#how many times is our hero going to die before he gets to actually do something?

[successionmanga]

Chapter 3

Orcelita is pissed.

Not only is his brother apparently dead but he's just been told by the elder's son that he's going to be the council's puppet. The son says "Bro, chill...we're just doing what's best for the country.". So Orcelita finally shouts out his name (Kiliko Lagen) and demands to know why he's treating the royal family like this. Kiliko smugly leaves, saying that Orcelita is cranky and needs his rest. Before he can fully exit, Orcelita asks about Belca. Kiliko says they couldn't find him despite looking. Outside the room, Kiliko tells the guard with him he assumes he died due to all the blood found at the landing site, his body clearly having been eaten by beasts. Clearly a massive inconvenience, Kiliko orders the guard to find out if Belca's personal belongings are on the black market or are being sold in antique shops. If he is alive, he needs to be captured immediately before he starts saying shit. Prince Orcelita is not to be let out of his room. Taking out a poison, Kiliko cryptically states that while things didn't work out with Hector, there's a chance Orcelita could still be put under their control.

Meanwhile, our special guy Belca is recuperating under an unfamiliar ceiling in a dirty room somewhere. Belca wakes up thinking that he fell asleep in Ossan's barracks before he remembers what happened. While he's trying to figure out how he's still breathing, Ego comes in with breakfast! It's bear! Beary delicious!

Belca demands to know where he is before he feels a jolt of pain from his bandages. Ego tells him not to move around too much, saying it's a miracle he's still alive. He says the bear, as in the bear he is being served to eat for breakfast right now, cushioned his fall and he should eat it to show proper respect for its sacrifice. Belca is worried about Orcelita but Eco (Now going by Eco because I've apparently misread his name) introduces himself instead, saying he rents the cabin they're staying in during the winter and he works as a scholar and a bard. Eco asks his name, causing Belca to realize that 1) Eco doesn't know who he is and 2) that means he's not back in the palace. Belca tries to ask where he is but both are interrupted by guards knocking on the door, demanding to search the cabin.

They say a rebel, using the name of Prince Belca, has fled to the mountains and he stole treasure from the sacred tombs. Eco tells Belca that they're in the town district of the Royal Tomb's Palace Vila, specifically the mountain outskirts near it. Belca figures the elders haven't found him yet...but they're looking. And they'll use any method they have to make sure the secret he and Orcelita found out stays buried.

The guards burst in...to find an empty room. Eco and Belca are hiding in the storage and the guards begin their search. But on the bright side, Eco thinks this event will make a good song!

Belca points out that the guards are naturally gonna check a fucking closet but Eco tells him to be optimistic. The guards promptly find the closet and open the door...only for an old man to jump in and yell at them, demanding to know why they're breaking into his house. One guard angrily says not to talk to them like that only for the old man to snap at him to fix his damn door. He then goes on a rant about how because of the guards' deer hunt, his livelihood is ruined. The mice are breeding, the sprouts are being eaten up...the guards are too uncomfortable to talk back to him. They leave and tell him to keep an eye out for the felon, with the old man still shouting at them to fix his door.

With the fuzz sent packing, Eco formally introduces the old man to Belca as Gramps. Gramps happily says he just finished winter preparations a bit ago and is heading off to the countryside to stay until spring. He says Belca seems chill so he can stay until his wounds heal. Belca asks if anyone is taking this seriously; he is literally being chased by the king's men. Gramps says them mountain folk are different from lowlanders; they're not as softheaded. When spring comes, summer follows. That's the way things are. Nature is different from humans, who change their choices again and again. That's why they (mountain folk) can't be sure if the people on top knows what's right. And that' exactly why Belca should think for himself and make his own decisions.

Belca says Hector used to say something similar. Gramps smiles and tells him to get better soon so that he can show Hector that lively face of his again.

So Gramps leaves, telling Eco to take care of the cabin. Belca thinks about how Hector took on the council and lost. But it's not just him: Orcelito, Belca, even their father...they can't get out of the cage they were put in. Eco has more bear though! But Belca isn't hungry...ah well. Eco says it can't be helped. Belca is a prince after all.

He knows who he is. And he especially knows he's third in line to the throne. Belca shoves him away, accusing him of actually being up to something while demanding to know who he is. Belca says he's nothing but a nuisance in the castle and he's a wanted criminal now. Not only will the guards kill him, they'll kill Eco too if they find out he was harboring him. Eco denies trying to do anything but Belca ain't hearing it, saying if his only choice is to live or die, he should have died when he fell off the cliff. Eco tells him to calm down, asking if he already did his best to improve his situation. Belca stammers over his words and Eco smiles, saying that he knows he did nothing to begin with. Belca says what does he know...before Eco wraps his hands around his throat and pins him to the bed, saying if he's serious about what he said before he can give him what he wants right now.

He even apologizes for unnecessarily treating his wounds, not wanting to delay his trip to the grave. He also tells him it's useless to resist in his current condition so just let the sweet grip of death take him so he can bury him in the area around the cabin so the guards will never find him. Belca is just going to let himself be killed...before he flashes back to Orcelita, remembers him trying to save him and realizes that his dumbass of a brother will never let himself be a puppet for the elders, which leaves only one fate for him...

He suddenly punches Eco off of him, deciding he's sick of letting people die.

Eco is nursing his sore cheek but laughs, betting on Belca not really wanting to die. He apologizes for trying to strangle him to death in order to illustrate a point and goes off to chop wood. Belca isn't sure if Eco was really trying to kill him but rationalizes that if he wanted to, he would have done so before. He wants to see Orcelito (gonna use that name for him; the manga I got goes back and forth) but he remembers Eco's words: "You did nothing to begin with.".

He gets up, gets dressed, eats his bear and leaves behind a note before exiting the room before Eco comes back in. Eco reads that Belca thinks he's creepy but he did help him out so he owes him. He paid for the clothes he took with some earrings.

The chapter ends with Eco realizing in comical horror that Belca is heading down the mountain in that condition.

[itsnothingofinterest]

I think the thing that ultimately gets me about how Deku has supposedly inspired away everything that'd lead to more Tenkos turning into Tomuras is...just "why?" Like, why did this:

Happen differently this time? I mean that's a fair question to ask, isn't it? The Walk was effectively the true inciting incident for Tomura, leader of the League, to hate hero society; you'd want a really solid answer as to why that won't happen again I would think.

The narration from Hawks and accompanying imagery implies it's because Deku inspired folks to not sit on the sidelines anymore, further implied to be a Hero Society-wide effect Deku has had that'll supposedly eliminate the bystander effect that led us here and give heroes more free time.

But like...Why is that different from what we've seen of heroes before now? All Might was around for 40 years and Deku, in the end, didn't really do anything AM didn't do; he punched out the big bad for the world to see. And All Might did also inspire people like the origin trio to action...by becoming heroes. Yet civilians like the old lady were inspired to go about her day because a hero would handle it, while Deku inspired her to reach out a hand herself. Why?

I've heard some suggest it's because Deku was less independent, had more of a teamwork focus in his big moment. But I’ve said this before, I think those people assume All Might was a lot more independent than he really was, and Deku a lot less. I mean a lot of Deku's fight was broadcast, including big portions where he was fighting the big bad solo just like All Might in Kamino. And then both fights ended with more heroes coming in to lend support.

So I'm just not seeing why public effect is so radically different.

And it's just that, I have been waiting to see what would prevent more Tomuras from crawling out of the woodworks to destroy even more since MVA; what measures would be taken to prevent that? Perhaps Tomura would destroy hero society, not just its buildings but its corrupt ideals, leadership, & figureheads; and maybe when he was beaten there would be room to rebuild it better from scratch? No, he didn't really destroy much at all actually, and things are being rebuilt just as they were. Would Deku and Tomura perhaps team up going forward after he's saved; with the latter's eyes for what's wrong in the world and the former's ability to fix it without violence? No, Deku kills Tomura because he was just too unforgivable, it's implied he was just after a tasteful way to do that the whole fight. Well, would Deku at least listen to what drove Tomura to villainy and do something about any of that? Nope, if it wasn't his final words to Spinner or their talk about hand holding, it was in one ear and out the other for Deku; and there's no sign he's told many people what little he did learn.

So what saves the Teknos of the world? Well Deku kills the big bad on live TV and it's really inspiring. Why is that different from the past 40 years? ...Horikoshi is to burnt out to answer. That's the ultimate answer to the question I've been asking for nearly 200 chapters.

Well I guess I always knew that if Deku couldn't save Tomura, it'd mean he couldn't save anyone like him. And well, he didn't save Tomura. It's why this plot point of "but they get saved anyway" rings so hollow; it's unearned, unfair, unrealistic, and outright contrived & unbelievable as things have been set-up. I just cannot believe it would work out this way; it is honestly 100 times more believable to suppose the old lady was a guilt-fuelled one-off and most Tenkos will die in the streets or turn to villainy. Especially once this "the villain is dead" high has passed. Because as it is; this resolution as-presented feels as reasonable as our finale in chapter 430 suggesting Deku was so inspirational that no one was ever a villain again either.

[lulu2992]

Does Jacob Seed believe in God?

It’s a popular theory that, even though the oldest Seed brother is part of the Project at Eden’s Gate, he only has faith in his own ideology and doesn’t necessarily believe in God or the Voice. So is Jacob one of Joseph’s Heralds simply because he wants to support his brother and use his influence to his advantage, or does he actually believe in a higher power and in the Father’s message?

The first time we come (very) close to Jacob, during the mission “The World is Weak”, he explains why he thinks humanity has “forgotten what it is to be strong”. He says that “our heroes used to be gods” but that they are now, among other flaws, “godless”. If Jacob associates godlessness, so the lack of faith in God, with weakness, one of the things he criticizes the most, it implies to me that he thinks believing in God is a quality, so he most likely does too.

The next time the Deputy is captured by Jacob’s soldiers, he stays in the background to let Joseph talk to them and explain how he lost his wife and daughter. The Father tells this story in the Whitetail Mountains for a reason: it’s about pain, sacrifice, being tested, and doing whatever we’re asked to prove our devotion. Although Jacob doesn’t say anything to the Junior Deputy in that scene, the pained expression on his face proves that Joseph’s speech affects and resonates with him, and we only fully understand why the next time we meet him.

The third time the Deputy gets captured and ends up in one of Jacob’s cages, he too has a story to tell. While he casually shows how submissive and “well-trained” Pratt has now become, he talks about his experience in the military and more specifically during the First Gulf War. He explains how he and another soldier, Miller, got separated from their unit without food, water, or radio, and had to survive in the desert. When he realized, after eight days, that they were most likely going to die, he accepted his fate. “And in that acceptance came clarity”, he explains, and before he says the last two words, Jacob pauses and looks at the sky. In my opinion, this may indicate he believes this epiphany was of a divine nature.

When he continues his story, he says sacrificing Miller so he could survive “wasn’t something [he] wanted” but “something that [he] had to do” before concluding that it was “[his] test” and looking at the sky once more. Again, to me, this suggests he believes that this “test”, this sacrifice he didn’t want to make but thought had to happen, was a divine trial, a “test of faith”, exactly like Joseph killing his own daughter. And in order to join his army, people are expected to do the same: they must sacrifice something (or someone) that’s holding them back. To Jacob, it appears a sacrifice is not just about the “weak vs. strong” ideology and culling the herd, it’s also how you prove your devotion, your commitment to the Project, to the Father and, by extension, to God.

In his final moments, Jacob says what led many people to conclude he was possibly an atheist: “My brother saw all this coming. I don’t know if he talks to God... that doesn’t matter. He was right.” I don’t think this means he doesn’t believe in a higher power, though. Many other characters in Far Cry 5, such as Jerome or Grace, clearly are religious but also think Joseph is a false prophet and that there’s no way the Voice he claims he heard is God’s. Here, Jacob doesn’t say it’s not true and that the Voice isn’t real; he simply admits that he doesn’t know if Joseph can communicate with God.

So, in my opinion, it’s very likely that Jacob believes in a higher power and that part of what he does to people has a religious significance. That said, as he takes his last breath, whether or not the Voice Joseph hears belongs to God doesn’t matter much to the Soldier anymore. What does, and what he seems to be certain of, is that he was right to believe in his brother.

[rpstartersinc]

* 𝐀 𝐏𝐋𝐀𝐆𝐔𝐄 𝐓𝐀𝐋𝐄: 𝐈𝐍𝐍𝐎𝐂𝐄𝐍𝐂𝐄.

feel free to change pronouns / wording!

" you are dawdling! "

" i'll show you i'm not a child anymore. "

" you are much faster than i am. "

" this grass will keep you hidden if you stay low. "

" what devilry is this? "

" the forest is out of bounds until further notice. "

" we must have sinned something rotten to be punished so. "

" the smell of your cooking warms the heart. "

" you know you are not supposed to be here. "

" did he talk? "

" i don't have time to play games. "

" think it's funny making me run like that? "

" you'll get nothing out of me! "

" you're going to get us killed! "

" i'm not scared of dying you know. "

" be sure to stay in the light. "

" they ate him! "

" try not to look. "

" we can't do anything for them now. "

" the air... it's burning my throat... "

" they are not going to catch us, alright? "

" you should hide, it's dangerous. "

" when a rat bites you it poisons your blood. "

" maybe there's a monster in it. "

" it's not good to be alone. "

" you're just like all the others! "

" you're no fun. "

" you're lucky i like gold better than blood. "

" the better you look, the higher the ransom. "

" that's war for you. "

" i'm making your rescue profitable. "

" i've had enough of running. "

" he's going to slaughter us! "

" there's nowhere for you to go out there. "

" don't get all lovey-dovey. "

" you trying to impress me or what? "

" don't worry, we're all scared of what's in our heads. "

" try to be a bit more enthusiastic, will you? "

" use your eyes before using your mouth. "

" i would quite like to see a monster, actually. "

" i just don't like water much, that's all. "

" i'm sorry i lied to you. "

" a good remedy is a remedy that stinks. "

" the storm will drown out our voices. "

" you've read too many books. "

" you were having a bad dream... "

" brothers... sometimes you just want to kill them. "

" the first rule of survival is hit 'em between the legs. "

" that sound... you never get used to it. "

" i don't want to hear another peep out of you. "

" you have no idea how i have suffered. "

" i might've got a little carried away. "

" when you enter a place that has been abandoned for a very long time, there's something in the air. "

" i'm here with you. "

" it's like a river... a river of rats. "

" we haven't done all this for nothing. "

" what will be will be. "

" it's as if it was decided that ever since we met our lives have been governed by chaos! "

" none of this seems to be real at all. "

" you're not sleeping? "

" you're going to tell me about rules? "

" a child never runs away without a reason. "

" it is easy to spill blood, but to love, to protect... "

" they didn't hurt you, did they? "

" this is no place for a child. "

" nobody saw me. "

" your rank should make you more cautious. "

" you are a vile heretic driven mad by power. "

" we have the same goal. "

" this guard was devoured... "

" they use our dead to build their nests? "

" you wouldn't like it out there, believe me. "

" for the last time, will you answer my questions? "

" no one will hurt you now. "

" this is not a game. "

" you are a monster! "

" you don't have a home anymore! "

" i'm ready to die, it will even be an honour. "

" the rats will be coming, we need to light the fires. "

" i have to accept that he won't be coming back. "

" you're like a hero from a book or something. "

" i thought you said this place was secure! "

" we got that bastard! "

" you lied to me! "

" you are no longer any use to me. "

" my blade is still warm, as you will soon find out. "

" since you refuse to go to hell, i shall bring hell to you. "

" i'll tear them apart! "

" i wish i was strong like that. "

" you're a tough guy, tougher than i am. "

" i can't take any more of these bloody rats! "

" thank you for your candour. "

" calm down... it's over. "

" you want to try your hand at shooting? "

" we just don't want any trouble here, do you understand? "

" that's not true... but it doesn't matter. "

[atwoodsfemalefantasy]

so sorry to take a break from politics for a second, but i need to rant about this new Joker movie.

please no. please please please no. for so many reasons.

the simplest of which is that the Joker is just such a tired story. it's been told so fucking many times. we get it! toxic masculine asshole falls into chemicals, turns into supervillain, manipulates and abuses his girlfriend, "sOcIeTy" yadda yadda fucking yadda. it was interesting for a while, but it's not anymore. there's no new way to tell this story!! it's been told!!

if you know me personally, you know that Harley Quinn is an icon of mine, and the movie Birds of Prey is extremely important to me. now before anybody comes at me about how "bad" a movie BoP was, i don't wanna hear it. you won't change my mind in thinking it's incredible. the only legit criticism i've seen has been badly veiled misogyny, or upset about the pacing (it was told by Harley Quinn! what did you expect?). but Birds of Prey was AMAZING because Margot Robbie fought HARD to FREE HARLEY QUINN. as the comics have made clear, Joker/Harley is one of the most toxic relationships to exist. Joker is manipulative, abusive, take all the credit for Harley's work, and overall, it's just a shitty relationship. but somehow the Joker movies have convinced the media that Joker/Harley is soooo romantic because Harley is so ride or die. Joker/Harley feeds into the "dark romance" genre. it appeals to men because Joker forces Harley into sexuality and Harley does whatever he says. women somehow got tricked into thinking it was romantic, too. and this pisses me off especially because in the comics!!! Joker/Harley is established to be abusive!!! and Harley gets out!!! and has a healthy relationship with Poison Ivy!!! and in BoP, Margot Robbie had to FIGHT the writers every step of the way to make Harley a) leave the Joker b) not go crawling back to him and c) be her own, fabulous person like she is in the comics. the point is, BoP and Suicide Squad 2 Harley is perfect, lines up with comic Harley, and is a huge role model for women, especially women leaving toxic relationships. and NOW this new Joker wants to throw all that away and make Harley that girl who bends over backwards to support Joker's abuse again! they want to undo all of that progress just to give us the same old "love story" that's really just a sick man preying on a girl (who was put in an uncomfortable position to turn him down because she was his therapist!!). why must we tell this same, tired story, WHILE throwing away all our progress with Harley that Margot Robbie pushed so damn hard for!

and finally, i'm just sick of how the audience receives the Joker. no matter how obviously Joker is shown as not a good guy or role model, teenage (and older) boys will ALWAYS view him as this hero who enforces toxic masculinity in a way that's cool enough that it sucks them in! the more we tell this fuckers story and glorify his shitty behavior (EVEN IF THE MOVIE IS TRYING TO BE SATIRE THAT CRITICIZES HIS BEHAVIOR), the more boys and men will insist that he's a role model and let their own toxic masculinity and woman hating grow and feed off him. THE JOKER IS NOT A FEEL GOOD STORY!! you're not supposed to hear the Joker talk and actually agree with him!! but just like American Psycho, these men will take a piece of media telling a CAUTIONARY TALE/SATIRICAL PIECE about toxic masculinity and make it their whole personality and use it to justify their own shitty behavior.

Gaga, please. I adore you, but i expected more from you. we do not need another Joker. i'm not prepared to see the halloween costumes of girls who are genuinely tricked into thinking this story is romantic. i'm not ready for the boys and men imitating the Joker again. i don't want to hear the same damn story again and again and again when the original point has been lost and misconceived dozens of remakes ago. why.

[nuri148]

Distances in AoT

Or: Yams has no idea of geography and the relationship between distance and travel times in AOT makes no sense.

PART TWO: GEOMETRY AND PONIES

In the first part, we’ve seen how freaking huge the distances between the main districts of the Walls are. Here is a summary:

Center-Sina: 250 km

Sina-Rose: 130 km (Center-Rose: 380 km)

Rose-Maria: 100 km (Sina-Maria: 230 km; Center-Maria: 480 km)

To go from a District to the next on the same wall:

Along wall Sina: 393 km (352 if cutting in a straight line between the two)

Along wall Rose: 597 km (537 in a straight line)

Along wall Maria: 754 km (~720 in a light curve, as straight line not possible)

Here’s a summary of the shortest distances (combining radius and chords) between districts:

(I’ve only put the most frequently mentioned in canon)

Throughout canon, we see the characters moving between a handful of Districts. To the iniciated it may look like said travels are a tad too fast considering the means of transport that they use. It’s okay. The insta-travel effect has been seen in every other epic fictional world, be it the Middle Earth, Westeros or Narnia. And we’re willing to suspend our disbelief. But AoT has a crucial difference in that sense.

We’ve been told the exact distance between the walls. In kilometres, not some fictional or obscure, ancient measure unit. Suspending disbelief does not come easy when the numbers are exact.

It’s like when you’re watching a movie, and the hero has only 10 minutes to get to the bomb before it detonates, so he races through the streets of, say, Paris, and they go from the Louvre, to the Arc de Triomph, wreck havoc on a market along the Seine, rush through Montmartre, around the Eiffel Tower and skid to a halt when the car crashes in front of the Opera. And most people will be ok with that, but the few millions who live in or know Paris are like... Nope. That’s not possible. Not even with 007’s Aston Martin or the Batmobile. That makes absolutely no sense. It’s ten times worse if the hero is running.

Well, guess what, the Survey Corps do not travel in the Batmobile.

The Survey Corps travel by horse. On longer expeditions, they also have horse-drawn carts.

Now, if you fill up the tank of your BMW and pad your butt, you can drive the 480 km (road distance) from Berlin to Ansbach in about 4:40 hours without traffic. That’s not stopping for anything other than traffic lights, and using some of the best highways in the world. That’s an average of 102 km/h. With normal traffic, you could do that in 5:30 hours, averaging 87 km/h. That’s how long a badass modern car would take to go from Mitras to Shiganshina.

But, and this may come as a shock, a horse is not a car.

First and foremost, a horse cannot ride as fast as a car. As per the Publicly Available Information from canon, “The stable horses used by the Survey Corps are selectively bred (...) and travel for many hours without complaining. (...) Their top speed is between 75–80 km/h, and they can maintain a swift 35 km/h gallop. The horses are tenacious, able to maintain a fine speed of 20 km/h even when pulling a carriage.”

For one good thing in all this mess, numbers are in accordance with real horses. And I have no problem accepting that the SC horses are the cream of the crop when it comes to speed and resistance, like our fastest horses and most resistant horses combined. But horses, I repeat, are not cars.

Cars are machines. Horses are living, sentient beings. They cannot fill their stomach like a car a gas tank and run at top speed until it empties, rinse and repeat. They need food and water. They need shoes. They need bathroom stops (they can shit while walking, but they need to stop for pee). But mostly, they need rest. Horses can and do die of exhaustion. (And given that SC horses are super expensive, you don’t want to work them to death.)

A horse can maintain its maximum speed for only 3 km—4 for a race champion. That’s the maximum length of horse track races, actually. After such a sprint, they need to rest for a while. So even when dodging titans, you won’t do so at top speed – you just need to be faster than the enemy. Obviously, the slower the gallop, the longer the time it can be maintained, so sprinting at less-than-top-speed will allow to dodge more titans.

When you’re just travelling from point A to point B, then, you won’t waste the precious energy of the horse in a sprint. Those journeys would be made at a lower speed, for the faster you make the horse go, the more, longer stops it will need to rest, catch its breath, eat and drink. Likewise, if the horse is carrying weight, it will go slower and need more rest. Long distance horses can only cover 50–60 km per day—And before someone says endurance competition horses can run over 100–160 km in a day... that is not the same as 100 km per day, in the same way marathon runners don’t do 42 km per day; they do them in a day. The day of the race. After training specifically for that race. Then they rest for a few days. Horses are the same. Moreover, long distance endurance races have mandatory vet checks along the way to see that the horse is able to keep going. And if you have an expensive horse and no vet every 20 km to check it, you will take care not to push it, lest it collapses midway and the titans eat you.

So, considering SC horses are specially bred for endurance, we can safely equate them to long-distance working horses of our world; I’ll assume they’re the GOAT and can cover 60 km per day.

But wait! I hear some of you say. If they can go at 35 km/h, they can cover much more than 60 km a day! Er... no. Because they need to rest. They cannot trot at 35 km/h for 8 hours straight. They can’t even walk for that long without stopping to rest. Same as like Marathon runners never reach the same speeds as sprinters and middle-distance runners. 

Please note that this numbers refer to a single horse. You can cover longer distances, or cover a given distance faster, if you change your horse for a freshly rested one at given points. This is not an instant process: the new horse will have to be tacked and you’ll have to transfer the cargo, if any, from horse A to horse B (in AoT world, they cannot text the next station to have the horse tacked when they arrive). A convoy of several horses will be slightly slower and, I repeat, if there are carts, the whole convoy will be conditioned to the slowest cart (the horse/s will be slowed by the cart in the same way a car is slowed if you attach a trailer to it). In every rest station, the horse needs to be untacked and then re-tacked before continuing, same as hikers will put down their backpacks when taking a break.

For reference, The Pony Express, the fastest horse dispatch system ever, could cover 300 km per 24-hour day (they rode day and night). They managed to cover that much that by having a huge infrastracture that allowed the rider to change horses every 16-24 km, and pass the dispatch to another rider every 75 km or so. That’s 4-7 horses every 100 km.

So either AoT horses are more magical than My Little Pony ones or Yams cannot distinguish between a horse and a Ferrari.

Guess which one I’m betting on.

Side Comment: The Ferry

Talking about this with one of my fandom friends, she mentioned her bafflement that they didn’t use the ferries that we see in the first chapters evacuating people from Shiganshina to transport  themselves quickly from place to place. I thought she had a good point, so I looked into it. Thankfully for Yams though, I looked into this and it’s not really an option.

The steam engine is unknown in Paradis, so the ferries would have to be operated manually. (The publicly available info panel on the subject comes from the Lost girls OVA, so its canonicity is questionable, and it has contradictory info saying they are moved via wires along the river (as manual ferries do) but also that they are powered by the same gas as the VMG – which make little sense bc then you don’t need the wire and why not have a railway as well?). And the maximum speed a manually hauled barge can attain is not better than that of a horse. For a RL example, the fastest that horse-drawn barges travelling the Canal du Midi in the 19th century could reach was 32 hours for the 240 km ride... changing horses every 10km. Before that, it took four days. That’s 13 hours for 100 km – basically the same time it took the SC to go from Trost to Wall Maria in RtS, but without the possibility to change course if the road’s blocked or to dodge titans if they attack (and provided they had the fresh horses every 10 km, which they wouldn’t in RtS).

That said, I do think Yams totally forgot about the ferries.

Part 3

[bigleoenergy]

Obviously this isn’t the last chapter of my hero but even so I think the ending of this final battle was done very shallow anyways. Like happy for bakudeku people fr I’m happy they got their destiel moment but I sincerely feel like horikoshi said whatever to the actual story he was writing in favor of pleasing the izuku and bakugo fans which are the majority of the fandom. Because besides them literally every other character has just been side lined into an “okay? That’s it I guess??? “ ending. I’m so serious if you step outside of Bakugo and Izukus storyline not a single other character has had any proper wrap up for this war. Over half of these characters aren’t even acknowledged despite being set up for a more impactful story it’s crazy.

And I’m sorry but genuinely what is the point of anything right now if Touya, Himiko, and Tomura are dead. I literally don’t care if one of them did actually survive and we see that in the next chapter, we should see them alive now….getting help…being acknowledged. What was the point of emphasizing to your viewers how fucked and unfair hero society is and how so many people suffer and become villains because of never getting help if the three characters who represent the unfairness just die??? All of them??? Like okay… hope that their deaths impact the hero students so hopefully when they grow up they….feel more inclined to be sympathetic to future villains, instead of actually writing how current society should’ve acknowledged our marginalized characters and through enough help these people could be rehabilitated into a better society. Like the point of emphasizing this entire time how this new generation of hero’s, Izuku especially, are better than the hero’s before them and are going to right past wrongs should be shown in the characters actually doing that… not just hoping they will. Like because these characters are dead there can’t possibly be any justice brought. If they are all truly dead how can we see hero society face their mistakes and work to fix them because nobody else in this universe if going to care about the deaths of these villains besides Izuku, Ochako, and Shoto who knew them personally. It truly feels like he backed out of writing the harder story in favor of just pleasing the majority of fans there’s no other way to spin it.

Also….the way izuku didn’t even reach his goal like bro failed….and not poetically like you can spin it as “he’s just a teenager!!! He can’t be expected to actually succeed at everything!!!” We know. We’ve seen him fail plenty before. Showing us this in the final battle is unsatisfactory. “It’s realistic to show that you can’t save everyone! Not even the good guys can meet their goals it wouldn’t be realistic .” First of all this is a fantasy story. This is a fictional story written by someone to share a message to his audience. And he failed at showing the message he had built up since the start. Like there’s plenty of times you can show me how the good guys don’t win every battle and I love it but trying to say this at the price of your characters who represent abuse and mistreatment is bad writing and it’s lazy. You can not spin it any other way.

I’m just spur of the moment rambling so if anything I say is incoherent sorry I just genuinely expected so much better.

[angelosearch]

Happy b-day to my girl Rinoa. I wish I had fic or art ready to post today but I don't :(

All I will say is that writing in her perspective for an extended period of time, and therefore looking at her lines and behaviors over and over again, has just really made me appreciate Rinoa as a character.

A few things I love about her:

As the daughter of what we are led to believe are Galbadia's highest ranking general and one of the world's biggest celebrities, Rinoa is privileged. She comes from a position of power and wealth. She could have just lived a comfortable life but she chooses to use her knowledge and skills to help free a country from violent occupation. Doing so puts her at great personal risk, and although she may not fully understand how risky it is, it is extremely brave and righteous for her to do this. This is why I believe Rinoa is not Ultimecia - because at her core, she is someone who places her values over personal gain when she has power and influence. She can be possessed but I don't believe she corruptible (into Ultimecia, anyway).

On her bravery, we all know that Rinoa fears doing things alone. But many times in the game, she does things alone anyway. Bravery is not the absence of fear but the willingness to challenge it, and our girl challenges it all the time!

Further, she makes the active decision to rejoin the SeeDs after Irvine escorts her out of D-District prison. What I realized in writing my fic, which is an alternate timeline, is that Rinoa actually has no established reason to go to the missile base. But you can assign her to that party. And she will do it without complaint. She is risking her life, not to earn money, or to move her mission in Timber forward, or even to spend more time with Squall. She will go because she thinks it's the right thing to do, and because she wants to help Selphie, someone she has just met.

She gives people the benefit of the doubt. There is no denying that Squall is a huge jerk to her at times early game, but she is emotionally intelligent enough to realize that whatever he is projecting is not about her. And then she tries, over and over, to reach out to him. She is so patient. But also, she gives Deling the benefit of the doubt - they were trying to reason with him on the train, not even blackmail him or threaten him, but just have a conversation. She tries to not kill Edea TWICE. She tries to use the bangle to circumvent assassination and then tries to get the SeeDs to find another way to face her. She even returns to Esthar after they were hostile toward her. She believes in the good of people. Maybe that's being naive but if we were all as cynical as some other characters in this game, the world would completely fall apart.

Rinoa is always thinking. She is crafty, she comes up with interesting plans, and she can even be a bit of a schmoozer. Rinoa is only 17, and so some of this is not always executed in the best way; but I think she is extremely intelligent and creative. And, I mean, you GOTTA BE if you can teach your dog all those amazing tricks.

Don't you DARE call her a damsel in distress. She is just as much the hero of FFVIII as Squall is and YES I will die on this hill. Does she get into some pretty nasty situations? Yes. Are some of these situations caused by mistakes on her part? Absolutely. But this girl is far from helpless and goes all out to save Squall, her friends, and ALL OF TIME AND SPACE. She was willing to go to Edea by herself with a bangle that she had idea if it worked to help her friends. She was at peace with being locked away for probably the rest of her life if that meant keeping the world safe. She was willingly possessed by an evil sorceress for a second time after having a traumatic more-than-near-death experience the first time (she hadn't even experienced an Ellone dream before so imagine how scary this entire prospect was??? Like yes you need to lose your conciousness to some future bitch again and then you have to go into this other bitch's head in the past in this dreamscape you've never even been in and then yeah all of time is gonna collapse if/when you come to, you cool with that, Rinoa?). At the end of the game, she physically travels between dimensions/time/space/realities to find Squall and revive him, and then transport them back to their own reality which is obvious savior stuff. But she also saves Squall throughout the game by staying by his side, asking the right questions, listening to him, and giving him validation that, while he doesn't accept, he needs to hear. And oh yeah she fucks up Irvine to go get Squall out of prison. There's a reason they only call her "princess" once in the game - because she's NOT just a princess.

She cute as fuck js not just physically but also the things she says and her mannerisms. She's just so charming! No wonder Squall fell toss-myself-into-space in love with her! Me too tf

Tbh there are more reasons but this post is already longer than I thought it was going to be. Apparently I just have a lot of Rinoa feelings okay?! Okay.

Love you, happy birthday you absolute angel you ❤️

[aleksanderscult]

Favorite Darkling quotes

I'm gonna write my favorite Darkling quotes 'cause a) I'm bored b) I love him and miss him so much.

Anyways I'm not gonna rate them cause every one of them is fucking iconic (as he is).

Let's get into this!

"Blue sky. Once more. Speak my name once more... Don't let me be alone."

These might be my most favorite quotes of his. His last words. 'Cause with his last breath he showed that he was only human after all. Cruel and damaged, yes. But still human.

There is no safe place. There is no haven. Not for us. There will be, he promised in the darkness, new words written upon his heart. I will make one.

I ADORE these lines. Less than 24 hours ago two Grisha tried to kill him (one of them a supposed friend) and what did he tried to do after that? Create a safe space for his kind in order for them not to go through what they went through. If he's the villain for this then I wish we had this kind of villain in our world.

‌"All men can be made fools."

OKAY OKAY LISTEN. I love this line for two reasons. Firstly, cause it's true. Every person can be made a fool. BUT! Secondly and most importantly, he hints to Mal and Alina (Alina actually cause Mal didn't know he was there) that he was made a fool too because of Alina. He fell in love with her and felt hope for the first time after centuries that this new person would be like him, live with him and spend eternities together. He would no longer be alone. And she seemed that she wanted him too as far as he could tell. And then what happened? She run off, found Mal and turned her back on him and their country. That mostly disappointed him, I think. In a large degree. And he must have thought what a fool he was to trust her and fall for her. Hence that amazing line.

Let me make a mark on this world before I leave it.

And boy did he not make it? Years after his death in R&R and people still talk about him. He made a mark not only on the world but on people too (no pun intended for Genya I swear. I love her😭). He made a huge impact and even antis have to admit that. Actually more than the actual protagonist but anyways *coughthe fact that the villain made bigger impact than the heroes in the storycough*

"Fight me as long as you're able. You will find I have far more practice with eternity."

You fucking iconic legend with your fucking iconic lines. And yes, I believe him. No matter how many decades Alina would fight him, he would be unmovable.

‌"It’s harder when you like them. You mourn them more."

That line is so true. The more you care, the more you get hurt. I'm sorry but a quality that people often overlook about the Darkling is his wisdom. I would sit and listen for hours to him talking about life, love, death and people. After so many centuries he's so knowledgeable.

Also, this line makes me wonder how many people he had loved, lost and mourned. Because obviously he talks from experience. *Sigh* I would die to read a book about his whole life before Alina.

He only wished that it wasn't winter. He wanted to turn his face to the sun and feel it warm him. He'd been a long time in the dark.

Yeah he's cruel and manipulative and the villain and blah, blah, blah. But again this line proves his humanity. He loves the sun (how much are you willing to bet people that his favourite season is Summer😏), he loves the sunlight, its warmth and light (another clue that Alina is his soulmate dc what anyone says). Our baby was resurrected and first things first he wanted his wife beside him and the sun to hit his face (priorities people🥹😍).

"Then I'd be alone too."

(*whispering*don't cry, don't cry, don't cry)

So. Heh. I may have a soft spot for fictional characters that suffer from loneliness. Probably because I have suffered from it too most of my life (🫠). I'm sorry but you can hate him all you want alright? No one can stop you. But people that don't feel an ounce of sympathy or pity for him and what he has gone through are just useless to talk to. Most of all he wants someone to make him company to this endless sea of eternity.

Deep blue like the True Sea. Red like the roofs of the Shu temples. The pure, buttery color of sunlight—not really yellow or gold, what would you call it? All the colors you couldn't see in the dark.

(fuck. lost control of my tears after all)

Baby shadow summoner can control the dark and its blackness and yet he loves all colors that are bright. But most of all the sunlight.

(DARKLINA STANS RISE)

Also, he made the Grisha keftas blue, red and purple because he loved these colors the most, change my mind *sip tea*

‌"Fine. Make me your villain."

Ah, yes. The cult classic one. Honestly, this line makes me feel bad for him. Cause he has tried the peaceful solution so many times (not with just Alina but generally). At this point he's like: "Fuck it. If I have to become a monster then so be it." They leave him no choice and furthermore he's obviously grown tired of trying diplomacy.

"I’ll be certain you hear it when I make her scream."

I froze the first time I read this line but now I laugh every time I do. Here he shows how petty he can be and how much shame he doesn't have (in your face Mal😚).

‌"My Alina. You cannot run from me."

OKAY LISTEN

I know it sounds creepy but "my Alina" and "I'll always find you" MY DARKLINA HEART GUYS

‌"I know what you thought, what you always thought of me. It's so much easier that way, isn't it?"

My strategic baby. But this line is also sad. Cause he knows how Alina views him and, even if he hides it well, deep down I bet it hurts him.

‌"You two have a bad habit of acting like fools and calling it heroic."

Isn't that the truth tho? Our boy spitting facts once again. Also this line can be applied to other characters from different fandoms as well.

‌"I seem to be a victim of my own wishes where you are concerned."

TRANSLATION: I TEND TO FORGET ABOUT THE WORLD-DOMINATION PLAN CAUSE I WANT TO BE WITH YOU, LIVE WITH YOU, LOVE YOU, MARRY YOU, HAVE 7 KIDS WITH YOU AND DRINK SOME TEA ON THE PORCH TOGETHER WHILE THE SUNLIGHT HITS US

TRANSLATION NO2: I GOT MY ASS KICKED CAUSE I WAS TOO BUSY THINKING THAT I WAS KISSING YOU AND WOULD FINALLY HAVE THAT WEDDING THAT I WAS PLANNING BABE

Is this line a kind of love confession or what? 🥺🙃

‌"We all have our secrets."

Mostly I love this line cause it just sounds cool. But after I read the book for a second time I realized that it could tie with the "Demon in the Woods" book. It's a nice little nod. If you get it, you get it😉.

‌Why did you go to her? Because with her he was human again.

A nice (though bittersweet) little way to end this post. 🥹

With Alina he felt human again. That part that was buried deep beneath him and rarely if not ever got out. Do you remember how she made him laugh with her honest remarks on "Shadow and Bone"? How his eyes closed and his breath stopped when she reached to stroke his cheek on R&R? How he broadly smiled when she laughed about how common his name was? That was Aleksander Morozova (especially that last part). The boy that grew up forcefully and was thrown to a cruel world too soon, too violently. They were these 400+ years that made him cruel. It was eternity that broke him. Loneliness and pain that made him withdraw. Until Alina came. And she could bring to the surface that buried, broken boy. And it felt good to him (although inconvenient too). She made him feel vulnerable. And when he was resurrected he seeked her out to feel that way again. Human.

*sigh*

Thanks for coming to my ted talk guys. 😔✌️

Feel free to write in the comments your own favorite quotes of him 😊❤️

[isfjmel-phleg]

Grant Emerson becomes for all intents and purposes a bomb because of a bomb. Long before he was even thought of, his father, Al Pratt, was exposed to components of the in-progress atom bomb.

Story time!

During the 1940s (the Golden Age), every American superhero ("mystery men," as they were then called) were organized by the government into the All-Star Squadron to work together for the war effort. Al Pratt (the Atom) was one of these. One of the foes that he and his colleagues fought was Cyclotron, originally a scientist named Terry Kurtzberger who had been exposed by a supervillain to radiation which gave him powers that made him a useful pawn. He and Al end up fighting one-on-one, and the "atomic energy" that Kurtzberger is radiating gets passed to Al (much to Kurtzberger's alarm--he may be forced to work for a villain, but he's not eager to cause senseless harm).

(All-Star Squadron Annual #2)

Cyclotron later sacrifices himself to destroy the villain, leaving behind his infant daughter. Al and his teammate Firebrand, who was once engaged to Kurtzberger, feel responsible for the girl and become her guardians.

Al spends some time in the hospital after collapsing from the effects of the radiation but is released when there doesn't seem to be a lingering problem. His teammate Doctor Mid-Nite speculates that there's still a chance of further effects emerging in the long term, but Al brushes this off.

And then...several years later, he and his teammate Starman go to Los Alamos, site of the Manhattan Project. They meet up with Robert Oppenheimer, whom Starman in his civilian identity as Ted Knight has worked with before. The mystery men are there to stop a villain who stole fissionable material and is producing a radioactive sandstorm that's getting out of hand, killing anyone in its path. The plan is to shoot the villain with uranium. Starman volunteers; his powers will protect him.

Al, by the way, despite being a mystery man, has no actual powers, just impressive but ordinarily human strength and determination. He has always struggled with feelings of inferiority, and working alongside so many people with amazing powers has compounded his sense of uselessness. He can't do anything on this mission, and it hurts. Especially when Ted tells him to send "one of our heavy hitters--Green Lantern or Wonder Woman" if things go wrong.

(Adventure Comics 1999 #1)

And things do go wrong. Al's immediate instinct is not to contact a teammate but plunge into the danger himself.

But as he runs into the sandstorm, he realizes the extent of the danger and how ill-equipped he is to handle it. He is powerless, insignificant, and he's sure he's going to die unmarried and childless and forgotten.

He stumbles across the horrific sight of soldiers dying of radiation poisoning, and there's nothing he can do for them.

In the sight of all this death, Al accepts that he will be next and offers a prayer of gratitude to the God he's sure he's about to meet.

And he reflects on his life--anger, self-loathing, but also kindness, hard work, self-discipline, acceptance, community. He is a true hero. But it's still not enough to stave off his sense of unworthiness.

He finally catches up to Starman, who is injured but surviving because of his gravity rod, and starts to wonder why he himself is still alive. But Al's a man of instinct more than analysis, and he brushes aside the question to concentrate on the task at hand.

His plan is to take up Starman's failed task and sacrifice himself doing it. He accepts this. He will die a hero, which is all he has ever wanted.

It works! The uranium creates an enormous explosion.

Starman comes to in the aftermath and searches for Al's body. He thinks it has probably vaporized, but he feels that he owes this to his friend.

And he does find Al out in the desert, his costume utterly destroyed--but still alive. Ted wraps him in his cape and brings him back to the base.

Al has figured out what kept him alive: the radiation from the fight with Cyclotron. The foe who passed on his personal curse and gave his life to prevent it from going any further turned out to have saved Al's life years after his death.

To honor this memory, Al replaces his destroyed costume with a new one that pays homage to Cyclotron's costume.

(Adventure Comics 1999 #1 / All-Star Comics 1999 #2)

And not long afterward he discovers that his exposure to the explosion has had a lingering effect: he has developed an "atomic punch." His wish for powers to equalize him with his teammates has been fulfilled, and he is moved to tears.

And then it will turn out that Kurtzberger's daughter has a son who develops powers from the radiation his mother was exposed to--Albert Rothstein, Al's (honorary) godson, who becomes the hero Atom-Smasher.

So this is ultimately a good thing, right? Even with all the destruction, great heroes are emerging with formidable powers!

Well...Al will go on to marry and father a son. In his absence, his pregnant wife is experimented on by Vandal Savage because of the metahuman potential of her child and immediately after birth is killed and her son taken away, while Al, trapped in another dimension, knows nothing of this. The child will be experimented upon too and handed over to "parents" who will abuse him, until he finally develops powers too.

And interestingly, right before the powers fully emerge, he is in history class learning about the atom bomb, which the narrative invites us to compare him to.

(Damage #1)

Grant Emerson, son of a man powered by exposure to a bomb, is a living biochemical fusion reactor. It's a power difficult to control, and Grant will discover his powers only after destroying first his school and then part of a city. He will weep tears of--not joy, as his father did, but sorrow and devastation at the destruction and harm he causes. These powers are not a godsend, but a curse, a heavy burden to bear that he did not choose but inherited.

Not unlike the consequences of the choices made during WWII.

The product of the Atom (bomb) is...Damage?

[hamliet]

So, Harry Potter ask here:

This one might sound a bit controversial to comment on, I hope it doesn't bother you. What is your opinion about the narrative redeeming Snape, a former Death Eater (the blood supremacists guys), just because of his guilt and love for Harry’s mother. I see a lot of discussions on this topic (Snape himself is already a controversial character, so I guess it's no surprise there are so many discussions around him), remembering you I got curious to know what your thoughts on this subject.

No worries!

I see Snape as a character who is far and away the most complex character of Harry Potter. Now, HP's a fairy tale in principle, so most of its characters are not overly complex. But Snape is (and so is Dumbledore). But I think some people can have trouble processing complex characters inside fairly straightfoward, simple stories, which isn't necessarily the fault of the story.

While She Who Must Not Be Named has had a lot of "..." takes to her own works (and horrid takes elsewise), I do think she's not wrong about her statement on Snape: that he was a hero, and he was a bully, both at the same time. He just was. There's no excusing his treatment of his students. His heroism and sacrifice without any guarantee that he would be remembered as anything other than a traitor was brave.

So, not only is Snape complex, but he embodies the old adage "hurting people hurt people." His childhood is also extremely hard to read about--it sounds agonizing. Snape does grow up to bully others because he was himself bullied horribly--not just by his peers, but at home, where his father abused both him and his mother.

Another potential stumbling block for Snape's "redemption" is that it gets to the heart of what a redemption is. Is it actually a change in character? Or is it a change in how the reader perceives the character? Because technically, in universe, Snape's been redeemed since before Harry was born. It's just that our reactions to him change after the reveal in the last book. And, he was still hurting people while being a hero. (Antihero?) So, how should we feel about him?

I'm going to say that's exactly the question we're supposed to be asking, actually.

And to determine what asking that question gets us, let's look at Snape as a foil to other characters. Snape is a very good foil for Dumbledore, Harry, and Voldemort. Actually, these four all foil each other quite a bit, and it's in their foilings that we come to an understanding of the story's themes.

Like Dumbledore, Snape is somewhat morally gray. We're meant to ask the complicated questions at the end of the last book, which was all about wrestling with the legacy of heroes who turned out to be very flawed. Snape is cruel to Harry, but is ultimately determined to keep him alive no matter what because that is what Lily would have wanted. Dumbledore is loving and a good mentor to Harry, but does all of this while knowing that Harry would have to die in the end. Snape even calls Dumbledore out on this. Dumbledore also allows Harry to stay in two abusive situations--the Dursleys and Snape--for the ultimate benefit of protecting him... so he can eventually sacrifice himself.

If someone is horrible to you but ultimately determined to keep you alive no matter what, are they a worse person to you than someone who is nice to you and believes you must die, even if they are devastated by this?

This is why I really roll my eyes at people not understanding the purpose of "Albus Severus Potter" at the end. It's so dismissed and derided, but it's narratively perfect. (Especially in! A! Fairy tale!)

The names aren't about Harry and how he feels about these men. They are names that are significant symbolically for showing how Harry has reconciled these two complicated legacies, and will keep reconciling with them because their legacies are literally alive and living on (and the weight of having legacies and the question of whether you're seen as yourself is exactly what The Cursed Child explores.)

In the end, both Snape and Dumbledore achieved their goals: Harry is alive, and he died to vanquish Voldemort. All is well. Their legacies live on in a literal new life, who gets to decide for himself what his own legacy will be in TCC. Meaning, even if Harry acknowledges their flaws, he chooses to appreciate their lives. Instead of being kept in the dark, ignorant about his endgame and ignorant of his mother's history, he sees, and he gets to determine how he feels about it all. It's empowerment, not capitulation. It's maturity, embodying the macrocosm (appreciating the big picture) in the microcosm (a single person). (Also, yes, Dumbledore's "the greater good" struggles with Gindelwald tie into this idea, wherein via Snape and Dumbledore's opposite approaches/reasoning to protecting Harry, we see that the greater good vs the individual is not necessarily a dichotomy after all. So having a character literally embody both in the end is--perfect.)

Snape, Harry, and Voldemort all grew up unloved. The difference is that Harry is able to find himself surrounded by loving friends at a point. Snape is able to find one person to love. Tom Riddle isn't able to find anyone, and hence he becomes Voldemort. That shred of love inside Snape saves not just himself spiritually, but Harry physically. Because love is like that. It's the most powerful magic, after all.

As for the whole idea of showing Snape as redeemable thanks to love--I mean, listen, as someone raised in a cult, people need to realize that people inside these cults--even extremist, evil ones--need someone or something to motivate them to leave. They were a person before their joined the cult (unless you were brought up in it) and they're still a person. Giving someone ties to the outside is exactly how most of them will come to realize they have options. No, not everyone has to forgive them or be willing to extend a hand. We can't be everything to everyone. But if someone can, that doesn't mean they're excusing the inexcusable. They're just recognizing the humanity inside them. And even if no one does, the person in the cult can decide to love someone and leave. It's hopeful. It's a fairy tale, and love wins.

[lonelylonelyghost]

Re-watch of the Spirealm. Episode 27

Swords :)

Murder him! Murder him dead!

The Door keys are so preeetty...

When your buddy goes off script and ruins your moment

BEAUTIFUL!

oopsie

Checkov's street urchin has gone off

Ouch

The cruel irony

Dude, I'm sorry, but you created this game, and if you're so great, why don't you try to solve it yourself, huh? Instead of dragging a completely innocent person into it. Asshole.

But this effect was cool, I have to admit

The resignation on his face... He thought they would have more time, but alas...

PAIN PAIN PAIN PAIN PAIN PAIN PAIN PAIN PA

This is my re-watch, I've already seen it, I knew that was going to happen, but the dread was still coursing through my veins before, and I still cried after...

ಥ_ಥ

"Li Dongyuan, are you addicted to protecting me?"

"I got asked to. And have to make it."

"I'm sorry."

"I do blame you. I'm going to die. Can't you wear white today and say goodbye to me as Ruan Baijie?"

I can't find a suitable emoji to convey my devastation so excuse me

noooooooooooooooo

😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

just pain...

"We grew up in the same neighborhood. Our parents divorced and we were abandoned. We were all lonely children. When we learned that VR technology can make virtual people, we made up our minds to create our own parents with this. Even if they are virtual.

We chose to study science together and got into the best college in automation control. We wanted to achieve our dreams together. But that didn't happen.

When I was a freshman, he and I went to Southwestern provinces to collect data for the Spirealm. Unfortunately, we encountered an earthquake, and I got buried. But at the same time I heard many people calling for help. He chose to save more lives, and chose those people over me.

I understood his decision. If it were me, I would have made the same choices. When we returned to school, he became a hero for saving lives, while I turned into a troublemaker."

I would think that blaming Qiushi for getting into an earthquake is absolutely ridiculous, if I didn't know the tendency of people to blame the victims for the things that happen to them. So, unfortunately I'm not at all surprised...

But also, you know what? Gao Dawei most likely can be considered a great person on a bigger scale, but as Qiushi's friend he SUCKS.

He knew that Qiushi had literally no one except him as a support system. But he not only abandon him during the earthquake to fend for himself (and the fact that Qiushi even survived was a miracle and not due to something that Dawei did), when he himself got into trouble with his invention, he didn't hesitate to betray him again, by trapping him into a game that he KNEW actually could and would kill him, and MULTIPLE TIMES no less.

And yeah Qiushi is clever and kind so he could have a chance, and yeah it's "for the greater good" bullshit, and he has some help, but still. How could you do that, especially to the person that already had very little...

What was that proverb? The hero would sacrifice you for the world, the villain would burn that world for you?... Here is a clear example of that kind of hero and his sacrifice

[stillsolo]

GET TO KNOW THE MUN. respond to the prompts out of character !

what made you pick up the current muse(s) you have? oh, where do i even begin?  well, i suppose i should start with how long sw has been in my life.  ANH was the first movie my mother ever saw when she visited the USA; she saw it with my grandmother ( and subsequently developed a massive crush on harrison, so indiana jones became a huge part of my childhood too lol ).  for this reason, my mother introduced my brother and I to sw when we were actual babies.  then, when the prequels came out, it’s all me and my brother consumed.  from the movies themselves to the original clone wars cartoon to the PS2 games to the novels/book series.  we watched it on a tiny portable player for every trip, and every time my relatives needed us to go away to let the adults talk lol.  it also helped our comprehension of english so much. i can’t recall a time in which sw hasn’t been present in my life! before i joined the tumblr swrpc, i kept to myself in the prequels community, wrote fanfic, and rped anakin on skype.  he’s always been a character that hit a little too close to home in one too many ways.  the main parallel i have with him (that doesn’t relate to his mental issues haha) is his love/devotion/attachment to his mother.  it’s difficult for me to explain without getting into the aspects of my culture (孝順 / filial piety), but in short, i am cantonese; if my mother asked me for my thumb tomorrow, i would give her my arm today.  anakin’s love for his mother, his determination to free her from slavery at an early age, was very touching.  EPII has been memed to oblivion, yes, but the pain i feel when anakin doesn’t get to hear his mother tell him she loves him one last time before she dies, and knowing that it haunts him for the rest of his life (eu), makes me want to throw myself out a window lmao  i have an extremely close relationship with my parents; this sort of pain is absolutely gutting for someone like me. anyway, when i joined the tumblr swrpc, writing han solo was never the plan.  i originally wanted to write luke but ended up changing my mind at the last second.  I’d written well over a dozen fics with han at that point, but was nowhere near confident, so i thought of it as more of an experiment. guess that doesn’t matter in the grand scheme of things, because if you really think about it, since the day i started writing him in fics, he hasn’t stopped butting into my brain.  in fact, he’s been harassing me ever since—to the point that i even switched from writing luke to him… lol given my upbringing and my mother’s love for him, han has always been my childhood hero, as well as my brother’s.  our dad was our han solo.  the nostalgic and familial associations run so deep, it’s difficult to articulate.  we share many traits, right down to his universally agreed-upon zodiac sign (sagittarius); i know han solo like the back of my hand—and it’s probably because i wanted to be just like him when i grew up.

is there anything you don’t like to write? character death.  if i have to say another, it’s when people conflate harrison with the character he plays and then decides to address that in a thread.  harrison was a ladies man back in the 80s, and that’s fine, but that doesn’t mean the same for han.  i hate seeing the conflation between the two.  not sure if this happens as often anymore, but there was a time when fics/threads/even han rpers would lean into it, by default, thus totally destroying his character in my eyes.  i mean, write it as a storyline, that’s cool and fine, but infidelity has never been inherently part of his character.  i will die on this fucking hill.

is there anything you really enjoy writing? most unpopular opinion ever: action sequences.  critical situations, fast paced action, thriller scenes featuring immediate, life-threatening circumstances.  i love writing that which exhibits a sense of urgency and tension, with sprinklings of emotional depth and contemplative introspective moments.  scenes with internal conflict combined with aforementioned external events.  even evading enemy forces, sustaining minor/major injuries, dressing wounds.  dunno why those are always the most fun to me.  aside from that?  romance/romantic angst.  i’ve had many writing partners over the years, and each one thought they could outdo me in writing romantic angst.  sometimes, the psychosomatic pain of heartbreak isn’t far from feeling like you’ve lost a limb in battle.

how do you come up with headcanons? by being the most annoying, meticulous person ever.  i’m extremely detail oriented; when i see incongruities in my own work, i perish.  so, when i come up with headcanons, i have to consider all factors that may affect the outcome of whatever question i’ve posed in my mind and feel the need to justify my choices, for whatever reason, by tying it back to XYZ.  my headcanons must align with my muse’s personality, their environment from childhood to adulthood, their current circumstances, and if it’s an AU, how it mirrors canon events.  canon/eu is everything imo, because they are their own choices; it’s what shaped them into the character we know them as.  ofc, this is my process and opinion, so make of that what you will.

do you write in silence or do you play music? no music, no tv.  sometimes people talking is too much for me.  i have adhd and my medication only helps so much.  i will absolutely start writing down the conversation or lyrics playing in the background lol

do you plan your replies or wing them? plotting vs planning replies is different to me.  plotting gives me a foundation, but it can’t be too confining.  to plan a reply is to block out each moment.  if you trap me, i will always deviate; so i wing everything, even when i have a foundation.

do you enjoy shipping? yes, absolutely!  i’m not sure why people tend to assume otherwise, but i’m more open to it than people think.  i’ve never cared about who you write, if they’re in the sw franchise, or even what era of sw etc etc  never given a shit about what people think; if our muses click, they click.  honestly, some of the best ships i’ve had with han, as in the most enjoyable and enlightening of his character, have been ‘crack ships’.

what’s your alias/name? vin, vince, vincent.  vincent van hoe.  trash bin vin.

age? 27!

birthday? dec 2!

favorite color? silver.  if that’s not a color to you, then blue.

favorite song? you can’t expect me to… well, ‘in your eyes’ by the weeknd has been up there for a long time.

last movie you watched? star wars: the clone wars (2008)

last show you watched? … the clone wars lol

last song you listened to? billie jean - MJ.

favorite food? my mother’s 番茄炒蛋 ( egg and tomato stir fry ), unagi, freshly baked breads, fresh fruit …

favorite season? i get mostly tropical weather, but i love a cold winter.

do you have a tumblr best friend? unfortunately, so many people have left the site over the years, but i'm grateful to call these people some of the closest friends i have in the rpc: @techniiciian @desiccation @vibraea @rcvanchist @sgterso @voxcrystallis

tagged : @debelltio thank you for thinking of me!! tagging : if you're still reading this, i tag you!

[agentravensong]

hello, fellow hatchetfield fans! here are my stray nerdy prudes must die thoughts, which i'm going to try to keep brief (she said, before spending an hour writing this)

the production level of the show as a whole really blew me away. the lighting; demon!max's costume and makeup; even the way it was shot and edited felt even more electric than past shows

this is the only one of the full-length hatchetfield musicals to have one consistent antagonist throughout (black friday has linda but half the leads don't know about her at all until the climax, plus there's wilbur and wiggly). and i gotta say, max's actor really killed it. hilarious, terrifying, and even with moments of nuance. he repeatedly stole the show.

some of the songs are already stuck in my head. off the top of my head i can't think of any that stood out in a bad/unmemorable way (though i could just be forgetting them, lol). ruth's song in particular i think is gonna really stick with me once i listen to it a few more times.

and i love the way the "i'm not a loser" motif gets used throughout the show. the closest any of the songs got me to having the visceral reaction i have to "did you know that i wanted to live with you" in "not your seed" and the bridge + ending of "let it out" ("i've never been happy...") was when richie sings that line right before... well.

speaking of richie: as a paul stan, what this show proved to me more than anything is that when jon matteson plays a sympathetic lead (or side character - hi daniel/stopwatch), he will always break my heart. he's just. really good.

thinking about how in the last of the originally planned 3 hatchetfield shows, initially conceptualized as the first, jon's character is the first one to sing, whereas in the first of those shows, conceptualized as the last, the whole crux of the musical is him refusing to sing, the audience essentially waiting for the moment he breaks and does it. thinking about how the opening of npmd tells us richie is going to die, already dying, already dead, while the opening number of tgwdlm tells us paul is the target, the Doomed Hero, the "star of the show" "destined to go viral" [read: get infected], whose story is going to be told, already written.

thinking about how singing dooms paul, and how richie singing "i'm not a loser", reigniting max's ire, is the final nail in his coffin.

...i'm normal.

there's a lot of meta jokes and nods of that sort throughout the show. maybe a few too many? like, at a certain point, as a fan, i do feel like i'm being pandered to a bit.

i liked the lords in black's scene, it was a lot of fun! it's always great to see jon get to let loose with crazy characters, and the others were great too. but i do wonder how it plays for people who haven't been following nightmare time stuff. like, i get that in one world this was our introduction to these characters, but even in that world, i wonder if including all five of them with their specific names and allusions to their individual deals is a bit too much for what the plot of this show needs. there's something to be said for not showing all your cards right away.

on the other hand, i feel like the paulkins coffee scene actually fully earned its inclusion: because when pete comes in asking for his hot chocolate, it reads differently when we're coming at it from having followed his perspective up to this point versus having been following paul in tgwdlm, in a way that strengthens both scenes. it's a nice reminder that emma and paul can be... rude, i guess. assholes, even (she really didn't need to spit in it). that idea of perspectives affecting how we categorize people arguably even plays into the themes of this show! how about that.

ah, yes, Themes. there are Themes to be drawn out of this show about the experience of high school, especially in an intertextual comparison to how tom and becky talk about their time in high school in black friday. something about how the two of them see it as this idealistic time they want to go back to, whereas the teens (the nerds/outcasts) in npmd sing that they'll "still despise it when [they're] gone". something about how in ruth's solo number, the fantasy future she imagines for herself (even in the context of it being a performance for an audience of no one) is of a standard, arguably dreary, middle-aged existence. there's definitely stuff there to be dissected.

and also there's arguably a theme of continuing cycles of cruelty, brought into focus by the ending, but also implied with the way the adults failed the kids (see max referencing his dad belittling him).

...but also, i feel like they could have done more with that.

that's my one big thing with this show, and it could very easily just be that the genre of this show isn't as much my jam, but i'll say it anyway: i wanted more from the characters, and more emotional weight in regards to certain things.

like, between this and tgwdlm, i think tgwdlm is still the better written show. there's just, a subtly to the characters there, a grounded human-ness, that i didn't quite get from all of the teens here.

as much as i clearly have a soft spot for richie, that's mostly on jon; as written, there really isn't much there, beyond "anime nerd" and "generally nice kid who wants to be liked". the scene right before he dies is comedic in how obvious it's setting things up, but its obvious-ness also makes it feel kind of cheap in terms of pulling on the heartstrings. similarly, ruth is initially just a gimmick (though hers at least ties into a deeper insecurity) and only gets her real moment of depth right before she dies. neither of them feel like they have much affect / haunting presence on the surviving teens once they're dead, past the initial shock of the reveals of their deaths.

and steph and pete are good, but... idk. i wanted a bit more from each of them. if they got to have a talk like paul and emma before "join us and die" - not even for the sake of the romance, but just for the sake of giving us more on each of them outside of their basic stereotypes and the romance - that would've helped, i think.

grace was great, though, no qualms. initially there was a part of me that was disappointed that the stereotype max was pushing on her about her being secretly repressed and horny was in fact true, but the way it gets used makes up for it, and in between max's death and when that specific thing comes up again in the climax, she gets to do a lot with the two conflicting sides of her personality, wanting to be good but having a capacity and arguable instinct for scheming and ruthlessness.

(also, as i mentioned earlier, max has a surprising amount going on, especially once you get into the Implications)

it could just be that i see those depths in the tgwdlm cast because i've had more time to chew on that cast, and that in time i'll see these teens in the same light. but i don't think it's just that.

i think part of it is how there are so many jokes about the teens being nerdy prudes (really, mostly just nerds). and like, that's part of the point, obviously, that they were being forced into those boxes and that they were still people with the potential to be more. but... i don't know if the show does enough to really make that point. again, richie doesn't really get to be more (and it's not for lack of time - there's a good amount of show before max comes back as the demon and kills for the first time).

in tgwdlm, the mains are all arguably based on stock characters, but they have more depth through their relationships. look at ted, the stock asshole sleazeball, who's shown to feel genuine remorse when he loses people he loves, in a way that contextualizes his bitterness. and there's a lot less highlighting of the stockness of them in their show than there is of the teens in npmd.

and the thing is, i think the cast of npmd at their foundations are more likable than the cast of tgwdlm (see the earlier point about emma and paul being assholes at times). they had a lot of potential. but i don't think enough of it is realized for the majority of them. the edges the tgwdlm cast has are part of what makes them compelling, and it's something the teens (minus grace) are largely missing.

the thing is, i know the fandom is going to see that potential and run with it. i know that they're gonna develop the teens' characterizations and relationships. i know they'll get into the trauma and the implications from everything that happened to them in the show. i know they'll get into... pete's survivor's guilt, and steph losing her dad(!!!), and what richie and ruth could have been, and all that. i know that they'll fill in the gaps. because that's what fans do. i guess i just wish there weren't so many gaps to fill. or, that the gaps wouldn't take so much effort from them to fill.

again, i acknowledge, maybe i'm expecting too much from the genre of show this is. it doesn't need to have A Point, i guess, it can just be fun, a comedic horror slasher in musical form. and it is fun, a lot of fun! ...but, tgwdlm was also a lot of fun. not as bombastic, for sure, but i'd say just as humorous. and it was also incredibly tightly written, and satisfying, with strong character arcs for multiple leads. it had commentary on musicals, on what makes a protagonist and what it means to be one, on conformity and institutions of authority, on romance even (you could do a very interesting aromantic reading of this show, trust me). and with a show that's titled nerdy prudes must die, that is About high school, there's, similarly, a lot you can do. and there's a fair amount of seeds planted there. but i don't think it all quite coheres. and it could've, if they really wanted it to.

...i did not keep that brief. ah well. i might disagree with half of this by the time i wake up tomorrow, i just needed to get it out of me. tl;dr, in my opinion, this show is stronger than black friday, but tgwdlm is still my favorite. all the cast and crew put a lot of love into this production and it really shows. i had a great time! :D but i'm always going to overanalyze things i care about as much as i care about the hatchetfield universe, and hence, here we are.

[poisedava]

My slay the princess choose your own adventure.

Masterlist/rules

In which there is an abundance of contrariness.

I'm sick and tired so fuck cursive.

PART 2.1

You groan, "you're so insufferable, you know. I executed a perfect dive to make you go away and you're still here." You raise your hands up in the air in a grand gesture, "I'm still here!" 

The Narrator:

"Excuse me? We have quite literally just met."

The voice of the Hero:

"If He doesn't remember what happened maybe it's best to keep it that way."

Voice of the Contrarian:

"I don't know. I think it's more fun if He knows what we're thinking. He's like a captive audience. " 

"Well, we're just about as captive," you kick a tree, "I just jumped off a cliff for nothing!" 

The Narrator:

"You did what now!?" 

The voice of the Contrarian:

"Nah, that was fun! We were super cool! We should do it again sometime." 

Voice of the Hero: 

"Good luck with that. Those walls don't look particularly climbable." 

With a short nod you agree. Maybe even to both of them. The new one has a point though, that was fun, you like him, "I wonder if the princess was impressed by our cool flip?" You smirk. 

The Narrator:

"I- the princess- What?"

The voice of the Hero:

"Yeah, I know."

The Narrator:

"That's not what you should focus on at all! You need to get to that cabin, slay the princess, and save the world. Not pondering on if the princess was impressed by whatever the hell you think you did!" 

A short pause.

The Narrator:

"Which, by the way, didn't actually happen!"

"It's not like we can do anything else. You took away our swimming privileges." With those words you start trotting up the overgrown path the the cabin again. 

Voice of the Contrarian:

"Awe, to the cabin! I'm sure it'll have plentiful opportunity to ruin his day!"

The Narrator:

"If by ruining my day you mean ruining everyone's day forever. Then yes, I suppose there are plenty of ways to pull that off inside the cabin. Like slaying the princess! I'd really hate it if you did that." 

Voice of the Contrarian:

"Isn't gonna wo-ork" 

Voice of the Hero:

"We should be careful though. If the world really ended last time, and we are back here, that means we need to do something before we lose that streak of luck and die for real." 

The Narrator:

"Look at that! At least one of you is rational. Please, listen to this one, take the situation seriously. I'm begging you. The fate of the entire world is on the line here." 

You roll your eyes and do not answer, around a familiar curve in the path the cabin comes into view. 

The Narrator:

"A warning, before you go any further. She will lie, she will cheat, and she'll do anything in her power to stop you from saying her, don't believe a word she says."

The voice of the Contrarian:

"If we're stuck going in there, maybe we should believe her. Maybe she isn't a liar."

The Narrator:

"Ignore him, he's just being difficult for the sake of it." 

The voice of the Hero:

"Let's keep an open mind."

You proceed to the cabin.

The Narrator:

"The interior of the cabin is almost entirely bare. The air is heavy with suspense, the entire space is filled with a layer of dust that you can, at first almost mistake for snow. The only furniture of note is a plain wooden table, also completely covered in a layer of gray. Perched on that table is a pristine blade, looking like it has laid there for years.

The blade is your implement, you'll need it if you want to do this right.

The voice of the Contrarian:

"If he wants us to take it, maybe we should just leave it to collect even more dust. Or better yet, grab it and throw it out the window! What good is a knife against a world-ending monstrosity anyway? 

The voice of the Hero:

"No, I think we should take the knife. We have no idea what we're up against. Maybe you could use it for.. I don't know, knife tricks, in the meantime?" 

The Narrator:

"You know what you're up against, I told you. You're dealing with a princess, nothing more. How many times do I need to explain this incredibly simple and straightforward premise?"

The voice of the Hero:

"If she is able to end the world then surely she isn't just a princess." 

The Narrator:

"Yes, she is, trust me."

He has forgotten something. Again. A great dust covered mirror hangs on the wall next to the door. The frame may once upon a time have been magnificent, now you can't even tell what it is made of.

[maya-chirps]

Leonora

by Sugarcane

New translation! This time I just felt like translating and talking about this song because I genuinely love talking about the little nuances here. It's one of the more recent videos that really pulled me back into OPM. I explain a lot of the nuances and the historical background below + some personal stories related to it too.

Leonora

This serenade I'm offering, for the maiden with unparalleled beauty, with the scent of roses If tricky fate would wish it I won't let it disappear

This letter I'm hoping your eyes would read I'm ready to do everything, I'll even court your family I've only now felt such eternal awe All I wish for is

The two of us be together at the end and at the beginning Proving that first love does last

How many poems has it been, why is it getting unnoticed? My only wish, at the end you'll be with me If it's possible, until the end of time I will never let you go forever

Our sweet past relationship, where'd it go? (I keep looking for you, whoa) How come between us, I'm the only one left? (I wish I could still see you) Your beautiful voice, would I still hear it? Ready to go through life[1] even if you're not here anymore

Wherever you are, may you be happy now (let you go free, whoa) Even if we won't be together anymore (I still love you) Just please listen to my wish that you would take care Oh, Leonora my love, ah

Alternative Translations and Additional Context

Ready to go through - this is just the literal translation of the line but contextually it's closer to the lyric I used or something close to "Ready to go through everything".

The song is based on the real-life historical figure Leonor Rivera-Kipping, one of the many lovers of the Philippine National hero José Rizal. The two were childhood sweethearts, however, due to Rizal traveling to Europe to study and Leonor's mother Silvestra Bauzon not liking how political he was while favoring an Englishman named Henry Charles Kipping so Silvestra and Kipping kept the letters that Rizal sent to Leonor. This made her think that she was abandoned and later on married Kipping instead (Quirino, 2015).

On the night of her wedding, she found the letters and in her frustration tore them apart sewing some of them on the hem of her wedding dress and burnt the others. After her marriage to Kipping, she vowed to never play the piano again. She died at 26 in childbirth alongside her newborn daughter, after which Kipping abandoned their only living son and traveled back to England just to die three years later, no mention of Leonor ever being his wife (Quirino, 2015).

Her final wish before her death was to be buried with the silver box that contained the ashes of Rizal's letters (Martinez-Clemente, 2011). Sadly, her grave was a casualty during the war and her remains and her grave site has been lost forever (Quirino, 2015).

Leonor serves as the inspiration for the character of Maria Clara in Rizal's acclaimed novels that Filipinos are mandated to learn at school Noli Me Tangere and its sequel El Filibusterismo. Maria Clara is the female love interest of the series protagonist Crisostomo Ibarra and the two have a severely tragic love story due to the politics surrounding Ibarra and both of their relationships.

From my understanding of the books, Leonor may also have been the inspiration for the El Filibusterismo character Paulita Gomez who abandons her relationship with her lover, one of the leading characters named Isagani, after he was accused of being an insurrectionist despite being innocent. At the end of the story, Paulita marries someone else and Isagani watches the reception from outside her house.

Random Trivia

The place this music video was shot is actually a historical house of another one of Rizal's many lovers Segunda Katigbak! The place is called Casa Segunda and is located in Lipa City, Batangas. My classmates and I visited the place and rented it out for a project a couple of years back.

Another fun fact is that the group most likely didn't actually play the piano in the house because they weren't allowed to considering how old it is. It's an antique and it was already falling apart when we went there way before this video was probably shot. That's the reason for them keeping the camera away from the keys.

They're also not allowed to sit on the antique seat in front of the piano because of how fragile it was and it already was falling apart too when we went there. We ignored this for one of our shoots and did it quickly before anyone could notice, but they may have just positioned the camera so they don't have to show them sitting down on the chair.

We found a random kitten in the house? I don't know what happened to it. It wasn't outside either, it was like inside one of the bedrooms. I don't know if the staff or family owned it but it did look like a stray.

Some of my classmates still hasn't paid me back for the rent we were supposed to split. It isn't a fun fact, I'm just a little salty.

Original Lyrics

'Tong alay kong harana, para sa dalagang Walang kasingganda, amoy-rosas ang halimuyak Kung nanaisin ng tadhanang mapanlinlang 'Di hahayaang mawala pa

'Tong liham na umaasang mata mo ang makabasa Handang gawin lahat, maging pamilya'y liligawan Ngayon lang nakadama ng wagas na pagkamangha Hiling ko lang naman na

Tayo na sanang dalawa ang siyang huli at ang umpisa Papatunayang ang unang pag-ibig ay 'di mawawala

Nakailang tula na, ba't tila 'di napupuna? Ang tangi kong hiling, hanggang dulo ikaw ang kapiling Kung puwede lang, hanggang pangmagpakailanman Hinding-hindi na papakawalan kailanman

Ang dating tamis ng pagsasama, nasa'n na? (Hinahanap-hanap ka, whoa) Ba't sa 'ting dal'wa, ako na lang ang natira? (Sana'y magkita pa) Tinig mong kay ganda, maririnig pa ba? Handang tahaking mag-isa kahit wala ka na

Kung nasa'n ka man, nawa ay masaya ka na (palalayain ka, whoa) Kahit na 'di na tayo magsasama pa (mahal pa rin kita) Dinggin mo lang ang hiling na mag-iingat ka Oh, Leonora kong sinta, ah

References

Martinez-Clemente, J. (2011, June 20). Keeping up with legacy of Rizal’s ‘true love’. Inquirer.net. Retrieved on 5 September 2024, from https://newsinfo.inquirer.net/16626/keeping-up-with-legacy-of-rizal%E2%80%99s-%E2%80%98true-love%E2%80%99

Quirino, E. (2015, February 17). Leonor Rivera, a Hero’s Sweetheart. Positively Filipino. Retrieved on 5 September 2024, from https://www.positivelyfilipino.com/magazine/leonor-rivera-a-heros-sweetheart