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confessedlyfannish · 8 months ago

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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ssruis · 6 months ago

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My personal take on the tsukasa + toya dynamic is that like. Tsukasa helped toya a lot by giving him the familial warmth & unwavering support that he was not getting from his own family & encouraged toya to do what HE wanted to do with his own life instead of following what his dad wanted when he didn’t enjoy it, as well as kinda being toya’s only source of normalcy and activities outside of the piano as a kid. It’s not a stretch to say that Tsukasa changed Toya’s life for the better (causing him to meet Akito, discover what he’s actually passionate about, meet VBS, actually communicate with and stand up to his dad) and saved him from a future he would hate, it’s literally stated by Toya. Multiple times. & tsukasa still continues to be a huge supporter of toya and does his best to care for him. This stuff is made obvious over and over again -

(Tsukasa’s Kamiyama festival card story)

(Kamiyama festival)

- but toya also helped tsukasa a lot when they were kids too, even if it’s a bit less obvious (only stated outright in one card story iirc). Toya mentions not actually seeing Saki a lot when he was younger, as she was in and out of the hospital

(NGUC)

So it was typically just him and Tsukasa. Tsukasa’s entire dream in life was sparked by seeing how happy a play made saki, and his strange (said fondly) personality in the present day is because he was constantly trying to make her happy with shows/acting when they were kids. Realized it cheered saki up when he put on the Future World Star personality -> constantly acting/emulating the actors he saw on stage or on tv to make saki (and later toya) happy at a formative age -> it gets baked into his personality -> now it’s not even an act it’s just how he is. It’s incurable. (Not a bad thing, just something that explains why he’s such a freak)

A large part of tsukasa’s identity is also being a big brother, which is made really difficult when you’re separated from your little sister constantly, she’s often suffering and miserable, and there’s nothing you can do to help her. As he mentions frequently, her happiness is a priority for him (sorry you’re gonna have to trust me on that one if you for some reason doubt that. Image limit. You understand. One example of many is in one of Saki’s birthday cards.)

And as hard as it was for Tsukasa to be powerless in that situation, it was way harder for Saki, because she was the one in pain/seriously ill/hospitalized throughout a large portion of her childhood. She mentions that she forced herself not to cry in front Tsukasa as a kid so he wouldn’t be upset (doll festival), and while it was happy tears in that situation it’s a safe bet that she tried to do it with any negative emotions too - but she was also suffering & acting happy all the time in that situation would be impossible for an adult, let alone a small child.

(Toya’s doll festival card story)

Tsukasa couldn’t help Saki, but he could help Toya, and through that he was able to help himself/feel a little better. He could cheer Saki up, but that was about the extent of what he could do - he couldn’t stay in the hospital with her or ease her pain or take away her illness. Toya needed a friend/older brother figure/escape from his dad, which Tsukasa actually could provide. I feel like there was definitely some transference there where Tsukasa (unconsciously) just took all the big brotherisms he couldn’t do with Saki and redirected them towards Toya. Which, again, isn’t a bad thing, because he *was* helping toya through this, they formed a genuine strong bond, and it helped him deal with his emotions. + saki got a bonus brother to play with when she was home.

I think people want to water their relationship down to just “haha tsukasa adopts people as his siblings” which isn’t even true* and ignores the very specific set of circumstances that led to Tsukasa considering Toya his younger brother, and the circumstances that led to Toya seeing Tsukasa as an older brother figure, as well as the fact that they’ve known each other for like a decade at this point AND the fact that their parents are close friends.

Their relationship is so strong because it is built off of them both helping each other, not because Tsukasa randomly saw a sad kid and went “you’re my brother now.” Which is also why I’m not a fan of [x random character] is a tenma.** Plus, does saki’s relationship with that character not also matter? Toya’s relationship with Saki is a pretty big part of why he’s considered a part of the family***, even if he’s not as close to her as he is to tsukasa.

*In Tsukasa’s head a star is a good big brother and given that both of those things are deeply entrenched in his personality, he mother hens his friends & does his best to act like a responsible and reliable person towards everyone. As I’ve mentioned before, Wxs KAITO is a reflection of Tsukasa’s ideal self (reliable big brother/leader figure) - nobody says KAITO is adopting siblings left and right (wrt the other vocaloids/wxs). Notably, irrc, wxs KAITO & normal KAITO both desire to be seen as a reliable big brother figure by others, but as a general thing and not a “this guy is literally my brother” thing. Tsukasa is the same situation. He likes to provide a good example for his juniors because that’s what he believes a star should do, which is also why he gets so irritated about Rui “tarnishing his reputation” whenever they get in trouble, and what prompted him to join the disciplinary committee in his third year after hearing underclassmen be like wow the 1-2 oddball finish are so wacky & crazy. Acting like a big brother =/= literally adopting people as siblings.

** you do you though if you enjoy those head canons more power to you. It’s just not my thing (known canon purist).

*** give me like 10 minutes I have stuff to say about that as well that will have to go in a reblog. Image limit strikes again.

#mine #project sekai #tsukasa #toya #analysis #me when I’m sane and normal #today I bring you a toya + tsukasa analysis that’s actually a tsukasa analysis wearing a toya hat. sorry toya.#the card story I hadn’t read before starting this post was toya’s doll festival card #do u know how joyous it is to base an analysis off a few lines & then find evidence that #explicitly confirms your argument. it’s great. not as great as actually remembering to read all the card stories. but pretty great.#+ that card story owes me money for the lines about saki crying asking her family not to leave #why would you hurt me like that colopale. evil evil evil.#also sorry for fandom wiki screenshots don’t use fandom wiki use sekai.best #unfortunately the fandom wiki has a really good system that makes it easier for me to find specific dialogue.

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