#how can I ship it and want to be her and want to be with him or her and want to be there bestie and ship captain and adopted by the court
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Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.
Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.
You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.
"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.
"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.
I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.
Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.
Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.
#i hope i didn't sound rude btw i am saying this respectfully and this is directed to the ones who push these hcs as canon#if you have your own theories and know abt aroace stereotypes but are respectful abt it this is not for you keep scrolling#i actually think showing jinx (who has been dehumanized by the fandom A LOT) in a romantic relationship is good for her character#and viktor letting himself be free and loving what he considered imperfections thanks to jayce at the end c'monnn they need to make love#tired of disabled characters being treated as babies and always hc them as aroace let them fuck#this being said i am aware there are more terms inside aroace etc etc etc and there are more ways of considering them aroace etc etc etc#this is NOT about that it's about being aware of how 'mmm it's the vibes!' argument does NOT work when it's stereotypes#it's like saying 'wow this robotic character is giving me autistic vibes idk why' LIKE CMON NOW WEFNEWLFNL YOU KNOW WHY#please don't cancel me i am giving my humble opinion as someone aroaspec#at the end of the day you can do whatever the fuck you want tbh#i'm not the shipping police here#arcane#viktor arcane#jinx arcane#jayvik#timebomb
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arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.
Let's start with Vi:
-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).
-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).
-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).
Where the writers FUMBLE is:
-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.
-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes
-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait
-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)
-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).
Let's Talk About Victor:
-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.
-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.
-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.
Where season 2 FUMBLED:
-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.
-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.
-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.
-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.
-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.
And Then There's Jinx:
-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.
-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)
-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!
Fumbling points summarized:
-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.
-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.
-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!
-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.
I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.
TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.
P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.
HUGE EDIT:
I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!
that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).
so here's my criticism of my criticism:
-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little Powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.
-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.
-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.
Why do I say this?
Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.
This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.
But what, instead, do the writers brandish as this solution to the cycle?
Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.
And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.
#zaun#arcane#arcane season 2#jayvik#timebomb#ekkojinx#caitlyn kiramman#vi#vander#silco#jinx#ekko#isha arcane#jinx and isha#caitvi
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Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?
Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?
Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.
Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.
Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?
Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????
Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.
I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.
Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.
Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.
My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.
That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.
Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.
And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.
The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.
And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.
I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.
What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.
Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.
None of that gets any meaningful resolution.
I am glad if you liked it, or got something from it, you are entitled to your opinion.
I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.
That's all I have to say about that.
#arcane#arcane finale#arcane season 2#arcane spoilers#arcane s2#viktor arcane#jayce talis#jayce x viktor#jayvik#caitvi#caitlyn kiramman#vi arcane
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Fanboy
Pairing: Law x Reader
NSFW
Summary: You get a little more than you bargained for when you decide to clean your Captain's office for him and stumble upon his smutty fanfiction. Warnings: Very Mild Angst, Smut, Fem!Reader, Roleplay, Fingering, Vaginal Sex, Edging, Minor Dacryphilia, Petnames (use of sweetheart and good girl) Word Count: 7.6k Notes: This was originally supposed to be a sub 2000 word silly one shot about Law writing Sora smut. As you can see, it very quickly got out of hand. I hope you all enjoy it!
You have come to terms with the fact your Captain does not and will never want you how you want him.
It was hard, at first, to hear his silky voice and see his strong hands and not imagine him saying what you want to hear as he holds you against the wall, fingers slipping slowly up your thighs to where you need him most. It got even harder a few years in, after he started wearing perpetually open shirts and coats, showing off the tattoos you so desperately want to trace your tongue across. But you’re finally starting to accept that he simply doesn’t feel the same. His eyes don’t linger on you when you’re around. He doesn’t show you any leniency (not that you would expect any, of course, but it’s hard not to notice his favoritism for Bepo when he forgives him in an instant for a transgression he had you swab the deck for). He doesn’t accept your help when you offer it, no matter how badly he needs it.
He just doesn’t really want anything to do with you, or at least no more to do with you than anyone else on the ship. Penguin and Shachi, who unfortunately clocked your affection for your Captain years ago, have come up with a long list of excuses as to why he hasn’t shown any signs of affection.
“He’s shy.”
“He gets embarrassed easily.”
“He’s worried about the power gap.”
“He only looks at you when you aren’t looking.”
“Yelling is how he shows his affection.”
And of course, your personal favorite.
“He’s just a nerd. He doesn’t know how to act around women.”
Shachi has repeated this one a lot, and as always you immediately dispute it. “That cannot possibly be true, Shachi.”
“Why not?”
“Look at him!”
“I know what he looks like. Doesn’t change the fact he gets nervous.”
“Captain has never, for even a single moment, shown any sort of hesitation or shyness in front of me. And he’s a grown man, a handsome one, not to mention a wanted pirate. You honestly expect me to believe he’s some shy little nerd who can’t bring himself to talk to me? He just doesn’t like me, Shachi. And that’s fine. I’m a big girl, I can handle it.”
“Handle what?” Penguin’s voice echoes in the small room he and Shachi share, which you’ve decided to invade for the day.
“Her pining for Captain.”
“Ah.”
You huff. “Don’t say it like that.”
“Like what?”
“Like it’s like…a fact of life. Something so easy to brush past.”
Shachi narrows his eyes in confusion. “I thought you said that’s what you wanted to do. Be casual about it, and all.”
“Yeah, I want to. It feels different when you do it.” You’re pouting. You hate that you’re pouting.
Penguin gives you a pitying smile, dripping with good natured sympathy that makes you clench your jaw. “It’s tough, isn’t it?” He sits on the edge of his bed, careful not to shift you too much. He pats your shoulder, tutting quietly. “It’s hard to get over somebody you don’t really want to get over.”
“Yeah,” you mutter. You finally lift your head, and once you make eye contact, his smile turns a little more teasing.
“I know a great guy you could use as a rebound.”
You sigh. “Is it you?”
He laughs. “Who’s to say? You don’t need him yet.” His smile softens again, something more genuine. “But know that if you really do give up, there will be other guys. Other chances. Give this one a good shot, a real one, and if it doesn’t work out? Come talk to us, and it’ll all be alright.”
Shachi pipes up as well. “It will work out, really. But if it doesn’t…” he wiggles his eyebrows, and you can’t help but finally give them the laugh they were clearly aiming for. Which becomes a full on giggle fit once they light up and give each other a massive high five at their victory. The room is warm, and you finally forget your worries for a moment.
“Aren’t you supposed to be working?” Law’s voice cuts through you like ice, and your laughter stops in an instant. Shachi and Penguin are unphased, of course, still smiling freely.
“I just got off of my shift, Captain. I was going to take a nap, but…” Penguin pokes your side, and you let out a soft squeak as you curl in on yourself. You don’t miss the way Law’s eyes narrow slightly at the contact, the way he seems to focus in on the noise. He must be annoyed with you, with how you’re taking up space somewhere you don’t belong.
“I’m also off shift.” Your voice is small, embarrassingly so.
“I wasn’t talking to you two.” Law’s voice is just as flat and authoritative as always. He’s nothing if not born to command. You’d love to hear what commands he might give you, if–
No. Bad. Evil. Your mind betrays you, as it always does. You sit up so you can hide yourself behind Penguin, make yourself small and inconspicuous and hope that Law will stop looking at you with those beautiful piercing eyes. You don’t know how long you can be normal under such an intense gaze.
“I’m on break,” Shachi defends, causing Law’s eyes to shift over to him. You can’t help but let out a sigh of relief as you feel the pressure of his gaze leave you, and you wrap your arms lightly around Penguin, allowing your forehead to fall forward and press into his back. You can feel the rumble of a laugh working its way through his chest, though you can’t figure out why.
Law’s voice is significantly harsher than before. “Well, end it.” You flinch, unused to him snapping quite so cruelly. Law may have a shorter temper than he would admit, but he never sounds quite so furious, especially not with Shachi and Penguin. He seems to realize this as well, because the next time he speaks is much gentler. “I–Just get back to work. I need everyone at their best right now.”
“Aye aye, Captain!” There’s a hint of chuckle in Shachi’s voice, for some reason. He stands, bed creaking as he does. “You can use my bed if you want to nap in here. Let Peng have his.”
You let out a soft whine, but peel yourself off of Penguin anyway. “No, it’s fine, I should get back to my room anyway. I need a nap before I do anything else.” You think you see Law nodding in approval out of the corner of your eye, but when you turn to look at him, his eyes are firmly on Shachi, glaring at his back as he leaves. Just wishful thinking on your part, as always.
Penguin softly pats your back as you walk past. “Chin up. It’ll all work out.”
“Yeah, yeah.”
“What’ll work out?” Law is staring at Penguin’s hand on your back.
“Nothing!” You try not to sound panicked. You fail, of course.
His eyes narrow.
“Sorry, Captain. This is a secret just for us lowly crew members. No captains allowed!” Penguin’s smile is relaxed and easy, and it almost manages to calm you down. You would love to play along, make a little joke out of it, but the idea of him finding out petrifies you. What if he’s disgusted by the idea? Horrified enough to kick you out of the crew, your home, your family? He wouldn’t, you know that, but the image in your head is so clear. Your chest feels tight, your head fuzzy, and you think at some point you started holding your breath.
Law makes a noncommittal grunt, scowl still clear on his face, but he leaves. A small mercy.
“Hey, take a breath, please. You look like you’re gonna pass out.”
“I feel like I’m gonna pass out.”
“Are you gonna be alright to get back to your room? Do you need me to walk you?” Penguin’s hand rests gently on your elbow, and he looks ready to jump to your aid at any moment.
You give him a shaky smile. “I’ll be alright. Anxiety’s never killed anyone. Probably.” You take care to walk as steadily as you can out of the room, avoiding eye contact with your Captain, who’s waiting directly outside.
“You okay?” His voice stops you in your tracks.
“Yeah, I’m–” You see the disbelief on his face. “I’ve been better. But it’s okay. I’ll get there.”
“Are Penguin and Shachi giving you trouble? They mean well, but sometimes their jokes can go a little far. I–” He clears his throat, eyes glancing away for a moment. “I could talk to them. If you need me to.”
You chuckle. This means he really has no idea he’s the source of your anguish. Good. “Oh, no, it’s nothing like that. They’re actually helping me through something.”
He purses his lips. You imagine how soft they’d feel on yours. “Helping you through something?”
“Yeah. I’ve been struggling with it lately, and talking to them has really helped.” You stare intensely at the wall behind him, worrying that you’ll come undone and say something you can’t take back if you stare into his eyes for too long. Something about him just makes you want to melt under his gaze, and you can’t afford to give in to the impulse.
He hums, eyes briefly fluttering closed. “I see. Well, I’m glad you have their support.” Is it just you, or is his voice a bit colder than it was before? “I’ll leave you be. Have a nice nap.”
“Thanks, Captain.” You try not to run back to your room until you’re sure he can’t hear your footsteps anymore. You change out of your boiler suit, desperate to be in something more comfortable than this, and throw yourself into your bed face first. You press your face into your pillow, trying to ground yourself. You aren’t allowed to imagine what it would feel like to lay on Law’s chest instead, his hands on your back, tracing meaningless patterns into your skin. You aren’t allowed to imagine the warmth of the blankets as his, or the comfort of your weighted blanket as his arm around your back. You certainly aren’t allowed to cry about the fact that it isn’t him, and that it never will be. Because that would mean you weren’t getting over him, instead getting lost in a fantasy of what can never and will never be. And you have no time for fantasy, despite what your heart keeps trying to tell you.
You dream of him, as you always seem to.
You could cope with it, if it were simply sex. If it were about nothing more than his cock and his hands and the way his voice penetrates deep into your bones whenever you hear it, turning you pliable and needy. But today’s dream is one you’ve had before, and one you always dread.
I love you. His hands are gentle as they wrap around your waist, pulling you close. I can’t imagine my life without you in it. His nose nuzzles against your neck, tickling you and making you giggle.
I love you too, Law. I think I always have. Your hands rest on his chest, and you can feel his heart beating below your fingers, quick and thundering. You smile. Nervous?
Of course I am. Look at you. His eyes bore into yours, and you can see the affection flooding them. His nose brushes against yours, his lips growing closer, and his eyes flutter shut.
Yours shoot open.
No matter how many dreams you have about Law, you can never kiss him. How sad, that your brain can imagine a hundred ways he can fuck you and not one in which gives you the one thing you’ve been craving most.
You throw off your covers and throw on a bra, not bothering to get fully dressed. You need some air, which is unfortunate, considering the Tang won’t surface for at least another day or two. You can at least go downstairs and find a window, press yourself against the glass and pretend you’re out in the cold of the ocean, at peace with the world around you. You can avoid passing Law’s office, and hopefully that means you’ll avoid the man himself. You don’t want to burst into tears the moment you see him, and you feel too soft and fragile right now, like your edges are crumbling. Half of you is still in the dream, melting into fantasy, and being snapped into reality with a single look might shatter you.
You pad quietly out into the hallway, unsure of what time it is, not wanting to wake anyone. It’s impossible to tell what time of day it is on the Tang when you’re underwater, lit only by harsh fluorescents that constantly buzz. It’s peaceful, feeling the cold metal of the floors seep through your socks and hearing the quiet thunk of your footsteps muffled by the fabric.
“Are you heading downstairs?”
You turn to see Bepo, shifting uncomfortably on his feet, papers in hand. “Yeah, I am. Why? Do you need something?”
“Can you run these to Captain for me? I would, but–”
You see him wince as he speaks, and you immediately know what the problem is. Before you can even think about it, you’re swiping the papers from his hands easily. “Yeah, of course, big guy. I’ll take care of it.”
“Thank you so much!” He’s off in an instant.
You stare at the papers, willing yourself into reality. You’re going to bring something to your captain. The man you have no other relationship with. Just doing your job. And afterwards you can go back to your room and cry all you want, if you really feel like you need to.
Law should be in his office right now, buried up to his neck in paperwork. It doesn’t feel great to add to that pile, or to let him see you so underdressed, but Bepo needed help. You can’t let him suffer just to avoid some embarrassment. You make your way down, knocking lightly against his office door.
No voice calls you inside.
Strange. He should be here. Maybe he fell asleep at his desk again. You’ve heard the others scold him for that dozens of times, and you’ve caught him yourself once or twice. He’s going to ruin his back if he keeps doing that. You crack open the door, ready to shift him into a more comfortable position, but you find your Captain isn’t actually there at all. His desk is a mess, papers everywhere, a sharp contrast from the neatly organized shelves and minimalist look of the rest of the room.
“Maybe I should tidy up for him,” you mutter to yourself. Law hates asking for help with things he believes he should be able to handle on his own, but clearly this is getting away from him. And even if he wasn’t grateful for the intrusion, at least it might lighten his load a little. You’d do nearly anything to ease your Captain’s burdens, if he’d just let you.
Before you realize it, your hands are on the papers, your former fragility forgotten as you get lost in the calm that such a mundane task brings you. You start by simply organizing the papers into stacks based on their titles and a quick skim of their opening paragraphs. You don’t read any further, not wanting to read anything not meant for your eyes, and you quickly find you’re able to organize everything into three neat stacks: medical papers, ship logs, and a third stack of anything that doesn’t fit into the previous two. You’re nearly finished when you find a title that makes you pause.
You can’t figure out what What You Can’t Have could mean, or what this bundle of papers is doing in Law’s office. Skimming the first few paragraphs doesn’t give you any explanation, until you start reading more closely and see a name: Sora.
Everyone in the North Blue knows about Sora, Warrior of the Sea, and everyone on this ship knows it more intimately than most. Your Captain’s fondness for the series and your fondness for him means you know it very well, well enough to know this is not one of the noncanonical (but still official) spinoff novels, or a novel adaptation of one of the comics. There’s a character you’ve never heard of before in this, one that, if you were a more paranoid person, you would suspect is based on you. She can’t be, of course. That would be ridiculous. But as you read her introductory paragraph, you can’t help but notice she bears a striking physical resemblance to you. Same hair and eye color, same height, same build. But she can’t be you. She’s described as seductive, enchanting, and many other things you know nobody would ever say about you.
You should put this down. But the writing style is so familiar, and so are the handwritten edits in the margins. Your captain wrote this. You had no idea this was what he did in what little spare time he has. You keep telling yourself to stop reading, to tuck it away and pretend you didn’t see it, because really, you know he wouldn’t want you to have seen it, easily embarrassed as he is. But there’s so much passion in the words, so much care, and frankly? It’s good. Really good. You think he has some real talent, in something you would have never expected him to even try. His care for the series oozes from every word, and he’s really good at building tension, and–
Oh.
Your captain hasn’t just been writing fanfiction about his favorite hero.
He’s been writing smut.
Really good smut, honestly.
You lean against the desk, completely enraptured by his work. The tension between Sora and this unnamed woman is astonishing, every single word winding you up tighter as you wait for the dam to break. Before you know it, you’re fully bent over the desk, clutching the page in your hands, trying not to rub your thighs together at the very graphic descriptions of what Sora is doing with his hands. You imagine Law’s hands, lithe and long, sliding under your shirt like Sora’s do under this mystery woman’s. You imagine his breath puffing against your ear as he instructs, be good for me, now, and maybe you can finally get what you want, just like Sora does. You imagine him moving impossibly closer, feeling his hardness press into your thigh as–
“What are you doing in here?”
You freeze. Your captain is standing in the door, papers in hand and scowl severe. If you didn’t know better, you would think for a moment his eyes lingered on the cleavage you’re showing by leaning over this far. But you do know better, so you tell yourself he’s simply observing the papers in your hands, even if his gaze seems aimed too high for that. You shoot up, papers still in hand, shirt riding up in the process, and god does it look like his eyes dip down to your exposed midriff in the process. But they don’t. You have more pressing matters than your delusions, anyway.
“Hi Captain!”
“...Hi.”
“I–Um. I was organizing your desk for you.”
His eyes linger on the three stacks of papers, humming quietly. “I see that. …Why?”
“Bepo had me run papers down to you, but you weren’t here, and–and your desk was so messy, so much messier than usual, and I was worried maybe you were overwhelmed and I thought it might help.” You’re speaking a mile a minute, clutching the papers close to your chest in some desperate attempt to ground yourself, but the sound of the papers wrinkling causes him to glance down and now you’re sure that just for a moment he was looking at your boobs and you’re far more flustered than you were when you began.
And even worse, he smiles. It’s a soft, gentle thing, which sneaks so slowly onto his face you don’t even know if he realizes it’s there. But it is. And it’s beautiful. “Thank you, then. I appreciate the thought.”
Your grip eases on the papers for a second, and the crinkling brings his attention back to them. You don’t know what gives it away, but with the way his eyes widen slightly, the way his lips part, you know that he knows what you have in your hands. The way he whispers your name, the fear in it, makes your heart clench.
“Captain–”
“Did you–I–” He takes a breath, gathers himself. “Did you read anything you weren’t supposed to?”
God, you did. You’re halfway through a sex scene, flushed and flustered and thinking about your captain in ways that are wholly and completely inappropriate. You’re panicking. You can’t let Law see how flustered you are, can’t let him realize that you were fantasizing about him, lusting after him in his office while he’s out like some kind of pervert. So, trying to turn this around on him, throw him off his rhythm, you decide to make a deeply out of character choice.
You open your mouth, taking a dramatic breath as though you're going to start reading aloud, and you can see the panic in Law's eyes. Before you can decide between reading and handing it over to spare him the embarrassment, you hear “Shambles!” as the papers in your hand are swapped with the ones he walked in with. You're momentarily disappointed, before you look down and are struck with intense and all consuming delight.
In trying to get the fanfiction out of your hands, Law has, in fact, given you more of his fanfiction to read.
You gasp quietly, cheshire cat grin widening. Law looks at you with confusion, clearly still so thrown he hasn't realized what's just transpired. In your current state, you can only think of one way to inform him.
"Her hands were soft and gentle, so small compared to his-"
"STOP." He lunges forward around the desk, powers forgotten as he decides to bullrush you to get the papers out of your hands. His hands wrap around your wrists, and before you know it you’re pinned against the desk, chests pressed together, his leg pressed between your thighs. You flush, overwhelmed by the sensation of his hard body against yours, but he doesn’t seem to notice. “Do you think this is funny?”
You open your mouth to respond, but his lips are so close, and you feel something else pressing into your midriff. You make a small choked noise, and his glare doesn’t dampen.
“Are you trying to embarrass your captain?”
“I–uh–Captain–” You can barely squeak out anything, and he presses closer.
“Answer me.”
“You’re so close.”
He pauses.
He blinks.
And suddenly your captain is across the room, face bright red, holding his papers in front of his chest like a shield. “I–um.” He stares at you a moment, his eyes moving from your face to your chest to your hips and back up, and suddenly the papers shifts down in front of his crotch.
He couldn’t…
Could he?
Before you can process this, he’s speaking again, his tone far less authoritative than it was before. “How far did you read?”
“Uh–pretty far.”
You could swear his voice cracks a little as he whispers, “Oh god. This is–you were never supposed to see that.”
“I know, I’m sorry. I didn’t mean to keep reading, it was just–it was really good.”
He stares at you a moment, mouth agape. “What?”
“It was–I liked it a lot. I didn’t even mean to start it, I just couldn’t figure out what pile to put it in, and then I got really invested, and–I’m really, really sorry, Captain.”
“You liked it?” His eyes are narrowed, looking at you like something dangerous, like if he shows a moment of weakness you’ll pounce. He approaches you slowly, inching closer and closer.
“...Yeah. I did. I was really impressed, actually. I didn’t know you were a writer.”
He scoffs. “I wouldn’t call myself that.”
“Why?”
“I just…don’t know if I’m good at it.” He sounds small in a way you’ve never heard him. You’ve never seen Law less than confident before. He absolutely radiates it, a constant smug grin and twinkle in his eyes. It suits him far better than slumped shoulders and wringing hands.
“Are you kidding? It was amazing. What I was able to read, anyway. I couldn’t bear to put it down.” You reach for him for just a moment, your hand ready to touch his shoulder, but something in you pulls it back. You can’t bring yourself to touch him, not as you are.
He won’t look at you. You can feel his regret in sharing, in allowing his mask to crack slightly. There’s a bitterness to his tone as he snaps at you like a wounded animal. “You expect me to believe that? That you didn’t just read it to laugh at me?”
You can’t keep the pity off of your face. His first instinct is always to believe he’ll be hurt, that an open hand is a sign of a slap, and not a kind touch. “Why on earth would I do that, Captain?”
His shoulders unknot a bit as he thinks it over. You have never done anything to hurt him, and to tease in such a cruel way is not in your nature. He’s not relaxed, not quite, but he isn’t ready to run anymore. He leans against a nearby table, parking himself at a distance but assuring you he won’t go further. “I suppose you wouldn’t. …So you really liked it?”
The way he’s looking at you is so fragile, so soft. You feel your heart clench at the sight of such a guarded man looking so adorable, though you know he would hate to be called such a thing. You can’t help the affection that leaks into your gentle smile as you look at him. “I really did.”
He huffs, trying to bring back up his walls, but he can’t hide his relief, and his continued interest. “What did you like about it?”
“I thought the descriptions were very vivid. It was…” It feels like crossing a line you can’t uncross to call it hot, but he’s looking at you so expectantly. “Very stimulating.”
Something akin to a smirk grows on his face, offset by the dust of a blush on his cheeks. His voice is an octave deeper when he speaks. “Simulating?”
You shiver. “I–uh–yes. The leads had really good chemistry. I never imagined Sora would be so…charming. And I liked the woman too, though I have to admit I didn’t recognize her name.”
He nods. “You wouldn’t. She’s an original character.”
“Oh, really?”
“Yeah, I wanted to try my hand at something new, and I didn’t like pairing him with any of the canon characters so I just…made one up.”
You shift nervously on your feet, thinking about how remarkably familiar her description was. “So you made her just for this? Didn’t even give her a name?”
“I haven’t decided her name yet, but I’m working on it. And yeah, she’s just for this. Why?”
You want to be subtle, ease your way in, but your mind is running a mile a minute and frankly subtlety has never been your strong suit anyway. “So…is she supposed to be me?”
He shoots up so quickly he nearly falls over. “What? No! No, why would you think that?” He looks absolutely mortified, like he’s praying the floor swallows him whole. He looks about two seconds away from shambling himself out of the sub and letting the ocean take him away.
“Well in her intro, when you describe her…she looks a lot like me.”
“...She does?” He seems genuinely surprised, and you can’t help but laugh.
“Why are you asking? You’re the writer! You didn’t realize?”
“No, I…” He’s blushing to the tips of his ears. “She was just supposed to be a beautiful woman. I didn’t think that hard about what she looked like beyond that.”
“She has the same hair color and eye color as me, you describe her as around my height, and the dress she’s wearing in her intro is my favorite color.”
His shoulders are so tense they’re practically up over his ears. If his voice cracks when he yells, you’re kind enough not to acknowledge it. “I didn’t think that much about it! I just thought of a beautiful woman and I described her.”
“So when you think of a beautiful woman in your head, you see me?”
He doesn’t answer.
You try to hide your giddy smile. “That’s sweet, Captain.”
He avoids eye contact so aggressively you swear it must be hurting him at this point. “It wasn’t–I–I didn’t notice. You don’t think it’s…creepy?”
“That you think I’m beautiful?”
“That I wrote porn about a woman who looks exactly like you.”
“Oh. When you put it like that I guess it doesn’t sound great.” He tenses again, so you rush to reassure him. “But no, I don’t think it’s creepy. It’s not like you meant to, or anything. Or that you wrote about me and like, another member of the crew or something. Why would I be mad that I just happen to be exactly your type?” Your heart is beating out of your chest as you try to portray a confidence you certainly don’t feel.
“Right. Yeah. I–There’s nothing wrong with that.”
He didn’t deny it.
“And it’s…great porn, honestly.”
Your delivery is so awkward the tension finally breaks as he laughs at you. “I appreciate that. I worked hard on it. But I’m not sure on some of the descriptions.”
“What do you mean?”
“I’m not sure it reads as true to life.”
“Does it need to?”
“No, not really, fantasies don’t have to be realistic. But…I can’t help but think about it anyway. What if part of it is so unrealistic it takes you out of it entirely, and I just didn’t notice? Or didn’t know because I’ve never tried that specific thing? Do you know what I mean?”
You do. You know insecurity in your work, the way it whispers in your ear. You know that words are not enough reassurance to silence those whispers. You want to help him, even if you don’t know how you could.
“What if we…tested it? To see if it’s realistic?” You can’t believe the words that just left your mouth. From the look on his face, Law can’t either.
“What?” A beautiful crimson streaks across his face and up to his ears, heat radiating off of him.
“Oh my god. Forget I said that, that was so inappropriate, I’ll just go–”
“No!” He’s so loud you both flinch, and he seems surprised by his own objection. His long fingers are wrapped around your wrist, and you can feel his calluses brush against your skin. God, what you wouldn’t give for those fingers to be somewhere else. “No, don’t–don’t leave. I think–I would–um. I’d like that.”
You blink. “You would?”
“Just to…test it. To make sure my writing is accurate. I’m a perfectionist.”
“Right.”
“Yeah.” His eyes flicker down to where he’s holding you, and to your surprise, he doesn’t release his grip. He tugs you closer, pressing your chests together, and you can feel his warm breath in his ear. “Are you ready?”
“Yes, Captain.”
“Law.”
“What?”
The deep rumble of his voice is commanding in a way that has you rubbing your thighs together. “I want to hear you say my name. Call me Law.”
“Yes, Law.”
You can feel his smirk as he whispers the next words in your ear. “Good girl.”
Heat rushes to your face, and you bite your lip to keep from making any deeply embarrassing noises. He chuckles as he pulls away, and you see no trace of his earlier apprehension or nerves. You suppose Law has always been a good liar, always putting up the front of the proud, confident, and unshakable Surgeon of Death. What is this but another part for him to play?
“How did it start again?” He places his hands on your hips, leading you away from the desk and toward the wall. “She and Sora meet up in the club, strike up a conversation–”
“Can we skip to the good part?” You hate how needy and breathless you sound. You’re already worked up from reading, from hearing him speak, from being so close, that you think if you spend another minute without some kind of release you might explode.
He chuckles. “I guess we can skip forward a bit.” He presses you against the wall, hand sliding to your thigh. You shiver, but he stops right before his fingers slide under your shorts. “But have you been good enough to earn it?”
You whine, a pathetic, wounded sound that comes from deep within you. For a moment, you see his facade slip as he swallows, trying not to give away how much the sound turned him on. But after a moment his mask settles back firmly in place, and you’re both ready to continue the game. “Please, Law. I’ve been good. I’ll be good.”
His smile is all teeth as his fingers find their place inside of you. First one, pumping slowly and deliberately, curling to hit your sweet spot just right. He moans quietly in your ear at the feeling of it. You know his line before he says it. “Do you feel that? The way you’re pulling me in? You need me bad, sweetheart, don’t you?”
He inserts a second finger right as you open your mouth to answer. “Ahh–Yes! I need you!”
He pumps harder, faster, and his other hand starts to wander towards your chest. His lips find your neck, nipping at the point where it meets your jaw, making you gasp again. His hand gently squeezes your breast through your shirt, and he can feel your hardened nipples through the fabric. He chuckles. “Yes, you do. Nobody else can make you feel as good as I can. You know it. That’s why you’re here, that’s why you’re so drawn to me. On some level you know: it’s just you and me. We’re all there is, all that matters. Isn’t that right?”
“Yes, Law! Yes!”
His free hand effortlessly removes your shirt, and you gasp as you’re exposed to the air, your back pressing into the cold wall. He removes your bra next, letting out a soft hiss of appreciation when he finally sees them fully exposed. “As beautiful as I imagined,” he whispers, seemingly to himself. You don’t remember that line.
His mouth finds your nipple easily, sucking and nipping as you threaten to come undone under his attention. His fingers are still moving, his thumb on your clit, building the tension in your body until you feel like you’re going to explode. You’re so very close to the edge, close enough that in your pleasure you forget the next part of the story for a moment.
Until his fingers leave you.
“No!” Your head slams back into the wall as you wail, tears welling up in your eyes. Law seems unaffected, pulling back from you as he slowly inserts his fingers into his mouth, savoring your taste. The only sign that you’ve shaken him is the clear strain of his cock under his jeans, desperate to be free.
His fingers leave his mouth with a pop, and he smiles at you, eyes half-lidded. “Did you think it was going to be that easy? That you would just get what you want, no questions asked?”
You whine, the sound filled with genuine despair. The room is silent for a moment as he stares at you, waiting for your next line, and you try to remember the part you’re supposed to play here. You just barely manage to grasp it, breathlessly saying, “I thought you were a better man than to leave a lady wanting.”
He slides off his tank top, revealing his beautiful tattoos to you. “Oh, honey, this isn’t about what you want. It’s about what you need. And how wonderful it’ll be, once you’re so on edge you can barely stand it, and I finally give in to you. Can you imagine it?” He pops the button of his pants next, sensually sliding them and his boxers down to expose his bare hips. “What it’ll feel like, when I’m finally inside of you?”
His cock is finally free, bobbing in the air as it leaks with precum. He looks painfully hard, and you swallow as you briefly imagine it in your mouth. You’d give almost anything to taste him right now, but that isn’t a part of the scene.
“You’ll feel so full, honey. Imagine how good it’ll feel to cum on my cock. Isn’t that worth the wait?”
“God, yes.”
“Good girl. So agreeable.” One hand finds your hips as he uses the other to line himself up. “Are you ready?”
“Yes, god, please.”
He slowly slides in, feeling the drag of every inch of his dick against your walls. He makes a strangled noise at the feeling, burying his face into your neck as he desperately tries to catch his breath. He stops once he’s fully sheathed in you, giving you both a moment to adjust.
And then another.
And another.
“Law?”
You can hear him chuckle against you. “What, darling?”
“Please, Law.”
He pretends to ponder whether or not to give in for a moment, keeping you in suspense, before he relents. He pulls away from your neck, revealing his extremely red face. His voice may be calm, but the rest of him cannot hide the effects you’re having. “What do you want, sweetheart? Use your words.”
You know the line you’re supposed to say next. She tells Sora she wants relief, wants him to move, wants anything that she can have. But you’re soft, and weak, filled with want. You cannot help but think of your dream this morning, what you were denied and what you’ve always wanted. So you speak the honest truth. “I want you to kiss me.”
He stares at you for a moment, eyes searching yours. You see your own want reflected in him, an affection that makes your chest ache. Then a smile blooms across his face, one gentler than you deserve. The line he says next is Sora’s, but what comes after is all Law. “Whatever the lady wants,” he murmurs, before his lips meet yours.
The kiss isn’t fireworks, or an all consuming flame, or any other way you’d ever heard such a thing described. It was tender, it was kind, and most importantly, it was Law. You’d never wanted anything else. It finally confirms to you that this isn’t a dream, that he’s really here, pressing you against this wall, a desire burning in him that only you can satiate. The lust is still here, the heat of your bodies intertwined, but there’s something tender and real beneath it.
Once you both pull back, panting, you look into his eyes and know the scene is well and truly over. Now it’s just you and Law, breaths mingling and hearts pounding. He smiles at you, a nervous, delicate thing, his confidence left behind with the script. He’s breathless as he whispers, “Do you have any idea how long I’ve wanted to do that?”
You let out a soft, unsure laugh. “Is that Law talking, or Sora?”
He brushes his nose against yours. “It’s all me. It always has been.”
You can’t help your lovesick smile, dripping with a saccharine fondness you couldn’t hide if you tried. You meet his lips again, a kiss with a little more fire, a little more desperation. You try to convey everything you can’t say aloud: the years of yearning, the pain of thinking this moment would never come, the euphoria of learning you were wrong. Your hands press against his chest, his pulse fluttering under your fingers in unison with your own. You wrap your legs around his waist, desperate to pull him ever closer. He lets out a soft sound, almost a whimper, at the feeling of your lips against his as you clench around him. His tongue slips into your mouth, and once again the air around you grows ever hotter.
“Can I move?” There’s a whine to his voice. “Please.”
“Please do,” you moan, wrapping your arms around his neck and pressing your chests together.
He needs no further instruction, thrusting harshly, hips rutting against yours. You can feel him struggle to hold himself back from pounding into you at a bruising pace. His hands grip your hips, his nails digging in as he clenches his teeth.
“You don’t have to hold back, Law. I’ll take anything you want to give me.”
He struggles to speak through his self control. “I want to enjoy this. I want to take my time.” Another deliberate thrust has you dragging your nails down his back, making him moan in your ear. “I want this to be as good as it can be for you.”
“This is–ahh!–already better than I’d ever dreamed, Law.”
One of his hands moves to your clit, his fingers starting a steady motion. “Not good enough,” he mutters. His lips find your neck, placing open mouthed kisses along its length, his teeth grazing your skin. You feel yourself coming close to cumming again, your voice growing louder, echoing through the room as you babble. You don’t even know what you’re begging for, the words please and more and Law are all you can say, all you can think. There is nothing in the world beyond the feeling of him against you, inside of you, his soft lips and callused hands.
You expect him to rip away your pleasure again, but when he briefly stills, your babbles turn to sobs anyway. He pulls back to look you in the eye, take in the sight of the tears running down your face, and you can see him soften once again. His hands and hips start moving again immediately as he presses soft kisses against your cheeks, clearing away your tears.
“Sorry, sorry, it’s alright. You’re doing great. I won’t take it from you again, I promise.” His voice is filled with pity. “You’ve been so good, you can take what you want now.” He builds you back up quickly, his hips pressing into yours even faster than before. You can feel yourself about to burst, and you slam your lips into his, moaning into his mouth. The dam finally bursts, and the pleasure nearly blinds you as you clench around him, his hips struggling to keep moving with how tightly your legs are wrapped around his waist. Your orgasm is what finally makes him break, filling you to the brim as his movements stutter.
You bask in the feeling for a moment, both panting and dripping with sweat, his cock rapidly softening inside of you. Your head lolls forward, pressing into his shoulder, and you press a kiss against his sticky skin.
“Was it worth the wait?” He tries to ask the question in a teasing tone, but you can hear the insecurity underneath it.
“It was worth everything and more.” You shift to wrap your arms tighter around him and nuzzle your face into his neck.
You can feel the rumble of his chest as he chuckles, gathering you up as he slips out of you. “Agreed.” He kisses the side of your head, an action so filled with care it nearly makes you burst into tears again. He tries to lower you onto something, making you pull him closer and whine. “I just need to set you down for a second, sweetheart. I’ll be right back.”
“No.” You sound like a pouting child, making you cringe, but he laughs fondly anyway.
“Alright. A few more minutes. But I have to clean you up eventually, and then we need to find a place a bit more private to settle in, don’t you think? Or at least somewhere more comfortable.”
You hum quietly, pressing your nose further into him. You can worry about logistics in a few minutes. Right now you just want to bask in his warmth, in this dream turned reality, in the absolute joy of your feelings being reciprocated. “I really didn’t think you liked me,” you mutter sleepily. “I’m glad I was wrong.”
“I could say the same,” he murmurs into your hair.
You laugh. “Shachi and Peng are going to be so smug about this.”
“They are?”
“They’ve been trying to tell me for years, and they don’t get to tell me I told you so very often.”
“They were telling you too?” He laughs. “We could have done this months ago if we’d just believed them.”
“Yeah,” you whisper, your eyes starting to slip shut. “You’re worth the wait, though.”
You can hear the smile in his voice as his hand rubs soothing circles on your lower back, luring you further into sleep. “Yeah. So are you.”
Tag List: @pandora-writes-one-piece @shy-writer-999 @saturogojosgirl @dreamcastgirl99 @tochillwithamockingjay
#law x reader#trafalgar d law x reader#one piece x reader#law x you#law x y/n#trafalgar law#one piece#one piece law#op#one piece smut
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right where you left me
Summary: You died. Sebastian secretly had a portrait of you commissioned.
I profusely apologize for the pain.
Inspired by @sychenb for the prompt idea. Also crediting @sloanesallow for her headcanon about Sebastian keeping track of numbers.
(also sort of inspired by Unus Annus - iykyk - and Taylor Swift, if you couldn't guess by the title)
Tags: Angst, F!Reader POV (you), unreliable narrator, vague ship (Sebastian x reader/Ominis x reader), Sebastian was in love with you but never confessed, death, grief, ambiguous ending, overall the sads in general, I cried while writing this
AO3/Wattpad
It had been 279 days since you died.
At least, that’s what Sebastian tells you — your portrait, anyway. It was all that was left of you after the devastating battle you had fought and never walked away from. You hadn’t even known he’d had a portrait of you commissioned when you were alive until you woke up, your body cold, your face illuminated by the flickering candles of the Undercroft.
He comes to visit you every day — some days, he simply sits in front of you, cross-legged and silent. You creep into the frame and study him, the shadows on his face, a haunted look in his eye — unfamiliar. You can only recall a bright, talkative, charming boy with whom you were once close. You didn’t recognize him the first time he visited you, yet his presence brings you comfort.
On other days, you see traces of the boy he was before. He bursts in through the gate talking nonstop about everyone who misses you, about something he saw that you would have liked or that reminded him of you. Sometimes, he even brings you gifts and places them in front of your frame so you can admire them when he’s away.
That’s where he keeps you — hidden behind a wooden crate in the Undercroft like a sacred shrine, untouched by anyone but him. He only speaks with you when he is alone.
Another boy comes in on occasion, and you only know because of the sound of his voice and the pulsing red light of his wand that you can see from behind the pile of crates. Ominis, you remember Sebastian telling you, another friend from when you were alive. Sometimes they argue, other times they refuse to acknowledge each other. But Sebastian always keeps you tucked away, his own personal secret.
“It’s almost Christmas,” he sighs as he plops down in front of you. “300 days since you…well, since— ”
He could never bring himself to finish that sentence, even after almost a year. You never finish it for him.
“Are you going back to Feldcroft?” you ask, though you already know the answer.
He shakes his head. “I wouldn’t leave you here alone. I couldn’t do that to you.”
You knew he probably hadn’t been back since that dreadful day. He had only spoken of it once to refresh your memory. He never brought it up again.
“Sebastian,” you say, and he perks up at the sound of his name leaving your painted lips, “how come you always hide me away when Ominis comes in? Doesn’t he want to talk to me, too?”
His eyes flash with something — anger, perhaps, it was hard to tell from your two-dimensional world — and he stands, approaching your portrait. “He wouldn’t understand.”
“I’m only a portrait,” you tease, trying to lighten the mood. “It’s not like you’ve been practicing necromancy.”
It wasn’t the right thing to say, but you don’t completely understand why. He turns away from you, fists clenched, shoulders tense and hunched over, before running his fingers through his hair and repeating himself more adamantly. “He wouldn’t understand.”
You remember him uttering a similar statement throughout your short life at Hogwarts — secrets that only the two of you shared, unbeknownst to Ominis until it was too late. “Surely he misses me, too— ”
“Did you love him?”
The question takes you by surprise, though you think it’s not the first time he’s asked it. “What?”
Sebastian whirls to face you, his gaze intense, demanding. “Did you love him? Or did you love me?”
Your portrait blinks, confused. Truthfully, you hadn’t been alive nearly long enough to confirm your feelings for either of them, but you knew that both boys had been important to you during your last few months of life. The portrait of you had only been a time capsule of your fifteen-year-old self — undecided and immature. You’re not even certain if the emotions you feel now are real or remnants of what you experienced when you were alive. “I…I cared deeply for both of you if that’s what you’re asking.”
Your answer nearly breaks him, as if he’s heard it a million times before. He tugs at his hair, the movement causing him to look frenzied and mad. “That’s not what I asked! Who did you — ”
“Sebastian?”
The voice of the intruder causes both of you to freeze. Sebastian pulls himself out from behind the crate and holds a finger to his lips before pushing it in front of you once more.
“Over here, Ominis.”
You hear footsteps and see the red glow of the other boy’s wand, then shuffling as Sebastian strategically places himself in front of the wooden box. The echoing footsteps grow closer, and you straighten at Ominis’s frantic tone as he speaks.
“Who were you talking to?” he asks. “I…I thought I heard…her.”
“No one else is here but me,” Sebastian says, guarded.
You can practically feel Ominis’s internal struggle to believe him. You decide that there have been enough secrets between the three of you — you’re not going to let it carry on post-mortem.
“Ominis? Is that you?” you call out. You hear Sebastian press his body against the crate in front of you. Ominis pushes past him, and they both tumble into it, knocking it over and exposing your portrait.
Chaos ensues at Ominis’s realization. The two boys are shouting at each other in front of you as you are helpless to stop them — Ominis, for having yet another secret kept from him, and Sebastian, for defending his reasonings. You aren’t sure if it’s because of jealousy, grief, or some combination of the two, but all you want is for the noise to stop.
You call out helplessly from your portrait, wishing you could step between them, just as you had done time and time again all those months ago. Before everything had gone so wrong.
Suddenly, hot, angry tears are pouring down both of their faces, and you are overcome with just how useless you are at this moment — a fragmented memory, trapped within the confines of your magical canvas. You want nothing more than to hug each of them, to let them feel your arms around them in comfort and take their pain away.
But you are gone.
The two boys now stand solemn and silent in front of you. Ominis takes a step closer, his wand hovering over your portrait before he runs his fingers along the gilded frame. “Is it…really you?”
“No.” You can hear the flatness in Sebastian’s voice, how tired and worn he truly is. He repeats exactly what you thought only moments before as if to confirm it. “She hardly remembers what happened, or even who we are. She’s just a fragment. A memory.”
You want to argue that it is you, but you know that he’s right. You barely remembered your living self until Sebastian explained everything to you on his daily visits. Whispers of your personality still shine through on occasion, but you are otherwise simply existing.
Ominis sighs, and you can hear the weight behind it, as if he had been holding his breath and finally allowed himself to release it. He traces his fingers along the divots of the frame once more, and you try to will yourself to feel it.
The two boys exchange an unspoken conversation that thickens the tension in the air. They seem to come to an agreement, and you let out a small breath — if you can call it that — of relief when they sit down in front of you and appear to bask in your presence. You stay quiet and allow them this moment — it’s the only thing you can do.
The days that follow are the same. No longer is Sebastian coming in alone for covert meetings with your portrait. Now, you see both Sebastian and Ominis at the same time every single day, a religious appointment that they’ve set aside just for you. They take turns talking to you, even if they can only manage a few words, and you learn to appreciate their company, knowing that you were loved by both of them in life.
Just like old times, Sebastian says, and the three of you laugh.
Christmas approaches quickly, or that’s what they say when they come to visit a short while later. They bring your favorite things from when you were alive — chocolate frogs, flowers, even books, which Sebastian reads to you — and they tell you stories about you and the kind of person they knew you to be. You wonder if it’s true, or if they have created an idealistic image of you since you are no longer there with them. Not really.
Kind, they say that you were, thoughtful, loving, self-sacrificial, and maybe a bit idealistic. You were friends with both of them, after all, the mischievous pair that they were, before everything was taken away from them, before life was unfair. They try to smile for you and remind you that Christmas at the castle is a time for celebration, but you can tell that it’s a weak facade.
You smile back at them anyway.
The anniversary of your death approaches. Neither of them can bring themselves to say anything, aside from a few words to honor you. So the three of you sit in tearful silence, admiring the flowers that they decorated your portrait with. You think you can almost smell the sweet aroma of the bouquets.
Something changes in the air — you can sense it — though you aren’t sure what. You notice it when their visits become shorter, with fewer stories to tell, and fewer presents left in front of your frame. Sebastian and Ominis start showing up at separate times, stopping in for a brief hello before leaving with an excuse. You start to wonder what they are doing when they are gone, but you are unable to leave your frame — only one portrait of you was ever commissioned.
Soon, they start missing days, returning at a later time with profuse apologies about how life was busy, but they still miss you. Difficult classes, detention, studying for NEWTs, and preparing for a career — all of these seem to take precedence over you. But they still manage to make time in all of the hectic day-to-day activities, and you look forward to the days when they do come.
You wake up one morning and realize you are in a different location — Feldcroft, most likely, though you hadn’t seen it since that fateful day. Sebastian hangs your frame up on the wall, promising that he and Ominis will come to visit you more often now that they have graduated.
They don’t.
The length of time in between seeing them grows longer, you’re certain of it. Each time one of them arrives, they look a little bit different — sometimes they have longer hair, other times a bit of scruff around their chins, but they always come in looking more weathered than they had when you last saw them.
You realize that they are doing something that you will never again be able to join them in — growing older. You start to wonder about their lives outside of you, yet your painted mind cannot comprehend what an adult life looks like, forever frozen in your adolescent state. You find that you are unable to relate to any of their stories, and they seem to be holding back in what they choose to share.
I wish you were still here, they always say before they go, and you start to wonder if they mean it.
At long last, the visits from your once two closest friends become scarce, and you aren’t certain how much time has passed since someone last spoke to you. The bright flowers that once decorated your golden frame wither and die, and the little gifts they used to leave stay untouched and unopened. The tiny cottage in Feldcroft becomes a sepulcher of your essence — a permanent reminder that you are no longer among the living.
You can’t help but wonder if it was something you did, if their reasons for not returning were your fault. You can feel the stories that they used to tell you fading away, unable to retain the memories in your current form.
You decide that it’s time to rest.
In the quiet house, just south of Hogwarts, your portrait closes its eyes. You do not wake again.
#hogwarts legacy#sebastian sallow#ominis gaunt#hogwarts legacy mc#sebastian sallow x reader#ominis gaunt x reader#angst#hl fanfic#hl angst#hogwarts legacy angst fanfic#hogwarts legacy fanfic#hogwarts legacy oneshot#reader pov
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Entry 12: The One Where We Start Laying the Yellow Brick Road to Italy
I realized the other day that, even though I like to bounce around from place to place in the Lukola timeline, I probably needed to start tightening things up on the ship if I ever wanted to get to the end of the story. And, yes, dammit, this story better have a finale at some point because there’s nothing more annoying than an open-ended ending, particularly in the romance genre.
Today we’re going to take a quick jaunt over to Italy because –
NO! Not because Luke is allegedly filming there. If you’re into real-time stalking, you’re in the wrong blog. But, I’m sure there’s a Discord for that.
It’s because I’ve had several people ask for my opinion about the change in behavior between Luke and Nicola during their Day 1 interviews there. Wait – people are interested in my thoughts? Wow, that’s actually kind of nice. Thank you! Okay, back to what I was saying –
Was there a change in behavior when Luke and Nicola reached Italy? Yeah, actually, there kind of was.
By May 9, we had been gifted with a slew of material from Luke, Nicola, and the Bridgerton cast and, I must admit, those early interviews are some of the most entertaining of the tour. In the very beginning, Nicola appeared as the utmost professional – charming, intelligent, and witty at the right moments – and Luke played her likeable counterpart to “Book Colin” perfection – bouncing between being awkwardly boyish and wickedly roguish, all while looking at Nicola like she had just served him homemade peanut butter crumble.
The two of them together, playing off each other, in my opinion, was better than Bridgerton Season 3 (you cannot beat the World Tour being 99% Luke and Nicola, with only a few random side characters taking up screentime). There was some major “Electric Love” radiating from those two throughout the tour, but it seemed very much heightened in the beginning (probably because they hadn’t yet answered the same question 67 times). By the way, if you haven’t heard that song by Børns, go have a listen. It will, at the very least – hopefully – put you in an upbeat mood for the day.
Now, where was I? Oh, yes – was there a change in behavior between Luke and Nicola when they reached Italy?
Absolutely.
Do I know why?
Absolutely not.
Perhaps Luke was bent because someone spilled his coffee, or Nicola was upset because her stylist made her to wear that little silver bow in her hair. In my opinion, the most intriguing part of Day 1 of the Italy press junket was that Luke and Nicola struggled with answering the question, “What is love?” I swear they both babbled on like two kids in debate class who hadn’t bothered to read the material given to them before taking their respective podiums. They finally seemed to settle on Luke’s “Maybe it’s, like, connection.” Well, they seemed to be missing the “connection” that day.
Honestly, no one can explain their “don’t stand so close to me” vibe during those first day interviews except Luke and Nicola. But, we can at least have some fun and speculate about it with a bird’s eye view. At this point, you should know that I love spreading the puzzle pieces out and seeing how they might all connect. Most people – when putting a puzzle together – start with the side pieces, right? You’ll get my joke in a moment (I hope).
In March 2024 – I don’t know the specific date because my timeline is rather murky going back that far (I was unaware Lukola even existed!) – Luke traveled to Los Angeles for a photo spread with InStyle magazine. I’ve heard two versions of this story. The first being that Luke traveled to Los Angeles with Antonia alone; the second being that he traveled to Los Angeles with his friend group, which included Antonia. I couldn’t tell you which is true, and it really doesn’t matter because it doesn’t necessarily add or take away from today’s story.
Before I get started, I wanted to give a “hurrah” to The-One-Whose-Group-Chat-Fills-in-Lots-of-Missing-Bits-for-Me-Including-the-Part-Where-Video-Footage-of-Antonia-in-Los-Angeles-Seemed-to-Indicate-a-Celebrity-Was-Not-the-Videographer-and-There-Were-So-Many-British-Accents-in-the-Background-One-Would-Fancy-a-Guess-She-was-Traveling-with-a-Group.
Moving along…
On April 7, 2024, Antonia posted a series of photographs and clips to her Instagram grid indicating she had been in Los Angeles, including one where she was laying on a blanket in front of the Griffith Observatory and one where she was sitting at a table marked with the number “95.” On April 14, she posted a second set of photographs, tagging her location as Beverly Hills, California and using “End of Beginning” as her audio (yes, I side-eyed this choice of music so don’t feel bad if you did as well). The second photo dump included her lounging on a rooftop.
I’m not going to delve into posts made by Luke and Nicola during that timeframe. I mean, I’m sure Nicola’s comment, “’Friends’…sure Jan,” on Luke’s April 11 reshared post about Bridgerton Season 3 was only meant to be applicable to Polin. And, if Luke wanted to use yellow and black hearts to represent the colors Nicola and he were wearing in his April 12 post, that’s cool, too. And, I am definitely not going to speculate on Nicola’s April 15 post (for Big Mood) that Luke liked, and she captioned, “I will bite off anything that dangles.”
By April 21, Luke and Nicola were in Australia at the World Premiere of Bridgerton. I am only going to provide a quick overview of Australia instead of a full-fledged recital because, at some point, I will almost certainly dedicate an entry to this country. Let’s start with Luke pulling off the hottest walk-up in Netflix human history (I mean, have you watched it in slow motion?). Then, we had the hard launch of the handholding business (because why again?). And, we had Luke tripping over his words, “We’re very, like, giving…I’m not talking about those scenes…” Oh, and Nicola telling an interviewer that, “[y]ou can’t keep a good girl down,” and, in response, Luke’s lips curling into a wicked-ass Cheshire cat's. We had them in the garden, with Nicola bending down to hug Luke after she had scratched/hit/petted his head. Perhaps I should not mention the possibility of a man’s shirt being visible on a bed behind Nicola (I said possibility not that it was). And, Nicola telling Luke, “You’re the funnier one,” when he was concerned that perhaps Benedict was funnier than Colin. Then we had the “Nicola-in-the-green-dress” day where, as they were going down the steps, Luke seemed to instinctively reach for Nicola’s hand, but she played it cool and took his arm instead. Oh, and that entire “green dress” day in general (I mean, there was so much shit going on that day). And, best we do not forget Nicola saying, “the best foundation for love is friendship,” which mirrored the bracelet “someone…in Australia” gave Luke that read, “Do you believe the best foundation for love is friendship?” Because that’s not suspicious at all. Alright, let’s get the fuck out of Australia – but not before I mention Nicola commenting on Luke’s April 27 Instagram post with “Ready for the next?” and Luke replying, “Absolutely.” Yeah, yeah, yeah, their shenanigans in Australia expanded the USS Lukola tenfold.
Oh, also, let me throw this in here because, if you are a “ring truther,” this fact plays a significant role in the Lukola timeline. If you do not know what a “ring truther” is, that’s perfectly fine. You can catch up by reading Entry 6 (The One Where I Explained the Claddagh Ring to My Dad) of my blog. I mentioned in Entry 6 that some Lukola sleuths have stated the metadata they pulled from the sketches of the Claddagh ring uploaded by Chupi indicate they were done as early as April 26. In other words, it means the Claddagh was likely commissioned between Australia and Italy. In fact, if we are to believe Chupi when it said it took four weeks to make the ring, then it had to have been commissioned by May 9, 2024, at the latest. Oh, lookie there, that’s Day 1 of the Italy interviews.
But, before we get to May 9, let’s pause on April 29. That was the day Luke’s InStyle spread was published – yes, the one I mentioned earlier. Luke has pictures from this photoshoot still on his Instagram grid – in fact, Nicola commented, “Yess dude!!” on them – but those aren’t the pictures I want to talk about. No, I want to talk about the pictures InStyle posted on its Instagram grid that day. These photographs came directly from Luke, which was confirmed by the InStyle article when it said, “…the actor delighted the InStyle team by delivering the polaroid photos he’d taken for this story tucked oh-so-carefully in a little brown bag for safekeeping.” The pictures Luke provided, among others, included one where he was laying on a blanket in front of the Griffith Observatory in Los Angeles; one where he was sitting at a table marked with the number “95;” and one where he is sitting in a lounge chair on a rooftop. If you want to see the pictures, InStyle still has them available – you just need to go through hundreds of posts to find them. Luke did not like this InStyle post, which was kind of odd because he was tagged in it, and they were reportedly his pictures.
Why did these InStyle polaroids seem so familiar?
Oh, that’s right, because they were.
Remember that April 7 post of Antonia’s I mentioned a bit ago? Yeah, the one where Antonia posted a bunch of random pictures from Los Angeles and – only after InStyle posted Luke’s polaroids – fans realized Antonia had preemptively posted her version of some of Luke’s polaroids.
I am not going to speculate too much about these pictures or their implications in this blog post, but these pictures may resurface in future posts because I find myself side-eyeing the fact they even exist. And, we should probably accept that Luke was aware of them before his pictures came out on April 29 because he threw a like on Antonia’s April 7 post. Could it have been a “blind” like? Sure, I guess, but the logical side of my brain says he probably looked through them at the time she posted. Let’s not worry too much about it right now, though.
After trying to write out my “general” opinion about the pictures several times, I finally decided that the best way I could articulate my thoughts was through the conversation I had with my father. Yes, Dear Dad returns again for another insightful Q&A.
I started by showing Luke and Antonia’s three “matchy” pictures to my dad and then asked him to compare them. To be clear, the pictures were their respective Griffith Observatory, Table 95, and Rooftop Lounging pictures.
Me: “So what do you think?”
Dad: “About what?”
Me: “Ugh! Why did Antonia take those pictures?”
Dad: “Well, to show she’s part of the ‘in’ crowd. The only reason I can see them being taken is if she was going to put them on the Internet.”
Me: “Uhh, as a matter of fact, she did put them on the Internet! Approximately three weeks before Luke’s were published.”
Dad: “See! I’m not as dumb as you think.”
Me: “Whatever. So, you really believe that? She took them to show people that she was, like, there?”
Dad: “Yeah. Why else would she take them? They’re not the kind of photos you’d take normally. What’s she going to do, put them in an album and show her friends in five years and say, ‘Look, I sat in Luke’s chair?’ Who does that? Nobody. Plus, Luke’s pictures look like they were taken with a polaroid camera and Antonia took hers with, I guess, a phone. Why use two different cameras? Again, it doesn’t make sense. Seems to me like she knew what pictures he was taking, and she was trying to copy them so she could put them on the Internet.”
Thanks, Dad.
You do not have to accept my father’s thoughts on the photographs. Everyone is entitled to their own opinion. However, I think we can meet in the middle and opine that, at a minimum, Antonia’s pictures caused the weak Lukolas to jump overboard; at most, they gave some people stalker vibes; and somewhere in between, they introduced Antonia's negative influence over the fandom and what some may consider trolling behavior (even if it wasn’t recognized then).
Now, before we land in Italy on May 9, let’s summarize what has happened during the preceding two months.
First, we had Luke traveling to Los Angeles in March with Antonia, either alone or as part of a friend group. Luke had pictures of himself taken while there.
Second, we had Antonia posting pictures in early April that would be linked directly to Luke’s pictures by the end of the month.
Third, throughout the month of April, we had Luke and Nicola traveling together for the World Tour. We have all seen these interviews, and we have all formed independent opinions about them.
Fourth, based on Chupi’s own words, we know the Claddagh ring must have been commissioned no later than May 9.
Okay, now we’ve reached May 9, Day 1 of the Italy press junket.
Besides the press interviews, what happened on that day?
Well, Antonia reposted Luke singing Coldplay’s “Yellow” to her TikTok account.
Uhh… Huh. Interesting.
I mean, it’s possible that this was just a coincidence and she just liked Luke’s version of it. Or, it’s possible Antonia knew that “Yellow” was the Polin wedding song and she anticipated trolling Nicola and/or the fandom with it. But, if we believe she knew “Yellow” was the Polin wedding song, that means either Luke told her, or someone with that knowledge told her (i.e., someone from Luke’s team or family/friend group). We also know that Luke mentioned this song in the May 16, 2022 Netflix Tudum article when Nicola and he were asked about their song choices for Season 3. Luke stated his frontrunner was “Yellow” by Coldplay “because of Penelope’s dresses.” Regardless of why Antonia posted the song, I find it hard to imagine Netflix, Bridgerton, Shondaland, Nicola, or Luke were too impressed by Antonia resharing it on TikTok. I mean, at this point, Netflix & Co. would surely have been aware that Antonia’s “copycat post” went over with the fandom like a wet blanket in December in Canada. I imagine some questions were being asked and Luke may very well have received a hand slap from Corporate – and maybe even from Nicola.
But, that’s not the only thing that happened on May 9.
Luke posted his Homme magazine spread to his Instagram grid on that day, too. He captioned the post, “Chatting through all things S3 with @hommeplusmag [o]ut next week x.” Nicola commented, “Yessss,” and Luke tagged his post with the location of Hackney, London. That last part – about Luke tagging the location in Hackney – apparently sent the fandom into a deep-dive of…Nicola’s backyard. Why? Because Nicola lives in Hackney (Nicola herself confirmed she lived in Hackney in a March 18, 2024 interview with Derry Now), and rumors started to circulate that Luke’s pictures were taken at her home.
Hmm, I didn’t realize May 9 was such a busy day, did you?
So, which came first – the chicken or the egg? Did Antonia repost “Yellow” to her TikTok before Luke posted his Homme in Hackney images to Instagram, or vice versa? I’m sure someone out there has this information. The answer might help shine some light as to why Luke and Nicola seemed “off” in the early part of their Day 1 Italy interviews. But, then again, does the order really matter? Regardless of who posted first, it would seem to me that “Yellow” was a very possible culprit for the different energy on set that day.
That, or Luke really was peeved over someone spilling his coffee.
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can i just say i would’ve wanted this over the caitvi sex scene
or i would’ve given up about half that scene for a sliver of this
this is not me saying i don’t like caitvi or favoring timebomb over them; i have liked caitvi much longer, preferred it over like every other ship in the show for a good long while (fixating on timebomb, so i wouldn’t say i do currently)
but… i mean, a moment between them supposedly so intimate and close — showing what happened with them between the scene he stops her from setting off the bomb and their entrance into battle, vs a sex scene that felt more like fan service than anything? vi being locked in a jail cell after her sister practically tells her “hey i’m gonna go off myself you just stick right here”, seeing her sister depressed in the corner of the same cell, not eating or moving or doing much of anything other than harming herself (and literally being so at risk of suicide they took anything she could possibly do it with, but we won’t get into that) — would you be having sex in that same cell?
i mean, i liked the scene, from a romantic and emotional and intimate and blah blah blah standpoint
but there’s literally no explanation to how they got all dressed up and turned jinx’s hideout airborne, not even like a minute long montage
#arcane#arcane act 3#arcane act iii#arcane act three#jinx arcane#jinx#ekko arcane#ekko#caitlyn arcane#caitlyn kiramman#caitvi#vi arcane#vi#timebomb#timebomb arcane
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Anger Management prompt where there is a car accident, except it's in space, between Team Phantom and The Outlaws.
(Lmaoooo this is so freaking funny bc my sister got into a car accident just a week ago. She’s fine tho, dw)
Part 2
“Fuck you!” The teenager immediately screamed. “Where the hell did you learn to drive?! Go back to school, fucking dumbass! You can’t even drive, you piece of sh—”
He was then pulled back by one of his friends, who grabbed him and dragged him back to their normal looking, definitely not broken spacecraft. A girl, dressed in a very distinctive style of goth, then made an awkward face, popped her gum, and said, “Sorry about him. He has really bad road rage.”
Jason’s eye twitched. “I can see that. So what’re we going to do now? You crashed into our spacecraft!”
“Well, you don’t have spaceship insurance, do you?” The girl drawled.
Jason was suddenly reminded of why he hated Tim Drake and Damian Wayne. They were goddamn insufferable, obnoxious, annoying, irresponsible teenagers.
Jason suddenly felt like he aged 20 years in an instant and wondered if this was what Dick felt like, being so old.
Roy patted him on the arm. “Want me to take care of this?”
Jason gestured for him to go ahead, already feeling a headache. Roy walked forward and smiled charmingly. “Hey, kiddo! So, it’s not a big deal that we got bumped into— happens all the time! But we just want to know where your parents are! And why you’re out in space! And how we’re going to get back to earth, since our shipped is now wrecked. You know what earth is, right? Earth is—”
“We know what earth is,” the same cursing teenager from earlier said with a snide tone, “We live there too.”
Roy and Jason blinked.
Then Jason spat, “Well, that doesn’t do us shit! We still have a wrecked spacecraft and we’re stuck here on this moon until you fix it! Don’t think you can just fly away! We’re stranded because of you brats!”
Kori then appeared out of the spacecraft and flew down to them all. The kids all immediately stopped, eyes wide in awe. She smiled and said, “Hello, children! Is there anyway you can help us? You did wreck our spacecraft after all.”
Immediately, in the most respectful tone Jason had ever heard, the two-faced brat from earlier then said, “I’m so sorry, miss. We didn’t think that anyone would be exploring this part of space out here, so we weren’t looking! We’re sorry. We don’t have the tools to fix it either.”
Jason’s entire face suddenly wanted to break out into the nastiest glare he could muster. So not only did this kid blatantly show favoritism to Kori (even if she was definitely super cool), he also couldn’t help at all despite the fact that he completely stranded them in space after being careless with a spaceship?
Kori frowned and they all shared a look. Now what? Jason could feel the migraine get more annoying and he almost wanted to pull out his gun just to kill some kids and feel better about his shitty fucking day, when the other teen, who had pulled away the feral brat, spoke up and said, “We can call Jazz!”
“Oh yeah! Jazz! Quick, Sam, call her up!”
Roy narrowed his eyes. “Who’s Jazz?”
“My big sister,” the brat said, “She’ll fix this.”
Great. Another annoying person who would only make his headache worse and possibly piss him off even further. However, just as he finished thinking this and sharing another annoyed look with Roy, a green portal opened up and a goddess stepped down.
She was tall, with a curvaceous figure wrapped in black and blue robes, as well as a fluffy cape around her shoulders. Her hair fell down over her back, colored red like fire and sunsets and tiger lilies, and her face was that of a statue, carefully designed, crafted, and admired by all. She was so beautiful and picturesque that the air around her seemed to glow like a halo.
Just looking at her made Jason’s sorrows disappear.
She blinked her fluttering eyelashes over her turquoise eyes and then asked, “What seems to be the problem?”
Her voice was so angelic that Jason didn’t even feel his headache anymore.
“Nothing now that you’re here,” Jason said dreamily.
“Oh my god,” Roy said, hand over his mouth as he stared at Jason in shock. Even Kori looked shocked and amused.
The boy with black hair shared a disgusted look with his friends. “I thought that would’ve been my line.”
#dc x dp#dp x dc#dpxdc#dcxdp#danny phantom x dc#dp x dc crossover#ask#jazz fenton#danny fenton#anon ask#tucker foley#sam manson#anger management ship#jason todd#jason x jazz#hardcover ship#ty for the ask <3#roy harper#koriand'r
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could it shine down here with you?
Rating: G | WC: 1.7k | Pairing: BuckTommy
Loosely based on this post by @loulovingho!
Summary:
Tommy doesn't realize until later that he already asked for Thanksgiving off.
Read it here on Ao3 or continue below!
Tommy is five, or maybe six, and he doesn’t like Thanksgiving. His dad is screaming at his mom because the turkey isn’t thawed. He’s calling her a lot of words that Tommy thinks are really mean. Tommy’s dad yells a lot, but it’s rarely this bad. Tommy’s mom usually waits for it to blow over, but this time, Tommy watches from the living room entry as her face crumbles and she shoulders past Tommy’s dad, breezes by Tommy, and flees into their bedroom.
Tommy wants to follow her, but his dad grabs his arm, too-tight, and tugs Tommy away towards where the half-thawed turkey is laying on the ground, cold and slimy. When they get there, Tommy’s dad hands him a garbage bag and a roll of paper towels and says “Your mom needs some time alone to think about what she’s done. Clean up this mess.”
It’s okay, because later his mom comes out of the bedroom and kneels down, her eyes red and puffy, and she tells him, “I’m so sorry you had to see that, honey. You did a good job cleaning the kitchen. It’s okay, we can still have dinner, even if I messed up the turkey,” and she makes Stovetop stuffing, and takes cranberry sauce out of a can, dishing them up on a plastic plate for Tommy, and a glass plate for her.
Tommy’s not sure where his dad went, but he’s glad it’s just him and his mom for a little while.
Tommy is twelve, and he hates Thanksgiving. He hates most holidays centered around football, actually. It’s a double-edged sword—his dad gets drunk, and his dad gets riled up, and he’s either too loud and happy, or too loud and mad. The Superbowl is Tommy’s least favorite time of the year. Especially when the Rams are playing.
The Rams aren’t playing this year, but that doesn’t mean Tommy’s off the hook. Tommy brings his dad beers when his dad calls for them, doesn’t say a word to his old man, carefully doesn’t flinch when his dad yells angrily at the screen.
For the most part, Tommy sits alone in his room and looks at the picture of his mom. It’s her high school graduation, she’s gleaming in her cap and gown. Tommy misses her.
Tommy knows that his family isn’t normal. That it’s fucked up. But he also knows how to deal with his dad, especially now that his mom isn’t around to instigate anymore. He doesn’t know what’s going to happen if he gets sent to foster care. He doesn’t want to know.
Tommy also knows, somewhere, that it’s partially his own fault. Maybe if he was a better kid—someone his dad could be proud of, this wouldn’t happen. He was always doing something to incur his father’s wrath. Plus, it’s not like his dad doesn’t love him, in his own way. Tommy loves his dad, too.
Tommy makes his own Stovetop stuffing and cranberry sauce from a can. His dad doesn’t eat it, but Tommy doesn’t care, because at least he survived Thanksgiving without any more bruises.
Tommy is eighteen, and twenty-three, and thirty-one. Thanksgiving is in a shitty barracks at the base, a tiny studio in downtown LA, and the 118 firehouse. It’s spent wolfing down an MRE, trying to figure out how to get his horrible stove to work, and eating Stovetop stuffing and cranberry sauce and praying that the alarm doesn’t go off. There are the other soldiers, and Tommy’s rescue cat Teddy, and Howie.
The MRE is as it always is. You get used to the weird textures and instant coffee and chemical heat smell of the food warmer. The funny thing about Iraq, the thing that will keep Tommy awake for years and years, is that it gets cold during the winter. Tommy knew before he shipped out that he didn’t know what much about the country, but now that he’s here, he’s stuck with sick realization after sick realization. The people here are scared, and the Army isn’t helping. Tommy looks at the other soldiers in a way he shouldn’t. Civilians are dying. War is messy in a way that allows people to excuse inexcusable violence. Tommy cannot speak the language, of either the Iraqi citizens or the people he was told would be his brothers. Iraq gets cold during the winter.
Teddy is an orange beauty, with long fluffy fur and a penchant for mischief. Tommy didn’t ask for Thanksgiving off, but it’s a holiday at the Academy, apparently. So, he’s here, listening to the click of the gas range as it tries to light. Teddy watches from the tiny countertop with uncharacteristic judgment in his eyes. When the flame finally catches, Tommy laughs victoriously, and gets to work making stuffing and cranberry sauce for the first time in years. It’s not gourmet by any means, just the Stovetop and the canned stuff, but it feels like his mom. It feels like he’s talking to her again. Tommy wonders if there’s a universe out there where his mom got help before it was too late. He eats his food in the camp chair that furnishes his pathetic living room, with Teddy invading his personal space and trying to sneak a bite for himself.
Tommy keeps the tradition of making himself Stovetop and canned cranberry sauce. He keeps it the year Howie shows up at the 118 and immediately proves himself braver and stronger than Tommy ever could be. While everyone else is busy whining about missing their grandma’s mashed potatoes, Tommy scrapes together his sacred traditional Thanksgiving feast. While Tommy’s not looking, Howie steals half of it.
“Mm!” Howie sighs, “That childhood nostalgia fakeness.”
“Hey! That was mine,” Tommy says, without any real heat. He hasn’t been able to muster anything beyond mild irritation for Howie since he saved his life.
“Oh, because you were going to eat all of that in one sitting,” Howie scoffs, “I’ll pay you back your dollar for my half if you really want.”
“No, it’s fine,” Tommy huffs, scraping out the other half for his own portion. They sit at the table and eat together, and it’s the closest Tommy’s ever had to spending Thanksgiving with someone.
It’s not until they finish eating and the bell rings that Tommy realizes Howie’s the only one who hasn’t asked Tommy if he’s sad he’s missing out on the holidays.
For the most part, his Thanksgivings after the 118 are spent much the same way, but at Harbor, and alone. He gets to put his leftovers in the fridge and eat off them for a few days. Thanksgiving (save for deep fried turkey incidents) is a relatively tame holiday. No fireworks, at least.
Then, Evan.
A lot of things change for Tommy when Evan crashes into his life, all legs and a blinding smile. Evan is a whirlwind and the most beautiful man Tommy has ever seen. Evan is kind of everything.
When Tommy realizes he’s falling in love, it makes him sick to his stomach. He remembers loving his dad enough to excuse his anger, loving his mom enough to let her slip away, loving a country enough to enact its violence, loving the sense of belonging at the 118 enough to allow the kindest people he’s ever met to suffer. Tommy doesn’t love right. He can’t let Evan get tired of him and leave. He can’t poison Evan until he turns into something cruel. So Tommy breaks up with him. Evan asks him to move in, and he can feel the iron jaws of a bear trap closing around his throat, so he breaks up with him.
Tommy doesn’t realize until later that he already asked for Thanksgiving off.
(Thanksgiving came up between them for the first time when Evan asked if he wanted to do their own thing or go over to the grand 118 Thanksgiving Feast.
“I don’t know,” Evan has shrugged, “I mean, I want to spend it with you. I don’t want to pressure you into a big thing if you don’t want to, or if—if you’re used to smaller Thanksgivings. What does your family do for Thanksgiving?”
“Um,” Tommy had said, a little caught off-guard like he was every time they brushed up against the topic of family, “We didn’t really celebrate Thanksgiving. I usually just get a box of Stovetop stuffing and a can of cranberry sauce and call it a day.”
Evan had scoffed, mock-offended. “Well! In that case, we’re going. Mark your calendar. You’re going to cream your pants when you try Bobby’s turkey.”
Tommy had smiled and thought maybe. Maybe this will be the year.)
Tommy sighs and opens the box of Stovetop stuffing. His water and butter are already boiling, so he pours the mix in and watches it saturate. He stirs it and takes it off the heat to sit. A strange, painful sadness claws at the inside of his throat. It hurts. It hurts worse than it usually does.
He doesn’t think about Evan and Bobby’s allegedly orgasm-worthy turkey and Howie introducing Tommy to Jee-yun and how close they had all seemed at the hospital for Denny. He walks over to the mantle above his fireplace, with a small, framed pawprint inside, and Teddy 2021 written underneath.
Five minutes passes slowly without anyone to distract him. Tommy tries and fails not to think about every holiday he’s spent alone, or wishing he was alone. This is the first holiday he’s wished for someone in particular who wasn’t his mom or Teddy.
Tommy eats stuffing and canned cranberry sauce at his kitchen table. Somewhere, Evan is in a house warm with love. Somewhere, Evan is loved, wholly and unconditionally. Tommy’s glad people love him. He deserves to be loved.
Tommy doesn’t like watching football on Thanksgiving, so instead he puts on Mean Girls. After his stomach settles, he’s too tired to do anything but crawl into bed and sleep until his shift in the morning.
When Tommy gets to work, he’s surprised when Lucy says, “Delivery for you in the fridge, Kinard, you better eat it before I can get my hands on it.”
Inside the fridge is a glass Tupperware container wrapped in a plastic Chinese takeout bag. There’s a sticky note attached to it that says Bobby’s turkey is even better the next day.
Tommy texts Evan and asks about it. Evan doesn’t say anything back.
But he does get a text from Howie, and the timing is too quick to be coincidence. When you’re reheating it, remember to put half a teaspoon of water in the dish so it doesn’t dry everything out in the microwave.
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How are people actually dissing the King Princess song used in the caitvi sex scene that shit was incredible it completely elevated the scene, the whole vibe of the song is God tier. When they increased the audio levels the moment Vi pounced and they started going at it my stomach flipped so hard like I will never be able to replicate that moment bro I screamed
Even the lyrics are so good like,
Can't believe that I'm in pain
I need to disassociate
I just wanna be a good passenger
Makes sense to Vi's character since she is ultimately giving up control to Caitlyn and just choosing to take the happiness she can find after everything she's been through, even though it's with an enforcer and a leader of Piltover, sacrificing some parts of herself for the love, happiness, and security she never had. People will say Caitvi was portrayed in a toxic way this season but this ship was never going to be the cinnamon sweet pure ship people wanted it to be. Like, there is a big power imbalance between them, it was always going to be more complex. I think the way they portrayed Caitlyn and Vi's relationship was the most perfect part of season 2, I did not expect going in that I would end up shipping them but they really portrayed the layers and depth to their relationship well instead of going the boring route with them like I thought they would.
Said you've been picturing me naked, You'll just have to take it as Caitlyn is unbuttoning Vi's top and getting her tits out like....so good. You know as soon as the scene was cut Caitlyn got on the floor and really started taking what she'd wanted from Vi for so long...
Thinking of you while I'm up here higher than God
The way Caitlyn has still been thinking of and wanting Vi all this time as she's been leading Piltover, that Vi became more important to her than revenge on Jinx, and then the way the scene ends with Caitlyn bending down (presumably to do the nasty with Vi on the floor after the scene is cut), lowering herself to be with Vi and choosing to get on Vi's level, choosing her...
These are actually really genius lyrics from King Princess for them and the song made the scene perfect.
#to me without the song playing the scene just becomes a bit more awkward and funny#lmao#caitvi#piltovers finest#arcane
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You utilized the exact same words i used with a friend when i was talking about this with them. I'm a very analytical person I don't put two man ( or any other couple actually ) together just because they are sexy and im not delulu, like i can tell when the story mean something or not, of course if I want to ship it i ship it in any case, but I'm mature enough to understand if something is meant or not because i do care about the canon events especially if they are well narrated. I saw this thing they have at the very first time, from act 1 Season 1 to act 3 Season 2 and Jayce's relationship with Mel actually helped me, who watched the series as an aroace person so i don't really know personally how love works lol, to understand what Jayce truly wanted. It was so, so obvious for me in Season 1 and Season 2 just confirmed Jayce's feelings, because the character himself realized them. He loved Mel, but because Mel is a Mirror, she reflects other people desires she...she was the reflection of Viktor. Jayce saw something of Viktor in her. These are not the eyes of someone in love who believes in their partner
And I choose these screenshots not to negate the fact Jayce felt genuine attraction for Mel (as i already said) but because these moments are moments of "tenderness" with your partner. But why are you so..distant? It's because Jayce unconsciously knew that Mel is not Viktor and she'll never could be but he still cares about her. And..well THESE are the eyes of someone in love, who believes in their partner knowing they want to stay by their side, for eternity at this point. Look how Jayce shines, AND in the very first time you can see the emotions in his eyes just talking to a stranger. Viktor gives him hope. Those eyes are so so intense when he's look at him
And the feeling is mutual, but Viktor is more subtle because he was so stucked on the belief he wasn't worth it...And then happened what happened. But even after all of that Jayce is here to remind him he's the most beautiful creature in the world in every sense possible, and he believed in him till the end. I really know what brotherly soulmates mean, it's like as you and another person were born from the same ovum, that strong connection between two twins and this is definitely NOT the case They are partners Science Partners Partners in crime Partners in love, with the difference their love it's expressed differently from simple kisses and carnal passion, they loves in their unique way that's why their relationship is so BEAUTIFUL There was no Kiss, not an "I love you" because those things are so..bland if you compare them to everything else, the touches, Jayce's words as you arleady said OP
And this for me, as for you OP, this makes Jayvik CANON And never won't change my mind because the voice actors believed in it. The animation team believed in it, because they showed us EXACTLY this type of love.
I know I'm most definitely not the first one to talk about this but truly I believe that if queer people identify with a ship/character then that makes them queer.
That being said, Viktor and Jayce are most definitely queer to me. Their love definitely defies the bounds of any normal "romantic" or "platonic" relationship and that in itself is inherently queer. Defying societies expectations of a given role, like, how is that not queer?
It genuinely baffles me that it's claimed they're "brotherly" because there are WAYS to code brotherly dynamics, or really close friends, without romantic undertones at all! That's possible, and those relationships are present in arcane! So why is it that Jayce and Viktor feels so queer? because they fucking are! You have to think, one person who worked on arcane does not define a relationship that has been worked on by a shit ton of other people. Their relationship is queer coded even if unintentional, it is there. and when characters are queer coded, they ARE queer.
Jayces confession was such a beautiful way to show his love for Viktor, they don't have to kiss, or explicitly say "love" for that to be the implication. It's there. half the people who watched that scene thought they were going to kiss. there's a reason for that! I hate pulling out the argument "what if one of them was a woman?" but sometimes you genuinely have to use that argument because SO many people would be on board if Jayce or Viktor was a woman and the other was a man.
Jayce is genuinely so devoted to him and it's so so clear the entire time! Because yeah! He chose to go through that with Viktor! He chose to hold him by the neck and hold hands with him! Because he loves him! That is true love no matter the intent! He loves everything about Viktor and never once did he falter in that love because it was such a big part of him!!!!! Like I cannot imagine watching the Finale and not coming out of it like "Jayvik is canon" because to me it is canon. like. legitimately canon. and I will be referring to it as canon because that's how I see it.
Okay thanks for listening to my thoughts lol I love queer relationships in media
#Arcane#Jayvik#SORRY FOR THE WALL TEXT I WAS SO INVESTED AND I WANTED TO EXPAND YOUR WORDS#for me it's a really a pure demostration of love what they have#gottago cry again lol
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Some long mouthwashing thoughts, long but please read <3
When I was younger, I played with this idea of ghosts just floating in space after the ship or planet they were on got destroyed. I wondered if the place they were haunting got demolished to that point, would they just disappear or float in the emptiness forever.
I wanted to add a drabble but I don't think i have the skills to really do it, but I had this idea of like, Anya's ghost. This was really inspired by that Curiosity killed my Beia-comic by Hana Chatani and Jaunt by Stephen King.
On Curly's pov, maybe he sees Anya's ghost. Maybe it is a supernatural entity, or maybe he just lost it and it's a hallucination. Is she a vengeful spirit, haunting him because she hates him? Maybe he feels even guilty for thinking about her that way. She never wanted to hurt anyone, why would his mind warp her into this monster? Or is she a guardian angel type, even in her death, watching over her captain to make sure that nobody can harm him anymore.
If it is indeed Anya's spirit, what is she thinking? Is she resentful? Maybe, but she still wants to make sure he's safe. Do no harm, after all. Does she wonder if Curly can see her? If he's awake in there, further unable to communicate? She wonders about the rumors that in the cryostasis, you're not fully unconscious and he's still alert in there. Living for the next 20 years.
It's an eternity for them.
It was also inspired by the kind of like, somewhat mischaracterization of the fandom i've seen of Anya, or like wish fulfillment, where she tortures Curly in this state, and I find that to be ooc. She doesn't even feel good about giving him the pills because of how hurt he sounds.
Curly failed her, but i don't think she thinks this is a fate he deserves
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travelers helper AU where is the reason why S/O is oblivious to all the men liking her is because every single time she showed an interested in a hot guy. They turned out to be gay, so she’s convinced herself that all of the men are gay and possibly even dating each other. (Couples she thinks are real are Alhaitham x Kaveh Cyno x Tinari Zongli x Childe Kaeya x Venti Nuvilet x woirthslie ) and I watched their reactions to finding out that she thinks they’re all gay
Ok this idea is funny xD But to anyone who like those ships, pls don't take it as some kind of hate towards those ships or something. --------- The guys are devastated after learning you think that they are into... each other. All of them wondering where did they make a mistake? Kaveh found it ridiculous, him and Alhaitham?! He wondered if you think so because they live in the same house? But there are many people who are friends and share homes… You even invite all your friends to live in your Teapot!! He really couldn't understand from where this idea came from… Is it because they bicker so much? But it didn't make sense to him!! Kaveh was anxious… do you not see him as a man or something? He is overthinking this whole thing. At this point he is debating whenever to show you his plans of the house he wants to make for you both in future.
Alhaitham was more clam about it, analyzing from where this idea may come. It's not like he and Kaveh were affectionate to each other and he couldn't recal any moment that could make you think like that about them. He will state that, no, he is not interested in Kaveh in such way (or anyone else, both guys and girls, that are not you) And yet you still say "That's okay! I won't judge! I will support whoever you love!" At this point Alhaitham may confess his feeling to you but the problem is that there is always someone by your side…if not Aether then other guys. And the worst thing is Kaveh always appears too, making the misunderstanding even worse.
Cyno at first thought this is some kind of joke. But after seeing that you're not joking he was bewildered. Why would you think so? "You two sometimes look like parents of Collei" Parents? But when they were in Mondstadt he was sure you heard how he and Tighnari bickered who would be the 'older brother'… right? Cyno was silent. Trying to come up with something that will make you believe him that he is interested in you. Because whenever he would say that, you would be "ah Cyno! Please don't joke like that!" he would never joke about things like this... The General Mahamatra for now tries to avoid talking to Tighnari when you are close…
Tighnari only furrowed his brows. Him and Cyno? Big nope!! Just imagining that he would hear more jokes from Cyno if they were together already gives him a headache. The Forest Ranger was getting more and more irritated that you for some reason don't want to accept when he says that there is nothing between him and Cyno. So he started to approach this in different way. Thankfully Cyno already was avoiding him when you are close. So he can now start to be even bolder with his affections towards you. If you still refuse to believe that he is attracted to you, then you may expect to hear a confession soon.
Zhongli asked you if you can repeat yourself. Oh? Him and Childe together? In romantic relationship? Zhongli was thinking where this came from…Is it because he often uses Childe's mora to buy things?But that was only that… and that Childe often bothers him so they could spar. Ah. Maybe this was the reason, maybe you think that 'sparings' are something different. Humans are truly interesting. He will ask you why you think so, patiently listening to your explanation. He is amused by this.
Childe laughed, but after seeing you are not laughing he stopped and said "Wait...are you serious?" He will say that there is nothing between them, even says that he prefers girls (to hint that he likes you) but you responded with "It's okay! You don't have to hide it! I accept you and I'm sure your family will accept this as well!" You're cute…. but why don't you want to believe him?! Should he shower you with more gifts? It would be better to invite you for a date but with Aether being around it's not that easy….
Kaeya was amused, but he didn't expect that you will think that Venti is his boyfriend. One part of him wanted to joke about it but other part was worried that you will take it too seriously and he will lose his chances with you. The cavalry captain doesn't worry about it too much. He will simply tell you that you're wrong and he will continue showering you with affections.
Venti was a bit hurt by this. Were his love songs and poems dedicated to you not enough? Or maybe this is your way to tell him that you're not interested in him? He can't really understand this… he never was affectionate to anyone else like he is towards you. But after learning he is not the only one that you think is into guys, he felt relieved. At least you didn't think that he and that block head are into each other.
Neuvillette was confused by this. There are already many things that he can't understand about humans. But he was sure that you will realize that he is trying to court you… not the Duke of the Fortress of Meropide… After that for some days it was raining in Fontaine. He decided to tell Furina about it, hoping for some advice in this situation. But she only started to laugh. After she calmed down she promised to help him to clear this misunderstanding.
Wriothesley already knew how oblivious you are but he never expected that you might be this oblivious. He will say that there is nothing like this between him and the Iudex and if you still insist about that then well…if there will be a chance for you two to be alone you can expect him to kabedon you, making you look into his eyes and he won't let you go till you stop thinking that he is interested in anyone that is not you.
#shining-nebula2000#answered#ask box#Traveler's little helper#Genshin Impact x Reader#Thanks for the ask!#Have a nice day/night#My stuff#Traveler's little helper What If#Kaveh x Reader#Alhaitham x Reader#Cyno x Reader#Tighnari x Reader#Zhongli x Reader#Childe x Reader#Kaeya x Reader#Venti x Reader#Neuvillette x Reader#Wriothesley x Reader
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yes, and?
leah williamson x reader
word count: 0.7k
You weren’t having a good Monday morning. Some stranger decided to make it even worse.
“Where do you think you’re going?!”
Despite your loud voice, the blonde didn’t turn around, she kept on walking, eyes glued to her phone. You huffed before you caught up to the blonde and grabbed her shoulder.
That was when you realized a guy in a suit glaring at you the moment your hand touched her.
You gulped, slowly retracting your hand.
The blonde finally turned around, despite the sunglasses covering half her face, you could see the annoyed look plastered on her face clear as day.
“You bumped into my bike and you didn’t even bother to pick it up,” you said, pointing to your bicycle that was on the ground. “Can you not play with your phone while you walk?”
The blonde exhaled loudly before taking off her sunglasses. (You would be lying if you said you didn’t find her ocean blue eyes mesmerizing.)
“What do you want?”
“Oh I don’t know,” you scoffed, waving your hands in the air. “If you bump into something until it falls, the least you could do is put it back in its place.”
For a few seconds, she didn’t say anything, her eyes busy scanning your features. She then took a step forward, a sly smile on her lips. “Do you know who I am?”
“No,” you crossed your arms. “Should I?”
The blonde looked taken aback. “Do you live under a rock?”
You sighed. “What does this have to do with you pushing my bike to the ground?”
“I guess your bicycle was in my way.”
“Unbeliev—” you groaned. “It’s parked against the wall!”
“Okay? I don’t care,” the blonde shrugged.
You took a deep breath and flashed her a forced smile. Could your day get any worse? First you got fired, then you had to deal with some rude blonde with a gorgeous face and a sexy voice—
“So can I go now?”
You looked at her. She had a white t-shirt on with a pair of jeans, and despite her height, she still had a pair of high-heels on. If the blonde wasn’t so irritating, you would’ve shamelessly flirted with her.
“Do I at least get an apology?” you asked back, a small part of you didn’t want her to leave so soon.
She looked at you as if you had just said the most ridiculous thing in the world.
“What? My bike probably has some scratches now thanks to you.”
The blonde laughed. She laughed. You furrowed your brows, which part of your sentence was funny?
She took another step forward and you gulped. You could smell the expensive perfume she was wearing, and with the smirk that was starting to appear on her lips, you didn’t know how you could be so attracted to someone you just met.
Someone with such a shitty attitude.
“I’ll buy you a new bicycle, if it’ll get you to shut up.”
You were taken aback. “What?”
She motioned for the guy in the suit to come close, whispering in his ear the moment he did so. After a few seconds, she turned back to you and flashed you a smug smile. She put her sunglasses back on and turned around to walk away.
You stood still, mouth agape. Not even a goodbye? Who did she think she was?
You were about to walk after her when the guy put his hand in front of you, holding out a piece of card. “Miss, this is my contact information. Message me your address and I’ll have the bicycle shipped to you.”
“I’m sorry, what?”
“The bicycle,” the guy motioned at your bicycle. “Miss Williamson would like to buy you a new one.”
“Miss Williamson?”
“Yes,” he confirmed. “Miss Williamson.”
When you took his card and didn’t say anything else, he gave a small bow and left.
You stared at the card in your hand, mouth still agape. You didn’t even ask for a new bicycle, you just wanted the blonde to be a decent human being.
You sighed, putting the card in your pocket. “Miss Williamson would like to buy you a new one,” you mocked. You bent down to pick up your bicycle and you freezed—Miss Williamson… And that face… You felt like you had seen her before.
You shook it off. Probably someone you served coffee to.
You got on your bike and started cycling home. Even though the blonde was a bit rude, a part of you wished you bumped into each other again.
(Not because you wanted to hear her ridiculously sexy voice again.)
(Only because she still owed you an apology.)
(Definitely not because of that accent.)
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Steph's new year resolution is to spend actual time with Val.
First step: Val's phone number.
Asking Jason will be a bust. He's Val's boss, a good one, so Steph won't even bother asking when she knows he won't divulge employee information like that.
That leaves asking Val herself, or passing a note along with Jason.
She trusts Jason, she does. He's leagues better than if Steph were to ask Dick, or even Tim.
She'd rather get made fun of, in that loving way Jason does, than be smothered and inundated with questions and screams the way Dick and Tim do.
But Jason is a good boss, and Steph's grown up with too many Bats to know what the normal boundary is between employee and employer.
So, obviously, she stalks Jason at work in her free time to see if Val works any of those shifts to ask her herself.
She hits money on the third day.
"Val!" Steph saunters over with a wide smile. "I haven't seen you since Riddler took you away."
"Hey, Steph." Val looks so cute when she's flustered, "Yeah, sorry about that."
Val's working on a car, in that delicious coverall grease monkey look, doing a simple oil change. Steph perches herself delicately on the side, so as to not be in the way.
"I'm just glad you're okay," Steph pouts, "It's dangerous to go towards the Rogues, you know."
"Oh, well…" Val laughs nervously, smudging more grease when she rubs at the back of her neck "Y'know, Amity Parkers are just built different I guess."
"I have no doubt that you…handled yourself just fine," Steph placates, leaning forward a bit to run a finger down Val's well muscled biceps, "but I would feel so much better if you played by Gotham rules…"
Val does that nervous little laugh again, breathy, and gods does Steph want to ruin her.
"I can try," Val bites her lip, "But with friends like Danny…"
Steph giggles. "He's a trouble magnet huh?"
"You have no idea." Val smiles helplessly, and they get caught like that for a long moment.
Val's eyes skip back and forth between hers, even flicking to Steph's lips for a scant second, making Steph's heart skip a million beats.
But then Val coughs, breaking eye contact to reach under the hood to do…something. Steph's too busy mourning the death of a moment to really figure it out.
But Steph is nothing if not persistent.
"So, hey, speaking of friends…" Steph clears her throat, "You go to Gotham U, right?"
"Yeah," Val confirms, flicking a glance over at her as she shuts the car hood, "Early education major."
Steph pauses. Because what are the chances? "No way."
Val hunches her shoulders up, "I know, doesn't really suit me but—"
"No!" Steph frantically interrupts, "That's not what I meant, it's just, I'm a human development major!"
Val stares at her, uncomprehending, which is fair. Steph smiles helplessly as she explains, "I want to be an special education teacher, for teens with learning disabilities."
Val blinks. "…How have we not seen each other on campus?"
"I have a night job, so I take a lot of my classes online." Steph explains, "The ones I do have to go in person for are late afternoon classes, usually Wednesdays."
"Ah." Val nods in understanding, "I take mostly morning classes, and afternoon shifts here at the shop."
"Like ships in the night," Steph smiles ruefully, "Or bikes in the afternoon, I guess."
Val laughs, voice a yummy timbre that brings a little shiver down her spine. There's a rasp to her, and her accent makes everything sound so much nicer.
"That means this will work out." Steph gets them back on track, feeling all sorts of nervous.
"What will?" Val wipes her hands on a rag, tossing it over her shoulder as she leans on the car next to her.
"I wanted to see if you wanted to study together some time," Steph bats her eyelashes, "With my schedule being the way it is, it's kind of hard for me to make friends…"
"S-sure, yeah, sounds great." Val stutters, patting her pockets for her phone, only to realize she's in her coveralls. "Ah…"
"Just dictate it to me, and I'll text you so you'll have mine." Steph giggles, pulling out her phone and creating the new contact as Val gives her the info.
"And hey, maybe we could spar some too," Steph eyes Val's biceps, remembering the little brawl she and Danny had and licking her lips, "It's one of my new years resolutions to keep fit."
"I'm not an easy opponent y'know." Val smirks, looking Steph up and down and sparking shivers with her gaze.
"Trust me," Steph mutters as she sends of a winky face text, "I know."
(Val, without Steph's knowledge, doesn't realize it's flirting flirting.
She just thinks it's Steph's personality, being flirty with the winky face.
Sam bangs her head on her desk when Val texts her so.)
===
Danny is visiting on Valentines Day, in protest to the holiday itself.
Danny's always kind of hated holidays in general, now that Val thinks about it.
Tucker says it's leftover trauma from the school bullying, Sam says it's because his parents are assholes about them. Val just thinks Danny hates capitalism.
It could be all of the above, honestly.
The point is, it's Valentine's Day and Danny has just texted her that he's on his way to Gotham to hang out with her, and Val's not sure if this means Jay's done something wrong or not.
Val has been talking to her friends on almost a daily basis, but Danny's been tight-lipped about his friendship with Jay.
After Christmas Break, after the phone number exchange, Team "Get that D in Danny" thought it was a done deal.
Jay was a straight forward kind of guy, and Danny's never been shy about flirting.
Surely, something should have happened, right?
But Val wasn't really present when Danny and Sam were sort of dating, and Val was in the relationship with Danny, so she doesn't actually know how Danny is when he's dating someone.
She's been taking her cues from Tucker, who says that Danny isn't really the "my girlfriend/boyfriend" type. Danny's always referred to Sam and Val, in their respective relationships, by their names.
But then again, everyone in Amity Park knew each other, and ghosts hardly ever care about such mortal statuses. (Ignoring Johnny and Kitty, whose whole shtick is their relationship. That's a whole different can of worms.)
The point is, Val is suffering. Team "Get that D in Danny" is suffering.
And she needs to know if she has to beat up her boss for Danny or not.
Jay's been Fort Knox about the whole thing too, and it's getting irritating.
"Danny's coming to pick me up." Val finally says at the end of her shift, glaring up at her boss. "What did you do?"
Jay, wide eyed and covered in grease, drops the washer fluid in his hands on his (thankfully) steel-toed boot.
"Danny's what—" Jay lunges for his jacket, draped over his workstation, frantically pulling up his phone and— "I gotta go."
She then watches her boss, resident Crime Lord, Billionaire baby Jason Peters Todd-Wayne, book it to the back rooms.
What the fuck?
Ten minutes later, Jay comes back out, freshly showered and in clean, fitted clothes. He's even got a red rose from…somewhere.
Val reiterates: What the fuck?
"Danny hates red roses." Val says, confusion laced through her entire fucking being. They look too much like blood blossoms for any of the Amity Parkers to have any sort of affection for the flower. "He doesn't like red flowers in general."
Jay immediately tosses it into a nearby oil catch tray, looking like he might even set it on fire, if he could just find a match…
"Okay, seriously," Val puts her hands on her hips, "What the fuck is going on? Was that an apology rose?"
"What?" Jay whips his head towards her, "No!"
"Gods," Val throws her hands up in exasperation, "Are y'all dating or what? Danny's been weirdly adamant y'all are just hangin' out but I see you in here, moonin' and what not."
Her accent is getting worse in her agitation and she really hates it, which turns into a vicious cycle.
"We're not dating." Jay finally admits, sitting heavily down on one of the stools by his workstation. "But I am wooing him."
There's a long beat of silence.
"Pardon?" Val's voice is flat, disbelieving. "You're what?"
"Wooing." Jason juts his chin out, "We've done a couple of face time hang outs, streamed movies together and stuff. But it just never seemed the right time to ask him for a visit, or for me to go visit him."
"What's that got to do with anything?" Val tries to soften her voice. Red Hood, resident crime lord and bad ass, is a romantic. Huh.
"I wanted to ask him in person." Jay mumbles, "Important stuff's for in person conversations."
"In this day and age?" Val asks unthinkingly. "I doubt Danny would care."
They both know he'd probably say yes.
"Yeah, but Danny's been…he's been looking into schools to transfer to," Jay looks down at his hands, "Didn't want to influence the choices."
Danny had come out to this parents about Phantom just last month. It was a development everyone was not only extremely thankful for, but still getting used to.
The Fentons, as expected, were fully supportive. They turned a dime, burned their research metaphorically and literally to 'start over from an unbigoted perspective.'
Jazz has been thoroughly enjoying the family therapy sessions.
Schedules were created, to lessen Danny's load, and better safety locks were made to mitigate the necessity of those patrols in the first place.
Overall, Danny's been sleeping more, less stressed, and happy as a clam, if a little embarrassed by his parent's smothering love and support.
Val had thought that maybe Jay was a big part of that too, romantically speaking. Clearly, she was only half right.
"Danny loves Gotham." Val starts, carefully picking her words. Because it's true, he loves it more than she does. "He likes how weird and crazy it is, and Gotham U's engineering program is one of the best in the nation."
It would have to be, with how often things need to be reconstructed around here.
"The pizza's great too," Danny's voice suddenly cuts in from behind her, "Not to mention the company."
Val twirls around, hearing the clatter of Jay jumping up suddenly and banging his hip on his worktable with a pained hiss.
"How long have you be standing there?" Jay squeaks as he rubs his hip, face burning.
"Not long, since Val said I love Gotham. Which I do." Danny tilts his head with a confused smile. "Why? Gossiping about me?"
"We were talking about your choices in transfer." Val quickly covers, as much fun as it would be to just call both of them out, Val's not that mean. "Didn't want to accidentally influence the choice or anythin', y'know."
"Last time I checked you were looking into Star City, right?" Jay quickly adds, shooting Val a grateful look.
"Yep." Danny grins, popping the 'p' obnoxiously, "They've got a pretty comprehensive scholarship, but it's about the same as Gotham's, and honestly, Gotham's in my top two choices—"
"Gotham's a top choice?" Jay cuts in, confused but sounding a little…hopeful, "Nobody ever…I mean, even I know Gotham's crazy…"
"Gotham's a lot like Amity Park," Danny shrugs, before looking away with alarmingly red ears, "Just bigger, more goth. Plus, y'know, you and Val are here…not to mention the rogues here are way more fun than Amity's ghostly menagerie…"
"Are you sure you don't mean the vigilantes?" Val smirks, sensing an opportunity. "Or maybe a certain vigilante?"
"Mmm…nope." Danny feigns thinking hard about it. "I definitely meant the rogues."
"Uh huh…" Val drags out, "Nothing at all to do with your third place hall pass pick."
"Hall pass pick?" Hook, line, and sinker. Jay tilts his head. "What's that?"
"It's a list of celebrities monogamous couples will allow their significant other to sleep with and not count as cheating." Val innocently explains, gleefully watching Danny squirm. "It was mostly a joke, but me and Danny had one when we were dating."
"And heroes and vigilantes are basically celebrities," Jay follows the line of thought, before his eyes get a little gleam to them, "Which Bat does Danny have a celeb crush on?"
"No-one!" Danny hastily answers. Val wonders what Jay would do to his siblings if Danny did have a celeb crush on them.
"Red Hood." Val smiles with all her fucking pearly whites. "Danny likes bad boys."
Danny makes a noise like a tea kettle. "Don't judge me!!!"
To Val, Jay looks like he doesn't know whether to be flattered, or concerned.
To Danny, he must look thoroughly confused.
"Listen," Danny tries to explain himself, "Have you seen those thigh holsters???"
Jay chokes. Val laughs her fucking ass off.
(The three of them get pizza afterward.
Val missed her opportunity to leave them to it, and has to sit there and watch Jason stare at Danny making porno noises at how good the pizza is.
She texts Steph about how much she hates Valentine's Day because of it.
Until, of course, Steph joins in and she hates it a little less.)
===
Easter break, and Steph is bored out of her god damn mind.
She texts Cass first, then Babs, but one's in dance practice and the other's working a shift at the library.
Naturally, she texts Val next, sending over a selfie of her pouting and sad, with an appropriately dramatic lovelorn caption.
She gets back a picture of Sam, Tucker, and Danny fighting each other on a couch, controllers in hand with a glow reflecting against their faces in a dark, but massive looking room.
"Back home in the trenches," Steph reads aloud, sighing and lovesick.
They've been texting back and forth for the past month now, and honestly? Steph considers them dating.
The problem is, even when Steph says "it's a date!" Val just…doesn't seem to get it.
Steph would call it a straight girl move, if she didn't know 100% that Val at least thinks Steph's sexy af.
Or, at least, really wants to kiss her, if the way the other girl stares at Steph's lips is anything to go by.
And Val stares a lot.
But she always pulls back with a nervous laugh, as if Steph is the one rejecting her.
It's very frustrating, but Steph has learned that Val doesn't actually have a lot of experience with girls, so she might just be…shy.
But! At least they've been on study dates, and sparring dates, and one time they even got froyo!
Steph's been trying really hard to be patient.
It's not really working.
There's another ding! It's Cass, telling her to come over to Wayne Manor. The Batkids are having a sudden movie marathon.
She has a lot of fun with her family, watching terrible horror movies and throwing popcorn at all the stupid people doing stupid things. She sends Val a selfie of her cuddling up with Cass and Damian, of Dick and Jason dumping buckets of popcorn on each other, of Tim and Duke taking god damn notes.
It's even more fun when Val sends pictures back. Of Sam sitting on Tucker and Danny laughing so hard he's fallen off the sofa. There's a selfie of Val and Sam painting the boy's nails in bright neon green color, and a selfie of the group in matching ghost themed pajamas, what looks like Wallace and Gromit playing on the big screen behind them. A picture where Danny and Tucker are snoring, cuddling each other very intimately, with Sam in the background doing a little peace sign.
Steph's buried under Tim's legs and Dick's arms now, hardly able to send a selfie of her face with the way it's covered in limbs, but she manages it.
Val sends one back, in a darkened room where Sam is watching some movie next to the sleeping boys. Val's sleepy smile and half lidded gaze warms her up from the inside.
It's a great night, all in all.
She dreams of soft kisses, warm cuddles, and B grade horror movie kiss scenes with a smile on her face, she's sure of it.
(Steph wakes up to someone rudely tearing off the blanket she was sharing with Cass and loudly announcing it's breakfast.
She throws a pillow at Damian for it, who scoffs and dodges her 'paltry attempt.' Her head hurts from all the sugar she consumed last night, and there's an ache in her back from sleeping on the floor.
Val sent her a good morning text and rumpled selfie that features a soft smile, and Tucker two steps away from spilling pancakes all over Val.
Steph eats breakfast with such a wide smile, Duke asks if she won the lottery or something.)
===
It's looking to be a very hot summer in Gotham, if April is anything to go by.
Isn't April supposed to be full of showers? They had an abrupt chill last week due to Mr. Freeze, but since then it's been hot and Val is suffering.
But Danny has come 'round to visit, and it gives her the energy she needs to get through the day so she can hang out with them over the weekend. Danny's always run cold, and Val's never been shy of siphoning off that chill in the summertime.
Val didn't have a shift today, so Danny picked her up from school and they've decided that pancakes and waffles are in order.
It's 2pm on a Thursday, but that hardly even matters.
What matters is that Danny is wrong and waffles are clearly more superior than pancakes.
"You can throw pancakes like a frisbee, what are you even saying," Danny rolls his eyes as they cut through an alley to get the Denny's, "Waffles are way too crunchy."
"I want to look inside your head and see what delusion is playing 24/7," Val shoots back, "Why would a food need to be used as a frisbee to be superior, first of all, and second of all, the texture is not crunchy."
"The inside of my head is just like any other human," Danny scoffs, "It's been tested and everything. Plus, if you can't use your food item as a frisbee in order to quell the sausage rebellion, is it even worth having as food?"
Val squints her friend for a moment, even going so far as to pause her walking. Danny, after another moment, stops with her but does not meet her eyes.
She smacks the back of his head.
"Ow! What the fuck Val! Just because I'm right!"
"No joking about tests." Val growls, waiting until Danny shows the appropriate amount of regret, before swiftly getting back on topic, "Besides. Waffles are sturdier, and the shape can still be used as a frisbee against sausage rebellions."
Danny takes a breath for the admonishment, centering himself from bad memories. He thinks on her latter statement, nodding reluctantly. "Textures still shit though."
Val groans, continuing their way through the alley, "The texture is so that syrup has places to be, syrup on pancakes just slides off—"
"Hands up!" Just in front of them, a man is brandishing a knife in one hand, with the other reaching palm up, "Give me your wallets and nobody gets hurt."
Val internally scoffs, making eye contact with a gleeful Danny. He's been involved in more Rogue incidents than Val has, and he doesn't even live here.
"Aw, c'mon man," Danny simpers, hands in his pockets and shoulders scrunching up, "Can't you see we're just poor college students just trying to get to Denny's?"
"And you and your girl can go along your merry way," The mugger rasps, "after you give me your wallets. You can take the date home."
Val and Danny simultaneously make an uck sound.
"Been there," Danny grins, ruefully.
"Done that." Val rolls her eyes.
"Got the scars and everything to prove it!" Danny chirps, showing his lichtenberg scars even though they're irrelevant.
Val smacks him upside the head again, but Danny doesn't even flinch. Stupid halfa-biology.
"Just give me the money!" The mugger loses his patience, pulling out a gun. Ugh.
"And why don't you give me a break," A modulated voice says from above, before something large drops down and breaks the mugger's arm.
"Hah! Break, that's a good one." Danny laughs.
Red Hood freezes, before groaning with that modulated voice. "Nobody tell Nightwing. I'd never live it down."
Val bites her lip, wondering if Nightwing is Dick Grayson, the asshole cop who arrested her and Danny a couple months ago. Dude was not subtle in the interrogation of his sibling's new friends, and kept riffing with Danny using puns.
Val hates the guy on that principle alone, so it won't be hard.
"Lips are sealed, Bo—ahem—ig guy." Val really has to figure out the best time to let her boss know that she knows.
"Thanks for saving us, Red Hood, sir." Danny smiles at Hood, shy-like. "I didn't think we'd see you again after…"
"That thing with Riddler?" Even through the modulator is apparent Hood is smiling. "I thought you were finding trouble on purpose, but maybe trouble just likes to find you?"
Val's gotta hand it to him, Jay's a good actor. But as someone who knows who he is? It's clear that Hood is relishing the attention. Finding out your crime lord persona is a top choice must have outweighed the confusion of a crime lord persona being a top choice.
"Either way, it's no problem. Punks shouldn't be muggin' in my territory anyway." Hood peacocks his way into a casual leaning pose, and it's funny as all hell.
"Oh!" Danny looks around, "I didn't realize we were already in Crime Alley?"
"The one Denny's in Gotham is in Crime Alley," Val sighs, "I told you this."
"I thought we established that I don't listen to you." Danny retorts, "That's why we broke up."
"We broke up because of your clear preference for dick, Danny." Val drawls.
Hood chokes.
"This is bullying," Danny jokes, ears bright red from Val no doubt embarrassing him in front of his favorite vigilante, "And you have no leg to stand on, with the way you were drooling after Kate Winslet."
"Most of your hall pass picks were men," Val reminds him, and because she's nothing if not an opportunist, "Speaking of which—-what's it like to be texting one of them almost every day?"
"I don't know what you're talking about." Danny sniffs, trying to pull Val through the alley, "Why do you keep bringing up my hall pass picks anyway?"
"Everyday?" Hood's voice, even modulated, sounds jealous. He's probably wondering if Danny's been texting the other top two choices above him.
"Yeah, everyday." Val confirms, much to Danny's dismay.
"Val!" Danny hisses as Hood leans a little closer. "Shut up."
Danny's probably thinking she might embarrass him by mentioning that Red Hood is Danny's third place pick. If only he knew.
"My boss is his fourth place pick." Val grins, as Danny slumps in relief. If only he knew!
She watches intently as Hood freezes, hand going to a pocket that isn't there, almost like he wants to immediately text someone. He seems to settle for a slow drawl, "S'that so. Small world. You work for a vigilante I know or something?"
Damn good actor, but not subtle enough for someone whose looking. He's definitely warring with a bunch of different emotions, and even through the helmet she can tell.
He wants to know why his civilian identity is fourth, when his crime lord persona is third.
"O-KAY!" Danny yells, pulling her more forcefully, "That's enough of oversharing with a crime lord who doesn't know us and clearly has other things to do. Thank you again Mr. Hood, big fan, love your work, the 8 heads was inspired really—"
Val cackles all the way through the alley, watching as Hood grapples away in a daze.
When they sit down at Denny's, Danny gets a text from Jay that makes him mumble into his menu.
"Why does he want to know my top two hall pass picks? I'm not even in a relationship!"
Val tosses a jam packet at his head.
(Steph texts her afterward, asking about Val's Hall Pass picks.
Val texts her no comment.
Somehow, Jay finds out, which leads to Danny finding out.
Danny texts Steph that Kate Winslet, Amanda Seyfried, and Black Canary were her top 3.
When Steph texts All Blondes, huh? Val lunges at Danny right there in the Denny's.
They get kicked out, and are summarily banned from the establishment.)
===
Gotham is muggy in May.
Steph hates how sticky it makes her skin feel, how lethargic her body gets, and most of all, she hates how her she stupidly made her Spoiler uniform have a lower face mask.
She's definitely going to get pimples, and it's going to suck.
The bright side is that she's best friends with not just one, but two Wayne kids.
This means that she can enjoy the Wayne Manor indoor pool with the other Batkids for most of the summer day until patrol time.
It's good to have connections.
She's relaxing with Babs and Tim on the lounge chairs, and whilst normally she would join in on the watergun fight the other batboys and Cass have going on, she's just too tired.
It's been a long first week of summer, especially with that Mad Hatter case she and Cass broke two days ago.
Mad Hatter cases always gave her the heebie jeebies, considering her own blonde hair and blue eyes.
So: chilling at the pool. Val comes back next week, with a bonus Danny in tow to start the process of finding an apartment for both of them to share, and Steph's not the only one excited about it.
Jason's been over the god damn moon.
Her phone buzzes with two incoming texts, but before Steph can even reach over to grab it, a loud thump! startles all vigilantes to whip up towards the sound.
Jason has tripped over a lounge chair, ass over kettle, groaning.
Amidst the laughter, Steph gets another buzz, so she checks her phone. It's two discord messages from Val.
valerino: Phantoms dog has invaded sams pool valerino: D's really excited about it 🙄
The last text is a photo of Danny, shirtless, getting absolutely slobbered on by a glowing green dog. Holy shit. Wait a second.
stephieeee: uhm???? green dog????? stephieeee: did u send this pic to Jason too? valerino: Yeah, long story short, hes a ghost dog. Hes cool though. And what? No, why? stephieeee: cuz he just ate shit tripping on a lounge chair stephieeee: right after u sent that pic valerino: Lol danny sent a selfie i think. We're taking a break from a water fight tucker started to play with cujo stephieeee: lolllllll stephieeee: that tracks stephieeee: we had a water gun fight too stephieeee: but i sat out with the girlies stephieeee: the heat is just stephieeee: Too Much valerino: Lol danny just showed me the pic he sent. Its a thirst trap, and he didnt even know valerino sent an image
The picture of of a shirtless Danny, with abs, holding up a see through, green dog. His arm muscles glisten in the lighting as he smiles a beaming smile, teeth white and gleaming, with his face smooshed up against the dog's stretchy, pudgy little face. It's adorable and all kind of rippling muscle-y. Boy is lean, mean, and looking good in his NASA swimming trunks, even to Steph.
stephieeee: OMGGGGG stephieeee: hes actually RIPPED??? stephieeee: also i love cujo so much? he's adorable???? valerino: Hes stronger than he looks, remember? lol and yeah, cujos a real sweetheart
Steph honks out a laugh so loud it echoes even amidst the clamour of Jason being chased around for his phone. Babs hums an intrigued note, but Steph simply smiles at her and flaps a hand at where Dick has Jason in a headlock, whilst Damian grabs the phone and attempts to hack into it.
Steph decides to take a picture of the rowdy group, Jason with his really red face, Duke and Harper jeering at the photo with Dick. Damian had gotten bored once he saw it was just a picture from his so-called 'paramour.'
stephieeee: the fam is never letting him live this down stephieeee: plssssss stephieeee: Jason is so down bad its embarrraasssssiinnngggg
Satisfied, Steph decides to get up and grab some of the iced tea Alfred left for them earlier. She's taking a much deserved sip to soothe her throat when she her phone buzzes twice more.
valerino has sent an image valerino: Danny is embarrassed as all hell, his face is SO red!
It's a selfie of Val laughing with her whole body, sort of cut off as Danny scrambles to get a shirt on. He's alarmingly red, looking like he's tripped in his haste to get the Red Hood themed shirt on, but Steph can't focus on that.
She focuses on Val, wet in a bikini top and daisy dukes.
Steph chokes on her tea and falls into the pool, cup and phone and all.
At least, Steph thinks as she recovers from her almost death-by-bikini-pic fall, my phone is bat certified and waterproof.
She takes another quick look at the photo, before she dunks herself in once more, just to cool her flaming cheeks down.
Tim'll fish her out, if only to see what happened.
Until then, the water feels great.
(Val and Danny get a series of photos after, from an unknown number that claims to be Jay's brother Tim.
One of Jay and Steph red faced and commiserating with each other. They're clearly talking about something, hands gesturing at what looks like Jay's phone.
One of Steph in a simple purple bikini emerging from the pool glorious and slicking back her hair out of her face, eyes half open, looking sultry as she catches sight of the camera.
One of a shirtless Jay getting shot by multiple streams of water, one arm up and laughing and smiling, handsome and joyous.
One of Jason, toppled over a lounge chair with his hands covering his clearly red face.
One of Steph with only her eyes above the water, cheeks and neck so red you can still see them even submerged.
Val and Danny practically faint. Sam and Tucker have to write their thank you texts for them.)
===
"I might be dying." Val groans from where she's sprawled on the floor of the new apartment she and Danny are sharing for their duration of Sophomore year.
It's a nice place, for the Narrows. Big living room, two bedrooms, a nice bathroom that heats up in only a couple minutes. The kitchen isn't anything fancy, just a stove top and a microwave, but Val and Danny don't have the capability of cooking up fancy stuff anyway.
Val's stuff was packed up easy, not hard to do when a college dorm room doesn't really allow for a lot of stuff in the first place. Though she did have Tucker bring up Huntress stuff, as well as some of the packed up clothes she didn't get to bring up the first time she moved now that's she's got the room.
Danny doesn't have that many belongings, per say, He's minimalist, in that way.
But he has a lot of stuff for his workshop. Since they don't' have a third bedroom, most the living room's going to be dedicated to it. There's a big rolling table with drawers under it for storage that can be pushed to the side so Val can practice her katas, and an industrial tarp they can throw over it to use it as a dinner table if need be.
Danny, like his parents, likes to spread out whenever he's working on something.
Unlike his parents, however, he's paranoid about contamination, and always puts everything back in its place when he's done.
He's been burned too many times to not be.
Plus, Val can use his stuff to do maintenance on her hoverboard.
They like to be efficient and practical about things.
The point is, she, Danny, Tucker and Sam have spent most of the day lugging up heavy cardboard boxes and furniture that is heavy and sometimes metal.
"I said I might be dying!" Val reiterates into the silence of the now cardboard filled room.
"We heard you to the first time." Sam drawls as she walks into the living room with a cup of water from the kitchen. "I don't even know why you're whining."
"Yeah, Danny did most of the heavy lifting," Tucker chimes in as he trails in behind Sam with a box of pizza. She hands it over to Val as she sits up from her sweaty sprawl.
Val rolls her eyes, because that is inherently untrue. "It's June, it's hot, and most of us did heavy labor."
"No, no. Tucker's got a point," Danny cuts in, lugging the last box of what looks like a bunch of a tools. "I did, in fact, bring up all the furniture, and the bulk of the community stuff."
He sets it down with the rest of his workshop stuff, dusting his hands and adopting a stupid pose where he flexes his arm muscles. Val gulps down her water in disgust.
"And Val and I brought up all the clothes and bedroom stuff," Sam scoffs, "Tuck got a couple boxes of all that electronic crap."
"And none of us have halfa strength to make it easy." Val points a finger threateningly at Danny, who puts his hands up in surrender. "Hard. Labor."
They sit in a circle around the pizza and shoot the shit—making the same old banter that never gets old, making grandiose travel plans that may or may not ever leave the group chat.
About how Sam's set to intern at the Daily Planet, finally about to work with her hero Lois Lane. How she hates how shiny and modern Metropolis is. How Wes has this crazy theory that dorky, clumsy, always going to the bathroom Clark Kent is Superman. How Sam believes him 100%, but won't ever tell him because she thinks it's funny.
How Tuck has this suspicion that the Flash is affiliated with Star Labs, somehow. That the tech in there seems out of this world almost, inter-dimensional in the way ecto-tech can be, but on a different frequency. How his dorm-mate is definitely some kind of meta, maybe even a time traveler, with the way he keeps using words like crash and mode in weird ways. But he's a great roommate, so Tuck minds his business.
And then, of course, the conversation ends up to their love lives.
Sam's got this enby in one of her journalism classes that keeps talking circles around her and Sam's this close to hate fucking them about it.
Tuck's been flirting it up with the girls, per usual, but there's a girl whose been trying real hard to pick up what he's putting down, and he's not actually sure if he wants that.
That conversation goes on a tangent about asexuality and aromanticism, but it'll have to be tabled until after Tucker has time to really…research the idea.
"I'm telling you, Val," Tuck changes the subject, "Steph is definitely into you."
"All the spars? Study dates?" Danny adds in, "Hasn't she been taking you on those ice cream dates too?"
"First of all, it's froyo," Val corrects haughtily, "Second of all that's all friend stuff. I did all that stuff with you guys, and I'll be doing them with you once the new semester starts."
"Third of all," Sam continues, "You have no leg to stand on, Mr. can't play doomed tonight guys," Her impression of Danny is nasally, and horribly wrong, but it's too funny to not laugh at, "I'm gonna watch a movie with Jason on discord!"
"That's—that's different." Danny sputters.
"Dude sends you food on a weekly basis because you said you forget to eat sometimes," Tucker says reluctantly, "And sends you letters."
"Letters???" Sam says indignantly, "You didn't tell me about any letters!"
"Since when has he been sending you letters??" Val asks, grabbing Danny's collar and shaking him when he mumbles and doesn't answer them clearly.
"Since January!" Danny finally yells, grabbing her hands and pulling them off, "They're just, they're not—they're nice! He's being nice. I told him I missed getting letters, and…"
Tucker, Sam and Val all groan in unison.
"He's been wooing you for half a year and you didn't even notice??" Val shrieks, into the ceiling. The ceiling is unsympathetic, but Sam and Tucker are.
"You've basically been dating Steph for half a year and you didn't notice!" Danny's voice is high pitched, his ears are red, and he's screeching with his hands on his face as he falls back and rolls all over the ground.
"You're both useless." Sam intones, "This could be solved by texting them."
"I can't just text her." Val says hotly, at the same time Danny says "Important conversations are not for texts!"
"Gods, you're perfect for him," Val mumbles under her breath, remembering Jay's very same fucking words all those months ago.
"Relationships are all about open communication, y'all." Tucker says in a wise tone.
They all stare at him. He makes a face, shrugging. "Fair enough. Carry on being useless."
"You really think he likes me?" Danny says, in a small voice through his fingers. He's not looking at any of them, and is curled up on the floor. "You think he's been…wooing me?"
"Danny…." Sam shakes her head, reaching over to pat him on the shoulder. "The man has been trying his damnedest to make this whole thing romantic for you, hasn't he?"
"You've been having virtual breakfasts together, haven't you?" Tucker softly adds in, scooching over to pat Danny on the head.
Val rolls herself over to Danny's other side, the three of them surrounding him and patting him in some way. He reaches over, snags on Val's shirt sleeve.
"I'll text him," Danny's voice trembles, "But only if you text Steph."
Val opens her mouth to argue, but shuts it at Danny's pleading eyes. She sighs.
Tucker hands Danny his phone, and they draft about a million texts before they collectively settle. Movie and a dinner, just the two of them. Easy.
"Here goes nothing…" Danny takes a deep breath, before pressing send. He laughs nervously, before straight up chucking his phone at Sam, who catches it.
"I'm going to obsessively check my phone until he answers so let's work on your text instea—" A buzz interrupts him, all four heads swinging towards the phone in Sam's hand.
Her eyes widen, mouth gaping. Danny rolls over, leans to see—
"…Oh." Danny's face crumples. "I guess…I guess that's a no, then."
"Danny…" Tucker reaches for him, but Danny shakes his head and stands up.
"I gotta…I gotta get my room set up. Thanks for all the help guys, I—" He cuts himself off, voice going small and hurt, "I guess he got tired of waiting?"
He bites his lip. Val doesn't know what to say. None of them do.
He goes to his room, and Val never sends that text to Steph.
(Red Hood gets a text message from Danny asking Jason if he'd like to catch a movie together.
There's a follow up text where Danny asks if maybe Jason would like to get dinner afterward too, just the two of them.
Red Hood is in the middle of Nanda Parbat, stealing his stupid brother's no longer missing spleen back from the creep who tried to clone him.
Red Hood has bloody gloves, and has three ninja assassins stalking him.
Red Hood texts back a "can't." but nothing to follow up, not without getting a knife to the neck.
He manages to get back home, toss the spleen back at his brother, and fall into a dead sleep 18 hours later.
When Jason wakes up another 10 hours after that, it's to an abundance of messages from his friends and family. Only one is important.
dannywithawhy: ok.
Jason falls out of bed.)
Mechanic!Val AU, but make it gay and sapphic.
ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)
Dead on Main and with some future Val/Steph >)
also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.
===
Val’s pretty sure her new boss Jay is actually a crime lord.
She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes.
The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.
To be clear, she’s not mad about Red Hood himself.
She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.
She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly?
Gotham is Amity Park Lite: Gargoyles and Furries Edition.
Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy.
So here she is, working for the resident Crime Lord in his civvies.
Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance.
All in All? It could be worse—she could still be working for Vlad, after all.
It's the little things.
#this just in#jason is a fumbler#i promise itll all work out#this is no plot remember#its just fun#came out less funny and more wholesome#but im not mad about that#also we're in the home stretch yall#two more chapters#and possibly some extras#dpxdc#dcxdp#dp x dc#dc x dp#my writing#danny phantom#dcu#dead on main#danny/jason#danny fenton#valerie gray#stephanie brown/valerie gray#red hood#jason todd#mechanic val au
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the thing about curly is that it feels like a copout to describe him as "too nice" but i think that really is the situation with him. i feel when talking about him as a leader there's a lot of talk about the anya and jimmy stuff but i feel not a lot about the parts that show his passiveness causing problems before then.
most notably, that he let daisuke aboard a ship not made for five people, and that he told the others about the layoffs before he was meant to. both very well-intentioned, interpersonally Nice things to do, that were welcome as a friend who cares about the crew, but less so as an authority figure who's supposed to have a spine about those sorts of things.
he's not really thinking about the repercussions for revealing this information, or the impact it'll have on his crew's mental states in the months they have left for their last haul, because in his eyes - and this is something he tells both anya and jimmy - they'll Get Through It Together. curly is someone who reassures the people around him a lot in his dialogue. he cares a lot about people but does, in fact, care too much, and when it comes down to it, he can't do much except care.
an important thing to note with the anya situation (specifically in contrast to the "curly only cared about jimmy" take i see around) is that curly does reassure her, and i think did genuinely believe what he was saying when he told her everything was going to be okay and that they'd figure it out together. it's just that he also told those things to jimmy, and when you're a person as passive as curly, if you don't put your foot down people are going to weasel in and use that as an opening.
curly was a good friend, but not a good leader. there's only so much that reassurances without tangible action can do for someone in the state anya was in. he likely let daisuke board because he felt for and liked him, disregarding the fact it was literally unsafe for him to do so because of the pod situation. he told the crew they were getting laid off because it felt right for him to do so, he acted as a "friend" and not as a "leader".
and this is really cool contrast to jimmy, imo, who has no sense of compassion and is quick to take impulsive, ruthless decisions he expects praise for by sole virtue of being hard. jimmy would rather mouthwash someone's open wounds and force another to commit cannibalism than mercy-kill them - because someone dying under his care means he failed, and he can't have that, and so he will drag out their suffering for as long as humanly possible. he can't actually face the consequences of his actions.
both of them have this mantra of "i can fix it" without actually fixing much of anything - however i think curly differs in that he's a compassionate person who doesn't mind being on the same level as his crew (for better or worse), meanwhile jimmy can never shake the title of "captain" and the inflated sense of importance it gives him and that he projects onto curly. curly cares but doesn't act, jimmy acts but doesn't care.
BUT - i think a really interesting thing here too is how they act in the immediate danger of the crash. jimmy hides with his hands on his head, catatonic, while curly rushes in to try and salvage the ship even when it'll endanger him. jimmy is unable to face the gravity of what he did, while curly - even if he's not a good captain socially - is willing to put himself in danger to fix it. it gives the impression that while curly can't raise a hand against other people, he's willing to go down with his ship and put others before himself.
and putting others before himself is his entire relationship with jimmy, no? curly's dialogue with his crewmates is very reassuring, with a generous "we'll fix it together" attitude (see his patience with daisuke in the foam scene, and how he offers to do jimmy's psych eval when anya doesn't want to (compared to how jimmy would likely handle those situations, as we see when he yells at anya when asked to do tasks for her)) - BUT i would argue it's even moreso apparent with jimmy.
curly's povs, in my mind, offer the views on characters we don't see from jimmy's perspective, as jimmy cherrypicks scenes to paint anya as incompetent, daisuke as stupid and spoiled, swansea as mean and unstable - with curly, we see anya is gossipy and likes to joke around, daisuke is willing to fix problems by himself even if he struggles, et cetera. and with curly, we see, in how he talks to and about jimmy, he's very... concerned for him? and walks on eggshells around him.
^^^ after jimmy has pivoted a conversation curly was having about his life to be about his insecurities, and curly takes the bait and reassures him.
in general, he seems wary of jimmy as someone who will blow up if not reassured.
and he talks to, and about him, like he's taken on this quasi-therapist "responsible" role for him. he has this very... mental health-centered way of talking to jimmy - we'll fix it together, one day at a time, hey i believe in you, etc. which gives me the impression of, and this happens very often, a very trusting and overly-empathetic guy who's been roped into a relationship with someone whose safety and actions have been made his responsibility.
(i obviously don't mean this to woobify curly, or to diminish the game's commentary on rape culture, but rather to express that there's more to curly's behavior around jimmy than "shitty men cover for eachother".)
and i think one of the ultimate tragedies of curly's character is that, in the end, what jimmy projects on him -
-was true. this is how curly thought, before he was forced to come to terms, via experiencing jimmy's abuse of him, witnessing anya's suicide and the others' bodies, that jimmy was a monster who was never going to care about curly the way curly cared about him.
but, because jimmy views curly, now disabled, as a complete blank slate because he physically cannot speak for himself, jimmy continues to project upon him the dynamic that did exist between them - no matter the horrors he puts curly through, because if curly let him get away with it then, he'd let him get away with it now, right?
and when curly didn't put his foot down when it mattered, he now no longer can - and so jimmy's words, as long as he's as unable to speak for himself as he was back then, will be in his mouth forever.
:(
#long posts#babbles#mouthwashing#mouthwashing game#mouthwashing spoilers#captain curly#this has been a long time coming. it is nobody's surprise who my favorite mouthwashing character is#but i was always nervous to actually talk about my opinions lol#he means a lot to me auauuuuaauuaghhhh augh.#im not proofreading this this is just (checks) 1k words of my autism opinions#rape mention#ableism mention
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