at the confrontation. You had kept your frustrations to yourself for weeks and now that he finds out about your feelings he decides to yell at you for it. How else are you expected to react?

Your words hit Lando hard, each one landing like a punch. His eyes flicker with guilt. “I’ve been under so much pressure. The team needs me—this season could be my best chance at a championship, and I—”

You cut him off, your voice soft. “I know, Lando. I know how important your career is and that this is your chance, but that doesn’t mean all your time should be spent on racing. You’ve no time left for me anymore; all your energy is drained when I finally see you at the end of the day.”

“I can’t help that my job is demanding! You know that, Y/N. You’ve always known that. It takes a lot of time to improve, and the team is finally performing. It’s my chance at a championship! I can’t pass that up!”

“I get that Lando, I really do. But I’ve felt alone in this relationship for months now. I never see you, we never talk… The night of the party you didn’t even text me to ask where I was, or who I was with. You were already sleeping before I got home! Weren’t you worried at all? Or even curious to know where I was, whether I was safe? Sometimes… Sometimes, I doubt whether you still care about me – whether you still love me, because it feels like you don’t.” The tears slowly fall down your face while you say it.

That’s when it hits him – truly hits him. Lando swears he could hear his heart break. He looks at you in shock, and you can’t deny you feel a little better because of it. Had he really fucked up that bad? Do you really believe he no longer loves you, or cares about you? You are the most important person in his life. How could this have gone so far without him noticing? How could he have made the love of his life feel like she wasn’t loved? He runs a hand through his hair in distress, trying to wrap his head around your admission.

“I’ve been patient, Lando. I’ve been understanding, but you’re just never present. Not just physically, but mentally, too. I miss you.”

Lando looks at you sadly from across the room, disappointed in himself. He quickly closes the distance, reaching for your hand. His voice is soft when he speaks to you. “I do. I do love you, Y/N,” he says, caressing your face softly, pulling your chin up so your eyes meet, his teary eyes staring into your red ones. “You’re the love of my life. I care about you so much. You’re the most important to me, above anything else, and you always will be. Don’t forget that, okay? Promise me you’ll never forget that, baby.”

You sniffle, wiping away the tears that are slowly making their way down to your chin, while you nod. The sound physically pains him, his heart twisting torturously in his chest. He vows to never make you cry again.

“I’m so sorry I let it come this far, darling. I’ve been so wrapped up in everything, trying to win, trying to be perfect for the team that I didn’t see what I was losing in the process.”

You interrupt him, “I don’t need perfect, Lando. I just need you to be here. With me. Because if it keeps going like this… I don’t know how much longer I can take it.”

Her words hang between them, and for the first time in weeks, Lando realises the gravity of what he stands to lose if he doesn’t make a change soon. He nods frantically. “Of course, baby. I’ll do anything to make it up to you. You say the word, and I’ll do it. I don’t want you to feel like I don’t love you, because I do. So much. I can’t lose you, I don’t ever want to come this close to losing you ever again.”

He pulls you into a tight embrace, his arms wrapping around you like he’s afraid to let go; like you’ll walk away from him as soon as he does. You press your face into his chest, missing the feeling of him against you and his comforting scent. The last time he touched you, let alone hugged you feels like ages ago.

“I’ll be better, I’ll make time for you, I promise,” he mumbles, his mouth grazing over your hair, as he tugs you impossibly closer into his tight embrace.

You smile faintly through your tears. “I believe you.”

1K notes · View notes

theorist-fox · 4 months ago

Text

Never had a thing

Simon 'Ghost' Riley x Reader

I never posted on Tumblr. Is this okay? Anyways, Simon Riley brain rot. That's it. That's the post. Also, you can find this on AO3.

Part 1 >> Part 2

Summary: Simon has to lie low and go dark for an undefined period of time. While trudging along the unbearably long, dark alley that's his life, he finds the light at the end of tunnel, and it's shaped like you. 18+

Word count: 10k CW: smutty!!! jealous Simon Riley BECAUSE I honestly crave that. Soft Simon Riley because I crave that as well.

Masterlist 🦊

𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬

Simon had groaned like a battered dog when Price gave him the news that he needed to lie low. “Someone in Konni’s got your name” he’d said. “We don’t wanna take any risks. Just for a few weeks.”

He was sure those few weeks would turn into a few bloody months if he didn’t get a move on. For that, he’d hastily packed his things from the poor excuse of a flat the army had granted him, and started looking for a place to stay that wasn’t in Manchester.

Initially, Simon almost fantasized about buying his own flat. Maybe a piece of land and fulfill the wishes of the outcast that he was – living away from people, giving them the same treatment they’ve always given him.

Too bad he was legally dead. He had nothing to his name if not a grave that didn’t even exist, all his possessions were cursed memories and metaphorical things – a rank he didn’t hold, a flat that wasn’t his. Even his name barely pertained to him anymore.

The SAS wasn’t offering any accommodation, the tightwads. He couldn't buy a house, or rent one. He couldn't lean on any of his teammates, or he'd put them in danger – he wouldn't do it, not to them. Taint their lives with his name and the death it inevitably brings.

Price had helped him settle in a glorified motorway hotel. But he wasn’t picky – after all, he only had to stay for a few weeks.

A few days into his exile, he’d entered a Tesco with his head bowed and his hood on, a surgical mask on his face. A pack of Marlboro was all he wanted since the dodgy motel he was staying at (hiding) didn’t care if he smoked within the room. Plus, he reckoned that the smell of nicotine and combustion was a much better alternative to the rancid stench of mold.

However, as he plucked ten quid from his wallet, his eyes absently fell on a bulletin board behind the store clerk. There were tons of leaflets there: missing cats or dogs, people looking for a job or offering one. And then, a bright yellow paper caught his eye. Whoever printed it lacked taste but sure as hell knew how to catch one’s attention. He’d stopped in his tracks, a tenner between two fingers.

DESPERATE!!! PhD STUDENT LOOKING FOR A FLATMATE. NO SPECIFIC GENDER OR AGE AS LONG AS YOU CAN PAY RENT ON TIME. Two-bedroom flat, third floor, no elevator. If interested, please contact this number.

At the end of the flyer, the paper was cut into tear-off strips, so that interested individuals could rip the section with the phone number.

He liked that first word: desperate. He wondered if this person was as desperate as he was. Would they accept a man who wore a balaclava and looked proper sketchy? How desperate were they, really, if he asked to rent on verbal agreement – no contracts, no signatures whatsoever?

He decided he wanted to test that before he died of mold poisoning.

Nevertheless, when he dialed the number on his burner phone a few hours later, he wasn’t expecting the voice coming through the line. A shriek. A goddamn banshee. Chirpy and cheery, sounding like those damn advertisements on the telly for children’s toys. Whoever was on the other side of the phone was trying to sell.

The obnoxiously happy voice he’d heard through the receiver surely did match the person he found at the door of the flat a few days later - and the apartment itself.

It was a splash of colors Simon wasn’t even sure matched, from oranges and greens in the living room to yellows and blues in the kitchen. Walls of the same room were painted differently, and a brown leather couch lay on a round and fluffy turquoise carpet. A glass coffee table stood in the middle of it, hosting a clay vase with orange tulips.

You were a splash of colors yourself. Bright clothes, vibrant smile, and matching eyes.

Notwithstanding the loud energy that came with your presence, he could see you were tense as you guided him through the apartment. Simon didn’t blame you – he wasn’t the most trustworthy-looking lad. While he’d ditched the balaclava and had decided to go for a surgical mask, even hewould walk on eggshells around himself.

“Only a few weeks.” He’d said, deciding that he could withstand the eyesore that was the decor of that flat. “I’ll cover the rent while you find someone more permanent.”

And to his utter surprise, you’d accepted. He thought it was much too naïve of you, to let him rent without a lease. Without a document, without anything to prove that he'd pay as he'd promised in that listless fashion of his. Maybe you were as desperate as your tasteless leaflet said, in that dive of a Tesco.

He moved in in the span of a few days. You helped him with the boxes, although it was clear he didn't need a hand – especially not from a tiny thing like you. Not that you were small, he was just built like a brick house and you – well, you were made of wood, like in those cautionary tales mums tell their children. Pigs and wolves and shite.

You didn’t question why he wore the balaclava, nor why he never left his room, but sometimes you’d knock on his door to ask if he wanted pizza too, since you were ordering. He’d eat it (and any of his other meals really) in the cramped space he'd managed to rent, hosting only a bed, a poor excuse of a closet, and a desk.

Until one day he heard booming noises coming from the telly in the living room, so he peeked from the door he’d left ajar only to be greeted by Tom Cruise’s mug – Top Gun.

Silently, he joined you on the sofa and he started correcting the way Maverick held the gun or grunting about how an aircraft couldn't make that maneuver. You never asked how he knew, but it had been a few weeks since he’d moved in and he’d already gathered how brilliant you were. You didn’t need to ask questions to connect the dots.

Simon wasn't keen on giving you his phone number, even the one on his burner phone. The paranoid that he was, and with a bit of experience to back it up, he didn't want to leave you with anything that could connect you to him.

So, you started leaving post-it notes on the fridge.

Dinner leftovers on the second rack. He’d tick off the sentence to let you know he’d read it, whether he ate them or not. Simon had this inborn ability to ghost people even without the use of phones.

Tried a new recipe. Tupperware with the blue lid. He’d write a score out of ten on the corner of the note.

I used your milk for breakfast!!! Sorry!!! He had huffed and grumbled when he’d headed out for groceries afterwards, but ever since that day, he started buying two cartons instead of one.

And he'd leave post-it notes for you, too.

Out for a few days. That’s how he would vaguely tell you he was being deployed. You would always draw a sad emoji next to it.

Watered your plants. Bloody things were more dead than alive. You’d mark down a very happy emoji, going as far as to add two poorly drawn thumbs up.

He barely noticed when his meals started happening on the kitchen table instead of his desk. Similarly, he couldn’t recall when he’d stopped taking pains to ensure your mealtimes wouldn’t coincide.

Friday night pizzas were always shared; it was a silent house rule you’d both agreed on. The both of you on the settee with the carton boxes on your thighs, two cold beers on the glass coffee table, and the telly playing a movie.

Your cheeky arse often chose a war film, and Simon had to refrain from rolling his eyes at how obvious you were being – trying to get to know him.

Zero Dark Thirty.

“Is it true you use callsigns?”

“Yes.”

“You have one?”

“Yes.”

“What is it, then?”

“Classified.”

“Oh, c’mon.”

“Negative.”

The hurt locker.

“You ever defused a bomb?”

“Yes.”

“No shit – oh my God. How was it?”

“Dangerous.”

“Why thank you for the chat.”

“No problem.”

“When did it happen? Like, what was the situa-”

“Classified.”

You made a face and mocked his accent. “Classified.”

Apocalypse now.

“You are a bit like Kurtz.”

He gave you a look. “Mental?”

You huffed. “No. I meant the things he says, not the whole insanity bit.”

Simon scoffed but otherwise stayed silent. The film rolled in the background.

He murmured, then. “The horror, the horror.”

And you laughed.

He found it inexplicably easy to strip down for you, until he stood metaphorically naked in front of your eyes. Until he told you his full name and gave you his personal phone number. Until he showed his face.

Until he noticed you'd stopped looking for a flatmate, and his weeks of rent turned into months like he’d initially foreseen, but for another reason entirely. Months turned into years, but he could’ve never predicted anything in his life to last this long.

Until two summers later, while sporting a mundane black surgical mask and casual clothing, he took a photo with you in your doctoral gown, in front of your Uni. The same picture that now hung next to the entryway of your flat.

Until two years became three, and then four.

Until he just kind of… stayed.

𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬

Simon’s day has worn him to the bone. The only thing he wants now is to go home, down a beer in two gulps, and knock himself out on any flat surface available.

He’s risked his fair share of speeding fines on the motorway, parked the car in the building's garage, and trudged up the three flights of stairs that led to his apartment. When he unlocks the door, he finds a sight that melts his frustration into a puddle at his feet.

You’re lying on the sofa, absolutely unbothered, looking lovely and homely. A lousy romcom plays on the telly. One hand is hiding in the crinkling shell of a packet of Walkers, and your other one is curled around the neck of a Stella Artois. Simon gathers that your workday must've finished a little earlier than normal because you’re already in your loungewear: a pair of loose sleeping shorts and a t-shirt he knows all too well.

All too well, because it’s his.

And he could give you the benefit of the doubt; after all, you often wear oversized clothes. It could’ve been a laundry mishap; you could’ve absently taken it out of the dryer without a second glance, thinking it was yours. But the blatant British Army patch on the sleeve and his surname written in white block letters on the back give him very little to work with to excuse you. He doesn’t even remember he still owned that tee, probably because, factually, he doesn’t anymore.

It's clearly yours, now.

He drops the house keys in the tray lying on the floating shelf next to the doorway, before closing the door behind him. The sound must’ve alerted you, because your head drops backwards, rolling against the armrest of the sofa.

"Evenin'." You beam, looking at his downward image. Your head lolls and your mouth looks busy chewing on a handful of crisps.

Ever the vigilant bastard, he wants to flick your forehead and remind you that chewing upside down could lead to choking, but you aren’t a child. Although, with the crumbs of what smells like salt and vinegar crisps littering the corners of your lips and the baffling, chaotic way your hair is tied in a bun, you sort of look like one.

You curl your legs to leave a free spot for him, patting your foot on the sofa’s cushions. "Wanna join me?"

Simon hums quietly; his eyes flicker over to the TV for just a glance. He isn’t in the mood for a romcom, not at all. But he does want company. He sighs and shrugs off his jacket before toeing off his boots. His balaclava is snatched off by a tired hand, and dropped somewhere he doesn’t care to check. Only two wide steps with his annoyingly long legs and he’s already by the sofa, flopping onto it like a wet rag slapped on the leather cushions.

He eyes the bag of crisps in your hand and raises a questioning eyebrow.

You’ve learned how silent communication works with him because most of the time (especially after particularly hellish days or long deployments) he wanders around the flat like a haunting specter more than a living being.

You mockingly raise your own questioning brow, but alas, you hand him the pack of crisps he’d wordlessly asked for. And just because you can, and because he’s never said anything when you did it, you stretch your legs to rest over his thighs.

That earns you a grumpy side-eye that softens just as quickly when he spots the checkered pink and green socks he gifted you for your graduation.

Simon doesn’t know much about things like that. He isn’t daft, he knows how big it is to earn a PhD. But presents aren’t his thing, nor are the pleasantries built around big achievements.

At the time, he was just tired of seeing you walk barefoot around the flat and thought you needed those more than anything since, apparently, slippers weren’t all the rage in your book. Surely, before his life-changing present, Simon was used to you asking if he’d seen your other slipper while you stumbled about the flat only wearing one on your feet. He’d find them everywhere: under the sofa when vacuuming the carpet, hidden in a groove between the floor and the kitchen counter, forgotten on the washing machine or in the washing machine.

He’d figured that the only way to ensure you’d avoid knocking your pinky toe on the corner of some furniture was to make sure you couldn’t simply drop the footwear. Socks were it, apparently.

He remembers how your eyes had shone like the bleeding sun when he’d given them to you, how you’d clutched them to your chest as if he’d just gifted you a pot of gold. It had been a lovely sight, one he carefully keeps tucked in the almost empty corner of his mind, the one reserved for happy memories.

Nevertheless, Simon has rarely minded your habit of lounging with your calves across his thighs. The opposite, actually. Your friendly sentiments make him feel like, for once, he isn’t about to get stabbed in the back. Moreover, the fact that he is letting you invade his personal space like that, when he never allows anyone else to so much as touch him, truly is a testament to the monumental trust he’s placed in you.

You take a sip from your beer. "Alright?"

“Peachy.” He grumbles dryly.

Your lips purse to conceal a smirk, but hell is it hard. His dry humor never fails to rob a halfhearted smile from you. He has subconsciously started using it more often than socially acceptable just because of that.

You wiggle your toes against his abdomen, trying to steal a smile of his own from him – even if those tend to appear once in a blue moon.

What you are given, however, is only a slap on the ankle.

Catching on his mood, you down one last sip from your Stella and then you wiggle the bottle at him.

"There," you offer. "Seems like you need it more than I do."

He tosses the bag of crisps on the coffee table and accepts the beer from you, taking a rather large gulp from it. He isn’t a light drinker by any means. In his defense, it takes a whole lot of alcohol to knock him out. He has the metabolism of a properly trained soldier and his liver has processed much worse things than a bloody Stella Artois.

“Why are you being particularly friendly today?” He asks with thinly veiled sarcasm.

He isn’t complaining, per se. But he is a pessimist, one who can’t seem to grasp the notion that people can act accommodating without asking anything in return. Even if that has been your only behavior for the past four years.

Therefore, Simon understands why you narrow your eyes at his question, all offended and a tiny bit sour, as if he’s just asked something outrageous. However, he also knows you’ll brush off his comment because it is true, what he said.

You are particularly cheery.

"I'm back in the game." You state, sounding as if you've achieved some great thing. "I have a date next Friday."

That.

That is what Simon needs to hear in order to give you a genuine reaction.

He raises a single blond eyebrow and glances away from the TV to look at you with that signature hooded gaze of his – the kind that could cut through steel.

“A date?” He grumbles. “Who’s the bloke?”

In response, you squirm a little on the couch to lazily reach for your phone on the coffee table. One of your legs swings to keep your balance, and if Simon didn’t have the reflexes of a sniper, you’d have heeled his face. He automatically grabs your ankle to both prevent your fall and save the integrity of his nose, releasing a sigh – bloody used to it.

You're absolutely unaffected by whatever's happening at the other end of you, awfully concentrated on your task at hand. Fingertips graze the phone enough to slide it closer until you finally manage to have it in your grasp. It’s painfully clear how you can’t be bothered to stand.

You lie back down on the sofa with a sigh, as if that has been an exhausting endeavor.

Simon scoffs.

Your legs return to his lap with apt nonchalance. Then, you swipe through your screen. Simon can only see the phone covering your face from that angle, how the screen light illuminates your features – brows furrowed and the tip of your tongue peeking between your teeth, all focused on finding something on it.

After painstakingly long seconds, you turn your phone to him. Simon squints at the screen and then focuses on the picture you’re showing.

The man is… somewhat handsome, he has to admit. Brown hair, blue eyes, charming smile with possibly fake teeth. Definitely older. Probably a boring, pretentious tosser. Probably wouldn’t appreciate your carefree nature. He wouldn’t return your lost slippers at your door. He wouldn’t buy you socks so you’d stop whining about being on the verge of breaking your toes. He definitely wouldn’t let you paint only one wall of the living room orange, because, in your opinion, having all four would be “too flashy” - as if one on its own isn’t obnoxious enough.

He has to admit, however, that you look beyond excited, and maybe a little enamored. It’s an adorable view, really, and he hates himself for being unable to rejoice about it with you.

"Adam." You tell him his name, even if he never asked. "Thirty-nine. Associate professor of Linguistics at the Uni where I graduated. Found him on Bumble.”

Simon has to physically stop himself from giving a scoff in response to that.

“Looks like a knob.” He takes yet another large gulp of beer, finishing the last drop. You frown, and before you can interject, he adds. “Looks old. Tory, probably.”

You roll your eyes and nudge his thigh with the tips of your toes.

"He ain't a Tory." You scoff. That little frown still lingers on your features, carving a small line between your brows, as if he'd personally offended you.

His comment prompts you to turn your phone to yourself and look at the picture of this Adam lad you found on Bumble of all places.

You look back at Simon and his deadpan stare. Then back at Adam and his million-dollar smile.

Your eyes swivel back to Simon again, and you tentatively ask, "You think he's a Tory?"

Simon places the empty beer bottle on the glass coffee table. The sound somehow makes you take a metaphorical step back. "Nah. He can't be."

You purse your lips, concentrated and slightly, just slightly amused.

Eyes back to Adam. Then to Simon. "Right?"

Simon looks that ounce of smug enough to be considered annoying once he notices how you’re about to go cross-eyed in changing your focus, all hesitant and that bit concerned. He already knows how you have zero faith in your own judgment of character even if you refuse to make peace with it.

A little too naïve for this world. A tad too innocent. When the topic would come up, you’d get all riled up and primitive in your frustration, muttering indiscernible words and expletives that sound like grunts. Brows all furrowed and pretty lips scowling. He'd remind you how you let him in your flat without a single proof that he wasn't a serial killing sociopath, and your mouth would lock in place.

His hand lands on the curve of your foot, smoothing down towards your ankle; the warmth of his palm bleeds through the fuzzy fabric of your socks. He sighs, a little overdramatic as if he were about to tell you some sad, sad news. "Definitely a Tory.”

You want to reprimand his lack of faith in your choice of men. But his hand on your ankle feels so nice and you’re a sucker for physical contact. Begrudgingly, you settle that your bruised ego and your wounded pride are worth the gentle giant’s warmth.

However, the lingering touch does nothing to discourage your fire, so you glower. The least believable thing he's ever seen.

It takes much more to upset a special forces operator with a series of achievements as long as Simon Riley’s. A doctor with a mop of hair lazily tied in a bun, checkered socks in his lap, and residues of crisps around her lips surely isn’t it.

"Well." You huff, crossing your arms over your chest. "I'll ask him on Friday when we’ll have dinner."

He scoffs.

“You’re gonna bring up politics at dinner on a first date, yeah?” A condescending pat on your ankle. “Sounds really romantic.”

His dry humor again. It wins in its intent to steal a chuckle from you.

The fight leaves as quickly as it entered your bloodstream, and you flop on the couch with a sigh, your phone falling somewhere on the turquoise carpet.

"Gotta make sure I ain't dating a conservative." You quip.

Simon watches you clasp your hands over your belly as it ripples with the first waves of a breathy laugh. You crane your neck forwards, eyes squinting in mirth clocking his own.

"He looks like he’d vote Tory." You concede with a laugh and pinch the air in front of your face. "A tiny bit - just a tiny bit."

“A tiny bit?” He snorts. “Lad probably has a framed photo of Margaret Thatcher in his bedroom.”

You laugh again, rubbing an idle hand over your eyes as you shake your head, utterly defeated. He can see in the way your shoulders sag that he’s shattered the careful castle of hopes and dreams you'd built brick by brick around the man.

"God no." Equally as exasperated as entertained, you sigh. "Can't imagine shagging him with the ol' Iron Lady staring at my tits."

He scoffs again at the mental image you have just provided him with. He doubts he’ll ever forget the picture, to his dismay. “Christ. Didn’t need that in my mind.”

In the afterglow of that belly laugh, you don’t notice how he’s somewhat tightened his grip around your ankle. Simon knows you aren’t one to pay attention to those subtleties. Too focused on other people's well-being to realize when yours is being put first. He can already imagine how your heart is unraveling with the knowledge that you’ve managed to make him quirk a smile, however small, even if his day had been a proper shitshow.

The selfless angel that you are.

You turn your eyes to the ceiling, looking for something that clearly isn’t written on the colorful paint of the walls.

"All jokes aside," you murmur. "I hope it goes well."

Your eyes touch his. There’s a melancholy in yours you only allowed him to see. Thinly veiled vulnerability, heart bare just for his eyes.

"Really need a confidence boost," you say with a wistful smile. "And some love on the side."

He mutters under his breath. “Right.”

Simon tries not to wince at your words and what they imply. He thinks you’re too good to rely on other people (men, above anything) to boost your confidence. As if what he thinks are mouthwatering looks, a striking sense of humor and a brilliant mind aren’t enough to make you feel a peg above everyone else.

He hates that you don’t seem to understand it. Hates that you require other people’s approval even when you have a brain that could put most to shame and a series of achievements to boot.

He hates that despite how sharp you are, you’re slow when it comes to emotional intelligence. And it’s Simon fucking Riley who’s saying it, the most emotionally unavailable man he himself knows. It isn’t that you can’t discern signs and tells, you aren’t stupid by any means, but it’s painfully obvious how you just can’t fathom why people would be attracted to you that way. Thus, you’d always dismiss compliments and advances with annoying levity.

In four years, Simon has witnessed all your relationships wither because your lack of self-confidence made you question everything.

Seemingly aware of the tense air your comment has caused, your cheeky grin makes a comeback just to lift his spirits. You wriggle your foot under his grip to get his attention. "You think he'll like my socks?"

Simon has to admit (finally, at least true to himself) that your tireless search for reassurance about your date isn’t exactly doing wonders for his heart or his sanity.

“He’ll love them, you muppet.” He deadpans.

You chuckle at the comment, and then you relax, thinking the conversation over. Comfortable with your eyes on the telly and your hands clasped over your stomach, that gentle feeling of home and familiarity lulls you into a soft rest.

Simon on the other hand, is anything but relaxed. His jaw clenches involuntarily as if he despises even the mere idea of another man getting to see you like this: lying down, all soft and sweet and sleepy in the fuzzy socks he’s bought you. With his surname plastered on your back, of all things.

His eyes flick to the hand on your ankle. He wants to keep holding on tighter and stop you from leaving altogether. Keep you tethered to that couch without ever needing to stand up.

He could tell you to drop it. He could.

But you’re a grown woman, in her prime, with her doctorate and her big girl job that gives her enough money to start a war of her own but for some reason has never decided to pick up her things and leave that shabby flat she shares with him.

And he is poor with words. Communication is a skill he’s never learned, unless it involves extracting precious intel from skin-trading bastards or bloodthirsty pricks. He surely isn’t going to communicate with you that way, even if it's the only one he knows. The realization makes his lips dip into a scowl of self-hatred for being seemingly unable to keep you.

Simon’s eyes rake over your body – your silhouette concealed by his shirt, softly draped over you like finely carved marble. With natural flow, his hand follows the path traced by his pupils, and very deliberately slides up your leg, towards your knee.

Initially, the movement only prompts you to steal a glance from him. But when your eyes land on that frown, as if he were deep in thought, it feels natural, instinctive, to give him your undivided attention again.

Softly, you ask for the second time that day, "Alright?"

He nearly lets out a huff of laughter. Such a simple question yet so goddamn loaded he’s on the verge of blowing a gasket – his patience wearing thin.

He locks his eyes with yours, only to snark once more. “Peachy.”

His humor this time isn’t successful in the effort of stealing a smile. In Simon’s defense, he hasn’t used it to make you crack one at all.

You frown, a tiny fracture between your brows. A little confused, mostly concerned. He can see it in your doe eyes, how you’re already miles away – overthinking every minute detail you might have missed during the conversation. You always thought so much Simon had joked, once or twice, that your skull was too small to host all that.

Your eyes shift from his face to his hand. Simon dares to be bolder and slides his palm a little higher. His fingers curl around the plush of your thigh.

"Peachy, eh?" You inquire, clearly suspicious of his antics. "You look far from peachy.”

A low scoff slips past his lips.

He is anything but peachy, he’d give you that. He is anything but sweet, far from it. Bitter, would fit better. Jealous, would fit best. He is downright pissed, but not at you. Never at you. He wishes he were a gifted conversationalist, so he could put into words what the idea of you shoving your tits in the face of some twat is making his hackles rise. He barely entertains the thought of you talking and laughing with him, never mind brushing with the concept of you riding the life out of that bastard. God forbid you brought him over and did all that in your flat – his flat.

He swallows in a piss poor attempt at juggling his feelings. His eyes shift to the TV to further conceal them.

“Just thinkin’ about work is all.” He mutters. Simon can almost hear Soap’s Scottish lilt calling him a “pining sod.”

Oh, but you’re an insistent little thing, aren’t you? Simon can hear the sheer doubt in your tone when you hum in response. The slight changes in the vibration against your frowning lips, the curves in the intonation of that simple, but so very telling sound. He catches each and every one of those details like the guard dog that he is.

In his peripherals, he sees the shifting of your eyes, from his hand to his profile. He sees you take in the crook of his nose, broken a few times (a tough job and a harsh childhood did that to him). His furrowing brows, light honey, like his hair – all ruffled and staticky from removing his balaclava when he got home.

"Work." You deadpan, but it comes out softer than intended.

His fingers aren’t as sneaky as before when they slide further up your thigh. Simon knows you feel that same electric spark because your quadriceps stiffen under his palm.

“Work,” he affirms, his jaw tight as his hand journeys farther to reach the hem of your shorts. His thumb rubs from side to side over the skin at the edge of the fabric, and Christ, he’s fighting the growing itch to just pull them down.

While the two of you have watched plenty of films on this same sofa, in this same position, Simon has never touched you.

As in, touched you, touched you.

He’s averse to that, to anything that isn’t a noncommittal gesture. This one, however, obviously isn’t.

His hand is so big against your thigh, that plush skin underneath his callouses almost makes him feel guilty. The hardened palm used to disperse death shouldn’t touch such soft things. He feels the peachy fuzz brush against the pads of his fingers, he sees how they leave divots in the meat.

It makes his heart beat a little faster, blood pumping in all the wrong places but his head.

His expression is blank, dull eyes staring straight at the television. However, his mind is not as quelled as he portrays. It’s leading him to a very unholy place, where he wonders if your skin is as soft on your belly as it is on your thigh. Whether you’d whimper or groan if he were to flick his tongue over your breasts. If your eyes would roll back, were he to plunge his fingers deep into your core.

So many ifs he wants to put to the test.

He gently skims where your thigh meets your hip, and Simon swears he hears you gulp. He can tell you’re absolutely blindsided. You've been living with him as your flatmate for four years. Four fucking years, and if he ever tried to give you anything more than his usual snark, he might have been a little too subtle about it.

Simon glances at you, before returning his focus to the telly. One look is all he needs to hear your thoughts as if they were his own – the self-deprecation, the anxiety, that tormenting feeling of not being enough.

How torn you look. Stiff fingers curl around air only to release it right afterwards, fighting an invisible enemy. Let him do what he wants, let his hand slide up your shorts, and find the cotton lace of your panties. Or, pull away and retreat into your safe bubble, where no one can hurt you.

As if he’d ever lay an ill hand on you. All you have to say is “Stop” and he’ll take back his arm – cut it off for good measure.

Your eyes are hooded as they turn to look back at the malleable flesh of your thigh in his hold. His fingers disappear under your shorts until the first knuckle. He brushes along the hem of nice lace undies, feeling the rough fabric under the pads of his fingers.

Your voice is deliciously breathy. "Wha' about work, then?"

Avoidance. Normally, he'd let you. If it were any other situation, he'd brush it off with you. He'd keep up with the chat, coddling you in that safe place you seem too keen on spending time in.

Not now.

His head turns back to you; hungry eyes fixed on the way your mouth parts to yield that soft whisper. It makes his eye twitch, a splinter in his veneer.

“Reckon work can wait,” he rasps.

Simon is hyper-aware of how close he is to your core – a knuckle away from the throbbing heat between your legs. He sees your bowed head, eyes lidded with that primal desire he is instilling in you.

You look as if your brain has turned into soup; the ingredients a mix of shared memories and touches – even the most indifferent, neutral ones. To his utter joy, for the first time in your life, it almost looks like you’ve finally turned off your thoughts.

Your jaw clenches in a desperate attempt to get a grip on yourself. He knows you’re confused; he is too. Because it’s wrong to indulge in intimacy when more than just a friendship is at stake. Money's involved, a roof over your heads, a bed to kip, and food in your bellies – four years of shared everything is involved.

But you agree. You nod your head a little dumbly, and suddenly work can wait. To Simon, the fucking world can.

Your voice is a mumble. "Yeah, guess it can."

“Mhm.”

His gaze flicks up to your eyes, depriving your lips of the attention they were given, and he is delighted to see that you’re just as affected as he is.

Simon's fingers get squished between your thighs when you clench them together. He squeezes, feeling how the flesh rolls between his fingers, how it folds where the stretch marks crinkle.

“Lift your leg up for me,” he rasps.

Breath is stuck in your throat in utter anticipation. Simon knows it's been a long time since you've been touched in any way, shape, or form. You could've gone out and found a man willing to have a shag, it wouldn't have been hard to find someone who needed it too – someone as desperate as you look right now.

After all, that single word is the one that led him to you in the first place.

Yet you never did it. Simon has never seen you bring a man, or a woman, back to the flat. Sometimes you’d disappear with a text, saying you’d be sleeping out, but you never brought anyone home. And he never asked why – mostly, because he thought it wasn’t his business. Another part of him, however, was afraid that if he did, you’d take it as an invitation to do so. Obviously, he wasn’t too keen on the idea.

After giving it little thought, you part your thighs for him. One still rests in his lap while the other dangles off the sofa.

There's very little resolve left in you, Simon can tell by the way your eyes are so focused on his disappearing hand, and by the way you shatter when he experimentally glides one finger over the damp line on your panties.

“Fuck.” You hiss, tilting your head back.

You must want him dead, he thinks, as he gawks at the way your throat curves.

“Christ.” He mutters under his breath. He pushes the pad of his thumb down the cotton, feeling how it sticks to your slit. “Barely touched you.”

He wants to take his sweet time. He does. Wants to take it slow, reduce you to a mess of please and more before he finally gives you what you want. But he’s just as desperate as you are, isn’t he? He’s craving, clawing at the walls, to feel you clamp around him. Feel you drip down his hand until his callouses are coated, slick flowing down the crevices of his palm.

He’s no better than you are, currently.

So, his fingers slip under your panties just enough to touch your folds.

You can't help but tilt your head forwards again, only to look down at the bulge under your shorts created by his hand.

But when your eyes flit back to his, he stops.

Maybe he’s gone too far, he thinks. Maybe you’re realizing this is one hell of a mistake that can only end with you going your separate ways, something he will never forgive himself for.

However, it’s then, that you nod. That worry line between your brows, ever-present, seems gone. Smooth skin between your beautiful, beautiful eyes. And Simon feels whole again, feels wanted. The battered hound dog that he is, only useful for one thing and one thing only – sowing the seeds of death, and reaping them afterwards – is wanted.

Not tolerated. Not required, or needed. Wanted.

He knows your brain is turning its cogs, fighting against the fog of a kind of hunger that can’t be extinguished, one that only wants to be sated – by him, and him only.

Why is he doing this.

What does it mean.

Is it because of the date you should have the next Friday.

Is it because he's frustrated at work and you’re simply there, lying on a silver platter.

So many fucking questions it irritates him that, somehow, while his middle finger is tracing lazy patterns to part your folds, you’re still thinking.

He doesn’t allow a single one to leave your lips, because he plunges one finger inside your cunt.

His first if is answered, then. Your eyes don’t roll back like he’d expected.

Your brows flutter to your forehead, and your mouth parts to form a pretty oval. Your chest swells as if you've just taken the first breath in your entire life. Your eyes, hazy and blurred, hold his own. And somehow, that is the hottest thing he’s ever seen.

Your leg on his lap is taut and stiff, toes curling under those loud socks you’re wearing.

Simon takes in the sight of you – all flushed and panting. The only sound in the air is the quiet drone of the telly in the background and your sharp inhales.

He can only describe himself in that moment as wrecked. Maybe even more so than you are right now, all rigid in anticipation of his first movements.

“Keep your eyes on me," he growls out, and when you nod, he curls his pad inside of you.

Your fingers seem to mimic his own, but they grip the edge of the sofa’s cushions instead. Your nails scratch at the leather with such voracity they leave beige lines against the dark brown.

He struggles against the double layer of fabric entrapping his hand to your cunt – the lace scratches the knuckle on his thumb, the cotton of your shorts is a manacle on his wrist. But fuck if he cares about all that when your hips twitch to encourage his movements.

You look ruined. And he loves that – the effect he has on you, the fact that he’s the one to have you like this.

He moves his finger in slow, long strokes. He doesn’t do it to torture you, no. He observes, because for once his constant vigilance is not only useful to quell his paranoia, but also to feed your desires. He tests movements, tries different spots, looking for that one within your walls that will make you scream.

And he finds it, then – to his utmost delight. Here you are: your breathy moans, soft and honeyed, turn into a stuttering and almost pained "Oh." And he knows he has you under his thumb, all perfect and yearning, unraveling with just one of his fingers. He’s looking straight at your face, not wanting to miss a single twitch of an eyebrow. Your pretty lips are all slick with your spit and they part to release the sweetest sounds he’s ever heard.

His strokes intensify, drawing back as much as he can with the limited movements he has, only to push in and hit ever so slightly that rougher patch of nerves he’s located. He doesn’t want to make you squirm, but he has something tickling his brain – questions. Or better, one question.

He places his thumb over your pearl, unsheathing it from the fleshy hood with a glide. He drinks the way it makes your breath hitch and stutter in sudden hypersensitivity. He rolls his pad tentatively, only to see you grit your teeth and groan – muscles and sinews all tensed up in your neck. It's like molten lava in your belly. It's syrupy hot and gushes out of you in long, sticky droplets that pool on his finger, down to the knuckle.

“D’you think you’ll need to go on that date on Friday?” he rasps and rolls his thumb again.

His question doesn't seem to make you falter; your hips are unrelenting in their chase for release, as you push against his hand, grinding like your life depends on it. However, he can tell that it irked you. That blissed-out look pinches in frustration.

You're breathless, on a feverish hunt for that taste of heaven his finger’s promising, and Simon has the gall to bring up another man? One he's been mocking for the past half hour? He's surprised by himself as well.

You whine. "Does this look like the bloody time?"

“No,” he concedes, sounding a little patronizing.

He has the upper hand, quite literally, and to give you a friendly reminder of the power he holds, he slides another finger in.

You're absolute putty in his hands now. Your fingers grip at the sofa, your cheeks all flushed and warm. Your back arches, and he knows he just gave you that fullness you've been chasing. The sensation that causes the right amount of pleasure and pain of the stretch. He’s knuckle deep inside of you, his fingers trapped by your velvety walls as he strokes harder, lingering a little longer where you like it, but not faster. He keeps that steady pace that takes your breath away, not forgetting to lavish your clit with attention, and leaves you with just enough air for you to free those clipped and breathless moans.

He’s shameless as his other hand clamps your shin on his lap and pushes it down onto the painful tent on his jeans. He shifts his hip upwards to grind against your calf and hisses when it causes the zipper to graze his cock.

“Gonna cancel it, then?”

It’s bliss. You look like an angel.

"Yeah," you breathe out, a little incoherent. "Cancel it, 'course."

Your voice is more of an unintelligible mumble than anything else – two fingers in and his thumb on your nub drawing idle circles. Perfect pressure. Perfect fit.

He’s never seen you look this beautiful, all abandoned and relaxed, with your big brain he loves so much shut off completely. Synapses only working to generate a wish for release, so sweet and simple, and nothing else. And who is he to deny such a plain request, you sweet thing.

Simon would give you the moon if you asked.

He’s powerless in your presence, undecided if to focus on your face, or to stare at your hardened nipples. They brush against the black training t-shirt he once owned – right below the two crossing swords painted under the royal crown. It should be blasphemous. Should be bloody illegal to sully the name of the monarchy that way.

That is, if he gave a fuck about it. And even if he did, he’d see no wrong in it – because what can you taint when you’re the purest thing he’s ever touched.

Your hips move in tandem with his fingers, your face scrunched in that desperate look of someone who has a piece of heaven just out of reach. He watches you as you fall apart under his fingers and keeps your leg down so he can grind against it. If the situation were different, he’d feel like a wild animal in that regard, but there isn’t a spot on you he doesn’t wish to worship.

Especially now, when you look like this. With your hair sticking to your forehead and loose locks escaping your low bun.

He can’t take his eyes away from you – you have him absolutely entranced.

“s too much.” He hears you whine amongst the mist in his brain

“It ain’t.” He manages to grunt as if it's an order.

And you’re a little insubordinate, because you try and squirm away. But your shorts are his shackles as much as they’re yours – they fasten his hand to your cunt, while locking you against his unwavering fingers.

“Simon,” your voice is so wrecked when you beg. “Please - fuck.”

And how he finds the strength to snark is beyond him. His voice is thick and heavy. “’m tryin’.”

He drags his fingers deep down where yours can’t reach, where he’s found that patch of nerves that reduces you into a puddle of yourself. His thumb on your clit is steadfast, rubbing just above the hood where you’re not as sensitive, only to drag down again and make you see stars.

And the way that string of “Yes” leaves your lips, in that euphoric wheeze that tugs at the corners of your lips, makes his cock ache to be anywhere but in the confines of his jeans.

Your eyes are all glossy when you prop yourself on your elbows to fuel his resolve. Petal lips red and shiny, catching your teeth in an attempt to muffle your moans – bone-deep ingrained insecurity you can’t seem to get rid of. He doesn’t force you, though – he wants to hear you, sure, but most of all he wants to see you crumble to shreds. And if hiding your voice is what you need, then feel free to be his bloody guest.

Your hips stutter and your belly ripples under his large tee draped over it, and he’d recognize those signs anywhere.

“Cum f’ me,” he orders. “C’mon, love. Give it to me.”

It takes a few more pumps of his fingers, and Simon feels it before he sees it. You clench around his fingers in rippling waves, thrumming rhythmically. Your cunt deliciously threatens to cut them off just above the knuckle.

And fuck, aren’t you a goddamn sight.

Simon thinks it's almost cathartic to simply watch you. How your head tilts back to hit the armrest of the sofa, the way your toes curl in his lap and your foot on the floor rigidly lifts. The sway of your hips as they undulate to meet his thrusts and the liberating groan that leaves your lips, touching the sky with your fingers.

He unconsciously guides you through it, but truthfully, he has absolutely no idea what to do with himself – not with you looking straight out of one of his most unhinged dreams. His fingers slow down but keep moving relentlessly.

However, it would be a lie for him to say he knows what he’s doing.

You come down from it and your eyes are blinky and unfocused, staring at the ceiling. Your body deflates on the couch, limp and sated. Syrupy and warm. With your chest free to move now that the heavy weight on it has finally been lifted. He allows you this moment of privacy as you recollect yourself, although he truly wants you to look back at him again. He doesn’t want to miss a beat of this, yet he sort of understands.

Your breath comes out in puffs. He’s not faring any better on that note.

"Simon," you breathe, his name exquisite from your lips. "Christ."

He’s gawking. Watching your face for a moment more, he meets your eyes as they flick back to him down the slope of your nose.

Thumb still on your clit, the movements are gentler and featherlight. His voice is hoarse and rough as he speaks. “Alrigh’?”

You chuckle, breathless and a little nervous now that the appetite has been sated – much more self-aware than before.

His fingers are still inside of you and you’re already overthinking this. He knows it. He just hopes, deep down, that you’re not regretting it – because he sure as hell isn’t.

"Peachy.” Is your reply.

Oh, how the tables have turned. Joke’s on him, he’s fed you enough sarcasm for you to start throwing it back at him. Simon feels too weak to even smirk. However, his eyes do narrow, in a similar manner to how yours would at his snarky comebacks.

He gently slides his fingers out of you, mindful of your current sensitivity. He brings the hand up, seeing the gleam of your slick shamelessly coating their lengths down to the knuckles.

“Fuckin’ look at that.” He murmurs, unable to discern whether he’s talking to you or to himself, “Messy girl.”

He thumbs his middle finger and rolls the juice between the pads, thinking; tongue out to lick his lips like the voracious beast he is.

Simon reaches over and brings his hand towards your mouth. A jerky nod of his jaw, “Open.”

He knows he’s already crossed a line the two of you never even dared to toe before. And if he’s going to lose you after this, if you’re going to turn your back on him and leave the flat (leave his life) then he’s going to make the most of it.

Your brows are pinched in sudden uncertainty. A contradicting spectacle, if mixed with the way your chest is still heaving and how your cunt is still wet.

But tonight, you seem eager to catch him off guard, because you oblige. Your lips part and you offer your tongue, never breaking eye contact.

Each time he thinks you can’t look more beautiful you prove him fucking wrong.

He hums lowly in approval, and there’s something dark in that sound. He gently runs his fingers across your tongue, coating it with your taste. Fingertips slide and follow its curve. He stares at you with such an intensity, like he could consume you if he had a mind to. You devour him first, wrapping your lips around his knuckles.

When your tongue delves around his fore and middle fingers, he has to close his eyes. He has to roll his head, releasing the tension in his jaw. He has to, or he’ll cum in his goddamn jeans. The sharp inhale he takes almost burns his nostrils; his sigh heavy and anguished when his lips surrender to it.

“How d’you taste, dove?” he asks, blinking his eyes open.

The way his voice rasps out that pet name, rough like sandpaper, makes a shiver run down your neck. He sees it, the tremor of your shoulders, the goosebumps on your arms.

Simon reluctantly pulls his fingers away only so you can answer. His wasn’t a rhetorical question, and by that blush on your cheeks and the embarrassed hint of a smile on your face, you’ve guessed it already.

"Not as sweet as I thought."

His lips twitch.

“No?” he asks, his voice much too broken for his liking. He brings those same fingers to his mouth and sucks, tasting your spit and your cum. A low rumble of a chuckle escapes him – must be a blue moon tonight. “I think you taste pretty sweet.”

This can go two ways: a fairy tale ending, like those romcoms you like to watch, or an absolutely dreadful one – in which you leave. And truly, Simon doesn’t believe in a higher power; God has abandoned him more times than he cares to count. However, he hopes that whoever’s up there realizes that he's owed big time for all the crap he’s been put through.

And he asks for nothing, but you.

His face is hot, and he gathers his cheeks might be a little pink. The rare sight must give you some comfort, the fact that he’s just as overwhelmed as you are, because he feels your leg relax in his lap.

You purse your lips to hide a bashful smile - as if you have any right to be coy right now. "Flatterer."

He hums, seemingly wanting to bite back at you but unable to find the spirit for it. His eyes rake over your body, from your flushed face to your chest covered by his tee, until they land on your quivering thighs, still splayed open for him.

For him.

His hand travels up your leg, following the same route that has led to this. When his palm finally cups your hip, his fingers curl at the waistband of your shorts and tug.

“C’mere.”

You do.

He sees you bend your knees and shift on the sofa so you can crawl to him on shaky legs. As the gentleman he never thought he’d be, he helps you swing your thigh over his own and deposits you in his lap with your knees on either side of his hips.

Afraid you might say something hinting at regret, he selfishly grabs your jaw and pulls you down, finally tasting you the way he’s always wanted. His lips mold with yours, and they’re so soft he has no business claiming them as his own. His fingers tilt your head so he can deepen the kiss, and only when he sees your eyes flutter closed through the slit of his eyelids, he allows himself to surrender to you.

Your lips peck the thin scar on his cupid’s bow, but before you can run away from him (as you should), he captures you once more. He never wants to let you go, so his tongue slides across the seam of your mouth, and you, so pliantly, oblige him.

Your hands are resting on his shoulders when the kiss starts tentatively, while his slender fingers follow the curve of your waist.

But then your nails dig at the fabric of his t-shirt, as if eager to rip it, and his palms journey to your rear. He grips at the flesh through your shorts, before shoving out of the way their distressed hem and directly groping the plump meat of your ass.

The two of you never part. If anything, everything gets more heated.

He doesn’t recall when it is exactly that you start grinding your hips, nor does he remember when his shirt was removed – whether you did it, or if he’s taken the matter into his own hands.

However, he does snap out of it when he feels your palms leave his shoulders to grasp at the hem of your tee. While he wants to feel his skin on yours as much as you do, what’s separating your chest from his is not a mere layer of cotton.

He pulls away and – to his pleasure – he sees you lean in to have more. His hand lands on yours, stopping you.

“No.”

He sees you blink, dazed. A myriad of emotions travel through that pinched expression you wear, thinking like usual that you’ve done something wrong.

He quells your fears in seconds, when his other palm skims over your arm. It journeys unhurriedly, leaving gooseflesh in its wake, until it lands at the base of your throat. His thumb brushes over its column, forcing your neck to tilt backwards and your back to arch, presenting your chest.

Simon models you like clay under his warm fingers, and he takes his time to drink you in and sculpt you as he wishes. Because you seem so docile now that his intents are less covert, clearer.

He brings his mouth to your throat, and his nose scrunches when he presses it against your neck, keeping you still with one thick arm around your waist. With sluggish movements, he tastes the salt of your skin and the tang left by your perfume.

Simon pulls back only to run his tongue from the hollow between your collarbones up to your jaw, feeling right under the muscle how your throat bobs when your breath lodges in between. He curves his head and digs his teeth into the plumper flesh on the side of your neck, enough to get a taste but not enough (never enough) to cause pain.

“Keep the shirt on.” He breathes against your skin, “I wanna fuck my name into you.”

And he does just that.

It’s effortless how he lifts you in his arms, guiding your ankles to lock at his tailbone. Clothes, both yours and his, freckle the floors in a trail that leads to his bedroom. He’s famished; there isn’t a single surface along the path he follows where he hasn’t placed you – if only to savor every piece of you for a little longer.

Until he has you on that bed, the one he should’ve gotten only for a few weeks and instead became his own alcove.

You look wonderful on it.

But you’re even more gorgeous when he sits at the edge of the mattress, facing the full-length mirror in his room, and places you on his thighs to straddle his lap – your back facing the reflection.

He runs his hands over your chest, riding up the t-shirt to your neck only so he can feast on your tits. Grabbing greedy handfuls of fat and muttering unintelligible praises when his mouth all but devours every inch – sucking on your puffy nipples and grazing his teeth around each peak.

Another if is answered by the whimper that escapes your kiss-bitten lips.

You look like an angel, when your soft hand goes to grab the base of his cock and, without much ceremony, you guide it inside of you – sinking on it easy and slow.

You feel like heaven, too, impaled on him. Perfect fit, always made for him, and him only.

Simon’s not sure what he did to deserve you, now riding his cock like you’d been deprived of it your whole life. Unbridled, free. You moan and groan without a care in the world, the hesitation he saw before vanished into thin air – and oh, he couldn’t be more grateful for it.

His hands curl at the hem of your (his, his, his) shirt, lifting it up slightly at your waist, only so he can see in the reflection how your ass slaps against his thighs each time you drop. Or, how your glutes clench when instead of trying to pleasure him, you please yourself – rolling your hips to grind your clit against his happy trail.

Simon’s hands leave the shirt only to grab more of you, kneading at your hips to guide your cunt down his cock until he has you filled to the brim. Your eyes roll back, breath stuck in that pretty throat of yours. He bites at it - laps at the skin like a starved dog.

Simon shattered his chains the moment you came undone on his fingers, and now he knows no restraint – not when he has you like this.

“Look at you,” he growls, slapping your ass only to watch how the fat ripples in recoil in your mirror image.

He grabs the back of your neck and tilts your head downwards. Your foreheads touch as he guides your eyes to look at where your bodies join. The foamy ring at the base of his cock, how the folds of your vulva hug around his shaft and tip at your unhooded clit, all puffy and red.

He tugs at your mound with his thumb, stretching the flesh to expose more. With a deliberate roll of his hips, he makes a show of how effortlessly his cock slides into you, how your cunt greedily stretches to welcome him whole.

“Look at that.” His voice is equally as raspy as it’s enraptured. “Perfect.”

Using his hand on your nape, he angles your face to kiss you again. He thrusts into you only to have you part your lips in a stuttering moan, and he drinks it dry.

When you resume grinding your hips, he whispers in your open mouth, “Fuckin’ perfect.”

Simon sees how your thighs quiver under the strain of the effort, hamstrings taut and probably burning in the attempt to wrap around his hips. He won’t keep you like that for long, don’t worry. He’ll take good care of you, like he always has.

But now, he indulges in a selfish moment.

Spare seconds in which he watches your reflection bounce on him, and you’re too lost in the feeling to notice how his hooded eyes take in the view.

The profile of your face in the mirror (his little cherub), with your mouth parted and brushing against his temple as he nuzzles your shoulder through the fabric of the shirt. One hand ecloses his nape and your other palm is on his cheek, keeping his head close to your breathless lips. Your eyes are closed in bliss – lashes shy against your flushed cheekbones.

In the scantly lit room, the reflection in the mirror of you two is as dark as everything else, but the stark white writing on the back of your tee has never looked brighter. Your hair sways with your movements, and that RILEY that peeks through your locks has him impossibly enamored of you.

And you’re so smart, he thinks. So clever, because you know, even when your senses are clouded by euphoria and your eyes are closed. You know he’s never had a thing. You know that whatever he’s held, no matter for how long, has always slipped through his fingers before he could even get a taste of it.

“I’m yours,” you whisper in his ear.

And so, Simon surrenders. He’s at your mercy, you have his trust and whatever’s left of his heart – and he knows you won’t break either.

He helps you out of his t-shirt only to hold you bare against his chest. He brings you down with him, lavishes your skin with his palms and his lips. Nose buried in your hair, Simon breathes you in. The smell of sex and the smell of you and how it has him drunk when it whirlpools with his own – a new fragrance, one that burns itself into his brain with the threat (sweet promise) of never letting go.

Because he’s never had a thing, his name barely pertains to him anymore. But the moment he saw it on you, he finally realized where Simon Riley belongs.

#simon riley #simon ghost riley #simon riley x reader #simon ghost riley x reader #call of duty modern warfare #cod #cod mw2 #fanfic #archive of our own #ao3 #jealous simon riley #ghost x reader

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acoazlove · 3 months ago

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A New Place | part two

Azriel x Archeron!Reader

Summary: Months after a horrible birthday, you’re happy with new friends, but soon you’ll find out that you have to face your family once again.

Word count: 1.9k

Warnings: Angst, Fluff

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It’s been three months and they haven’t come to see you. Not a single one of them. So either they don’t care and haven’t looked for you, or they just can’t find you. However, that’s a stupid thought because they could send Azriel, he is the spymaster after all.

You have to keep telling yourself you don’t care because it's easier that way. Thinking about it for too long would cause you to spiral. One that you’re not sure you could get out of.

On the bright side of all of this, you’ve made friends with your coworkers, and know a few regulars by name.

Benny has been the most helpful through it all. Was there even when you were being stubborn and trying to pull away completely. Trying to isolate yourself so nothing and no one can hurt you again.

The first week after you had moved into the apartment above the bar—which isn’t nearly as bad as it sounds—she taught you how to pour drinks, what bottle is what on the shelf, how to clean glasses efficiently, but best of all, how to deal with all kinds of fae who decide to wander in. The worst of which were creepy males who couldn’t take no for an answer.

Benny kept your mind busy, doing anything and everything she could, giving you advice despite not asking for it. One of the most freeing feelings was no guilt when you went shopping for the first time since being on your own, now you don’t feel like you owe anyone when you spend a single dollar.

Your coworkers were the next best thing for getting your mind away from your family. Odessa—the black-haired female—is probably your favourite person other than Benny. She looked quite intimidating at first but once you got to know her she was a sweetheart—kind and funny. Quick to make you feel at home. She is also a busybody, not that you complain.

Speaking of Odessa, she’s standing in front of you, her hip leaning on the edge of the bar, animatedly moving her hands as she ranted about her latest experience with ‘irritating males’ as she so kindly put it.

“Gods, then he tried to buy me a drink even though I told him I wasn’t interested again.” Exasperated, she finishes her story with a scoff and an eye-roll. You purse your lips and lift your guilty gaze to meet hers, the female tilts her head at your expression, and her mouth drops open, “Were you not listening to me?” she exclaims.

You place the glass that you were drying down on the bar top. A heavy breath leaving you and an apologetic look on your face, “I was Dessa, I promise. I just got in my head.” Mumbling the last part. A playful glare graces her features, and then a smile tugs at the corner of her lips, “You're lucky you’re good at your job. Otherwise, I wouldn’t be so nice.” A snort escapes you at that.

Just as you were about to retort, a hand harshly claps your shoulder, “She is good at her job, but she won’t be if she keeps getting distracted by you. Now go on.” The deep voice shoos her away. Frowning in return, she grabs a tray of drinks and stalks off with a crude gesture thrown over her shoulder at him.

You turn to see scruffy brown hair and tanned skin—Dominic. who is the biggest and most intimidating male you’ve ever seen, also an older male, with faint lines on his scowling face. He still won't tell you how old he is. You'd have to guess he's older than the males in the inner circle.

He raises his eyebrows at you. Flushing slightly upon realising that he must have asked you a question, while you were lost in thought. Again.

A sharp exhale passes through his lips, waving a hand in exasperation, “Can you please go check on the boys in the back? They're taking far too long to just bring out a couple of crates of booze.” With a curt nod, you turn and head into the kitchen.

Scanning the room, you find the two males you were sent to find. Oberon and Tarian, chatting away while seated in the corner. You arch a brow at the sight, arms crossing over your chest. The huff you let out pulls their attention to you, a friendly smile from Tarian and a feline smirk from Oberon sent your way.

“Dominic wants to know what’s taking you so long to get the new crates of liquor.” Grimaces shift their expressions. They share a look before turning back to you. Oberon's cropped blonde hair falls across his forehead at the movement, blue eyes meeting your own. Lips pulled into his previous smirk. “Wasn't Adem supposed to help?”

An incredulous look twists your features. “Just do it.” You grumble before turning to leave. “y/n.” Tarian’s raspy voice grabs your attention. Pale skin glimmering in the soft lights, “Cover for us?” mousy-coloured curls bouncing slightly with a tilt of his head. Grey eyes glittered with mischief.

You scoff before you exit the kitchen. “No. I got in trouble last time.” snickers are heard from behind you at that, though you do hear bottles clink together, indicating they had finally decided to do their job.

Blue hair flashes across your vision, Benny stepping into your path. “Break time.” voice with a singsong tone. Just as you're about to argue that you had your last one not too long ago, she cuts in. “Your last break was about five hours ago.” her arms folded over her chest.

Eyes widening before giving her a small defeated nod, you follow her to the bar's entrance, passing Adem on the way. The red-haired male gives you a smile, which you return as you pass through the door.

─

The inner circle has been miserable, sulking over every word you had yelled at them. Truly realising their own mistakes soon after the door had slammed closed behind them. Not going to look for you, with the excuse of wanting to give you space. Three months of space isn’t enough it seems.

Azriel immediately sent a few shadows after you to make sure you’d be okay. Well as okay as one could be after a horrific birthday. Those same shadows hadn’t left your side since. You haven’t noticed them yet, but it was only a matter of time before you did. Swirling dark tendrils aren’t exactly the most discrete thing when one is walking in broad daylight.

He had felt horrible that he hadn’t said anything when you looked at him that night. He just couldn’t bring himself to say that he was the only one who didn’t forget your day. Or the fact he had gotten you a present and hadn’t given it to you. The day after you left, he had given the present to Benny to give to you, which she did, but fulfilled his wish to not say it was from him. Already Feeling bad enough for not giving you it himself.

Walking down the cobbled streets of Valaris was something he and his brothers had done for years, though since Rhys had been crowned high lord, it was rare for them to get that time. The three of them looking for a place to maybe have lunch, or just sit and have a nice chat. Any excuse to spend just a couple more hours together. Their mates had sent them off so they could have a ‘girls’ day’ at home, which is most likely a cover to plan how to make it up to you.

A pointy elbow jabs Azriel in the ribs, pulling him out of his thoughts with a pained grunt. Glaring up at his brother, Cassian only replies with a snort. “What was that for?” Azriel grits out, hand rubbing his side.

“You’re brooding. No brooding on boys’ day.” At his words, a chuckle escapes from Rhysand who’s on Cassian’s otherside.

“I am not brooding.” Azriel grumbles. “Fine then, moping.” Cassian’s words have that same teasing tone as when they’re sparring, trying to rile him up as much as possible

Opening his mouth to growl out a retort, shining blue hair flashes from across the street at a Cafe, catching Cass’ attention. “Benny!” His booming voice yells towards her.

Head snapping in the direction that her name came from. a beaming smile stretching across her features seeing the three boys.

Before Rhys or Az can pull him back, Cassians already bounding over to her, pulling her into a hug before she could take a seat at her table. A laugh bubbles from her chest, hugging him back.

Joining them, Rhys grins at her, And Azriel gives her a nod of acknowledgement. “Long time no see. How’ve you boys been?” her smile still clear in her voice.

“We’ve been great, how about you? Are you having a late lunch all by yourself?” Rhysand’s voice has his usual charming lilt to it.

“I’ve been good too. Not alone, my friend is in the bathroom.” Azriel’s attention is pulled towards the bathroom door as if he could tell who her friend was from where he is standing. “Haven't seen you all in nearly a century. Busy with mates now I assume.” more a question than a statement.

“Yup,” Cassian enthusiastically pops the ‘p’ “you need to meet them, you’ll love them.” A loud, over exaggerated gasp gets pulled from him. “We should all go to your bar for dinner and drinks.” Beaming, likes it’s his best idea he’s ever had.

Benny’s own smile grows in response. “I'd love that. I’ll even reserve your old favourite table. Though I might have to pull two together considering how much your family’s grown.

a bark of excited laughter is pulled from Cassian. Rhys pulls him away before he can distract her from her lunch any more than he already has. “Sounds like a plan. Let’s leave you to it, and we’ll see you in a couple days?”

“I’ll save a couple tables for you.” She embraces each of them, before pulling away and waving them off, to finally sit down.

They depart with smiles and waves, then head off to find a place for them to have their lunch. Azriel can’t help but look over his shoulder hoping to catch a glimpse of who she’s with. Before they round a corner and are out of sight, he sees exactly who it is. You.

─

You exit the toilet and make your way over to the table Benny had chosen outside. The food and coffee you had picked now waiting for you.

As you pull your chair out, she turns her gaze back to you, a grin gracing her cerulean features. Deciding to ignore the mischievous undertones of that look, you pick up the pastry sitting in front of you and take a bite.

“We're going to be busy in a couple of days. A couple tables have been booked.” She speaks as if it’s an afterthought.

Your brows pull together at her words. “Since when did we reserve tables?” you inquire, never having heard that was a possibility for the bar. “We don't. They’re just special guests.” her voice light as she picks up her coffee, signalling that she won’t be answering any more questions.

Glancing in the direction that held her attention previously, you find nothing. whoever it was must’ve been important for Benny to change her usual routine with the bar. choosing not to dwell on it for too long, you turn back to the female in front of you, to enjoy your lunch.

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a/n: There might be some spelling mistakes. I’m sorry for taking so long to post this, and i know this isn’t exactly the part two you guys wanted, but the story needs to be built up just a little bit. I promise the next part won’t take as long, and there will absolutely be more interactions with the inner circle. Thank you for your patience, I have had low energy because I’ve been quite sick, and haven’t been able to get this to a place where I want to post it. I hope you liked it anyway. <3

#azriel x reader #azriel x y/n #azriel x you #azriel x reader angst #azriel angst #azriel #azriel shadowsinger #azriel spymaster #azriel acotar #acotar x reader #acotar #a new place #a new place series

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room-surprise · 5 months ago

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

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