#hour of the wolf

[darkdarknights]

[xxnymeriatargaryenxx]

oh to be manhandled and pounded roughly by a stark 🥰🥰🥰🥰

[synchodai]

Hello I am here to ask you about……….

The hour of the wolf.

🐺🐺

Okay, so! The Hour of the Wolf....hahahaha, you asked for this.

war has no meaning, but how we come to peace does

So war is meaningless, right? At least, that's what Fire and Blood depicts The Dance as — a cycle of violence that destroys everything and everyone that gets trapped in its vortex. We, as a society, have moved on (hopefully) from the concept of the dictator whose unchecked, absolute power is fine for them to have because they are just inherently more righteous and better than any human being. Narratives about powerful heros waging just and righteous wars are looked at with reasonable suspicion and are often decried as propaganda.

"We were king’s men, knights, and heroes . . . but some knights are dark and full of terror, my lady. War makes monsters of us all. " - Thoros of Myr, AFFC

We have all agreed that in war, everyone ultimately ends up the loser and the biggest losers are those who had no hand in starting this in this first place. At least, that's very clearly the narrative of the Dance, right?

Alright, so if war is meaningless, then where do we find meaning? Well, whenever I read any story or book about war, the most important and constructive part is always in how the author or historian chooses to resolve it. Because the natural inertia of a wheel demands that it keep spinning forever — it takes an active choice and will to power to break a cycle, come to a resolution, and stop it. Yes, the war is meaningless, but how it ends isn't.

With that premise in mind, this is why the Hour of the Wolf and Aegon III's Regency is my most read, analyzed, and beloved parts of Fire and Blood. Only the Hour of the Wolf takes place during the civil war of the Dance, so let's focus on that.

the hour of the wolf

A (not so) quick summary for those who haven't read or don't remember this part:

After the Battle of the Kingsroad, the Tully black-aligned forces overcome the Baratheon green-aligned forces when the Baratheon army underestimates their foe (for being made of women and young boys) and gets betrayed by the Crownlanders who were part of their van. When the Tully army arrives in King's Landing, they find that do not need to retake it because Aegon II is dead. Aegon III has been betrothed to Jaehaera and declared the presumptive monarch. This ushers in a period known as The False Dawn, where the city and the black-aligned armies celebrate, believing they have won and that the war is over.

That is until Cregan Stark arrives with his army of northmen and ushers in The Hour of the Wolf (the darkest hour of the night in Westerosi time-telling). He easily seizes control of the city because he has the biggest army and he's the most senior commander at 23. That should tell you something about the state of this war when literal children are leading armies. Without Cregan, this is the person who would be your highest ranking officer:

(In the books, Kermit Tully is 19 and Oscar Tully is 13. Kermit leads the Riverland armies in F&B.)

Cregan is like, "Children, this isn't over."

Who told you the war was done? The Clubfoot? The Snake? Why, because they wish it done? Because you won your little victory in the mud? Wars end when the defeated bend the knee and not before. Has Oldtown yielded? Has Casterly Rock returned the Crown’s gold? You say you mean to marry the prince to the king’s daughter, yet she remains at Storm’s End, beyond your reach. So long as she remains free and unwed, what is to stop Baratheon’s widow from crowning the girl queen, as Aegon’s heir? - Cregan Stark, F&B

He's aggressive and being a bully about it, but...it's a logical course of action given what kind of person he is and the world he exists in. Yes, Westeros was dangerously close to having more people die in a pointless war because of Cregan Stark, but that's a feature, not a bug of his character and what he represents (which I WILL go into great detail later). It is very important to the themes of this story that someone like Cregan Stark exists and that war isn't wrapped up with a victorious battle and a neat little bow.

For now, King's Landing starts to fall into despair and turmoil once again when people find out that war might not be over after all.

With the infallibility of hindsight, we now look back through the centuries and say the Dance was done, but this seemed less certain to those who lived through its dark and dangerous aftermath. - Maester Gyldayn, F&B

Luckily, the peace efforts made during The False Dawn are actually well-received not by the lords, their armies, or their commanders — but by their widowed wives. One by one, green-aligned Houses begin to come to King's Landing to negotiate and accept terms peace, and this was only possible because the lords fighting the war are dead and their widows are godsdamned tired and just want to put their own lands to rights. The final nail in Cregan Stark's plan to restart the war effort comes when Jeyne Arryn arrives with Rhaena Targaryen and her newly-hatched dragon, Morning.

The smallfolk of King’s Landing, who not a year before had slaughtered every dragon in the city, now became rapturous at the sight of one. Lady Rhaena and her twin sister, Baela, became the darlings of the city overnight. Lord Stark could not confine them to the castle, as he had Prince Aegon, and he soon learned that he could not control them either. - Maester Gyldayn, F&B

The Three Widows, the Maiden of the Vale, and the Dragon Twins absolutely wreck Cregan's control of the city. Big strong northman suddenly finds that being the biggest man with the biggest stick isn't enough to control the city — and it is delicious. For all Cregan's characterization that he is this harsh, unforgiving, and unyielding warrior, the women cow him not by playing his game of swords or aggression, but by their willingness to lay down arms. Rhaena doesn't arrive with a dragon to assert her power and threaten people with it, but instead uses it as a symbol of hope. After the darkest hour, the hour of the wolf, comes Morning.

This is when I fell in love with Fire and Blood.

judgement of the wolf: no truce with the fur(r)ies

Okay, fine, so our foes have decided to willingly lay down their arms. What are we supposed to do with all these weapons, the men we specifically brainwashed and traumatized to die in war, and the many many crimes left unanswered? SUCH A GOOD QUESTION. A quandary that we still struggle with in our 21st century. Reparations, whomst?

Here are the answers F&B gives. The weapons? Well, they're mostly decommissioned or in the process of being decommissioned. Dragons will no longer be a problem. The men? Marry them to widows that need a strong arm and have them rebuilding homes and fields. The crimes? Well...

We have to tackle the question of what justice looks like in a world where people are forced to commit violence on one another. Killing your fellow man during times of peace is treated very differently from killing your fellow man on the battlefield. When everyone's hands are stained with blood, who is left to mete righteous judgment and punishment to those who have sinned?

This fucking idiot, that's who.

Okay, that was a joke — I don't think Cregan Stark is a complete idiot or that it should be an idiot who does the judging, else GRRM would have made Mushroom do the sentencing.

But what he is, however, is somewhat of an outsider. He is a Westerosi lord paramount who has grown up with their feudal system and common laws, but he is also severely out of place in the King's Landing court because he is from the North. And the North has a very different way of dispensing justice than the south. It's no coincidence that it's the Warden of the North who takes on this task, not only presiding over the trials, but also being the executioner himself.

The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man’s life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die. … A ruler who hides behind paid executioners soon forgets what death is. - Eddard Stark, AGOT

All the lord paramounts agree with the need to enact justice. It's their primary job as feudal lords, but understandably, none of the lords who have been embroiled in the many, many years of civil war want more blood on their hands.

On one point Lord Cregan remained adamant, however; the king’s killers must not go unpunished. Unworthy as King Aegon II might have been, his murder was high treason, and those responsible must answer for it. So fierce was his demeanor, so unyielding, that the others gave way before him. “Let it be on your head, Stark,” Kermit Tully said. “I want no part of this, but I will not have it said that Riverrun stood in the way of justice.” - Maester Gyldayn, F&B

Everyone in Westeros has a feudal conception of justice — very Code of Hammurabi, eye for an eye, "the higher you are on the social totem pole the less harsh your penalties," "it is the order of things" kind of thing. But the North has a less romanticized and more utilitarian view of justice. Ned speaks of it as a duty to sentence a man to death. They remember and keep to oaths, even when circumstances have drastically changed. So things like compassion, leniency, and mercy? Why, those get in the way of duty, don't they?

The north is hard and cold, and has no mercy, Ned had told her when she first came to Winterfell a thousand years ago. - Catelyn Stark, AGOT

To get classical, biblical even, an ideal Northern Lord is depicted to be this impartial, cold, and relentless hand of justice, unable to be swayed by love, pity, or glory, like Zeus calling down lightning on sinners as punishment. Except Cregan Stark is not Zeus. He's more like the furies — a powerful, single-minded force of nature who cannot be stopped from exacting righteous vengeance to those who have done indiscriminate evil. And to this day, some do still idealize that form of justice where every thief must be given the same punishment regardless of circumstance of context.

Again, this is why I love Cregan Stark and why I think he is such an important character on a thematic level. Because he represents the "old way" and a male power fantasy of how to win a war where all the evil-doers are either slain indiscriminately or forced to submit by the unquestionably honorable strong man who stayed true to his word to the very end.

And he's shown to be EXTREMELY out of his depth. You cannot plead with a force of nature; there can be no truce with the furies — but the furies do answer to gods. And who are the gods that move and stay Cregan Stark's hand?

the trial of corlys is the trial of westeros

Before we answer that questions, let's set up the trial and examine what's at stake.

These three are the big players who are accused of the most grievous crime of high treason, and they all represent an aspect of Westeros. Orwyle is a stand-in for the smallfolk. He did what he had to, mostly on the orders of others. Larys represents the low/upstart nobility who have been kept under the boot of the royals and who have rebelled against their wishes to assert their autonomy. Corlys represents the high/established nobility, also pushing for his own advancement but through a reinforcement of the status quo.

Orwyle is banished, sent to the Wall, but ultimately treated with leniency (by Tyland Lannister, not Cregan Stark). Larys refuses the offer of being sent to the Wall and chooses to be executed instead, extinguishing House Strong (the true upstart usurper house imho, not the Hightowers). Corlys is pardoned.

(Judgement of the Wolf by Ertaç Altınöz)

Let's focus on Corlys's verdict, because that's the one that baffles the historians and characters in the book.

Corlys is a key character throughout the Dance because he is arguably the only character that serves as the running thread all the way to the Council of Harrenhal to 101 AC to Aegon III's regency. He is the only character who has served as witness to everything, and he is arguably the guy who planted the seed of the civil war.

As far as Westerosi nobility goes, Corlys is nouveau riche. He didn't inherit his wealth like most lords; he made it through his Nine Voyages, going so far to surpassed House "We Have Literal Gold Mines" Lannister in terms of sheer wealth. Corlys was this close to becoming a king. If common law were followed and Jaehaerys didn't pass over Rhaenys, Corlys would have achieved social mobility the likes Westeros has never seen without using bigger army diplomacy. It's the closest this extremely rigid hierarchy can get to a rags to riches story, honestly. In other words, Corlys represented a new order where any bloodline could theoretically sit on the throne.

And so, in order to prevent that, we come to the original sin of the Dance. Jaehaerys passes over Rhaenys for Baelon. That leads to the nobles passing Laenor over for Viserys. Which leads to Aegon II being passed over for Rhaenyra. And this all snowballs into the Dance. All of that arguably because Rhaenys married Corlys instead of one of her Targaryen cousins or brothers.

Whether green or black, Corlys represents the nobility asserting their growing influence over the ruling dynasty and the decisions they made to further undermine their monarch's power to advance the prestige of their own House. This is not to say Corlys is evil, but that he is simply what all highborn strive towards — power, wealth, and influence. Corlys is Westeros moving forward, past the need to rely on the Targaryens for power and security.

Viewed in the most charitable way, Corlys and nobility like him werw a check and balance to the power of the monarchy, a promise of social mobility — something indeed necessary for the good of the realm. Viewed in the least charitable way, Corlys is an opportunistic traitor who allowed their liege to fall to ruin.

Lord Velaryon did not attempt to deny his guilt. “What I did, I did for the good of the realm,” the old man said. “I would do the same again. The madness had to end.” - Maester Gyldayn, F&B

Cregan Stark, snow-addled and hailing from an ancient heritage who values pacts and order, does not view him charitably. Using cold laws of the world they themselves built and live in, Corlys admitted to treason and treason is to be punished with death.

But to execute Corlys is to punish a person who built himself from the ground up, who is a repository of knowledge and foreign experiences, was the reason Rhaenyra and her claim ever stood a chance, was the person who sued and arranged for this peace, and acted primarily for the good of his House and family. There's also the very real danger that executing such a powerful man would start a whole new war, causing Alyn Velaryon to rebel against the Starks and the crown.

And so, a lot of people argue against the decision. But the cold furies were once again stayed by the wisdom and restraint of women.

jace, baela, & black aly: pretty words that can topple mighty oaks

The justice and fury Cregan Stark rains down is ultimately because he has been summoned by a greater authority in this war — otherwise, my man would have stayed in the North. And who moves mountains, who summons this force of nature, who calls upon this winter storm?

Two years past, Cregan Stark had made a promise to Prince Jacaerys. Now he had come to make good his pledge [...] - Maester Gyldayn, F&B

IF YOU THOUGHT I WOULDN'T MAKE THIS ABOUT JACEGAN, YOU ARE SORELY MISTAKEN. STRAP IN, FOLKS, WE'RE GOING DEEP.

“What is the life of one bastard boy against a kingdom?” “Everything.” - Stannis & Davos, ASOS

Jace's bastardy is the driving force of this war — he is the fruit of Rhaenyra being named heir (necessitating her marriage to Laenor) and he is the reason why it begins (Aegon II only being convinced to challenge his sister because of her heir's bastardy).

Only when Ser Criston convinced him that the princess must surely execute him and his brothers should she don the crown did Aegon waver. “Whilst any trueborn Targaryen yet lives, no Strong can ever hope to sit the Iron Throne,” Cole said. “Rhaenyra has no choice but to take your heads if she wishes her bastards to rule after her.” It was this, and only this, that persuaded Aegon to accept the crown [...] - Septon Eustace, F&B

Jace is disruption of the established order writ small. He is both born a crime and a prince. So we know where most characters stand whether they have an agenda of supporting bastards and other slightly "outsider" nobles (see: women, second sons, etc.) to hold power or they have the opposite agenda of wanting it to be strictly traditional.

But for some reason, Jace being a bastard or disruption of the social order doesn't play a part in Cregan's decision to ally with him at all. The Lord of Winterfell is offered three things: friendship, a pact sealed in blood, and a betrothal to a daughter who does not exist. He does what he does based solely on a promise of a person long dead. This boy must be god for he commanded a force of nature solely by the strength of his word.

“Words are wind,” says The Testimony of Mushroom, “but a strong wind can topple mighty oaks, and the whispering of pretty girls can change the destiny of kingdoms.” - Maester Gyldayn, F&B

What exact words Cregan and Jace, we'll never know.

But we do know what other characters do say to Cregan to get him to stay his hand. There are only two people that manage to do this. The first is Baela Targaryen who was Jace's cousin, step-sister, childhood friend, and betrothed.

Lady Baela brandished a sword and declared that she would cut off the hand of any man who sought to harm the men who had saved her, the Wolf of Winterfell smiled for all to see, and allowed that if her ladyship was so fond of these dogs, he would permit her to keep them. - Mushroom, F&B

Baela along with her sister Rhaena plays a huge part in pushing Cregan to pardon Corlys, but the person who closed the deal, saving Westeros from its own destruction, is Black Aly by offering her hand in marriage in exchange for Corlys's life.

“A lean tall creature was this wench,” says the dwarf, “thin as a whip and flat-chested as a boy, but long of leg and strong of arm, with a mane of thick black curls that tumbled down past her waist when loosed.” [...] “She smells of woodsmoke, not of flowers,” Stark told Lord Cerwyn, said to be his closest friend. - Mushroom & Maester Gyldayn, F&B

(A promise of marriage stays Cregan's hand, so the theory is that it was also a promise of marriage that moved him in the first place. Whose marriage? Well, my stance on that is pretty obvious but you all are free to speculate otherwise. Also, Aly being flat-chested like a boy, being Jace's age, having dark curls, and smelling like woodsmoke 👀)

Regardless of my jacegan truther shipping, let's talk themes. Jace is what got Cregan moving, and it is two aspects of Jace that stay his hand. Baela reflects Jace's Valyrian side, his boldness and dragonfire. Black Aly is Jace's First Men side, his dutifulness towards his family and capacity for sacrifice.

love doomed us, love saved us

Reading Fire and Blood, you understand the cycle of violence continues because of grief and the need to avenge loved ones. It only fully spirals into an all-out war once Luke and Jaehaerys are killed. Characters are so motivated to protect and save their families first and foremost that they end up destroying them. Each loss demands more blood.

The grief and rage of losing a child could burn down the world. - Catelyn Stark, Game of Thrones - Histories & Lore: The Dance of Dragons

So...how did this war end? Not with force, not with another victorious battle, and not even with bent knees. The unstoppable force of retribution that we summoned from the white primordial plane that would have prolonged this war and left nothing but scorched earth... stopped because a girl who smelled like woodsmoke offered her hand in marriage? What?

Let's go back to what Thoros said: war makes monsters of us all. Even when motivated by very human emotions like love and grief, ceaseless pain, cruelty, and brutality turn people into animals.

There is a savage beast in every man, and when you hand that man a sword or spear and send him forth to war, the beast stirs. - Jorah Mormont, ASOS

To me, this is the whole point of the Starks and the North. Fans think Starks are "honorable," which sure, they can be...but not in the same way knights are. The North doesn't have a code of chivalry — that's an Andal thing. First Men are honorable in the same way a winter storm is honorable. Winter doesn't discrimimate and it comes for us all, but there's no humanity in its retribution. The world northerners live in is incredibly cold and harsh, so they must harden themselves in order to survive. Their magic literally involves them turning into animals, and every Stark has the capacity to be a savage beast.

But even beasts need warmth and companionship.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. - Eddard Stark, AGOT

There's something insanely compelling about having to be both tough and communal to survive the winter. Starks must be stoic and fierce but also carry this deep capacity for love and family.

Going back to The Dance, the cycle of violence ends because a girl offered herself to a wolf, and she allegedly reminded him of his lost friend who allegedly reminded him of his lost brother. And suddenly he wasn't a beast anymore, sent out to die while spilling the blood of his master's enemies. Maybe he was thinking with his cock, but at least he was thinking like a man.

Love is the bane of honor, the death of duty. What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms ... or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy. - Maester Aemon, AGOT

personal notes on cregan stark

I love Cregan Stark because he is me in my darkest hour with my self-destructive coping mechanisms, my desperation to prove myself, my anxiety that I will never be safe from those who wish to hurt me unless I hurt them first.

He is the hyper masculine reaction we have towards any kind of trauma, and he seems so strong and stoic and something we should aspire to be. But he's really not — it was a good thing that for all the talk about how "unyielding" he was, there were actually people he deferred to in the end. When you have been raised to be the best fighter in the world and know nothing but fighting, making peace is the challenge. If you have been taught glorify death in battle, choosing to life suddenly becomes radical.

Whenever I talk about this character, I feel like I'm Theon crying in the corner and clutching onto my portrait of Robb, saying, "You don't know him like I do!" Because fans valorize Robb as a king the same way they hype up Cregan as a badass. The man was so out of his depth that he left after 6 days on the job.

He's credited for dispensing justice during the Hour of the Wolf, but out of about 22 people that were arrested, do you know how many he actually executed?

Two. Larys Strong and Ser Gyles Belgrave of the Kingsguard. The rest took the black and Corlys was pardoned. So for all the talk that he's this big, tough guy who cleaned up everyone's mess, he actually did very little in terms of what people consider cleaning up.

That being said, I still very strongly believe that his role made this book worth it for me. Because if Cregan did not show up and the False Dawn continued onto peace without the Hour of the Wolf, it would not have changed the outcome of the Dance but it would have a drastic downgrade to its themes and message.

Instead of the women and widows willingly laying down their arms to dissuade a powerful man from going scorched earth, it would be a bunch of them following Corlys's lead and re-establishing Corlys's version of the status quo. Corlys would never have been tried as a criminal, which was very important because without that, he would have been the arguable "winner" of the Dance. Him being forgiven by Aegon III shows the child exercising power over his life and actively choosing to forgive his crimes instead of being a puppet who is ignorant of said crimes.

The northmen marrying Riverland widows instead of dying in battle is so near and dear to me, because it show that even in ruinous and the harshest of circumstances when you've left everything and death seems like the only choice, there is more value to your life than to whatever glorious death you might imagine for yourself. There is someone out there who will love you and build a home and family with you, no matter how old and how much of a burden you otherwise think you are.

You're mine. Mine, as I'm yours. And if we die, we die. All men must die, Jon Snow. But first we'll live. - Ygritte, ASOS

[mater-argento]

Halloween classics 🖤 Now playing on the Criterion Channel!

*from criterion's instagram*

[tarkovskijj]

Vargtimmen (Hour of the Wolf) 1968, dir. Ingmar Bergman

[cosmonautroger]

Hour Of The Wolf, Ingmar Bergman, 1968

[sinistralidocious]

I'm pondering the Wolf of the North tonight, and there were a couple things I wanted to share.

This is mainly my thoughts on Book Cregan, since he's only been in the show for an entire four minutes.

So, it's basically canon that Cregan is a badass, expert swordsman, etc. etc. However, something I don't think that's discussed enough is his intelligence and political experience. Like, this dude ascended to the Lordship of the North at 16 and had the restraint to imprison his uncle and send the others who opposed his rule to the Wall.

And like, yeah, it seems harsh, but he was well within his rights to execute the rebels, but he also knew how abhorrent kinslaying is in the seven kingdoms (the rebels were led by his uncle). And he realized this at 16. Years. Of. Age.

And it leads me towards the idea that Cregan absolutely pretends that he's some dumb, Northern warmonger. Because that's what people expect and they end up underestimating him. And that just helps him be more effective.

Like, during the Hour of the Wolf, he advocates for marching on the Baratheons, the Hightowers, and the Lannisters. Three of the strongest families in Westeros at the time. At a time when Winter is about to begin and the realm has been damaged by war. Like, dudebro didn't want to go to war, he just wanted to root out those in Kings Landing who still wanted to keep the war going. He states in the book that he wants to finish the war. And I think that's his real reason. Act like a warmonger to draw out those who don't want to make peace. And then kill them so he can bounce off back to Winter fell.

Basically all I'm saying is that this guy is way more intelligent and politically astute than he first appears, and I really hope we get to see this side of him in the show.

[sgiandubh]

Greased lightning

This tiny Easter egg from Season 6, episode 4 ('Hour of the Wolf):

'Greased lightning' sounded familiar for some reason and yet, I couldn't exactly place it (Shipper Mom detests Travolta, but loves Grease, for some reason, LOL).

Until a couple of days ago, when everything randomly made sense -:

Factually, though, I can't figure out how Claire, who went through the stones in 1968, could have been aware of a 1971 musical hit. Grease was first performed at Kingston Mines, a Chicago nightclub, on February 5 1971, so technically speaking, Brianna could have heard the song before traveling through the stones in April 1971.

[theoutlanderevangelist]

6x04 “Hour of the Wolf”

[malachiward]

“A minute really is an immense amount of time.”

Study of Hour of the Wolf

[mattydemise]

Hour of the Wolf, 1968.

[artfilmaesthetics]

100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ

48/100 — hour of the wolf | 1968

dir. ingmar bergman ༄

[xxnymeriatargaryenxx]

cregan stark is the type of man to arch your back FOR YOU!! 🦋🦋🦋😩😩😻 which serves as a constant pleasurable reminder to you of his dominance and physical strength ✨

and whether you are in missionary or doggy, the position doesn’t really matter to him as long as he can get deep inside you

[silver-stargazing]

aggressively arospec week: arospec headcanons (grayromantic)

The *Hits my favorite classic movies with the arospec beam* Edition:

◦ Sugar Kowalczyk from Some Like It Hot

◦ Terry Malloy from On The Waterfront

◦ Griffin/The Invisible Man from The Invisible Man

◦ Alma Borg from Hour of the Wolf

[Image ID: Four images of characters against the grayromantic flag. All characters are in black-and-white. Image 1: Sugar Kowalczyk from Some Like It Hot. She's a blonde woman wearing a black top and looking off-screen with a large grin. Image 2: Terry Malloy from On The Waterfront. He's wearing a plaid jacket, has his legs crossed, and is looking off-screen with a neutral expression. Image 3: The Invisible Man from The Invisible Man. His entire face is covered in bandages and he's wearing sunglasses and a smoking jacket. Image 4: Alma Borg from Hour of the Wolf. She has frizzy hair pulled back and has a concerned expression as she looks straight forward. /end ID]

[beingharsh]

Hour of the Wolf (1968), dir. Ingmar Bergman

[swordofmoonl1ght]

Personal Favorite Movie Directors- Ingmar Bergman + Criterion Release Posters