#how to be helpful when things go on that you've no experience with & don't know what to do for & it's shameful that you're not in mom club?

[postcardsfromheapside]

I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.

I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.

One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.

I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.

As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.

You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.

One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."

You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.

When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.

As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.

I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.

As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.

Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.

It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.

(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)

Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.

[inbabylontheywept]

Hi there! I just read through a few of your long form posts -- the one about the boss and the glue traps and the lizards, the one about the friend and the radishes and the cop, and the one about the breakup and the car and the neighbor's car and your dad -- and I'm just really blown away by your writing. And I'm just curious, are they actual experiences or are they fiction? They read like actual experiences, and the writing is so naturalistic and...idk, low key sweet, stream of consciousness without the major sidetracking that often happens in stream of consciousness writing and also more...more poetical in a way, I guess. I don't know. Are you published or wanting to? I mean I couldn't help with that or anything but if you've got a book out I'd love to read it.

Patrick McManus was kind of THE legendary writer to my family. When my dad was a kid, he'd sit on the porch the door that the monthly copy of Outdoor Life was going to arrive, and as soon as he got it, he'd run in with it and take it to his dad, who would gather all his kids around and read the stories out loud.

My dad loved it because his dad would make a whole performance out of the readings: He'd do voices, pantomimes, dramatic sound effects, the works. The stories are amazing, but the out-of-character behavior from his dad was half the selling point. Grandpa Hank was, to his core, a good man. But he was gruff, and socially, pretty stiff, and he didn't often show emotion. I think my dad said he saw him tear up one time growing up, and it was when he got dropped off at the MTC. My mom was married to my dad for three years before Grandpa Hank was comfortable enough to sit down in their house, and he liked her. That's just how he was.

(You just praised me for not getting sidetracked, but I'm letting myself wander down those memories a bit. He died last year. I miss him terribly.)

Anyway: Those stories were how I first started learning how to spin a yarn. I got older and I got more influence than just cowboys and Westerns, but the soul of my style is still just The American Tall Tale.

Which is to say that they're not outright fabrications. When I say that I cut all the worms up in my backyard and had a panic attack and hid in a tree until my mom got me, that happened. But I only remember the vaguest outlines of the words that were said. When there's a line in that story about my mom telling me that she's sure the worms will forgive me because they got six hearts to love and no bones to pick, that's not how she talks. That's how I talk.

Other stories, they're far less fuzzy than that, but I can still point out things I don't know. Wrestling story was from middle school, and a lot of those "crisp details" are just me painting by vibe. I've had some people that did wrestling through highschool point out things like refs not actually counting to three, or how double-legs are not actually super effective for tall wrestlers. I don't actually know how much the woman I wrestled weighed, nor do I remember how much I weighed, except that I was more than two weight classes smaller than her. Car incident, I got broke up with, went to her parents door, waited on the lawn, and was given some olives to go with a wireless phone. But exact wording of a lot of the people involved fails me. As a rule, the weirder an event is, the more likely I am to be distinctly remembering it and not just filling in the background. Except for dialogue, which often turns out weird because when I have to make up things for other characters to say, it carries too much of my own speaking style in it, and that's always been weird.

There are even points where things do come right off the rails. In the stories about J post, J himself became a sort of mythic figure after he moved, and lot of the stories about him, I don't even know I'm remembering them first hand or second hand from a story someone else shared with me.

I know it would be easier to just go, yeah, they're true, or no, they're not, but I did a weird thing and mixed them up and now even I'm a little confused.

Regarding publishing: I'm not published, and the thought of trying to get published scares the shit out of me. I

I don't know. If anyone has advice, I'd be interested.

[oh-no-its-bird]

Don't know if you've mentioned it and I've just missed it, if I have feel free to ignore this, but if not I wanted to ask: Since the Hatake clan has so few children and the ones that does exist and children overall are very much treasured, what was the WS era Hatake's view on sending children into war at a very young age? Do you HC that they do it just the same as other clans and it contributed to the dwindling number? Or did they do things differently?

OHHH THIS IS SUCH A GOOD QUESTION ACTUALLY ?? OK SO

I hc that obv, warring states era, pretty much all the clans are starting out teaching their kids a lot younger than in modern times. (Though there are some exceptions in modern w some clan kids, who gets the same education that they're clans have been giving for hundreds of years)

Now, modern village-era has a lot more to teach with stuff like techniques and jutsu, (with there having been a big boom not only in the invention of new jutsu when Konoha was founded but also in the sharing of them between clans + making them standard) but warring states held them to a much higher standard with the basics they were given

So a 13 year old from modern konoha may know a few more tricks and techniques than a 13 year old from the warring states— but the warring states kid is probably going to be at a higher standard of skill. Not just bc they had less to learn and was thus trained on their basics over and over again, but also bc the states were harder on their kids bc like. They faced constant danger from literally every single direction at all times.

The village may have industrialized the child soldier buisness but it did help some. It provided a place where they didn't have to begin training till they were older (unless family interfered ofc) where they could act as children without fear of eandering too far and getting caught by bloodline thieves or rival clans, where there was time and space for them to fail at being a "good shinobi" and hopefully learn to be better

The warring states did not have any of that.

Anyways with that said! I think different clans have different standards of at what age their kids are adults now and what age are they properly battle ready.

The consensus tho is usually about ~15/16 for them being an adult (though that's still in air quotes)

You'll notice that clans who have less conflicts/are in more secure positions, have higher standards for adulthood. Like Uzushio, who considers their kids to be adults at 17.

Similarly, clans have different standards for when their kids are battlefield ready! There's a big divide also between the children of the clan head and the other children of the clan— ofc the clan heads children will probably be considered battle ready much earlier than others might just bc the clan head wants to make sure their children really get that experience.

You don't not have to be an adult to be battle ready, and many children are given missions with older clan escorts to guide them. If a child can prove their skill, they'll possibly be given their own solo missions, but ofc the type of mission is considered.

There's also probably a big difference in clans like the senju (not at risk to bloodlime theieves bc of how rare the mokuton is) and the Uchiha (very fucking at risk) treat sending out their children on missions!

So like, a senju kid might get an easy, solo courier missiom after proving their skill

But there's no way in hell the Uchiha would send out a child of the same skill and age on a solo mission of any kind

SO. ANYWAYS. THE HATAKE.

Like you said, I hc that they're a very small clan, and have problems both with fertility and also in safely giving birth. Even if they do get pregnant, there's a lot of miscarriages, c sections, and the mother dying in birth. It's very unfortunate, and because of it they treasure their children greatly

Which means ofc that their views on kids are a bit different than other clans!

Now, they are still a shinobi clan in the middle of the warring states era.

They do however have an extra bonus of being based in Iron— which actually has very few other shinobi clans, and whos millitary is mostly made up of samurai. So they have no real worries about neighboring clans attacking.

They don't even really have any direct enemies among the clans? And they have a terrifying reputation, some earned and some pure rumor, so most who know of them hear their name and immediatley turn around to book it the other way.

Which is to say: it's a bit safer for them to venture out and about than other clans, like the Uchiha.

So anyways:

When a Hatake is around 14-16, they'll lead their first hunt and have the option of gaining their 'stripes'. Red tattoos painted onto their face by the clans spiritual leader (Tobirama, when visiting his mother's clan in the past, got his tattoos here)

Once they have stripes, they are technically considered an adult— but there are ofc stages of it and they tend to not be really seen as an adult adult till about 18

The Hatake's are a self sustaining tribe and only take missions if they need the coin or it interests them. And when they do, the missions tend to be either bloody or something along the lines of "please come stand next to me and look menacing xoxo thx"

They arent to take any missions, solo or otherwise, till they've lead their first hunt. There are occasional exceptions: if the kid begs hard enough/ if the missiom looks simple and easy enough/if the missiom actually requires someone around that age/and ofc it's never solo— but in general before they lead a hunt, they pretty much never ever leave the home of their woods.

Its very boring and does lead to lots of pent up energy and begging of PLEASE PLEASE PLEASE LET ME GO ON A MISSION PLEASE JUST ONE JUST ONE SINGLE MISSION ILL EVEN DELIVER MAIL IF I HAVE TO PLEASE PLEASE PLEASE

Even once they've got their stripes, it usually takes them a bit to get their first solo mission— both bc of over protection and also bc Haruka, the clan head, is a bitch and thinks it's funny to see them cry about it.

And ofc, the clan head is the one who has final say in who gets what mission. Tho in general the matter is usually dealt with by her heir— she can just butt in at any time

SO. THEIR OPINION ON OTHER CLANS.

The kids themselves burn with jealousy with the knowledge that their peers got to see battlefields when they were 12 or whatever

The adults find it mildly distasteful, but again, they are shinobi clans in the middle of the warring states era (and also a shinobi clan with a well deserved reputation for being fucking maniacs who would tear the world apart for their family)

So they're ultimately typically kind of "damn that's crazy. I would never." (Judgmental side eye and quick retort towards their own child to not get any ideas)

I think it's hard to say specifically bc its a balance of them valuing children and all but also like. Shinobi. Yk. They are a culture built on the backs of blood and bone

There's also an interesting prospect of how coming to the village changed this— or would have, in the short years the Hatake had their before they got wiped the fuck out

Ofc, using my own ocs here, when they come to Konoha there's only one real kid left, Ichigo at ~10, and there's a few years of busy work with Konoha getting set up and all sorts of shiny new things and people to distract her before it becomes smthn she remembers to beg for again

Sakumo would be born a couple years later, and his clan would die before it became a relevant enough topic to really discuss

BUT YEAH THATS MY TAKE ON WARRING STATES CHILDREN CULTURE N STUFF THANK U FOR UR ASK

[runes-menagerie]

"I know. We don't know how long it's been since this body last ate anything. Probably a while given her state." Sky replied with a small smile, grateful for his help. She knew she would have to get used tot he way this body saw but that was a task for later. Right now she just wanted to get used to having a body again in general.

His touch was helping and she leaned into his hands any time he touched her. It helped her to focus on the sensations of her body, rather than slipping back to the Arcane. That was another thing to work on as well but not now. For now she leaned against him once more while taking small bite of her bread.

"Thank you My Inspiration." She replied, content just to cuddle with him and eat while listening to him ramble. Although his line of thinking did worry her some. She didn't think he'd try to replicate what happened to her but just as he'd wanted to take a chance with this body, she wasn't sure he wouldn't take a chance if it was presented to him.

"I... I don't think I'm exactly human anymore. The Hexcore... changed me when I died. I can't really explain it but interacting with those you've Healed, I can feel a difference." Sky corrected softly. It was the truth but also she hoped that it might be enough to make him reconsider pursuing this line of experiments. She was relieved when he seemed to let it go. "Hopefully it stays that way. I'm not sure I want to share you more than I already do with your followers."

She gave him a wry smile. She wasn't really the jealous type but she was just a bit possessive of him now that they were together.

 He saw her process of spotting the food before blindly reaching for it, and decided to help her by guiding her hands with his own, only letting go once she had a firm hold of the bread. “Alright, but don’t over eat. The last thing I would want you to experience upon return to the corporeal plane is nausea.” It was an unfortunate symptom he still experienced on occasion.

 He couldn’t keep his eyes off of her, and the same went for his hands. He gently took her by the shoulders. “Of course I will. I will be here the entire time.” He rubbed her arms, then let got o allow her to eat her food, though his hands remained near her legs.

 “I’m in awe,” he admitted, looking her up and down. “To think that the Arcane is capable of consciousness transference… It changes everything. There truly is a way to attain life beyond the constraints of human limitation.” He was thinking out loud, and his thoughts were wandering to experimental places. “It would be a difficulty to test this ability, however. I do not have access to any in the same situation.”

 He paused, then smiled ad turned back toward her. “Perhaps that is for the best. You are truly one of a kind, Sky.”

[fictional-worlds-are-exquisite]

now deeply curious after reading some comments on a related news article

(whether you get periods now or you got them 20 years ago...doesn't have to be current)

[isfjmel-phleg]

&

[hauntingblue]

Kaido lore?!

[luulapants]

talking to people recently out of prison: a do-and-don't guide

Don't ask, "How was prison?" (Answer: traumatic!)

Do ask, "What are you most looking forward to doing again now that you're out?"

Don't ask, "How long were you in for?" (Answer: too long!)

Do ask, "Is there any technology or pop culture I can help catch you up on?"

Don't ask, "How are you going to avoid getting back into bad behaviors?" (Leave the paternalistic bullshit to their PO.)

Do ask, "How's your support network? Do you have people helping you adjust?"

Don't ask, "Do you have a job yet?" (Their PO is asking them ALL the time, don't worry.)

Do ask, "Are there any opportunities I should keep an ear out for and let you know about?"

Don't ask, "Do you have an ankle monitor?" (And definitely don't ask to see it - no one likes to be gawked at.)

Do ask, "Do you have parole restrictions we need to accommodate when making plans?"

Don't say, "Hey, you shouldn't be doing that - it's against your parole!" (A lot of parole restrictions are bullshit, and they are an adult who deserves agency, even the agency to take risks.)

Do ask, "Are there any bullshit parole restrictions you need help working around?"

Don't ask, "Are you an addict?" (Not everyone in prison is, and they'll tell you if they want you to know.)

Do say, "If there's stuff you might get in trouble for, like empty alcohol containers, I can throw them away at my place."

Don't say, "It's probably best if you put your whole prison life behind you and start fresh." (Just because it was traumatic doesn't mean important experiences and relationships didn't happen there.)

Do say, "If you have letters from friends on the inside that you don't want your PO to find, you can keep them at my place."

Don't say, "You paid your debt to society." (Regardless of what they may have done, harm cannot be repaid through senseless suffering.)

Do say, "You are more than the worst thing you've ever done."

Do not ever ask "What were you arrested for?"/"What did you do?"/"Were you guilty?"

People are more than the worst thing they've ever done.

[calamitys-child]

Listening to a podcast discussing conspiracy theories and deconstructing the ideas behind them and it's reminded me of the coolest practical lessons in critical thinking I ever got, both in high school, both from the same teacher. One was a month long project on who killed jfk in which we could basically present any theory as long as we cited all our reasons and it got us really excited about research and interpretation, but it was the follow up that I liked best.

Our next project she brought us into class and showed us a documentary claiming the moon landing was faked. Gave us worksheets to do that sided with that stance. And at the end of class a bunch of us were like miss wait this doesn't seem right?? and she said okay, we'll discuss that next week. The next lesson, she showed us a mythbusters episode countering all the claims of the original documentary and gave us worksheets for that, and another bunch of people went wait miss you can't teach us two opposing things, which one is right? What do we put on the exam??

So she split the class in two and told us each to present a case based on each side, and to explain why our source was or wasn't the more reliable of the two. Got us to debate each other directly and use additional sources to back us up and explain why those sources were reliable and should be believed. And because they were randomly assigned there was no guarantee you'd agree with the stance you were presenting, but you had to present it like you did. At the end of the project she asked us all which stance we found more convincing and why, and the majority of us basically said "we think that the moon landing is real because most of the arguments against it seem like someone reacted to a confusing thing without testing it, but when you test it and ask the person running the test to explain the science it makes sense once you have more information. Also, one documentary was made with the help of scientists with qualifications and experience and the other was made by people who don't have that but like to write mystery books, which looks like a less reliable way to get an answer. But we still dont understand why you showed us both if one is wrong."

And she was like excellent. You've done exactly what you should do. At high school level, we as teachers are expected to filter for the reliable sources for you, so you know to repeat that to pass an exam, but if you want to be historians on your own, I won't be your teacher any more once you graduate. Lots of people have opinions and theories and research about times in history, and it's your job to learn how to look at them and decide who you want to trust. This won't be on the exam, but I need you all to know it. You all did a great job following the school's instructions to repeat information you were given, but for some of you, that information wasn't on a reliable foundation. I know you all know how to pass an exam. You're smart and you've been trained to follow these instructions. What you deserve to be taught is how to use all this once you don't have to do exams any more.

And then as a reward for us doing a good job at figuring out the value of checking your sources' sources she let us watch Bush get hit in the face with a shoe before we had to go to maths. Shoutout to you Ms Hannah you were a good'un I hope you're doing well ten years on from that class

[shotmrmiller]

single dad simon not knowing how to be a dad. not his thing. doesn't get it. hand him a gun and he can take it apart and put it back together in his sleep. but a diaper? formula? baby food??? knows next to nothing.

so you see him, miserable old man with sunken dark eyes, hunched shoulders and a screaming baby at his doorstep with groceries in his hand and decide to help. (besides, you're also suffering with a lack of proper sleep)

he's not a good dad but he's a protective one. he's at your throat in an instant, baby in arm almost behind his back, ready to sink his teeth into your jugular. you squeak out that you're a part time babysitter. you can help. you've got the most experience with babies her age.

you keep your eyes on him, tired eyes now sharp as flint. it's scary how quickly he'd moved. footsteps barely a whisper. his breath chills your skin.

threatens you with your life if so much as a hair on her head is hurt. he must be really tired if he's willing to accept help being this defensive.

you take the chunky babe and bounce her as he opens the door to his flat. you don't dislike kids but you're not their biggest fan either. babysitting is just a means to an end. easy money that goes toward your tuition.

simon, you come to learn, doesn't care. he thinks you're the missing parent. he doesn't ask you if you can help watch over the child. simply knocks on your door and hands her to you with the diaper bag. mutters that he'll be back and with food.

he helps himself to your couch when you tell him that the baby is asleep. takes off his shoes and is snoring in seconds. simon also doesn't help the rumors going around the building. "a terrible parent, you are. how could you abandon your baby and husband? he's been struggling for months!"

simon leaves you sputtering when he tells them to stop talking about his missus like that or he'll kill them in their sleep. burp the baby, pet, or she'll keep us up all night.

at least he pays well :/

(if you go out for a friends night, which he will drop you off so stop talking about uber, he's telling you to go say goodbye to our baby who happens to be asleep in her crib and if you're wearing a short little number he's gonna watch you bend over to kiss her fat little cheek before he takes you to the bathroom to eat it from the back and is sending you to his car with trembling legs and a slap to your arse. don't look so tasty next time idk)

[kira-akira]

What I Want You To Know About Long COVID

Well lads, I've been suffering from Long COVID for over a year now. My life is at a complete standstill. I'm 25 years old and I'm too sick to go back to school, I can't work, I had to move back in with my parents and I'm still stuck here.

Here are just a few things I wish people knew about Long COVID, including things I didn't know myself until I got it.

COVID destroys your immune system. Yes, even if you don't have Long COVID. Are you getting sick more often now? When you get sick, does it last longer? There are many studies showing that COVID causes t cell depletion, even in mild COVID cases! T cells are how your body remembers how to fight off infections you've had before so losing those cells? Bad news.

Your initial infection can be mild and you can still get Long COVID. Right from Yale Medicine, "Most people with Long COVID had mild acute COVID." (This is also a good link for a basic Long COVID overview).

There can be a gap of time between when you "get better" from the initial COVID infection to the onset of Long COVID symptoms. Some people get sick with an initial COVID infection and never get better. Some get better and then weeks or months later start developing Long COVID symptoms. Long COVID symptoms can even fluctuate over time, can go away for months and then suddenly come back.

So many people have Long COVID and don't realize it. Do you feel more tired lately but no matter how much you sleep, nothing helps? Is it harder to concentrate at work or school? Can you just not think like you used to? You could have Long COVID and not even know it. Even mild post-COVID symptoms are still Long COVID.

COVID can do anything to your body. Long COVID has over 200 recognized symptoms and can affect basically any part or system of your body. There is no one mechanism or cause of Long COVID which unfortunately also means there's no one cure either.

The effects of COVID are cumulative. Each COVID reinfection increases your chances of developing Long COVID. COVID is also affecting your body in other ways, yes, even if you're otherwise young and healthy! "Repeat COVID-19 infections increase risk of organ failure, death".

Once you have Long COVID, repeat COVID infections will make your symptoms worse. "80% [of Long COVID patients] saw their symptoms worsen [from reinfection]. In 60% of people who were in recovery or remission from Long COVID, reinfection caused a recurrence of Long COVID."

There is a lot more I want to say about Long COVID but I want to keep this post at least somewhat manageable to read. Like how when COVID is contracted during pregnancy, those COVID-exposed fetuses have a 6.3-fold increased risk of motor developmental delays, or that another study found 50% of babies exposed to COVID in utero had developmental delays.

You need to keep caring about COVID, for others around you and also for yourself even if you're "healthy". Everyone is at risk. And don't forget 40-60% of COVID infections are asymptomatic, which is why masking even if you feel fine is crucial. The only way right now to not get Long COVID is to not get COVID in the first place. It's not too late, if you've stopped masking it's never too late to start again! I know it's easy to get distracted by things in your life that seem more real than the possibility of getting sick some time in the future, and the peer pressure to not mask can be intense. But it only feels less real or less important until your entire life is having Long COVID. Trust me.

I know this is a complicated issue, many people can't afford to stay home when sick even if they want to because of their jobs, there are disgusting policies trying to ban wearing masks, but please if you can. Keep masking. Masking works, masking saves lives.

This post got a bit longer than I wanted so below the cut is a non-exhaustive list of my Long COVID symptoms and some of my experiences as one of the "healthy young people" who got "unlucky". cw brief mention of suicidal ideation.

Welcome to the Thunderdome that is my body with Long COVID. Keep in mind these are just my experiences and symptoms, Long COVID can cause any range of symptoms at varying severities.

Dysautonomia: Exercise intolerance, Post-Exertional Malaise (PEM), fatigue, and heat intolerance. What do those things mean? Here's some specific examples. Absolutely terrible circulation I am so cold all the time but also, if I get a little too warm I will pass out. Eating hot food makes my heart rate spike, I sweat, my body feels heavy. Blood pooling and pins and needles in my feet when I walk. Don't even think about exercising past walking, it's impossible. I used to work out an hour a day 4 times a week and now walking up one flight of stairs makes my heart pound and I can't breathe. Can't take even just warm showers anymore or I will pass out. Heat rashes from being in the sun for 10 minutes.

Digestive issues: Honestly too many to name but: constant bloating, extreme nausea, constipation, slow motility, lack of appetite, just so much cramping and pain. I lost 18 pounds from Long COVID, as someone who was already considered underweight their entire life, and almost had to get a shunt put into my chest to deliver nutrients because I was nearly completely unable to eat. For the first 6 months of Long COVID, if I could manage 600 calories a day, that was a good day.

Histamine intolerance: Oh boy. My worst symptoms, I don't even know where to start with it. If you know Mast Cell Activation Syndrome (MCAS) it's very similar. I can only eat 19 foods. If i eat a single bite of something not on that list, it's 48 hours of absolute hell. Coughing, migraines, itchy eyes, such extreme nausea I cannot even describe it, panic/feeling of doom, racing heart rate, derealization, rash, uncontrollable muscle tremors. I only learned about histamine intolerance 5 months into having Long COVID so before that, I was experiencing these symptoms nearly every single day. Terrifying isn't even a strong enough word to describe how it felt to experience all this and have no idea what it was, how to stop it, or if it would ever stop. Really dark times.

Neurological issues: More of that derealization. Inability to concentrate. Anxiety. OCD-like symptoms such as thoughts getting "stuck" in my head, repeating 24/7 completely unable to stop them, genuinely felt like my brain had cracked open and I had lost my mind. Constant dizziness like I'm on a boat.

Sleep issues: I sleep like garbage. I have insomnia, I wake up dozens of times every night and every single time I sleep I have intensely vivid dreams. I can't sleep longer than 7 hours total no matter how exhausted I am. It is exhausting. I'm exhausted, I'm so so tired.

And finally. Just. Really intense suicidal ideation. My body, my health, my entire life has been stolen from me because someone else decided my life was worth less to them than wearing a mask or staying home if they feel sick. Before I got Long COVID, I was preparing to go to South Korea to teach English, then on to a PhD in neurolinguistics, I was supposed to meet my long distance partner and had already booked plane tickets when I got sick. All of that has been destroyed.

Most of us with Long COVID are stuck in a cycle of being extremely sick, then if you're lucky you'll slowly get better over months, just to get reinfected and go right back where you started or worse. Honestly, I'm not scared of dying from COVID. I'm scared of living for a long time, suffering from Long COVID the entire time. This isn't living.

I don't know how to end this now. I'm still fighting, I'm trying experimental treatments, I'm not giving up yet. I hope everyone reading this stays healthy and well.

[neverendingford]

.

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[trans-axolotl]

what do you mean reverse an overdose? How is that possible?

Hi anon.

So, in my most recent post where I was talking about reversing overdoses, I was talking about Narcan (naloxone).

Narcan is a medicine that can reverse opioid overdoses. It works on any opioids, including fentanyl, heroin, oxy, vicodin, etc. It isn't effective in reversing other kinds of drug overdoses, but would still work to reduce an overdose if your coke has fent in it, for example. It functions by blocking the opioid receptors in your brain and helps restore breathing. Narcan is not a dangerous medication, and it is not harmful to your brain, which means you can be dosed multiple times without increasing harm to your body. The experience of being Narcaned can be pretty fucking shitty, because it basically puts your body in withdrawal super super fast, and you might experience some of the effects of withdrawal like vomiting, body aches and chills, fatigue, etc. But there are not other harmful side effects outside of that. Narcan is safe to give to people of all ages, including children.

Narcan comes in both an nasal spray and intramuscular injections, but it's usually easier to get access to nasal spray. This is what Narcan looks like:

[ID: Someone holding a narcan nasal spray, which has a nozzle that can be placed into someone's nose, and a plunger underneath the nozzle that can be pushed up to administer a dose. Text on the image says: Do not test nasal spray device before use. Each device contains 1 dose of medicine. Each device sprays one time only.]

How to Use Narcan

Identify signs of Overdose

Check for Responsiveness

Administer Narcan

Support (other friends/911/medics)

To administer Narcan, you first need to identify if someone is overdosing. Signs of an opioid overdose can be when someone is unconscious, unresponsive, not breathing or slowly breathing, no pulse or erratic pulse, has pinpoint pupils, and/or has blue lips.

If you see some of these things and think that someone is overdosing, the next step is to check for responsiveness. You can do this by loudly calling the person's name, saying that you are going to Narcan them, gently shaking them, and by performing a sternum rub, which is where you rub your knuckles into the place in someone's chest where their ribs meet. If they're breathing and they respond, even if it's just making noises in response to you or physically pushing your hands away, that can be a sign that you don't need to administer Narcan right away. Still, in that case, it's a really good idea to stay with that person in case that changes. If, and only if, the person is completely unresponsive, you should administer Narcan.

Once you've determined that someone is unresponsive and overdosing, the next step is actually administering Narcan. Narcan comes in packs of two nasal sprays. Take the first nasal spray out of the box, put the nozzle in the person's nose, and press the plunger. If the person is still not responsive after 2-3 minutes, take the other nasal spray out of the box and give them another dose. I try to use the lowest number of doses possible to try to reduce the withdrawal experience, and I stop giving Narcan once someone is breathing and responsive. If they still are not responsive or breathing, and you know how to give rescue breaths, you can start administering rescue breaths. If you have to step away for any reason, turn the person on their side in the recovery position first.

After someone's overdose is reversed, it's really important that whenever possible, someone stays with them for at least an hour afterwards. Narcan is active in the body for about 30-90 minutes, so depending on what someone's original amount of opioids was, they might start overdosing again and need you to give them Narcan again. This is also why it can be important to try not to use again right away, which is really fucking shitty when you're trying to use cause you don't want to be sick, but unfortunately using right away can also put you at risk of overdosing again. When people come back after getting Narcaned, it can be a pretty disorienting and uncomfortable experience. You might not know who Narcaned you or why they're in your space, might be feeling really fucking shitty because of withdrawal, and might want to be left alone. If you've just Narcaned someone, introduce yourself and explain that you just gave them Narcan, listen to what they tell you, empathize with their feelings, respect people's boundaries, and give them space if they ask for it. Understand that they're probably feeling pretty fucking shitty in their body, that it fucking sucks when your high gets ruined, and they (justifiably) might not feel happy about the fact that you Narcaned them.

Pretty much all Narcan trainings will tell you that it's "recommended" to always call 911, but we all know that this is not always actually possible in a lot of situations and that cops always fucking make the situation worse. My policy is that I always, always ask for consent before calling 911 and if someone says no, then we brainstorm other ways of keeping safe and we don't fucking call the cops. If there's a situation where I do need to call 911, I never tell the operator that someone overdosed, because that usually gets them to send out the cops alongside ambulance, which can cause delays to care, put a lot of people at risk, and also put people, including bystanders, in legal danger. If I have to call 911, I say that my friend has collapsed/fainted/isn't breathing and keep it more vague, and when paramedics actually arrive on the scene, that's when I tell them more information about the overdose, what drugs someone took, and how many times I've administered Narcan.

You can get free Narcan a lot of places. Next Distro has resources for getting free Narcan by mail for almost every state. If there's harm reduction orgs in your area, they will have free Narcan. There's also a lot of Department of Health programs for free Narcan. Most pharmacies now also have Narcan available over the counter, but that's usually really fucking expensive and often pretty hard to shoplift cause they keep locking it up.

Even if you don't use drugs and you think that your loved ones don't use drugs, it's super important to have Narcan as a part of your first aid kit and learn how to use it. You never know when you're going to need to use it, and it's super good to be prepared ahead of time, in case your friend/family/neighbor/classmate/coworker ends up overdosing while you're there. Or in case you end up overdosing and having Narcan on you means that bystanders can help support you through it.

Here's a guide that goes a little more in depth into how to use Narcan.

Please feel free to ask if you have any other questions about Narcan or other harm reduction topics!

[terrestrialnoob]

Harley crawled into the apartment. It was organized, but it looked like the occupant didn't have a lot of time for cleaning. She walked softly through it, taking it in. There were photos of her target and what had to be her family, but no friends or romantic partners. Some had a pair of older adults, matching traits meant bio-parents. More of the photos were of the target and a younger boy - a little brother, the highest likelihood of becoming another target if things go bad.

Harley continued forward, following the light to where her target was. She stood in the doorway, looking in.

Dr. Jasmine Fenton, Arkham Asylum's newest psychologist, just got her degree and everything. She did what most newbies do, actually thinking she could get through to the Joker. Harley didn't want to say it was impossible, but everyone who tried ended up in a new job or dead. Harley would try and make sure it was the former and not the later.

Harley watched as the redhead read over a file as she ate from a takeout box. She didn't want to scare the girl, yet. The scaring her away from Joker came later. So, she had to wait for the perfect moment to-

"I know you're there." Jasmine didn't look up from her file, but held out the last box of Chinese food in Harley's direction. "There's plenty if you want some."

"Awe, you ruined the surprise." Harley walked out of the shadows of the hallway into the girl's home office. She snatched the offered box of food and took a few bites as she jumped to sit on the desk.

"I'm hard to sneak up on." Jasmine said, closing her file and finally looking at Harley. "So, Dr. Quinzel, to what do I owe the pleasure of your visit this evening?"

"Oh, call me Harley!" She laughed, she wasn't called Dr. all that often any more. She tapped her chop sticks on the file Jasmine just closed. "I thought you'd like a consult on your new patient, Dr. Fenton. I've got a lot of experience with him."

"I prefer to go by Jazz." She said with a smile, "While I appreciate the offer, I'd like to see how far I can get on my own. And, sorry, but I'm pretty sure your license was revoked."

Harley nodded as she swallowed to get the noodles out of her mouth. "I get it! You're new, fresh outta school, gotta prove yourself. But Joker ain't the guy to do that with. He eats people like us for breakfast, and in all the years he's been in Arkham, no one's been able to get anywhere with him."

Jazz sighed, "I don't like to believe people are lost causes. There's always something we can do to help."

"You can't help everyone, especially when they don't want it. And it's not just a question if whether or not he can be saved or whatever." Harley set down the now empty box, Jazz pointed to another one that still had food in it, but Harley declined. "If you keep it up, he'll think you're worth his time to torment. There's no telling what he'll do when he inevitably gets himself out again."

"I'll be fine." Jazz said, but Harley had to cut her off before she said something stupid.

"It's not just you! You've got family out there he can target, your parents. Your Brother! Anyone you date will become a target! He'll do everything in his power to make your life miserable!"

Jazz chuckled. "If he wants to target my family, his funeral. My parents are - were supervillains. They've really only become less- well, hyper-focused on eradicating an entire race of being- in the past few years. And my brother - I'm pretty sure he's conditionally immortal. So that's nothing to worry about."

"If it's conditional, Joker will find a way around it." Harley said, but she had to admit, this might have been an unnecessary trip. "You sure y'ain't got nothing to worry about? What about you? How conditional is your mortality?"

Jazz smiled. Her mouth seemed too wide and with too many teeth. "Oh, I am nowhere near immortal. But..."

She stood up and the room was suddenly a black void. Toxic green eyes and mouths filled with glowing white teeth opened around them. "I doubt anyone could get close enough to test it."

The room was suddenly back to normal, but whatever that thing was was still there. Harley could see its eyes watching her with amusement from inside Jazz's oversized cardigan.

"Well, I guess this really was a wasted trip. You've clearly got it covered."

"Not entirely." Jazz said, her hand wend up to her neck to rub nervously, "Well, you see... I don't really have a lot of friends. People tend to get - uh, creeped out, you know? Or chased off by my parents or brother or whatever..."

"You wanna be friends?" Harley laughed so hard she almost fell over.

Jazz's face turned bright red and the shadow eyes looked way less amused. "Yeah, stupid question. You've clearly got your own things going on."

"No! No, no." Harley had to take several deep breaths before she could look Jazz in the face again. "I 100% wanna hang out with you!"

"Really?"

"Oh yeah." She took another deep breath, "I mean, I really should have made a support system before trying to take on the Joker back when I worked for Arkham. This" she pointed between them "can only end well."

Jazz's face turned brighter than the sun. "Oh my gosh! This is amazing! We should - I have Thursday's and weekends off - What - what kind of things should we-"

Oh man, Jazz was like an excited kid. She must have had a really lonely childhood... they can psychoanalyze each other later. "Come over for girl's night next week. I'll tell my gf and bff to expect an extra person... Does the-" she motioned to the cardigan creature "-go everywhere you go? Does it need food?"

"Oh, don't worry about Jet, they only eat who I tell them to."

Harley barked out more laughter. "You're going to fit right in!"

Now featuring a Part 2

[casuallyanidiot]

Yandere manager who was never gonna let you get famous.

Nsfw for this one! MDNI!

Warning for noncon/dubcon!

Yandere manager who holds a high position in a prestigious entertainment company. He works with so many prolific stars, so he's surprised that your pitiful little portfolio ever even made it to his desk. You've got no experience, no connections, and you're not exactly industry standard in terms of beauty.

Yandere manager thinks it's kind of funny that a cute little thing like you thinks they can make it in such a cutthroat industry. he's kinda curious about what you're like though, so he calls you in for an interview. He can't help his large, sleazy grin that forms on his face when you sit there in his office stuttering through an introduction.

Sure he'll hire you, but you've gotta get on your knees.

Yandere manager feels a sick thrill run up his spine as he goes over contract details while your pretty little lips are spread around his cock. Your eyes are filled with tears, and he can feel your little whines and sobs vibrate in the back of your throat, and he groans. He has to admit it, you've got that special something about you that certainly has him captivated.

"Looks like we've got ourselves a deal, sweetie," He grunts out playfully and signs his name as he forces your head down further and came down your throat.

Yandere Manager who only books you for enough gigs for you to justify staying with him. He makes you fuck him whenever he asks, and whenever you want an actual job, you have to do something more extreme to get it. A modeling gig? Yeah sure babe. You've just got to dress super slutty and let him take you in the middle of a crowded club.

Yandere Manager who rails you violently whenever he catches you trying to network. He bets you think you're so smart and clever for chatting up some pervy, old director to get a spot in a music video. Does he not give you enough? You don't need all that attention unless he's giving it to you. You don't even know how many people are gonna wanna bury themselves in that tight little hole of yours, how many people would take advantage of you. At least with him, you knew what you were getting.

You're fucked so thoroughly, and Yandere manager loves watching you stumble around after he's stuffed you full of cum. He's started making you wear plugs afterwards just so he can watch the discomfort on your face as he takes you out shopping or for meals.

Yandere manager starts to feel a bit fond of you in not just a carnal way. As much as he loves seeing your cute little asshole twitch and stretch around the toys he pushes in you, he also likes seeing you smile, hearing you laugh. He likes the way your eyes light up when he allows you to do a photo shoot. He starts liking the way you shudder and squeal when you orgasm, too.

He's not a sappy guy by any means. Really, he sucks. Even he knows that, but maybe now that you've got his initials tattooed on your plump, well spanked ass cheeks, he can start making you like him too.

He's gross, and he knows it. But he loves fucking you so much he can't find it in himself to care. I mean you're not going to get away when he's got you coming back to him with the promise of success that he's never ever gonna let you have. Not for the risk of his favorite, cute little fucktoy leaving him.