#hope you enjoyed anyway!

[the-yuri-librarian]

Bloom into You Analysis: Ch. 3

Its finally here! This time, its Bloom into You Chapter 3. This one is going to be a little shorter just because there is not as much to talk about, story progression wise. A lot of this chapter is more dedicated to progressing the student council election arc than it necessarily is progressing Yuu and Nanami’s relationship. Either way, lets get into it. My favorite panel is actually the title card:

I just think its cute! Analysis below the cut:

Yuu and Nanami are now in a brand new post-kiss world. Yet, the kiss isn’t the only thing on their minds. As I said above, a lot of this chapter deals with the student council election. The characters are putting up fliers, taking candidate photos, conducting interviews about their candidacy, etc. And, because Yuu is Nanami’s campaign manager, she is heavily involved in all of this, and is spending a lot of time around Nanami, which gives her a lot of time to reflect on the kiss. But first, Nanami pulls her aside and apologizes for what happened, insisting that she only asked Yuu to be her campaign manager so they could work together as friends. Yuu forgives her, says it is fine, and they move on. It is not until after the apology that Yuu begins to truly reflect on what happened. And, the truth is, she is frustrated. Her thoughts reveal that that was her first kiss, and she, in her words, “didn’t feel anything” (Ch. 3, pg. 8; emphasis original). While she does not seem surprised by this fact, she is definitely disappointed. But, she cannot get this moment out of her head, her thoughts circling around and around it. This comes to a head when all the candidates and their campaign managers line up together for a photograph. Yuu’s and Nanami’s hands bump together, and Yuu takes this opportunity to conduct a test. She takes Nanami by the hand behind their backs, where the camera can’t see, and she watches Nanami’s reaction. Nanami, of course, gets flustered because she didn’t expect this and she blushes, which seemingly infuriates Yuu. She glares at Nanami behind her back, literally thinking, “It’s not fair” (ch. 3, pg. 18; emphasis original). Her thoughts continue:

This moment, more than any other, the confession, the kiss, or anything else Nanami has done seems to be what confirms for Yuu that they are not the same. Which leads to the next page:

And this is where Yuu’s character arc is introduced into the story, and it is set up wonderfully in this panel through, what is effectively, the “show don’t tell” rule. Any writer or creative who partakes in storytelling has heard this rule. It boils down to this: when you are telling a story, it is, generally, better to show the audience what happens as opposed to telling them what happens. For example, if you were writing a short story and you wanted to convey that a character is scared, you wouldn’t write “Yuu was scared” because that is telling the audience she is feeling. Instead, it is generally better to write, “Yuu clenched her sweat soaked palms and took a small step back.” (This is not the best example, but its gets the point across). This shows the audience that Yuu is afraid through her actions and has the potential to produce a more visceral emotional reaction in said audience. Nakatani is likely well aware of this “rule,” and, since Bloom into You is being told through a visual medium, she is able to utilize a blend of showing and telling to depict Yuu’s complex emotional state. By doing so in this scene, Nakatani is setting up Yuu’s internal conflict, or what her story is really about, by creating a situation in which Yuu’s actions contradict her words. The above panel is an excellent example of this. Look at Yuu’s thoughts on the page. Her inner monologue is claiming that the situation is not fair, is claiming that Yuu doesn’t know know what it is like to have someone special. She thinks that she cannot feel love and therefore cannot love Nanami. Through Yuu’s thoughts in this scene, Nakatani is, in some ways, telling the audience how Yuu feels. But, look what the physical actions Yuu is taking. Nanami starts to walk away, and Yuu steps towards her, holding her hand out. She is reaching for Nanami. It almost looks like she is going to call out to her. But why would she do that unless she already has some feelings for Nanami? In an updated version of the part two analysis, which is linked in the master link document at the end, I focused on two moments in chapter two, in which Yuu repeatedly insists that Nanami can’t like her because, according to her, ““We’re both girls” (pg. 4 & 26). Yuu clings to these notions, according to my interpretation, because she is trying to protect herself from the fact that she is attracted to Nanami. This scene supports that intrepretation, while also implying that it may already be too late for Yuu; she may already like Nanami. The problem is the way Yuu feels doesn’t match up with the romanticized version of these feelings in the love songs she likes and romance manga she reads. And, because of that, she stops herself from reaching out, giving in to her own beliefs and ultimately cutting herself off from the way she feels, instead isolating herself. In this panel, the night sky in the background symbolizes how far away from Nanami Yuu feels. She’s not even on the ground, and is instead floating up with the stars. This contradiction in character — the Yuu who simultaneously has feelings for Nanami and cannot have feelings for anyone at the same time — is the main internal conflict of this story. It drives Yuu’s actions forward from chapter to chapter, as she learns, slowly, that though love may never be what you expect it to be, it will always find you, because there is plenty of love in the world. And, now that this contradiction is in place, it can begin to affect the story, which it does at the end of this chapter (lots of images below):

After the election events, Yuu and Nanami go home, and Nanami invites Yuu to a coffee shop (this shop will become important to the narrative later, but for right now its just a coffee shop). Yuu agrees, and they have this exchange. In this scene, Yuu’s actions reveal a lot about her mindset. Nanami asks if she can just stay by Yuu’s side and be in love with her, and Yuu agrees, but she doesn’t know why. Internally, she is calling Nanami unfair and acting as if Nanami is twisting her arm about the situation. But is she? Yuu is being a bit of an unreliable narrator here, and to prove it I want to talk about Can’t Defy the Lonely Girl (blog spoilers: review on this coming in a few weeks). Can’t defy the Lonely Girl is another girl’s love manga that tells the story of Ayaka and Sora. The general gist is this: Ayaka desperately wants to get into a good college, but she has bad test anxiety. As a result of this, she did not get into her first choice high school. One of her teachers is aware of this, and cuts her a deal: “Sora Honda has not come to class a single this semester; if you can get her to come to class refularly, I will write you a recommendation letter to whatever school you want.” Ayaka agrees, and goes to Sora’s house to talk to her. Sora agrees to come to class on one condition: Ayaka must agree to one “request” everyday. The first request? Sora wants to kiss her. As the story progresses, whenever Ayaka doesn’t want to do something that Sora wants her to do, Sora uses her request to get her to do it (its mostly harmless stuff). During some of these moments, Ayaka internally relents that Sora is being “not fair.” And this brings us back to Bloom into You. Compare this scene to the description of Can’t Defy the Lonely Girl above. How is Nanami being “unfair” to Yuu here? Yuu can just say no. It is not like Ayaka’s situation, where her and Sora have an agreement that she desperately needs to keep in order to achieve her goals. What is stopping Yuu from walking away? Nothing about Nanami’s mannerisms or speech imply that she would not respect Yuu’s wishes if asked to leave her alone. If Nanami is not the one pressuring her, then who else is left to pressure her but herself? This is not to say that I think Yuu loves Nanami yet; its far too early in the story for that. But, I definitely think her feelings extend beyond just platonic friendship. The question only remains: How does their relationship develop from here?

Not that these are back, I’m only going to do them twice a week, but there won't be a set upload schedule. This is probably not a good idea for blog growth, but with my current schedule, it will be better for me if I stay flexible. Please look forward to chapter four later this week. Also, if you missed chapters 1 and 2, here is the masterlist with all the links: https://hero.page/theyurilibrarian/personal. Each time a new analysis goes up, the previous analysis will be added to this list, and it will always be attached at the end.

Thanks for reading! Here’s the bonus panel for this chapter:

[aluminumneedles]

I'm knitting in the corner at a party

and guys my age stop by to tell me I remind them of their aunt, of their grandmother. This is a compliment and I take it as such. They confess to having tried crochet once, and I smile. They get back in line for the bathroom.

I'm knitting in the corner at a party and a queer woman sits on the floor next to me, arranges her skirt, and smiles up at me. (I try not to blush.) She asks me all the questions on her mind about my craft and I answer them, hands still moving. We swap yarn sources. She doesn't stay, but she knows where to find me.

I'm knitting in the corner at a party and everyone knows where to find me when they need a minute, when socializing is too much and the music is too loud and they need to catch their breath. They pretend to be checking in on me, which is sweet, but I can see the relief in their eyes the moment they stop performing for a house full of people. They sit down and tell me things and all the while they never take their eyes off my hands.

The party has wound down and I'm still knitting and the hosts, two guys in their twenties, thank me for "helping to curate the vibe." I had no idea that's what I was doing. I leave the party having forgotten to drink anything and without that woman's number but with many rows added to my top-down raglan sweater. I call it a night, and a good one.

[blabberoo]

"You have 72 hours."

Left alone in the consequences of his obsession, he let desperation get hold of his intellect and come up with a plan. For the world. For himself.

[squidthusiast]

“I could listen to your laugh all day”

[against-all-odds-im-back]

I couldn’t pass up the opportunity to draw @1spooky2me ‘s fantastic Bill design

[stump-not-found]

A Lifetime Served in a Little Cup

pt.1 / pt.2 / pt.3 / pt.4

---

bill, babygirl, the red flags get outta there

[plumadot]

shy confessions mmmmmmmmmm

[seafoamsol]

Gaze upon me, and witness my glory!

[za1ka]

Good Omens x The Great Mouse Detective redraws part... 2! featuring Adam and Dog 🐭🔍🐶 (part 1 here)

[and-corn]

part 6 of this comic

[addamii]

If Alecto is a barbie world in a barbie girl, then Nona is living in a material girl and she is a material world

Available as a print here :)

[the-phantom-peach]

Little Big Changes ✂️~

———

CONTEXT~~

A long forgotten short comic I did for pre-totk/post-botw domestic zelink

I love Zel’s hair symbolism especially after altering her status as a “princess”and becoming a Hateno grade school teacher. She’d most likely still maintain some insecurities but that’s what our lovely knight was made for <3

Semi-connected to my previous Signing Link headcanon, Link speaks here for the first time post-Calamity and gets super self-conscious. But of course Zelda doesn’t mind and is happy that Link growing more comfortable after the events of breath of the wild

[theoldkyokodied]

good evening bloodweave enjoyers

[caffichai]

More art for Coldshot's Called Shot by my friend @fishing-lesbian-catgirl! If you like spicy content, go give it a read!

The final piece, at least for now! Somehow I did these in reverse chronological order, but I guess it worked out in the end

Hey, if you're here, check this out!

[little-pup-pip]

Cosy day in!!

[wuntrum]

2025 horror pin up calendar!!

print version | digital (/print it yourself) version

a labor of love, truly <3 prepare for the new year with 12 suggestive (and silly) horror characters :) featuring characters from: american psycho, bride of re-animator, the evil dead, hannibal, jason x, frankenhooker, alien, an american werewolf in london, jennifer's body, saw, the thing, and scream! to see the full specs of the calendar, check out the pages above!