#how often does she end up saving a life and how often does she just make a cis guy uncomfortable for 3 minutes?

[lemotmo]

My 911 8x01 thoughts

Just watched the episode!

So many thought! I have so many thoughts!

I haven’t even read any of the interviews yet. I’m just going to dump all my thoughts on the episode in this post and then I’ll get to the interviews and asks.

Also, this post might be incoherent and not chronological in any way.

First things first:

F*CK HELENA DIAZ! I wanted to reach through the TV-screen and strangle her. I was on the fence about her last season. But this? F*ck her! Seriously! I actually cried at seeing Eddie’s crestfallen face. The way she dismissed her own damn son and kinda makes it seem like Chris is better off in El Paso? The way she rubs it in his face that she has the money to install a pool? I hate it. It reeks of emotional manipulation. 🤬🤬🤬

Okay, now that that’s off my chest. Let’s get to the rest of the episode.

Let’s get Tommy out of the way first. Okay, the guy was there for 20 seconds and said 1 line. The way they all hung out together was interesting. Once again, Eddie is in the middle… visually as well. As they were hiding behind the couch and jumped up, Eddie was in the middle. They are showing us Buck and Tommy still being in that early giddy stage of a relationship, which is pretty much what Tim and Oliver talked about in their interviews.

It's funny how I care less about Tommy being there when he actually doesn’t speak.🤷‍♀️ Lou didn’t really have to do a lot of acting. Tommy just had a fun scene with Buck and Eddie and I actually didn’t mind him being there. It once again reminded us where the storyline is going. It also shows us that Eddie and Tommy are still friends, which is interesting.

I have a feeling that we will see Eddie come between them more often. Mainly because Buck will want to emotionally support Eddie as much as he can and I think Tommy might just call Buck out on that.

All right, what else? Ah the bees… I actually liked the emergencies. It’s something else than a normal natural disaster. The mom and daughter in the car was so on point. Here you have a mom who is willing to use her own epi pen to save her daughter. Most moms would act like that. (Well, unless your name is Helena Diaz of course.) I did wonder why she doesn’t carry two epi-pens. I mean, if the whole family is allergic to bees, I would probably haul around 3 or 4 of them in my purse. Not taking chances there.

The perfume emergency was so funny. I liked the lady and her assistant. They brought some comedy. Also, Eddie running off with those bees? Such a great scene. I like how they said that Eddie was the fastest runner. I know Buck’s legs are longer, but he would just bumble around, stumble and fall. He’s clumsy like that in his running. We’ve seen that before.😂

I do feel like Eddie and Buck are even more in sync than ever. The fist bumping, the sharing of thoughts, the blind trust Eddie has in Buck’s ideas is incredible. Buck suggests something and Eddie just accepts what he says and goes along with it. I love that. Their dynamic is so great! 🤗

Okay, hmmmm… ah, Gerrard. I love the actor so much! He is such a great antagonist. The way he kept targeting Buck because Buck just kept talking back is such a basic bullying move. At the end there I really thought that Buck was going to hit Gerrard, but then -clear as a bell- there was Eddie’s voice in his head telling Buck to not let Gerrard get to him. Loved that detail! And then he actually saves his life! I wonder how Gerrard will react when he wakes up? I also wonder how Tommy will react to all of this?

Bobby! Bobby has an admirer! LOL! The guy was almost simping over Bobby, trying to watch his each and every move. And his heavy British accent? Definitely a reference to Oliver. Bobby doesn’t seem to hate his new job, but it’s obvious he misses the old one.

I can smell Madney and Henren problems from miles away. I predicted this storyline and I think I’ll be right. Chimney is getting attached to Mara and Mara is feeling more and more at home with the Hans. Now, that doesn’t mean that they’ll want to keep her or anything like that, but it does mean that Hen and Karen are looking in from the sidelines.

The longer Mara stays at Madney’s house, the more Henren might feel left out. I don’t know… I smell problems coming up there. Interested to see where this will lead. Ultimately I’m pretty sure Mara will return to the Wilsons, but in the mean time they will have to create some drama there.

That brings me to my least favourite part of this episode: Athena’s storyline. Once again, Athena can do it all. How is it possible that one single police officer who has a personal history with a prisoner can get assigned to single-handedly escort and protect said prisoner from Phoenix to LA? I don’t understand why they keep giving Athena these terrible storylines where she is some kind of superwoman who can do it all and who knows it all.

This man should be escorted by more people to make sure he arrives at his destination. After that fake agent pulled her over? She should have called it in and waited for back up in the airport.

Also, the fake agent was alone in this scenario, which is a big plot hole. Why didn’t he come with back-up to ensure they would get to the prisoner? Plot holes like this just take me out of the story.

This storyline is fabricated just to put Athena on that plane with the prisoner and he’ll probably get his redemption storyline because of it. He’ll heroically save her or something like that. Or maybe he can magically fly a plane. I don’t know. I didn’t care for this storyline all that much.

I wish they would give Athena some better storylines. I love the character, but I don’t like what they keep doing to her. I don’t like the person she becomes when she goes into supercop-mode like that. Anyway, just a personal opinion. If you feel differently about this, great for you.

Overall, I really liked most of the episode. It was fun, scary, exciting and I didn’t even check once to see when it would be over. Which is always a good sign.

Onwards to next week!

[districtscare]

the hunger games, for all its adroit, nuanced storytelling about capitalism and how it crushes those under it by the heel, oppression, war, death, cruelty, love, and the means of power and how those equipped with it do wrong, — even after seeing how it burns a hole in society, also gives you room to root for and care for a minority that is not often thought about, and is continually showcased in media as one of the most villainized types addiction. alcoholism.

through collin's portrayal of haymitch, she paints a picture of a man who we'd supposedly find lazy, writhing in his pathetic nature at the hands of — what? we don't learn right away. haymitch is sharply presented as the only living victor of district 12, the maudlin, roguish pariah who is consistently deluged in the throes of inebriation. his entrance is unattractive and far from pretty as his drunken way leads him to babble what we think is incoherency, the mouth of a drunk is an unsmart one — until we get, “she's got spunk! more than you! more than you!” and he's pointing at the capitol's cameras. katniss says here,

“Is he addressing the audience or is he so drunk he might actually be taunting the Capitol?”

this right here is our first clue on haymitch being in the rebellion, and of his intelligence. many would think of this as a throwaway line, but for what comes later? it is significantly important. moving through the story, haymitch as a mentor is harsh, sharp-tongued and equally hard-fisted after katniss and peeta end up having to near-attack him in order to earn his mentorship.

realizing their potential, a sliver of his story is already told. swayed simply by action, and not pleas, haymitch (as katniss eventually says,) was likely a mentor who dedicated himself to seeing his tributes’ success, each time with no avail. what we as a reader, and katniss as a narrator is yet to find out until catching fire, that it's one of the most correct statements about himself. disproving the lazy, dissmissive stereotypes, almost immediately does haymitch jump into action in order to benefit katniss and peeta, sobering up enough to keep clear minded (which is already a feat under the influence,) and giving genuine, life-saving advice.

their win is due to the advantage of the year — stylists with an eye of precision in which create a glowing impression of the tributes, but it also all comes down to haymitch's compliance as a mentor, and how his ability to get sponsors is doubled in comparison to former years. he is the first to have 2 tributes, after 46 passed in prior years during his consistent solo mentoring, equally win the hunger games within the same year, although displeased to put them through that suffering.

haymitch’s flaws don't just stem from his addiction, they do come as a result of trauma. closed-off and stoic, he objects himself to a life of depravity — both coming from his victory during the premise of the 50th hunger games and second quarter quell, or even a long while after. able to piece together the way he not only outsmarted the likes of 47 people in arena where the odds were double, haymitch's surface layer peels off to show the claw marks in which his life experiences have wounded him with, which only becomes apparent due to the third quarter quell and his fellow victors, including katniss and peeta returning to the arena. his depravity comes from constant grief, constant losses, constant failure.

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[kotoneshiomiofficial]

I love how this post is, on a surface level, supportive of trans women but then you say "if you even lightly suggest someone might be a trans woman that's dehumanizing, you're not treating them like a person" yeah white woman with short hair because a transfem is the worst possible thing anyone could be so this hypothetical person calling people eggs is obviously evil. you are definitely an expert on what is and isn't transmisogyny

[elgaravel]

OC DUALITY

was tagged by @morvaris​ to take this uquiz for my ocs >:) thank you nico this was super fun!!

tagging: @numbaoneflaya @time-is-a-lake @aartyom @nuclearstorms @girlbosselrond @druidgroves @malefiicarum @swordcoasts  @aldcaldos @sufferthorn @steelport @calenhads @lavinet​ and anyone else who’d like to join in !!

you and the hat man

oh boy you're fighting demons aren't you? it's like you're in a constant staring competition with something that's always in the peripheral. what the fuck. (at least, that's how people who don't know you would react). at this point you've probably gotten pretty familiar with the hat man. he's a reliable kind of guy. keeps to himself, sure, but you can trust him to be there. maybe a haunting isn't too bad if it's never left your side. you can only imagine what it will be like when he's not there any more.

god-hungry scientist and their abominable child

you stitched something together inside of yourself and gave it life with light from the sky and now it won't die and you can't kill it because part of you loves it and you're not quite right in the head or the person you used to be but at the end of the day it's simply a beast of sadness. you crave the mercy you didn't get from your creators and so i'm telling you please forgive yourself. please hold the monster by the hand.

moon curse of the werewolf

you have found yourself hungered or sickened or ambitious to the point of emotional carnage. you are fine, until you're not, and then you could rip someone in your way apart with your bared teeth by complete accident, and later claw at yourself in fits of pain trying to apologize. do you look at the moon that blessed you in her name, at her marred beauty and baneful eyes, and wish she could just crush that loving-hateful heart of yours before it crushes itself? every bite you take out of flesh is a response to the threads of silver bullets in you that haven't healed. the duality is that the human inside is howling too, gnashing, and without the wolf pelt, everyone can ignore it and turn away. at some point, you got tired of the moon being your only witness. now the wolf is there to make sure others know that you are hurt, and deserving of humanity, of attention to wounds. because that wolf loves you; all of you; and knows when you are hurt better than yourself.

[medusaesque]

Kim's itchy trigger finger

So, Kim reaches for his gun often. Very often. sometimes for the most ridiculous reasons- opening the bear fridge, the experiment in the church, a note from Klaasje.

This one is just from being anxious going into the communist reading group. Kim doesn't want to be the kind of cop who draws his gun constantly, who shoots instinctively, but he is, or at the very least it's very difficult for him to stop himself from becoming one.

Perhaps the most horrifying example is with The Pigs-

Even if he KNOWS the gun isn't loaded, even if he knows it's safe, the instinctual muscle twitch could have ended in an unnecessary death. Kim is very well aware of that fact, and it's horrifying to him. @shufflerock-jam has this really good post about it, where they wonder how many of Kim's kills were unnecessary. "Something about a pair of traumatized cops, one fighting against shooting himself and one fighting against shooting everyone else".

At the end of The Pigs exchange, if Harry says she tried to kill him, Kim begins to interject, but stops himself and agree this situation could've been very bad. Then Empathy chimes in- 'He's trying not to think about how bad it could have been had the gun been loaded.' Which is the heart of the issue, right? that leads us to Eyes-

This is such a fascinating background to give Kim as a character- not just losing his partner, which gives him the trauma and survivor's guilt that lead to this unhealthy relationship with his gun and frankly with death in general, but losing his Eyes, and having that not interfere with his shooting. Kim doesn't need to see well to hit, he doesn't need to think. It's all in his hands, a reflex. A reflex that nearly took an innocent life. That might have taken one before.

His awareness of looming danger, to him and to his partner, is fueling his version of Hand/Eye Coordination to have him constantly on edge, his whole body is like a loaded spring, always prepared to make sure it doesn't happen again. Then it does-

In his nightmare scenario, leaning over his partner's bleeding body, Kim only needs one word to shoot without a second's hesitation. He's never not ready to take that shot. He doesn't need his Eyes.

Harry is distraught to discover he's killed before- his body remembers it. He wants a drink to soften the feeling. Kim however is impressed with how little he's killed- especially coming from the bloody murder unit. He wants to be 'one of the good ones' (Kim's adamant belief in the possibility of a Good Cop is a whole other can of worms) the kind of cop he would think highly of. Kim is disgusted by cops who kill like it's a game. Espirit gives us a vision of a cop exactly like that, who kills so often it doesn't feel like anything anymore. In a way that is completely mechanical- no thought, no feelings, just a thing your body does. Not unlike the way Kim shoots- like a spring unloaded. Kim has 6 confirmed kills before the tribunal, double the amount Harry has. He doesn't react the same way though-

It's doesn't bother Kim that he has killed, even if he declines to elaborate on it, and he seems to frown upon (or worry about) Harry's destructive coping mechanism. If they're unable to save Ruby, he says "Control your emotions. We did our job. This won't be the worst thing that happens on this case… believe me. You can't let this break you." When you wake up after the tribunal, he doesn't dwell on the lost lives on either side. Harry's skills call him a killer, a bloodstained killer, but when he tells Kim he also killed he simply nods. He's smoking though. I'm not saying that Kim is heartless or careless, he's rattled by nearly blowing The Pigs' head off, very sorry for the lives lost during the case, and clearly hunted by death, having been surrounded by it for his entire life. But I do think death is a part of the job for him- not just possible civilian causalities, but his own potential death. He speaks plainly about how he might die in the lie of duty, and he narrowly avoided it more than once, with others dying in his place..

He walked into the line of fire with harry expecting for of them to die, and his quick fingers on the trigger made it so they lived another day. Even if more ghost joined the list that hunts him in his sleep, he is alive. He goes on. He can't afford to fix this habit, as much as he wants to.

So it's so horrible and so touching that when Dros asks "What have you done?" Kim says-

It's a tragedy, really. A wartime orphan who wanted to be a revolutionary pilot and played with Franconigerian knights, who grew up to be a cop, a job that slowly shapes his body into a killing machine. And when you ask what he does, what you both do, he says keep people alive.

[fastandcarlos]

Lucky Charm ~ Lando Norris

Summary: Y/N finally decides she’s ready to brave the chaos of race day at the paddock, and the boys are more than happy to give her the introduction she deserves

liked by georgerussell63, alex_albon, and 51,292 others

ynusername: imola here I come 🇮🇹

2,282 comments

username1: ofc she’s going to support lando

alex_albon: who said anything about lando?? maybe she’s there to cheer for me??

landonorris: can’t wait to see you bby 🔥

username3: I swear these two are complete goals

username4: it’s not fair how one person can be this pretty

carlossainz55: there’s a seat in ferrari with your name on

maxverstappen1: woah there! we’ve already called dibs on having her at red bull

landonorris: um excuse me…I think you’ll find y/n will be spending her weekend with me

ynusername: you lot are the worst 🤦🏻‍♀️

username5: I love seeing all my favourite people argue

username6: this is my highlight and the race hasn’t even begun yet…

˚*•̩̩͙✩•̩̩͙*˚＊

landonorris just posted

liked by carlossainz55, oscarpiastri and 728,220 others

landonorris: race day ready with my lucky charm by my side 🍀

tagged: ynusername

83,271 comments

username7: mum and dad 🥺

ynusername: cannot wait to cheer for you tomorrow!! ily

landonorris: ily so much more ❤️

danielricciardo: @landonorris i love you more than y/n does

ynusername: @danielricciardo that’s impossible

username8: how have we survived waiting this long for paddock y/n and lando

charles_leclerc: it was worth the wait tho…right?

username9: can you pls just marry each other now and have lots of beautiful babies

alex_albon: how do you race for 2 hours and still manage to look this good norris

landonorris: @alex_albon you just need a y/n in your life, she always leaves me looking a million dollars

alex_albon: @lilymhe get better

ynusername: @alex_albon oi we do not accept lily slander in this household

landonorris: ahem, aside from me ofc

˚*•̩̩͙✩•̩̩͙*˚＊

˚*•̩̩͙✩•̩̩͙*˚＊

ynusername posted

liked by landonorris, lewishamilton and 39,201 others

ynusername: ready for the race and to cheer for my man! 🏎️🏁

tagged: landonorris

4,926 comments

carlossainz55: if you’re cheering for your man, why are you not wearing my shirt??

username10: excuse me sir?? you are very much mistaken

ynusername: if I was cheering for my favourite ex team mate of lando’s then you’d be my number 1 😍

danielricciardo: 💔💔💔💔

landonorris: did I ever tell you how good papaya looks on you?

landonorris: I just know I’ll win today with my lucky charm watching over me 🩷

username11: pls can we all adopt y/n as our lucky charm

francisca.cgomes: how have you been here 2 days and you’ve still not come to visit me

pierregasly: ha! she’s come to visit me, how does it feel to be second fave??

ynusername: @francisca.cgomes just saving the best til last aye

username12: if we do not see y/n at every race from now on there will be a protest

username13: I just want a love like theirs…is that too much to ask for??

georgerussell63: if you want a shirt upgrade y/n then just lemme know…

˚*•̩̩͙✩•̩̩͙*˚＊

landonorris just posted

liked by oscarpiastri, mclaren and 1,291,749 others

landonorris: cloud nine ☁️ p1 and an evening with my best friend…what more could a guy want?

tagged: mclaren and ynusername

82,201 comments

oscarpiastri: that reminds me mate, I’m in the room next door, have you got any ear defenders?

ynusername: OSCAR PIASTRI!! SHUT YOUR MOUTH

landonorris: good idea, it’s gonna get loud tonight!

mclaren: another top week lando, well done! this lucky charm of yours might have to show up more often

username14: I don’t want this race weekend to end

username15: pls lord don’t let this be the last time we see y/n at a race

danielricciardo: congrats bud, fully deserved!!

maxverstappen1: a million dollars for y/n to be my lucky charm next weekend

landonorris: no amount of money will ever let me give y/n to you…she’s mine only

carlossainz55: is it possible to love two people more?

ynusername: stop with the third wheel dramatics!!

ynusername: had the best time ever!! can’t wait to do it all again soon my love 🩷

 ˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗

[tiyoin]

morality

‘malleus x reader’

malleus, who every time you fall asleep surrounds you in bristling thorns.

malleus, who does everything in his power to extend your life. he believes that stopping time- even a few hours would give him that much more time with you in the future.

malleus, who cares so deeply for your health and well being, but can’t help but make you sleep more often than you usually would in hopes of extending your life

malleus, who sacrifices the present for the future. it doesn’t matter if you’re awake when he’s off completing royal duties.

malleus thinks that’s time wasted that could be saved for the future. he’ll sometimes keep you under his spell for a few days, but it’s okay. you aren’t missing much anyways as you’d always voice how sad, cold, and lonely the palace feels without him.

malleus feels no guilt in commanding you to sleep. he thinks it’s a fair trade for the dreams he gives you. where you always receive a happy ending. with him, of course. with the hopes that those dreams will have you longing for the days to come.

malleus’ favorite dream to bestow up you was the one where you and him are in a cabin in the woods. especially the scene of two purple and onyx eggs cuddled up nicely in your arms. your back laid against his chest, your body almost sinking into his, almost like you were trying to steal the little warmth his reptilian blood possessed. or maybe, it was him whose arms were wrapped tightly around your body that was trying to keep you as close as possible.

malleus would think the roaring fire that sat not even a meter away would be enough to keep you both warm. not even the blankets in your shared bedroom seemed to quell the ice in your veins…

malleus would either read to the three of you, a new book each time- or, the two of you would discus baby names. brainstorming ideas to and new endings so you could continue the legacy of his ancestral names. he could never get tired of the way you referred to your little miracles; m&m. it was a candy from your home, you’d always explain, never failing to make his lips curl up in amusement.

malleus, who was warned that this marriage, this love was doomed from the very beginning. but he didn’t care, hadn’t fully considered your morality as there had to be a way to extend it… yet even lilia wasn’t able to escape death’s cynical clutches.

malleus who must always listen to your dreams, your hopes and excitement of the future, deep down knowing that it’ll never happen. that they’re never occur and never take fruition. and it frustrates him.

malleus who would send you into a deep slumber when he wrecked the castle, screams and wails of anguish echoing throughout the soulless walls of briar palace. was this how his grandmother felt? completely and utterly alone? her lover and daughter long gone as she was condemned to more pointless years of empty solitude. with not enough love for even him? her grandson.

is that how he’ll turn out? cold and alone?

insane?

not even sebek would last long. silver was on the same clock as you, both condemned to sleeping to stop the ticking hands of time that seemed to tick tick away.

malleus wanted a family, you knew that. biology be damned he’ll have his happily ever after with you. with every dream he can see the want growing inside you too.

malleus wants his, your children to at least know who the woman in the portrait is. he wants you to tuck them into bed, watch their first steps, and console them when the weight of your morality gets placed on their young shoulders.

malleus wants to scold them for breaking objects while you give him those big pleading eyes to ‘give them a break! they’re just learning how to walk in their human forms,’ malleus wants to catch the three of you baking cookies in the royal palace, he wants his children to sneak into meetings just to see him- only for you to be seen (and heard) trying to get them out without entering yourself. he would sometimes chuckle, imagining them hanging off of sebek like a ‘jungle gym’ (whatever that was) as the knight would do everything in his power to not move.

he wants you there to witness their changing from dragon to human, he wants to go through dragon teething with you as he knows it was a struggle for lilia alone. he wants them to draw on the old suffocating walls- only to be interrupted by your horrified gasp. scolding them for doing such a thing to the royal palace, only for him to be revealed as an accomplice. doodling away with them while critiquing and adding onto their drawings.

malleus wants to stress sebek out as he searches high and low for the king, who was miles away in a ruine with his family playing hooky. of course, not without a secret picnic basket and blankets.

he wants you on his back while he’s in his dragon form, his children struggling to fly at his speed as you take a family glide through the starry night just because.

he wants them to tell him that he was doing the right thing by timing out your death clock, saving a few minutes for tomorrow.

he wants you there when him and his future children go on diplomatic missions to other nations. he wants to enjoy the cuisine with you, the sights and views with you like that one college trip to the scalding sand. he already knows the words he’d tell that he failed to tell during that trip. that nothing will ever compare to the twinkle in your eyes or the beauty of your smile. he wants to hear his children’s groans and remarks of disgust as he spews poetry at you. kisses you. like it’s the last time he ever will…

there’s all these wants that he’ll never have.

he… hopes, his children will get their magic early- especially their unique magic in hopes that one of them can save you from your fate.

he wants a family portrait, with all four- or more, of you- this fully depending on how your body will deal with the trauma of the birth of your first born.

malleus curses the fates everyday for making his soulmate- his mate, mortal. receiving a human soul instead of a fae’s… it’s a cruel joke, he chalks up on night, when his temper was especially bad. when his thoughts were more pessimistic than usual. all because he spotted your first grey hair as you arrive in your early thirties.

malleus, who stands placid in the library, staring at the locked glass doors of the forbidden section. his fist clenches, then unclenches repeatedly- a war going on in his mind as he remembers his grandmother’s warnings of entering that room… of reading and using the contents of those books.

malleus scoffs, arrogance radiating from the young prince-king. his grandmother’s image flashes through his vision when his touches the door, sternly warning him of the cardinal sin that would be committed if he ever used the dark magic their ancestors created, used, and evidently locked away. she warned him, begged him to never feed into the whispers of their DNA, to never entertain the delusions that came with puberty and age. to learn about the world so he knows the natural order of things- the circle of life and death that he too, would one day be apart of…

…

malleus will have his happily ever after. he’s suffered so much already, doesn’t he deserve it?

the answer is yes. yet fate keeps continuing to deny him his right.

malleus deserves the happiness he never got to experience, family that he was robbed of all those years ago. and if he is to be condemned to tartarus for his misdeeds… then he will drag you down with him, forever together.

so sleep. dream your days away as malleus searches and scans the entire royal archives for spells or potion recipes that can fix this problem.

he promises the days will no longer bleed together, he promises you and silver- even sebek, will be able to stay awake for as long as him. he would give his soul to make sure the three of you stayed.

malleus will be there when you receive the news of your friend’s deaths. dropping like flies one by one as the years continue to pass. you will have each other when you stop reviving funeral invitations. he will be there for you when you look in the mirror, age not matching your appearance as you compare your hands to that of your friend’s corpses. you will truly have only him, and he hopes you will want to stay with him for as long as possible, just as he wishes.

he will take care of everything, so don’t fight it, okay? he will allow you to live different lives throughout each dream. illusion of free will at play since he will always be there, condemning you to the same love, same life, and same routine no matter where he places you.

he loves you… so very much.

[cassandracain52]

Reverse trope

where instead of the Bats forgetting that they’re adopted (something actual adoptees do on occasion and is hilarious) they forget that some of them *cough Damian cough* aren’t

_______

Jason in the heat of a probably ridiculous argument: Yeah well YOU’RE adopted!

Tim just as invested in said argument: So are YOU! We all are!

Damian who had previously been quietly watching this unfold while he drank his tea: Actually I’m not

Tim and Jason who didn’t realize he was there but are already DoneTM: …… Damian continuing to sip his tea entirely unbothered: :)

Damian: Because I’m not an orphan-

Jason: ok, yoU KNOW WHAT-

____

or like in their group texts (that we know they have thanks to Nightwing (2016) #79)

*Steph changed the group chat name to “Bruce Wayne’s Personal Orpanage”*

Jason: Really?

Steph: ¯\_(ツ)_/¯

Steph: It’s the truth Damian: Both my parents are very much alive

Steph: Shhh you don’t count

Cass: Mine too Duke: Technically so are mine

Barbara: I still have a dad so there’s that

Steph: YOU GUYS ARE RUINING THE JOKE

Tim: Stephanie aren’t BOTH of your parents alive???

Steph: KNOW WHAT? FINE

*Steph changed the group chat name to “The Technicality Police”*

Tim: well that’s more accurate at least

Steph: :)

_____

Damian in his 10th argument with Tim of the day: That’s- this is-

Tim in full Antagonizing Big Brother mode: I’m listening

Damian -a Gen Z and best friend to Jon Kent- extremely frustrated: This is such Motherless behavior!

Tim taken aback: [voice cracking] W-what-?

Damian who didn’t mean to say that but doubling down anyway because his bloodline doesn’t believe in admitting mistakes: THIS! This is such Motherless behavior!

The rest of the family who is also motherless: :O

Cass whose been spending way too much time with Meme Queen Stephanie Brown and not involved in the argument but finding it entertaining regardless: [nodding along seriously] Facts

Tim: [visibly betrayed] CASS WHAT-

A video copy of the interaction gets sent out anonymously to the entire family. Barbara is the prime suspect but there is no proof as of yet (and they will never find any)

Steph, Cass, and Duke continue to respond “Motherless behavior” everytime one of the bats does something they deem questionable/insane. It is said often

It only stops when one night in the middle of patrol. Batman is in full Dark Knight mode (possibly in the middle of threatening someone) and descends from the ceiling into the middle of a warehouse drug deal, dark cape billowing out behind him-

and Steph just automatically whispers “Motherless behavior” forgetting her com was still very much on

She immediately realizes what she said and frantically apologizes but it’s too late.

Bruce just- Blue Screens. Completely stunned into silence

Dick -who was unfortunate enough to be the one teamed up with Batman tonight- is fighting for his life to choke back his laughter

Jason doesn’t even try to stop his and has collapsed to his knees from lack of air from how hard he’s laughing. Cass try’s half heartedly patting his back to help to no avail

The criminals are terrified into surrender from The Red Hood just laughing hysterically at seemingly nothing while Batman just Stands There

Damian ends up being the only one still functioning enough to continue arresting everyone, though he is privately amused and strangely proud

Tim and Barbara have saved both the com recordings and cowl footage to at least three different servers and sent it to absolutely everyone before Batman even recovers

Duke finds out second hand the next morning and is furious he missed the chance to see it in person. He declares he is moving to the nightshift so it doesn’t happen again. (He is all talk and goes to bed by 9 pm)

Bruce bans the phrase for life and promises swift and server punishment to anyone who dares to use it again

[munsonson]

𝐇𝐮𝐫𝐭 𝐅𝐞𝐞𝐥𝐢𝐧𝐠𝐬 𝐏𝐚𝐫𝐭 𝟏『••✎••』

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝘌𝘥𝘥𝘪𝘦 𝘣𝘳𝘦𝘢𝘬𝘴 𝘶𝘱 𝘸𝘪𝘵𝘩 𝘙𝘦𝘢𝘥𝘦𝘳 𝘧𝘰𝘳 𝘣𝘦𝘪𝘯𝘨 𝘣𝘰𝘳𝘪𝘯𝘨, 𝘨𝘪𝘷𝘪𝘯𝘨 𝘩𝘦𝘳 𝘵𝘩𝘦 𝘪𝘮𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯 𝘵𝘩𝘦𝘺 𝘫𝘶𝘴𝘵 𝘸𝘦𝘳𝘦𝘯'𝘵 𝘳𝘪𝘨𝘩𝘵 𝘧𝘰𝘳 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳. 𝘜𝘯𝘧𝘰𝘳𝘵𝘶𝘯𝘢𝘵𝘦𝘭𝘺 𝘧𝘰𝘳 𝘩���𝘮, 𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘻𝘦𝘴 𝘵𝘰𝘰 𝘭𝘢𝘵𝘦 𝘩𝘰𝘸 𝘣𝘪𝘨 𝘰𝘧 𝘢 𝘮𝘪𝘴𝘵𝘢𝘬𝘦 𝘵𝘩𝘪𝘴 𝘸𝘢𝘴.

𝐏𝐚𝐢𝐫𝐢𝐧𝐠(𝐬): 𝘌𝘥𝘥𝘪𝘦 𝘔𝘶𝘯𝘴𝘰𝘯/𝘍𝘦𝘮!𝘙𝘦𝘢𝘥𝘦𝘳, 𝘚𝘵𝘦𝘷𝘦 𝘏𝘢𝘳𝘳𝘪𝘯𝘨𝘵𝘰𝘯/𝘍𝘦𝘮!𝘙𝘦𝘢𝘥𝘦𝘳

𝐖𝐚𝐫𝐧𝐢𝐧𝐠(𝐬): 𝘈𝘯𝘨𝘴𝘵, 𝘗𝘳𝘰𝘧𝘢𝘯𝘪𝘵𝘺

𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 2.4

This shouldn’t hurt as much as it does. 

Things could’ve ended far worse than they actually did. Hell, most of the couples in their school tended to make breakups as dramatic as possible, normally painting one half of the relationship as some kind if irredeemable monster, if not to paint them as this sympathetic martyr, than just to save face that it actually hurt. 

In her case, Eddie Munson told her they just weren’t a good match and he wanted to be friends again instead. That was as healthy as they could possibly get. And in the best case scenario, too, she’d still be able to have him be a part of her life. She didn’t think she could stand the thought of seeing him in the halls and not being able to acknowledge him. 

She’d fallen hard and fast for Eddie, embarrassingly so. 

Given the heavy duty of designated driver for the little hooligans she’d somehow decided to adopt with Steve Harrington, she’d gotten accustomed to waiting in the high school parking lot, her nose pressed into the creases of her current novel while she waited for them to finish their important campaigns, all procured from the brilliant mind of Eddie Munson. 

She’d known him before then, too, but only in passing. He’d often make a big spectacle of himself in the cafeteria just to bug the other students, and he held the record as super senior. But she’d never even talked to him until she saw him walk the boys out after a seemingly successful campaign, his arms wrapped tightly around Dustin and Lucas’ shoulders as he praised them.

He’d acknowledged her when he got to her car. 

“My fair maiden,” he’d said, “I apologize for the delay.”

She’d blubbered out some kind of half-hearted response, good enough to make him laugh, and that made her heart go a million miles a minute. 

It didn’t take long before she’d gotten the courage to ask him out, even if it was just for coffee. He was surprised, but he agreed. 

It had been nice, he even drove her home after. She probably should’ve seen the signs then because he didn’t suggest a second meet up, she had instead. And he’d agreed.

It was about a month before they made themselves official, in Hawkins High language, practically married. But it really just meant she got to hold his hand between classes and get quick kisses goodbye when it was time to separate, somehow always on her cheek than her lips. 

She’d thought their dates were fun; it was a lot of pressure since he always left it up to her, never having any other idea than lounging about her home and just watching TV. But she was the one who thought of renting movies for horror marathons, figuring it was up his alley. She thought of bowling and drive-in theaters and picnicking near the quarry for its desolate atmosphere, another thing she figured was right up his alley. 

But things came to an underwhelming end when Eddie approached her at her locker on some random Thursday to tell her things just weren’t working out and he wanted to stay as friends. Despite how much even that had hurt, she agreed. She didn’t want to make him do anything he regretted. 

She could still be friends with him, happily so. That meant she could still sit with him at lunch, hear his outlandish tales, and be able to admire him from afar, even if she was no longer able to touch him and hold his hand. 

“Be honest,” she’d heard Gareth say as she approached with her tray, “what really happened? You know, most guys woulda killed to be able to take her out, the fact she stuck around for months is surprising enough.”

Eddie shrugs, chewing absentmindedly on a pretzel he’d brought. She would pack him lunches when they were together since he always forgot and resorted to eating prepackaged things instead. Since they broke up, it seemed like old habits really did die hard. 

“To tell you the truth,” he starts rather dramatically, “no substance. Pretty face, nice voice, real sweet, but God, boring as all hell.” He runs a hand down his face. The other boys seemed surprised. Dustin and Mike share a look, but say nothing, clearly waiting to hear more. Because there was no way it could be just that. There had to be more. They knew her better than anyone, had been through so much with her. What could be the real reason Eddie broke things off?

“And?” Dustin coaxes.

“And what?”

“Dude, seriously?” Mike scoffs. “She wasn’t interesting enough for you?”

Eddie shakes his head. “Look, she’s a great gal. And I know you guys are super close, which is awesome, but we just weren’t the best match. And I felt like shit that she was putting in all of the effort when I wasn’t interested. Now she’s free to...I dunno...find someone boring, too.” He sniggers, elbowing Jeff beside him trying to get him to laugh, too, but he could see how upset Dustin and Mike were. 

Luckily, for her sake, they didn’t notice her standing there, having overheard everything. Spinning right back around, she’d ditched her tray onto one of the trash bins before leaving the cafeteria completely before there was a chance anyone could see her tears. 

God, it shouldn’t hurt as much as it does, she thinks again. He was more than welcome to have his own opinion, but why did it have to be something like that? 

He was right, she wasn’t exactly Chrissy Cunningham or Heather Holloway, being this huge spectacle that made every new day more exciting than the last. All things considered, sometimes too much excitement frightened her. Having risked her life at least once a year for nearly four years now made her yearn for the more simple things. It was stupid of her to think Eddie would want the same. Eddie Munson, who liked to make scenes in the cafeteria and rock out in a bar with his band. He didn’t crave the simplicity of life like she did.

She didn’t go back into that cafeteria for the remaining of the lunch period. In fact, she’d decided to skip the rest of the day completely, knowing she shared three periods with Eddie and right now she really didn’t want to see him. She just wanted to get away, leave herself to her own thoughts to try to calm down. 

Well, that really only lasted for ten minutes because she found herself pulling into the small parking lot into Family Video. She spots Steve’s car at the far end and knows he’s inside. It was childish of her to go running and crying to Steve Harrington, who she knew would take her side and say all the cruel things about Eddie that she couldn’t bring herself to because she really just needed someone on her side right now. Aside from Dustin and Mike, of course. She wouldn’t forget how they jumped to her defense. 

The little bell rings at the top of the door as she walks in, startling Steve into consciousness, who seemed to be snoozing on the edge of the counter, drool pooled across his forearm. He wipes feverishly at his face and blinks unfocused in her direction, trying to situate himself quickly into his customer service face.

“Welcome to Fam-Jesus, you scared me,” he cuts himself off when he at last realizes it’s her. Confused, he turns to glance at the clock hung up on the wall. “Don’t tell me school’s out already? You beat Robin here.”

“No, I’m playing hooky,” she shakes her head, unsteadily moving towards the counter. 

“What? You? I’m sorry, am I still dreaming?” Steve asks dramatically. “Since when do you, of all people, ever skip class? I’d sooner believe Nancy doing it than you.”

“Just...needed a break s’all,” she says with a shrug, looking around. “Keith not here?”

“Nah, he’s off today. Something about a new graphic novel he’s been dying to get. Says he’d have to wait overnight just to get one of the first editions. I don’t know, I don’t really listen to him unless he’s handing over my check,” Steve said. She leans up against the counter, trying to act casual. “Everything okay?”

“Yeah, why wouldn’t things be okay?”

“Well, for one, having to clarify that things are supposed to be okay when asked if everything’s okay is a pretty big indicator that things aren’t, in fact, okay.” Steve says with a laugh. “So everything’s not okay, then?”

“Everything’s okay,” she lies. “I just...can I ask you something?”

“Yeah?”

She isn’t sure how to come out and say it without sounding stupid. Better, she can’t figure out a way to come out and say it without sounding completely pathetic. But this was Steve, he was the king of asking her embarrassing things. He even called her once at three in the morning to ask how long you were supposed to leave cookies in the oven for. The follow up question was how to get the burnt smell out before his mom came home. 

“Am I boring?”

Steve tilts his head. “Huh?”

“Am I boring, Steve? Am I boring?”

“No? Who gave you that idea?” Steve snorts, like he thinks it was a foolish thing to ask. “Whoever it is clearly hasn’t seen you handle a crowbar.” He was referencing when she’d nabbed a crowbar from the junkyard lot to fend off the demodogs with him, all to protect the little ones in the bus. She doesn’t want to remember that right now, not when it makes her feel cold inside. 

“Nobody, I just...I dunno, I just think that maybe I’m not as exciting as, like...you o-or Rob or Nancy or, hell, even Jonathan.” 

“Nonsense, you’re a badass! True story, you know I wouldn’t say that about just any...” Steve trails off, finally really looking at her. “Hey...hey, why are you really askin’ me that? Something happen? Someone say something to you?”

“No, Steve, I was just asking.”

“You’re lying,” he accuses. “Who was it, was it Byers? Nancy? Not Robin...”

“No! No, Steve, they didn’t say anything, please just drop it. I shouldn’t have asked.”

Steve’s face eventually relaxes, having realized he knew exactly who she was talking about.

“Munson.”

She shakes her head. “Stop it, Steve.”

“What did he say? I thought he just wanted to be friends, where’s all this coming from?” he asked. There were too many questions being thrown at her. She doesn’t want to cry, especially not in front of him, but as soon as she feels her cheek dampen that was it. Soon she was burying her face in her hands and trying to stop the little whimpers from coming out.

She doesn’t notice Steve leap easily over the counter. He pulls her close, shushing her quietly. 

“Hey, I’m sorry, I didn’t mean to make you upset,” he says. She sniffles, wrapping her arms around him. He’s petting her hair, kissing the crown of her head, trying his damndest to get her to calm down and talk to him. He was the perfect person to come to, she now realizes. Her subconscious knew Steve was the answer.

When she finally stopped crying, he at last let her go, giving her some space.

She rubs the tears from her eyes and wipes the tears on her jeans.

“Want me to kill him?” he asks jokingly. She laughs. He smiles again. “What happened? Can you tell me now?”

She told him what Eddie had said, the real reason he’d broken up with her and how she ran from the cafeteria and came here. Steve was reasonably upset, but he didn’t want to make it all about pounding Eddie into a pulp, he knew she needed her friend right now and he was prepared to be just that.

“Hey, screw him,” Steve scoffs, throwing an arm over her shoulders and pulling her back into his chest. “You’re far from boring, believe me, and honestly if you ask me you could do so much better than Eddie Munson. The guy picks his nose. I saw him once. It was gnarly.”

She’s laughing again, playfully hitting him. 

“Thank you, Steve,” she says, “I’m sorry to dump all this on you, I just needed someone to talk to, you know?” 

“Well, you came to the right guy. I can’t tell you it gets much better from public humiliation, but I can tell you that you find much better shit to focus on. Like this obviously stellar job. Robin. My new stereo I saved up for. And...well, you.” He playfully flicks her nose. She wrinkles her nose and swats his hand away. “Eddie doesn’t know what he’s talkin’ about. But I know he’s gonna kick himself in the ass when he realizes he lost a girl like you.”

“Yeah, you’re just saying that ‘cause you’re my friend.” 

“Not true, I also wanna bug you for your famous cookies.” Steve winks.

“I can bring them to you tonight, then.” she said, patting his arm. “I should get going. Um...you clearly are very busy and I don’t wanna keep you from doing your job.”

“I know, such a bad influence. The gateway rebellion was skipping class. Now it’s job defiance,” Steve chuckles, rubbing the back of his neck. “Hey, um...if you want, when you come by tonight, maybe you could stick around? Was gonna rifle through the back, borrow some flicks to waste my evening away. Free to join me if you want? Robin flaked out on me, says she’s doing some band practice with Vicky. Didn’t ask for details.”

She thinks about it and smiles. “Sounds like fun. Girls’ night.”

“Invitation rescinded!” Steve shouts, turning away. 

“No, I’m kidding, I’m kidding, stop!” she protests, giggling. “I’ll bring cookies and pizza, Steve. I’ll be there.”

“Alright, then,” Steve said. “Um...hey, don’t worry about Eddie, alright? He’s just being a dick. And honestly, apart from his relationship with the rugrats, he’s still gonna be a dick. He missed out on a girl like you. Clearly he’s a martian.”

“Doesn’t mean much when I’m from Hawkins. But thank you, Steve. I’ll see you tonight,” she says, squeezing his hand and finally leaving the store back to her car. She left feeling much lighter than she had going in. He was right. Forget Eddie. If he thought she was so boring he clearly didn’t need her around him. She had other friends, friends like Steve.

Smiling to herself, she climbs into the driver’s seat and turns the key into the ignition, hearing the engine roar to life.

Things would be just fine. 

[klausysworld]

Hey.. Been having a rough few days mentally.. Is it possible you could write an angst/fluff fic about Klaus saving the reader from death when she tries to unalive herself..? Pills being her poison of choice.. Klaus becoming terrified he lost the one thing that truly made his life meaningful again. He uses his blood to bring her back at just the brink of time. When she's conscious Klaus holds her tightly in relief and its super fluffy at the end..?

(Triggering content‼️)

A Moment of Comfort

Klaus had taken an interest in Y/n from day one.

She was a quiet person in a loud town and it interested him.

Everyone was self absorbed, nosey, invasive and involved but she just didn't seem to care.

At first he thought she might be the sarcastic type, the one that would give little quips that made up for her mostly observant side but she just didn't care. Not about anything. He thought that would bore him but he wanted to know why. He wanted to know what she wanted, what she needed to pull some care and some love, some happiness from within her.

Klaus had watched her a little, wanting to learn about her, to know her. However she wasn't someone you could know from the outside, he needed to understand her mind, her thoughts and her feelings to ever have any idea about who she really was.

Which was how he ended up sat beside her in the grill, tracing little patterns on her arm with his forefinger and chatting her ear off for the entirety of the afternoon. Eventually he had pulled a laugh from her and it made his whole face light up to see the smile that lingered on her delicate face.

She ended up with that same slightly detached look in her eyes when she pulled her hands away and left to walk home. Klaus followed her to keep her safe before going to his own house, wondering about her.

He learnt quickly that there was something mildly wrong. Maybe something sad had happened or maybe it was just the way she had become. There wasn't something wrong per say but there was something about her that made him worry for her. He wanted her to feel safe and secure but it was clear that she didn't always have that. Klaus wanted to be her net to catch her.

But first, he needed her to like him. Just a little bit.

She started to aswell.

She liked talking to him, listening to him. He grounded her when she got lost. After a while he would invite her over to his house and she would get to appreciate the Mikaelson manor. It was void and peaceful, she liked that about his home.

Klaus had bought a new chair just for her, it was round in shape so that she could curl up like he knew she wanted to. It was a protective position, defensive and he would often wonder why she felt so scared sometimes or perhaps just unstable?

He wasn't sure how to offer the security that he had to offer. However he knew that to really protect her, he needed her trust. Their understanding needed to be mutual to build a relationship of sorts. She had to help him help her.

But Y/n didn't really know how to do that. Who does?

Klaus tried though. He would offer her affection and someone to rely on from time to time. He would hold her when he could feel that she wanted that. Sometimes she would be more hesitant but after a little while she got used to his touch and enjoyed being wrapped in his strength, it made her feel shielded from the evil of the world.

Klaus would play with her hair until her eyes got heavy and sleep overtook her sweet mind. Often whens she slept he would just hold her tight and keep her warm, very occasionally he would actually put her into his bed; usually if it was already night or if he knew she was particularly exhausted. Every now and then her eyes would be particularly tired, sometimes he wondered if she was asleep with her eyes still open. He would see her expression go blank and he would try to talk to her, bring her back but every now and then he would accept that she wasn't in with the conversation and he would try to supply a source of comfort.

She was a good girl. Klaus knew that, she was sweet and loving but she reserved it for small moments and for certain people. Klaus became one of those people.

He cared for her, he even started to love her.

She was what he looked forward to when he got home. Whether he got to physically see her (which he did usually) or if it were just a phone call, even a text conversation. Y/n was the highlight of each day and he was hers.

Each week had gotten a little easier since he had started talking to her. He wanted to see her whether she was talkative or not, happy or not. Klaus was always there for her and she loved that, she learnt to love his love and she tried to love him but she wasn't sure that she. could allow herself to.

She was troubled, some would say. Y/n had been in a pattern of lows that would absorb her life more often then she anyone could handle.

It wasn't the first time she had spiralled. Collecting pills had become a habit years ago. She would save them up, had to be enough to actually kill her, she would always worry that she needed more to really cut it.

To be honest, Klaus hadn't even crossed her mind when she twisted the cap off of the once forgotten bottle of tasteless wine that had collected its own coat of dust.

Nothing passed her thoughts, not really. She just knew what she had to do, she had thought about it for too long. The consequences wouldn't be hers, she wouldn't be suffering. That was how she had grown to look at it.

It was only after she had swallowed an uncountable amount of pills that she considered Klaus's reaction. Surely it couldn't affect him that much though, they had only known each other a few months and he was a busy man. He would be able to distract himself after a couple days. He had a family that would support him. He didn't need her.

But he did.

Klaus had been calling her on and off for hours, the first couple times she didn't pick up he thought she might've bene asleep but the fear that something deeper was wrong started to sink in.

He was in his car and at her house after the seventh missed call and he knew something was wrong.

The door was broken in within seconds and he was making his way inside, calling for her.

"Y/n? Love?" He yelled, brows furrowed as he pushed through the rooms to find her room.

Everything stopped moving when he saw her.

On the floor, leant against the side of her bed unconscious, wine spilt and staining the carpet but that didn't concern him. It was the barely beating heart in her chest and the few pills that she must've been too out of it to take.

"No no no no no" He whispered, his legs going weak causing him to crawl toward her, pulling her to him with urgency. "Oh love, it's okay" He uttered, tears welling in his eyes and his throat closing. "It's okay, I got you"

His hands lifted her head but she couldn't hold it up, her eyes wouldn't open and she couldn't breathe. He couldn't get her to breathe.

He bit into his wrist, forcing it to her mouth and tried to have his blood drip down into her system.

"Come on, come on, come on" He begged, cupping her jaw and kissing her forehead.

"Yes" He uttered when she groaned and coughed, spluttering a burst of his blood out. She gagged and he held her up, rubbing the top of her back.

She went heavy in his hold but she was alive and that's all that mattered so he just kept holding onto her. Burying his face into her hair and whispering his prayers.

"It's okay sweetheart, it's alright I have you"

His eyes stung as he clung onto her. He could see her vision returning and cupped her face gently but firmly in his hands.

"Look at me, love." he murmured, hidden desperation behind each word as she senses came to and she glanced around confused. For a split second she wasn't sure what had happened before the memory flooded in and she let out an exhausted cry. She closed her eyes and let her body stay limp, head against his shoulder whilst she breathed shallowly.

Faintly she could hear Klaus's begging whispers, she could feel his soft touch and smell his rich scent. It brought a small sense of comfort but did not stop the silent tears from slipping down the cheeks that his hands held. The press of his lips lingered for a moment on her forehead before she felt his arm slip under her knees and lift her body.

He held her to him whilst his spare hand hurriedly grabbed whatever necessities he could spot. A blanket was tucked against her and to his arm so she was shielded from the wind when they sped outside and through the streets of New Orleans. Within a moments thought they were within the warmth of the abattoir and Klaus's cologne swallowed her. She murmured uneasily as he lay her in his bed and wrapped both the sheets and himself around her, leaving her no opportunity to ever get away from him. Not that she had any desire to pull away from his hold in that moment. Waking up from what was supposed to be her death was only the slightest bit manageable with Klaus at her side.

Silently she thought about apologising but she wasn't sure it would be truthful so she remained quiet as he stroke her hair and pepper the tiniest of kisses across her face as though they were sun-kissed freckles.

"You cannot leave me like this" He whispered, his voice cracking in a way that hurt her heart and made her eyes squeeze shut. She worried he would be angry or upset with her but when his arms held her tighter and his forehead pressed to hers, and he muttered to her "I promise I will do all that I can to make you feel whatever comfort you need so long as you never attempt to leave me again", she didn't feel pressure or weight.

She content in a strange way, she felt a slight feeling of peace overcome her mind for a moment as she put as much trust as she could in his hands.

Klaus would never break that trust, he would never take away her comfort, he would never leave her alone again.

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[poppitron360]

Thinking about names having power in the Riordanverse- because it’s exactly the kind of literature motif that I LOVE.

Thinking about “Leo” being short for “Leonidas” who was a Spartan King who sacrificed his life fighting to save his people in the Battle of Thermopylae.

Leo, similarly, gave his own life to stop Gaea and save the world.

That comparison has already been made before, but there’s more-

Leo rejects the name “Leonidas” and chooses to go by “Leo”- in a way, rejecting the fate he’s assigned to. And he doesn’t suffer that fate in the end. He lives.

Yeah, names have power. But what you choose to name yourself has even more power. For example, the fact that Thalia rejected the last name “Grace” because it associated her with her mother, but then taking it back up again when she found out Jason was alive. And Leo chose to not go by “Leonidas” and he also chose to take the physician’s cure and come back.

And here we get onto what Calypso’s doing. By calling him something that he asked to not be called, she is taking away that agency of choice. She is taking away that power.

It’s a small moment, but it REALLY bugs me. Because, like Leo, I go by a shortened version of a longer name, and often one of the ways bullies used to hold power over me was by calling me by my full name repeatedly, even after I asked them to stop. It’s also a way a lot of transphobes hold power over trans people- by deadnaming. By taking away the power of their name, their choice, their identity, who they are, who they’ve built themselves to be, and their right to control all of that.

Now, I’m NOT saying Calypso is going as far as deadnaming Leo, but it’s a similar premise. It’s a manipulation tactic used to knock people down.

Now friendly nicknames -e.g. “Seaweed Brain”- are different, because Percy consents to it. It’s a term of affection between them (and notice how it’s different when Thalia used it. It’s a name that symbolises percabeth’s love, and it’s a name only Annabeth can use). But this is a name, while said in a jokey, banter-y manner, that Leo has SPECIFICALLY ASKED to not be called. And she does it anyway, ignoring the boundary he’s set, ignoring his choice to shape his own identity, ignoring everything that symbolised INCLUDING the fact that it’s literally Leo saying “I choose life” by rejecting the name that fated him to death. It’s just a big red flag for me. And if you put that on top of the fact that she also physically hurt him in this (enough to make him say “ow”) then you just get a whole host of Reasons Why This is NOT Leo’s “Happy Ending”- which the narrative paints it out to be.

[reneesghostinthelivingroom]

Hello! How are you? Hope you're doing good. I was wondering if I could request a Poly!Pastics x reader where the reader is a HUGE people pleaser and R does everything for everyone and it got so bad to where R stayed awake for three weeks straight to have time to make everyone happy. The girls have enough and force force their girlfriend to sleep and not stress over other people?

Sorry if it's too much or top specific.

Whats One More?||

|| Poly!plastics x fem!reader

(i myself am poly!)

|| Warnings: swearing, super long, Reader's absolutely exhausted, Regina being Regina, comfort (i dont think there's too many, if i missed something lmk)

|| Summary: Reader keeps helping out everyone to the point where it begins to effect her sleep schedule. Ms. Norbury notices and brings it to the attention of the plastics, who comfort Reader and get Reader to sleep.

Requests open!

Started: April 20th

Finished: April 21st

~~~

To say you were a people pleaser would be an understatement. You weren't sure if there was a better word to describe it, maybe... doormat? You couldn't say no to save your life. It was a genuine problem that often spiralled beyond your control. Well, you could control it. If you just said no. But that was mean. You hated the thought of anyone hating you, so you worked overtime to make sure that never happened.

Today was no different.

"Hey, Y/N! Wait up!" Shane Omen yelled your name from across the hall as you stood at your locker, making you internally groan. You didn't like Shane but you never showed it. You forced out a smile as you looked at him.

"What's up, Shane?" You asked, keeping your tone your signature calm one. As opposed to the internal screaming that was going on in your head. Why couldn't he just leave you alone? You had been having an amazing day before he showed up.

"Mind doing my homework for me? I'm just so busy this week that I have no time for it. Oh, and my buddies too. I'll pay ya." He smirked at you, clearly trying to use whatever charm he could muster. This wasn't the first time it's happened. His friend had walked up next to him, holding a large stack of papers up to his chest which you could only assume was the entirety of Shane's friend groups overdo homework.

You held back a sigh.

"Yeah. When do you need it done by?" You asked. Reluctantly. You hated the thought of doing all that extra work, but then again you hated the thought of someone hating you more than you hated the idea of doing the homework. So you'd do it. On top of your own you already had to do, plus you had promised Karen you'd help her out with hers.

"This Friday." He replied, gesturing for his friend to give you the work. Which he did. He practically shoved it into you.

The sudden weight added to your binders almost made you stumble, this Friday? It was fucking Wednesday. That gave you two nights. Shit, you'd have to pull all nighters in order to get this done, your own work, AND help Karen. Maybe Karen should come first, since she was her girlfriend. Restart.

Karen, your own work, and Shane's shit. That's the order you gathered in your head. You could help Karen out tonight, get your own work done after and get it all done in one session so you could focus the rest of the day tomorrow on Shane's stuff. Yeah, that could work.

"Yeah... I got it. You don't have to pay." You smiled at him, he gave your shoulder a playful nudge. Sure, the money for your time would be nice. But you hated the thought of taking someone's money. Even if it was Shane Omen's.

"You're amazing, Y/N!" Shane and his buddy walked off, high fiving each other and clasping their hands together with a smirk. You rolled your eyes and readjusted the papers and your binder with your knee. Sighing at the sight of the stack you now held.

Finale bell went, showing the end of the day. Which you were grateful for.

You moved the papers and binders to one side so you could hold it with a single arm comfortably. Then opened your locker with your now free hand, holding your knee up to keep the papers from slipping. Grimacing slightly at your awkward option as you pulled your bag from your locker, stumbling back as the bag came out. Though your balance was caught by Gretchen, who gave you a soft smile and held you as you gathered your footing. Slinging the bag on your shoulder then holding the papers with both arms again.

"Thanks, baby." You smiled at your girlfriend, Karen quickly came up behind her and smiled at you.

"Y/N!" She gave you a quick hug, you kissed Karen's cheek since your hands were too full to hug her back.

Gretchen looked at all the stuff in your arms and raised an eyebrow," What's all that?"

"Shane's stuff. He needed some extra help." You explain briefly, not giving too many details. Gretchen narrowed her eyes at that. You were helping Shane? Shane Omen? Why?

She was going to ask more, when Karen suddenly frowned and interrupted.

"You're still helping me tonight, right?"

"No yeah, yeah of course! Come over to mine when Regina drops us off, okay?" You assure her, feeling a little bad for making her think you wouldn't be able to help her too. Even if it was an accident. As for Regina dropping you off, she pretty much always takes you to and from school along with Karen & Gretchen.

Karen smiles gratefully at you and pulls you in for a kiss, you happily kiss her back and Gretchen takes a photo of the two of you.

"That's so cute! It's going on our shared insta." Gretchen says with a little squeal, opening insta on her phone and going to the shared account you all have access to. She posts the photo with the caption: look at these cuties 🥺💕

You break the kiss and smile at Gretchen, your group text then goes off with a text from Regina.

|| Regina: where the hell are all of you?? I'll leave you here if you dont hurry your asses.

There's a pause before another text comes in.

|| Regina: YOU BETTER NOT BE MAKING OUT WITHOUT ME

You laughed when you read that one, Gretchen giggled too and you glanced at Karen with an innocent grin.

"She must've seen the photo." You say with a laugh, the girls nod their heads in agreement and the three of you head to Regina's jeep. You didn't want to keep her waiting longer than you already have.

At the jeep, Karen and Gretchen got in the back while you took your usual seat in the front next to Regina. Who was already looking at you expectantly.

"Just a sec," You tell her, attempting to stuff your binders and additional papers into your bag so they didn't blow away when Regina drove. Considering her jeep had no doors, something you found awfully inconvenient.

Regina groans and rolls her eyes," Ugh. Why do you have so much extra papers anyway?"

"Helping Shane." You reply, part of you had wanted to lie because you knew Regina wouldn't like the answer. But if she found out about the lie (and she always does) that would've made things way worse.

Regina looked offended," What? Seriously? Why the fuck?"

"He asked and I couldn't say no.." You admit in a mumble, making Regina narrow her eyes at you.

"You gotta work on that. Seriously, Y/N." Regina says, you finally get everything to fit in your bag before you looked at her with a frown.

"You know, Regina's right Y/N." Gretchen pipes up, leaning forward and resting her arm on Regina's back seat as she looks at you with a concerned gaze." You take on way too much from other people."

"But they'll get mad if I say no." You respond, turning your gaze to Gretchen for a moment.

"So? Fuck them, let them get mad." Regina shrugged and grabbed your chin, making you look at her before kissing you roughly. Your eyes widened at the suddenness of it but you melted into the kiss. She broke it off and wiped your bottom lip with her thumb, smirking at you," You owed me a kiss."

You blushed deeply and she laughed at your reaction, shaking her head and starting up her car.

"You're too easy. But fuck, Y/N. You gotta stop letting people walk all over you. You're not a fucking doormat." Regina's words may have been harsh, but they were the truth. You did need to stop letting people walk all over you.

~~~

But maybe not today. It was now Monday. You had managed to get everything done for Friday, much to your own sacrifice. You haven't slept a wink since Tuesday night before everything happened. And you were starting to feel it. Sure you could have slept on the weekend, but your girls dragged you around to house parties both Saturday night and Sunday night. You stayed sober to keep an eye on them and be the designated driver and you probably could have slept when you got them home, but you wanted to make sure nothing happened throughout the night. So you've been awake for almost a week straight. It was hell.

Today you had Chess Club, an extra curricular club you had chosen. You managed to get your girlfriends to agree to let you do it, Gretchen had put up a bit of an argument but when she saw how good you were at the game she let it slide.

You sat in your usual spot at the library, a chess board in front of you as played off against your best friend; Flow Scotts (short for Florence). You guys had met when you joined Chess Club, having been paired together day one. The two of you were a pretty even match and would face off against each other frequently, which built the friendship between the two of you.

You studied the board as you rubbed one of your eyes, plotting your next move while trying to stay awake. She already had you in check with her bishop, so you moved your own bishop to block hers. With the Queen defending the bishop it was a solid move, if she decided to take your piece blocking your King you could safely take hers with your Queen. sorry to the non-chess nerds who aren't going to really understand my rambles here.

Flow made a huff sound and you laughed, smiling at her when someone comes to sit next to your table. You didn't recognize him, so you assumed he must've been new to the Club as he watched your game with an interest only Chess Club members seemed to have in their eyes.

Flow blinks and looks up from the board, getting distracted from whatever strategy she had been forming in her head." Can we help you?"

"Oh! Hi! Um, Mr. Rapp told me I could come join you guys here. And like observe and maybe play winner. I'm James." He introduces himself, you and Flow glanced at each other and you shrugged.

"Alright. This is Flow, I'm-" He stops you with a smile.

"Y/N. I know, everyone knows. You're dating the plastics." James says, you sighed. You hated when people called them that. They were so much more than 'the plastics' behind closed doors.

"Right." You nodded your head.

"Also, I'm still sort of new to Chess and Mr. Rapp said that one of you could help me out with like extra chess lessons after school?" James continued on, you glanced at Flow.

"I have soccer practice after soccer today." Flow looks back at you. Flow didn't play soccer, she clearly just didn't want to tutor him.

"Yeah, okay. I'll do it. Meet here five minutes after the bell." You tell James, who gives you a grateful smile.

You had a test you had wanted to study for after school and a project you had wanted to use the school lab computers for, but now you were stuck tutoring James. You figured you could just pull another all nighter to get the work done. What's one more?

~~

Well, one more turned into many more. It's been a total of three weeks since you last had a decent, solid sleep and it was really affecting your grades. People just kept asking things of you and you couldn't tell them no. It was bad.

Ms. Norbury was the first to notice your grades dropping, as your grades in math were pretty solid. They weren't mathletes worthy but they weren't completely low either. You averaged a 75%, which had now dropped down to 68% with your lack of sleep and focus in class.

You were currently in math, which was your fourth period. Trying desperately to pay attention and not fall asleep. Though at one point you droop so low your head hits the table, startling you into a more upright position as people stared at you in confusion. Ms. Norbury narrowed her eyes, sleeping in class wasn't like you. She was sure something was wrong.

"Okay, everybody take 5." She says, people get up and head out while she walks over to you.

"Y/N? Everything alright?"

"Just tired." You tell her in a mumble, you weren't a mumbler.

"Honey, when was the last time you slept?" She asked, crouching down in front of your desk to get a better look at you. She frowned as she saw the dark circles and the very evident exhaustion.

You simply shrugged, to you her voice felt far and distant so you had to put all your remaining energy into hearing her. You couldn't remember the last time you had a good sleep. You knew it had been a while ago, though. All your days just felt as though they had blended together.

That concerned Ms. Norbury further, she debated if she should just send you home at this rate. After all it was just fourth period and she was sure you'd have people in other classes who could get the work you missed.

"Come on, Y/N. How about we call one of your parents and have them come get you?" She said softly, knowing a good sleep at home would be what you needed.

When you heard that you shook your head, you knew your parents wouldn't come get you. Even if you had been throwing up they'd tell you to tough it out.

"They wouldn't.." You say in a mumble, Ms. Norbury frowns at that and tries to think of a plan B. She knew the various cliques and which students hung out with who, so she knew you were close with the plastics. The question was which one would be come get you? Little did she know any one of them would do it in a heartbeat.

She sighed quietly to herself and stood up," Alright, just wait here." She tells you before heading to the class phone and giving someone a call. You weren't sure who.

About five minutes pass before Gretchen comes running into the room, when she saw you she paused and looked at Ms. Norbury. They seemed to have some silent conversation, no. Their mouths were moving. You just couldn't focus enough to hear what they were saying.

You slumped back in your seat and your eyes started to close, exhaustion catching up to you when you felt hands on your shoulders and looked to see Gretchen watching you with worry all over her face.

Gretchen had known that something was wrong. She knew it from the start, but every time she tried to talk about it with you you would just say 'tired' and nothing else so she gave up pressing you on it. She knew she should have tried harder to get the information out of you.

Even Regina had tried too at one point, she noticed when you weren't fully present in a conversation she was having with you. You just kept replying with 'mhm' 'uh huh' and so she tested it by saying 'I dont know what to wear to school tomorrow, think I should go topless?' you replied with a simple 'yepper' and that basically confirmed for her that you weren't listening. So, when she asked what was wrong after getting your attention, you just replied 'tired' to her too. She didn't think to press further.

"Y/N, are you listening?" Gretchen asked, a frown on her lips after she had snapped her fingers to get your attention. You blinked and looked at her.

"Huh?" You didn't realize she had been trying to talk with you.

"I'm taking you to Regina's, Ms. George will come get us." Ms. George was your backup. If one of you needed to go home for whatever reason or just wanted to skip and relax, she always said that she would come get you girls," I texted the groupchat and told them what was going on. They're on their way over, just hang tight. Okay?"

You nodded and not too long after all three were standing before you, Ms. Norbury was back at her desk. Letting you girls have your space.

"You look exhausted." Karen points out. Leave it to Karen to point out the obvious.

Regina narrows her eyes at her and sighs before looking back at you, resting her hand to your cheek and rubbing it gently with her thumb. You lean in a little closer to her touch," Why haven't you been sleeping?"

"Busy." You reply, unable to gather enough energy to say more. The three exchanged looks.

"Busy with what?" Regina replied, she knew you had your Chess Club, tutoring Karen, and your own work on top of that but she didn't think that was enough to get you this tired.

"Helping people." You explain, talking simply again. She groaned at that. That's what caused this?

"Baby, I thought I told you to say no?" Regina takes her hand off you, you feel the warmth leave and you almost slump forward on your desk. You'd been using her hand as support. Her hands rest on her hips as Gretchen catches you and keeps you up, giving your forehead a soft kiss.

"Mean." You respond.

"Excuse me?" Regina looked offended, thinking you had called her mean. You shook your head and desperately looked at Gretchen to translate.

Gretchen tensed, racking her brain to think of what you meant," Did you mean saying 'no' was mean?"

You nodded.

"That's not mean. You can always say no, that's what Gretchen says to me all the time." Karen pipes up, Gretchen gives her a soft look and nods in agreement.

"Y/N/N, you're allowed to have boundaries." Gretchen tells you," is it really worth it if it's doing this to you?"

You were going to respond but there was a knock at the door, you glanced at it and saw Flow there.

"Hey, Y/N. I would've texted but I was walking by here anyway, you coming to Chess tonight?" She asked.

Regina scoffed and folded her arms," Absolutely not. Fuck off."

"Regina, language!" Ms. Norbury narrowed her eyes at the blonde who rolled her own.

Flow tensed at Regina's harshness and looked at you. Gretchen scrambles a response.

"What Regina meant is that Y/N is just super tired, she's going home to rest tonight. Right, baby?" Gretchen looked at you. Expecting you to agree.

Regina looked at you with a look that was basically commanding you to tell Flow 'no'. You hated it.

"Resting tonight..." You grumbled, continuing to speak in simple terms.

Flow's gaze shifted to concern but she nodded her head," okay.. let me know how you're doing later, alright?" She left after that.

"That wasn't so hard, was it?" Regina kept her gaze on you.

"Awful." You shook your head, disagreeing with her which makes her scoff.

Soon enough, Ms. George comes and picks all three of you up. Bringing you to their place. You were brought to Regina's bed by your girlfriends, who all snuggled up with you in bed. Gretchen on your right, Karen on the left and Regina on top. You easily fell asleep once Regina started giving your neck soft, soothing kisses. Your girls stayed close to you.

You slept for a solid 24 hours and some.

[mono-blogs-art]

Ayaka is in Love with Hiroko - The Lesbian Office RomCom You Needed

Blatant flirting, hilarious misunderstandings, and lesbian shenanigans aplenty - this show is funny, over-dramatic, and most of all gay as hell. Here's my review! Spoiler-free version first, and a more detailed spoiler-y version under the cut. I hope you enjoy!

A quick summary: Overall: 9/10, you should absolutely watch this! Genre: RomCom, with some serious elements and a heartfelt exploration of sexuality Watch if you are looking for... : A silly and fun time, a happy ending, misunderstandings, and character development. Highly recommended to watch this with your partner(s) or your sapphic friends! Watch out for... : Although the tone of the show is mostly comedic, it contains discussion & depiction of homophobia at the workplace and past trauma relating to that Where to watch: Official TL on GagaOOLala, or Fansubs by @furritsubs (highly recommended!)

"Ayaka is in Love with Hiroko" (Ayaka-chan wa Hiroko-senpai ni Koishiteru) is a Jdrama adaption of a manga by the same title. The series premiered this year July 2024 and has wrapped up a short while ago, with a total runtime of 8 episodes of 24 minutes each.

The title of the show already says all; the plot is simple: Junior staff member Ayaka is head-over-heels for Hiroko, her senior at the company she works at. And she has decided to go on the offensive.

There are many obstacles in Ayaka's way: first of all, Hiroko is 13 years older than her (they are 23 and 36), and her superior at the workplace. Hiroko is beloved by both her superiors as well as her staff, so Ayaka's love for her is just one of many. And no matter how blatantly she ups her advances (and girl, she is BOLD), Hiroko is 100% convinced that all the flirting is just misplaced, straight-woman obliviousness.

The irony of it all is that Ayaka is absolutely barking up the right tree, because Hiroko is a lesbian, but has been firmly in the closet at work - something that she has no plans on changing. Her professional life and her personal must stay completely separate, at all cost. The only place she can truly be herself is the lesbian bar she's been a regular at for years.

^ Me when I'm a lesbian disaster doing insane mental gymnastics

However, "giving up" is not in Ayaka's vocabulary. As her seduction attempts keep escalating and being misunderstood, Hiroko's hard exterior begins to crumble bit by bit. Can Hiroko finally overcome her rigid ways, and let herself fall for someone?

Although the show is first and foremost a comedy, both Ayaka and Hiroko as characters are handled really well. They have their own problems, insecurities, reservations about the other, and both have a simple but great arc over the course of the series. Ayaka is discovering her sexuality, something she had never even considered before falling for Hiroko. What does being in love with a woman mean for her future? And Hiroko, who is already very confident in her sexuality, is confronted by her past trauma, and the fact that she's still not ready to come out despite the changing times. And while being undercover has saved her career in the past, it has also made her feel alone and isolated. She likes Ayaka back, but can't allow her true colors to show.

Something that I find very hard to achieve with comedy shows is the switch between funny and serious, and I think that Ayahiro manages this very well. Both of our main characters feel grounded enough in reality that when they get emotional, it feels relatable and sincere. For a silly show like this, striking a balance like that is crucial, and save for a few pacing issues in the later half of the show (that I honestly didn't mind at all), I think the show totally nails it. Ayahiro is not a realistic show, but it contains elements of reality that made me connect to it, despite all the insane shenanigans that go on. And because of that the show made me laugh and cry as much as it did, often in the same episode. It works, and Kudos to the writers (and actors!) for that.

Speaking of actors, one thing I must mention is that the show is very well made. The actors (especially Mori Kanna as Hiroko is the standout for me, she has a natural charisma and gay swagger) do a fantastic job, the leads' chemistry is great. The production overall has some real money behind it, with lots of changing sets that all look great and have been crafted with care. Ayaka's outfits are absolute KILLER, she is giving insane femme energy. The show also looks very pretty, the color graders turn that saturation up to 100 and it fits Ayaka's rose-tinted world well.

That's it for the spoiler-less part, I'll now get into specific characters and plot points with full spoilers up to the end of the series under the cut. If you don't want to get spoiled, I hope the review until now made you want to watch the show for yourself! I hope you enjoy!

First of all I need to disclaim that I have not read the original manga that she show is based on, so I can't compare the series to its original and how the plot is written there. I do intend to read it (I hope it gets localized to German so I can support the official release, but I might check out the English Official TL anyway before that) but for now, I will only judge the series as is.

Ayaka: Our protagonist is a femme fatale, in... another meaning of the word, I guess. She is a disaster, bad at pretty much everything she does except not giving up. Once she has set her mind to something, she will get it done. That leads her to often be inconsiderate and unable to see what others around her are feeling, which goes mostly for her best friend Risa, but also for Hiroko, whose feelings she also fails to consider even when pursuing her. Ayaka has to learn the hard way that her naivete is hurting others, and herself. She hasn't really thought her advances through, simply acting on instinct. But as the series goes on, she takes her feelings and her newly discovered sexuality seriously, and grows comfortable with calling herself a lesbian. She is also unashamedly horny, like, Oh My God, this girl is trying to get laid so bad. This is hilarious and refreshing to see, and although her seduction attempts are often played as comedic, it doesn't feel like she is being ridiculed for her sexuality by the show. Ayaka often crosses boundaries (physical and emotional) with Hiroko, both out of naivite and in deliberate attempts to seduce her. To me this was never truly infuriating, even though sometimes she really did go too far, but for me it always kept in tone with the comedy of the show. Even when Ayaka finally comes out in front of the entire office, she makes it clear that she doesn't want Hiroko to do the same if she's not ready.

Hiroko: Our deuteragonist is probably my favourite character in the show, and I think she's very relatable and well done. As an older lesbian, she's got plenty of experience, having even earned the title of "The Ace" in her lesbian friend circle for being a talented womanizer. But a traumatic experience of losing her last partner due to being found out at the workplace has changed her. She's afraid to get attached, she's unable to let people get close to her true self. So when Ayaka is fighting tooth and nail to get to her, Hiroko is caught in conflict between her feelings of attraction and her past trauma. She does everything in her power to dismiss Ayaka's advances to protect herself, and later when she learns that Ayaka is in fact not straight (duh), she still turns her down to protect Ayaka's (and her own) career. Hiroko is a bit of a conservative - something she's also called out for in her lesbian friend circle - she believes that coming out at work is impossible and irresponsible. And you know, I get it. Not only does she have personal bad experiences with exactly that, it's also not unreasonable to think it would be a bad idea to hook up with your junior of 13 years. Like, I get it girl. Hiroko is clearly attracted to Ayaka, not just physically but also emotionally, because Ayaka is everything Hiroko wants to be but can't. And that leads to Hiroko constantly underestimating Ayaka, even treating her like a child. She thinks Ayaka is not really thinking the gravity of her actions through, and she gets called out for that and has to overcome it. In the end, Hiroko ends up being a character that needs time, and needs to unlearn a whole bunch of shitty behaviour, something the show clearly also shows is being worked on and that Ayaka also respects (more on that later).

Risa: Easily the character I struggled with the most, Ayaka's best friend Risa is complicated. She's very observant but also shy, and secretly harbors a crush on Ayaka. Quietly struggling with her sexuality, she only decides to come out when she realises that Ayaka's feelings for Hiroko are serious. Oh, it's messy! She confesses to Ayaka, who in turn has to struggle with her feelings for someone else, but also not wanting to lose her closest confidant. And to her credit, Risa takes the rejection quite gracefully and continues to support Ayaka in her pursuit of Hiroko. However, Risa also outs Hiroko against her will to Ayaka, which... is just a shitty thing to do, even though she just wanted to help her friend. Good motive, still murder. After the conflict between Ayaka and Risa is resolved, Risa just kind of... is around, quietly worrying in her corner and kind of (in my opinion) overstepping her boundaries with Hiroko. I don't dislike Risa, but I thought her character was not done super well in parts, and although I understand the complicated situation she herself is in, the show doesn't really let her grow as much as the other characters. Anyway, good for her for bagging the hottest chick at the lesbian bar, though. Good for her!

The "break-up": The story's conflict comes to a peak when Hiroko finally realises there is only one way to shut this all down. She needs to fulfill Ayaka's desire, and then turn her down, once and for all. But Hiroko at this point still thinks Ayaka is immature and hasn't really thought her actions through. Ayaka sheepishly asks for a kiss, so Hiroko kisses her. "Now you've achieved everything you wanted." We're done, you can give up on me and this childish crush you have on me. And most importantly, I can let you go, too. Not realising that Ayaka wants much more. She wants a real relationship, she wants the kiss, sex, real emotions, she wants to see Hiroko's true self too. She wants a partnership.

The Finale: With the encouragement of her peers, Ayaka finds the courage to express her feelings to Hiroko one last time. And she finds just the right words to finally get through to her. Hiroko realises how much of an ass she's been all this time, how she ended up hurting the girl she loves and herself by denying herself happiness. This whole scene was so well done (Kudos to Kato Shiho as Ayaka, this is probably her best scene in the entire show), brother I cried so hard. And finally Hiroko can say what she should have a long time ago: "I'm sorry."

One year later: In the show's worst case of bad pacing, we immediately cut from their tearful reunion to "one year later", lol. I don't mind the sudden jump too much, but maybe a bit of a slower fade-out would have softened the blow, because I think a few people probably found this very jarring xD not too bad for me. I was actually positively surprised that we actually get to see the aftermath, see how their relationship has developed a year into it.

I've seen a few people complain about this "no-sex scene" (lol) and I just want to add my two cents. I actually really like how this scene played out, for two reasons. Reason 1 is that it's just very much in-character for Hiroko. We've seen her struggle back-and-forth with the intimacy Ayaka wanted from her for the past 7.5 episodes, and her own internalised homophobia and constant fear of "crossing the line". She's a traumatized person, and it makes total sense to me that even one year into the relationship, she's still struggling with sexual intimacy. Sure, a whole year is a long time not having sex with your partner (even though you both clearly wanted to from day 1) but like... it makes sense for Hiroko. She's still working through the past 10+ years of repression. I do understand how this scene can be interpreted as "the show is afraid to show them being horny and sexy together, they're cowards for making Hiroko so obsessed with Ayaka's "purity" etc" and like, yes, that is a totally valid interpretation, but IMO also a quite bad faith one.

"I'm happy to know you feel that way. Which is why, could you please wait a little more, just until I sort my feelings out?" "What?" "I want to cherish you, Ayaka." "Right." "I'm sorry for everything, Ayaka." "For everything?" "In the end, it seems like I still haven't came out yet. I understand that I'm making you endure something when you don't have to. But… I do want to be with you, and I want to keep my job. I'm really sorry for making you put up with my selfishness."

^ Like, that is the conversation that follows. It's not just about sex for Hiroko, that kind of intimacy holds a deeper meaning to her and she's just not ready for it yet, and trying to sincerely tell her partner that. And when Ayaka reaffirms her willingness to be patient in this scene and is respectful of Hiroko's choice, Hiroko realizes that she's being a stupid coward, and finally makes a decision...

... to come out in front of the whole office, who's been gossiping about their relationship the whole year anyway.

And that is the end of the show!

So really, Hiroko did manage to overcome her fears in the end, and it took her a whole year into a healthy relationship to do so. And I think that is honestly much more realistic than some people would like to believe. Is the smooch in front of the whole office silly and cheesy and over-dramatic? Of course, but that's the entire show so far. And if you think that kiss-and-dip is dumb then I can't help you, I think you just don't like fun.

Oh yeah, and my reason 2 why I thought that no-sex scene was done well is because it's just funny. Ayaka has been DTF since minute 1 of the show, and her still being unable to get it this far into it is just funny. I would have loved a little nod to them finally getting down at the very, very end, but eh, I can live with it like this. They've conquered the emotional hurdles, I'm certain they will cross that other bridge when they get there on their own time.

Conclusion: "Ayaka is in Love with Hiroko" is a great and incredibly funny lesbian show that touched me emotionally much more than I thought it would. It made me cry several times, the production and acting quality positively surprised me, and honestly deserves my Nr 2 spot of favourite Lesbian JDrama after Tsukutabe (which is a 10/10 show) for now. I really hope this type of show gets imitators, adapting relatively short stories into mini-series with great quality. I appreciate the more adult tone of this series, its shameless comedy while still being able to hit serious beats with real emotion. From what I've seen of the BTS, the actors and staff also handled the subject matter with respect and care and had a lot of fun making the show. I don't think a season 2 is needed, but I do hope that the series can inspire more similar works. I love Ayaka and Hiroko, and I'm so happy they got their happy ending, and by God, I hope they have the best sex ever in their beautiful lesbian future. God bless.

That's it from me, thanks for reading, and I hope you enjoyed this show as much as I did! Hopefully see you soon!

[itadorey]

𝐊𝐄𝐄𝐏𝐈𝐍𝐆 𝐓𝐇𝐄 𝐌𝐎𝐎𝐍

pairing: gojo satoru x reader summary: you contemplate gojo's existence on a roof, at night, alone (or so you think). wc: ~1.7k genre: mostly fluff, a tiny bit of angst at the beginning warnings: some jjk manga spoilers, talks about geto, talks about death i listened to "moon song" by phoebe bridgers while writing this so you could say it's loosely inspired

gojo satoru is the strongest jujutsu sorcerer alive.

that isn't an opinion, it's a fact so widely accepted that the higher-ups have begun sending him on increasingly dangerous missions. you're unsure as to whether it's an attempt to end his life or if they're just taking advantage of the fact that there is no curse strong enough to beat him.

a sigh escapes your lips as you lie down, your back pressed up against the ridged shingles of the school's roof. it's neither uncomfortable nor comfortable, but you don't know if it's because of the architecture or if you're just numb.

you've been feeling numb pretty often lately.

things have changed in the past few years. there's an emptiness that seems to live within you, created by geto's defection and somewhat filled in by the presence of fushiguro megumi. you hope that the more time you spend with him, the easier it gets.

(it's hard when he looks so much like his father).

you think about megumi in an attempt to stop thinking about gojo, and you wonder if he knows how it pains you to take the boy in. you also wonder if it's some sort of self-inflicted punishment for him; saving the son of the man he murdered. it sounds like something gojo would knowingly put himself through.

the moonlight is bright as you force yourself to focus on the sky, your eyes studying the stars scattered about in a weak attempt to locate the few constellations you know. you shut your eyes almost immediately, sucking in a deep breath as you remember it was geto who taught you everything you know about constellations.

you wonder if gojo thinks about him often. (you know he does).

there's a brief moment where you wiggle around uncomfortably before sitting up, your hair blowing in the soft breeze as you bring your knees up to your chest. sleep has been evading you for quite some time now, but it's always worse whenever gojo is gone. you claim your insomnia stems from a place of concern, but shoko argues that it's because you have some sort of codependent relationship with your blue-eyed friend. you wonder if she's right.

it isn't long until you notice his presence, and you know that he knows that you know he's there. he doesn't move for a few minutes, and neither do you, content to keep staring out at nothing. it isn't until a stronger breeze blows, making you shiver, that he finally comes to stand next to you.

"cold night," gojo comments, one hand in his pocket. there's a bundle under his other arm, and you barely spare him a glance as you answer.

"you're back early," you mutter, identifying the bundle as the woven blanket you tend to keep at the foot of your bed. "i thought it was a five day thing."

"you know how it is," he says in response. you hum in return because yes, you do know how it is for gojo. for him, a five day mission can be completed in a matter of hours if he really tries, and you're all of a sudden reminded of just how powerful gojo satoru is.

his birth changed the balance of the world and yet, the holder of the six eyes, user of the limitless technique, and master of infinity leans down to wrap a blanket around your shivering form. you feel his fingers brush against your arms.

you stare at him for a few seconds as he adjusts the blanket, the sunglasses perched on his nose making you frown. they look frighteningly similar to the ones he wore back then. you think they might actually be the same pair. there's little hesitation on your behalf as you reach out, gently grabbing them and plucking them off of his face. his eyes are trained on you the entire time, and without the protection from the sunglasses, you are forced to bear the entire weight of the stare from his six eyes.

as you stare into bright, endless blue flames, you think it's not so bad.

the satoru from back then was bright and bold, as unforgiving as the summer sun as he developed into a formidable sorcerer alongside his best friend. you think the one you're seeing now is more like the moon; still bright and impressive but just a little less intense. he's more bearable, slightly matured by the highs and lows of being a caretaker to a grumpy child, but just as out of reach as he has always been.

you presume geto's sun died the day he left.

nothing is said as gojo takes a seat next to you, his knee bumping against yours as he tries to mimic your position. next comes the brushing of his pinky finger against yours, and you wonder if something happened on his mission. the tenderness of his touches is unusual but not unwelcome. it's something you don't think you'll ever get used to.

"here," you say, unwrapping the blanket from around yourself and extending one arm towards gojo. he looks at you, bewilderment clear on his face. you don't do anything but send him a tired smile, motioning for him to scoot in even closer. "it's big enough for both of us."

gojo listens without complaint, pressing himself up against you until you're able to rest your head on his shoulder. there's something comforting about having you close, and he knows it's because you bring him a sense of relief that he doesn't think he's felt since geto suguru left him behind.

left both of you behind.

"do you think about him?" you ask, breaking gojo out of his thoughts. he stays quiet, but you know that he knows who you're talking about. you've started to avoid saying his name out loud but its all you can hear in your head as you wait for his response. geto, geto, geto.

it soon becomes abundantly clear that gojo refuses to answer, and you keep speaking in desperate hopes of trying to finally get rid of the emptiness you feel inside. you think that'll never happen.

"because i do," you admit quietly, your chest tightening as you trace random shapes on your knee. "i think about him all the time and i just wonder where i went wrong because we were so happy, satoru. i think about all those late nights where we stayed up with shoko, laughing and pretending for once that everything would be fine. we knew our lives were dangerous but when we were together it didn't matter because we were together."

gojo pretends not to hear the soft crack in your voice as you get increasingly louder, cutting yourself off with a gasp before taking a deep breath and continuing.

"why did he leave?" you ask quietly. your words ring loudly in gojo's ears and for once in his life, he doesn't have anything to say. "i keep thinking about that day and i don't get it. why didn't he come to us? there was no reason for him to have left us just like that, is there? i thought he loved us. i know he loved you. and i can't make sense of his actions wit--"

"is that what you've been losing sleep over? that's stupid, you shouldn't be concerning yourself over this. and he loved you too, y'know? a lot," gojo says softly, cutting you off before you can spiral even more. there's a pregnant pause as he reaches out, grabbing your hand and bringing it closer to him as he toys with your fingers. you look up at him when he intertwines his hand with yours, eyes widening when you see him already staring at you. his free hand comes up to cup your cheek, thumb softly stroking the area right under your eye. you're sure your eyebags are looking worse than normal. "and so do i."

it takes you a moment to process his words, the silence growing as you think back to what he had said before initiating physical contact with you. when you realize what he has admitted, that he's in love with you, you feel your face begin to heat up under his hand.

"what?" you squeak, eyes wide as you watch his face. you see amusement dancing in his eyes, the corner of his mouth pulling up slightly at your response.

"i am in love with you," he admits quietly, eyes darting down to your lips when they part open in shock. "and i would really like to kiss you right now."

gojo is rewarded with an answer when you lean forwards, your lips connecting in a clumsy kiss as you do your best to remain still on the roof. his hand disconnects from yours in favor of joining his other in cupping your face, deepening the kiss as he does so. your hands come up to grab onto his forearms, and you find yourself shifting onto his lap in an attempt to get even closer to gojo.

"in case it isn't clear, i'm in love with you too," you murmur softly once you've separated. your arms drop to wrap around gojo, and he lets go of your face in favor of hugging you close to him.

"well that's a relief!" he says in his usual teasing tone. it makes you happy to see him happy and for the first time in a long time, neither one of you are thinking about geto suguru in that moment. you giggle when gojo leans back, lying down on the roof as he forces you to cuddle him. you rest your face in the crook of his neck, letting your eyes drift close as he hums.

"you know you don't need to worry about anything, right?" gojo asks, his words uncharacteristically soft as he runs his fingers through your hair. "you have me, and i can do anything to keep you safe. in fact, i will to whatever it takes to keep you safe and happy and i hope you know i'd give you the moon if you really asked me to."

you snort at his cheesy words, your heart feeling lighter than it ever has as he joins you in your laughter. you lean up to press a kiss to his jaw before settling back into your previous position, wrapping the blanket more tightly around the two of you.

"i don't need the moon, satoru. i just need you."

he smiles.

reblogs are appreciated <3