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metvmorqhoses · 1 year ago

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Nononono waitttt what do you mean about Good Omens season 2?? Why didn't you like it?

I personally thought it was better than season 1 - better paced. There wasn't a single boring moment. And sure, the plot maybe had fewer stakes, but seeing as this was a bridge season between season 1 (the of Good Omens book) and hopefully season 3 (the book that never came out, “668” or something like that), I thought it was good. Warm & fuzzy.

I need to know your opinion now

As abashed as I am to have to respond to such enthusiasm with, well... the very opposite of enthusiasm, please at least know that I consider the truth the best thing I have to offer in general and in regard to that unfortunate (yet somehow still-untouchable?) mess the second season of Good Omens has proven itself to be in particular, so accept it as some sort of well-intended even if perhaps unwanted gift.

This is probably the most unpopular opinion one can have on Tumblr right now, so I'll go straight to the point: Gaiman managed to ruin Good Omens (perhaps he isn't able to write it by himself, perhaps he got carried away with fan service, who knows), once one of the most delightful, witty, engaging, profound books/shows existent, changing its register and raison d'être in order to turn it into, per great popular request, the same lame simple plotless cheesy cookie-cutter gay romance without rime and reason apparently every single piece of media is deforming itself into lately.

The dramatic loss of... artistic quality this show suffered is appalling and even more appalling is the fact I seem to be one of the very few on this green earth to have even noticed? Did I perhaps read too much in the show before? I don't think so, it was indeed a masterpiece. I saw many die-hard fans of the series beyond puzzled at this last season too, straining themselves to try and make sense of it with wild theories, justifying them with the simple fact that Neil Gaiman is a genius and surely this hot mess must mean something, right? I wasn't aware the world was mostly populated by hysterically besotted people hailing Neil Gaiman's alleged greatness from dawn til dusk without contextualized merit, and the discovery didn't particularly excite me, to be quite honest. I think a healthy amount of fairness in the critique of any artist should always be the norm, but I digress.

I'll try to keep it as brief and matter-of-factly as possible, especially since some time has passed and the fumes of my rage aren't as scorching or as precise as they used to be lol

In a word, this season was subpar. Not only did it lack that original witty, ineffable meaningfulness, that intrinsic and very human sense of wonder and protectiveness towards life and its profound sense the original show brimmed with, but even from the most basic literary point of view, it literally lacked a plot worthy of this name, a story, characters that felt complex and real instead of caricatures who tried and reenact themselves, and in general what should have been, quite simply, good writing.

More than Good Omens' long-awaited season 2, this felt more like a high-budget filler fanfiction created by someone who didn't know what they were doing with story and characters most of the time, but who sure as hell wanted to please the audience to disastrous lengths.

The very first thing that irked me beyond belief, and it literally started from minute one, was the immediate, more or less subtle, change in acting from both Michael and David. Michael stressed it way more, with, in my opinion, quite tragic results, thing that from the start immediately allowed me to guess where they were going with their (already established as extremely complex) relationship, entirely turning the vibe from sophisticated allegory of Divine Comedy kind of love (love for your enemy, love for your friend, love in all its form and in its entirety) to banal romantic comedy-level gay drama, downgrading what Crowley and Aziraphale shared (the subtle abysses of it!) into the most boring and obvious of soap operas, obviously forcing them to act out of character in order to compensate (was any flash-back meaningful to their character or the story? Was there a writing reason behind any of them beyond writing for the sake of filling screen-time?).

Some relationships deserve to be left alone, alone in their subtlety and ambiguousness or you'll inevitably ruin them. Not everyone must kiss on screen, no matter how much the audience screams and throws up for it. This little woke drama completely ruined and eclipsed everything else those two characters were for each other, turning them from cosmic and devastatingly loyal best friends to petty and dumb lovers that need two plot devices (the messy pointless and quite frankly offensive representation-wise lesbians from across the street they literally met five minutes prior) to tell them they actually have feeling for each other and should share them. After literal millennia of this relationship, relationship that has its own inner workings and reasons, we needed the plot-lesbians to subvert the order of things and spur Crowley into action, obviously obtaining disastrous and lame results? Are we witnessing the interaction of immortal beings or five-year-olds? The only way I can genuinely make sense of this dumbness is considering those two female "characters" (that feel anything but real people) no more than that, characters, golems, put there by Metatron via the power of the Book of Life (again, so many Chekhov's guns with no use whatsoever in this season) in order to separate Az and Crowley using the only thing that could succeed in doing it - an ill placed declaration of love.

But even this doesn't match the true être of what Good Omens originally was nor comes full circle with the ineffable mystery season 1 ended with. It genuinely feels like Gaiman changed the whole rhyme and reason of the story, vibes, meaning, register, just to meet the modern needs of a category that is sadly phagocytizes everything else in both life and fiction. And I find it a true pity - and a bore.

And even leaving aside this personal boredom of mine at a non-existent plot that consisted in 1) a big mystery that promised cosmic repercussions (season 1 ended with the after-nonapocalyptic world that was slightly changed just because two enemies had loved each other and life too much not to oppose god's plan - fact that was probably god's plan all along), mystery that was actually no mystery at all (two random, from the original story's perspective, previous minor characters in literally ten supernatural minutes fell in love and run away together) and that meant virtually nothing in the grand scheme of things, but serving as a plot device so that the other two minor new characters could intrude into the protagonists' relationship so they could finally have the excuse to jump literary genre and kiss & queer tragedy the story away 2) an endless series of symbols, facts, episodes and characters that constantly seemed to hint at something but that in reality resulted in nothing story-wise (also, the change of heart in God's personality, first the witty and almighty trickster for the greater good, now the divine bully??), even leaving all this aside, I'm mostly disappointed the quality of the writing plummeted so inesorabily one of my comfort show turned into the symbol of an artistic era I'm utterly distraught to have to witness - the era of crowd-pleasers and un-imagination.

As for this being a filler season, writing in such an unresolved way (basic and predictable plot, colourless characters, cliché romance, hours of happenings that don't mean a thing in the current story) is unacceptable and a failure, even if you are a famous writer. You cannot waste hours of the audience's time going nowhere shielded by the sole future promise of sense. Writing doesn't work that way, and I'm sincerely appalled to see people noticing it and deciding to excuse it with a "surely next season everything will look genius!". It doesn't work this way. The faults were too many, they can't possibly be all resolved next season. This product wasn't great, even if your faves kissed and your little fanfictions came true.

The sad thing is, Good Omens used to be a work of art, not the next consumeristic piece of fiction to satisfy woke needs.

#I don't want to sound harsh but this was a true let down #one of the many this year #art is dead #good omens #sofoulandfairaday #asks/replies #one and one thousand stories lis told

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catty-words · 2 years ago

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So I’m new to the nhie fandom, watched for the first time like last month and with the teaser this is the first time I’m experiencing an active fandom for this show and not just reading a lot of fanfic and metas (thank u for your service on both fronts btw) and a part of me shouldnt really be that much surprised with how vitriolic fans of either “team” of the triangle would get with each other, cuz this isnt my first rodeo of ship wars and stuff, but similarly to you I really like both ships and have no hatred for either character and really dont get why anyone else would really tbh.

Still, I read a tweet a few days ago that I CANT get out of my mind no matter how much I try. A daxton shipper who said something among the lines of not wanting Devi to end up with her racist bully and like… I’m scratching my head trying to understand that. Bully I get it, dont agree with the interpretation, but I can see why someone would think that, but racist?? I can’t think of any moment of him being racist. Did I miss something? I’m genuinely asking cuz being a white latina who lives in LATAM is not like I know all the ins and outs of racial politics in the US, but like the only instance of racism that I can think of in Benvi interactions is the antisemitic comment Devi made in episode 2, but I dont think thats it.

ah, active fandom. a double-edged sword if ever there was one. i have curated my fandom experience to the extreme so i don't have to see uncharitable interpretations of either paxton or ben. bums me out too much tbh. also i'm not on twitter. that helps!

anyway, to answer your question, there are two major components to ben's racism (as far as i'm aware, could be there are more that i'm not sensitive to): ben's line about "it'll collect on your mustache" in 1.02 and ben calling devi 'david'.

the first plays into the way western beauty standards are oppressive to women of color. the second plays into the way any names that don't fit into a very narrow anglicization often get americanized anyway because white teachers and classmates won't even do the baseline work to pronounce people's names right.

now, the fact that the nickname undoubtedly contributes to a broader cultural insensitivity that affects real life people can and does exist alongside the writing itself having an affection for and therefore being unwilling to condemn the use of the nickname. speaking personally, i find it really easy to romanticize the nickname without losing sight of the fact that i have the privilege of finding it romantic because i've never had my name forcefully colonized.

now i'm gonna ask you a question, hopefully you don't mind! what was binging the first three seasons like? i'm mostly interested what stuck out to you, if you noticed the s2 tone shift that seemed/seems so drastic to me, if you have a favorite episode and/or season.

finally, welcome to the fandom! happy to have another person who can see the appeal of paxton and ben. 🌻

#bonus vanity question: which of my fics did you like the most?#anon #replies #nhie meta

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lucemferto · 4 years ago

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I feel like Fundy's character is underutilized

I don’t know if this is a spicy take, because everyone agrees on that.

But, yeah, Fundy, despite being - as far as I can tell - a fan favourite, is not used to his full narrative potential ... and that wasn’t always true.

I’d argue that in S1, Fundy was probably the strongest supporting character of the cast. That’s because cc!Fundy had the good idea (or instinct) to combine his personal character arc with the narrative function his character fulfilled in a way where these two things worked wonderfully in tandem.

His narrative function was that he’s a spy deep undercover. But his personal journey was dealing with not being taken seriously and trying to emancipate from or prove himself to his overbearing father. There is a clear tension here, because his deep undercover spy business meant distancing himself from his father - something that played into his “Want”, but was also emotionally difficult for him - and getting closer to Schlatt - who presented him with the “temptation” aka being taken seriously at the cost of his own personal morality.

The struggle of the deep undercover spy - losing yourself in your cover - and the estranged son ultimately looking for validation worked so incredibly well with one another without being overbearing on the larger narrative plot. In fact, it also perfectly works as a smaller narrative in service of the larger season-spanning emotional focal point (aka Wilbur’s fall from grace).

So, cc!Fundy deserves serious props for that.

But in S2, the writing style shifts - and Fundy unfortunately isn’t quite able to adapt.

It starts off well enough. He has some emotional conflicts that are a continuation from his character arc in S1; he has some great acting moments and he establishes some good personal relationships between him and Ghostbur and him and Philza. Great set-up for something later down the line ... right?

Well, unfortunately not. S2 has the problem of being overly scattered and reliant on individual character writing while also not being very flexible. And Fundy gets caught up in the worst storyline of them all, which is of course the Butcher Army.

Now, there was some great potential for the set-up in the Act 1 (Reconstruction) to matter during this storyline in Act 2. But by whatever circumstances it doesn’t work out that way.

Instead Fundy spends his time on setting up Drywaters - a plot point that doesn’t matter, isn’t brought up again and just wasted his character’s screentime. Even while watching it was so transparent to me that Drywaters and El Rapids would not matter in the long run, because they ran counter to the Butcher Army storyline and because they didn’t seem to have any narrative purpose.

It was the polar opposite of how well Fundy had fared in S1.

Ideally, Fundy’s character journey in S2 would have been the conflict between his duties as member of Tubbo’s cabinet and the Butcher Army and his relationship to Phil and Ghostbur. If you’ve seen my videos, you know how much those opportunities were squandered.

So Fundy just kinda existed during the majority of S2 as Quackity’s henchman. The character depth he build up in the beginning of S2 was - for whatever reason - not incorporated here.

And I feel like cc!Fundy wasn’t too happy about this either. Because his final act in S2 kinda completely broke rank with that as he attempted a villain arc. But again, that just kinda ran counter to what the narrative was building up. It didn’t work in tandem - if anything he was actively working against the narrative trajectory.

It felt too me like a desperate attempt to recover some character agency within the story. But as the narrative didn’t account for it, it fell just as flat as Drywaters.

He has been largely absent from S3 - which is very unfortunate, because I still hold him in high regard as an actor - but I hope the resurrection of Wilbur will give him the chance to insert himself back into the narrative. Hopefully without the hiccups of S2.

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grimelords · 5 years ago

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So since the last time I posted one of these the entire world has changed dramatically and hopefully 4 hours of music will tide you over in quarantine for a bit longer. Strangely I’ve been busier than ever, and what started as a personal challenge to listen to a new album every day in February turned into me listening to 116 new albums in March and 124 in April. I’ve got a stacked google doc full of star ratings and dates now and it’s really been a lot of fun, I highly recommend trying it yourself. This is my March playlist, because I accidentally took a month off, and I’m thinking of either switching these playlists to weekly to make them a little more digestible or just dropping them whenever. Who knows. Let me know what you think and drop album recommendations in the comments please.

Listen here: https://open.spotify.com/playlist/0k1JjT8fXcUFO6VpM3kaez?si=gWSv88vdShKSnHhLJ_80pQ

If you’d like to receive these playlists in a more digestible email format, please subscribe to my tinyletter here: http://tinyletter.com/grimelords

On A Slow Boat To China - Bing Crosby & Peggy Lee: Ok first off it’s amazing this song isn’t more racist. I don't remember now how or why I came across this. I think I was just thinking about crooners and how as a genre it's now existed in common popularity as a nostalgic idyll of a mytholigised past far longer than it was ever actually popular which is interesting. The origin of this song, according to wikipedia, is also one of the most 40s ideas I've ever read: "I'd like to get you on a slow boat to China" was a well-known phrase among poker players, referring to a person who lost steadily and handsomely. The idea being that a "slow boat to China" was the longest trip one could imagine. Loesser moved the phrase to a more romantic setting, yet it eventually entered general parlance to mean anything that takes an extremely long time".

Fight Night - Migos: I saw that Offset had some new show on Quibi the extremely fake sounding streaming service and I thought "how did Migos get so world conqueringly large that they get to make 10 minute shows nobody will watch for a $2 billion venture capital funded app that will never make any money?" They seem to have this massive reputation without having much to back it up. The last thing I remember everyone talking about was how Culure II was two hours long in order to game streaming numbers and was simply not good. They seemed to have sort of settled into making background music for scrolling instagram. But then I remembered Fight Night and I thought: "oh wait, that's right, Migos are fucking great". Where their other big hits like Bad And Boujee and Walk It Talk It have this sort of laid back vibe where they've comfortably nailed the formula and relax onto it, Fight Night commands your attention. StackboyTwan killed the beat - it has this propulsive momentum where it feels like it's constantly ramping up, moving up from the sidesick and bassline in the verse, up to the claps on the beat, and the big gang chants on the offbeat once the full instrumentation kicks in - then it just goes around and around and around with the constant bassline the whole tim. It's a perfect all-rise production because it never actually explodes, it's all building tension held down by an unchanging bassline.

Do It Puritan! - El Hombre Trajeado & Sue Tompkins: I am extremely delighted to announce that Sue Tompkins of one of my all time favourite single album bands Life Without Buildings has broken a nearly 20 year musical hiatus to appear on this song by El Hombre Trajeado. It is so nice to hear how her voice has changed and her approach has stayed the same. Her style is so unique and so good and I don't think I'll ever get tired of it.

5 8 6 - New Order: Before 'the incident' I had tickets to see New Order at the end of March and so I embarked on a big listen through of their discography, which has now unfortunately made it feel even worse that live music is cancelled indefinitely.

Oom Sha La La - Haley Heynderickx: First of all I love songs where they talking about how they're writing a song halfway through. And I love songs that seem like a pretty normal singer songwriter indie thing where someone just starts screaming near the end. I love this song. A great staring at the wall and absolutely losing your mind because you haven't done anything with your whole life anthem.

Elektrobank - The Chemical Brothers: Can you believe I've never listening to a full Chemical Brothers album before this month? Can you believe big beat ever went our of style? It feels insane that we ever swapped this sort of energy for the beige algorithm of EDM. I think there's a real triumph in this album, and in this track especially of replicating the live feeling in studio. Giving it this much space to grow and change and get very hairy near the end is amazing, it feels like it was just recorded live.

My Mind's A Ship (That's Going Down) - Katie Pruitt: It feels very rare to me that this sort of extremely smooth Nashville prduction actually makes a song better. It has a habit of strangling the life out of a song and making it blend into a boring paste of soundalikes, but with Katie Pruitt it works amazingly. Her songwriting is so distinct and clear and her voice, especially near the end where it punches hole in the sky, is so strong and so her own that it doesn't need anything else.

Water - Ohmme: "What if Tegan And Sara were a noise band instead?" is a question I didn't know I needed an answer to. I love any band that has the guts to write songs like this that sound like pop from an alternate history, so off kilter and odd and noisy but with this undeniable pop heart that the duo vocals make sound like schoolyard clapping chants remixed by Lightning Bolt.

Lions, Tigers and Bears - SLIFT: A friend put me on to Slift and described them as French King Gizz and really, I'm inclined to agree. This is the traditional long last song at the end of their new album, and as usual I am advocating that every song should be the long last song at the end of the album. I love this style of jam where everyone else goes to space but the rhythm section just digs in and works hard as fuck for ten minutes. Then the whole last 3 minutes of the song are just fat drone riffs. This song's got everything.

The Pines - 070 Shake: This 070 Shake album is unbeleivably good and it warms my heart to see the dark energy of The Pines live on through another century in yet another permutation. I have more to say about it later in the Jackson C Frank version coming up but it feels like this 070 Shake album kind of came and went but I implore you to listen, it’s an aoty contender for sure.

Standing On The Verge Of Getting It On - Funkadelic: If you can stop thinking about the intro, which I certainly can’t (Hey lady won’t you be my dog and I’ll be your tree and you can pee on me.) there is so much goodness in this song. For a while now I’ve been thinking about how, for lack of a better word, ‘positive’ music is consistently underrated in the critical canon. Dance music, disco and funk especially are derided as empty sugar music, while every cookie cutter metal band absolutely demands to be taken seriously. In dance music this manifests as genres like tech house sucking all the fun and individuality out of music until it’s just an endless parade of producers working to a schematic of the barest essentials. It feels like you can’t have fun and be taken seriously at the same time, which feels like an obvious contradiction but shouldn’t be!

Spoils - Dry Cleaning: Dry Cleaning are my Lock Of The Month Band To Watch In The Future Because They’re Gonna Go Off. They have such a great sound and I’m desperate for an album because I just need more. This song absolutely knocked me down when I first heard it. I love any band where it sounds like the singer has just wandered in while the rest of them were rehearsing. There’s a very good talking-songs movement happening in the UK right now between these guys, Do Nothing and Fontaines D.C and i’m excited to see where it progresses. I might put together a playlist a little later to show you what I mean.

As - Stevie Wonder: I finally listened to Songs In The Key Of Life this month, which is an experience I would recommend to everyone. This shit goes for 21 songs over 105 minutes and absolute bangs the whole way. The original release of this album was a double LP plus a 7", which is yet another reason I am grateful for streaming that I don't have to buy a damn box set to hear this thing.

Sleep Now In The Fire - Rage Against The Machine: I am working on a very niche playlist called Songs Where The Guitar Amp Accidentally Picks Up A Nearby Radio Station For A Couple Of Seconds and it's only 3 songs so far. A Man A Plan A Canal Panama by The Fall Of Troy, Melody 4 by Tera Melos and Sleep Now In The Fire by Rage Against The Machine. In every single one of those songs it feels like a critical component even though it's just an accident that's been left in because it sounds good. Here it's the perfect ending as the rage dies down and the commercial world fades back in. Anyway, my other question about this song is about the great Michael Moore directed video where they famously shut down Wall Street for an afternoon. There's a shot of a guy for a second holding a sign that says Donald Trump For President in 1999. Which is odd but not out of the question, he's been famous for a long time and there's always been freaks. My question is why the fuck did he have that sign that day? Was he amongst the Rage Against The Machine Fans that showed up? A counter protestor? Was he, perhaps most chillingly of all, just walking idly around Wall Street with his Donald Trump For President sign like usual and stumbled upon this whole hoo-haa accidentally?

Applause (Purity Ring Remix) - Lady Gaga: Did you fucking know that Purity Ring did a remix of Applause? If there’s something I’d love to know more about and it’s Purity Ring’s forays into pop production. After their first album they did some production for rappers like Danny Brown in the great track 25 Bucks, which is a good fit really - their sound is witch house with the tempo pushed back up, witch house of course just being chopped and screwed reinvented by tumblr users. So it’s a natural fit to take that new perspective back into the world of hip hop. They also did this fantastic remix of Applause after their first album. Then, after their second album they produced 3 songs for Katy Perry’s Witness album, and one Katy Perry song for a Final Fantasy mobile game soundtrack (?) and feel like the long silence and delay between their second and third albums is because of more behind the scenes pop production work - but if that’s true, where is it? Is it, as I suspect, part of my own personal Pepe Silvia, Katy Perry’s scrapped 2019 album that has vanished into thin air? Or is it part of Chromatica? I think Purity Ring have solidified an interesting place in pop, paving the way for Billie Eilish and Kim Petras’ dark anti-pop and so i’m excited to see where they go after this new album now that they’re the architects of the new wave.

React/Revolt - Drahla: The smartest thing you can do is add a saxophone to your band. The whole first half of this song could go for 20 minutes of growling screaming saxophone post-punk and I wouldn't mind. Then when the second half of the song kicks in it's fantastic in the way this whole Drahla album is: it's tight and sprawling post-punk at the same time with a complicated structure that seems to just pile onto itself instead of ever circling back.

And I Was Like - Porridge Radio: I'm seemingly having a real thing this month for songs that open with a bizzare acapella chant. Between this and the Funkadelic one it's a genre I'm very interested in hearing more of. Isaac Newton was a virgin and it's important to recognise that. The thing I love about this song is how it's in 3 distinc sections: Isaac Newton was a virgin, she's a birthday girl in a birthday world, and mum no please it's grunge, and they all feel like the concentrated energy of a 14 year old's thoughts. She sounds like she's almost crying when she sings 'she's a birthday girl in a birthday world'. The concentrated confusing teenaged energy of this song is just overwhelming.

Dirty Mattresses - Mama's Broke: So much of contemporary 'traditional folk' either exists as pure nostalgia music or as music that's trying too hard to be 'authentic' and evoke a mythology of a bygone time, but Mama's Broke manage to make it feel new and modern but honest and authentic at the same time. The super close harmonies and modern approach remind me of House And Land who I also love, but the songwriting is in another class entirely.

Building A House - CHOPCHOP: I don't know if you've ever seen Bad Boy Bubby but CHOPCHOP feels a little like the band that he ends up joining at the end. A musical ensemble built to enable the will of a very strange man. I think the band is from the UK and I'm not sure where the singer is from, but he has this incredible deeply accented voice that brings such a gravity to everything he sings in the way that anyone speaking english as a second language accidentally brings new weight to common turns of phrase.

Universal Soldier - Jay Electronica: It feels fitting, looking back, that Jay Electronica finally released his album right before the world ended. It was literally now or never. Some how Jay-Z is the breakout star of this album for me. He's got some of his best verses in years on here and he's a great opposition to Electronica's flow when they trade verses. I would also, as an aside, like to know the origin of the kids cheering sample throughout this, because it's the same one from AM//Radio by Earl Sweatshirt and Wish You Were Gay by Billie Eilish. So what's that about.

Sticky Hulks - Thee Oh Sees: I've been very slowly getting into Oh Sees and I love them a lot so far. Their unweildy, huge discography spread across a lot of variations of the same name makes digging into them very rewarding as well. There's a great line on their wiki detailing all the times they've changed their name that goes: Orinoka Crash Suite (1997–2003), OCS (2003–2005, 2017), Orange County Sound (2005), The Ohsees (2006), The Oh Sees (2006–2008), Thee Oh Sees (2008–2017), Oh Sees (2017–2019) Osees (2019) to give you some idea of what we're working with here. Basically it's just everything you could want from a pychedelic band like this: a history and discography as shaggy as the songs themselves.

Knife On The Platter - BODEGA: In reading about Bodega I learned that they don't have a drummer in the traditional sense. They have someone credited as a 'stand up percussionist', and in listening back I realised that's they key to the groove in their music. He's not playing a kit he's just slamming at a tom and a snare on a rack, while one of the singers plays hi-hat here and there. So all the drumming has this barebones caveman feel to it and I absolutely love it. The band feels a lot like The Fashion, and that whole mid-2000s dance-punk movement that I've been desparate to come back so naturally I love it a lot.

Against Gravity - Horse Lords: Horse Lords are one of the most incredible bands I've heard in a long time. Somewhere between a more analogue Battles and Laddio Bolocko, they make a kind of churning math-jazz that sounds like huge intersecting squares of rhythm slowly overlapping. It feels like there's an infinite depth in these songs, you can listen and focus on a single instrument and see it shifting in and out of place with everyone else, before you lose it again and it retreats back into the swirling mass.

Plain To See Plainsman - Colter Wall: I've been listening to this Colter Wall album a lot, and it's really beginning to rank among my all time favourites. I grew up around the flattest place in the southern hemisphere, so I love the plains and it's very nice to have a cowboy song I can relate to like that.

The Nail - Sarah Shook & The Disarmers: Sarah Shook has so much character in her voice I completely love it. She is also a fantastic songwriter that manages to make outlaw country punk that sounds authentic and doesn't have the rockabilly posturing that a lot of the genre suffers from.

Inner Reaches 慾望的暗角二 - Gong Gong Gong 工工工: The best thing about Gong Gong Gong is you can listen to this whole song before you realise they don't have a drummer. They're a guitar and bass duo that play and sing with such a layered rhythmic intensity between the two of them that they really don't need one. A drummer would just clutter the space already taken up by their ferocious rhythm.

Country Pie - Bob Dylan: I'm a big fan of Bob Dylan's dumb songs. He has a lot where if it's the first song you ever heard from him you would be mad at whoever told you he was the greatest songwriter to ever live for trying to trick you like this. What I especially love about this song is how abruptly it ends, like dad just came home and everyone panicked cause they're know they're not supposed to be staying up that late.

You Did It Yourself - Arthur Russell: It seems hard to believe that I've only just found out about Arthur Russel. He seems to be a mainstay of Music Guy lists and somehow I've only heard of him this month. I've been obsessing over the Iowa Dream album, which is a compilation of a lot of different (mostly extremely high quality) demos from the late 70s to mid 80s and what really shines through other than the singular strength of his songwriting is how readily and easily he bends from country style folk to romantic piano ballads, to groovy post-punk like this. What I love so much about this song is it's a great lesson in songwriting: sometimes a song can just be a vague review of a middling movie and still have emotional resonance. Incredible. There's a great NPR article about Arthur Russel and the process of assembling half-takes and demos into complete recordings that you should read if you're interested. https://www.npr.org/2019/11/20/779721417/which-arthur-russell-are-we-getting-on-iowa-dream

The Dogs Outside Are Barking - Arthur Russell: I love this song because it's such a perfect distillation of a teenaged moment: trying to find a moment alone with someone when you have no freedom at all to create one. The song cycles through potential situations but leaves the problem unresolved, existing in the moment of nervous romantic tension preceding an unasked question and it's just beautiful.

Men For Miles - Ought: I love the vocal melody in the verse here so much. Spiking up unnaturally at the end of the lines like a nervous and strange version of The Strokes. Even the way he cramps his words in in the chorus is so good, switching registers randomly like he's impersonating someone else.

Mister Soweto - Lizzy Mercier Descloux: https://pitchfork.com/features/from-the-pitchfork-review/9828-lizzy-mercier-descloux-behind-the-muse/ Pitchfork has a great article about Lizzy Mercier Descloux detailing how she is continually undervalued and underappreciated. I found her though my Discover Weekly and became immediately obsessed with this album - a perfect mix of off-kilter 80s bass and brass that is so colourful and seems to move in a million directions at once like the songs can't even catch up with themselves sometimes. I'm excited to dig into her discography more and try to understand her more because she has a truly unique approach that I can't get enough of.

Sweden - Marilyn Crispell: I've been looking for a while for other pianists of Cecil Taylor's calibre, rare type that it is and I am so glad to have finally found out about Marilyn Crispell. She plays free jazz like Taylor, but in much less percussive and disonnant style. There's a New York Times quote that seems to follow her that says "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz." and it's really very apt. She will move with seemingly no warning at all from mediative, colourful stokes to a mad descent unto uncertainty and beyond, then back again without a moments hesitation. Her music moves like a dream, linking a stream of unlinked images with an ease that only seems incongruous on reflection.

Twins - Gem Club: I have loved this song for a very long time and I come back to it over and over and appreciate it anew. What I appreciate about on listening to it this time is the strangeness of it's structure, following up the verse with an instrumental break, and then a long instrumental intro to the chorus gives it so much space to spread out and breathe, giving the beautiful gravity of the song even more weight. Then after the chorus it moves straight to a bridge and then the intro and first verse again. It's a fantastic song that makes it's small parts so large, where another songwriter or another producer would pare them down.

Grand Central - Paul Cauthen: Something I've learned in listening to a lot of cowboy music is that the number one thing that cowboys hate and fear is getting hanged. They hate it worse than cats hate getting sprayed with water. I found out about Paul Cauthen combing through Colter Wall's similar artists looking for more of this brand of new old fashioned country and I really found it here. Paul Cauthen comes from four generations of preachers and left the church to pursue country music instead, which feels like an extremely old fashioned position to be in here in 2020 but I guess lots of people in Texas still live like that, and thank god they do or we wouldn't have Paul Cauthen's big mournful Elvis voice to sing us songs about the railway.

Serafina - BAMBARA: I love this sort of spoken word leather jacket rock and roll. It's so extremely Cool in an old fashioned way. Like a more rock and roll version of Enablers.

So 4 Real - The Hecks: I love love love this song that sounds like a sped up Prince demo. The strange thinness of the mix and the way the vocals are buried just makes it sound so strange and great, like it was put together on some ancient 4 track recorder that can't handle the pure energy of the song.

In The Pines (Version 2) - Jackson C. Frank: There's a very good 3 hour compilation of Jackson C. Frank recordings that came out a few years called Remastered And Unreleased that I listened through the other day. It's just magnificent. This version of In The Pines is one of my favourite I've ever heard, the mournful vocals coupled with his churning rhythm guitar really brings out the darkness of it in a way I've never heard.

(Tumble) In The Wind (Version 1) - Jackson C. Frank: Another favourite from this compilation that is slightly hard to listen to. I don't know if there's a date on it but I'd guess this was recorded near the end of his life. It is so beautiful, but you can hear in his voice and breathing that he's unwell. In Horseshoe Crabs by Hopalong she sings a story from his perspective this song really seems to fit in the second half of that. "Woke from the dream and I was old / Staring at the ass crack of dawn / Walked these streets up and down / Looking for Paul Simon / All I found was myself, lost in time / I tried singing my songs / But I lost my mind"

Sludge - Squid: I'm thinking of putting together a playlist of all the great Black Midi-adjacent bands I've found out about recently and Squid is at the top of the list. This new breed of art-punk is so fantastic and goes in a million different directions. I'm just so excited it exists.

Straight Shot - Quelle Chris: I love this song and Guns is a phenomenal album but there’s one thing bothering me. The ‘who are you, what are you’ part at the end sounds so incredibly familiar to me and I can’t figure out why. As far as I can tell it’s not a sample, but googling reveals that the english voice on it is fucking James Acaster the standup comedian. So what’s going on? Quelle Chris himself is less than helpful: “Straight Shot is one of those ideas that reached out to me, we got along and I simply showed it around town. The chorus, poem at the end and basic piano progression literally came to me in two separate dreams”. Who knows. Great song though.

Levitation - Dua Lipa: What I really like about this song is that she says sugarboo. This whole album bangs and Dua is really reaping the benefits of being the only pop star with the guts to release an album while everyone’s in lockdown I also have a half-baked theory about the way this song is almost interpolating Blame It On The Boogie in the ‘moonlight, starlight’ part as a sort of aggressive takeover of Michael Jackson’s cancelled legacy. Which is smart really. The same way Taylor Swift is re-recording her albums, let’s just get The Weeknd in the studio for a couple of days and give the world back it’s bangers.

Another Crashed Car - Nine Inch Nails: I am so glad Trent Reznor put out another two volumes of Ghosts. Ghosts I-IV from 2008 seems to have been the bridge from his Nine Inch Nails work to his film score work, and now that he’s had such success with that it’s nice to hear him writing in this style without telling anyone else’s story again. It’s also interesting for him to go back to this project now that Ghosts I-IV has paid dividends in the form of the sample at the centre of Old Town Road but that’s neither here nor there. It’s hard to pick and individual track from these, because they work so effectively as long form albums and not individual tracks, but I chose this one because I put the album on as background ambient while I was doing some boring data entry at work and this track is the point at which I realised I was going out of my mind with stress from doing the simplest tasks because of Trent’s Damned Chords.

Lilacs - Waxahatchee: This is a perfect song. It makes me want to like, draw charts about it and go through it bar by bar to figure out how she did it. It’s perfectly put together. It feels like she uses every trick in the book and it just comes together flawlessly in 3 minutes. Amazing.

Cool Water - Hank Williams: I decided to properly listen to Hank Williams because his shadow stretches over so much of country music, and while a lot of his music really alienated or bored me, and a lot of his songs feel like they would read as novelty songs today (like Hey Good Looking), this is the song that made me understand why he’s so revered.

In My Bones (feat. Kimbra and Tank And The Bangas) - Jacob Collier: Jacob Collier generally irks me. He makes brain music for redditors that lose their mind when someone shows them chord inversions or odd time signatures. Youtubers whose whole personality is ‘y’all heard Giant Steps?’ But he killed it on this song. It’s great despite him. There’s still a lot of corniness to work through, mostly in the big yuck funky lyrics, but structurally it’s a kaleidoscope and a big chunk of its success I’m putting down to Kimbra and Tank who understand that performance is a bigger part of a song than composition in a way Collier maybe doesn’t yet. He can overload the bassline and stop-start the rhythms as much as he likes but without actual personalities driving it it’ll just sound like a Peter Gabriel midi played at 200%.

Earthquake - Graham Central Station: I learned something wonderful in researching this band. The leader, Larry Graham, who was in Sly And The Family Stone is credited with inventing slap bass. He himself refers to the technique as "thumpin' and pluckin' ".

Quand Les Larmes D’un Ange Font Danser La Neige - Melody’s Echo Chamber: Once again furious that I’ve known of Melody’s Echo Chamber for years but never listened to them until now. I have been missing out. This is a perfect sprawling psychedelic jam punctuated with a bizzare cut-up recording about shitting yourself when you die and being declared brain dead in the vatican. It’s got everything. I had to look up who the drummer was on this song because he’s just nailing it, and it turns out it’s Johan Holmegaard from Dungen which is really a perfect fit.

Murder Most Foul - Bob Dylan: I was thinking the other day about how Bob Dylan is doing in quarantine. The man who hasn’t stopped moving his whole life and who’s been on a never ending tour since the 70s is now, I assume, just pacing a hole in a hotel carpet somewhere and jabbering to himself. The strangest part of Bob dropping this 17 minute song about JFK out of nowhere is that he hasn’t put out any original music since 2012. So a gigantic song like this is an even bigger surprise. I, already a huge fan of gigantic songs and Bob Dylan, unsurprisingly love it. I love the slow stirring of the instrumentation, like he hired Dirty Three as a backing band and I love that nearly the entire second half is just listing good songs that he knows. It’s a remarkable song and unlike anything i’ve heard before from Dylan or anyone else. It’s interesting to hear Bob Dylan step into being the great chronicler of the 60s like he’s been told he already was his entire life almost 50 years later, finally accepting the fate foisted on him. The other thing I love about this song is the line when he for some reason praises Lee Harvey Oswald’s shooting “Greatest magic trick ever under the sun / Perfectly executed, skillfully done”

https://open.spotify.com/playlist/0k1JjT8fXcUFO6VpM3kaez?si=gWSv88vdShKSnHhLJ_80pQ

#playlists

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yurimother · 6 years ago

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Top Yuri Anime Poll Results

Whether it is subtext or explicit, cute or sexy, school love or gay action thrillers I love yuri anime. These series either focus on or contain elements of female same-sex relationships. Pride month is the perfect time to look back and reflect on the best of this genre. I teamed up with OG Man of The Yuri Nation (yurination[dot] wordpress[dot] com/) and together we put out a poll asking what you thought the top yuri anime series were and over 1000 of you responded submitting almost 5000 different entries. We spent hours combing through the data, analyzing and commenting on the results and we would like to share our thoughts with all of you. Enjoy the reflections of me the yuri critic and OG the dedicated yuri fan!

These are the Top 20 Yuri Anime as voted by you

1. Bloom Into You - 692 Votes

OG: Be it East or West the YagaKimi took the world by storm. Citrus and BiY once again taking the top two spots remains unsurprising.There is something undeniably fascinating about our leading ladies consisting of an asexual slowly coming to love her senpai back but restraining herself for various reasons. The biggest one being said senpai having a deep case of self-loathing and a fear of romantic reciprocation, also for various reasons. She is like “I love you but please do not love me back”. Then there is one of the most popular “cursed” lesbians of all time in Sayaka, the fantastic adult side-couple (The world needs an anime starring lesbian adults/mothers) and the various other characters who have their own interesting tales to tell. The series absolutely deserves a spot in the Top 10 though it would not be in my personal Top 3. Oh and as Yurimother said the presentation was fantastic.Visually stunning from start to finish in my opinion. Special mention goes to the criminally underused first-person “camera”. So cool.

YuriMother: I agree with this series deserving a spot in the top ten even if not the number one slot. For me, it was good but not great. Moments such as the aforementioned adult couple as well as stellar art and a phenomenal score made this series enjoyable but they were not enough to overshine the problems of the narrative. For the love of the Yuri Goddess, this series is crying out for asexual representation but insists on carrying on with its confused romance. Enough complaining though, many people love Bloom Into You despite its faults and I agree. The characters are interesting and lovable and it manages to tell a yuri story more real and complex than the typical fluffy girl meets girl narratives.

2. Citrus - 452 Votes

YuriMother: The presence of Citrus and Bloom Into You prove two things to me, the importance of recency, as both anime aired only last year, and the sheer popularity of these series. Both had established and extremely successful manga runs which were adapted into English by the publishing masters of yuri, Seven Seas. Citrus is a contentious series, to say the least, as it includes elements of (non-blood related) incest and non-consensual actions as part of Mei and Yuzu’s “relationship.” However, if you possess the magical power to turn off the part of your brain screaming at you that those aspects are deeply problematic or if you seek a different interpretation then Citrus can be downright WONDERFUL. I actually loved this anime series for its characters, amazing animation, and salaciousness. As OG said, it is an operatic concussion of emotion (seriously everyone in the series needs therapy) but my is it fun to watch. The Citrus anime also holds a special place in my heart, as the first serious piece I ever wrote was a review for it over on Okazu (nice plug)! Citrus is certainly not for everyone but those that stuck with it and overlooked some of the problems ended up loving it.

OG: Here we are again with Citrus at #2. My thoughts on the series remains the same as in the previous two lists I discussed (the Akiba Research and goo Ranking Japan lists), overrated. Good soap opera/telenovela-esque series but my feelings on the cast are mixed (which I imagine was the writer’s intent). My main issue has always been the obstacles repeatedly challenging Yuzu and Mei’s feelings for each other instead of it focusing on “Hey. We like each other but our parents got married. What do we do? Can we keep our desires for each other in check?”. Instead it is one newcomer after another who want to eat either Yuzu or Mei and Yuzu repeatedly asking herself if she really wants robo-stepsister patties? I will give the anime adaptation credit. The story was easier to enjoy animated than drawn. It also helped that I grew up in a telenovela loving family. The characters’ actions, reactions and emotions were depicted better in the anime. I still consider the show’s greatest accomplishment being the humanization of Mei-Tron. In the manga it took a post-epilogue continuation to show readers “Hey everyone. Mei-Tron was human all along.” whereas in the anime I sensed the small bit of humanity quicker than in the manga where I continued seeing her as a block of wood with a brain up to the point where I dropped it. Harumin though is the greatest regardless of anime or manga adaptation. Bless her. Regardless of how I feel about the series I get its massive popularity. After all, were the rest of the story to get an animated continuation I would gladly pick it up...Not the manga though.

3. Sakura Trick - 342 Votes

OG: There are fans who understandably would disagree with Sakura Trick’s praise but I will always defend it and the anime as one of the very best in the genre. First off it aired at a time where animated on-screen close up kisses (specifically consensual ones) between ladies were rare. Haruka X Yuu’s relationship was believable for the most part. Even their season finale resolution, them not getting what being “in love” meant at the time, made sense though I get why it left some scratching their heads. Probably not the best “manga lure/bait” end I suppose. On the bright side Kotone X Shizuku’s story definitely did not have the two doubting their true feelings for each other. I do hope Kaede X Yuzu eventually hooked up in the manga as they too had potential to be a lovely couple.

YuriMother: Sakura Trick has no real narrative, no great insight, and offers little intellectually. As a teacher, it makes me furious, as a fan of yuri, elated. The anime is beloved for its plentiful soft service, presenting a plethora of kisses, cuddles, and awkward thigh shots (ew). However, it was one of the first anime to include this much explicit yuri service without being pornographic. All the characters were cute and fun, even if there was little in the way of development or complexity, it worked for the series. If you want something to make you think or to learn about yuri, pass over this one. But, if you want a cute and meaningless anime definitely watch it.

4. Yuru Yuri - 337 Votes

YuriMother: OG may not be a fan of Yuru Yuri but I certainly am, which is fairly obvious to anyone who observes that a solid 20% of my communications occur in the form of gifs from this series. It is hilarious, cute, and playful. Just like Sakura Trick, this anime is an easy watch with ultimately little substance. However, the part of me that is not rolling of the floor laughing every time I watch Yuru Yuri lives in a state of pained existence with the knowledge that this work of all things ended up being so popular when people are telling interesting stories about queer women and people in actual relationship that manage to still be funny and adorable while having something to say.

OG: The undisputed most mainstream friendly yuri series there is. It is also one of the funniest. My one gripe is that excluding a select few the main draw of the show besides the comedy and yuri is the ship wars, meaning (almost any girl can be shipped with each other). Not a fan of that but hey, it brought Namori the big bucks so who am I to judge? In any case not much else to add. It deserves all the adulation it gets but the free for all shipping irks me. Reminds me of how they botched Chika X Riko in the Love Live! Sunshine!! Anime. If you were going down the Riko X Yohane route from the start then why give us Chika X Riko in the first half? Ship wars yo. Tch. Hopefully I properly explained myself..

5. Kase-san and Morning Glories (Asagao to Kase-san) - 289 Votes

OG: Still wish this got a 12-13 episode anime. The glorious movie showed how much it deserves one. Whether it will happen or not remains to be seen. In any case the beauty of Kase-san X Yamada is how simple their romance is. No strings attached whatsoever. It is as straightforward as a self-proclaimed “ordinary” cutie, Yamada, having a crush on the super cool school beauty Kase-san. Said beauty is revealed to be just as “adorkable” as Yamada. The other highlight is their story not ending once they officially started dating (as is the case with many romance stories) but that being only the beginning, like real life. From then on, side-stories aside, the two biggest challenges for the two is Yamada accepting that it is okay for someone as “ordinary” as her to be the “cool babe”s girlfriend and Kase-san finding different ways to express her love/hunger for the cutie. As for the OVA, cramming the second part of the first series in an hour definitely had the downside of excluding some important moments, yes, but it at least covered some of the best moments in the manga. The first half of the story was summarized in a five-minute music video. One last thing. The animation, though a bit too brought for some, was glorious. It also had some long pauses which were effective (The bus stop scene being the most infamous) but while I did not mind them at all even I will admit some pauses went a bit too long. A small nitpick all things considered. Fingers crossed one day we either get that 12-13 episode anime for the first series, the sequel or both. That is one of my dreams.

YuriMother: At last, an anime that I do not have to react cynically to! Kase-san is one of the single greatest works of yuri animation to ever to be created and its glory is rivaled only by the manga from which it originated. Despite being only a one hour long OVA this adaption told such an engaging and realistic (finally) story of romance and personal growth. We get to skip the meatless girl meets girls arcs and get into the depth and complexity as Yamada and Kase work to further their relationship. They struggle with the fact that they are two different people who want different things out of life and love and have to actually work on their partnership. Kase-san also includes signs of physical affection and love that are never lewd, immature, or gross, I do not even think I could refer to them as “service”. However, for me, Kase-san’s greatest victory (both the anime and manga) is in its escape from school romance, which in this genre is often a shelter from reality, allowing for women to be in relationships without actually being queer. Kase and Yamada instead make an effort to continue their romance and build a life that includes their relationship once they graduate in a triumphant final act. This anime is a slap in the face to the class S stories and sloppily sexualized works which proliferate the yuri genre. Asagao to Kase-san shines as a holy beacon for the greatness that this genre can achieve.

6. Puella Magi Madoka Magica - 286 Votes

YuriMother: Hurray!! For two entries in a row, I get to talk about series that I wholeheartedly adore without having to constantly attach caveats. Puella Magi Madoka Magica is not considered by all to be yuri, and that is certainly not what it is best known for. PMMM is however famous for twisting the tropes of the magical girl genre and creating one of the most cohesive and thoughtful narratives ever put to screen. This series summoned a new era for the magical girl genre (what OG humorously referred to as the “Moepocalypse”) but no other title managed to top Madoka Magica’s runaway success. Every aspect of this work is highly polished including character designs, a phenomenal soundtrack, and superb writing. This is not only the definitive work of its genre but of all postmodern anime. Whether or not one is a fan of yuri every anime fan should give Madoka Magica a watch.

OG: Meduka Meguca. Its impact in the “Moepocalypse” (Shows where cute and sexy girls consistently suffering physically and emotionally. These are usually dark magical girl shows.) genre and legacy are undeniable. It deserves all the praise it gets. It scarred many unfortunate souls, Homura is a legend in yuridom, Kyouko X Sayaka are glorious (Especially in Rebellion), Meduka’s Mom Junko is a Top Tier Sexy Mama, Charlotte the Witch is a very strange girlfriend and of course Hitomi is a walking anti-fun meme. The animation, especially the creepy doodle like monsters known as Witches are memorable. However, it is not my favorite Moepocalypse show. That honor goes to Yuki Yuna is a Hero.

7. Strawberry Panic - 224 Votes

OG: Like it or not Strawberry Panic is a yuri classic. I have a strong feeling that like many readers around my age (31 during this writing) this was their first 100% yuri anime. The cheese is real but it is the yummy kind of cheese and I loved almost every minute of it, except Amane X Hikari. That was the weakest of the love stories going on. Poor Yaya trying too hard (Not saying this in condescending way. She literally tried too hard). It is like a young adult lesbian novel but more fun. I mean Nagisa X Shizuma might as well be “Lesbian Twilight but not crappy”. Let us be honest, Shizuma is a vampire. Chikaru is an undisputed goddess and Kagome is the cutest.

Oh and I will repeat this statement till my last breath…

#TamaoWasRobbed.

YuriMother: I may be almost a decade younger than OG but even for me Strawberry Panic was my first yuri and it more than earns its nickname as the “gateway yuri,” although last year’s Citrus and Bloom Into You may be presenting serious contenders for this title. If for no other reason than nostalgia, Strawberry Panic remains my favorite yuri works but this ridiculous soap-opera of an anime does deserve a fair amount of recognition. I see Strawberry Panic as the culmination of the S subgenre revived by Maria Watches Over Us. However, this work succeeds at both parodying many of the tropes of S and yuri while breaking a few. However, its greatest accomplishment is introducing many of the young western fans of yuri to the genre. Strawberry Panic, you are an overly dramatic mess but thank you for all you have done.

8. Revolutionary Girl Utena - 176 Votes

YuriMother: Another gem of the yuri genre, actually scratch that, if works like Kase-san are gems then Utena is the minerals from which gems form. I think that is how it works, I am not a geologist. My poor analogies and subtle nods to Steven Universe aside, Revolutionary Girl Utena is one of the single most important works of yuri anime, possibly even more so than Sailor Moon. These two works were the dawn of the current age of yuri, an era spurn on by social progress and the internet into a place where more yuri works featuring honest depictions of homosexuality are flourishing. Utena laid the groundwork for queer representation in anime and for that I remain forever grateful to this masterpiece.

OG: I must confess. While I saw the movie long ago and thought it was cool I have yet to sit down and finish watching the main series. I cannot say much about this show other than it is another yuri classic. Possibly one of the biggest. I think I will leave this to Her Holiness because even if I had seen it I do not consider myself someone who possesses the sufficient intellect to properly explain why this is a legendary show.

9. Flip Flappers - 132 Votes

OG: I would need an essay to explain why this show is legendary. Let me see. It is a story of a girl who discovered her gayness thanks to her growing attraction to a lovable idiot/genki. There are references to Western media, dimension hopping (including Class S Hell), self-discovery, a sexual orientation journey, a tree, armored wedding gowns, crazy third wheels, Ku Klux Klan stand-ins…You know what? Just watch Flip Flappers. It is a hot mess of random, crazy, creative and thought provoking awesomeness with a wonderful dose of gayness. Glory be to PapiCoco. However, as Her Holiness mentioned this is essentially Ikuhara-san levels of weirdness (though not as complicated I feel) but as the plot thickens it all (sort of) starts making sense...eventually. That tree yo.

YuriMother: Flip Flappers was almost too strange and abstract even for me, and that is saying something. However, upon further examination, one of the most interesting works of yuri is revealed. This heavily stylized anime delves deep into the sexual maturation of its protagonist while examining the yuri genre and representation in media. Flip Flappers is the perfect marriage of heavy visual style and intellectual substance. Definitely give them one a.. err better make that three watches, as you will want to be sure to get everything out of this beautiful series as possible.

10. Miss Kobayashi’s Dragon Maid - 131 Votes

YuriMother: This series is the closest anime fans have to a lesbian couple having a family that we have, and that is a shame. I LOVE family narratives, outside of the yuri genre Usagi Drop is my favorite anime. To me, seeing women balance life, a relationship, and children is some of the best queer representation there is. However, for every point in Kobayashi’s favor, there is also a glaring fault. Kobayashi is a modern woman in the workforce providing for herself and her “family,” but is borderline abusive to Tohru. Kanna is an inquisitive child being raising by two women, but there are weirdly sexual scenes featuring her. As previously mentioned on this list, if one can silence the reasonable part of the brain this work becomes enjoyable, hilarious, and adorable. Unfortunately, its faults prevent it from being more than an amusement and I seriously doubt that they will fade in the second season. But hey, it sells a ton of figures so… YAY!

OG: This series is one of the closest yuri fans have to a series starring a lesbian couple with a daughter and it is wonderful. Is the tale of an eternally grateful dragon who wanted to repay the human who saved her life, albeit drunk, by becoming her live-in maid. Tohru being a dragon girl had incredible power and could easily crush everyone in sight but preferred to try and understand humanity so she could live in peace with the woman she loved. It of course was hard at times but thanks to Miss Kobayashi slowly growing to accept her back (romantically she had a ways to go) and the two raising the adorable bundle of mighty puff known as Kanna they became a happy family. How long this relationship will last and whether Miss Kobayashi would come to fully love Tohru back romantically remains to be seen. I have high hopes it can and will happen. Kanna X Riko is precious (Yes. Even that scene). We even have a potential BL couple, which is nice. Not a fan of Lucoa X Shouta the shota. Not because of the age gap but it not being my kind of romantic comedy. It is the same reason I have a hard time buying Tsubame X Misha from UzaMaid. Mya-Nee X Hana from Wataten...maybe. At least Mya-Nee showed she is patient. Back to Dragon Maid. Great series. Naughty of course but great.

11. Sweet Blue Flowers (Aoi Hana) - 119 Votes

OG: Megane girl falls for a cutie but has a hard time confessing to her to the point she gives a relationship with another girl a try. Said other girl has troubles of her own courtesy of her own views on what love. Do not get me started on the OTHER girl who likes megane’s girlfriend. I did not even mention megane girl’s first love interest who she herself eventually begins questioning her feelings for the glasses wearing maiden. While this is well known throughout the history of yuri anime Aoi Hana made it clearer than ever that Yuri + Classical Music go hand in hand. Plus the show is quite pretty. Ultimately enjoyment of this series depends heavily on viewers’ patience.

YuriMother: Aoi Hana was ahead of its time in many regards. Most yuri during the early twenty-first century was unrealistic and melodramatic, especially with the revival of S stories. Aoi Hana instead presents a calm and realistic story that we still rarely see in yuri anime today. Instead of relying on tricks like service or comedy Aoi Hana presents a serene and character-driven story which is matched by equally calming scenery. It is certainly not the most thrilling watch, but a slow and beautiful slice of real life that remains one of the all-time strongest yuri works.

12. Yurikuma Arashi - 99 Votes

YuriMother: Yurikuma Arashi is strange, to say the least, but this is not out of the ordinary for legendary director Ikuhara, who also directed Utena. Parallels are easily drawn between this work and Flip Flappers, as they are both complex and encoded with enough symbolism to drown a bear. Yurikuma is one of my favorite works in the yuri genre and I have had more than a few heated discussions about interpretations of the work, including one memorable occasion when I was visiting a college professor and we ended up in a shouting match in the middle of the hall. However, while Flip Flappers holds a high degree of polish the same can, unfortunately, not be said here. Yurikuma Arashi has more than a few scenes of fanservice many of which overly fetishize the characters and relationship and some of the symbols, particularly lily flowers and the word “yuri” are practically beaten to death with an object I refuse to come up with because I am starting to have my fill of symbolism. However, despite some of its sloppiness, Yurikuma is one of the single most interesting and well-formed anime out there and analyzing it is practically a right of passage for seasoned yuri fans.

OG: Yurikuma Arashi is my favorite of Ikuhara-san’s series. To me it was the least complicated of his works but even so I needed help to understand the show. Luckily I had plenty of assistance. The meat of the story is more complicated but put simply it is about a war between a group of bear girls (and some human girls) who want to freely express their love and/or desire/hunger for each other and another group that amounts to Right to Censor from WWF. Like I said it is far more complex than that but that is the gist. The anime is quite ecchi and it has good reason for it. Again the gay bears are the more liberated of the groups and them getting more sexy scenes is meant to showcase that. Our heroine has good reason to be grumpy and a divine entity was introduced alongside a certain someone from a certain dark anime we already discussed.

In the end it is a show starring lesbian bear girls. I love love stories between women and i love bears. It was obvious I would end up enjoying this one. Like other complex stories it is not for everyone. Shows like Flip Flappers, Utena and Yurikuma have something of a learning people will have to get accustomed to in order to enjoy them.

13. Whispered Words (Sasameki Koto) - 88 Votes

OG: To me Aoi Hana and Sasameki Koto were always connected despite the former being a drama and the latter a comedy. Both star a female protagonist struggling with how to best tell the girl she likes her true feelings whereas their love interest for one reason or another makes it all the more challenging to get their feelings across. Both shows aired during a time yuri was not as popular of a genre as it would become over time. Perhaps if they had come out a little later when yuri was becoming more popular in the mainstream they would have fared better…Then again they may have helped set the groundwork for future yuri shows so it’s just as well they came out when they did. In any case both good shows worthy of “best of yuri” lists. SK has the dynamic of the megane in love and her somewhat airheaded love interest who specifically likes “cute girls”. Poor megane has a hard time figuring out what the airhead defines as “cute”. The show also features an amusing side-couple of an ojou-sama and her tsundere girlfriend. Not to mention the somewhat controversial side-girl who plays a more prominent role in the 2nd half of the anime. Heck, even Mr Crossdresser himself is cool. Let us not forget Miss “Ha Ha Ha!” Another really good show that I would love to see the rest of the manga get animated someday but considering most anime are essentially manga commercials and the SK manga ended the odds of a 2nd season are close to 0.

YuriMother: 2009 was a great year for yuri anime, with both Sasameki Koto and Aoi Hana, among other works, airing. But while Aoi Hana sought to resist many of the common tropes of the genre and tell a simple grounded story Sasameki Koto appears to have looked a the list of every convention possible and say “yeah I can do that.” It has melodrama, comedy, one-sided love, friend love stories, I worship this genre but even I think there is a limit. However, Sasameki Koto is one of the most competent yuri anime works of the current era. While all the tropes are present most of the problematic aspects of the genre are not. The story is well written, characters enjoyable, and art that is really well done for the time. I enjoy every watch and if I ever want to quickly download the genre’s tropes into another person's head I need only duct tape them to a chair and throw on Sasameki Koto.

14. Riddle Story of Devil (Akuma no Riddle) - 77 Votes

YuriMother: Akuma no Riddle was highly anticipated back in 2014, sporting a premise of student assassins that, while certainly not unique, was outside the norms for the yuri genre. It promised a dark and thrilling take on the yuri genre that would not become popular until the yuri horror trend a few years later. At first, it looked like this would be successful with an excellent setup and some pretty compelling characters but ultimately Akuma no Riddle fell flat and became more derailed as it continued. The monster of the week style of episodes left little room for complex plots and plans or proper character development, which is a shame because of how engaging so many of the assassins were upon original presentation. However, this show still has some of the best action in the yuri genre, placing it alongside series like Cannan and Utena despite its flawed storytelling. If nothing else, the anime may compel one to read the manga, which expands the story and characters more than the show was given time to.

OG: Professional assassins secretly gathered at an academy in an attempt to take the life of a seemingly innocent cutie to win the ultimate prize, one of whom wishes to protect the adorable redhead. Yes the manga, which is pretty much a Director’s Cut, is better and the anime would have benefited from having 20+ episodes instead of 12 and a delightful beach OVA but the show did a good job of showing viewers what each assassin was like, their motivations (though many of their origin stories were summarized in written biographies during commercial breaks viewers needed to pause to read) were clear enough and the duels, as brief as some of them were, had enough spicy goodness in them to be memorable, especially the ones in the latter half of the show. Oh, and although the manga wrapped up after the anime it had a very similar ending.

15. Revue Starlight - 72 Votes

OG: Gay theater girls who strive to become the top star, meaning the best actress or lead actor of the cast. How do they do it? By working hard and overcoming their personal hardships? Yes. That. What makes this show so wonderful despite being almost a year old as of this writing is not only do the ladies all have interesting stories to tell but so does the stage. Every song, prop, movement, dance, gesture etc. It is like the performers and performances are united. It is like in Spongebob where not only does the person in the boots tell a story but the boots as well.

Oh yes. I almost forgot to mention the mysterious underground theater and talking giraffe. Never forget the talking giraffe from Hell. #Wakarimasu.

Super cool and super gay.

YuriMother: Bushiroad continuously gets better at what they do, creating media franchises of cute girls filled with music and making mountains of cash from smartphone games. Inspired by the likes of Love Live, they created BanG Dream and last year Revue Starlight. However, where these franchises fell short Revue Starlight success. It never twists its characters to tell a story but rather creates compelling arcs around them. I thoroughly enjoyed and agree with its place on this list.

16. Konohana Kitan - 68 Votes

YuriMother: I know of Konohana Kitan for its constant presence at yuri events more so than the anime or even the manga. It is adorable, relaxing, simple, and fun. While it does not add anything super substantial to the genre it does not take anything either or present any objectionable material. The “plot” is nonexistent but that does not matter, as it is not trying to tell a story or make commentary, just be fluffy and simple.

OG: Konohana Kitan to me is a Girls Club (Cute girls doing cute things) and iyashikei hybrid anime. It is visually stunning as it is relaxing with Yuzu pretty much one of the cutest demigoddesses in existence. She of course is a chick magnet but her heart will forever belong to Satsuki.

17. Destiny of the Shrine Maiden (Kannazuki no Miko) - 65 Votes

OG: The other stuff on the show is still not that great but ChiMeko will forever stand the test of time as far as I’m concerned. Top 10 for their love story alone. Yes. I know THAT ONE SCENE continues being controversial and talked about every time curious new yuri fans witness greatness…but I will forever defend Chikane because I get where she was coming from. Would I have done something different? Yes. The thing is you need to put yourself in her shoes and understand what she wanted to accomplish and how far she would go to get it done. Kotoha is best side-character and Souma Ogami is real man’s man who does not deserve the hate. He was an honorable warrior to the end. He fought well and accepted defeat like a man. Plus his yell is inspirational.

YuriMother: My feelings on Kannazuki no Miko are incredibly mixed. It has many of the worst facets of early current era yuri anime, tropes include S, rape and… am I reading this correctly, demon mechs? Worst of all it presents a cycle, a never-ending loop that haunts the characters in the overarching plot and it does not resolve it. If a work ever presents such an element, like Puella Magi did, it must be overcome or confronted at least. Its presence makes the already cringy story feels cheap and lazy. However, I love the two female leads and their difficult relationship. I love the music, especially the hauntingly beautiful ending theme, and the final moments of episode 11 are some of the greatest seconds I have ever seen in an anime. I cannot wrap my mind around my view of this series but at the end of the day, I understand it. I do not believe that work like it would ever be warmly accepted today but for its time it does stand as a breakout piece of yuri anime.

18. Princess Principal - 61 Votes

YuriMother: Princess Principal is one of the best anime of the past few years. It had everything, an interesting premise, great characters, an incredible soundtrack. Alongside all this is the sharp writing and thrilling story. Princess Principal did everything Akuma no Riddle wanted to with an intriguing and action-packed story featuring strong characters. On top of all this, the animation is top notch. A six-part movie sequel is planned which has me somewhat concerned, but I am glad to see that it is being continued as the ending to the series was one of its weakest aspects. Now if you will excuse me, I need to listen to some jazz.

OG: Cute and sexy gay spies in a dramatic British Steampunk setting. What more do readers need? Allow Her Holiness to elaborate a bit further. Currently waiting for the multi-part cinematic continuation.

19. Izetta: The Last Witch - 60 Votes

OG: I am known for loving shows people do not think as highly of. Izetta: The Last Witch is no different. I love this show so much. Besides how certain events transpired some complained about the depiction of WW2. Basically think about people ranting about storylines and content featured in certain Call of Duty and Battlefield games. Here however, it is clearly a fictional great war inspired by WW2. I was invested in the following:

-The cute and sexy ladies.

-Seeing two badass lesbians lead an army against an evil empire.

-FiZetta’s romance. This of course being the major highlight. I love FiZetta so much. My sexy lesbian babies and Anne X Grea’s mentors. They taught them everything they know after all.

It is similar to how I felt watching Kannazuki no Miko where my focus was primarily on the leading ladies’ developing romance. The difference is that unlike Kannazuki I was also somewhat entertained by our heroines’ enemies along with their allies. Basically viewers’ enjoyment of the show depends on how seriously they take their history and are willing to overlook the liberties this story takes with its depictions of the weapons, military and the familiar evil empire. FiZetta are one of my favorite lesbian couples of all time.

By the way, in that famous scene, yes they did. Viewers just have to squint their eyes to see “it”.

YuriMother: Another show that I consider to have squandered its potential. I know that lots of people enjoyed this one, including OG but I could not bring myself to finish this constantly mediocre series. Perhaps I am tired of alternative light-fantasy European-war inspired plots. Trying to stand out in this bloated genre is difficult and Izetta fails. Izetta started strong and hooked many viewers with its amazing visual and auditory polish but this was quickly lost in the plot which, while set up well, struggle to gain any ground of pay off what had been established. On the yuri side, it did not really do anything interesting or satisfying, with plenty of scenes feature the character’s standing next to each other looking cute and one or two moments of actual yuri. I am glad that some of you were able to enjoy this one more than me at least.

20. Maria Watches Over Us (Maria-sama ga Miteru) - 57 Votes

OG: Like Strawberry Panic this is a “Like it or not” classic. Despite being a Class S show it did its own thing and became a pioneer for . It’s also responsible for the many yuri jokes related to all-girl schools in anime.Shimako X Noriko best Grande and Petite Souer! Yumiko X Sachiko were great too as the two grew to better understand each other. Most memorable scene for me was the panda costume. Even Sei is a sleeper icon in all yuridom. Yoshino X Rei had a very interesting dynamic. I actually think they are the real pioneers of relationships between cousins. Thank you YoshiRei. HaruKana, Kaede X Sara and several others owe you two much appreciation.

YuriMother: Another great and significant series, Maria Watches Over Us, took the tropes of early yuri works, Catholic schools, a lack of men, piano scenes, and emotional relationship rather than physical ones and turned the dial up to 11. For better or worse, it single-handedly revived the Class S genre and was copied (and parodied) endlessly for over a decade. However much I complain about S I actually do not think that we would have the current age of yuri without its popularity and proliferation at the beginning of the century so I owe a big thank you to Maria Watches Over Us for that. Ignoring its historical importance and literary significance the anime still presents an engaging plot with wonderful characters and more butchered French than my last trip to Europe. It is certainly worth a watch and worthy of a place on this list.

What do you think should be on this list?:

YuriMother: As I previously said, this is a pretty perfect list. As far as missing titles I can think of the following.

Simoun - not the greatest in terms of plot or animation but it had cute service and a fun action-packed plot.

Kashimashi: Girl Meets Girl - This series may be strange and present the dreaded love triangle but it did its best to tell a transgender narrative in 2006, naturally this involved aliens, and I applaud it for its attempts.

Cannan - This series is light on the yuri but heavy on the suspense, action, and amazing character designs. The terrorist plot is exciting and the final train fight featured in the series is one of the greatest action spectacles in anime that somehow manages to remain grounded.

OG:

-Harukana Receive: Best all-female sports anime ever made. Plus the gayness is not subtle at all.

-Mikagura Gakuen Kumikyoku: Eruna Ichinomiya is an underrated yuri icon. While not the first of her kind (That honor, I think, goes to Galaxy Fraulein Yuna) she set the standard of cool and inspirational badass lesbian protagonists who are proud of who they are and...also happen to be super perverts. Eruna made it cool to be such a protagonist. It is nice seeing a lesbian lead who does not care what anyone else thinks. She is hungry for cute girl booties. While she often loses her control in the presence of pure beauty she, as an inspiration for others like her, has enough self-control to not go overboard (most of the time).

-Symphogear: Symphogear is love, Symphogear is life. Hopefully Season 5 will keep up the good work.

-Rinne no Lagrange: My favorite mecha anime and the reason I embrace OT3s when the signs are there. Not the greatest but man was it fun. Plus Madoka Kyouno is still sexy.

-Yuki Yuna wa Yuusha de Aru: My favorite Moepocalypse anime of all time. Yuna X Togo taught me to love and trust some people outside my closest family again.

-Mouretsu Pirates: If someone were to ask me “Hey OG. What to you is the perfect anime?”. I would tell them Mouretsu/Bodacious Space Pirates.

-Kashimashi: Girl Meets Girl. Thanks to the first fan commenting and reminding me of it. Definitely worthy of a spot. #HazumuWasAlwaysFemale

Final Thoughts:

OG: Pretty good list and close to what mine would look like were I to make one. Reason I have yet to do so is because I do not feel confident enough to pick a favorite yuri anime of all time. Favorite yuri manga and couples? That I can do, but anime always seems to give me a hard time choosing my absolute favorites. Like I said though, a potential yuri list of mine would look something like this. I also found it interesting how similar the Top 10 are among both our respective fanbases and visitors to the poll conducted by the Akiba Research Institute.

YuriMother: I may have done most the complaining and left the praise to OG but I actually and really happy with this list. I think that every title presented is a worthy addition and while I would certainly move some higher or lower than their current placing I do not believe that these are too far off from my own opinions, which is surprising for a popularity poll. More than anything I am thrilled to see that works I dislike that I thought to be popular did not make this list. Perhaps I should have more faith in people and their opinions. Everyone did such a wonderful job voting and I am so grateful!

Thank you so much everyone for reading and for voting in the top yuri anime poll. To see the full results of the poll and to support yuri news, reviews, and content, check out the YuriMother Patreon. Happy Pride Month

#yuri #lgbt #lgbtq #lgbtq+#pride #pride month #queer #gay #anime #cartoon #tv #lesbian #lesbians #girls love #wlw #gl #poll #manga

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shijiujun · 5 years ago

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On Translations

Once again, I’m just plain incensed by dumbasses who think it’s okay to firstly, steal someone else’s hard work and secondly, think they’ve got some right to edit that person’s work because they think they’ve got a better grip on English (not true btw) - It didn’t happen to me (well, as far as I know) and I’m not in the Guardian fandom and I don’t personally know the person who’s dealing with this ridiculous shit, but oof am I angry after seeing the tweet.

Just saw on twitter that some asshole stole a translator’s works (Guardian, Chinese to English) and edited it - Yes it’s just like the MDZS saga a few weeks ago when some white person who doesn’t have any Chinese language knowledge, tried to ‘improve’ translations done by another person who actually knows what they’re doing in both Chinese and English - And then put in on Wattpad with a ridiculous letter and intro where they said: “Great things can be made greater” to explain why they edited the English of the original translation.

“Great things can be made greater,” said the thief.

“I hope my actions will be appreciated,” said the thief again.

Like wow, once again, the audacity - There’ve been extensive arguments on translations since the MDZS saga a few weeks ago and obviously the fan who took ExR’s translations and ‘made them better’ stupidly stepped on a landmine by fucking with the MDZS fandom that has a longer history, more resources and clout than the amount of time she’s been exposed to MDZS via CQL, and got bitch-slapped by the rest of the fandom where there exists a majority of fans knowing clearly what to do and not to do.

Unfortunately, the same can’t be said of all fandoms, especially smaller ones - The user i saw is a translator for Guardian and the mofo 1. Stole their translations 2. Edited the translations to ‘better english’ 3. Wrote that they don’t know who did the original translations but “they know where to find me” *cue my eyeroll* 4. And after op commented to say please credit at the very least in May, they’ve been ignored so far - but luckily they’ve got some supporters as well to help report the mofo.

Aside from the ridiculous thievery (not crediting, blatantly lying and stealing, being an arrogant, indecent person stuck on that high horse) of course, the “I believe that great things can be made greater” is a fucking load of bullshit in this instance, and I mean taking someone else’s translations and adding your own spin to it because you think you’ve taken tests in English as a first language in school all your life (fuck off, a lot of these translators did too), that you’ve got some superiority over English or because you think it reads funny?

Granted, most fan translators don’t put up flawless translations (once again, these translators are FREE LABOUR), but you get it for free and you don’t have to (and can’t) read the original text, so suck it up.

Moreover, the disgust that I feel at the claim that the thief’s work is now ‘greater’ is extremely visceral - It’s not a greater piece of work because the thief stole it, period. No one asked for the thief’s help.

(In case you guys are curious the stolen post on Wattpad is here: https://my.w.tt/7dehLj7D56 and if you’d like to report just follow the instructions)

On Chinese to English translations:

1. If you don’t have good grasp of the original language, you have no right editing the translated work after, regardless of language. Until you can clearly understand the original idioms, context, characters etc. or have at least lived with the language for a substantial part of your life, honestly, just stop, you’ve got no right!

Sure, some translators aren’t as good as you like them to be, but the argument is always, well, you wouldn’t even have this minimal translation if they didn’t do it, so yay you’re like a few sentences and words closer to the text than you were before. If it’s really that bad, hopefully there are better translations and you can ignore the one you’re looking at, but the same rules apply across all translations!! Don’t disrespect the translator (especially when they’ve done nothing wrong except try to give you access to more content).

2. For Chinese, it’s even worse because the language is known for its hidden nuances and complexities within just two to four characters that, when translated into English, can sometimes take up to two long sentences to explain. That’s why sometimes shit reads funny. It’s not that these translators can’t do English, but Chinese to English acrobatics is beyond your comprehension, hell sometimes it’s beyond translators’ comprehension, so thanks for editing something you’ve got no idea about. This user Bee made a very good argument thread IMO about this on Twitter which I suggest people read

3. Adding your edits to a translated piece of work especially without permission or discussion with the translator, honestly who the fuck are you to do that? Either work your damn ass off by painstakingly translating the original and then editing it however you like, or just... enjoy the free content. Chinese BL novels (in this instance and as in many instances i’ve seen) and some of these translators have been around for longer than you’ve been in the fandom, so suddenly when you have an interest in the content, in a culture and language that you’ve never seen before, are unfamiliar with and have zero knowledge about, you think that as a fan you now have the right to edit someone else’s work that was already done correctly?

The fact is if the translator wrote a bogus line in the English translations, you wouldn’t have known, and when you upload it as your own and ‘improve’ it, you would be a joke, but you didn’t read the original text did you, so what makes you are any sort of authority to edit the translations?

4. Of course this is not to say that non-Chinese speaking people can’t enjoy the same content or have excellent, poignant discussions and understanding over the content, but honestly a lot of translations don’t capture 100% of a Chinese novel because the nuances are just that complex, and translators do their best to convey it regardless - This is why RESPECT FOR THE TRANSLATOR IS IMPORTANT. And I don’t mean simply paying lip service and typing “we respect all translators for their hard work on this work”, and then disrespect it entirely by not crediting, by the simple act of editing without permission etc.

Respect their interpretation and translations, because it can differ from translator to translator translating the same sentence (and people who don’t speak the original language want to compete with that, I don’t understand?!)

5. Honestly, considering how people are still arguing on the semantics of the Bible for example, not only in its original language but also in English alone - if people can’t agree on every sentence of the holy text and what each sentence means to different people, fan translators get a fucking pass

6. I read in Bee’s threads where someone disagreed with their argument of ‘only people who understand the original language can translate and edit’, saying that it’s okay if the editor doesn’t have a grasp of the original language - I understand that yes, someone else’s English might truly be better (for e.g. actual editors but also please don’t proclaim that you’re one just because you think the translator hasn’t lived with English for most of their lives or whatever), but even then, the editor has to work really closely with the translator because the translator is the primary source of the translation i.e. they know exactly what is going on in a particular sentence in their heads that may not have been translated fully, so how can non-Chinese reading editors truly understand the translated text on its own, editing in silos?

7. Perhaps in actual publishing houses that deal with official translations, this is a fallacy that is ever-present and editors do that anyway without understanding the original text (not sure about this, I’m bringing up the point for consideration, hypothetically putting this out here), but my issue with ‘editors’ in the fan translations space is that they come off sitting on some high horse because they think they’re better in English than you are (which of course yes, might be true, but then read points 1-6 again)

8. A thief is a thief, don’t put up an open letter or disclaimer explaining your motivations. It’s plain and simple, you stole someone else’s work, claimed it for your own and are riding on the great (sometimes not so great but still great, if you get what I mean) work that the translator did. You don’t get to claim ownership for any part of it, even your edits. And once again, “original work belongs to the translators” without actually naming the translators? Fuck off.

9. God, I hate Wattpad and Instagram (okay sometimes Twitter but Twitter seems to be a halfway point) - The Sanctuaries for Lazy Content Thieves Where The Platform Endorses Their Shitty Behaviour

10. Aside from translations, I’ve also seen assholes stealing like shitposts and jokes - These are the hardest to prove as well and it’s almost impossible to claim ownership when someone steals your jokes. Thieves only wish they had as creative a brain as some of you (didn’t happen to me but to a mutual) do. The audacity. The audacity! if the work was actually done and paid and recorded, if TurnItIn.com was available for fandom posts, these thieves would be out of gas.

11. Fan translators are not obligated to answer to any of their readers when it comes to why they translated something a certain way. You don’t like it or don’t agree with it, simply ignore, close the tab and go find another translation you like, it’s that simple. Nowadays readers 1. Threaten/Diss the translator directly and rudely 2. Steal the work 3. Add their own spin on it without understanding the original content and say: Yay! Look at this I made it so much better so give me some attention

*****

The point of this post is not to claim ownership over any fandom or content just because translators or Chinese-speaking/reading people in the fandom know the content better. It’s also not to say that non-Chinese speaking/reading people can’t enjoy, understand, have great discussions over original Chinese content, because just from MDZS alone you can see that they can. Of course there are also individuals who might not be able to speak the language but are familiar with Chinese culture etc. because they’ve studied or lived it well, or maybe they’ve actually watched decades of Chinese drama to be able to analyse it properly now, all that’s awesome.

Also, I’m all for people who are learning Chinese (or any language for that matter) to translate something as practice. That’s great, that’s good, that’s to be admired!!

It’s non-Chinese speaking/reading people who claim they know the original content better than translators without any discussions, claiming some superiority over the content because they think the translation is not done well enough without doing any of the ground work that I really have an issue with (and also the fuckers who steal of course XD).

*****

And unfortunately I had too much time on my hands today and got pissed off after seeing the tweet so some of you have to read through this drivel XD

#translations #guardian #mdzs #rambles #stealing #again XD #not me this time #but then again i keep seeing my stolen shit so it's pent up anger #HAHAHAHA #you'd think i would have learnt #but i also think it's important to get angry each time it happens #even if it's tiring and futile?#if in 100 complaints only 1 gets answered #then that's 1 less mofo and thief who got away #you know?#idk sometimes

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thewosopost · 5 years ago

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International Fans vs The NWSL

It is no secret that the recognition around women's football skyrocketed after the 2019 world cup, especially in the US. As a result of this, match viewership increased by 47%, as reported by the Washington Post. A few weeks after the World Cup, a deal was made between ESPN and the NWSL to air regular season games and three play-off games. This partnership started towards the end of the 2019 regular season without any warning to international fans. This left the international fans dumbfounded, to say the least, as there is now no conventional way for them to view the matches and support their favourite teams and players. The fact that the NWSL has yet to address the reasoning behind them leaving out international fans, is truly embarrassing.

I caught up with Instagram user @flemingotobin to discuss this issue further. He has been one of the people to speak about this issue and has constructed a long letter, which he has sent directly to the NWSL. He is yet to receive their reply.

First of all, what drove you to write a letter directed to the NWSL about this issue?

I’ve passionately supported the Portland Thorns since I discovered the NWSL and that has led me to wake up for games at crazy times like 3, 4, or even 5 am. I believe that this sort of commitment should be rewarded, not punished. I know that I am not the only person who has shown this type of commitment to the players and the teams and I also know that thousands of people are in the same boat as me. I want to do something about it so that the fans who matter just as much as domestic fans get the recognition and experience they deserve.

How do you feel about not getting any precautions about this deal and for it to happen in the middle of a regular season?

Yeah I mean, it came totally out of the blue and they didn't even tell us the consequences for international fans, they ignored it and only mentioned the benefits for domestic fans. Then, suddenly, when trying to watch the game it says it’s not available anymore and to consult the FAQ’s. The link to the FAQ’s was broken and overall the communication was so poor. There have been no efforts to make the experience for international fans any better or to make the transition smooth and easy.

So is there no way for fans to watch the NWSL games?

International fans now have to pay for ESPN because they have the rights to all the games. Whereas, in America, occasional games are on the free to watch - Yahoo Sports platform. The cost of this is £9.99 per month which would be fine if ESPN was the main service provider outside of America, but it isn't. No one outside of the US uses ESPN, therefore, paying this amount is ridiculous and nearly none of the international fans are willing to pay this. The fact that the majority of games are free in America but we have to pay for all of them on a service we would only use for the NWSL and nothing else is not acceptable and not advancing the league in a forward direction.

Do you find it contradicting when the NWSL say they want to expand the league and gain global recognition yet they agree to such a deal straight after? Especially, at a time where women's football is at its utmost viewership?

I can understand their reasoning. Getting a deal with such a big domestic sports provider for the first time is huge for the league. I am sure domestic viewing figures have rocketed since. However, in terms of global reach and global recognition, they have made a catastrophic mistake. So soon after a very successful world cup and now that women's football is growing at the rate that it is, makes sense to capitalise on this new global audience. However, instead they have gone backwards and have made long existing international fans feel out of touch with the league and even their own team. I guarantee that if they released the figures for international viewings, they would be down big time and I also know for a fact that the players want to be watched and supported globally. Therefore, there is a major contradiction and one that makes no sense at all.

Are you aware of how American fans feel about this?

I've spoken to numerous fans within this community, both American and international, I've received some really appreciated help from American fans, one in particular, to spread the message to the players - who are now aware of the situation. As for international fans, the amount of messages and people also acknowledging the problem is significant. What we really need is to raise awareness to the league that this is a problem that the fans are passionate about and we need to unite to send a clear message to the NWSL that they cannot treat a significant proportion of their fanbase in such a disrespectful way. Just because we can't go to games and be there in the crowd cheering for our team shouldn't make our support any less important or any less of a priority. It's time the NWSL listened to the voices of the fans and acted.

How can American fans help? How can international fans help?

Whenever I share about the issue, if fans can repost it and tag the NWSL instagram account, at some point they have to acknowledge it. Also if every international fan was to spend just two minutes writing an email to the NWSL about it, it would go a long way to showing how important this issue is. If anyone wants to direct message me, I can share my email for them as a template. Anything I can do to make it easier for us to all unite and confront this issue I will do with my utmost ability.

Lastly, you stated that the players are now aware of this issue, can you elaborate on that please?

I'd rather not go too close into the details because I've put a lot of trust in a friend and don't want to put them on the line. But, Tobin Heath and Meghan Klingenberg have been informed about the problem by them. Christen Press saw my story and direct message recently, and re-inc. saw my story. I have heard Megan Rapinoe is also aware of the situation as a result of this too. It is crazy that I discovered that the players had no idea they had lost pretty much their entire global audience. This shows just how poorly the NWSL have handled the situation and how little transparency there is from the league. It's one thing to have the problem but to consistently fail to acknowledge or address the problem is another thing entirely.

In conclusion, I strongly urge the NWSL to at least give an explanation as to why this issue erupted in the first place. With that, we would like to be informed if there are any plans for this to change. If not, why are they against global viewership? What is the difference between domestic and international fans? Why have they ignored the countless emails and comments asking for an explanation? These are all questions that remain open and I hope we can work together to fix this issue.

Since the interview, I sent an email to the NWSL players association and received a response almost immediately from Yael Averbuch. She was extremely grateful for the raising of this issue and seems fully committed to helping us resolve it. She forwarded my original email to Amanda Duffy (NWSL president) and hopefully we will see some progress on this issue. I don't expect anything to happen until the off-season but we can hope that by next season something will be put in place for international fans to get what they rightfully deserve.

Writer: Toby @ oosa.wnt on insta @ oosawnt on Twitter.

Editor: Sarah @ damn.danvers on insta and @ damn_danvers on Twitter

#woso #womens soccer #nwsl #uswnt #espn

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shireness-says · 5 years ago

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hashtag holiday party

Summary: This isn’t Emma’s company, or her holiday party, or her idea of a good time. Is there any good to be salvaged from the worst date ever? ~3.6K. Rated T for language. Also on AO3.

A/N: A couple of weeks ago, there was a great post about the worst company Christmas party date ever on the Ask a Manager blog, and I could resist turning it into a fic! Super thanks to @snidgetsafan, my ever trusty beta. Happy holidays, everyone!

Tagging the interested parties: @ohmightydevviepuu, @profdanglaisstuff, @kmomof4, @katie-dub, @welllpthisishappening, @thisonesatellite, @let-it-raines, @thejollyroger-writer, @phiralovesloki, @winterbaby89, @scientificapricot, @snowbellewells, @searchingwardrobes, @spartanguard, @teamhook, @optomisticgirl

Enjoy, and let me know what you think!

~~~~~

Emma Swan has many regrets, but chief among them right now is agreeing to this date.

Well, no. First place on her list of regrets is awarded to going to Mary Margaret’s Christmas party, where she ended up trapped in conversation with Walsh.

(Ugh, Walsh. Just the name should have been her clue to get the hell out of dodge when he’d spotted her across the room.)

Walsh isn’t her friend. Walsh wouldn’t even be considered Mary Margaret’s friend, if not for the fact that the woman is friends with absolutely everyone on the planet. He’s her and David’s neighbor, and he had been in town for the holiday, and Mary Margaret’s got a soft spot the size of Maine for lost souls - it’s how she’s ended up Emma’s best friend, after all. Emma and Walsh had interacted at a few previous gatherings, and he’d been fine. No spark to speak of on her end, but whatever, she’s okay to leave it that way. But clearly, he felt differently, because he asked her to accompany him to his company’s holiday party. In full earshot of Mary Margaret, at that, who had gotten such an excited look on her face, obviously already planning the wedding, that Emma couldn’t actually say no. The bastard had probably planned it that way.

(Shit, she doesn’t even know what he does - marketing, maybe? She barely knows the guy, and now she’s being dragged to his holiday party.)

Emma may not be excited, but she puts on a good show at least - none of this slobbing it up to make him regret asking. She can clean up good. And besides, she’ll be shutting that all down with her words later anyways if he’s stupid enough to ask for a second date - no ploys required. The red dress is cocktail appropriate yet a little bit Christmassy, especially when paired with glittery heels, even if her makeup and hair is simple. There’s a big difference between putting in no effort at all, and knowing what just isn’t worth the effort… and anything more than a bit of eyeliner, mascara, and lipstick falls firmly into the latter category.

It’s a good thing she doesn’t too, as Walsh shows up early. Eight whole minutes early, to be precise. Not the end of the world, but not ideal either. Emma sighs heavily and braces herself before going to the door; Mary Margaret would tell her to be optimistic, but Emma just knows it’s all downhill from here.

Sure enough, as soon as Emma opens the door, Walsh clumsily whips a bunch of fake flowers out of his coat sleeve. “For you, milady,” he proclaims dramatically, offering the fake foliage. “I wanted to start with a magic trick for a magical date and the beginning of a magical relationship.”

And ho boy howdy, does Emma want to call it all off right now. That was the original definition of coming on too hard. That was so far beyond the bounds of acceptable first date behavior, she doesn’t even know where to go from there.

(Far, far away, and very quickly at that.)

Mary Margaret’s voice chimes in her ear, though, talking about how it’s sweet and charming and will be a great story to tell the grandkids one day, and Emma just knows she’ll shake her head in disappointment if Emma reports back that she ended the date before it even started. It’s especially hard to face Mary Margaret’s big sad eyes, too, when Emma knows that her friend just wants her to be happy.

Besides, she’s been led to believe there will be an open bar at this thing, and she could go for a free drink. Probably free drinks, plural, if the rest of this date goes the same way.

“O...kay. Okay. That’s… okay. Thank you?” Emma finally manages to stutter out, accepting his “gift”. Can’t say she’s ever received fake flowers from a guy - and can’t say she’d want to again.

“Anything for you, Emma.” His voice is about five notches too reverential for comfort. “Can I help you with your coat?”

“That’s fine, I got it.” No need to create an illusion - no pun intended - that she welcomes his attention any more than she actually does. Plus, she’s a grown woman, and it’s easy enough to slip her coat on over her dress by herself.

If any hope had existed that this date might get better - that this might turn into the cute story to tell their future kids that Mary Margaret is probably hoping for - that hope is thoroughly squashed by the time Emma slides into her seat at the party’s venue. Walsh had circled the parking lot for fifteen minutes, refusing to accept that there was a complimentary valet service (“I just don’t understand why they’ve got whole sections of the parking lot blocked off.” “Because there’s a valet.” “It just feels like there should be more parking spots. Why isn’t there any place to park?” “Because there’s a valet.”). Then, he refuses to give up his coat at the coat check for too goddamn long because, as it turns out, he has all manner of other magic tricks hidden in the pockets and up his sleeves.

It is not nearly as charming as he obviously believes.

Truthfully, it’s a relief when she and Walsh find their table, drink tickets in hand. At least at the table, there’s other people, and she won’t be forced to only focus on Walsh’s embarrassing attempts at seduction.

“Can I get you a drink?” he offers eagerly - almost too eagerly, really, practically tripping over himself.

Still, it’s an offer for a drink. And Emma’s in no place to refuse one of those, not with how she thinks this night is shaping up to go. “That’d be great, actually,” she replies, handing over her ticket. “Just some red wine please - I’m not real picky about what kind.” Anything alcoholic will do at this point.

As Walsh trots off towards the bar, Emma turns her attention towards the rest of the table. They’re a mixed bunch of men and women who smile kindly as Emma looks about. She’s grateful for that - hopefully, Emma can use them as a distraction from whatever she’s sure Walsh will get up to.

“I’m sorry, I didn’t catch your name,” the pretty brunette sitting next to Emma asks. It’s the polite way of pointing out that her companion hadn’t bothered to make introductions.

“Emma Swan,” she replies, extending a hand in greeting. “Nice to meet you.”

“The pleasure is mine,” she smiles back. “I’m Belle French, and this,” she gestures to the man sitting next to her, “is Killian Jones.”

“Hello, lass.” He’s a looker, to say the least - dark hair, blue eyes, charming smile. Sex on legs. Emma tries momentarily, futilely, to remind herself that she shouldn’t be checking out other men while she’s on a date, but fails spectacularly. It’s been evident since the magic flowers that she and Walsh aren’t going anywhere.

“Hi,” she waves back. “So you both work for the company, then?”

“Oh no,” Killian laughs. “Belle’s actually a librarian. She’s just here with me.”

And damn, isn’t that a pity; all the good ones seem to be taken. Not that she can blame Belle - the brunette seems to be lovely, and who wouldn’t want a piece of that?

(Emma doesn’t make a habit of ogling other women’s partners, but she just might make an exception for Killian Jones.)

Emma’s about to strike up a conversation with her neighbors, hopefully learn more - so what do you do here, how did you meet, is this some sort of flexible arrangement I can get in on - but Walsh returns with her drink at that moment.

It is not in a wine glass. It is not wine. It is not what she asked for.

“I got you a mudslide,” he explains with an eager look on his face. “I know how much women love chocolate after all!”

Women love wine too, especially this one, Emma thinks, but accepts the drink gingerly to be polite. No sense wasting the drink ticket. “Thanks,” she responds dryly. “I’m, uh… I’m actually not a big fan of chocolate. But I’m sure it’ll be… fine.” At least it’s liquor, and at least it’s something she can nurse. He could have shown up with a fireball shot.

“Well if you like, we can get you another drink later with -” Walsh darts a hand toward her ear suddenly, and even as Emma jerks away out of instinct, she knows exactly what’s coming. “- this!” He declares triumphantly with a coin in hand. Another magic trick. Because the first one went so well.

It’s… great.

“Huh. That’s… uh… wow. Huh.” There are no words to muddle through this with. There is only the mortification of watching a grown-ass man trying to woo her with magic tricks. “I was just getting to know some of your coworkers, actually; why don’t you introduce me?”

The rest of the table includes Walsh’s boss, Regina, and her husband Robin, and his coworker Ashley with her fiancé Sean. They’re perfectly nice, and friendly, and interesting, and Emma could almost enjoy herself talking to them - if only Walsh would ever give the magic tricks a break. He pulls handkerchiefs out of his sleeves when she reaches for a napkin, procures everything from drink tickets to miniscule flowers from a variety of places all too close to her person for comfort, and is now pulling out a deck of cards. God only knows how many magic tricks he knows with those.

“Why don’t you save those for later?” Emma suggests when he instructs her to pick a card. Without actually making it sound like a suggestion. Alright, it’s a straight-up order. In her defense, it’s been a long night. Walsh has monopolized her attention all evening with these stupid tricks and explanations of all the things they’ll do together, not even bothering to talk to his coworkers beyond the introductions Emma insisted upon. In fact, he’s grown even more insistent about it every time she’s tried to politely redirect his attention. She’s been making an effort at least - to talk about everyone’s Christmases and the baby that Ashley and Sean are expecting and Belle’s job. But it’s hard to keep any conversation going when she’s got Walsh bugging her every other moment to show her another magic trick. She hopes that the message maybe finally has gotten through with a flat refusal to engage. “Now Belle - you were about to tell us about one of the teen programs at the library?”

Unfortunately, Walsh doesn’t take that very well. In some ways, she supposes that the message to stop all the magic tricks finally did get through his thick skull - it’s just that he then stands up from the table and stalks over to the banquet hall’s piano, sitting down with a flourish. Maintaining eye contact with Emma the whole while - oh, how she wishes she hadn’t startled when he’d stood up and stormed away, wishes she had ignored him altogether - he begins to play.

“Is that Adele?” Regina asks after a moment.

Emma groans. “I’m going to need another drink.”

———

It just doesn’t make sense - how such a charming woman as Emma Swan ended up at this holiday party as the date of Walsh Ozman. Killian just can’t understand it; he has to work with Walsh every day, and he’s never been anything less than insufferable.

“I kind of got roped into it,” Emma explains, sipping on the glass of wine she’d finally procured with her second drink ticket. “My best friend is his neighbor, and we were both at her Christmas party, and before I knew it he was asking me and Mary Margaret was giving me that face she has. She’s a matchmaker - always just wants to see everyone happy and paired off. Romance is everywhere if you just look for it and all that.” She takes a long drink, nearly draining the rest of the glass. “Big crock of shit, if this is what it brings.”

He’d like to argue with her, tell her that it’s not all hopeless (if only for the very selfish reason that he’d like to show her otherwise on a much nicer date than she’s currently suffering through)... but Walsh strikes a particularly strong chord right at that moment, rendering anything Killian might try to say in poor taste. Christmas music has been piping through the room since before any of them arrived, but that doesn’t stop Walsh in the least. God, what an obnoxious prick.

“So, how did you two meet?” Emma asks, gesturing between Killian and Belle as she takes another sip, obviously trying to take her mind off the spectacle being staged in her honor across the room.

“Killian moved into the apartment next to mine… what, three years ago now?” Belle asks, looking to him for confirmation. “Anyways, I dropped by with a tray of cookies as a little ‘welcome to the building’ gesture, and as they say, the rest is history,” she beams.

“Of course you did,” he thinks he hears Emma mutter into the remains of her wine. Curious, that. It’s almost like she thinks… “Well, I’m happy for you two. You guys are really cute.”

Killian spares a glance at Belle before hastening to reply. “Oh, no, we’re not -”

But before he can clarify the situation - that he and Belle are just friends, no romantic spark to speak of - the distinct strains of “You’re So Vain” drift over from the piano, where Walsh wears a mournful face best suited to sad puppy dog commercials. Like this whole moment isn’t already the stuff of a terrible comedy movie.

Ashley pushes her drink tickets across the table. “I think you might need something a little stronger.”

The understatement of the century.

———

Emma Swan ends up with a lot of spare drink tickets; everyone seems to recognize that she needs them a lot more than anyone else. With her spare drink tickets, Emma Swan procures a martini, a vodka cranberry, and two rum and cokes before anyone insists she switch to water. It’s certainly understandable that she’d want to drink her way through this utter disaster of a date.

Walsh still plays the piano.

Killian, in turn, discovers that Emma Swan is an effusively nice drunk. She assures Ashley and Sean that they’re going to the best parents, and declares that Regina is both a queen and a boss-ass bitch in a tone that makes it clear that it’s the highest compliment. Killian thinks he even overhears Emma telling Belle that she’s “an angel nurturing the minds of tomorrow so they can make the world a better place and perpetuate the power of human kindness” as he returns with her final cocktail.

(He just might have to print off business cards with that mouthful of a title as a gag gift for Belle.)

Eventually, Walsh does tire of his dramatics and return to the table in a huff. Unfortunately, he’s very insistent that it’s time to leave. It makes sense; this party can’t have been much fun for him, despite the elaborate wallowing routine he created for himself. That means Emma has to leave too, though, and Killian will miss her bright smile and endearingly excessive compliments. There’s also the matter of how he’s not sure he trusts Walsh to take her home.

“You know what, Belle and I are about ready to call it a night too. We’ll follow you out,” he insists. Walsh’s glare only solidifies Killian’s determination to do so. “Swan, do you want to text your friend and let her know you’re on your way?”

“I should text Mary Margaret!” Emma slurs. “Have I told you she’s an angel?”

“You sure did, love.”

The coat check shouldn’t result in any great debacle; it’s the coat check after all, practically just a formality. They get their coats, they go. Unfortunately, it’s Walsh, so unfortunately, that’s not the case.

“You’re like a… like a coat guard. A coat-yguard!” Emma grins as her outerwear is handed back. With clumsy fingers, she extracts a ten dollar bill from her wallet - a little excessive, most likely, but hell, she’s feeling good - and drops it into the tip jar.

Only for Walsh to snatch it right back out.

“You don’t have to pay the tip for me,” Emma insists with a stubborn set to her brows. “I’m fine to do it.”

“Coat check is free, baby,” Walsh tells her with a patronizing tone, trying to stuff the bill into his own coat pocket. Poor taste, that, but still not nearly as poor of taste as refusing to tip.

“Yeah, that’s why you tip,” Emma insists, snatching the bill from his hand to stick it back in the jar again.

“Don’t be stupid, that’s just a scam.” Walsh even rolls his eyes as he reaches back to the jar again.

Emma slaps his hand on the way. “You know what, you douchebag -”

“Emma would you like a ride home with us instead?” Belle interrupts, reading the situation. It’s more than for the best; Killian doesn’t trust Walsh as far as he can spit.

“Oh my god, yes.” After Emma manages to wrestle back into her coat, she turns back to Walsh for one parting shot. “Now that is what a date is supposed to look like, bozo. These two? They’re hashtag relationship goals.” She even makes the symbol with her hands.

He should correct her, really, but at a certain point, it just seems best to steer Emma out of the building and into his car.

By some miracle, her building is only two blocks away from their own. Emma spends the ride in the backseat with Belle, playing with the brunette’s hair and insisting they exchange numbers.

“You’ve been a goddamn gem, Killian Jones,” she salutes in parting as Belle leads her inside.

This night has been many things, but memorable certainly tops the list. One thing is for certain: he won’t be forgetting Emma Swan anytime soon.

———

Emma wakes the next day with a pounding headache, an intense feeling of humiliation, and Belle French’s number in her phone. Surely, she’s had worse nights, but it’s hard to think of any right now.

She finally manages to work up the nerve to text Belle in mid-afternoon; she definitely owes a variety of people a variety of apologies.

Emma Swan, 4:32pm: hey, it’s Emma. thanks for taking care of my drunk ass last night, i’m sure i was a mess. sorry about that

Belle French, 4:41pm: Don’t worry about it, please! You were great, we should do something again sometime.

Emma Swan, 4:44pm: no mixing drinks, please, for the love of god

Emma Swan, 4:45pm: thank Killian for me too. lucky girl - he seems like a real keeper. unlike my date last night…

Belle French, 4:47: Will do! He’s not my boyfriend, though - we really are just neighbors. He’s like a brother to me, truly. Credit where credit is due, though - he really was a lot better than your tosser!

Emma Swan, 4:51: … oh.

Emma Swan, 4:51: do you know if he has a different girlfriend, then?

Belle French, 4:53: I know for a fact that he doesn’t. Let me send you his number.

———

She should be brave - should use that phone number to reach out and ask him to coffee or drinks or straight into a steamy make-out session.

Emma Swan does not do any of these things.

(She especially doesn’t tell Mary Margaret - it was already bad enough to have to relive exactly why she and Walsh won’t be having a second date, there’s no need to encourage her friend to transfer all her hopes to poor Killian instead.)

Instead, she runs into Killian completely by chance a week later, as he’s coming out of the post office and she’s walking to the coffee shop. She nearly plows him over, actually - far too focused on checking her email on her phone and not nearly enough on where she’s going.

“Fancy meeting you here,” he grins once they’ve straightened themselves out again.

“Yeah,” Emma laughs. “And sober this time, too!”

(Not one of her stronger lines.)

“A real plus for certain.” Well, at least he seems charmed.

They lapse into a silence for a moment before Emma finds the words to continue. “I just want to thank you, for being so great that night. And apologize for… everything I did. God, I was a mess that night.”

“You were in the middle of a disaster of a situation,” Killian smiles at her.

“Yeah, well, let’s just call it a lapse in judgement and leave it at that.” Emma winces as memories of the night flick through her brain. “God, did I really make the hashtag symbol with my hands? In public?”

“You really did,” he chuckles. “I take it Belle straightened you out on the relationship bit of relationship goals?”

Emma blushes. “Yeah, she did. Definitely not mortified about that, not at all.”

“Ah, happens to the best of us, Swan.” After another silent moment, his hand steals up to scratch at the bit of neck behind his ear. “Since that’s the case, I was just wondering - well, I’d like to ask, that is, if you’re interested -”

“Do you want to get coffee with me?” Emma interrupts. She thinks that’s where he was going, anyways; she’s just a little more efficient about it.

“I’d love to, Emma.” This time, the grin stretches fully across his face and could probably outshine a whole tree’s worth of Christmas lights.

Who knows? Something good just might have come out of that god-awful holiday party date after all.

#captain swan #cs ff #captain swan ff #my writing #hashtag holiday party #featuring the world's worst date

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stuckinapatriarchalbullshitland · 5 years ago

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Lauren´s Attunement///Improvised

youtube

What can I say about this attunement? It was a little messy, but it wasn't her fault. Yesterday I thought that something was missing, because last Sunday she promised to sing and talked about playing her piano but everything went to hell because the person who had promised to be with her in this attunement failed her last and canceled that according to an account Lauren's update. So it wasn't Lauren's fault. For those who said that she seemed drugged in streaming, I can not say the same because I saw her normal. Talking about processes, her favorite ice cream and the covers she wanted to do on the piano. Hopefully she and she will have us a surprise for the next attunement related to her promises. Now of the fans with whom she spoke in her live, there were two. The girl from the birth chart and the other girl who was very interested to know how Lauren was. That girl asked questions and I liked that a bit because that way she lets us know how she is. Talking about the girl in Lauren's birth chart. Lauren's Mars is in Gemini. Lauren has a lot of fire and air in her birth chart. Lots of Gemini, Sagittarius and Leo. Camila, meanwhile, has a lot of water and a lot of land on her birth chart. Camila is Sun in Pisces, Moon in Sagittarius and Ascendant in Taurus.

This is the only thing that I am going to post about their natal charts (The information is on the internet in case they want to search for it. But there is something that caught my attention very, very much, and that is that if the girls' birth hours are correct, they they were born on the same, different day, different month, different year, different country, but ... At the same time At nine in the morning a few minutes apart.

Born between 8 and 10 a.m. Sun in House XII. The Mystic.

It is the time of day where we emerge from the unconsciousness of our dreams, leave the intimacy of the home and prepare to meet and interact with others. Those born on this schedule are hyper responsive and resonant, their lives serving more than just any selfish longing. They find it soothing and refreshing to do activities like meditation and they need to spend time alone; to walk paths of self-knowledge where they will obtain the keys to accept and practice the quality of service. His true mission is to give up an individualistic life and enter a more subtle, loving, spiritual and compassionate existence. The sooner they discover their mystical, intuitive and perceptive quality, the better they will feel. They will develop fluently in artistic, therapeutic, esoteric and spiritual fields. If they do not access this more subtle perception of life, they will give cyclothymic personalities, who become both "highest" and "lowest", with great ambivalence: they yearn to shine and impose themselves while feeling rejection of that exposure. These people are usually subordinated for the common good, without seeking glory or fame, but with an enormous vocation for service. They are usually the messengers of the Universe, who bring peace and harmony to others.

This is what it means to be born at nine in the morning. It is very interesting how all these details influence our way of being. With the girls being born at the same time it is another detail that we can add to the list of details that the girls have in common and that is a bit crazy long. I know that these types of posts are only about Lauren but I love astrology and everything to do with mysticism so since there was not much to get out of this attunement for obvious reasons, my attention goes to what I like.

Waiting for the next attunement like always. It’s funny because I just know in which day we are only thanks to Lauren and her sunday’s livestreams.

#lauren jauregui #lauren's attunement #improvised #natal chart #camila cabello #ig live #water signs #same hour #camz and lolo #personal thoughts #astral meaning

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halfwayinlight · 4 years ago

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Series: Precious Commodities Chapter: 3 The Impasse Fandom: Star Trek TNG Pairing: Will Riker/Deanna Troi Rating: PG Notes: continuation of my fic for @nothingeverlost, all cross posted to AO3

Dexterity was a precious commodity, and Deanna only wished she could enjoy this display of Will’s intelligence more thoroughly. Distractions and schemes are touchy things. Some distractions are subtle and catch others by surprise. And some are an accumulation of sheer bluster and personality. She excels at the first type. She has used her calm and deep study of psychology to distract and play her own strategies when needed.

Will can do this, too. He’s cagey, smooth, and charming. Between poker, chess, war games, and any number of missions and incidents, she’s had a front row in his masterclass.

But he’s also large and hard to miss. He can leverage this, too, to his favor. Noise, demands, and a lean or a glare can get him very far. He’s using both with their captor and these long rounds of chess. She knows he could have won in fifteen moves or less.

He won the first round, stretched it into a long play. Passed up any number of opportunities to end it swiftly and ruthlessly. It gave her a chance to nap for a bit. And set up legitimacy for his own complaint of standing too long as he teased out a second game. Feigned disinterest. Maybe that wasn’t true. He wasn’t particularly interested in chess. At least not in this particular game.

Deanna can sense the strategies that go far beyond the chess board. His angles have given him a partial view of the brig layout. He’s had time to sneak several overviews of the panels and realized their potential. And he’s still trying to figure out when to make his final sequence. Not to end the chess game, but to begin to put action to the plans and contingencies he’s forming.

He complains that it’s hard to see the board. And Deanna almost laughs at this. She’s known Will to play blindfolded before, moves called out in sequence. His mind can hold the entire board, visualize the moves, keep track of which piece is where, and still win handily.

She does her best to be quiet, to quiet her mind. Food and the short nap helped. But she is still cold enough that she can’t relax. It’s unlike her not to be able to sit still. She does it for long stretches of time during counseling sessions, going especially still and quiet when a patient is on the cusp of epiphany. She’s trying not to distract her mother, either, but her thoughts search out Lwaxana’s as often as she had called for her parents as a small child with a very over-active imagination when she should have been sleeping.

Deanna catches herself right as her mind is turning to her mother again, pulling herself back as she remembers the last time she reached out. Her stomach turns at the thought of her mother and DaiMon Tog. Her mother’s revulsion at the reception is all too real in Deanna’s memory, and she is not okay with Lwaxana doing that, even if it’s an attempt to keep Deanna and Will safe. Betazoids are free with many things, but they also are repulsed by forced or non-consensual situations.

She can’t stand to sit still, so she’s pacing the cell and in motion. Her arm isn’t as sore as it was, but she welcomes the dull ache that distracts her. It’s not a great coping mechanism, but she’s aware there are far worse ones. It’s certainly going to be an interesting conversation with her counselor on subspace, well, whenever they get out here. That poor, amazing woman had helped Deanna through so much already. Her counselor could write entire volumes on the psychological effects of space exploration and its impact on the psyche. More than once her counselor has said that for someone facing as much uncertainty, Deanna was generally handling it well. More than once, Deanna had felt like a complete wreck. She had learned to deeply appreciate one of the few conversations where she could simply exist, without having to be the calming presence in the room. For someone who spends eighty percent or more of the conversation listening, it’s still hard to talk about herself for that long.

Deanna expected it would be easier when Will was outside of the cell. She tried not to hover at the opening. Tried to act casual as she took Will’s abandoned seat. Tried her hardest to focus on a breathing exercise. But she couldn’t settle on which one to use. She felt like a liability to both her mother and Will—she couldn’t do anything to help either one right now, nor to help them find a way off the ship. And while she didn’t want her mother here alone, a thousand “what-ifs” were playing through her mind, all while she watched the chess game intently.

Will shifted on the padded stool, his shoulders stiffening. He gave a slight shake of his head in irritation, as though trying to clear his thoughts and refocus. On some level, she was distracting him.

She took a slow breath in, held in for a four count, and then released it even more slowly. Beneath her, she could feel the lingering warmth on the padded bench from where Will had been sitting for some time before leaving the cell. And another small gust of cool air from the intake made her shiver slightly. This time she welcomed the distraction.

When he finally made his move, Deanna both saw and felt his surprise flare of pain in Will’s hand. She wasn’t familiar with much about Ferengi anatomy, but the skull seemed particularly dense. Hopefully he hadn’t broken anything. At any rate, it felt like a victory to be helped out of the cell. She felt a little safer on the same side of the force field as Will. Even if it was an illusion and re-capture was only meters away.

Deanna was relieved to have at least a small something to do. She’s the connection to her mother, and it was utter relief to see that her mother has once again used her own eclectic blend of charm and firmness to keep things… appropriate.

You’re so prudish, Little One, her mother chided. Those humans have influenced you too much.

A day or two ago, Deanna would have chafed and argued. Protested. For now, she was simply glad that her mother is distracting their captor. And thankful that Will has such a wider understanding of ship systems than she could ever hope to have. Her position and degree from the university and time at Starfleet have put her in the rank of Lieutenant Commander. But the only time she really feels like she’s acting in that position is when she’s acting as Diplomatic Officer. She knows her skills and services in that role have more than earned her right to have the rank.

Yet, she has struggled far more with imposter syndrome as an officer than she ever did as a graduate and doctoral psychology student. She was not a fan of the older uniforms when she first began to serve on Starfleet ships. Her reasons for preferring more casual versions of the standard uniform, however, go far beyond the way the top piece often rides up and requires adjusting. And beyond the fact that it’s difficult for people to relax and open up about personal or professional challenges when she’s wearing the uniform of their authority. But this echo of imposter syndrome has made her consider, once or twice in passing, taking the bridge officer’s test. To prove she can handle command. To prove it to herself. But there are portions, like the engineering section, that continue to make her inclined to reconsider an attempt.

Uniform or not, Will has brought his singular focus to the console. She wonders idly how much Ferengi or glyphs he can read and how much is instinct. It does seem naïve not to have anticipated the need for access codes. She should have predicted that, knowing how the Ferengi are so insular, how they prefer to keep everything to themselves. In a civilization that thirsts for money and power, of course the risks would be too great to a DaiMon to leave even internal systems without security features—lest some lower ranking crew try to usurp power.

It’s a surprise to both of them when their attempt is denied. And she could sense the wariness in Will, his resolve grinding down by the moment. They’re both drained. He has dark circles under his eyes, his usually tidy beard is attempting to grow full-out, and his hair is mussed in the way she only sees in the rarest of occasions. Mentally, she can sense he is scrambling for a Plan B.

Reaching out to her mother was easy, but the wait time for answers stretched out.

Beside her, Will tried several other combinations to probe the restrictions of the console. By the third attempt, he pressed his head against the console and gave a huff of frustration. “I’m afraid if I keep trying, I’m going to trigger some kind of alert. We’re no good to her or ourselves if we get locked back in there. Especially if someone comes to investigate and finds our friend. I don’t know what their shift changes look like.”

“I know,” she sighed, moving closer and giving his upper arm a squeeze. When he didn’t turn, her arms wrapped around him from behind, and she hugged him tightly. Her eyes closed, and Deanna pressed a warm kiss against the fabric over his shoulder. Her cheek came to rest against him, and she gave over more of her weight. “Will, you’ve done so much for all of us. We will figure out a way to get off this ship.”

“Deanna, I don’t know what else—”

She sighed and tightened her grip around him. “Breathe with me for a minute,” she encouraged, a small smile crossing her lips when he found one of her hands and gave a gentle squeeze before obeying. “You’re exhausted. We both are. But we will figure this out. And get back to Enterprise. And have real food—or at least replicated food—again.”

“And a hot shower,” he mumbled with a sigh. “And clean clothes. Clothes that are appropriate to space,” he added. His hand caught hers, drawing them back slightly so he could turn to face her. “C’mere.” Gently, he eased up the ruffle over her left upper arm. “How is this?”

It was nice to have this half moment, even if she can feel a shimmer of upset from her mother, the first signal fire that things aren’t going smoothly with command codes. “A little achy still, but better.” Her fingers covered the spot and rubbed lightly.

He pulled her against him, arms going around her for long moments to offer warmth. “Deanna… if it comes down to it, if we can’t all—”

Her head shook before he could even finish. “No, we need to do this together. All three of us.”

“If it comes down to it, you and your mother should—”

“No!” she protested, pulling back slightly. “I’m not having this conversation with you. There are too many things in our favor on this. If we can’t draw the Enterprise to us now, we can wait it out. We’re both officers. There has to be some trail that someone will trace back to Tog—between Data or the Captain or someone on the ship… Mother is an ambassador. They might be willing to gamble on any number of things, but even Tog and Farek will have to admit that they don’t dare incur the wrath of Starfleet. Or the other DaiMons if Starfleet pressures them.”

He pressed a warm kiss to her forehead. “You have a point,” he sighed, and she could sense he was irritated that he was too tired to have come to the conclusion sooner.

“You were busy getting me out of the cell and trying to signal Enterprise,” she reminded affectionately. “And I’m sorry, but I might have to delay those plans on the holodeck.”

“You’re breaking our date?” he teased wryly, and she was glad to hear the lightness in his voice, even if he was still tired. It meant that he was ready to do whatever they needed to do next.

Her head shook slightly, and she offered a small smile. “A raincheck. No offense, but I really want a bath and to sleep first.”

“Your creature comforts,” Will teased. “With all of your bath salts and oils? What was it, sandalwood and…”

Her eyebrows lifted slightly. “Sandalwood is entirely your fault, you know. I’d never smelled or heard of it until you gave it to me all those years ago.”

His hand slid to her shoulder, thumb lightly tracing her collarbone. “Creature comforts,” he repeated, dropping a kiss to her cheek. After taking a slow breath, he chaffed her shoulder lightly. “And thank you, I’m better now.”

“I think we’re both going to be due a counseling session once this is over, but so long as only one of us is frustrated at once, we’re alright.” She gave his wrist a squeeze and took a breath to refocus, but before she could make any suggestions, dread flooded her and she froze.

“Deanna?”

Her eyes were wide when they lifted to meet his. “It didn’t work… Farek… He interrupted. Will, he’s going to run experiments on her.”

“Experiments?” Will pressed, already moving back toward the console and scanning over the consoles again as if he might see something he missed before.

“Neural scans,” she grimaced, her own fear spiking in harmony with her mother’s. Try to delay. We’re doing everything we can! Deanna swallowed hard and stepped out of Will’s way as he reached across the far side to bring up the strange grid and layout. “Farek thinks he can replicate mother’s telepathic abilities with enough probing and experimentation.”

Under his breath he let out a Klingnon curse that would’ve made Worf speechless. “Like hell they are,” he grunted, “Grab that phaser in case this doesn’t work.” He jabbed a series of commands and smacked the wall beside the work station when those failed like the ones before.

#star trek tng #otp: imzadi #imzadi #counselor troi #commander riker #will riker x deanna troi #deanna troi #will riker #verse: precious commodities

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gg-astrology · 5 years ago

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hiii!! i'm that hannah montana but seokjin agenda anon, tell hi to your friend!! the lvl of my satisfaction is impossible to describe, thank you for your service. and yes, you've fulfilled my request!! i really appreciate your efforts, it was on point!! can i request more bangtan things?? only if it's alright with you :| can you do the same ranking for them from ' i'm rich 3$, wine and dine me' to 'i have a rolled blanket as my pillow' *cough* jk *cough*. from that to a simpler lifestyle? thk!

Hey there!! 💕❤️💕 Welcome back!!! 💕❤️💕💕❤️💕 slkskjnsdkjns she saw this and im really glad u like it!! 💕❤️💕💕❤️💕

U can! 💕❤️💕Me and my friend really like your questions because it’s very thoughtful and fun!! 💕❤️💕

EDIT: My friend said they interpreted this question differently into ‘how complex vs simple’ their lifestyle is and!!!!!!!!!! maybe we’ll edit and add it in anon if u send in another ask I’ll ask my friend if they want to answer?? I’m sorry!!!!! My 2nd house sun immediately: Wealth

Please send us more questions, but maybe not this one bc it’s about their personal lifestyle/how they live (+ not their personalities or what they’ve shown us) and it may be treading on 1. making assumptions about their personal life in which we’re in no authoritative position to commentate on

2. we can obviously talk about how we view them and write commentaries on how we feel/what we think, but there’s also a line where we have to acknowledge people might see us as credible information/authority in our own rights when it’s out in public/shared to an audience

3. what they’ve shown us clear boundaries between public figures and their audience might be wiser

4. acknowledging our position of power + influence to the community rather than ignoring the fact that our words have sway will help us in the long-run by making conscious, thoughtful choices on what we could give/bring to the fan/outside community as well.

I hope this makes sense?? 💕❤️💕 I hope it’s ok if I mulled it over last night and thought I might not – it might not be the best idea to talk about it/put it out there??

Please don’t feel bad at all!! 💕❤️💕I really love your questions and I actually wrote as I tried to figure out how to do this (literally just disclaimers before I realized oh maybe there’s no way to do this properly and I shouldn’t??) – I don’t want you to get out of this ask empty-handed, so if it makes it any better – I’ll publish my working through below the read more and you might see what I was working out as I try to answer your question?? 💕❤️💕

Long commentary on BTS privilege, social inequality + wealth disparities in the real world (disclaimer for this ask?) + Working Outs and Why It Didn’t Work ⬇️

Note: From here on below is me writing my thoughts down as I tried to answer the ask, I hope that – even though I couldn’t answer your question – this is a good answer in other regards either way? Hopefully?

Just a disclaimer note on BTS and this topic as well: In my head I’m immediately going into commentary about social inequality, wealth disparity and how poverty + classism exists in real life.

Just a quick tangent, but real people suffer from this issue. Our society have consequences when it comes to wealth inequality + the ability to afford basic human amenities (healthcare, living/housing, food, education, transportation, disabilities etc.)

Even when they’re relatable, BTS are billionaires who knows their position is privileged. Lets - make that clear for a second.

They still do their best in variety shows where they have to compete/entertain the audience. What I’m trying to say is. I’d rather not ignore/make note that there’s a difference between being privileged, being aware of these issues and still preferring simpler lifestyles for themselves. Than being ignorant and completely insensitive/unaffected from the matter. They’re still privileged, let’s make that clear. And thus, as relatable as they are to the public/audience, they benefit from the social/economical/political power they have given by those around them (their audience, accessibility medias and production).

In the context that is related (i.e. army joking that BTS fights over ramen) – BTS have never once shown that they’re unaware of their wealth + privilege, even it was a joke – the thing that is missing is the context – they’re usually seen competing in BTS run/gayo, but it’s produced to let them showcase their dynamic and chemistry - the prize (commodities/money) was never actually the main focus.

A highly competitive game with members who know each other well - is actually what these shows are about.

BTS doesn’t glorify their own wealth, nor have they acted as if they are poor in order to gain relatability or sympathy from the audience/masses (looking at armis 💜 who does this. delete armi 💜)

It’s a part of why they have fans and why people like them. They’re able to sell products + contribute to relief/charity organizations and advocate campaigns. Whilst they are in position of privilege compared to others - they’ve never not acknowledged that they could afford to do so for reasonable personal requests (i.e. safety on flights and in airports, security in their home, equipments to perform/produce with, reaching out to audiences that usually never has the opportunity to connect with them despite liking them for a long time, etc.)

I think it’s just important to note - for those who are armys and those who are looking at it from the outside - that this is what we see and why we’re talking about this.

I just want us to acknowledge that they’re privileged and their lifestyle choices are personal, I think that’s what I’m doing here.

So, commentary on social inequality of the world we all live in + BTS privilege in all this/disparities. check.

This is going to be disgustingly generalized to an incredible amount because we don’t have houses – to be completely honest, within the context of the question having houses is exactly what we need for these types of answers.

From a technical stand-point, not having houses when we’re talking about specific contexts within a person’s life (basically why we have so many houses - for different contexts) – will make this reading terribly vague and misleading as well.

Actually, should we do this at all.. because simply saying oh Taurus/Libra placements would want materialistic things to show x, y, z is incredibly misgiving and is like a blanket statement. Without houses in question, there’s no specification on what it is used for or what kind, or what type of actions/manifestations these signs are going to have in order to express themselves.

Planets in signs can only do so much to talk about the energy that is being produced – placing them in houses and context, gives them manifestation that doesn’t simply exist in a vacuum by itself.

All placements in a chart make up a cohesive picture of what it is used for, when and where. With only the how/why (placements) — the best I can probably do to answer the question is just explain how it could possibly manifest and why/what reasoning it may have to express itself that way.

While that is something I could? probably talk about. It… just doesn’t answer the question in a way that’s satisfying. This question is really good… and there’s a way to get there and give it the answer it wants. But.. with what we have, it’s a disservice to answer half-right and do a poor job overall, than to actually give the full answer.

Hnnnfghfnhgn there’s also.. some disclaimers on personal life for idols/public figures and how this might.. be almost assuming or intruding on that territory? From a glance it isn’t like it’s not something they’ve not shown us publicly or told us about. But they also didn’t advertise it, and what they do with their personal life/lifestyle– is that something we (as fan) are in anyway, shape or form, capable or have any voice to talk about as if we know what they’re doing? Does that? make sense?

Like, intruding as in - do we have any authority to tell them to get a pillow or stop drinking wine or something like that. Speculate, on what restaurant they go to/how $$$ it is, or does things that are privileged, things that aren’t going to han river to bike, etc. Can we really pick and choose certain choices they choose to do with their lifestyle, while being completely separated from reality of their other?

Idk.. this is getting complicated.. but maybe sticking to things they are proud of and does talk about openly/happily in their public and professional persona might be better… considering that they should have? a modicum of personal life back to themselves? we could at least do that and choose to respect them right… thats? hm. what’s right.

Fine wine and dine, lavish restaurants and other personal choices on their expenses and love for/lifestyle… maybe.. its for the best if we leave it to their own authority and discretion, over their own private/personal life and what they choose to share with people they know/care for/love.

I think the end all of it might just be: can I imagine them coming to say to us “army, you know how I am right? I’m like this in my personal lifestyle/choice” – and of what they could say, I don’t think that’s something they may be willing to share without their explicit consent, nor can I imagine it right now if it’s about messy habits or a flaw they may have. So hm.

The question addresses simpler lifestyle too – we don’t have authority to commentate on JK’s pillow choices, but being exposed like that suddenly might not be something he’s entirely comfortable with or would advertise to others as well? Not to mention, they all seem to not advertise anything that is outrageously privileged that would smack anyone in the face – they’re pretty sensitive to keeping things personal, private, under-wraps. Even when they choose to eat at a well-known restaurant, it’s not in bad-taste or done frivolously. In a way, they all tend to keep a simpler lifestyle about them to not let their wealth + privilege get in the way of their work + connecting to us, focusing solely on what their skills are + performance and music.

Simply going by that.. is it wise to talk about something we might just choose to show decency/a modicum of respect for the idol’s privacy maybe.. uhhdfjgnn i!!!!!!!!! there’s thoughts and feelings and im just trying to let it out so it makes sense and then i can navigate between it and see what i can do/the right way to talk about it (if it exists)!!

God.. I guess there’s.. no way I can possibly do this?? Considering if I think about it from all sides – I can’t approach it technically, without houses. I literally can’t answer this question, it isn’t about choice because answering this question is directly asking about the houses. So I literally can’t answer correctly. I also can’t – or well, I don’t think the moral issue is ok here when I think further on it. Consequences are inevitable with all posts/production, but optimizing it so that it affects people positively and minimize damage to others is always something to check through. This may not be a good idea, just to do. So maybe not.

Hhndndhnndf ok,,, gotta,,, write something for the introduction so it makes sense.

Note: I did go through this, edit and write some additional paragraphs to make it make sense. But I hope this? gives you insight or some thoughts to my working process and what I consider/go through when I make these posts as well? Thank u for ur time, I hope it isn’t too disappointing ;; let me know what u think/how u feel anon I’m sorry I couldn’t do this question but please let me know if you’re ok or not!!!! 💕❤️💕💕❤️💕

#anon #asks #bts asks #idol asks #bts astrology #astrology asks #hhhHhhhHHhhHHHh me disappointed in myself #me with a 2nd house stel: Wealth??#now that i think about it #im so sorry i might've misinterpreted the q and??#pls dont feel bad :((( or sad :(( at all #this is basically just a wealth + privacy + no houses agenda #and yes its also an eat the rich agenda

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baconpal · 6 years ago

Text

talkin bout fire force

shit boys it’s been too long time for another unprompted juvenile rant about manga, click keep reading if you’re insane and keep scrolling if you aren’t

So Fire Force anime starts in just about a week and I decided to just read it all instead of waiting for any anime. It took a while to read all of it and now I just kind of have a lot to say about the manga, the anime, and the author. So here we go.

I actually have a lot of good things to talk about, but I’ll get the bad shit out of the way first:

THE WRITING

idk his name it doesn’t really matter since he’s made like 2 things he’s just the soul eater guy; his art style has always been charming and the action scenes keep improving but his actual narrative writing is real bad. I’ll talk about the characters themselves since I actually think FF’s characters are a ridiculous improvement from soul eater, and the setting/aesthetic are on point as well but the plot is just as bad if not worse than whatever soul eater was.

The story is riddled with what should obviously be throwaway characters that keep being brought back and doing something evil and unexpected because it’s a shounen manga and if you aren’t being betrayed then the plot isn’t moving forward, or someone introduced as an obviously villainous character just kind of agrees to be friends in a couple chapters. This is used as a constant cycle of introducing both a set of “evil” and “good” characters, then one of the old “good” sets of characters does something evil and the newest “evil” guys turn out to be good. It’s not interesting or shocking to have a character you can’t even remember come back and act like they’re important, especially if it’s repeated over and over.

FF pretends to have some kind of politic overtones where religions and businesses and such act as their own entities and betray each other and prey on the civilians, but you see absolutely none of the impact anybody’s actions have on the world despite ridiculous things constantly happening and world shaking truths being brought to light over and over, nothing happens. Villains will also have ridiculous unbeatable abilities but then just be ignored, such as making zombie apocalypses or controlling minds and such. This is also likely a concession of being a shounen manga, where you can’t expect readers to read every single chapter, and usually on a week to week basis, so every chapter needs to have its own big shit happening, even if there’s no plans to follow through on anything.

The worst part about the writing is how much stuff that the reader didn’t know about and has no idea what it is is passed of as some shocking twist when it’s introduced. This mostly happens with powers and with new factions. There’s a ridiculous amount of times where a new group steps in as the bad guy like mentioned earlier. But for the powers, there’s so many things layered on top of an actually acceptable power system that just seem to cause a DBZ type of escalation of power without the fight scenes actually becoming that much crazier at all. On top of the simple 2nd/3rd generation fire fighter powers, the main character is meant to utilize the adolla burst, the adolla link, the preacher’s divine protection, the okay hand emoji that makes you go fast, the breath of life, and superfire fighting. None of that means anything to anyone and are just used as “MC needs to be better at something but only temporarily” over and over. It’s similar to Maka and Soul’s deals with the devil in soul eater except much more common and with absolutely no downsides.

Also not the fault of the writer himself but there is not ANY good translation of this manga out there holy shit. There’s so many incredibly obvious puns and connections and choices of words to be made that are just entirely ignored, the typesetting is always awful, and no name for moves, characters, or even the title are ever agreed upon. It took until the official release titled “Fire Force” before people stopped trying to call the manga “Burning Firefighter Squad of Fire”.

THE ANIME

Just a bit more bad to say before I go into all the shit about this manga i actually like. The anime looks awful. A lot of anime does right now, very little of note has been coming out or seems to be coming in the future, which is usually the case but its not getting better and that sucks!

But specifically the fire force anime, following up after soul eater, has absolutely none of the visual charm translated from the manga to anime, the voice casting is absolutely abysmal, and there’s nothing to give me hope in it, not enough to even give it an episode most likely. People might try to defend David productions because woah man I love jojo!!! but they’re pretty fucking bad at animating anything. The choice of color is gross and the visual effects are bland, which is a bad place to start for a show that will contain tons of fire and other bombastic effects. Big shame.

OKAY ONTO THAT GOOD SHIT

CHARACTER DESIGN

The visual designs in soul eater were cool if a bit janky, and the actual concepts for characters were far from astounding, usually being able to fully describe characters in single words and not having much development outside of combat abilities. But Fire Force has some of the most tight characters I’ve seen in a while, they’re all simple and focused with strong thematic elements.

Ya’ll know me, hopefully. I really appreciate simple designs and simple characters. Complicated does not equal deep, and simple does not equal shallow. The characters in fire force will usually embody a concept, or a concept and its exact opposite, and be never waver from their design. I’ll talk about em for specific characters when I get to em but even lots of minor characters are very well focused and I appreciate it.

SHINRA

The main character, and while his grocery list of special abilities and “chosen one” kinda shit is annoying, he starts of as a very strong introspective of the weight of your actions vs the impression you give of in the eyes of society. The easiest way to describe it is through the very obvious identity struggle he goes through of wanting to be known as a “Hero” but instead being “The Devil”. All Shinra ever does is selflessly save peoples lives and put himself at extreme risk, he tells everyone and their grandma that they can call on him when they need a hero, and yet his visuals consist of a dark haired punk who constantly smiles a sharp toothy smile, his ability that he uses to fly in and do kamen rider kicks with spews fire from his feet in the shape of pointy wings, and this fire puts a heavy shadow over his face, giving him a monsterous siloutte. It’s not at all subtle that he just looks as evil and menacing as possible, and so his reputation is constantly negative no matter how kind he is. It’s not explored all that deeply but it is still a strong contrast.

ARTHUR

What a fucking idiot. What an absolute buffoon. This stupid fuck functions as a very simple gag character by being nearly too dumb to function and living in a made up reality as a fantasy knight, but is also able to exist as one of the strongest characters in combat. His ridiculous power is handled in a much more engaging way than Shinra’s. As instead of layering multiple chosen one abilities on him, he becomes weaker or stronger depending on his suspension of disbelief. The more in character as a powerful knight he becomes, the stronger he is. It’s a clean way to make a funny delusional characters struggle actually mean something to the people around them, instead of being left to his own devices or constantly told to fuck off. And while I said the plot isn’t very good, the smaller character beats can be very powerful. For example, It was already pretty easy to just accept Arthur as he was, but his family situation is explored late into the manga, and it’s shown that he began to live in fantasy to escape from his families arguments and poor living conditions. His parents take advantage of his disconnect and abandon their home with him in it, leaving all their responsibilities to him with a note saying he’s now the king and has inherited their castle. This pushes him to an even more absurd degree of fantasy in order to just live out his life knowing he was unloved and unwanted. It very understated how you can make a character that’s mostly used for jokes still be very easy to connect to and empathize.

TAMAKI

This one is likely to be the hottest take made from me here today, but this is the most interesting character in this series for a variety of reasons.

Visuals out of the way, the fire fighter outfits everyone wears already look cool as shit and big puffy coats just get me goin, this girl absolutely rocks it on top of having twintails and a cute face. That’s not objective in anyway this is just a character designed to bait specifically me and its fucking working, okay? The writing is the actually interesting part.

So something that’s usually not even worth talking about is fan service. Show of a girls titties cus its what dudes in their teens want to see, its free (You)s for shounen manga, and soul eater was full of it. It was pretty bad in soul eater and could come at jarring and unneeded times for characters that didn’t seem to exist for any sexual reasons. It was a very poor way to include fan service.

Fire Force also begins in a similar spot, the 3 main girls that are around in the beginning chapters are occasionally seen changing or in a bath or covered in water or whatever, with one particularly bad spread of them with the classic no nipple no vagina bodies all standing together in a shower. Its awkward and stiff and even as a fan of anime tiddie it just wasn’t worth having.

But then that wildman just does it. He creates one single character to put literally every single ounce of horny energy in to. A character who exists to fall over and get her tits pushed into someones face, but pushed to a cartoonish extreme. It sounds silly to try to pass off fanservice as funny, but it is. It’s so ridiculously intended and impossible and always varied that its actually fun to see her do something stupid and for something to happen. Sometimes its just her ass landing on a dudes face (god i wish that were me) or her body being exposed and drawn in pretty high detail. Sometimes instead they get an entire dude stuck in her shirt after just tripping in a way that is not not being sexual to the reader at all since you see absolutely no skin. She’s simply destined to be put into lewd situations in universe, not in regards to the manga itself. For an example, here she is just standing completely still, and suddenly becoming naked, drawn in a distant, goofy way:

It’s stupid. It’s definitely still fan service, but it’s just ridiculous. And that’s way more interesting than having every girl in your series randomly get naked at some point. Despite being insane it still works on boys, as Tamaki is the most popular girl in the series by far, ranked as the second most popular character consistently.

Tamaki also leads to the single best chapter of the manga where a horribly designed throw-away assassin who was beaten by her returns for revenge, but just ends up as a short, self contained, well paced comedic story of love.

And guess what, she’s still interesting outside of being funny and having fan service. Her cartoonish luck is essentially treated as her actual power, and her fire cat abilities aren’t explored too deeply during most of the series, but this is done for a greater purpose of essentially spitting in the face of high stakes. Tamaki easily witnesses the most deaths in the series, and most of them are cruel and unusual. She witnesses children being killed by a man who inspired her, she sees people she just met be beheaded in some gruesome shots that aren’t anywhere else in the series, and she gets involved in all sorts of life threatening situations. She still just falls over and gets naked. She’ll have fairly serious fights where she tries her hardest or the people around her are completely serious, and without bringing any direct attention to it she still ends up showing skin. There’s a point where every single character is at risk of dying at once to a trap set by the enemy, and Tamaki quietly laments over how she’ll be the only one to survive. She is completely aware of her ridiculous luck and her complete immunity to stakes, which is honestly just great.

Even beyond that, Tamaki is slowly being built up as more and more of an actual character, she has a short backstory section where her own hard work and effort is basically ignored by everyone around her, as if her success in life is only a result of her good luck, which is a feeling that hits very close to home to me (fuck you if you’ve ever discredited someones hard work because they’re “””””talented””””). And in the most recent couple of chapters, shes made an active effort to train alongside Shinra and Arthur, who both value the improvements they can make to themselves through hard work. No other characters in the cast make conscious efforts to improve from their status in the way Tamaki does. She moves up from a joke character to now trying to stand along side the main character as a useful and though out character. It’s a genuinely wonderful character to have been developed and the best thing I’ve gotten from this author.

VISUALS AND COMPOSITION

Okay enough about the characters, the last little thing I wanna touch on is just some of the absolutely bonkers kinds of compositions in this manga. One of the villains has an ability that is explained incredibly poorly. Pretty sure it’s just a time slowing ability that has nothing to do with fire but whatever. The pages where he uses the ability have this absolutely sick warped look to them that plays with the panels in a way that couldn’t be depicted in any other medium. Just look at this shit.

Every panel has a different background and yet still describes a single cut in time. It might not really mean anything, but that’s fucking sick dude.

Another pretty interesting one is this one kid named Nataku, who has an ability forced onto him by a maniac with a motif of stars for eyes, who dies immediately after. This event is shown to have absolutely traumatized him not because its directly said, but because this dead character appears constantly in panels with this kid, sometimes taking up the entire background to yell at him, or being an almost impossible to see spec lingering behind him. Nataku is also drawn in this strange sketchy style where he seems to be melting, and sometimes melds into shapes that resemble this dead character, such Nataku’s mouth becoming the fucking eyeball of the dead guy, star pupil and everything. It’s just such a specific and horrific way to depict that kind of identity trauma and it really stuck out to me.

I’LL SHUT UP NOW

And ye that’s about it. It was a lot of rambling and there are still lots of little things i like about the manga, good designs and cool fights and stuff but i just wanted to talk about the things that were really noteworthy to me.

It’s been a long time since I’ve spent 4 hours just typing about stuff but if you actually read any of this, on this dead website of all places, you’re cool. Hope you found something interesting too.

#Fire Force #juvenile rant

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