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takerfoxx · 2 years ago

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The Sandman, Season 1, Episode 9, "The Collectors," First Impressions!

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First of all I’d like to just say that I’ve been listening to this song on repeat for days.

Okay, before I get to the meat of things, there are two very small pieces of criticism I’d like to get out of the way, because for all that is great about this show, there’s always going to be things that don’t work for certain people, and these just don’t work that well for me.

First is something I’ve already made mention of, but I’ll just say it again: I’m not too hot on them splitting the Lyta and Hector Hall stuff away from Jed’s Silver Age Sandman dream. Like, I get the why of it. I get that having Lyta actually suffer Hector’s loss, get him back, and then be made to suffer it all over again makes for greater motivation for her going on her eventual revenge world tour. I also get that establishing a relationship between Rose and the Halls and having her witness Hector being banished back to the afterlife gives her more motivation to have that coming clash with Dream. The mechanics make perfect sense.

I just don’t personally care for the execution, as in wanting to set all of those motivations up, both Jed and Lyta’s destroyed dreamworlds are made to be less interesting in the original version. Having Lyta spend years as basically a drugged-out pregnant doll controlled by Brute and Glob living in a facsimile of a Silver Age comic book onto be roughly ripped back into harsh reality and left to pick up the pieces when Dream essentially destroyed her life was fascinating. There was a very unnerving quality to the contrast that is now missing. What it’s been replaced with isn’t bad, per se, and I doubt any new viewers that haven’t read the comics would even notice that something is out of place. I’m just saying that she and Hector’s dream house feels kind of paint-by-the-numbers in comparison, like they’re making sure they hit all of the essential points to set up The Kindly Ones but didn’t put as much thought into making as weird and interesting than the original. Same with Jed. Yes, making him the Sandman instead of Hector was actually a cool idea. But I really do feel more time should have been spent on that, instead of one scene at the beginning and one scene at the end.

The second issue is the Walker siblings themselves. Now, I’ve read a lot of complaints about Vanesu Samunyai's performance as Rose being kind of flat, especially in comparison to the rest of the cast. I honestly didn’t feel that way my first watchthrough, but upon rewatches…yeah, hate to say it, but I do see where they’re coming from. There’s a lot of dull surprise at play, especially since Rose had been recharacterized as being much more active and taking greater agency than her comic counterpart, so there’s a lot of parts that could’ve had a lot more oomph in her reactions. As for Jed, Eddie Karanja is actually doing a pretty good job, especially when it comes to emoting, but there are a lot of moments when his natural British accent is really obvious. Then again, he is just a kid, so that’s pretty understandable. But yeah, none of this is honestly that bad, it's just one of the weaker points that could stand to get tightened up.

Okay, I’ve got my mild criticisms out of the way. Let’s about the motherfuckin’ Cereal Convention!

The Cereal Convention was probably my favorite part of The Doll’s House, so I was so happy in how much attention it got. They clearly had a lot of fun putting this all together, and it all feels very familiar. There’s Fun Land with his stupid hat (more on him later), there’s the lame puns (yes!), and there’s the collectors themselves.

At first I was a little bewildered at how many of them there were. Like, there can’t be that many serial killers active, can there? But I read an analysis on the storyline that made a lot of sense. The Corinthian has been wreaking havoc in his own twisted way for over a century, and as a living Nightmare he ended up infusing his own twisted dream into the world, inspiring dozens, if not hundreds. That’s actually pretty terrifying, to have so many monsters be brought together under his delusion.

And they were all here! We already met the Corinthian, Nimrod, Fun Land, and the Good Doctor, but there was Moon River! And there was the Connoisseur, though I definitely see why they cut out exactly what he specialized in. You see all of these deluded monsters strutting around, thinking themselves to be heroes, only to show the cracks in their own delusion, such as Fun Land’s childish outbursts to Nimrod’s evident annoyance at someone in the crowd making a mild joke. Like, these people are all incredibly emotionally stunted people, and for as much fun as bringing them all together definitely was, the show also showed just how pathetic they are.

And, okay, the panels! They kept the panels! I am so happy with how they did it, too! Having Gilbert wander around from one panel to the next was comedy gold! My favorite is the Women’s panel, where Gilbert is just nodding along in agreement to the rant about women not being taken seriously, only for him to go, “Hey, wait a minute…” That was great. Though I admit I do prefer my own take on how the Hammer of God sounds, as I always pictured him having this droning Reverend Lovejoy with a Texan accent voice, but it was still fantastic.

And yup! There’s the serial-killer fanboy pretending to be the Boogeyman, complete with his blog! If ever having someone victimized by these people was well-deserved, it was this guy!

There were a couple of changes that I wasn’t too keen on. For one, they cut out Gilbert’s telling of Red Riding Hood, which did play very well into the Fun Land stuff later, especially given his big wolf shirt. Also, I do prefer the seedy Bate’s Motel-look from the comics instead of the swanky Four Seasons here, but those are very minor complaints in the grand scheme of things.

And finally, having the Corinthian just kill Fun Land was an improvement, because while there was something weirdly poetic with how Dream neutralized him, this guy is a child murderer! I’m sorry, but if anyone doesn’t deserve any sort of redemption, it’s him!

All right, almost done here. I truly hope we get a second season. Please, Netflix, don’t Dark Crystal this one!

#the sandman #neil gaiman #dream of the endless #rose walker #jed walker #lyta hall #hector hall #cereal convention #nimrod #fun land #gilbert #netflix #the collectors #review #Youtube

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takaraphoenix · 3 years ago

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Review: Injustice

This is actually the very first time I can review a comic book adaptation after having read the comics the adaptation is based on; though I have not played any of the games so I can’t speak of how true this is to the video game (or what things are different between comics and game). On top of that, I have a lot of love for the source material in this case; out of all the DC Comics I’ve read so far, and at this point that’s amounted to some, this remains my favorite run for just how well-written and fleshed out it is.

Needless to say, this adaptation was by far not as well-written or fleshed out, disappointingly enough.

I had very high hopes. I think there is a potential here in adapting Injustice in a five-split movie-model; one movie per year. I also honestly think that you could, time-wise, do that.

But this movie cut things out in strange, strange ways.

I don’t understand what the point was of having Martha be dead even before the movie started and then to actually kill off Jonathan; him surviving that attack and him and Martha trying to reach their son is a vital part to the Injustice story so to kill them both off this early significantly changes the way things would unfold, in my opinion.

I also don’t understand the severe changes they made to Superman’s team. Like, I don’t understand that at all.

Why was Mister Terrific even there. He wasn’t in the actual comics. He somehow became a weird fusion of Barry Allen and Lex Luthor, I guess? But why. Where was Barry even in this movie? He was in the beginning and then just kind of... gone. Despite being one of the most vital members of Superman’s team. His support of Superman’s cause and slow, growing doubt are such a big part of the story. Same goes for Hal Jordan, who just fucks off into space right away despite being on the team far longer in the comics. And then there is Billy who is just immediately like “no magic users don’t like this we’re out”, despite him too being a vital part of Superman’s team and his struggle with the moral complexity of the issue and his change of heart being a huge deal in the actual universe.

They didn’t even develop Mister Terrific at all, he took over Barry’s role in many instances but then he got thrown into jail for... I have no idea, I had to rewind the movie and rewatch parts to understand the implication that Clark locked him up for not adhering to Clark’s plan, while an important part in the comics was the fact that Barry and Clark had their little chess game and Clark accepted that Barry had his doubts and appreciated that they had a conversation about this, because Clark’s descent is a slow, gradual one. This movie rushed through that development far too quickly without fully developing it.

Barry, Hal, Lex, Billy, Hawkgirl, Black Adam were completely removed from the narrative. They really just... kept Diana and Victor at Clark’s side and that’s it, they swapped out the entire lineup of Superman’s team and severely reduced it at that too. And I’m just super pissed about that, because the moral complexity of this universe and the personal struggles of the characters involved are what makes Injustice good.

Not the fact that random good guys fight random good guys in a way you don’t usually see since they’re usually on the same side. But beyond the conflict of the trinity, that is absolutely what this movie has reduced Injustice to. Just punch-punch kick-kick.

And I can not believe they tried to pull a "The children! I draw the line at children!" moment with Diana. Diana, whose enabling and support and fierce loyalty to Clark made all of this as bad as it was. She wasn't a school gorl with a crush unaware of what they were doing, for crying out out, she was AS committed to the cause as Clark.

On the overall, as a comic-adaptation, I’m super disappointed because this movie was far too much leaning onto Batman’s narrative and missing the balance of showing both sides of the story and showing the slow moral corruption of Superman and the way his charisma kept other important heroes on his side who then struggle with the way things developed.

And that ending was just so devastatingly bad and badly written and stupid and I’m mad, I haven’t been this mad at a movie in years. They really brought in an alt Lois highly pregnant who lost her Clark because fridged women can be easily replaced with alternate selves and then Clark gives in and surrenders. That’s THE most OoC thing this Clark could have possibly done, but he sees Lois and goes “uwu I did wrong pls lock me up”. This is so bad and just spits in the face of the comics and the narrative and character arcs it built.

This is what you get for actually knowing the source material before watching an adaptation, huh? I hate this. This is why I only watch adaptations and then read the source material if I liked the adaptation. As a comic adaptation, this was just so incredibly bad and I’m mad about it because the comics are so good.

But hey, at least they kept the Ollie-Harley friendship going so I guess that’s worth something, since that was very personally important to me (but then the Harley-Dinah friendship didn’t make the cut since Dinah didn’t make the cut)...

#Injustice #Injustice (2021)#Injustice Spoilers #I'm so disappointed :/#but I guess I was too hopeful huh #Phoe's Movie Reviews

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morimakesfanart · 3 years ago

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Hi (●’◡’●)ﾉ first I'm not trying to be rude or rush it's a genuine question 😅 but ruffly how long does it take to write and draw one chapter? I've always wanted to write and draw my own comic but as a college student I hardly have time 😅

It completely depends on the level of detail in the drawings and the number of panels. It's been a while since I timed myself. I took a while to answer this so I could see how long things actually take for me right now. Also, note I am doing this while working a full time job, taking care of my family, and doing constant physical therapy to combat my chronic pain and other disabilities. (I only have about 10 hours of free time every week to work on drawing comics if I'm lucky.)

I write my stories in arcs. First I write a lot of events and character developments (including character motivations) that will happen in the arc -often this is just in my head (not written down). Then I just start writing and I don't worry if it's good or in character though I will still try to do that. The point of this is to give me a more concrete outline to work with. "It's easier to edit and change something than it is to make something new," I think that's how that saying goes. Then I reread and edit/rewrite scenes keeping every character's motivation in mind. This often leads to many changes in how things happen because once every character is having their motivation and ability to problem solve considered they can't act as plot devices as easily.

With fanfiction specifically, this is the stage where I rewatch and reread scenes with the characters I'm writing. The types of neurodivergent that I am makes mimicking and mirroring easier for me. It also helps that I grew up in theater. I do my best to mimic their ways of talking, and get into their head space so I can better write them. When I reread what I wrote and I can hear the actor's voice in my head then I know I captured the personality of the character.

Writing an arc normally takes me 3-5 months depending on length and what I have to set up for the start of the next arc. As the first chapters in the arc solidify I can start posting them, but only if I have about 1/4-1/2 of the arc written out in full. When writing, I go back and forth between all the chapters to make sure that there is enough foreshadowing and follow through. I reread my own story many times to make sure every flows together too.

Now for the drawing/comics side:

The long chapters of Sindria's Prophet have as much plot as 3-6 chapters of comics. Webtoons originals have a minimum of 30 panels per chapter for their plot based series. My average for comic chapters is about 45-50. (I am not an Originals writer & post on both Tapas and Webtoons CANVAS.) After learning how short their chapters are, I've started writing shorter chapters.

I can get done chibi panels in 15-30 minutes. My slice of life comic is normally 5 panels, but sometimes I've gone as high as 15. I tend to take between 45 minutes and 2 hours to get done 5 panel chibi comics.

Non-chibi panels take between 30 minutes and 2 hours. That's for each panel. If it's just a head shot and I've draw that character from that angle before it can be done in 15 minutes as long as it's not a character with a lot of accessories.

The lineart for the Gojo piece I recorded before took about 20-30 minutes. I was also chatting with a friend at the time or I probably could have done it faster. I got the whole thing done at a leisurely pace in about 2.5-3 hours. (picking colors took me a while.) The Sinbad sitting up in bed illustration took about 2-2.5 hours because of the amount of detail that went into the background and checking references. Most of that time was on line art. only about 5-10 minutes were shading.

A waist up of Sinbad with all of his metal vessels used to take me 2-3 hours for just the lineart because of the amount of detail. I've cut it down to 1-1.5 hours since I've drawn him so much and have figured out short cuts for drawing him.

To cut time for my original comic, I don't do shading anymore, but I do have a flat grey layer so I have a few tones to help things stand out. I do most of the shading in the lineart now. For special moments I will use a shading layer though.

Time break down for about 40 panels (after scripting): 5-10 panels will be chibi - 75-150 mins (1h15m -2h30m) 5-10 panels copied with minor edits - 60-100 min (1h-1h40m) 5-10 panels of just head shots etc - 150-210 min (2h30m-3h30m) 5-10 panels of high detail/ with background - 330-630 min (5h30m-10h30m) Total: 10h15m - 17h55m

This does not include figuring out panel layout or lettering etc. For that add another 2-4 hours. Also note that none of my comics are in full color. For full color add 30mins -1h30m per panel. I have an editor for my original work which adds a lot of extra time too.

Things taking so long to draw is why I only make some comics for the fanfic instead of drawing the whole thing. We would still be in the Balbadd arc if this was a full comic

#mori answered #making comics #how to make comics #how long it takes #kind of shamelss plugging of my original work

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stickers-on-a-laptop · 2 years ago

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tagged by @incandescentflower! (i tried to put mj in this, funnily enough it didn't work)

Rules: “Post the names of all the files in your WIP folder regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it! And then tag as many people as you have wips. I have deemed that this isn’t just for writing either. Sketch titles? Comics? DND campaigns? If you have an unfinished project, it counts!!”

don't have a wip folder, per se, but do have wips and ideas.

Lettuce & Cabbage: nothing written at all, just an idea

Time Judged All (Game Changer): a slightly evil idea that also has nothing written and either people will like it or they will get mad at me fjsdiofjisodioa stupid 10 year

(-)him(e): i keep going back and forth on if i'm gonna finish this one. if someone yells at me i might publish it. idk i dunno how much i can handle "you say you want food but yet it is not read" on this one cause it's not toku

Wizards, Space Sheriffs, and Whatever Kiryuu Daigo is Considered: this has a paragraph written and i need to rewatch taisen war z again if i want to make it as in character as possible

The Day The Pocket Universe That Keeps the Heroes' Weapons Disappeared: I WILL UPDATE THIS EVENTUALLY I SWEAR ;-; there's still not much of a plot tho i'm just like "hehehehehehe all the tokus in one place"

i also have vague ideas re:donbrothers and other tokus. i have a need for tendou of kabuto to meet like half the team and another need for ankh to meet sonoi because greeed vs noto would be SOMETHING.

i'm not gonna tag people, but if you want you can always tag me and say it was because of me!

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bedlamsbard · 4 years ago

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Putting aside aesthetics and characterization (inasmuch as I can), I have been trying to logic out why Mando Ahsoka feels so different from Rebels Ahsoka (to me, personally; I know many other people feel fine about it), especially in terms of having a character who’s known in Rebels for her “I am no Jedi” line going to a character who is specifically introduced as “The Jedi” in The Mandalorian. (And who is identified as “Ahsoka Tano, Jedi Knight” on merch -- merch is merch, it’s essentially meaningless, but it’s still a choice that was made somewhere along the line.)

“Shroud of Darkness,” Rebels 2.17

“Twilight of the Apprentice,” Rebels 2.21

This is strictly Doylist and not Watsonian; I don’t care what went on in the character’s life in between Rebels and Mando; I’m trying to guess what was happening in the writers room.

I was noodling through this on Twitter, in case it looks familiar.

My first thought was Dave taking a cut scene from Rebels as canon going into Mando, something he shared on Twitter back in the lead-up to S4. Looking at this again I’m not sure this was a cut scene or a scene that he wrote that never made it into the actual script. (Certainly I can’t see how it would have fit into the episode.)

Here Bendu specifically identifies Ahsoka as “former Jedi Knight.” This is also obviously not canon, because Twitter posts aren’t canon, Dave. (Though that doesn’t mean that he might have taken it as part of his working backstory for the character anyway.)

I was then thinking about TCW and the unused TCW arcs as they existed in 2016 when this aired (with the rough guess that Rebels S2 was probably written in 2014). There are three Ahsoka arcs that were written and existed in 2016 in some form (”scripts and some artwork” is what Pablo Hidalgo says, and some pre-viz and recordings from the original Walkabout arc that were shown at a couple Celebrations), but which hadn’t made it into S6 (which came out in 2014): Ahsoka’s Walkabout (in its original form with Nix Okami instead of the Martez sisters), the Siege of Mandalore, and an arc which would have taken place between those two, “Return to the Jedi.” We know about these because of a panel from Star Wars Celebration Europe in 2016 called Ahsoka’s Untold Tales -- I was actually at this panel, but I haven’t thought about it in a while. Here’s the SW.com liveblog of it; here’s the video.

I remember hearing somewhere that the TCW team had nine seasons or so written, but can’t find the source for that number now. When S7 was made, there were obviously a lot of compromises made that we’ll never really know about, minus a tell-all memoir or documentary, which probably isn’t coming any time soon. Knowing that this Return to the Jedi arc existed, I wondered if at one point Dave had tried to get all three Ahsoka arcs into S7 before having to give one up for the Bad Batch arc (especially as we now know there’s going to be a Bad Batch TV show); it’s also entirely possible that at one point in the production process there was the possibility of a full 22 episode season floated, which would have made three Ahsoka arcs in one season less unbalanced.

I went to go look up what the Return to the Jedi arc actually was, since 2016 was a long time ago and I haven’t really thought about this panel since. My guess is that it had been intended for one Ahsoka arc per remaining season (7, 8, 9). Pablo Hidalgo says that after the Walkabout arc, Ahsoka would have stayed on Coruscant as “an under-city vigilante of some degree, helping people who can’t help themselves,” and Dave points out that he talked about this with George Lucas, as well. The Return of the Jedi arc would have involved Ahsoka finding out about a nefarious plot targeting Yoda and working with the Jedi to figure out what’s what with that -- this revealed that below the Jedi Temple was an ancient Sith shrine. (Some details of this were revealed at Star Wars Celebration Anaheim in 2015.)

Ahsoka would have been protecting the holocron vault from Darth Sidious, putting her lightsaber blade through the door while Palps shoots Force lightning up the blade.

“The whole purpose of that particular arc would have been to bring Ahsoka back. She’s not a Jedi, she doesn’t change her decision, but she gets involved in Jedi business again.”

The next Ahsoka arc and the final arc of the series would have been the Siege of Mandalore arc, which “reunites Ahsoka with the clone troopers, with Anakin.” My guess is that the end of the Return to the Jedi arc would have involved Ahsoka making the decision to go to Mandalore because the Jedi themselves couldn’t get involved in that conflict at the time (especially the emphasis in the panel that Pablo and Dave put on Ahsoka as being “a responsible person” who couldn’t ignore that the war was still going on, and because Ahsoka knew Satine). (It would be interesting to know when if this arc would have fallen before or after the Darth Maul - Son of Dathomir comics, which are based off another unmade TCW arc.) This would probably have put as much as a season between this arc and the final arc -- given TCW’s funky timeline that doesn’t mean much, but in terms of audience expectation it helps.

(also, damn, the context of the beginning of Siege of Mandalore in the original concept vs. how it actually happens in S7 is very different -- like, on the surface identical but the emotions involved are totally different.)

Before going into the next part of the panel (post-war), Pablo Hidalgo adds “We consider it to have happened and that’s how we inform the writing in Rebels, because that’s the history that these characters carry in their heads.”

So going into Rebels, the writing team was working with the background that Ahsoka had not only left the Jedi Order once, in “The Wrong Jedi,” but had reinforced her decision not to go back to the Jedi by not returning to the Order during the Return to the Jedi arc. That explains why in Rebels she’s so adamant about not being a Jedi or being in the Order; it’s a decision that she has made not once, but twice.

Fast forward four years to 2020, where we have the Siege of Mandalore arc in S7.

It’s heavily implied that Ahsoka was planning to go back to the Order after the end of the war, and in fact Yoda treats her as such.

Now, there’s no way to know if this exchange was in the original Siege of Mandalore scripts short of those being released at some point (which is possible but seems unlikely when the character is still in play), but because of the way S7 plays out there is no way to put the Return to the Jedi arc back into the story, which means all the emotional context and Ahsoka doubling down on not returning to the Order is thrown out of the window. That’s a fair chunk of backstory to take into the Rebels writers room.

(It should also be noted that presumably E.K. Johnston wrote the Ahsoka novel with the assumption that that arc was still part of Ahsoka’s working canon, though she may not have seen scripts for it; I feel like I read somewhere that she had seen scripts for the original version of the Siege of Mandalore, which changed quite a lot between original concept and the eventual 2020 version, as is evident from the novel vs the show.)

Going into The Mandalorian, then, Dave Filoni is not only working without a writers room (as Mando has only had two writers, Dave Filoni and Jon Favreau), but working with an entirely different continuity than what the Rebels writers room was working with.

Trying to backtrack when various scripts were written is an exercise in futility to some extent; I usually guess anywhere from a year to two years out from when the shows air. (I seem to remember that around this time in 2016 it came out that Katee Sackhoff was doing something for Disney, which ended up being the recording for Bo-Katan in Rebels S4, which wouldn’t air for another year, but don’t quote me on these dates.) Dave ends the panel by saying that “After the season 2 finale for Rebels I was very adamant that that was it for Ahsoka...in Rebels...but after this reaction it might just be possible...it might be possible to see her again. She might have something to do. Maybe.” (For those trying to run dates in their heads: the con was in July 2016, the season 2 finale aired in March 2016, WBW aired in February 2018.) My guess is that they hadn’t recorded for that part of S4 yet (and S4 is so weirdly paced that I have questions about how it was made), but that the initial scripts for S4 had already been written at this point.

Looking back at the Star Wars Celebration Chicago 2019 TCW panel where Ashley Eckstein talks about getting the news about TCW S7 from Dee Bradley Baker (rather than from Dave Filoni, and hoo boy is this uncomfortable to watch knowing that the script for “The Jedi” had almost certainly been written and Dave may have already made the decision not to talk to Ashley about it), there’s still not like...a clear way to tell when that happened. Except that Dee talks about “wine tasting with the Rebels,” which likely puts it back when Rebels S4 was either still actively airing (2017-2018) or before it had wrapped filming (2017). (I actually vaguely remember seeing pictures from this wine tasting but I can’t remember whose twitter it was on and going to look feels creepy.) Probably the scripts weren’t fully revised at that point but they may have been -- still, this was certainly after S2 and could potentially be before S4 had been fully finalized. We got the TCW renewal announcement in 2019, but the animation wasn’t fully completed yet so didn’t get more than that teaser trailer. This is only important insofar as it involves which set of backstory was being used for WBW Ahsoka, an episode that Dave Filoni wrote and co-directed. (Honestly? I think Mando Ahsoka matches okay with WBW Ahsoka but is a little off Rebels S2 Ahsoka, but that’s off my memory of WBW, an episode I refuse to rewatch.) Certainly with the epilogue he knew he was setting up for something else.

ETA: I FORGOT AN IMPORTANT PART OF THIS TIMELINE AND THAT’S THE RISE OF SKYWALKER because I try not to think about TROS, frankly, but as we may remember Ahsoka is included in the “be with me” scene in the final confrontation. This always struck me as weird given the “I am no Jedi” thing from Rebels, but she’s the most well-known female Force-user so I had just mentally written it off as easy shorthand and JJ Abrams being lazy about it. HOWEVER, presumably JJ talked to Dave about which prequel era Jedi to include (there’s a note in one of the previous SWC liveblogs about Rian Johnson being in the Rebels writers room at some point). TROS came out in December 2019, I can’t recall exactly when they did the voiceovers for that scene (if anyone has ever mentioned it), but it was probably fairly late in the process since I believe that there were still edits being made up until fairly soon before the premiere. (I have a completely different theory that the Lego Star Wars Holiday Special from this year was written off an earlier version of TROS.) If Dave had already moved towards making Ahsoka more inclined towards the Jedi, with a full-on return to calling herself one regardless of the existence of the Order (as Mando implies), then her inclusion here makes a LOT more sense than it did a year ago.

Anyway this is all very conspiracy theorist, but it does explain something that was puzzling me: Rebels S2 Ahsoka and Mando Ahsoka (as well as TCW S7 Ahsoka and potentially Rebels S4 Ahsoka) were written off slightly different backstories which differed in one very key thing: how committed Ahsoka was to no longer being a Jedi.

Now, this sort of thing happens all the time in anything with an ongoing continuity; obviously TCW makes major changes to how viewers might read or write Obi-Wan and Anakin/Vader in RotS or the OT. I was just trying to narrow it down in this particular case because until I started thinking about it I had assumed that it was all being written off the same assumed backstory. And many people read Ahsoka differently in Mando than I did or found her perfectly in character, this was for me to track references down about something that was bothering me in hopes of an explanation that would satisfy me.

#bedlam watches the mandalorian #bedlam watches tcw #bedlam watches rebels #mando the jedi #btw this is the same sort of thing I do for academic work this stuff is just easier because I remember it better #and can google it which I usually can't for scholarship

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the-lightning-strikes-again · 4 years ago

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Is it just me or... was vld.... like, addictive? I consume tons of anime, comics, books, series, movies etc ANYTHING and the last time i felt is was when i was around 14-5 yo with naturo 🤨 2-3(?) years later im still....... holy fuck dare i say UPSET and EMPTY about vld. Is it just me???

Hi, anon, thanks for the note! I’d never interacted with Voltron franchise prior to VLD, but this show really pulled me in too. I had some favorite episodes I would rewatch when I could, and even after all this time, I’m still here writing fanfic for the VLD universe and exploring older Voltron iterations!

I doubt I have an objective perspective to explain “why” VLD was addictive, but I have some personal assumptions:

I think the ATLA-type animation and visual direction was probably the best the franchise has enjoyed so far, and that it represents above-average quality for American-based cartoons. From what I’ve gathered of older iterations, Voltron’s visual quality has been questionable for many years. So it seems like having ATLA-levels of animation and visual design really opened up this old franchise and drew in a much larger fandom per its stronger attention to aesthetics—which ultimately feeds the fanart and fanfic machine. The fact that VLD also injected some visible representation helped to draw in larger crowds. So I really think there’s something important about the visual quality and diversity in cartoons that helps to pull us in and connect with them.

It was a very accessible show in that it was rated Y7 and available to stream, and also was 78 episodes released over the course of a few years. So from 2016-2018, a large potential audience (from young to old) experienced fairly rapid injections of fully animated content to binge.

Between those rapid binge injections, we also had members of the production team creating content and feeding fandom with art, teases, tweets, conventions. VLD also had books and comics published. This created even more of a consistent hype for the show and fed the larger circuit of fandom interactions, theories, other posts, etc. And there’s definitely an addictive, dopamine kick in finding like-minded fans to enjoy a community with.

I think the voice actors significantly enhanced the accessibility of the characters, making memorable characters even more memorable and lovable too.

The sheer expanse of the VLD universe and character cast offered different possibilities and focuses. Voltron franchise isn’t as much of a fandom content generator like Marvel, for example, but VLD universe definitely hit a sweet spot that brought a lot of people together for different reasons, in a pretty short amount of time. We can explore quite a few things in Voltron universe because of just how big it is! Not every franchise has such a breadth of topics and content.

So maybe some of these elements could be things to look for when searching for a new show or story to get lost in? And the VLD show itself, with its mix of space and magic and several possible outcomes, on top of its humor and angst, had a lot of potential. I think the potential of VLD haunts and feeds the fandom, even to this today. Maybe its unrealized potential is why many feel there is a lack of closure too with this show. I know I lean heavily on writing fic to get to ideas or concepts that provide closure for me personally.

With the way the show ended back in 2018, VLD fandom experienced a mass exodus. So it’s possible that it’s not just the show that has left us feeling a bit empty, but simply the realization that the fandom environment changed pretty drastically pretty quickly too.

The good news is that Voltron is a legacy franchise! Many fans remain still, and it’s likely that we’ll see Voltron rise again in some shape or form in the future. Over the course of decades, the Voltron franchise has never truly died.

It’s possible too that maybe a new franchise might still catch your attention in a way you never expect! While VLD is over, I do think it’s good to keep having some optimism for the future—that something will enamor you just as Naruto and VLD did, or that you might at least find peace with your relation to VLD.

Also, there’s nothing wrong with continuing to favor something from the past over something running in the present. I’m still a big Transformers fan even though I’m not active in the fandom for it and have had some disappointments with the franchise. I often rewatch older Transformer shows over quite a few shows running today, lol. That’s the nice thing about fictional content. It lives and stays with you for as long as you want it to.

And who knows? Maybe you’ll even come up with the idea for the next great, addicting franchise!

#Voltron #VLD #Voltron: Legendary Defender #Lightning rambles #VLD and its surrounding environment definitely got to be addicting #It's not just you who feels this way!#I've talked to several who have connected very deeply to this show for one reason or another

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rigelmejo · 4 years ago

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the word brain - summary and notes

the word brain: http://www.amedeo.net/wb/TheWordBrain2015.pdf

It’s a book about how to learn a language. I like the straightforward estimates of time lengths in it. What I’m about to write is gonna have a lot of notes to myself (as usual lol).

anyway, below is the word brain summary. and my ideas on how to maybe add its ideas to my study plan.

Notes:

Increasing Vocab:

I tend to not do the explicit vocab study the book starts with for very long. I did it for french for around 1000 words (which was apparently enough base), and 2000 words using memrise for chinese. Now for japanese I use memrise to do this step.

What I learned from this step, is there may still be use in dedicating some time per day to reading my hanzi books and common-word dictionaries - and reading sections over a few times in spaced repetition (like day 1,3,7,13, 30) could work similarly like memrise/anki. So I could still have use for them.

This book mentioned word lookup in novels counts, if you do it often, and so I can see how I usually quickly abandon “this writer’s way” of increasing vocab, and move onto relying nearly entirely on reading and word lookups to learn as soon as I feel reading is doable. So again... I could speed up word acquisition with either: more memrise/anki, or more glancing at my reference texts every so often. Not that much time is needed either - 5 minutes to learn a word (so studied in like 30 sec - 1 minute intervals over multiple sessions). My usual strategy of reading to acquire words definitely works - but I could probably speed it up a bit by a bit more purposeful reviewing. And I could still have a use for my reference books if I use them for hanzi/word learning.

Also - aiming for 5000 words in related languages, 15,000 in very unrelated languages, is usually enough for overall comprehension.

Listening skills:

Need generally 1,500-2,000 listening hours to parse speech in a language. This time can mostly be done surrounded by language audio. So basically: yes playing your target language in the background does help. And will help for up to about 2,000 hours, at which point it should’ve benefited your ability to parse speech. If you have difficulty parsing speech, listen more.

You can also do shows/audio you intensively listen to/focus on purposefully (like Listening Reading Method, shows, documentaries). The takeaway point is just - there’s actually merit to the suggestion to “listen to target language as often as you can.” (Which I did not know there was any real benefit). And that even if you’re not trying to comprehend it’s content, simply practicing parsing the sounds by listening is beneficial. So I’m gonna start playing more audio in the background more often.

Reading:

I basically do the advice. What this book recommends: using audio at first whenever you read, to create the correct ‘inner voice.’ I didn’t do it, do it now sometimes, it is what it is. But probably good advice for new learners to USE their textbook audios, course audios, and graded reader audios when they have them available - since they’ll help. (The sure would’ve helped me in french ToT).

*Grammar:

Like my plan to read a grammar guide, this is kind of similar. But this book recommends learning the most common grammar structures just like words - “nailing” them in your memory by reviewing them (in spaced repetition). I think this is probably something I could add to my studies - picking up my grammar books, and reading and re-reading parts of them to help remember them better. So studying them much like words. Or watching grammar videos and rewatching/reviewing in that same kind of sequence to help remember.

I could possibly do a few review grammar guide fast-overviews - where I just reread old grammar guides I read now and then, to reinforce the memory (like spaced repetition). This is something the book recommends.

I don’t think the book mentioned it, but this could be a good place I could add 50-100 hours of producing/practicing grammar structure - at least the main ones.

Basically though - I could do a little grammar-focused study.

Speaking:

Grammar overview/learning words. Listen, read, first. Then shadow.

---

Summary: could use my reference books by studying similar to how anki/memrise work and just reading/re-reading in spaced review sessions (If I want to increase how fast I learn vocab), reading and looking up words repeatedly to acquire vocab does work though. Listen to more audio in background in general. I could probably use 50 hours of some review of the grammar more (review same as words), and some particular practice on main grammar. I should shadow more.

---

Looking at their table, chinese is probably going to take 3-5 years, and if I eventually slow down my study then up to 6 years.

I also think if this book’s definition of fluency is higher than mine like ‘C1′ competency, then I might get away with accomplishing my goals 1-2 years faster than this book’s timeline - since B1-2 is usually enough for me to be happy with what I’m able to do (I would imagine B2 is definitely enough to read/listen for enjoyment and talk to people about general topics with some fumbles?). Anyway... based on their table I would guess it will take me 1-2 more years to do what I want comfortably? At least, if I can keep my reading progress improving at the current rate or throw in some extra hours this year, I think within another year I might get to a point where I can read/listen for enjoyment mainly. At which point, slowing down my progress by studying less wouldn’t bother me as much - then if it took another 1-3 years for improved fluency because I’m studying slower, I wouldn’t mind as much. If this book’s fluency aim is around B2, then I’m probably looking at at least 2 more years. Still not bad ToT I have a bit of a warped perspective, I expected like A2-B1 level reading skill to take 4 years, whereas its taken me more like 2 years, so I’m already way ahead of schedule in how much time I thought chinese improvements would take.

I can at worst *painfully* read most modern things I try to now - so weibo, random literary stories/novels, gu long, webnovels, shows, tests, news. Sometimes I can read much easier than that, but in the worst cases I can take a while and grasp the main ideas and some details (did that with some random novels/news). Which is where my french was at about 1 years in. Chinese, having less cognates, means I’m not going to learn the unknown words fast enough to ease the ‘pain’ unless I keep studying to speed up word-learning. So that’s what I’m doing, still studying much more than I did for french at this level. But as far as milestones, I’m around what I consider A2 pushing into B1 (starting to not find modern material completely impossible) - in chinese I’m even a little better, I can start pretty much whatever new show I want and follow the main story and some details at minimum. I was never able to do that in french. Also I can follow some audiobooks/audiodramas if I have prior context - I have never tried that in french.

My personal “milestones” I go by:

a. can recognize enough common words to start trying to read comics/books with a dictionary (could be very painful lol) - this is when immersion becomes feasible.

b. know enough basic words to start trying to basically express self imperfectly (ideally eventually basically in many ideas) - this is when language exchange becomes realistic/journaling.

c. can recognize enough words and grammar in reading that main idea is generally understood without an aid (main idea understanding without aid might be painful but its possible) - this is when immersion in french I could stop using a dictionary, and in graded reading material i want at least this level of comprehension to start using it, this is when immersion can become pleasant with a dictionary, when info can start being learned from context somewhat more regularly.

d. can start to recognize main idea without aid without it feeling draining, and some amount of detail without aids - immersion now pleasant without a dictionary/aids, can learn more from context alone without feeling drained, with aids i can now pick up new words quicker but without it being draining, comprehension is now enough that depending on material i don’t feel any need/desire for an aid to grasp the missed details.

e. can recognize main idea and nearly all details, the rest mostly clear from context, nothing feels draining (mainly i only have this in graded reading materials - but in chinese daily life manhua i often feel like this now, with french website navigation or informational texts since i use them a lot, etc).

a+b is usually my goal within 5 months to a year - french took me 3-5 months, chinese took me 5-8 months. japanese took me 1.5 years lol. c is my absolute minimum goal - its enough to at least consume media with a dictionary. the beginning of the c stage can still feel ‘painful’ since all reading is ‘painful reading’ or ‘intensive reading.’ But it is comprehensible with a dictionary, so I can start learning that way. d is when I start feeling happier lol, and different areas of comprehension reach d at different points. e is my usual goal but i’ve only really hit it in certain ‘genres’ of content. All these milestones i can also ‘partially hit’ - for example in japanese years ago i hit ‘basic main idea’ milestone c for manga, but not for any other content type. For japanese... it took 2 - 2.5 years to hit c stage, which is where I’m picking back up (I can understand basic main idea with intense draining feeling, but with a dictionary i can follow most things). Now that I’m picking it up, I seem to be c in a few more ‘genres’ - video games I can also follow main idea better, and now novels are more doable with a dictionary (though i would NOT say i could follow even the main idea of a novel chapter without a dictionary). My chinese is sitting at d mostly for reading, at the earlier side of ‘usually I decide to look things up’ for missing details because i don’t want to always rely on context alone (unless its a show or manhua or extensive reading practice).

#the word brain #article #may #may progress #study plan

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ahkaraii · 4 years ago

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Belatedly answered ask responses

Thank you for anyone who has sent me stuff!! I LOVE reading them and I’m so sorry I’m awful at replying, but know that I love each and every one. Here’s my attempt to answer a whole lot :D

@doki-dream Thank you so much for enjoying my DBZ comics!! DBZ was my earliest “fandom”, as it were, from over twenty years ago, and it was so, so special to me as a wee child. I think it’s obvious how heavily I project onto Gohan, haha! But now that I’m an adult, it’s really fun to weave in all these ideas I had as a kiddo into a more seamless interpretation that works with the existing canon. I hope you continue to enjoy my interpretations <3

@half-devil-in-red-leather Thank you so much for sticking around with me for so long!! :D :D DMC still has a very dear place in my heart, and always will. As for Trunks and Gohan -- they were my favourite characters, too!! Gohan moreso than Trunks in my case, but I’m awfully fond of all iterations of my purple-haired boy, and someday I’ll get around to drawing all of my Mirai!Trunks headcanons :) Trunks and Goten are fascinating to me as well, because they’re a Unit, yanno? In canon they were rarely seen without the other, and so their development as people is undoubtedly tied together, too. The differences between Mirai!Trunks and main-timeline!Trunks is FASCINATING, and speaks a lot to what are “core” characteristics of Trunks and what are things he’s adapted from his close peers over the years. Anyway, I love Trunks and Goten and Gotenks and rest assured I’ll be posting a lot more about them in the future.

@vejigante Unfortunately I still haven’t watched Dragon Ball Super beyond the two movies (Battle of Gods and Broly) so I’m preeetty much out of the loop as to who these guys are. Maybe someday :0

@katerchip :D :D :D =happy=

@yusuke96universe I don’t exactly take suggestions, mostly because I kinda draw whatever I feel like in any given moment, and drawing something based on someone else’s idea or suggestion is almost always stressful (”what if they don’t like my take” “what if I drew something they find gross” “what if what if what if” etc), but I can safely say I, uhhh, actually don’t know much about Tien??? I’ve skim read the original Dragon Ball manga, but I never watched the original Dragon Ball anime, so Tien is one of those side characters I don’t have a very good grasp on, or, frankly, much interest in. Maybe someday!

@shika-boom Fugaku and Shikaku were not friends, per say, but they were always peripherally aware of each other. They’re both clan heirs, for one, so you gotta know who’s who. Shikaku has always been a nosy nin who collects secrets, while Fugaku’s shameful secrets have always been painfully on display, so it’s not like they didn’t butt heads now and again growing up. I talk a little more about the topic here (x).

@darkblades75 Thank you!! You can read the manga online here (x).

@hydrabellwolf Raditz is an interesting character I’m still getting a handle of, in my own interpretation, but I think he essentially has little to no attachment to his birth family and as a kid he probably thought Goku was pampered trash because Gine kept his pod at home. I don’t think Raditz ever made the connection that Gine sent Goku out to save him from the massacre, so I don’t think Raditz realized Gine “spared” Goku and didn’t think about him (Raditz).

Afterward, he only ever remembers Goku might still exist when he realizes he needs someone he can ally with against Nappa and Vegeta (after establishing he’s Alpha Dog, hence him stealing Gohan and talk-posturing at Goku instead of properly fighting from the start), so it’s not so much familial piety as it is convenience because he’s outnumbered and outgunned and outbullied by the only couple other Saiyan survivors.

@wardstoneus That’s a story for another day, and details I probably won’t get super into because I’ve learned my lesson about delving into unnecessarily dark themes in an ambiguously exploitative way. But, yeah, I have lots of Thoughts about Raditz’s distinctive hairline and how that looks more like Vegeta than it does Bardock, and how exactly that could’ve gone about.

It was not a consensual thing :/ Gine had a rough life, and not just because she was weak and also not very Saiyan like. Bardock married her to protect her after she was pregnant, and he got demoted to low class because of it. (That’s how I explain to myself how Bardock was apparently super fucking strong and yet inexplicably deemed low class).

@loyaltykask Tbh the only other Sakumo ship I find mildly interesting is Sakumo/Tsunade (you can kinda tell why I drew them together in the Five comic in the first place xDD), but, naturally, my take on Sakumo and the Sakumo that gets shipped with Orochimaru in fandom are very different characters with very different pasts that made them that way :’D So if I separate my take and just take fanon Sakumo as it is, there’s lots of interesting fics with him and Orochimaru and such. I don’t tend to read them though, because Orochomaru is never in character (as I interpret him, anyway), and that can be tiring XD

@pretty-rage-machine Thank you!!! I’m sorry (not sorry) that I jump around fandoms so much, my creative brain is stupid and it latches onto new things every 2-6 months without control and I’ve learned to just go with the flow, it allows me to create faster and better works if I let myself explore whatever topic has captured my interest at any given moment instead of forcing it to stick to one thing. Luckily, I am not a professional artist; if you are, don’t do this xDDD Maintaining discipline and motivation beyond personal whim is important in any job!!

That being said, yay!! I’m glad you like my stuff regardless of how much knowledge you have of the canon I’m messing with. Hearing my characterizations are grounded and relatable makes me happy <3<3

@poly-hebdo Thank you!!! :D :D Once again, I apologize for jumping fandoms like the attention deficit fella I am, but I’m glad you’re still digging my works regardless of the fandom!

@jkl-fff Ahh thank you, friend!! (Side note reply: I watched DBZ:A yeeears ago, and I have to rewatch it again STAT because I actually have gotten mentioned by MasakoX (voice of gohan and goku in DBZA) a couple of times now, once in one of his videos and twice on his twitter feed, so I’m like HOLY SHIIIIT!!!! because that’s some Senpai-Noticed-Me shit and eeeeeeek).

It may be obvious by now but I HEAVILY project onto Gohan, he was basically my mental self-insert as a wee lad, so my characterization of him is heavily tinged by that selfish nostalgia; part of the reason I’ve been drawing these comics is to seamlessly integrate that mental image of Gohan I have living in my brain to the actual existing canon, to make him a plausible version of Gohan that can exist between the pages. From that, a fascinating little narrative has been born and I’ve been having fun detailing out the characters that exist around the Gohan I’ve created :D Thank you for enjoying my hot take on it!!

And YES LAWD I am all for bisexual Gohan, he and Dende were totally a cute first romance thing as teenagers, though naturally it had to come to an end as they moved on with their lives -- Dende to proper ascetic Godhood, and Gohan to a more normal human highschool life. Maybe someday I’ll get into the nuanced complexities of that, though I probably won’t post it to twitter, where the audience there seems to crave more canon straight stuff than any wistful doomed gay sideplots (that seems more a Tumblr thing). Ahhhh so many ideas, so little time XDD

#ask responses

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theastrophilearchitect · 4 years ago

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March TBR/W.

Every book, audiobook, tv show and movie I want to consume in March 2021.

-Hence ‘TBR/W’ - to-be-read/watched.

I’m not usually a fan of pre-planning my media for the month - I plan out all my media obsessively, but doing it by month seems a little too much like setting deadlines for my taste, and I’m sure I’ll somehow manage to turn watching tv into a chore. Regardless, it’s worth a shot, so this is going to be a rough guide - I’m going to pick four of each category, one per week, because I’d rather underestimate and surpass than overestimate and have to defer things to the next month. So let’s go.

Books

1. Skyward and 2. Starsight by Brandon Sanderson

Skyward is set in a future where the human race is on the verge of extinction, trapped on a planet constantly attacked by alien warriors. Spensa, a teenage girl stuck on the planet, wants to be a pilot, but it seems far-off. Then, she finds the wreckage of a ship that appears to have a soul, and she must figure out how to repair it, and persuade it to help her navigate flight school.

In truth, I mainly want to read this because of how highly it’s been praised by Hailey in Bookland on YouTube. I actually tried reading Sanderson’s Mistborn series a couple years ago, and just didn’t click with it. I love fantasy, but I can pretty confidently say epic fantasy just isn’t for me. However, Sanderson’s work is adored by many, and Skyward and its sequel Starsight appeal so much more to me, and I can’t wait to get to them.

3. House of Earth and Blood by Sarah J Maas

This is Maas’s first technically-adult book; Throne of Glass is young adult, ACOTAR being classed either as young or new adult. I’ve been a fan of Maas for a long time, and, though I enjoy her books less now than I have in the past due to how seriously they tend to take themselves, I’d still love to read this one. Where her previous series were both fantasies, this sits somewhere between that and a sci-fi, but I can’t say as-of-yet what I think, because I haven’t read it yet.

Bryce Quinlan finds herself investigating her friends’ deaths in an attempt to avenge them after they were taken from her by a demon. Hunt Athalar is a Fallen angel, enslaved by Archangels, forced to assassinate their enemies, when he’s offered a deal to assist Bryce in exchange for his freedom.

4. Scythe by Neal Shusterman

I listened to this as an audiobook in 2019 as part of BookTuber Book Roast’s Magical Readathon, and didn’t hugely get along with it in truth. The audiobook was excellent as an audiobook, but the story Ian’s I just didn’t really vibe. I think I just want to like this book, so I think it’s worth a reread to see if my opinion changes.

This follows Citra and Rowan, a reluctant pair of apprentice Scythes - in a utopian future where humanity has the means to live forever, it is the job of the Scythes to control the population by essentially reaping the souls of those they choose to die. Neither Citra or Rowan want it, but I don’t remember enough about this book to say any more.

Audiobooks

1. Mockingjay by Suzanne Collins

This is the last book in the Hunger Games trilogy, and you either already know what this series is about, or you’ve been living under a rock for the last thirteen years. I read this book for the first time nearly seven years ago, and it’s stuck with me. It sent me into a phase of only reading dystopian books (The Darkest Minds by Alexandra Bracken was part of this, and was the series that really got me into reading), but this was the main one that stuck with me.

It contains a powerful message about capitalism and discrimination, and this is the second time I’ve listened to the audiobooks, though the god-only-knows-what time I’ve read the series. I listened to The Hunger Games and Catching Fire in February, which automatically puts this on my to-listen for March.

2. Ghosts of the Shadow Market by Cassandra Clare, Sarah Rees Brennan, Maureen Johnson, Kelly Link and Robin Wasserman

This is a novella bind-up set in the Shadowhunters world, that I would imagine has quite a bit to do with the Shadow Market, an aspect of the Downworld introduced in The Dark Artifices, which I finished in January.

In truth, I’m mainly planning to listen to this audiobook because it’s the only Shadowhunters novella bind-up with an audiobook, and I’d just rather read additions to the main Shadowhunters series in this format rather than physically.

3. The Ballad of Songbirds and Snakes by Suzanne Collins

This is a Hunger Games prequel that was released early last year, and I just wasn’t going to read it. I heard several reviews, the general consensus of which was basically that it’s not as good as the trilogy and is somewhat unnecessary, but, in truth, my curiosity’s got the better of me, especially since I started listening to the trilogy’s audiobooks again.

This prequel follows Coriolanus Snow as a mentor in the Games before he became President of Panem and the wonderful villain of the original trilogy.

4. Eliza and Her Monsters by Francesca Zappia

I mentioned this in my physical TBR post a couple weeks ago, but have decided to listen to the audiobook instead. A few weeks ago, I’d started to run out of audiobooks I wanted to listen to, and didn’t want to read anything on my regular TBR in this format, including this book. But, I went through a load of audiobook recommendations, and this was one of them, so it joined my to-listen.

I’m not hugely into contemporary books, but I’ve wanted to get more into the genre for a while, and this was the first one to join my TBR.

This novel follows Eliza Mirk, your typical high school outcast, who publishes a hugely popular web comic under the pseudonym LadyConstellation. Then Wallace Warland, the biggest fanfic writer of her comic transfers to her school and begins to draw her out of her shell.

TV Shows

Before I go into my list, I’d like to mention that I am currently watching WandaVision and am definitely planning to watch Falcon and the Winter Soldier on Disney+, but both come out on a weekly basis, so aren’t being included on this list. Also, I’ve been watching way too much YouTube recently, so I’m not sure I’ll get through all of these this month, especially since I’m watching the Arrowverse shows, which have such long seasons.

1. Love, Victor Season 1

This Love, Simon spin-off follows a character named Victor at Creekwood (I think that’s the name?) High School. I saw Love, Simon twice in cinemas when it was released, and, miraculously, it made me cry. I love that movie.

This series was released last year on Hulu, which is only available in the US, but as of February 23rd, it’s one of the shows that came to Disney+ as part of Star.

2. The Flash Season 1

As mentioned, I’ve started watching the DC Arrowverse shows. I watch tv shows through alternating seasons - as in, I watch season 1 of show A, then season 1 of show B, then 2 of A, etc., then when I finish one, I start watching show C - but I’m treating the Arrowverse as one show (even though it isn’t) so it’s not the only thing I’m watching. So this is technically Arrowverse S3, preceded by Arrow S1+2 (though I haven’t actually started S2 as of writing this because of how much YouTube I’ve been watching, so I’ll be finishing that first).

I genuinely don’t know that much about most DC superheroes, Flash included, but I’m going into this having been assured it takes itself less goddamn seriously than Arrow. It’s my sister’s favourite Arrowverse show, and I can’t wait.

3. Dare Me Season 1

I added this Netflix show to my watchlist when it came out, and my basic understanding is that it focuses on the cheerleaders at a high school, and begins when a new coach arrives. It focuses on the psychological damage behind competitive cheerleading, and I’m not convinced I’m going to love it, but I think it’s worth a shot.

4. Arrow Season 3

I’m so confused by this poster. This is specifically the season 3 poster, and I’m so confused, but I’m sure it’ll make more sense when I watch the season.

I explained the weird way I’m watching Arrowverse (named as such because Arrow was the first show in it) already, but Arrow follows Oliver Queen, the son of one of the billionaires of Starling City upon his return after being stuck for five years on an island when a cruise ship carrying him and his father sunk. His father left him with a list of names of the people ‘corrupting’ the city, and Oliver takes it upon himself to assume a vigilante identity and take them down.

Movies

I’m not a huge movie-watcher, but I end up compiling so many to watch that, to ensure I get round to them, I watch a movie every time I finish a tv show season. I’m also currently re-watching the MCU movies in chronological order.

1. Instant Family

This is just something that came onto Netflix recently and I thought might be entertaining, and so it joined my list.

This follows a couple who decide to adopt a teenager, only to find out she has two more siblings.

2. Guardians of the Galaxy Vol. 2

This is just a continuation of my MCU re-watch - I love this movie. I love Guardians of the Galaxy, full stop (on another note, I just generally don’t understand why British people call it a full stop and Americans call it a period. Neither name makes particular sense).

3. Avengers: Age of Ultron

And here we have another continuation of my MCU rewatch. I honestly think this is my favourite Avengers movie, because the whole teams actually together, and Wanda, Scarlet Witch, is introduced - I love her. I really didn’t like Vision until WandaVision came out, though.

4. Behind The Try: A Try Guys Documentary

Not technically a movie, but still. (Are documentaries movies? I tend to think of them as separate categories, but I guess they’re both movies. Hm.) I’ve been watching the Try Guys for years, which means I need to convince my sister to give me her Google password so I don’t have to pay for this.

I’m probably not going to stick to this list, and even if I do, I’m either going to also consume things not on it, or just not finish it. But, you’ll have to wait for my March wrap-up to find out.

#tbr #book #books #reading #reader #bookblr #marchtbr #tv shows #movies #review #films #movie #tv show #writerblr #march tbr

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paulisweeabootrash · 6 years ago

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Retrospective Review: Rewatching Azumanga Daioh as an Adult

This may seem hard to believe if you are a younger reader or one who got into anime only recently, but there was once a time when recommendations spread by word of mouth, it was absolutely commonplace for anime seasons to last longer than 13 episodes, and the vocabulary of the anime fandom wasn’t nearly as full of internet-originated in-jokes. A time when the internet-savvy congregated on forums dedicated to specific topics instead of social networking sites, and the imageboards that generate so much of the internet meme landscape were just starting to take off among lonely nerds as an obscure haven for perverts, racists, and assholes instead of the role they have today as… uh… well... a well-known haven for perverts, racists, and assholes. A time when there was no such term as “weeaboo trash” because that Perry Bible Fellowship comic hadn’t been published yet, let alone used for that meaning. It wasn’t some golden age, but it was different, and today I’m taking a self-indulgent trip back to the end of that period, when I was in high school in the mid-2000s.

Azumanga Daioh (2002).

1. Why is this show important to me?

My introduction to anime consisted mostly of Pokémon and Sailor Moon, and took off with scattered episodes of several other shows that aired on WB and Cartoon Network, which were generally driven by action and combat. I can’t remember the circumstances or even who did it, but someone who owned, or perhaps pirated, a copy of Azumanga Daioh must have shown me a few episodes at some point.

Here was a show that had been on the leading edge of the moe trend a few years earlier, and although certainly available, such things were not yet common. Moe has, of course, taken over a large chunk of anime since, to mixed reception since it can range from innocently delightful to extraordinarily creepy. Azumanga is close to the innocent end of the spectrum, and absolutely delightful (as, BTW, is the author’s current ongoing manga series Yotsuba&!), with a softer, cuter art style than I was accustomed to and instantly-lovable characters.

It was clearly in a different genre and had a different sensibility about how to make a show, too. It had few repeated or filler elements, unlike any of the shows following the “monster of the week” formula. It was broken up into several vignettes per episode — a practice that I was familiar with from the format of many Nicktoons, but while American shows with that format told multiple self-contained stories, the short segments here were typically parts of larger episode-long stories, often focusing on different parts of the same event or different anecdotes about the same character. It showed us, the foreign audience, something about life in Japan, and at least for me was the first time I’d heard of distinctly Japanese school practices like applications for public high schools, students cleaning classrooms, or the particular kinds of seasonal festivals they have. It lacked story arcs driven by overcoming some enemy and instead was driven by character relationships themselves and the instantly-relatable experience of school. It was an encounter with something utterly different — and it made an excellent first impression.

Eventually, I bought a copy of the complete series of the manga it’s based on. Azumanga Daioh was originally, well, a manga, written by Azuma Kiyohiko and originally published in the form of a 4-panel comic strip that ran in the magazine Dengeki Daioh. See, it’s Azuma’s manga in Dengeki Daioh. Azuma manga, Dengeki Daioh. Azumanga Daioh. Ha. Clever. Anyway, in there, I encountered largely the same characters and interactions, a mix of believable school life and quick gags, just presented in a different format. I eventually got the DVD box set of the show, too, and I’ve rewatched a few favorite episodes several times, but this review is the first time I’ve revisited the whole series in years.

2. Who are all these people?

Rather than focusing on a small core friend group like Three Leaves, Three Colors, another much more recent adorable high school slice-of-life I greatly enjoy (and should maybe review?), Azumanga has a pretty large ensemble. Most of them are students and the “story arc” such as it is follows them through three years, from entering to graduating from high school, over a single 26-episode season. So rather than cover a plot synopsis, I think it would make more sense to dive into specific characters and their relationships. The show its at its funniest and sweetest with the dynamics of certain combinations of the main characters, and there are a lot of combinations available. Covering all of the recurring named characters approximately in the order we meet them (except a few characters who show up only in an episode or two each and another classmate named Chihiro who shows up on the periphery as a friend of Kaorin), let’s look at the relationships that stand out:

Yukari and Nyamo: Yukari Tanizaki, the English teacher who is the homeroom teacher to most of the cast, is unprofessional and insensitive from the first moment we see her, traits which are elaborated in later episodes into a sort of impulsive over-the-top-ness that clashes with the fact that she actually is a pretty good teacher. Emphasizing her less-serious attitude, students even refer to or address her by her given name (although the subtitles exaggerate this a bit by consistently calling her “Miss Yukari” when she’s usually just addressed as “teacher”). Minamo Kurasawa, the gym teacher, is a long-time friend of Yukari. She and Yukari (who calls her “Nyamo”) were even classmates at the same high school they currently teach at. In addition to being central to the gym class/sports-related episodes, she’s also Yukari’s more caring, approachable, and professional foil, which sets up interactions where Nyamo tries to be helpful and manage situations in the face of Yukari being antagonistic (and, outside of school hours, drunk) towards her and the students. Yukari in particular prods at Nyamo’s sore spots: being single and having done embarrassing things in high school.

Tomo and Yomi: Tomo Takino is 100% genki girl. I mean, come on, she’s the illustration for the TV Tropes article by that name. She’s not only enthusiastic, but loud, intrusive, and pointlessly competitive to the point of being just plain mean. She’s the kind of person who might mature into a less competent Yukari if she burnt out a bit. Koyomi Mizuhara, on the other hand, is much more serious and self-conscious, and although she still genuinely is Tomo’s friend and goes along with some of her silliness, she barely puts up with Tomo’s teasing and flurry of bad ideas. She is the Nyamo to Tomo’s Yukari, complete with Tomo enforcing a nickname on her, so she’s almost always called “Yomi” throughout. Yomi is much more considerate than Tomo, too. This often comes out in Yomi scolding Tomo’s insensitivity, but it’s also seen less directly when they are giving Chiyo (more on her below) birthday presents — Tomo offers first a joke that doesn’t go over well, then a magic wand she apparently expects Chiyo to believe will make her grow taller, which Chiyo dismisses, while Yomi offers a book which Chiyo enthusiastically accepts and says she expects to enjoy.

Osaka, Tomo, and Kagura: Ayumu Kasuga is a distractible and soft-spoken transfer student from Osaka whom Yukari, Tomo, and Yomi pester with misinformed questions and assumptions about her home city. Tomo, naturally, saddles her with the nickname “Osaka” as if that is her entire identity. The nickname quickly catches on, with even Yukari calling her that instead of her actual name in class. She is accepted as a friend by the other students who still consider her eccentric and baffling, but not annoying or embarrassing like you might expect. (In fact, the other girls react more and more to Tomo as the annoying and embarrassing one.) During the second year of school, she bonds with Tomo and Kagura (introduced as a star athlete from Nyamo’s homeroom during the first year, she becomes a major character in the second year) over their similar incredible forgetfulness and poor academics. Yomi calls them “bonkura”, translated as “knuckleheads”, and the three of them adopt the name for themselves as they study together — an idea which is doomed from the outset. The three of them together, or any two of them, play off each other wonderfully.

Chiyo and Osaka: Chiyo Mihama, a child prodigy who is only 10 years old at the beginning of the series, is so academically gifted it can upset and embarrass her classmates, but on the other hand is naive, and not just because she’s a child. She is in fact clueless about the outside world. She fails in the first summer break trip (ep. 5) to understand that the other characters’ families are nowhere near as rich as hers, and in the second summer break (ep. 14), even after a year and a half of being around high schoolers, she entirely fails to understand Nyamo’s off-screen explanation of “adult relationships” (kids innocently being oblivious to what sex is seems to be a common basis for jokes in Japanese media). Chiyo being five years younger than her classmates — and on the other side of puberty from them — also makes her lag far behind them in athletics. On the one hand, this makes her very self-conscious and afraid of being a burden on her classmates in team activities, and on the other, it sets up a running gag of Chiyo and Osaka teaming up to be by far the worst pair of athletes across the board. Oh, and Osaka’s dream about Chiyo’s pigtails in the New Year’s episode is one of the weirdest and most authentically dreamlike dream sequences I’ve ever seen. Although maybe that just says more about my own dreams than about the show.

Sakaki and Nobody (or, Multiple Kinds of Unrequited Feelings): Sakaki is considered effortlessly cool and somewhat intimidating — Kagura calls her a “silent lone wolf” — but she’s not big on that reputation. Students openly admire her, especially for her athletic talent, and treat her with distance and respect by almost universally calling her “Miss Sakaki” (since this is apparently her family name, not given name). She does not enjoy this treatment, but is also too private (and perhaps too insecure) to complain about or discuss it. She is indifferent to sports despite excelling at them, and doesn’t even recognize Kagura when she proclaims herself Sakaki’s rival, presumably because the first-year sports festival just didn’t stick out in her memory the way it did in Kagura’s. Despite calling it rivalry, however, Kagura quickly inserts herself into Sakaki’s life in a friendship that Sakaki responds to more with quiet tolerance than reciprocation.

Kaorin, meanwhile, mistakes Kagura’s one-sided friendly rivalry for a very different kind of attention, and accordingly treats her one-sidedly as a romantic rival (although she does eventually calm down about it). Kaori (family name not mentioned), usually addressed by the more affectionate “Kaorin”, is shown at first to ambiguously admire Sakaki, but it quickly becomes clear that she is infatuated with her. And, despite the insistence of many fanfic writers since, Sakaki never catches on to this, even with Kaorin gazing dreamily at her while dancing with her, or clinging to her arm while posing for a picture together. I'm sure, given how over-the-top she is, that Kaorin’s unrequited feelings are supposed to be funny, but I find it sweet and sad and end up rooting for her.

Sakaki and Cute Animals: Sakaki is not unfriendly, or even very socially inept, though. She gets along well with the main cast, especially Chiyo. But she is aloof, not just because of shyness but because she has a secret love of all things cute, especially cats and dogs, and gets caught up in her own thoughts about cute things. Although she loves animals, they don’t necessarily love her back. There is a series-spanning running gag with a cat in the neighborhood whom she repeatedly tries to pet, no matter how many times it bites her for doing so. In fact, in that very same episode where Kagura declares her rivalry, the strongest emotional reactions we see from Sakaki are horror directed at Kagura for scaring that cat away and, later, being moved to tears by a story she’s constructing in her head about another cat while Kagura is trying to talk to her. Sakaki’s thoughts on cute animals also yield a second running gag: "Chiyo's dad". An orange cat-like doll (evidently some kind of character or mascot in-universe?) that appears numerous times in the background early in the show appears in Sakaki’s New Year’s dream and introduces himself to her as Chiyo’s father, so Sakaki refers to the doll as “Chiyo’s dad” for the rest of the series without explanation, much to the confusion of the other characters. While he’s an inanimate object in the background before the dream, afterwards he appears as alive and magical, sometimes in Sakaki’s imagination and sometimes intruding into the real world as short transition clips between scenes.

Kimura vs. Everyone (mostly Kaorin): Last and certainly least, let’s consider Mr. Kimura, the literature teacher. Within a minute of the first time we the audience see him, Tomo asks him why he became a teacher and he blurts out that it’s because he likes high school girls. Which a group of creepy boys in the class call “brave”. Ugh. This presages chronic inappropriateness of varying levels from Kimura — from unsolicited suggestions for cheerleading uniforms to hanging out during gym class to watch the girls swim to heaping unwanted “favors” on Kaorin, to whom he is obviously attracted. Beyond the increasing variety of his inappropriateness, he doesn’t really develop as a character. He is, interestingly, shown as an otherwise decent person outside of school, but this is not portrayed as excusing him. Rather, it’s made clear that his creepiness is contextual, and his role throughout the series is consistently as a grotesque comic relief, not a sympathetic character. Kaorin even consciously tries to improve her opinion of Kimura because his wife is so nice, leading her to believe that this means Kimura himself must have good points to deserve someone like that, only to be immediately shown otherwise. We the audience are laughing at him, not with him, and at some points are genuinely upset at him on the girls’ behalf. Or at least, I hope that’s how the rest of the audience takes him.

3. Yeah, but there's some kind of progression, right, even if it's not really a story arc?

Again, it's not the kind of show that has an overarching goal or conflict. The goal, such as it is, is the characters' graduation from high school. The topic of what they'll each do after graduating comes up several times, as you might expect, but isn't that much of a plot point. Not all of the main characters even have clear plans laid out that we know of, but the plans we do know about match their established personalities well. Tomo changes her mind repeatedly between several half-baked ideas. Osaka decides at the last minute to try to become a teacher based on Chiyo straining to think of something fitting Osaka's... unique way of looking at things. Chiyo is perhaps overconfident, planning to study abroad in America despite being only 13 when she graduates. Sakaki anonymously showed interest in veterinary school early on, but didn't discuss it with her friends until much later, after she started showing her weakness for cuteness in front of them.

The main progression that happens is some evolution in the characters' relationships and attitudes. There is of course the progression from strangers to friends among the main cast, but also some character development growing out of things that started as gags. Osaka, for example, begins as the butt monkey of the class, but by the end of the first year, she is very well accepted by her classmates, and she even gets along particularly well with Tomo, who was originally shown teasing and stereotyping her the most but has now toned it down a bit. Nyamo’s miserable singlehood, previously a running joke, leads her to open up to the idea of trying matchmaking instead of dating. Sakaki becomes more willing to express her love of cute animals in front of the other girls, starting with Chiyo, and her running gag experiences with the hostile cat play out to a resolution when she adopts, of all things, an endangered wildcat which is the only cat that doesn’t bite her, then has a final encounter with the hostile cat where she tries to make amends. Chiyo's academic talents were met with light irritation and mockery at first, but by the end, her new friends are grateful for her help and rise in applause when she is recognized for her grades during the graduation ceremony. Kagura relaxes her Tomo-like tendencies more and more, and shows a degree of gratitude and sentimentality towards her new friend group that would’ve been shocking when she was first introduced. Even Tomo, usually the show's last bastion of immaturity, shows tiny bits of improvement: self-reflection and regret during a serious conversation with Yomi over what American audiences would call "finding your passion", and later leading the applause for Chiyo. To compare Azumanga to Three Leaves, Three Colors again, it’s true that this show doesn't go into as much depth in character relationships as that one despite running for more than twice the number of episodes, but I don’t think that’s a flaw in Azumanga so much as a combination of Azumanga’s larger main cast, gag comedy focus, and choice of a different “zoom level” on the main cast’s lives.

The show itself evolves a little bit, too. As it goes on, more episodes have segments that flow together and they contain more references to events in previous episodes. By the last few episodes, with graduation looming, it almost feels like it has become a conventional plot-driven show. The shift from shorter to longer segments, shorter to longer jokes, etc., is seamless — and pretty typical of comic strips where perhaps the author hasn’t “figured out” their own characters at the beginning. Surreal elements also get more common, like the “Chiyo’s dad” running gag and increasingly-elaborate looks into what characters are imagining. As I recall, these changes reflect the stylistic evolution of the original manga, but... uh... my copy of the manga is with my parents at the moment so I didn’t check myself on that.

4. How is it different in retrospect?

As I said, I first saw this in high school, so I was about the age of the main cast. Perhaps this was one of the things that made it so enjoyable. The characters seemed relatable, and I lacked the aversion to depictions of ordinary life that some people had because I didn’t have a particularly negative high school experience despite being decidedly uncool. (I was, in fact, neither interested in being cool nor in being self-consciously uncool, and was content with the set of people I got along with. I was never really an angsty teenager so much as a sad one.) My experience of the show is, if anything, even greater appreciation now. Some of that difference comes from knowledge and some from aging.

I’ve become a bit less of a poser and/or snob about some things since then. I’d seen a lot of obviously-atrocious dubs growing up, and they really put me off the idea that anyone actually cared about dubbing into English well. Since then, I’ve lightened up a bit, partly because it seems like nowadays distributors do a lot less 4Kids-style butchery of shows when they’re translated and partly because I’ve realized that there is plenty of bad Japanese voice acting, too, so sometimes the English version is just plain easier on the ears. So I’ve watched this mostly in the English dub this time around (some episodes in both to check the different versions of specific jokes) and I really enjoy it. The voices are character-appropriate and the English lines fit the lip movements better than the original Japanese voice track while only rarely resulting in rhythms and stresses that sound unnatural in English, which really impresses me.

Just from the sort of vocabulary one picks up by being weeaboo trash, I occasionally notice differences in meaning between the dialogue and subtitles when watching the sub version. And I even picked up on an interesting translation choice for a joke I hadn’t noticed before. When Yomi tells Osaka that Chiyo is a child prodigy in ep. 2, Osaka responds comparing Chiyo to a boy she knew growing up, resulting in her expressing a different misunderstanding in each version about how the boy was described by adults. In the English dub, Osaka says something about him “smarting off”, the joke being she thinks that means he’s smart. In the English subtitles, she says he was “precocious”, to which Yomi says she doesn’t think that meant he was smart by calling him that. This time around, I finally caught that the Japanese dialogue there clearly uses the phrase “otoko no ko”, insinuating that the boy is a crossdresser and/or gay. Even though I don’t understand the full Japanese joke, the implication is clearer than it was in English (because I, um, also didn’t think of the double entendre on the word “precocious” until now), as is the degree of the misunderstanding.

I appreciate now how many scenes are psychologically-savvy. Just in the episode in which the main cast of students move up to their second year of high school, we see two scenes that just click with me as “yes, people do this, and I don’t know why we don’t seem to notice it!”. I mentioned above Kagura wanting to compete more because of the sports festival while Sakaki thinks nothing of it at all, which hinges on the simple difference in the sports festival having been a memorable event in Kagura’s life but not Sakaki’s. That episode also features a scene in which Tomo eggs on her classmates to eat their lunches early because it’s a thing that (according to her) second-years do, which sets up Mr. Kimura to arrive the room for literature class, see everyone eating, and therefore assume he must be the one who has the time wrong and go back to the faculty lounge for his own lunch. This tendency to defer to others in decisions in our own lives, not through peer pressure per se but through assuming that something done commonly or confidently must be correct, is just something I don’t see portrayed or acknowledged much in Japanese or American media. And I love it. For those two scenes alone, this is one of my favorite episodes in the whole series.

As far as the characters, I still find the students charming and relatable, and I’m willing to bet that everyone knows someone like most of them in real life. They fit Japanese character archetypes to a certain extent, but are also developed enough especially in their interactions with each other that they come off as realistic to me. So they hold up well. But mainly, I find I have much more appreciation for the teacher characters as an adult. I can think of times when I’ve been the Yukari in a situation, whether that means being overbearing and inconsiderate when I think I’m being funny or whether it means or digging through a messy desk swearing that I know exactly where something is before creating a landslide. And I can think of times when I’ve been the Nyamo accidentally antagonizing the Yukari by trying to be helpful. I even appreciate Kimura, not because I think he’s relatable or a good guy, but because he’s distressingly realistic. His creepiness comes at the same time as genuine competence and, as far as we are aware, a normal and functional home life. It is widely-acknowledged yet never stopped by the administration, even though it ranges from unprofessional obnoxiousness to genuinely alarming sexual harassment. Kimura is unfortunately plausible and all-around frustratingly topical.

Revisiting these characters, I’ve also realized something about myself. When I first watched this show (and read the manga), I got a serious crush on Osaka. She would go solidly in the “endearingly pathetic” column if I were to evaluate her that way, and she also reminded me at the time of a few different confidently strange and spacy people I went to high school with. And then, getting older, I realized… She’s endlessly distractible by trivial things. She asks weird hypotheticals and follows odd tangents to other topics. She often misunderstands people. She’s hopelessly unathletic and clumsy. Oh no. I'm the Osaka of my circle of friends. So, uh, that’s a thing that happened, and I have no idea what to make of it.

Azumanga is relaxed, wholesome, and hilarious, and its characters and major events are believable even when highly stylized for comedic effect. When it's not in hyper-simple comedy mode, the art can be downright beautiful. It’s clearly an artifact of its time given, for example, the lack of cell phones (even basic ones) and persistence of film cameras, but that kind of aging happens to any show. The situations are still relatable despite not being topical, which makes me think — or at least hope — that this can last well into the future as something new audiences find worth watching.

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W/A/S Scores: 8 / 3? / 3

Weeb: There are lots of little things that will seem odd if you go in believing that Japanese school schedules and activities are the same as American ones, but anime is so saturated with high school comedies nowadays that it is much less weeb now than it was then to expect that background knowledge. Many non-school things like flower-gazing or the fact that seasonal fairs in Japan have different activities and expected clothing than in American ones will seem distinctly foreign but understandable to a naive audience, while a few episodes might need some looking up to “get” because they expect audience familiarity with things still obscure to most Western audiences, like lucky dreams in the New Year’s episode or the yōkai in the second culture festival episode. Mostly, familiarity with the conventions of other anime or of Japanese culture will enhance enjoyment but aren’t strictly required to enjoy it. The art style sometimes shifts for specific gags to a particular style of minimal-movement chibi characters on very simple backgrounds which is more at home in the 4-panel comic world in which Azumanga originated (and in pre-moe-era comedy anime, or at least the few I've seen) than in other manga formats or newer anime, creating an additional small hurdle even for those with different Japanese media exposure.

The show runs into more of a barrier with hard-to-translate jokes than anything else, leaving the viewer the choice between replacement jokes with similar general ideas in the dub vs. the occasional feeling that there should be a joke but you’re not quite getting it in the sub. One particular joke that they made no attempt to adapt ended up being utter nonsense in both the sub and dub unless you get that "Mr. Yukichi" refers to 19th Century Westernization advocate Fukuzawa Yukichi, who is on the ¥10,000 bill, and I gave the show an entire extra point on the Weeb scale just because I had to look that up.

Ass: Unless you’re Mr. Kimura, probably no “ass” score at all as far as sexualizing the characters, but there is the occasional sexual joke or implication. Even the obligatory beach episodes aren’t fanservicey in the way or to the degree that a contemporary moe high school show often is. Probably the single most sexual-looking thing is characters holding their skirts down in the intro, which is tame by comparison to anything released in the last decade. Kimura, however, does make the show unsuitable for audiences… well… younger than the show’s main cast, probably.

Shit (writing): I have very little problem with the bulk of the content. I think the show works and the characters are relatable and delightful. But I do have some gripes about translation, mostly in the dub. Although I still maintain the dub is unusually good in acting and synchronization, they do take more liberties than I’d like with changing jokes, and the dub and sub both lose some subtlety in how characters address each other, as mentioned before.

On top of that, there are some odd localization choices in the dub. For example, the way Yukari, their English teacher in the original Japanese, is not portrayed as teaching a foreign language at all in the dub, while still making a big deal of her foreign language skills outside of class, or how characters repeatedly say “taiyaki pastry” in the dub instead of just establishing once for the English-speaking audience that taiyaki is the name of a specific style of pastry and using the name “taiyaki” from then on. Also, I know this is very small and specific, but I noticed a place in ep. 17 where they inserted a strained pun in the dub where there was intentional awkward silence in the sub, so that’s just… weird.

Shit (other): The animation is often sparse, and although this is usually fine, it does sometimes come off as cheap. The biggest problem visually is that the DVDs I’m watching have noticeable and pretty frequent combing, which I was able to reduce but not eliminate by fiddling with video player settings. On the other hand, kudos to the director for hitting a sweet spot on shots that are lingered on or actions that are repeated for “too long” (e.g., Nyamo demonstrating chopstick use, or any of the scenes of Chiyo and Osaka failing at sports, or Osaka trying to wake up Yukari) because they end up hilarious when they could have been tedious.

Oh, and I love the soundtrack. Some people may also find the frequent use of recorders annoying, but those people are (1) wrong and (2) not writing this blog. The soundtrack is appropriately lighthearted and/or relaxing. The opening theme “Soramimi Cake” is catchy and accompanied by an opening credits sequence that decently shows who the main characters are. But “Raspberry Heaven”, the ending theme… ah… the sequence accompanying it is a beautiful dream and the music is movingly bittersweet for reasons I lack the music theory background to articulate. Like, this is a really weird example, but it conveys my feelings: have you seen Soylent Green? You know the scene where Sol is listening to a medley of classical music while he’s being euthanized? If the last thing I ever heard were “Raspberry Heaven”, I would die totally content.

Content Warning: Kimura.

—–

Stray observations:

- I think Kaorin may have been the first unambiguously gay character I saw in any anime. Sailor Moon or Cardcaptor Sakura would’ve beaten Azumanga to the punch with representation, but I grew up on the butchered-for-pearl-clutching-audiences versions of those shows.

- Kimura has, incidentally, produced one piece of lasting weeb culture. While trying to save his illustration for a proposed magical girl cheerleading outfit, he drops a picture of a woman. Tomo picks it up and wonders out loud who it is. Kimura responds, in heavily-accented English, “my waifu”. So… yup. We have him to thank for the whole waifu/hasubando phenomenon. Or, well, the terminology, since attraction to fictional characters is probably a phenomenon as old as fiction itself.

- More of a fun fact than a stray observation, Kuricorder Orchestra, who collaborated with Oranges & Lemons on the Azumanga soundtrack, recorded two Yotsuba-inspired concept albums, which are also adorable. They’re hard to come by in official copies, but I can’t help but notice that nobody seems to be stopping anyone from uploading them to YouTube...

- The background music in the cheerleading scene in ep. 6 is the “Grandpa Polka”, a.k.a. “The Clarinet Polka”, which fans of various other weird geeky media may recognize as the melody for the Candy Mountain song in “Charlie the Unicorn” and/or as the song between “Love Shack” and “Pump Up the Jam” in Weird Al’s medley “Polka Your Eyes Out”.

- My junior high, oddly, did have sports festivals somewhat like those depicted in anime, but I don’t hear much about other American schools doing similar things.

#weeaboo trash #retrospective review #anime review #azumanga daioh #this post is way too long

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userboytatu · 6 years ago

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The tank top means “back in hardware mode”

So, after speaking with @starkravinghazelnuts about Tony's fate in the Benatar I gave a lot of thought about how this might turn out, because like everyone is coming up with a lot of different theories and we’re probably gonna dissect them all to death before April comes lmao

My take is not brand new by any means, but after going over it like a thousand times I see no other possibility. For this to work, I have some pre-established notions. One, no Tony is not going to die from oxygen deprivation. Two, the message he sent to Pepper (and to others possibly) doesn’t work like a beacon. I’ll explain this later. Three, Nebula can endure way more than him, because of her modifications and her being an alien race and all. And four, he is not giving up. Yes, the message sounds like a last goodbye, like Tony is really ready to face death and is at peace with it. But I think that’s only because at that point in the movie, he really believes there’s not any other option. After all, isn’t he the Futurist?

Basically, I believe Tony is going to build an armor before he even gets back to Earth or somebody finds him and Nebula. As @starkwest so expertly pointed out in their post, right now the Benatar is Tony’s cave in Afghanistan all over again. He has nothing but a box of scraps and his will to save the world. If suddenly, before they run out of oxygen, it came into the conversation that oh, I don’t know, there’s a certain place where the best weapons in the universe are forged, wouldn’t Tony be all over that? Nebula knows Nidavellir exists. She may not know Tony is a mechanic, but she does know where Nidavellir is and what gets made there. Of course Nidavellir wasn’t randomly introduced just because in Infinity War, with so many things happening in that movie each location that was picked had a very important purpose. So I’m pretty confident it is going to appear again in Endgame.

Thinking about this, I rewatched the trailer 20 times and I also wondered where tf that tank top came from. Taking into account the last outfit we see Tony wearing in IW, which is the windbreaker and he doesn't have a shirt underneath, that makes me think this tank top is a very deliberate choice. We don’t know how Tony and Nebula got in that ship, but I’m guessing if Tony had any nanotubes left he would use them to repair the ship, or even his helmet so he can record messages. He wouldn’t waste them on new clothes. To me, the tank top represents Tony going back into “hardware mode” and I think the audience has come to associate Tony in a tank top with Tony the mechanic.

(gifs by marveledits)

The marvel styling department is big on continuity, so if Tony is straight out of Titan in that ship, wouldn’t it make more sense to have him wear the same windbreaker? He might have changed with clothes from the Benatar, but it’s a pretty big coincidence that the first thing he finds is a tank top. Hmm... wonder what the Russos are trying to allude to in here.

So, moving on, I know there’s some talk about how Tony sent nano satellite probes into deep space to scan for imminent threats. This is NEVER addressed in the movies, which bugs me because you’re expected to read novelizations and comic tie-ins and whatnot, but fine, let’s work with it. Tony is a futurist, we know that, so it would make sense that he did this to prepare. This helps the distress signal get to Earth, I believe, which is how it reaches Pepper and the Avengers. But like Clint says, ‘a door opens from both sides’. So the same way the satellites let Tony send messages, they should also let him receive them, right? What if they also allowed him to make a scanning network, by receiving signals designed to calibrate a wavelength or an energy sign? Where I’m going with this, is Tony designing an algorithm to track big ass energy signs. Say, as big as the ones a dying star in a forge would be sending.

Nebula can resist harsh conditions better than Tony, and she’s also an amazing pilot. So if she decided to land on Nidavellir, (which granted, I have yet to come up with an explanation as to how they’d get there, given that the Benatar supposedly ran out of fuel), she could get out there and get the forge going. Who knows if Eitri survived the snap? If he did, he’s already convinced of the importance his job has thanks to Thor, so it makes sense that he’d help out. If he didn’t, well that’s pretty sad but then the star is abandoned and there’s no one else around (because Thanos killed all the other dwarfs). Since Nidavellir has its own gravity, I am choosing to believe it has some sort of atmosphere as well... so that’s the oxygen problem solved lmao.

That leads us to the armor Tony might build, which could be done with the helped of Nidavellir’s number one natural resource: Uru. In the comics, Tony is the first human to work with Uru and actually make it work. He’s also said to discover the affinity Uru has for magical enchantments, and helps out in the construction of the Thorbuster armor. My guess is the Russos are going to make a mashup of the Thorbuster and the Godkiller armor. Per the Marvel wiki: “The [Godkiller] suit provides its user with enough power to physically confront a Dark Celestial for a limited period of time, and it’s capable of lifting one of these off the ground. The armor additionally possesses repulsor blasts and flight capabilities. It's capable of interplanetary flight, traveling from Mars to Earth in a matter of minutes.” Coincidentally, the Godkiller armor MK II is currently appearing in Avengers Vol 8 (issues #5 and #6) where it first made an entrance. Seems timely enough.

I don’t know what will happen from there. My guess is Carol and Steve (along with Nat and Thor possibly?) do make it to space, and they do find Tony. I don’t think Carol is going to just stumble into Tony whilst strolling around space, but I do know Carol is also a key to find Tony. From past experience, one thing I know for sure: the Russos are not going to just give us the Tony/Avengers reunion we so desperately want. I know they are going to drag it out, for sure. Those guys are so scared of what a Tony and Steve reunion might look like, they scrapped like three different scripts for IW before deciding to just not have it altogether. Also, it builds the tension even more: Will Tony make it? So to me, it’s not as simple as just having Steve and co. find Tony in space in the first 20 minutes of the film.

So yeah, this is my hot take on the events transpiring in the trailer. I mean who knows, maybe they’ll pull an IW on us and put the first shot of Tony at the very end of the film, just like they did with the Titan scene.

#endgame #avengers 4 speculation #marvel talk #endgame spoilers #tony stark #mcu

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snkpolls · 6 years ago

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SnK S3E2 Poll Results (Manga Reader Version)

The poll closed with 590 responses! Thank you to everyone who participated.

Please note that this is the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

Rate the Episode

The vast majority gave the episode their approval, with the largest percentage rating it a five.

Levi vs MP chase blew me away and I didn't remember rest of the show except Linked Horizon.

Animation blew me away and Kenny is better than I had imagined him in the manga.

They made Levi more bishy and badass at the same time. As expected of WIT. I find myself surprised at some of the changes and the new pacing, but I’m just here to enjoy this wild ride, so I’m open to anything. I can’t wait for Frieda to finally appear and confuse the fuck out of anime-onlies.

ep2 has already become my fav episode

It feels rushed. But I can only hope they make up for it later on.

I enjoyed it, especially the fight scene! A lot of things were missing from the manga, but I'm thinking they will be included in a different context. The ED was absolutely perfect! I'm looking forward to the rest of the season.

It was super enjoyable in its own right even if I'm a bit skeptical of the changed pacing.

The animation in this episode was amazing!

Rate the Ending

Respondents have agreed that the ending is a bop, with votes heavily favoring the positive. Feelings were much more mixed for the opening. We’re happy to see that most were at least satisfied with the ending!

I think it's the perfect mood for an ED. I'm really glad Historia got such a great focus; the OP focuses more on several characters an the ED on her.. I like it that way.

It's great! I love Red Swan so much and I'm happy with both songs!

Loved it a lot. You could immediately tell the signature Sounds Horizon influence, which is great. The song’s been stuck in my head for days. I also love the fact that the visuals are Historia-centric.

I don't think it should've been the opening per say......maybe with different visuals but I absolutely loved it. I'm glad that unlike the opening it didn't disappoint.

The Sasageyo in the middle caught me off guard lol

but like why did they have to make me feel so many emotions over that ending tho???

i'm literally in love with the ED it sounds like a fairy tale and i need the full version stat

the ed took me to nirvana

The ending was really beautiful. The animation with little Historia was beautiful because we will see more of Historia. Heck, this is her time to shine. This is her spotlight.

How do you feel about Linked Horizon performing the ending this time?

The majority of respondents are happy that Linked Horizon is back this season, even if it’s the ending instead of the opening. A smaller percentage still wished they had done the opening instead, however.

Who Linked Horizon is?

I hope they perform the opening for the next arc

Ending or opening I wouldn't care. As long as we have Link Horizon.

I'm glad they are still sticking around but I'm still so upset the OP/ED were 100% from some romance high school anime.

Which one is your favorite ED?

Do we as a fandom have a bias toward Linked Horizon? Quite possibly, as the new ending has already captured the hearts of the largest group. Great escape came in second, and Yuuguri no Tori remains the least liked ending of the series.

The new ending is beautiful. The scenario, music, how sad it is considering the recent events in the manga. Beautiful. I've to admit that I prefer by far the ending to the opening.

Which scene(s) did you like best?

It goes without saying that the Levi vs. Kenny/MP chase is what blew away the fandom this week. It was the favorite scene by a huge margin. The runner up was Armin taking aim and shooting in order to save Jean’s life.

I've been waiting five years to see the bar scene, BANG! BANG!

not ashamed to admit I rewatched the Levi vs Kenny chase dozens of times

Favorite anime-only scene: Sasha saved Armin this time, i couldn't be happier for my girl. She ain't useless and definitely not a comic relief, i hope Isayama will do something in the future so that people appreciate &miss her more when 105 is animated.

Also, something I'm loving this season and doesn't receive enough credit is to hear Traute's voice. Her voice sounds so badass. Love it

The animation is so gorgeous and literally jaw dropping. I enjoy absorbing every single second of action. And seeing and hearing the scene of Jean almost being shot and Armin killing somehow has made me officially ship Jearmin.

On a scale of 1-5 how much did the animation during the Levi vs. MP chase blow you away?

As expected, the animation left the majority of respondents in awe. It took one month for the animators to get in that 30 second sequence and it was so worth the efforts of the animation staff!

The Levi fight scene was breathtaking. Genius.

Best animation. Ever. Levi you awesome badass.

On a scale of 1-5, how daddy is Kenny?

While a fair amount of voters wouldn’t let Kenny touch them with a 50 foot poll, a larger portion of voters agree that Kenny is daddy material.

I want Kenny to be my daddy :P

The only thing so far that is completely good is KENNY BANG BANG ACKERMAN! They're making a wonderful job with him and I hope the dudes from Wit studio won't turn him upside-down or change some important scenes. In the end... KENNY IS THE MOST BEAUTIFUL AND COOL UNCLE/COWBOY ON EARTH. I'll always follow him

Kenny is even colder bastard than he was in the manga. I like him!

How did Erwin light the match with one hand?

Will the mystery ever be solved? We don’t know, but the majority of voters are quite certain that Erwin’s chiseled jawline may have something to do with it!

How excited are you to see kidwin’s eyebrow game next week?

61% of respondents are ready to see Kidwin moving and talking. Possibly also the heartbreak that will follow as we watch his backstory unfold. We’re pretty excited for small Erwin too!

Is your heart ready for Historia’s childhood flashback?

The majority of voters are ready for Historia’s “not very happy” backstory to unfold in episode 40. Some are eager, some just think she’s cute as a button and others are ready for their hearts to hurt. About 12% of voters aren’t as enthused, however.

I hope we will finally see Frieda in the next one !

On a scale of 1 - 5, how much do you relate to Bartender-kun?

I think we can almost all agree with the bartender when he says “EEEK!” It’s quite relatable really.

It took 4 years to finally see Bartender-kun in his moe glory and it was beautiful. 10 outta 10 would EEEEKK again.

EEK!

Would you want Levi as your motivational counselor?

68% of you would appreciate Levi’s straightforward and blunt was of saying things in order to help you cope and sort things out. 32%, however, would prefer a more gentler approach.

Does Erwin have a gambling problem?

68% of respondents agree that Erwin’s gambles are a positive thing! The thrill of it all is quite a ride for both the Survey Corps and the audience. We look forward to watching his gambles pan out in animated form soon!

How are you guys holding up?

The largest group of voters are unsure about the changes and feel pretty sketchy toward WIT and Isayama for making and agreeing to the changes. However, a combined 50% of respondents overall are enjoying the anime so far, with 31% of those voters having a great time watching the events unfold in a new way. 8% of voters have already lost all hope at enjoying the adaptation.

Jokes aside, the pacing's still left me reeling a little. But I can see how this might make sense from the studio's perspective. If I was an anime-only, I think this episode would have THRILLED me. So yes, I am still invested in the anime and am looking forward to the rest of the season!

Thoughts withheld until we see how the rest of the arc is adapted

i thought it was really good! most manga readers disagree, but i have hope that important scenes will be included later, and we shouldn’t be so quick to judge only 2 eps. i think we should be grateful that the scenes they DID include followed the manga pretty well. i have faith in the changes isayama wanted to make, he is the creator after all. have hope yall!

How do you feel about the restructuring so far?

We were quite surprised to find that 57% of respondents are still open to the changes, looking to see what happens next before ultimately deciding if the anime is in good hands or not. A small 15% are excited for the changes, while another 15% are not feeling them at all. A very small percentage aren’t enjoying anything about the restructuring so far.

I'm really trying to enjoy the season and not judge too fast before seeing all of the arc, but damn WIT, Isayama, you guys are making it so hard, I'm hella confuse by the changes you're making

In my opinion, the change of pace is for the worse. I'm sad Isayama hates the arc this much, and that he agreed to many crucial character scenes being cut. I think the arc in the manga only felt slow because of waiting for the next monthly chapter.

I'm confused by all the changes but it's only episode 2 so I'm waiting for what's coming next. The animation is beautiful, Levi is beautiful (even with his shirt on) so I like it so far!

Still generally hyped about the season, but wary of the changes. A little bit disappointed about the cutting of the minor characters' (dimo, nifa) screentime/character moments. But I'm gonna wait with my judgement 'till the arc's over.

Character development will not be the same. Hopefully they can build up Armin’s and Erwin’s characters in time for RTS or nobody will care.

What best describes what you think about the missing scenes so far?

While we’re all a bit sad to see some of our favorite scenes lost, the largest group of respondents have accepted that as a fact and are ready to just move forward. 26% are holding out hope that everything will be implemented one way or another. 13% of respondents are finding that the missing scenes are making it very difficult to enjoy anything about the season so far.

I literally want to fly to WIT Studio, go in banging a cowbell in everyone's ears until they put the cute scenes of titan eren and his dorky yet fine ass back in the anime.

I'm afraid that loosing some scenes now will take away more important ones later on. No Dimo telling Historia to give Levi a good punch. No Levi basically threatening Historia to take up the mantle of Queen. These interactions added depth to the characters. There's still time for them to include a few other things in flashbacks, but the changes have me a little on edge. Maybe it's just cognitive dissonance - I'll not write off WIT's and Isayama's restructuring efforts yet. But I will sit on my hands and bite my tongue when I ask my Anime-only friends about their thoughts on the pacing thus far.

the only thing I’m really upset they cut is the scene where Armin talks about how to manipulate the mass and everyone stares at him horrified, everyone’s bitching about the abs but the true loss is not seeing the horrifying expression Armin makes

Dimo's the real victim of the cuts here ;_;

My hype for this season died seeing how they are dealing with this arc

I think that people complain too much about snk anime. Yes, some things are different and even some favourite scenes of mine where removed but overall this is still the best anime of the season, maybe even the year.

How do you feel about the scenes they did keep?

A combined 63% of voters were satisfied with the scenes that we did still get and many of those believe WIT excelled at executing them. 29% thought the scenes were still alright, but lost some of the impact they had in the original work.

The animation of all of it is phenomenal, but all the scenes/events are jumbled in comparison to the manga. It has me like ?????

The whole bit with Jean being "shot" was better in the manga IMO

Again, as before I am not the Uprising Arc's biggest fan, but one thing I did enjoy was whenever the focus was on the 104th kids coming to terms with fighting humans, struggling with their own morality and the orders Levi was giving them. In the manga, this takes place over a longer period of them, so you really get to see Sasha, Jean and Connie question things and come to their own decision not to kill. By reordering things now, I feel that has completely lost its impact.

The scene at the end where the SC crew learns about rod reminds me a bit of the AT & CT reveal when the way in which the SC reacted to Reiner and Bertholdt possibly being titans was withheld from the viewer so I think that maybe thats what they might be going for this season in the sense that they will find a way to cram a lot of moments in flashbacks later.

Rushed. Scenes have less impact. I’m just thankful I’ve read the manga so I have the context of how bamf these things really are.

They removed way too many Dimo scenes which makes him a very different character to the anime canon. In the manga he was a good-hearted opportunist trying to avoid the deaths of himself and his comrades whereas in the anime this was watered down significantly. Also, #BringBackGesumin2018

I like the pacing but many scenes lost their impact, e.g. Reeves death, Armin's kill.

Where do you think Rod, Historia and Eren are right now?

We definitely know they aren’t in the cave, but the largest group of voters aren’t even sure where to theorize they could be right now. Although there is a near tie between people who believe they are either at the ranch or the chapel. One commenter on the poll pointed out an area we hadn’t even considered, however:

Because this option didn't show up in where Eren and Historia are: The Central MP Headquarters! The torture of Sannes was used as a way to find where Eren and Historia are, which is the original point of that mission. So there'd be a different, less redundant reason to go to the HQ in the first place! You can even add some missing scenes there.

How did you feel about the way the torture scene was handled?

Most of us did believe that WIT would censor the torture sequence a bit, but the largest group are shocked at just how much of it wasn’t shown at all. Nearly one quarter of voters are disheartened that they didn’t show it all. Commenters are mourning Hange’s memorable line about which testicle Sannes wants to keep the most.

THEY REMOVED THE “WHICH TESTICLE DO YOU NOT NEED” LINE. BUT THE BALL-REMOVING INSTRUMENT WAS THERE. TALK ABOUT AN UNFULFILLING CHEKHOVS GUN.

They cut out Hange's best line

Even though i expected it would be a little bit censored, but wasn't thinking it would that much, they turned it into a joke, a humouristic torture...like seriously wit?

I'm upset because they removed Hange's best line.

Where was Levi punching?

It may've not been directly shown, but sometimes there's more horror in what you can’t see than in what you can

I expected it to be censored but it's ok, they managed to transmit the grotesque and black humorous feeling that the manga gave.

im sad about hange’s line not being included, but other than that, i thought it was really good, and i didnt expect them to be as brutal as the manga anyways. :/

Armin contemplates how they are torturing and killing people because they have different views. How does this relate to the current manga events?

The majority of voters believe that this was a good foreshadowing for the events that have taken place much later in the manga. 17% of voters don’t feel that the situations are comparable, however.

Both sides are fighthing for their own good

Eh, that’s how human history has always been since time immemorial. It’s always people killing other people because of a difference in views and ideologies. Not saying that it should be tolerated, but everything is a case-by-case basis. Sometimes, you need to extinguish the enemy because the enemy alive is a far bigger threat to the world. That’s just how it is.

Everyone else is stuck in the mid-Uprising chapters while Armin is 57D pathsmancing his way to mid-Marley chapters

The uprising and ao Liberio aren’t comparable, but Armin is consistent through each

We didn’t get shirtless Levi, how are you feeling about it?

39% of voters are sad about not getting treated to some eye candy this week, while 34% just don’t care about it at all. 15% were happy just to see Levi’s nice bara tiddies outlining his shirt, while 12% of you are still holding out hope for rock-hard abs.

I was robbed of the abs I was promised and am like... really pissed off? Sad? Bemusedly confused? I know in the grand scheme of things it shouldn't really matter that much but dang, it hurts.

It might just be the lesbian in me talking but I don’t care they didn’t show abswin and Levi shirtless lol

Levi is daddy af. Thanks for exploding my ovaries bc I didn't want children. Super convenient.

But Levi still looked badass tho

What about abswin?

Similar to Levi, the largest groups of respondents either feel betrayed by WIT or don’t care about it. A larger portion than with Levi were completely satisfied simply by Erwin’s presence.

ABS ABS ABS!!!

Apparently this world doesn’t deserve Levi and Erwin’s abs... Looks like we’re not worthy of such a blessing.

I AM FEELING ABSOLUTELY BETRAYED BY THE LACK OF ABS I mean c'mon, WIT, you can't give me, a grown adult, just an angsty adolescent's steaming abs (from the Titan tyvm) and expect me to be satisfied with that.

The Ackerman reveal was handled a bit differently, with Kenny telling Traute about how he raised Levi instead of telling Dimo he is his pride. How do you feel about the change?

The majority of voters believe that the small change in the Ackerman reveal wasn’t a big deal. However, a pretty sizable portion do believe that the weight of the reveal was lost, with many commenters lamenting the loss of Kenny saying that Levi is his pride.

I think we'll have more impactful Acerkreveal to come when Levi and Mikasa talk. *nervous chucking*

Levi being an Ackerman is the less secret thing anyway, the way it's reveals hardly matter

Most of the fandom read some good ol fanfic, i'd be surprised if like 95% of the people watching it didn't know he was an Ackerman (or just log in to tumblr)

Lol so many anime-only reactors didn’t even notice the Ackerman name-drop so WIT pretty much failed at that. And it’s okay for fans to feel disappointed with the anime. We’re not **obligated** to think it’s amazing especially if we think there are parts of it that weren’t adapted well.

I expect another encounter between Kenny and Levi that leads to the talk about Levi being Kenny's pride, probably directed to Rod instead. This scene, on the other hand, worked as a wonderful namedrop and setup for a second encounter.

I love how he called Levi his pride in the manga so i’m very sad they changed it, it made Kenny’s death even more emotional.

It flew right past me oops

Levi threatening Historia didn't happen, breaking the chain of events that builds up to her punching him later. What best describes your thoughts?

It’s probably safe to say that many of us are raising questions about the loss of this scene and how WIT will make up for it or whether it was truly needed in the first place. 39% believe that WIT will still work it in somehow, while the majority believe that the scene is lost forever, with split opinions about whether WIT will make up for it in another way or whether their faith in Historia and Levi’s arcs is shattered forever.

The only thing I'm keeping my eyes on is anything related to Historia and her future step up as queen. I'm sure she'll learn that she is royal next episode via her father, so I wonder if eventually deciding to take rule in place of her hidden relatives and corrupt government, will actually end up being her idea, which could explain why Levi's altercation with her was removed. That would be really interesting and I think it could work out just as well! I always thought his anger toward her was a little too sudden and misplaced in the manga, anyway, and if it's removed for good, I'm glad we don't have to live through that controversy again.

I’m kinda disappointed that they didn’t include Dimo Reeves’s redemption arc. It was very essential to Historia & Levi’s character. Maybe I’m worrying over nothing & instead Fligel will replace Dimo in that role, but Eren & Historia were already captured so I’m not sure how they intend to go about rewriting Historia & Levi’s character progression. However, the production team & Isayama do seem to understand how important character development is for this arc, so maybe they’re finding different ways to make it better in ways we didn’t even realize were possible. Maybe by the end we’ll all say “Wow! This was handled a million times better than in the manga!” But right now, it just seems like Isayama had a negative bias towards this arc & was only so accepting of the changes cause he just thought of the Uprising Arc as his worst piece of work to date despite it being the most important for character development & plot progression. I hope I am wrong though.

Which group of characters are your favorite?

Where do you primarily discuss the series?

I discuss the series in Facebook, dunno why you don't have that option :/

Additional thoughts on the episode?

Isayama reacting to S3 complaints: “Am I out of touch? No, it's the manga readers who are wrong.”

BUT NO FLEGEL QUESTION IN THE POLL!!!?!?!?!? THAT'S IT!!(╯°□°）╯︵ ┻━┻ I'm actually not going to do anything about it though. but still. Flegel is best boy.

I’m blown away by the animation! I’m kind of enjoying guessing what might happen next and what other changes they’re going to make. I still have faith that WIT and Isayama will deliver an amazing season three - holding out for more episodes until I lose my mind about changes. It’s super entertaining so far.

I am aware that a 100% adaptation of the manga is impossible and I'm usually not bothered by it. However, I'm slowly getting nervous that too much could get lost and that those fans who want an accurate adaptation will get too frustrated with it to continue. I really hope WIT has a plan here and listens to the fans.

I really, really, really wanted Kenny to say that he was proud of Levi. It was really bittersweet. I hope WIT puts it later on when Kenny is about to die and hopefully he tells it to Levi straight up. But I’m not gonna lie, Levi never knowing that his “father figure” was proud of him all this time puts a tragic and beautiful twist to their relationship. There’s always been something sublime about unexpressed emotions that will forever be hidden because death claimed it first.

I feel like they're sacrificing character interactions and developments for the sake of pacing and action.

I know lots of people are saying that everyone should chill before jumping to conclusions, but as far as I’m concerned all our opinions - mine included, as well as the opinions of those who are dissatisfied with the episode - are valid. And in my opinion, there was so much that the anime skipped. Sure, they were just small details. But it were these details that enriched the story. I trust Isayama, but at the end of the day, he too errs. He too commits mistakes. I don’t know, but if I feel overly dissatisfied with the adaptation even after the season is over, and in my defense am able to bring up valid reasons why I didn’t like it, then so be it.

It's a shame Dimo got reduced to such a minor character.

I felt a bit sorry for the girl who was killed by Armin. I didn't pay attention on her in the manga but in Armin's flashbacks she was more human. It was the proof that even such cold monsters like anti-human squad members have some heart.

I love it so far but Levi and Erwin need more love and they'll get it if they are shirtless and have moar scenes

Traute made me gay.

Ackerman bastards! How they can violate chairs like that?! Right now I can trust only Mikasa with my poor chair babies <3

everyone is like 'where are the abs' while my lesbian ass is sad about no gesumin smh

Thanks to everyone who participated! We’ll see you again on Monday!

#snk poll #snk polls #snk spoilers #snk s3 #poll results

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amateur-troubadour · 4 years ago

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The Nebraska Chapter

When I opened my eyes, I was laying in my bed back home. Or at least it was my bed before I’d graduated high school. We’d gotten rid of it when the basement flooded during my second year of college and the bedframe became warped. Rolling out of it, I realized that I wasn’t just in my high school bed. I was also in my high school body. I’d thought I felt a pound or thirty lighter.

Being back in high school wasn’t too surprising. The dreams tended to go that way. Something about appearing as the last you that you really felt was you. I can’t remember who told me all of that, but it sounded like a whole lotta horseshit to me. The only reason high school John wasn’t coping poorly with his problems was that he was actively ignoring them. Maybe that’s exactly who I was though, and this trend of tackling issues head-on was causing some dissonance in me.

I took a couple of groggy steps out of the room and into the rest of the basement. My basement. Not dirty and dark like the house in Iowa, rotted steps and who-knows-whats lurking around the corners. Dirty and bright. Home. Slowly, testing out the limitations of my newly awakened body, I made my way up the stairs. Reaching the top, I heard the familiar “DING!” of our Pizzazz pizza maker. Two Jack’s pepperoni pizzas a day were made on that baby.

My mother rushed over to take Steven’s pizza off so it didn’t burn. Deftly, she cut it into eight, mostly equal pieces. It was a skill she’d honed every day since Steven had turned 12. He rarely ate anything besides Jack’s pizza, except when he had breakfast. At breakfast, he had six Oreos (or Chips Ahoy if Oreos weren’t available) with milk and a glass of pink lemonade. Steven was a man of routine. After cutting his pizza, my mother added a generous dose of salt and pepper to help the grease go down. She brought him his pizza, still on the cardboard cutting circle, with a cold Dr. Pepper, which she opened for him.

“When did you start giving him the full pizza?” I asked, announcing my presence.

They both turned to look at me, and my mother decided that, of the two of them, she should be the one to answer. “You startled me,” she said, beginning to compose herself a bit more, “When did you decide that you were going to wake up?”

“Right now, I guess. When did you start giving him the full pizza?”

“I don’t know. Probably around the time you went to visit your friend in Nebraska,” she said, walking back to the kitchen. She’d been cleaning before making Steven’s pizza, it seems. “Why do you ask? Do you think he’s getting fat?”

“Am I getting fat?” Steven chimed in. Since entering high school, I guess he’d gone down the path of every other high schooler, growing self-conscious about his body. He’d slimmed down a lot. The mandatory exercise classes probably helped. He’d started working out at home too, or at least making an attempt at it. My parents even brought the old exercise bike upstairs into the living room for him.

“No,” I said, “despite Mom’s best efforts to change that.”

“Will you leave him alone? You know he only eats pizza.”

“You never tried to give him anything else.” I knew how this argument would go. I’d had it so many times before with her and, given that I knew I was dreaming and that the whole world around me was based on my mind, I couldn’t imagine it going any differently. Still, it was fun to be antagonistic to her. Small acts of revenge for my childhood.

“That’s not true. Remember when we tried to tell him we weren’t giving him any more pizzas?” “And then you caved immediately? Sure.”

“What’s your solution?”

“Actually follow through on the threat. Don’t make him pizza. He’ll eat something new, or…” and I turned to Steven, pausing for dramatic effect, mustering the most sinister grin I could, “…he’ll starve.”

My mom ignored me, but a look of genuine concern flashed across Steven’s face, and I felt guilty for a moment. I wanted to feel guilty about being mean to him sometimes. It had become hard for me to separate him from my parent’s babying though, and I hated the babying. Giving him a good scare was like pushing back a little bit, like teaching him his first swears or where to safely watch porn online.

I walked over to Steven and sat in the recliner beside him. He had his little setup in his own recliner beside the window, looking over the fenced-in backyard. Two TV trays: one for his laptop, permanently on, usually browsing YouTube or DeviantArt; the other for anything else he might need at the time, like notebooks for drawing his comics or, as was the case right now, an entire pizza. Steven more or less owned the living room, forcing my parents to watch TV upstairs. He went on kicks of watching and then rewatching the same movie or show all day, and the big TV with surround sound was the best place for him to do it.

“What’re we up to today bud?” As per usual, Steven immediately closed all his tabs when I approached. I knew what he was doing. He was looking up drawings of cartoon women with large waists in the middle of the day, in front of God and everyone else. On the times that I looked through his notebook like the nosey older brother I am, I saw that he’d begun drawing his own cartoon women too.

“Nothing.” He stared at me for a bit and realized I didn’t plan on going anywhere. “Say John,” he began, firing into his question voice, “have you seen the Rise of the TMNT on Nickelodeon?”

“I can’t say I have. I don’t watch too much TV.” I gave him the same smile as earlier, “It rots your brain.”

“Well,” a pause as he processed how to take my joke, “you should watch it. It’s funny.”

“I’ll get around to it, I’m sure.”

I’d been led to believe that, when you realized you were dreaming, you could do anything you wanted. I never had that kind of luck. Anytime I realized I was dreaming, like I had now, it was always because whatever demons leading me on a goose chase had something new to show me. Well, what is it? Where are you sending me next? Get to the fucking point already. I hadn’t done much scavenging yet, but they’d already dragged me halfway across the country. How long would it be before I had to make an effort at renewing my passport?

“John,” I heard my mother calling, “would you come here for a second?” She was in the laundry room right off the kitchen. Standing from my chair, I marched my way there like a prisoner to the electric chair. Slow, slouched, resigned. She was folding my clothes in her own system that I’d never quite understood. She was really picky about it though. When she saw I was there, she held up a plaid crew sock. Along the side of it was the phrase “busy making a fucking difference” in all capital letters. I couldn’t imagine someone actually making any kind of difference wearing those.

“Where’d you get these?” she asked. It was a weird question considering I’d had them for well over a year now.

“I got them when I went to visit Taryn a while back. Some festival or something.” “Yeah,” she said, “but where did you get them?”

“I’m not sure I’m understanding the question.” This is what the demon-sent dreams were like. Boring, mundane, but just a little bit off, like the entire world was shifted just three inches to the left. If I didn’t think about it, I might not notice, but I’d been thinking a lot for a while now. I took a good look at my mom now. Sure, her line of questioning was strange, but I realized now that her face was even stranger. Her eyes were too big for a human face by the tiniest amount, and her pupils were just a bit too long horizontally. She always had a thing for frogs.

“It’s a simple question,” she said as she stepped forward, still holding the sock up for me. “Where did you get the socks John?”

I began to back up, back into the kitchen. The sun was hidden by clouds, so the light felt very grey. Her legs looked like they were growing longer and blending together, becoming something rather snake-y.

“Well, Taryn lives in Nebraska, so if I had to hazard a guess, I’d say Nebraska,” I had backed up against a counter now, but she was still coming closer. She was definitely half-snake now, and she was very slowly slithering towards me. Her arms began to grow longer, reaching down past where her knees used to be until her knuckles scraped along the floor. It didn’t seem necessary, given the whole slithering-like-a-snake thing, but I could roll with it.

“What city?”

It was only at this point that it dawned on me that the dream might be leading me towards Nebraska. Seward, Nebraska, where they threw an annual festival revolving around corn and how much they hated Idaho and their potatoes. With this realization came my mother’s shirt bursting open, revealing leathery wings on her back and a smaller, thicker set of arms beneath the spaghetti ones she used to walk. Guess I never realized how much of a monster I thought my mother was.

Slowly, one of her long arms grabbed the counter next to me, pulling her close enough for her stronger arms to grab me. I think she tried to smile, but it looked more like baring fangs. Her face had warped beyond anything human, now looking awfully frog-ish. When she blinked, you could still see her eyes, like the eyelids had become translucent. She smelled like fish.

“I got the message,” I said, trying to get my fingers between hers and my body, trying to pry her grip off of me. “I’ll just go to Seward and work it out from there. Can I wake up yet?”

“No.” Her voice had changed too. My mom’s voice was still in there for sure, but now I was getting hints of several exes and my third-grade teacher, the one that forced me to write in cursive despite the fact I could barely write in print. People I, at best, hoped to never meet again. “We are beginning to think that you might not be the one we want for this.”

“Maybe if you told me a little more about what I’m supposed to be doing, I’d be better at doing it. Hard to follow instructions that aren’t offered.”

“No. We have decided that it is better to dispose of you, be done with all of the delays, find someone stronger to free us.”

Steven was sneaking up behind the monster, dragging his blanket with him. He didn’t seem the least bit worried about the fact that we might not have a mom anymore. Before the thing could notice, Steven threw his blanket over its head and yanked down, causing it to reach up with all four hands to pull the blanket off.

“Outside John!” With that, he took off towards the front door. I followed without bothering to put on shoes, something I’d regret once hitting the pavement of the street, but desperate times and all that. We ran about a football field’s worth of dead-end street before we made it to the middle of the intersection leading to the house. There, Steven stopped and turned. Given that he hadn’t steered me wrong yet, I did the same.

Horror movies like to use the slow, determined monster to scare people. Be it a zombie or some killer like Jason Vorhees, there’s just something terrifying about seeing the inevitability of death personified, marching towards you. I do believe, however, that Hollywood has seriously underestimated how scary death can be when it hauls ass at you like a sports car, 0 to 60 in no time flat. I say this because I practically shit myself watching the frog-snake monster burst from the house and fly towards us.

Seeing it in action finally gave me a sense of its locomotion that the confined space of the house had kept chained. The monster was very top heavy, so it beat its leathery wings as a way of counterbalancing its forward lean. In addition, it used the long arms as front paws, supporting itself on the knuckles. As it raced towards us, I could see that its fists were beginning to crack and bleed because of how hard it was pounding against the pavement. I tugged at Steven’s shirt to try and get him to move, but he stood still.

“We really need to go Steven!”

“I think we should stand here.” He seemed awfully calm about it all, and that calmed me down in turn. He always had a way of making me more resolute. Maybe it had something to do with the fact that he was the last person in the family to still think I could do something with my life, and I had to live up to those expectations.

Still, the monster was closing distance far too fast. You know how, when you try and run in a dream, it sometimes feels as if you’re doing the cartoon run-in-place thing instead of getting anywhere? The monster was currently facing the opposite side of that coin. Every one of its movements seemed to cover more ground than any three of mine. I stepped in front of Steven and closed my eyes. The best way to take a hit is to be as unaware of it as possible.

And then there was a sizzle, a scream not quite human, the smell of frog legs, and finally the feeling of the sun hitting my face. I opened my eyes.

What had been my mother was slowly burning to ash in front of me on the ground, a single long hand laying at my bare feet, completely skeletonized. The sun had formed bright, painful blisters all over the creature’s body, and I could still hear the sizzling as it was cooked alive.

“Maybe…” it croaked, “…we’ve underestimated you. Free us.” The rest of it became ash, leaving only charred bones in its wake.

I turned to Steven, exhaled for a long time, and asked him how he knew that would happen.

“How did I know what would happen?”

“The sun. The monster. The way the sun melted the monster. Any of that would be fine.”

He thought about it for a second, really mulling it over, before he gave me a smile, the kind I gave him when I teased him. Slowly and deliberately, he said, “I don’t know. It’s your dream.”

“You’re a killjoy.” I walked closer to what had been the body of the monster, some six feet away from its outstretched arm. It had truly been some kind of hideous creature, like something you could imagine lived off of a diet exclusively composed of babies. The depravity of evil knows no bounds. I’d read that somewhere, I’m sure.

#short story #creative writing #writing

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stevenuniversallyreviews · 7 years ago

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Episode 55*: Shirt Club

“This sounds like a very abstract problem.”

For fear of echoing Buck Dewey’s condescending assessment of Steven’s drawing, there’s just something endearing about a cartoon about making art. Animation as a medium is remarkable for how many types of artists are involved: for instance, Steven Universe exists as a collaboration between visual artists, writers, songwriters, actors, singers, composers, and instrumental musicians. It’s a crew that by necessity has a passion for art in many forms, and episodes like Shirt Club let this passion shine. (See also: James Baxter the Horse from Steven Universe’s big brother Adventure Time.)

Many of the artists behind Steven Universe have multiple roles: most famously, its storyboarders are also its scriptwriters. Some boarders even pull triple duty, like guitarist Jeff Liu and voice actor Lamar Abrams, who brings Buck to life. It’s fitting, then, that Shirt Club revolves around guitars and Buck as Steven navigates his way through the perils of publishing his art.

As sincere as this episode is, it’s also ridiculous. The final sequence of Steven as a faux assassin straight up shooting Mayor Dewey in the chest is absurd both as a situation within the show and as something that was allowed to be on the show itself, but sure enough, Steven Universe manages to give a lone gunman sniping spree an emotionally fulfilling resolution.

This scene proves a core lesson of the episode: just because something’s silly doesn’t mean it’s not art. Buck hits the nail on the head when praising Steven’s drawing for its sincerity and naïveté, even if he’s being a wad about it: the Guitar Dad shirt is awesome because it’s a pure expression of a kid looking up to a parent, even if that expression won’t win any medals for aesthetics (and because it won’t). Steven Universe doesn’t need to prove its artistic merits, and the episode is wise to avoid this path and devolving into meta defensiveness, but I appreciate how its structure demonstrates its message.

That Buck recognizes Guitar Dad’s merits but sees its meaning in a negative light speaks volumes about his own relationship with his father, as well as the general adolescent obsession with irony. And let’s face it, Buck is mean in this episode. The other teenagers laugh at the shirt, but don’t necessarily laugh at the subject: Sour Cream is a bit of a jerk to Greg, but Jenny seems to honestly appreciate him even if she thinks he’s funny. Lars is easily swayed, having no opinion on the shirt but seeing the value in at least pretending to appreciate it (which certainly lumps him in with real-life folks who feign an appreciation for art for impress people, if you’ll allow me an overanalysis). But Buck is cruel in a way that’s uncomfortable, but not totally out of character.

In Lars and the Cool Kids, Buck is the most enigmatic of the Cool Kids, as per his mirroring of Garnet. As he repeatedly pulls the rug out from under Lars with a straight face, it’s hard to tell how much he’s intentionally messing with the guy. The same goes for his ordering salad at the Big Donut after examining its salad-free displays. He plays it so cool in both situations (and in general) that some of it has to be an act, and he’s perceptive enough that he has to notice Lars’s barefaced need to please, but he’s such a closed book that we can’t get a read on what’s in his head.

We see more of him in Shirt Club than ever before, and while he’s always been friendly to Steven, we really don’t know him all that well. His father’s an obvious sore spot, and seems to be the only thing that can make him completely crack, whether from embarrassment or being genuinely touched (or feeling remorse or feeling more embarrassed, a tear from this guy could mean anything). It makes for a fascinating “villain” when compared to our emotionally open hero, and he’s really the only kind of antagonist an episode like Shirt Club can have.

Regardless, the fact that Buck is still somewhat out of character (he’s utterly kind to Steven everywhere else in the series) is worth noting, because this is one of the last collaborations between storyboarders Lamar Abrams and Hellen Jo before the latter left Steven Universe. While this team is responsible for some terrific episodes and my all-time favorite scene of the series (the ending of Winter Forecast), they’re also behind House Guest and Fusion Cuisine, which are essentially about evil twins pretending to be Greg and Connie.

For whatever reason, the Abrams/Jo team seems to enjoy bringing out the worst in beloved characters (or inventing negative traits out of nowhere) in ways that wildly diverge from their typical depictions. It allows for drama within a contained story, but in a way that clashes with the consistency of the series; with the exception of Island Adventure and its lesson that emotional and physical abuse is okay sometimes, these kinds of character-nuke episodes are my least favorite. Shirt Club is the best of these divergences by far, in that I can actually deduce Buck’s rationale and because he’s a mysterious character by design, but it’s still an unfortunate trend that happily gets ironed out as the show continues.

(Bear in mind that beyond letting us watch the snow fall, Abrams co-boarded The Answer and Chille Tid and When It Rains, and while it may be a coincidence that each contains a breathtaking scene of a character coming to grips with a scary new environment, I tend to think that he’s really good at framing them. He’s also the only boarder to work on every Onion episode; even if Onion Gang is a dud, Onion as a character certainly isn’t, and I get the feeling we mostly have Abrams to thank for that. I want to give no impressions that this isn’t a brilliant animator.)

Mayor Dewey and the Crystal Gems are here for comic relief, and oh boy do they deliver. Jo and Abrams are brilliant at giving the Gems incongruous background tasks: in Watermelon Steven it’s reading the paper, and here it seems to be assembling IKEA furniture. Their criticisms of Steven’s art and unwillingness to help his strange problem highlight Shirt Club’s casual tone, and they get little moments of self-parody without dipping too deep into meta humor: Garnet’s twinkling shades during a pregnant pause certainly counts, but Amethyst and Pearl’s escalating concerns about Steven’s shirt problem takes the cake.

Mayor Dewey is incredibly, but not unbelievably, lame. Between his outdated slang and his blatant desire to connect with youths (without putting in any actual effort) it’s easy to see Buck’s disdain. Bill’s speech about losing his speech is overshadowed by Steven setting up his sniping position, but is worth paying attention to for Joel Hodgson’s masterful meandering.

And despite his selfish and thoughtless intentions, actually seeing Buck and Steven making shirts is a bunch of fun. It evokes Steven and Greg’s adventures in rocket science from Space Race, but with the wrinkle of Buck demonstrating actual knowledge of the craft to contrast with Steven’s silliness. While the distribution and interpretation of art once it’s complete makes up the episode’s conflict, the creation process itself is joyful and pure, as it should be for a kid making art.

Buck comes around at the end, of course, apologizing to Steven and offering to take guitar lessons. But honestly, the nicer he is to Steven, the weirder his behavior here seems, whether or not he’s a mysterious guy. The best thing I can say about Abrams/Jo character-nuke episodes is that there’s only three of them, and finishing Shirt Club, from that lens, is a huge sigh of relief.

Future Vision!

The Good Lars not only shows Buck wearing the Guitar Dad shirt, but showing off what he’s learned! And he’ll continue to play guitar as one of Sadie Killer’s Suspects, a band that will eventually be managed by Greg himself.

I guess you could read it that way…

On the one hand, watching this after Joy Ride makes Buck’s cruelty even stranger. But on the other, getting to know him better there, and Bill better in Political Power, makes an examination of their relationship a nice coda.

Tonally, Shirt Club simply doesn’t fit where it’s intended to go. Open Book and Story for Steven at least have their dramatic moments that fit the simmering tension of post-Marble Madness Season 1, but Shirt Club’s lightness thoroughly deflates the momentum. The Gems casually building furniture makes no sense in this time period, and Pearl and Amethyst’s list of fears don’t even hint at them worrying about Homeworld.

Still, the reordering leaves us with pre-Jailbreak Garnet, which is a little confusing without context. (I certainly prioritize this minor continuity error lower than harming dramatic tension.)

Regardless of your opinions about the order shift, I’m happy to say that Shirt Club is the last of it! No more asterisks!

We’re the one, we’re the ONE! TWO! THREE! FOUR!

Buck’s strange meanness doesn’t tank Shirt Club down to the bottom, but it does make me less inclined to rewatch what’s an otherwise wonderful episode about art. It’s a shame, but there’s still a lot to love when you get shirt!

Top Fifteen

Steven and the Stevens

Mirror Gem

Lion 3: Straight to Video

Alone Together

The Return

Jailbreak

Rose’s Scabbard

Coach Steven

Giant Woman

Winter Forecast

On the Run

Warp Tour

Maximum Capacity

The Test

Ocean Gem

Love ‘em

Laser Light Cannon

Bubble Buddies

Tiger Millionaire

Lion 2: The Movie

Rose’s Room

An Indirect Kiss

Space Race

Garnet’s Universe

Future Vision

Marble Madness

Political Power

Full Disclosure

Joy Ride

Like ‘em

Gem Glow

Frybo

Arcade Mania

So Many Birthdays

Lars and the Cool Kids

Onion Trade

Steven the Sword Fighter

Beach Party

Monster Buddies

Keep Beach City Weird

Watermelon Steven

The Message

Open Book

Story for Steven

Shirt Club

Enh

Cheeseburger Backpack

Together Breakfast

Cat Fingers

Serious Steven

Steven’s Lion

Joking Victim

Secret Team

Say Uncle

No Thanks!

4. Horror Club 3. Fusion Cuisine 2. House Guest 1. Island Adventure

#shirt club #steven universe #su #steven universally #review

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