#how she was how she behaved

[sirazaroff]

You know those couple portraits people would make? Yeah. I just thought this would be funny. I believe Glinda’s classically trained enough to have legit art skills, and Elphaba…is cute :)

Forever thankful to @cseni-bean for the Elphaba portrait and @spicxybread for the Glinda™️. Figured it would be more fun to have other artists make the portraits instead of me :D

Ref imgs:

Also. This was the original Glinda portrait I was given:

[spinaart]

hey leader!!!

[specialagentartemis]

every time I see someone recommending Benjanun Sriduangkaew in the name of supporting queer women and queer POC I’m always like. Yeah except for the ones she viciously harassed I guess. Maybe she turned over a new leaf and I’m being unfair by holding her old sins against her but I’ve never seen an apology or an acknowledgement from her that she did anything wrong.

And like. If you want to support queer Asian sff writers. I can name half a dozen off the top of my head who are amazing and creative and deserve more attention and have NOT spearheaded internet harassment campaigns against other writers. So.

[fyllophobia]

seliph & ares commission, thank you!

[elegantmarigold]

Gwen said "Lena won't be as laid back as I am about this" with so much confidence and then left the room thinking she handled that so well, completely oblivious to the atmosphere of the room. this woman has never read a social cue a day in her life and I sincerely hope it stays that way.

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[stromblessed]

Mizu was wrong to let Akemi be taken because they both deserve better

First, a confession. When I saw this for the first time:

I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.

When Akemi does this:

I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.

So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?

Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.

Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.

Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.

Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.

But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."

"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.

One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.

In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.

Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.

Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.

Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.

Mizu had the power to help Akemi, and simply chose not to.

Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.

Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.

All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.

[starry-bi-sky]

Snippets for my Clone^2 Au that I thought was funny...

in incorrect quotes style format (Clone^2 = Both my Clone Damian Au and Clone Bruce Danny aus combined)

Snippet 1: Danny and Damian meeting for the first time

Danny, avoiding Damian's katana: I don't wanna know who made you I don't wanna know who made you I don't wanna know who made you Danny: pleASE STOP TRYING TO STAB ME

------- Snippet 2: Danny and Damian meeting (Alternative)

Bby Damian: gets dropped off in the ONE city where his dad's clone is Danny, internally: damn I don't wanna know who made you

Danny: alright little buddy, lets -- *blocks Damian's sword* please don't stab me -- let's get you something to -- *blocks Damian's sword* please don't stab me -- something to EAT

------------- Snippet 3: Danny checking out books in the library Librarian: oh, are you trying to learn arabic, Mister Fenton?

Danny: oh- uh, yeah :) my parents recently,,, took in a foster kid from overseas,,,, but we found out he doesn't know english and he's having a hard time adjusting Danny, lying (only partially) through his teeth: so I,,, thought,,, maybe it would help him acclimate to his new environment if I learned some arabic :) Librarian: oh how sweet! let me know if you need any help, i can find you more books Danny: thank you

----------

Snippet 4: Damian wants to patrol Damian: let me come with you on patrol Danny, 16 year old idiot who fights without powers: uh. no. you are Itty Bitty Child Damian: comes with anyways

----------- Snippet 5: Damian, trying to fight a ghost without a ghost-proof sword: Danny, catching him and holding him against his chest: *radiating exhaustion* no,,,, no,,,,, not yet,,,,

-------- Snippet 6: danny has an epiphany Danny, realizing that he needs to set an example now that Damian is coming with him on patrol: fUCK Danny: I NEED AN ACTUAL SUIT ---------- Snippet 7; dynamic duo Danny: what is it with you and batman and robin???? Damian, silently sweating: ,,,,,,,because they are exemplary partners and i would like to think that us two are the same Danny, doesnt know identities: ...aww??? thats kinda sweet??? okay :)

---------- Snippet 8: hypocrite Damian: dijaal (affectionate) Danny, on day ?? of solving a cold case after a ghost asked him to: hrbhk - Damian, what are you doing up? it's late, you have school in the morning Damian, staring at him deadpan: you have school too. you should go to bed Danny: five min..utes buddy. then i'll go to bed Damian, grabbing the back of his rolling chair and pushing him to bed: no. now. danny, with eyebags the size of the marianna trench: ...fine. now.

--------- Snippet 9: ...the line Danny, doing homework with Sam and Tucker: Danny: *has an epiphany* wait. shit Tucker and Sam: ...? Danny, his head in his hands: am I Damian's dad or his brother?? Danny: wh- what do we define this??? Tucker: ... you're brothers until its funny? and then you're his dad?

----------- Snippet 10: learning Danny: reading a book about learning arabic Damian, slamming his hand down on the book to get his attention: dijaal, *points to book* kitab Danny, frowning: what? Damian, tapping book: kitab Danny: ..ki..kitab? Kitab? Book? Damian: Boog...book. *points to table* tawila --------- Snippet 11: clone reveal Damian, later after he knows enough english and months of chilling out: i am a clone.... meant to kill my original Danny, internally: wow you don't say? Danny, out loud:..huh. okay. thanks for telling me, uh, same here. except that last part

---

Dijaal = imposter Damian is affectionately calling Danny an imposter because danny is a clone of bruce :)

[autumn-foxfire]

Kaito lock picking the front door to a strangers house: Bing-AH

Aoko, who followed him because she noticed he was behaving weird and had just threw her bag at him: Bakaito! What do you think you're doing! You told me you were going to see Kudo-kun! How would he feel to know you're breaking into someone's house!

Shinichi, from the second-floor window of the house: Kaito! I found another entry around the back, you don't need to lockpick- Oh, hey Nakamori-san.

[padfootastic]

every time i read a fic where lily evans is upheld as a paragon of justice and the underdogs and the vulnerable, i die a little inside

bc,,,,are we talking ab the same gal who kept defending snape for atleast five years of hogwarts and however many before that? who overlooked his bigoted actions, even when others called it/her out on it?

ugh

(now james, on the other hand? we have such clear evidence that he fits this archetype but ofc that’s overlooked isn’t it. gonna shut up here but will take the rant into the tags)

[jesuis-assez]

↠ Tim & Lucy ↳ 2x10 - The Dark Side

[niko-sasaki-dbd]

something something I love so much to think about charles knowing every detail of edwin's body language and not just that, but also about the things edwin does to stim or ground himself, and never questioning those little habits or rituals and just getting along with it, until it becomes normality for them both.

[thesoulthatistainted]

E/riels having a hard time telling Elain isn't real and this is a book:

This is a BOOK. We only have Nesta/Cassian/Rhys/Feyre/Mor/Azriel POV.

We will determine what elain wants judging on WHAT OTHER CHARACTERS ARE TELLING.

Elain will not come on a TikTok live to tell you "Hey I am currently interested in this guy"

And Elain voice is WHAT SJM WANTS IT TO BE.

Only evidence of what Elain wants is FROM the OTHER characters.

"Elain is silenced"

Feyre her sister and Rhys HAVE ALWAYS made known the whatever ELAIN DOES will be supported.

Elain returned the necklace rejecting Az. There is 0 CANON evidence of Elain wanting Az anymore and in the epilogue she is shown moving on with her sisters.

If you want to respect her actions. Then respect ALL her actions not just pick and choose whatever suits your fancy.

[t4t4tclethian]

share ur worst smajor hc. pretty please.

sorry anon i only have really good smajor analysis but i can give you one of those instead. anyways its very fun for me the way his and gem’s relationship has turned since secret life. going from being her Advisor to a weird thing where he’s scared of her, but will absolutely never admit that. so instead he does his best to ingratiate himself to her and stay on her Good Side but it wont work. bc she’s like his natural predator. like in terms of pvp joel is pretty evenly matched with scott, maybe a little ahead, but his social game is weak so it doesn’t matter and scott isn’t scared of him (this is also how he Deals With pearl). gem though? she can match or even surpass scott in terms of sheer manipulation, she’s well liked by other players, he can’t convince her not to kill him if she chooses to, and she’s better at pvp than him. sorry this isn’t a headcanon i just love when he’s forced to know fear

[kabutoden]

if aradia's death was just in-character for a long roleplay, what's the deal with tavros and terezi's disabilities? did vriska have anything to do with them?

She Did Do Those Things. vriska no!!!!!!

[duckwnoeyes]

I will never shut up about Willow bringing Buffy back to life. It’s such a thoughtless, selfish action and simultaneously done entirely out of love. It’s the worst thing anyone ever does to Buffy, and yet Willow does it because she loves her best friend so much. It’s devotion, and it’s terrible, and neither of them are happy, and it’s all out of love!!! I am never going to be normal about these two!!!