#hope I don’t get hate for this I love David Tennant but he specifically plays Crowley in a way to make him extra levels of sexy

[emotinalsupportturtle]

Keep seeing clips of that dude reacting to Good Omens and he is now loosing it over how “ruthlessly sexy” David Tennant is saying “I know the answer is going to be a resounding no, but am I the only one who finds him sexy?” You got that right brother

[quillyfied]

Things I’m noticing on this rewatch, which I’m hoping to take slow and ponder on but we will see how it goes, PART FOUR (obviously major Good Omens season 2 spoilers throughout, specifically for S2E4)

- Lesi?

- Shax really does have creepy down pat.

- Aziraphale not sensing her, though. They really do play Calvinball with the rules of that, it seems.

- “You don’t seem his type at all” mirroring “I am so not your type” between Nina and Maggie last episode ;A; “you have no idea,” Maggie said. Aziraphale thinks. I weep.

- Sometime in the last 18, 19 years…would that have put them square in the “raising the Antichrist” years? Hang on. 4 years past the failed apocalypse…makes it 14…they were working on it for 11 years…no, that would put them before that, wouldn’t it? Wtf is that timing, Shax?

- “This Angel Gabriel, who I’ve never heard of” = “who’s Morales?”

- Shax really is the kind of infernally clever that’s perfect for tripping Aziraphale up when he’s already flustered and panicked. Love to see them interact.

- Opening theme detail today: one of the headstones reads Jane Austen. Wonder if the headstones change every episode too?

- “Here lies the former shell of Beelzebub” reads another, and “here lies Adam” with some text I can’t make out. Went back to the beginning of the graveyard bit now and “Peter Paintball”, and of course, “Every day.” If anyone gets good eyes on the Adam headstone, y’all gotta let me know.

- This episode’s theater feature: Nazi Zombie Flesheaters, with a still of the Nazis from s1 still alive. Nice.

- Seems odd to call the episode “The Hitchhiker” when it seems the literal hitchhiking is done by the time the opening credits roll. Time to refresh myself on why this episode might be called that.

- Did they reuse footage? Or reenact it?

- Yknow…none of the demons are wearing obvious animals this season. I think only Beelzebub, Hastur, and Ligur might have done it tbh.

- I love the details of Hell tbh. The fire cooler. The sheer number of Nazis. The way Shax moves so mechanically but so cool and collected.

- Does Shax actually have any higher demon ears? Or is she baiting Furfur? Hard to tell for her.

- Yknow the teeth aren’t helping in figuring out if Shax has an animal aspect.

- The besotted Aziraphale bit here. I cannot BELIEVE this all happens immediately post church bomb.

- Okay but the Nazis not disputing the fact that they belong in hell, just that they’re dead based on trickery. Nice.

- The tongue bit. Yuck.

- OKAY. Crowley has present day hair color for this adventure. That feels significant. Is this minisode a flashback?

- Okay the signage of Hell. Always a favorite. But the “heaven looks down on you” sign. Hmm. Bit odd.

- Ah. Because I couldn’t see the bottom half of it. “Because you’re…” something. Move it, Furfur XD

- Pathetic. “Heaven looks down on you because you’re pathetic.” …hmm. Still an interesting take, tbh.

- Happy to be in the probable minority that likes the zombies bit XD which is interesting bc I normally hate zombie fiction. They do it the way I like, though. They’re conscious and sentient in their zombieness.

- Also the brain repeating on him XD what a gloriously stupid and delightful detail

- And okay yeah the dead rising from the grave thing from Jimbriel’s prophecy and the Nazi zombies here feels like a big ole clue for s3. I’m Mormon so my upbringing around the Second Coming is probably weirder than other Christians but a big part of it for us is the emphasis on the resurrection of the dead, ALL the dead. Putting a properly macabre spin on it feels like a very Good Omens thing to do tbh.

- There’s the dirty donkey again! It DIDNT move, Crowley LITERALLY planned his heist ACROSS THE STREET FROM THE BOOKSHOP. I WORK IN SOHO I HEAR THINGS INDEED.

- David Tennant what is that voice XD

- Lots of emphasis on sleight of hand this…entire show :P it does make one suspicious of The Final Fifteen Minutes. But also I don’t want to rob them of their power? Because damn. DAMN.

- (The lip reading. It. I. I will wait for the end but GUH)

- He’s so pleased with himself for getting it right XD

- They are SO. IN. LOVE. KILL ME.

- Natural dexterity. Like the magic words, I’m waiting for that one to come true.

- The way Pat tries to have some integrity XD

- THE WAY AZIRAPHALE CASUALLY DROPS THAT HE HAS BOTH A FIREARMS LICENSE AND A DERRINGER. AZIRAPHALE ZIRAPHALE FELL, ARE YOU POSITIVE CROWLEY IS THE JAMES BOND ENTHUSIAST?

- More importantly, does he still have that???

- …does that mean Aziraphale’s fired a gun when Crowley hasn’t? What does this mean for the paintball gun bit? Does your derringer lend weight to a moral argument, Aziraphale??

- Hang on have to squeal for the way Aziraphale just grabs Crowley’s hand in both of his. So excited. So cute.

- HA, the wrong ring XD

- Sad to see Pat get eaten. But the framing of it is really cool actually.

- Fell the Marvelous. That poster. How in the heck.

- Aziraphale having stage fright tho.

- Jiggery pokery indeed XD

- EXPERIENCE USING FIREARMS. AZIRAPHALE THESE ARE SOLDIERS.

- Omg the miracle blocker is a punch card. The worldbuilding implications.

- I wonder at how hell would have taken Aziraphale handing Crowley a rifle tbh.

- “Aim for my mouth, shoot past my ear” WHAT DOES THAT MEAN

- the way they’re both shaking and nervous. The camera itself shaking. CROWLEY shaking

- The feather boa. I WEEP. He’s so happy.

- I know the implication is that Crowley, like Jim, is missing his memories, but. Also. The idea that maybe Crowley is just terrible at remembering people who aren’t Aziraphale. Poor Furfur.

- The sleight of hand is very subtle. Which is the point. But also. Idk man people have said it better and apparently written 16k essays about it, I’m just proud of him for pulling it off.

- Okay but. But they’re zombies. Neil they’re zombies. Aziraphale and Crowley just let three Nazi zombies wander off Neil. NEIL. WHAT IS THE PLAN WITH THEM??

- Dagon is in top form this season tbh

- I CANNOT BELIEVE. THAT THE ONE NAZI REALLY CAN READ LIPS. I CANNOT BELIEVE IT. Peak comedy always.

- I got it right the time that mattered ;A;

- I knew you would come through for me. You always do.

- You said trust me.

- And you did.

- MURDER ME.

- ITS CHATEAUNEUF DU PAPE AGAIN ARE YOU KIDDING ME I AM ALREADY TRYING SO HARD NOT TO QUOTE THIS SCENE WORD FOR HECKING WORD

- “If you were truly as evil as you like to paint yourself” the levels of deep seated misunderstanding and flawed foundational concepts I’m CRY

- Though it’s AZIRAPHALE who brings up shades of grey. A glimmer of hope.

- Can someone who knows accents tell me what is going on with Shax’s

- Beelzebub’s thanks and “good work” as a discordant note, but also their command for Shax to take an army to attack the bookshop knowing full well she isn’t going to get that kind of support…wut.

- THE BENTLEY FOLLOWING AZIRAPHALE AFTER HE PATS IT. CROWLEY FEELS WHAT IT FEELS.

- Peter Anderson’s screen effects are my favorite thing.

- Hate to see the way Nina is so broken down by Lindsey tbh.

- Yeeeah…Crowley seems to be purposely living in his car tbh. Retreating directly to it. I can’t tell if Aziraphale never thought to offer cohabitation or if Crowley turned him down but my money is on they’ve never discussed it despite both of them thinking about it very loudly.

- A night to remember! Never bodes well.

Okay. That’s it for tonight. An episode that seems out of place but has many good tasty morsels and I think more than a smidge of s3 foreshadowing. Why is the episode called The Hitchhiker? Maybe for Furfur trying to climb the greasy pole of bureaucracy? For the Nazis hanging onto life? Literally just for the one part at the beginning that sets the whole climax into motion? Who knows???

[invisibleicewands]

Q&A with David Tennant and Michael Sheen

What can you tell us about the new series of Staged?

Michael: David and I are still being ridiculous with and about each other - that’s still very much the tone of it. We have a lot of amazing surprise appearances which I hope people will enjoy as much as David and I enjoyed doing the scenes with them.

David: It’s the same set up as before. Michael Sheen and I talking rubbish to each other over the internet from our respective homes, with Georgia and Anna, our other halves, keeping us from becoming too self-indulgent, not always successfully. But there is a bit of a twist to it all, which I’m not going to reveal here...

In the show you play exaggerated versions of yourselves, are you anything like these characters in real life?

David: I imagine not at all, but probably... quite a lot.

Michael: I think David would say that he's not at all like his character in the first series. Whereas I would say, I probably am quite like that. But I think between the two series, there's a slightly more representative version of ourselves emerging, or at least that's what I would say anyway.

Why do you think the first series was so popular?

Michael: We didn't take ourselves too seriously and made fun of ourselves - I think people enjoyed that. I'm using the sort of format and medium that everyone is using. Having to do calls on Zoom and all that kind of stuff - so we've been able to tap into what's funny and absurd about that as well. Also, having lovely surprises like Judi Dench and Samuel L. Jackson, we have lots more of those surprises in this new series.

David: People seemed to recognise what the characters were going through. Not the specifics of being an actor in lockdown as such, but the sense of helplessness, the frustrations and occasional joys of being stuck at home while the world trundled on. That and the fact that Simon wrote a really funny script - I mean without that we’d have been stuffed.

Did you think you’d be back for another series?

David: If you had told me a year ago that I’d end up making a series for BBC One from inside our house, without a crew, wearing my own clothes and being entirely responsible for turning the camera on and off I would have found it wholly implausible, so the idea that we would do it twice is just one of the many unpredictable eventualities that this weird, weird year has presented.

Michael: I certainly thought that if it went down quite well then there was no reason why we couldn't do more, because it was such an innovative way to make a series - filming in my kitchen with just the laptop and a smartphone. It was very nice to come back and do more of it.

What was it like working with your partners?

David: The scenes between Georgia and myself had to be fitted in around school drop-offs, baby naps and unloading the dishwasher, so there is a certain urgency to getting them done but we have really enjoyed making Staged together and we do laugh a lot - perhaps it’s the sleep deprivation.

Michael: I thoroughly enjoyed it, it was great. The difficulty for Anna and I was that one of us had to go and look after the baby, so that presented a bit of a challenge and limited how much we could do together. But the positive side of this was that it meant Anna could do more scenes with other people. So, there's more scenes between Anna and Georgia, Lucy and Simon as well. It was lovely not taking ourselves too seriously and to play around with it.

Will any of your children be making an appearance in the new series?

Michael: There’s that fantastic moment in the first series where you see David and Georgia's daughter in the background coming down the stairs and then going back up the stairs - that's very funny. I'm sure you can hear Lyra in the background of some scenes; you’ll have to be eagle-eyed and eagle-eared for that.

David: No, I think they find it slightly risible that mum and dad are making a TV show from the house and are mostly just annoyed when we tell them to be quiet for a take.

What can you tell us about working with the guest stars?

David: Well I think it’s out there that we have Ben Schwartz joining us this series, playing the assistant to Michael and my US agent. I’ve known Ben for a few years now, we both play the voices of ducks on Disney’s Duck Tales. Ben is very very funny and is a master at comic improvisation. Michael and I both had to sprint to keep up with him once he started going off script. Recording those scenes was a particular joy. But beyond that I’m saying nothing - that would spoil some nice surprises.

Michael: In the first series one of the most enjoyable things was being able to do a scene with Dame Judi and with Samuel L. Jackson. In this series we have plenty more where that came from and it was an absolute joy - a real thrill! We have some special guests this series who David and I both enjoy the work of. I hope the audience enjoy it half as much as we did and also see that it's not just us who have difficulty with the technical stuff!

Q&A with Georgia Tennant and Anna Lundberg

What can you tell us about the new series of Staged?

Georgia: We are all still in lockdown but things are starting to open up a little and everyone is trying to feel their way through their new normal. David’s hair is longer and my wine cellar (metaphorically speaking. We don't actually have a wine cellar) is emptier.

How did you come up with the idea for the new series?

Georgia: We always said we would just do one and hope people didn't hate it. Much to our amazement people really didn’t hate it and of course it's much more tempting to visit something again if the reception has been good! When we filmed the first series I think we felt like it was a small window of time where the world had shifted and before long we’d all be back to normal and Staged would end up being this nice little time capsule. Simon Evans and Phin Glynn then came up with a brilliant little seed of a premise and we all took it from there.

In the show you play exaggerated versions of yourselves, are you anything like these characters in real life?

Anna: Well we’re all slightly different from the first season. I certainly don’t bring Michael charcuterie boards like I did in the first season, hah! I think in this season I have lost most of my patience with Michael and although that isn't true in real life, it seems closer to how we would behave with each other if we were living through those exact circumstances. I'd tease him for being so serious and a bit of an arse but at the end of the day we got each other's back. I've also gotten to know Georgia and Lucy a bit more since the first season, so those scenes seemed a bit closer to real life this time. Although I don't think there's a world that exists where I'd actually offer David Tennant advice on using Viking methods with an axe to deal with a conflict.

Georgia: This series ‘Georgia’ is slightly less tired and has gotten her fight back a little. The kids are back at school and she’s trying to get everyone else back to some sort of normality. She’s even less indulgent of ‘David’.

Why do you think the show was so popular?

Georgia: I think for the first time in probably ever the whole world was doing the same thing - sitting in their homes. To be able to watch a show where the actors are doing exactly as you and much less elegantly was probably the secret to its charm. To be able to laugh during this time has also certainly saved my sanity and having a comedy escape, albeit for 15 minutes, was probably very needed.

Anna: I think a lot of people around that time were happy to see something light and a bit silly as opposed to another heavy drama about what everyone was already going through, but without ignoring what was going on at the same time.

What was it like working with your partners?

Georgia: That was the best bit for me. He is my favourite person, actor and makes me laugh like no one else. I think I may struggle working with anyone else now!

Anna: The biggest challenge of filming with Michael is figuring out what to do with the baby when we do. Once we've managed to work that out around naps it’s great! He’s very encouraging and patient with me. Serious about the work though and likes to be in charge of all the technical stuff, even though I helped him to set it up in the first place. But I let him.

Will any of your children be making an appearance in the new series?

Anna: There’s always a chance you’ll hear Lyra’s voice in the background. She likes to get in on the action and has a great ability to project and be heard like her father. But no, not in vision.

Georgia: No. I cannot tell you how little they care about what we do. We were just annoying them by asking them to keep the noise down for takes.

[popculturebuffet]

Ducktales Reviews: The Town Where Everyone Was Nice! or Scrooge Is the Lindburgh Baby

Saludos Amigos! The Ride of the Three Cablleros has at long last come to the last stop before it’s final phase. It’s been a hell of a ride so far: Our boys have tried to woo some ladies, performed some black magic, had some sort of drug trip, dealt with Donald’s ego, helped goofy ungoofy himself...

“SEASONS CHANGE, TIMES CHANGE BUT UNGOOFY IS FOREVER AND ALWAYS HE IS ALWAYS THERE” ... I created this magificent stalion.. kinda I think he came out of a styigan hole in the universe from the darkest dark in the dark of the dark... I can’t be sure. Our heroes fought an arrogant prince, found a lost city and helped donald get his smile back. All culminating in our heroes going to Spain for some reason, soundtracking Goofy’s win against Horace in Flamico Dancing, somehow that wasn’t a Covid induced fever dream I had but the actual premise of the episode, and then played some soccer with Daisy’s cousin and Pancho Pete. All in all we’ve had some good times getting here and I feel acomplished having made it this far. While I’ve still got quite a ways to go, getting this far means I really made something.. and not just the 80 something dollars it took to comission all of this. And I genuinely just want to thank all of you for reading these as these have easily been some of my most popular reviews and @weirdkev27​ for comissioning all of this. It’s been easily one of my faviorite projects so far and I look forward to the final leg of it soon. For now though we have one last adventure before the biggest one starts.  But before we can dive into it you probably have a few questions, and since I don’t really need to give Ducktales 2017 a lavish introduction as unlike most stuff so far this show is well and familiar: it’s what got me started reviewing animation on this blog, it’s what got me into the duck community as a full member, and it’s what caught Kev’s attention leading to this entire series. So I have time to answer the questions your probably asking and if your not.. well here’s the answers anyway Wait aren’t you going to cover Louie’s Eleven?: Nope. While I love that episode, I already did a full review of it earlier this year.  I saw no reason to completely and utterly redo the entire thing when my opinions toward the episode haven’t really changed. That being said since I didn’t touch on the boys characterizations in that one too much and since I do want this retrospective to be comprehensive, I will talk about Panchito And Jose’s characterization there briefly during this review at the right time as a compromise. 

Wait why isn’t THIS the last stop since it came out AFTER Legend of the Three Cablleros: Simple.. it felt unsatsfying to both me and kev to end on this one. While their apperance here IS a good one and a big deal... it’s also ANOTHER guest apperance. It’s something I didn’t quite realize for now but outside of the movie.. every apperance after is them guest starring in another series. Their aperances in Don Rosa’s Duck Comics, while awesome and treating them with proper respect, were still them showing up to shake up Donald’s stories and formulas. They were LITERAL guest stars in House of Mouse, and Roadster Racers was entirely just “let’s shove them in there because we can”. Legend.. is their story. Their moment in the sun after too damn long with all three as main characters and while being a lead is normal for donald, Jose and Panchito really HAVEN’T had that shot outside of their home countries. To be the hero of their own fully realized epic adventure. So it just fits best to have the road lead there instead of have all that happen.. then go back to yet another guest appearance. The other major factor.. is that while Legend came out around the same time as ducktales, to the point many compared and contrast both shows treatment of Donald, this episode is what most non-latin american audiences saw first as it took Disney WAY too damn long to air the series over here.. i.e. until Disney Plus launched, finding it somewhere online was the only option despite the series being produced in america with some really big american names voice acting wise. Point is this came first to some people, so i’m using that as a flimsy excuse to put it ahead so we get a better finale. 

Now all that’s settled, let’s dive into “The Town Where Everyone Was Nice!” and see what one of the best duck propeties period makes of our boys. 

We open in a remote town in Brazil. It’s the Festival of the Flower.. which is a bit off to me. While it DOES kind of make plot sense.. the problem is the lure was written to Panchito and Jose.. Jose whose a brazil native and could’ve possibly been supscious that a tourist invintation wasn’t in Brazilian Portugese, the countries national language and something I specifically researched just to see what it’d be called. For the record it’d be O Festival da Flor acording to google translate, which still sounds neat, Webby could’ve still said it means festival of the flower. It just feels like a missed opportunity from a creative team that’s taken such pains to make the series feel as authentic as possible and clearly put a lot of hard work and research into making each location feel like it’s real world counterpart.  But it’s a minor thing and we soon get our two plots for the episode: Our B Plot.. is that Dewey can’t stay the fuck off his phone and is taking pictures rather than actually getting experiences with Louie enabling him, while Webby gets increasingly frustrated at Dewey not actually botherting to experince this unique and obscure culture. We’ll get back to this in a bit. 

Our main plot naturally concerns the reason our heroes are here: Donald is reuniting with The Cabs, who in this continuity are his old College friends who Scrooge hates due to having to listen to them practice constnatly and tells the kids they’d hate it worse than his playing the bagpipes. 

Bagpipes are objectively the worst insterument on earth. They are loud, unharmonic and generally just obnoxious. I do respect how important they are to Scotland, home of David Tennant, Grant Morrision and .. Alan Cumming and James Macavoy? Wait what? that’s awesome! Point is Scotland is great but I do not like the bagpipes except when Bugs Bunnny is murdering them. Honestly Donald’s college band was probably more like this. Nothing bad at all just mildly pathetic and mildly pathetic is what got Donald a girlfriend, so it’s not a  bad look

That brings me to another point: Scrooge is pretty obnoxious in this episode. It seems like his sole reason for coming was to bitch about Donald’s old college band. He could’ve just sent them a stern letter like the pros at being a cranky old geezer do. 

I do GET why he’s here as there are some REALLY damn funny bits with him in the a-plot, it just feels like they could’ve justified it better. But on to better things as Jose and Panchito enter the scene after Scrooge claims they “weren’t so cool”.. with Panchito diving from a plane and drifting down on his umbrella

And Panchito shows up dramatically playing the guitar. A truly awesome and worthy intro to our boys. So let’s talk about them in this series. Honestly the two really aren’t that diffrent from usual, though Jose’s lady chasing is given to Panchito, his footloose world traveling lifestyle remains in tact as does his genuine charm while Panchito remains the peppy one, just with his outbursts gone as his guns are replaced with cell phones.. 

Yeah while I do get replacing the pistols because let’s face it the mexican of the group being a gun nut was pretty damn unfortunate, though Don Rosa toned it down and justifed it well, and frankly guns are a hard no for family shows these days unless their laser guns so replacing them I get. But instead of I dunno giving him knives or turning his holsters into pouches carrying his stuff.. he just has two Cell Phones. It’s weird. It dosen’t really make sense other than for him putting on a big shot act and even big stars probably don’t have two phones on them at all times. It’s just a VERY weird update that makes not a whole lot of logical sense and I belivie is thankfully gone by the next ep. The only real issue I have is the two just sorta blend together personality wise instead of being distinct like usual, but that’s also happened in other apperances, so it’s not exactly a new or unique problem, and the two’s voice actors do a great job making both feel like they should. 

Speaking of which let’s just go ahead and discuss that elephant in the room: The Cabs were recast for the first time in ages, which didn’t sit well with friends of legend as Eric Bauza, who’d replaced rob Paulsen, was himself replaced by Arturo Del Puerto and Bernado Del Paulo replaced Jamie Camil and Carlos Aquazi as Panchito. And I have mixed opinons on this one: Replacing Eric was a no brainer: while he’s a terrific voice actor.. he’s not brazilian and the crew of Ducktales 2017 perfer to cast actors who match their characters backgrounds, which again adds to the authenicty of it’s globetrotting and scope. They don’t ALWAYS, Cree Summer isn’t, as far as I know, Egyptian and Catherine Tate, while wonderful, isn’t italian. But for the most part it adds a nice flavor to things and frankly I personally prefer it when Jose is voiced by an actual brazilian man. So that change i’m fine with. Not using Camil though... I do not get. Jamie Camil is a throughly talented voice actor, having done TONS of great work lately , vocing Globgor for star vs and not getting nearly enough screen time as the loveable demon dad, and stealing the show as Don Carnage earlier in the series. While that episode is one of the series weakest, he’s still easily the best part of it and I hope Carnage shows up one last time before the finale. 

So it really makes.. no sense to me to replace him. Not only is camil a bigger named actor, but he was already on the show and even the defense of “well they don’t want actors playing multiple rolls” ended up utterly destroyed by the end of the season, as Christ Dimatopolus not only reprised Storkules, but went on to play Drake and Melon, and picked up a FOURTH role in season 3 as Hades. My point is the show has no real issue with doubling up on voice rolls, so I scratch my head as to why Camil wasn’t given this part too despite being the obvious choice. Del Paulo isn’t a bad actor and is great in the role.. I just scratch my head why he was needed when a perfect actor for the part was right there and already had experince with the character. 

I do think Puerto and Paulo are terrific and do the characters justice, issues with Paulo being there at all aside, and they do a great job and more than earned the roles and I don’t think the mass critcisim of this version of the characters is entirely warranted.. for this episode. This episode while they can meld into each other... that happens in most of their apperances anyway, so it’s not unusual or unique to this series. I will say however that the way their written in their next apperance is utter garbage: they aren’t really given any chances to be distinct, are basically written as one person even worse .. and that one person is a greedy asshole who takes advantage of their friend and never apologizes. I do get why people did not like them in that episode. I do think it has no baring on this one and people should stop bashing these versions as a whole for one terrible episode, especially when Louie has been written pretty badly for the bulk of season 3, yet is still not a bad character. It’s unfair to paint the series as painting them soley as selfish jackasses when it didn’t at first and hopefully wont’ again when they presumibly show up for the finale’s big avengers endgame sequence I hope is coming. For now they aren’t bad and the colors are crisp and the animation nice and bouncy on our boys. 

Since we have two plots here, I’m just going to go ahead and split em since honestly, the b plot dosen’t really impact the a-plot until really the last minute and is basically happening right along side it and in concert with it. Sooooo... 

The Trite B-Plot: As you can probably gather I didn’t really like this one. It’s basically 5-7 minutes of me wanting to punch a child in the face. Or rather Webby wanting to have fun experinces and actually take in the culture while in town, while Dewey just wants to take pictures of everything, make it seem like he did stuff, and generally is obnoxious to webby while Louie supports him wholeheartdly. That last part is really one of the few good parts of the plot as it’s nice for one of the brothers plots to NOT be about them being in conflict or squabbling but just hanging out and having some fun, doubly so since i’ve had to spend a season watching Louie , outside of a few good exceptions be an absolute dick to Huey and also Dewey once. It’s nice to just see him and Dewey bond over a shared intrest: posting shit online and getting good photos. 

And it’s not without GOOD gags: Dewey’s obnoxious captions at one point while Webby continually looses her shit, Louie continually saying “that’s so wise” at Dewey’s bullshit philosphies, Webby’s continued annoyance is delivered great by Kate as always, and the best bit is Webby, utterly pissed at Dewey for refusing to eat Local Cuisine, wolfing down the entire fucking plate, all the dumplings in her mouth at once while Dewey, naturally, takes a picture. Otherwise this is just.. grating. It’s utterly grating to watch Webby GENUINELY try hard to absorb the local culture and really enjoy a once in a life time experince.. while Dewey jackasses about and basically acts like she’s wrong for it and treats his best friend like garbage. Just because i’ts nice it’s not Louie this time doesen’t make one of the kids being a dick without any nuance or character stuff suddenly great. It’s just tiresome. 

And SOMEHOW , despite already not liking it the first time watching the episode.. it’s even WORSE now afterlast years. No not because I watched it while having to put up with Coronoavirus induced Chills, but because another show did this plot 100 times better: Close Enough. One of the best new shows of the year, Close Enough had a plot where exes Bridget and Alex, aka yet aother great set of Kimiko Glenn and Jason Mantzokus characters, went on vacation together, but their attempts to have some ex sex fell flat due to longstanding issues we found about through this plot: Bridget has a bad habit of doing what Dewey did, focusing way more on her social than actually enjoying her vacatoin while Alex has a bad habit of befreinding random weirdos who agree with his worldview. Keep in mind this is the same worldview that spent an afternoon connecting garfield to jesus while pissing in a jug for some reason. Point instead of a character just being a smug dick, it ties into actual character flaws that helped us not only learn more about them but lead to a really heartwarming scene where the two admit they jsut can’t sleep together casually with allt heir baggage, and that they still have a lot to sort out. Before given the show their on having their friends show up from the a plot and all of them getting kidnapped by a robot because Josh skipped a bunch of ads and a 5 year old has to solve some issues and prove she’s not dumb to blow up said robot. What i’m saying is it’s even more insufferable watching this after seeing it done a thousand times better, and fucking watch Close Enough. Thankfully unlike Inifnity Train it’s not reliant on you to get a second season as it’s been renewed proving that even in a cluster fuck like 2020 miracles can happen, but it’d still be nice for it to get more fans during the presumably long wait for Season 2. Let’s move past this, i’ll get to the plot relevant bit for the climax when we get to the climax, and onto the reason your all here. 

The Main Event: A Life Not Wasted

Okay onto the actual plot. Rewinding quite a bit, the boys meet our boys, and we get some good bits. The boys cool new handshake leaves Huey wanting one only for Louie to simply lick his hand. See this is Louie dickery I can get behind because what did Huey expect? I do take comfort in the fact he has actual friends now who will likely do a handshake, fenton very much included. I’m sure Gyro didn’t want one either so he’s had plenty of time to workshop. We also find out one of the boys was dropped as an egg and well.. given Dewey opens and closes his eyes one at a time for this one moment, the ohter triplets just sorta.. silently agre it’s Dewey. IT does explain why he thought Champ Popular would get over..that and Santa Claus is Going to Highschool being his favorite movie. 

So both Jose and Panchito claim to be sucessful: Jose being a sucessful jetsetter and trendsetter, and Panchito being a world famous pop star, never stop stopping. So Donald being donald panics and runs into a alley where Scrooge and Huey join him.  Donald is fully convinced he’s wasted his life and has nothing to show for it. Huey rightfully points out he raised three wonderful children and isn’t that enough? Naturally given Donald clearly has some issues related to this subject and Scrooge has develoved into old man yells at cloud, he agrees it’s not important as money. So Huey decides to help his uncle because he’s the good son.. and because the two are easily the most alike out of Donald and his Kids. It’s something I haven’t really been able to bring up before so I was delighted to realize i could now: Besides the obvious people bring up constnatly, I.e. Huey having inhereted the most of the family rage out of his brothers, there’s the fact both are kind of obessive, both tend ot spiral into panic when a situation goes wrong, both are awkward with women, both are frequently ignored or taken for granted by those around them, and both are awkward adorable dorks who I will give my life to protect. It’s why I think Huey has the best relationship with his uncle of the bunch: He’s the only one who at least TRIES to empahtize with him and support him. While the other two do love him, and Webby of course likely has an insanne and horrifying shrine of him, and scrooge and probably della now in her closet.. and of course lena but that’s less out of hero worship and more out of her insane, over the top, very webby version of love. Point is, he’s the one who genuinely sees his uncle as a person who needs help and love. This was best demonstrated in the scene at the bank back in “Who Is Gizmoduck” as Huey tries to get his uncle a loan using the guidebook and is there soley to help the guy and taking time out of his day to visit the bank. Let’s face it though this is huey: he probably loves visiting the bank. They just got new pens! So Huey decides to put his improv badge to good use... so far the only use he’s gotten is Louie laughing at the fact he actually earned an improv badge and urges donald to simply ACT like he’s sucessful. Scrooge balks at this, because as Wonder Woman 1984 taught us nothing good comes from lies.. or from  banging your ghost boyfriend while he’s possessing someone’s body without said body’s consent and plan to fully live out the rest of your lives togehter without ever considering how fucked up this is. I will..deal with that movie ... soon. But he soon changes his turn and agrees to go along with it to avoid Jose getting upset and them having to pay for everything. 

So Huey suggest Donald keep the lie small, but belivable. Given the law of sitcoms when it comes to anyone saying that and the fact this is Donald, he instead panics and lies that he’s taken over McDuck industries and scrooge has gone full abe simpson in the other direction. 

Which is why i’m not enitrely annoyed by Scrooge’s presence: while they don’t even handwave him being here, Scrooge putting on an old man act, and sometimes getting back at donald for it is solid gold the whole damn time and some of David Tennat’s best comedic acting on the show, so it makes up for him being a grumpus.  And while i’m not usually not a fan of liar revealed plots, this one works for me.. mostly because it’s rooted in character. Here Donald is lying.. but because of deep seated neurosis he’s yet to fully tackle. While he loves his boys and is proud of htem every day... it’s very clear Donald hates his life and how it turned out. We got bits of this back in House of the Lucky Gander, with Donald’s first thought upon thinking he’s about to die is “I wasted my life” and feeling entirely like a looser. This episode brillinatly builds on that: it shows a Donald who simply feels.. he acomplished nothing. It’s easy to see why as his parents were happy and sucessful at whatever they did from the looks of it and how well taken care of the kids were, his uncle is the richest duck in the world and it’s greatest hero and explorer, his sister is the only one who could rival that record, and his cousin constnatly gets riches and fame handed to him. Donald.. by comparison.. is just a normal guy whose house is in his rich uncle’s pool, who has no job, no partner, and only really the love of his family. He spent his life on adventures he didn’t want to have living int he shadow of someone he grew to resent before the Spear of Selene incident blew things up for a decade. And then when he was free instead of becoming a big sucess... he blew the rest of it being overprotective of his boys and bouncing from dead end job to dead end job. It’s easy to see why he sees himself as a failure despite having lived a good life: compared to everyone else, even his sister who mooned herself, in his life.. he feelsd far behind. And as someone whose felt they were far behind countless times and only now is realizing they haven’t and it’s a marathoon ot a sprint I naturally relate. So his wanting to play big shot for just ONE day, to be the big hero like scrooge, teo be a sucess for five minutes with his best friends.. it’s understandable and relatable. 

So Donald continues the ruse, leading to a great bit where the cabs all try to avoid picking up the check “WE can’t all keep whistling nonchalantly” before Scrooge is forced to give Donald the money to in the best joke of the episode.. and I mean FORCED. He and donald get into a fight with their hands under the table and Huey eventually gets fed up with that and has to BITE his uncle’s hand just to get him to do what he shoudl’ve done ruse or no given he’s the richest person there. The reason I take special offense to this.. is that my fairly wealthy grandpa and grandma, my mom’s dad and his wife for the record, would buy us dinner EVERY TIME they were near town, a nice steak dinner with whatever we wanted to most of the time. They knew we couldn’t afford such luxury half the time and wanted to treat us and spend time with us. Since my grandpa’s passing, my Grandma and her New Husband have continued the tradition since then, if obviously not this year for damn obvious reasons, thought hey sent us a really nice dinner to cook for christmas in the same spirit. What i’m saying is when you know your relatives arne’t as stacked as you , you pay for the fucking meal especially since i’ts a special occasion, and even for someone as stingy as scrooge, it comes off as a dick move. 

We then get the best scene with the episode, just inching out the climax as the three simply talk, remince on old times, have a good rib like old friends would. It feels natural and wonderful to watch and gets even better when the three hear the radio and end up having an impromptu dance and musical number. Also Jose’s umbrella is also a flute somehow. 

Point is the boys have a good time and Donald gets carried away, with the boys planning a world tour. Huey, while happy to endulge his uncle in a badly needded ego boost, isn’t happy to endulge this and scrooge is unwilling ot pay, more resonably this time. Huey eventually talks him out of being a moron and tells him he has to tell the honest truth and while that dosen’t work this does. 

So as Donald goes to face the music, we have come to our climax. Phrasing. 

The Finale: Ay Carumba

So we come to our finale. Backing up a scene or too to the B-Plot, webby is interviewing a local about the festival when she gets stuck in a loop. So far in the episode we’ve had hints something is up with the people as they go all yellow eyed.. and webby finds out why as she notices the “person” she was interviewing is, in a hilarious and disturbing review.. a horrignly realistic hand puppet.. and upon stealing Louie’s phone, she points out there’s no shots of anyone’s feet.. and the reason why is that the giant flower the feast is about is a mean green mother from outer space and he’s bad. And Webby finding that out’s got him fighting mad.  Webby and the boys naturally run to warn the remaning boy and scrooge and they all run out only to get blocked out of town and captured. Dewey looses his phone inside the plant monster.

In a great joke, Scrooge ended up actually throwing his back out with the old man act, so our heroes are all captured and it’s up to our stars to save the day.  So while his family is in peril, Donald finally comes clean with Jose and Panchito naturally being upset.. for a second before Jose admits he lied to and an irate panchito.. is forced to admit he also lied. Jose is a flight attendant, hopefully he’ll get his own mini series where he accidently murders a dude on disney plus, which is a nice update of his globe trotting ways, as it’s a resonable way for someone with no money to get around the world these days and Panchito is a birthday party muscian. They all however chuckle over this realizing they haven’t come as far as they thought.. and they still have each other. It’s a nice way of modernizing Rosa’s jobs for them and their hard luck lives he set up and I love this. IJt’s just a sweet emotoinal scene that makes donald, and his friends, realize they aren’t faliures and life isn’t just about reaching some arbitrarity goal.. just like Soul taught me aka the actually great movie I watched on Christmas Day.  But since Donald’s family is in peril Jose suggests theys till play the gig.. just like they did ion acapulco thus we get the second best scene of the episode and another worthy rendition of The Three Caballeros as our heroes beat the shit out of the plant, free the kids and the plant straighens out scrooges back. 

It’s beautiful, psycadelic, and utterly awesome. Seroiusly the bright boldend colors are awesome and so’s this sequence. Easily one of the show’s best.. and it’s a show that contiains the greatest scene in television history

So that masterclass concludes with Donald signing.. badly.. and blowing the plant hte fuck up. Our heroes win and head off in the sunchaser. No idea what Launchpad is up to, probably has another ex in the area. Point is our heroes win, Dewey deletes his photos because “If there was no pics it didn’t happen” (So wise) and Donald decides to get the band back together, prompting scrooge to do an animal house on Panchito’s guitar... you.. you know you have to pay for that right? you aren’t a loveable frat man and he wasn’t ‘singing and I gave my love a cherry. Your obligated to get him a new guitar. You know that right?

So with that the episode wraps. This is a pretty good episode. While the subplot is bad and it should feel bad the main plot is emotional, well done and really adds more depth to Donald’s character while giving us a hell of a show with the cabs. The College Band background gives the boys a unique flavor this time around, not musically but in how they know each other and helps set it apart from the countless other reunions. It’s a truly bright, colorful and fun episode with some great gags and great performances. As I said Puerto and Paulo really knock it out of the park as the boys and while I would’ve preferred Jamie Camil, Paulo was still utterly excellent, though Puerto was the clear standout of the two. While their second apparence would be disapointing characterization wise, overall this was a fun introduction to two of disney’s best into it’s best universe and one of Season 2′s Standouts. 

Next Time on the Ride of the Three Cablleros: we begin our massive finale look at The Legend of the Three Cablleros. Donald gets dumped by a nightmare of a person and finds an inhertance, new friends, and some sort of hot adventure god in his new cabana. Good times. Until then goodbye, goodbye, goodbye. 

[themadvigilantist]

just a 5:53 AM thought...

i have very detailed dreams, i giffed one so, here’s another one. without much editing

i had a dream that me and cale/anders/whatever/horse hoe was friends and then we grew and by we i mean i just wore business dresses and occasionally heels and he was just david tennant. apparently, in this dream, i was a dominatrix with had an abusive husband whose reason of being abusive to me because he was jealous of: me making fun of cale by making horse puns, jokes, and ‘kill me’ innuendos that made cale’s voice crack and then i end staring at him in concern and wtf when he do that and before i can comment he’s just like “stop it. just stop. no, stop. don’t.” and that almost makes burst into laughter and that i didn’t do that with him and we only see each other for like once a year on a random month. because i know cale’s a killer and i basically just judge on ‘why the hell you choosing them when im literally here willing to like have normal schedule only if you whip me, i will rip your cock right off.’ that was my winning argument every time cale would bring that up. it was highly effective.

also i was a history nerd (i heard him say it to me. to my face) because im not obsessed with horses like he is and cale only tells me this because i show him that his methods of “correction” and “breaking mares in” is literally the same devices used for enslavement (cage, marks on the back, the collar, the fucking gag choices and shit but i also knew that his horse trainer actually thought this was for horses and that this was how to break in a horse and he didn’t know she was raised by racists horse ranchers that brainwashed her into thinking this was for horses and they didn’t fuck with me because cale was with me like glue to paper (yes i made that pun too and he laughed). and looked like damien from the omen. that helped a lot. then i would-- i tell him to get new equipment. and to give me my whip and gag chair back because every once in a while i have a client that wants to use the whip or be strapped down... apparently those belonged to me, i was shocked i even had that amount of money. and it’s my dream and im shocked.

so we move to portland and my husband was angry because he saw cale in a new car (nevermind the fact that he didn’t know that was a new identity) and i got all these marks on my back and my inner forearms and one branding circle thing on inner upper thigh. but i wear nice coats and cale didn’t know about him being abusive to me (because i never take off my coat/jacket/shawl i went through a lot of costume changes and i hated it)

and so automatically i was like im gonna go hang out with my pal cale. because like every horse centric soap opera, i gal paled myself to someone who surrounded themselves with horse themed decor. but fancier? at this point the movie kicks in and sean sees we friends and he starts stalking me.

so cale calls me and say meet him cabin woods nightime? the gist of it really. don’t get followed and i get in my car and i bring a bag of sweets and sex equipment. mainly squishable food that don’t squish when it should. i don’t question the logic of my dreams, i just roll with them and hope it doesn’t end with me having sex and seeing a fucking dragon. the dragon was my car, i didn’t notice until i remembered. my husband mad because im hanging out with one person instead of a group...

so sean atttempts to follow me, at night, with his orange car. he got a new car and its that ugly orange. he loves ugly orange car. and im driving and then i turn all the lights/headlights off and drive my car off the edge of the mountain path thing. the winding road and it turns out i jumped out of car, surprisingly clean and sean falco is freaking out as he watches the car crash and explode and parked his car so he properly get out, watch and hear the car tumble down the hill to explode while acting like a sim seeing fire in their home...so i run barefoot with heels in one hand, bag full of food and things, and still in my pretty coat and run all the way until i find where cale at in the dark. i keep running until i get to the porch, the snow and grass and twigs does nothing to my feet and stockings because “the cold never bothered me anyway”. cale asks if i was followed and i calmly straighten myself out and said no, i brought food and better collars and shit. and the main girl is still in her cage and im just like: “another one? really?”

and then we chill on the couch and i would tell him: why her? is it the hair? is it because you thought she was gwen conliffe or rita vrataski and then when you saw her face you just went “the garbage will do”? And then he would avoid the question by saying how I found him and then i answered that my husband saw you and then i told him that he was one that introduced us to each other and thought he “perfect” and then i told cale that i’m going to kill him. i blew up my own car and now im gonna kill him. its time he needs to go. and cale is like: oh i want to see that. and then i tell i packed an overnight bag and i might need a ride home tomorrow. and cale’s like: why did you blow up your car you fucking dumbass? and i went: so i won’t be followed, coal bitch.. and then that banter went on and eventually i start flirt and said something along: “why don’t you kill me hm? hmmm?” and then i literally just stroke my neck slowly and he watches with both “stop with the jokes.” and “don’t tempt me”  in his eyes and then he noticed my arms and saw random marks and was going to ask what happened and i drank some wine and just said: im going to kill my husband. tomorrow. wanna watch? and then he asked if the husband was the one who did this and i said, yep. so then he said sure. despite the fact that sean falco is still looking for him and now me. also my pajamas were dominatrix clothes, specifically the one that angelina jolie wore in mr. and mrs. smith. cale wasn’t blind and said: “what are you wearing that for?” and i said: “these are my jammies.” and he went: “no.” and then gave me a oversized sweater and some shorts and guided me back into the bathroom. [my work clothes were actually footsie pajamas and i was a dominatrix. my work place was literally the same dominatrix room you see in shows and films but instead of them wearing leather, they’re wearing nice, fluffy, footsie pajamas. doing the exact same thing. but in cute pajamas. it was a great trade off.] the next day or i assume it is and im rightfully peeved i couldn’t sleep in my “jammies” but apparently the only sane one in the dream was cale.

and then we went to my husband’s house and sean falco was there looking smug and my faceless husband told me that he knew that cale was bad and then monologued and i just kind of went and sat down and cale went to sit down beside me and then the husband started choking and seizuring and then died in front of a now terrified and bewildered sean. cale went: “that was quick” and i went: he poisoned himself with his own cereal

and then i went and called the cereal company and they offered those small boxes of cereal as condolence gifts and i bought one because cale and sean were like: nah we’re good/alright

and then the rest of the movie played out and i hear about cale caught by the fbi and somehow, i bail him out of jail with bail money. and then we basically just chilled out until i woke up.

and i typed all this because i can’t gif it like the last one.

summary: don’t watch/gif bad samaritan repetitively. please.

[briangroth27]

Marvel’s Defenders Season 1 Review

Full Spoilers…

Marvel’s Defenders was enjoyable and is definitely worth watching, but I’m not sure it did all it could have. The chemistry between Daredevil (Charlie Cox), Jessica Jones (Kristen Ritter), and Luke Cage (Mike Colter) worked very well, but Iron Fist (Finn Jones) was the weak link. He had a few good moments, but Defenders still couldn’t redeem him for me. I was impressed by the inclusion of nearly every major supporting character from the four previous Netflix series, even if they weren’t used to their fullest potential.  The Hand didn’t reach the heights I was hoping as the ultimate bad guys in the Netflix corner of the MCU (so far), but I was genuinely entertained and feel that their arc has come to a mostly satisfying conclusion.

Matt Murdock/Daredevil Matt’s one of my favorite comic characters and I’ve loved Charlie Cox’s interpretation of the character over three seasons now. I was surprised to find him retired from superheroics, but it was great to see him relating to and comforting a recently paralyzed teen (Gabe White) in his opening scenes; I’d definitely like more glimpses at how Matt’s powers and his blindness shape his worldview, so things like this—a way to save a kid without being Daredevil—are very cool. So much of Matt’s arc over the course of his series has been about how best to be a hero and what the line between hero and villain even is, so it was nice to see him mulling over whether he’d done the right thing in stepping down as Daredevil.  When he did finally return to the suit, it was awesome! Murdock was hands-down the best fighter in the show, which hurt the credibility of these other martial arts masters a bit. His flippy and highly acrobatic style is always fun to watch, and Defenders was no exception. Matt’s casual parkour to travel the city (and evade Jessica) got a good workout here and I hope it pops up even more in Season 3, as that’s a comic book element I wish they’d show more of in Daredevil. Elektra (Elodie Yung) was the only character who matched his fighting prowess—Colleen (Jessica Henwick) was close, but didn’t get to do as much hand-to-hand as the others—and Iron Fist and the Hand looked lackluster in comparison.

Speaking of Elektra, I loved how dedicated (and possibly deluded) Matt was into thinking he could save her. Executive Producer Marco Ramirez said he felt Matt believed Elektra was a problem he had to deal with himself and I get that, but I think that drive could’ve had bigger implications for the team. It threatens to destabilize them at one point, but when Matt figures out Elektra’s been in his apartment, he lies about what he’s found to Jessica (almost directly after promising her he won’t keep anything back) and he’s never caught. I understand why he wouldn’t come clean—he was the only one who thought she could be redeemed and Stick was liable to have her killed like the last Black Sky (Bonale Fambrini)—and I wish he hadn’t lied, but if they were going to include that action it should’ve had a consequence.

While Luke informed Danny of his white privilege, I thought Matt’s was more striking. Matt was found at the scene of a homicide covered in blood—the cops even took his shirt to test it—yet the idea that he could be involved in Stick’s (Scott Glenn) death didn’t even occur to anyone at the precinct. At first I brushed this off as “who would suspect the blind guy?” but Misty (Simone Missick) didn’t have a reason to think Luke was a killer either and he was still under suspicion. Just because Matt was Luke and Jessica’s lawyer, he must be innocent? The cops barely questioned him about what happened. When he breaks out of the police station with them later, the cops assume he’s been kidnapped?

I loved that so many story threads from Daredevil wrapped up here; it felt like an unofficial Season 3. Not only did we finally find out what the Hand wanted with that specific plot of land, but we learned what wall Stick was referencing in Daredevil Season 1 and what the pit from Season 2 was for. I also liked that Matt’s past with Stick and his old mentor’s way of doing things got in the way of rejoining the war. That was a smart, organic way of giving Matt pause about joining up instead of just being bull-headed (even though he was that too; as Cox pointed out about Season 2—and was just as true here, part of Matt’s arc was learning to ask for help). Murdock feeling nervous about unmasking in front of the others was a great moment of vulnerability for him; even if it was partially about protecting his loved ones, I think it also connected back to his lack of certainty about suiting up again. Taking the scarf off meant declaring that he was Daredevil. I do wish they’d taken a moment for Matt to confront Stick about Nobu’s (Peter Shinkoda) death: one of the very few issues I had with Season 2 was that he threw Nobu off a building and never said whether he knew he could survive the fall or not. If he didn’t, then he definitely tried to kill Nobu, which could’ve been a reason for his retirement (he’d failed at being an upstanding hero, even if Stick was the one who actually finished Nobu off). That’s something that could’ve brought more context to where we found him at the start of Defenders. That said, the rest of his arc was great and I loved that it concluded with Matt saying he was glad Luke and Jessica were with him before they went into the pit at Midland Circle.

I’m glad they didn’t leave any question about whether Matt survived or not and that they’ve already confirmed Daredevil Season 3! I’m excited to meet Maggie Murdock and to see how they handle Born Again, which seems to be where they’re headed; I don’t want to see Karen (Deborah Ann Woll) dragged through the mud like in the comic, though. Whatever the next story is, I hope that after upping the challenges from gangsters to undead ninjas, Matt gets to face off with supervillains next!

Jessica Jones While Matt and Danny’s arcs segued into the miniseries’ plot most cleanly, I was impressed Jessica and Luke’s investigations brought them into the Hand hijinks just as naturally. In fact, the confluence of these four heroes at Midland Circle felt more natural than an outside force recruiting random superpeople to join the Avengers. I liked how thorough Jessica was with her investigation into the Hand’s building and that they took the time to show it. It would’ve been easy, particularly in a condensed miniseries, to just have her show up and explain the work she’d done, so showing it was a great bit of characterization instead.

While Jessica’s general disdain for heroics can be fun—particularly when interacting with Matt and Danny—it is beginning to become one-note. She isn’t new to these powers and even if she doesn’t want to dress up in a costume (or even want her abilities), I’d like to see her at least more willing to help people, even if it’s just to pay her bills. If nothing else, her powers make her job easier than it would be for most people, so why hate them so much? Speaking of her powers, they absolutely need to determine some limits to what she can and can’t do; vaguely strong and maybe able to fly isn’t good enough. Still, Ritter found a good balance between her disdain for her powers and being overwhelmed at all the magic going on without coming off as coldly unwilling to help. I do think they could’ve dug into her discomfort with magic and resurrections by bringing up Purple Man at least for a moment. It would’ve been great to force her to confront the idea of resurrections with the possibility—however remote—of Killgrave also coming back and what that would mean for her. If snapping his neck herself wasn’t enough, could she ever find peace? Particularly since David Tennant is back in some form in Season 2, this would’ve been a great moment to tease that she’s still dealing with lingering doubts about her success in getting rid of her abuser.

I loved that there wasn’t much (if any) angst between Jessica and Luke once they met for the first time since Jones’ first season. They’d both moved on and that growth was fine by me. I didn’t like the implication of Jessica asking Luke out for coffee (even if I can’t quite remember if it had the connotation in her show that it did in Luke Cage), so I was glad he shot her down. I know they’re married in the comics, but just being friends works for the MCU in my opinion. If she’s going to have a relationship with a superhero, I really liked her interactions with Matt here. They had some really fun banter, so I’d be open to seeing where they might go. Perhaps Jessica and Matt could strike up a romantic/heroic partnership like he did with Black Widow in the comics. They worked well together when they visited the Raymond home and it was nice to see Jessica connect with Lexi Raymond (Chloe Levine) through what she’d learned about Matt’s dad, showing she understood him as well.

Regardless of who she ends up with (not that she needs to end up with anyone), I’m glad Jessica’s arc took her to a place where she could open up again. Starting to experience and engage with the wider world of powers was a cool metaphor for getting back into the business of living her life as well. It would’ve been good to see how Malcolm (Eka Darville) fits into her detective agency a bit more, though. That’s not where she was yet, but we could’ve gotten some tease about how they’d work together at the end. On the other hand, Trish’s (Rachael Taylor) radio talk show reporting on the earthquakes in New York felt like a classic superhero/journalist connection for Jessica and I hope they play that up in Season 2. If she could act as an early warning source of information for Jessica, it’d be great! I’m also very ready for Jessica to face an enemy who isn’t Killgrave; she was perfectly out of her element with the Hand and I’m eager to see her face completely new challenges in her second season!

Luke Cage Luke was a big surprise for me when I watched his series; I knew almost nothing about his character and came out of his first season a huge fan. Colter portrayed him as something of a soulful Captain America just trying to do right by his neighborhood and it was perfect (I’d love for him and Steve to meet and just hang out some day!). I was surprised Defenders got him out of prison right away and I liked that fresh start. I thought his past crimes would continue looming over him, so it was a pleasant surprise to see him out so soon and an even better one to see that he’d truly moved on from his past. Of all of the heroes, Luke seems to have put his demons behind him completely at the start of this miniseries; with his time served, his personal history is settled. 

I love Luke and Claire (Rosario Dawson) together and their post-prison sex session was a long time coming! I’m glad they wasted no time and I hope this relationship grows a lot in Luke’s second season. Also wasting no time was Misty Knight, who immediately got Luke back into the business of crime fighting (by the way, I like that Luke is effortlessly able to remain friends with not one but two of his exes). I love that he’s still so dedicated to his community and his personal bonds with the people within it are perfect, not only for his character but as a contrast to how the other heroes interact with the civilians around them. Matt may connect with people as Murdock, but Daredevil is meant to be scary and stealthy. Luke seems like he’d stop and talk about life with someone he’d just saved (assuming the villain was down), and continue checking in for weeks after the rescue. That’s not something we normally see from heroes and it’s something I’d love to see more of. His concern over both Cole (J. Mallory McCree) because of his job working for the Hand and Cole’s mom Dolores (Debbi Morgan) because of her family’s tragedies were excellent, even if he couldn’t save the day.

I would’ve loved to see Luke take down Sowande (Babs Olusanmokun), but his reappearance with the Hand leader in tow was still a great moment. I do think his hopefulness could’ve been tested by Sowande and the Hand’s apparent ability to completely demoralize their enemy; that’s a failing of the Hand’s characterization here and a missed opportunity to test for chinks in Luke’s armor. I enjoyed that Luke remained the most moral of the heroes, not wanting to blow up a building, and I wonder if that moment in particular was partially because he knew how easily the system can turn against you even if you’re doing the right thing. That said, I think he (if not Matt too) should’ve had a problem with leaving the Hand ninjas to die in the explosion; they agreed no one would get hurt and that seemed to go out the window once the bombs were activated. Regardless, his morality and sense of calm played well off of Matt’s obsessive crusade, Jessica’s apathy, and Danny’s unrefined enthusiasm. In fact, the scenes of Luke bonding with Danny, informing him of his white male privilege, and commiserating about how much gaining their superpowers hurt were the one area I saw a glimmer of hope for Rand. I don’t need them to team up here like in the comics by any means—Luke has a vibrant and fertile corner of the MCU without needing Danny to make it more interesting—but it’s good to know that if they do become best friends like in the comics, Luke can pull some likability out of Danny.

I think they definitely need to work on creating distinctive fighting styles for both Luke and Jessica. Both of them seemed to just barrel through ninjas and throw them around, but they could be doing more (though “barreling through” could work as Luke’s preferred style, since he doesn’t have to worry about gunshots or getting hit). On a story level, I’d really like to see Luke move faster into helping people in addition to getting involved with one person at a time. I wish they would’ve ended the season with him opening up his hero for hire business, possibly in the old barbershop. Misty started the season prodding him to become more of a helper and I would’ve liked to see how he decided to do that in a bookend scene at the end of the miniseries.

Danny Rand/Iron Fist I don’t want to keep harping on Rand—who looks for things to hate?—but even with his slight improvement here, he’s still the weak link of the Netflix MCU. While they smartly ignored the contradictory bits of his mythos (how can he defeat the Hand if he’s not allowed to leave K’un-Lun and why didn’t he know his greatest enemies still existed?), he still came off as brash and green (not in terms of his super-suit, though; he apparently still can’t have that). Danny trained to be one of the world’s greatest warriors for 15 years and there’s no excuse for him to still appear so fresh-faced. Even if they wanted to play a “training isn’t the same thing as war” arc with him, he’s been written as being so inept that it seems like he wasn’t trained at all. I’ve read that the idea behind Danny in this miniseries was to look up to the others as experienced heroes he could trust and seek out a partnership with them, but that didn’t really come through. Sure he’s enthusiastic about a team-up, but as soon as Danny doesn’t get his way, he’s off to do some stupid thing. I will say that while the other Defenders get to take verbal shots at him, Finn Jones played Danny in a way that didn’t feel like he couldn’t take their barbs; a definite improvement over his temper tantrums in his first season. And again, his bonding scenes with Luke were the most relaxed and natural Jones has felt in the role, so I’m glad they found the touchstone of that bond.

Defenders does undo a few of the questionable aspects of Iron Fist, though. Claire not calling Matt in for help against the Hand made a bit more sense now that we know he was retired, even if I’m convinced Matt would’ve suited up to help her anyway. The Hand not using the creepy-cool ninjas from Daredevil’s second season in Iron Fist’s first also makes sense if Elektra got the last of the resurrection substance (though where the undead ninjas went during Iron Fist remains a question. Even if Danny didn’t know much about the Hand, at least Defenders opened with him and Colleen running around hitting the Hand’s bases. This miniseries also finally made use of Danny’s white privilege after his own series ignored it; nothing against Jones, but casting a white actor added nothing to his character there, despite the internet’s insistence that he stay a white guy like in the comics. I liked that while Jessica had to do actual detective work to find Midland Circle, Danny was able to stroll into his company and ask someone else to look it up for him. This could’ve been played up more—and like I said earlier, Matt’s privilege was a much bigger example that seems to have flown under the radar—but I’m glad they finally touched on it and hope for more in Danny’s next season.

As many problems as they solved (at least partially), however, there were still some questions. How does Danny still know so little about his arch-enemies that they need Stick to provide all the exposition on the Hand? I wish Stick and the Chaste had appeared in Iron Fist to connect the dots a little better, but Danny being so clueless makes no sense. His fight choreography was still at the level of his first season, which made him immediately pale in comparison to Matt’s even though he’s supposed to be the much more experienced fighter. Danny bouncing off Luke looked silly more than anything; I was as annoyed with him as Luke looked. I wish the miniseries had ended with Danny getting his costume instead of the track suit-looking outfit he was wearing; it even looks like Matt’s from Daredevil Season 1, only in green and yellow, which would’ve been a perfect way for him to honor Matt’s request that they continue protecting the city. Now that the Hand is gone, I’m somewhat interested in seeing if defending Hell’s Kitchen is enough of a purpose to fulfill Danny, but he’s seemed so lost as it is that I’m not convinced it’ll feel very different.

Claire Temple I’ve really enjoyed Rosario Dawson’s Claire evolving over the course of five previous seasons! Her meetings with each hero felt completely organic and her appearances in each show are always a highlight. Since she’d gotten involved with each of the heroes so naturally, it didn’t feel contrived that Luke would get in a fight with someone else she knew; it just felt like another thread coming together like it was supposed to. I really liked that Colleen pointed out Claire is the foundation of this team of heroes and her reaction to that affirmation was great. While Luke is a steady source of hope, Claire is a great breath of fresh air and a perfect, practical wake-up call to these heroes.

That said, while Claire got the most screentime out of the supporting cast members (perhaps besides Colleen), I’m surprised she didn’t have more to do. As natural as facilitating the introductions was, it felt like she stepped away after that. When she’d appear in the individual series (minus Jessica Jones), she became an integral part as soon as she was involved in the action and I was hoping for more of that here. True she was involved in the final assault on Midland Circle, but nothing she did there had to be done by her specifically. I’m definitely interested to see what role she plays in the future of the Netflix MCU. Will she just remain their “Night Nurse,” patching them up and giving them advice? Or does she have a greater destiny? I don’t need or really want her to become a superhero herself (though she did take to combat pretty naturally in Iron Fist), but I would’ve liked an indication of where she’s going now. It’d be cool if they came up with a completely new role for her that wasn’t a now-common trope like the central information hub or something.

Allies Along with Claire, Colleen Wing was my favorite aspect of Iron Fist. Willingly being part of the Hand and then finding out just how evil they were was a fantastic arc and her reveal as a member was the biggest shock in the series for me. It was great to see her back for this and I’m glad she was right in the thick of the action almost the whole way through. However, I wish her history with the Hand had been more relevant to the events of Defenders. True, she finally got even with Bakuto (Ramon Rodriguez) and I was glad to see that, but what about all the Hand operatives she trained? Her righteous fury at being used and lied to was great, but a moment to consider the criminals she’d primed for service would’ve been better. How many secret ninjas are out there doing harm because she trained them? Even better, instead of facing Bakuto again and reaching the same resolution they did in their battle in Iron Fist, what if Colleen had been faced with her former pupils?

I really dug Misty Knight in Luke Cage and I was happy to see her here. Reaching out to Luke to get him to contribute more was a nice beat, but I would’ve liked less skepticism about the vigilantes from her. She walked a tightrope over the need for vigilantes vs. the rule of law before, and it seemed like the end of Luke’s first season felt like she was opening up to the idea of vigilantism, even wearing her comic book outfit. If I’m remembering that correctly, she’s the only character who felt like she took a major step back at the start of Defenders. Others have pointed out the significant mention that she’s in a Rand-owned hospital after getting her arm cut off, so it’ll probably be a Rand-developed cyborg arm that she gets. I’m interested to see how that goes with this version of Misty. I’d also like to know if she’ll face any consequences in the fallout from Midland Circle. While the Defenders seem to have gotten off without any trouble, she’s a cop and helped them. Will there be repercussions that lead her to life as a vigilante?

I like Scott Glenn’s Stick and have truly enjoyed his antagonistic mentor/fatherly relationship with Matt, but by Defenders I was ready to see him go. It just felt right for him to pass the torch on to the next generation in this war or, more fittingly, for the war’s last soldier to go out helping to end it. Cutting his own arm off to escape Alexandra (Sigourney Weaver) and Elektra was badass (even if his severed arm was less than convincing) and I was impressed by how capable he still was even after losing the hand and who knows how much blood! His no-nonsense attitude played well against the Defenders, even if it drove them away at times (true to their characters). I chuckled at him low-key wanting to kill Danny when the others were trying to convince Rand to lay low and I was pleased the writers actually let him try to do it. My distaste for Iron Fist aside, it wouldn’t have felt right if the Defenders were able to talk him down from trying to solve the problem the only way he knows how; just like the first Black Sky we met, Stick felt he had to kill Danny. It was also cool that Stick figured out a new weakness of Luke’s with his knockout gas; going forward, I hope the Luke Cage writers continue to explore other ways of attacking him besides bullets. It was tragic Matt didn’t make it back in time to say anything to Stick when he died; I would’ve liked one last bit of resolution to their disagreements, but sometimes you don’t get that in life.

It was good (and a little surprising) to see so many of the supporting characters show up here. That said, I wish there was more for them to do, even if it was just cool that they got time to interact with each other (something I wasn’t expecting at all). Foggy (Elden Henson) and Karen fared the best, with their concern over Matt becoming Daredevil again giving them some good material to dig into. It would’ve been nice to see more about how Karen felt about Matt being Daredevil since she only found out in the last moments of the Season 2 finale, but their talks here felt right. I liked that she was annoyed that his Daredevil life interrupted hers by making her a target again. Thinking about it now, I hope Matt’s presumed death isn’t what pushes Karen back into whatever darkness has been hinted at in her past, which could tie into her arc in Born Again. Foggy giving Matt his suit felt like a big step for him and I’m definitely interested to see how he handles Matt’s “death.” Trish and Malcolm’s attempts to get Jessica back into the world were good, but they didn’t really work (her camaraderie with the Defenders did), so I would’ve enjoyed them having some effect on the outcome of the series or our main characters. Maybe Trish knowing what went down at Midland Circle could’ve twisted the police’s arm into covering it up and letting the Defenders go, under threat of her show revealing there was a massive infrastructure takeover by the Hand (that she’d have proof of in this scenario) and the PD were completely powerless—and maybe even infiltrated by—to stop. That would’ve connected nicely to her bosses cutting off the call to her show about the earthquakes not being normal early on in the miniseries.

Alexandra Reid I thought Alexandra was a great leader of the Hand and I wish she hadn’t died. Even if she had to go, I think we should’ve known her (and the Hand’s) further plans beyond eternal life and returning to K’un-Lun. I’m bored of businesspeople as villains, but the Hand’s corporate front felt thin enough that she didn’t really resemble one to me too much. Alexandra seemed more like an independently wealthy individual who expected her power to allow her to continue with her routine, no matter how many people she had to crush along the way. She was likable and an imposing villain with unexpected depth from her motherly relationship with Elektra, but ultimately I thought she’d be a bigger threat or have a larger plan than her own survival. While personal and relatable, I originally didn’t feel that type of plan needed four heroes to stop, but as I’ll discuss later, it may be the perfect evil scheme for the Defenders. I didn’t think she’d physically fight the heroes, but I would’ve liked to see a bigger confrontation between them. I liked that she was somewhat amused by the Defenders standing up to her and I would’ve enjoyed seeing her fully unleashed against them (why was Gao the only one with a special power?), even if just once. Her wardrobe was definitely distinctive and felt appropriately of another era, as was Weaver’s air of superiority that effused from her in nearly every scene. I also really liked that none of the Hand leaders were tired of immortality; that’s a tired trope and, even if all they wanted was to maintain the status quo, it was cool to see immortals who didn’t want to stop living. 

Elektra Natchios I loved Elektra’s arc in this series, from confused “blank slate” Black Sky to Hand assassin to master of her own destiny. Though her resurrection and training scenes were solid, I wish we’d learned more about what the Black Sky was exactly and why she was different from the other undead Hand ninjas. I’m assuming it means that she was supposed to be resurrected as a complete blank slate rather than one who can regain her memory completely (in addition to being able to take down the Iron Fist), but we should’ve gotten some clarification on that point. Still, Yung did a great job of slowly investigating and recapturing flashes of her former life! I also loved her mother/daughter relationship with Alexandra; it was just “off” enough to work really well. I didn’t see her killing Alexandra coming at all! I read that Marco Ramirez said the intention of that moment was for Elektra to take hold of her life and determine who she was for herself. I’d say that worked—and I realized later that she also killed her other mentor, Stick, which is a nice signifier that she won’t be returning to either of her lives—I just wish we’d seen what she wanted with leadership of the Hand. Apparently she wanted to stay immortal too, but did she have any other plans? Was she going to lead the Hand in a new direction? If so, what was it and were the other leaders only helping her to get their hands on the substance? If she was just going to keep things the same, then killing Alexandra loses a bit of impact (at least plotwise, because the emotional statement of the action is definitely there), I think.

If Elektra was the one to drag Matt out of the pit, then I’m definitely excited to see them meet again sometime in the future. Despite saying the fight with Matt and leadership of the Hand was what she wanted, if she saved him then he wasn’t completely wrong about her. I’d definitely be interested in seeing who she chooses to become now and how she gets there. Perhaps there’s still hope for her after all…

The Hand I liked Alexandra, Elektra, Gao (Wai Ching Ho), and Sowande quite a bit. The supernatural element the Hand brought to the MCU worked well for me, even in the grounded Defenders corner, and I liked them as a step up from gangsters. However, I do feel they’ve run their course and don’t need to see them in this form again; the next level of bad guys should be supervillains. It would’ve been nice if each of the Hand’s Fingers had their own individual goals and plans for their renewed immortality, but I understand why such limited screentime would keep them (mostly) united in their purpose. Though Gao rapidly became one of my favorite MCU villains, if she survived the destruction of the tower I’m not sure where she goes after this. Perhaps a Gao who’s lost everything would be an interesting adversary. I totally missed that her drugs in Daredevil’s first season were made from powdered dragon bones; it was cool she was able to diversify herself and that was a clever way to tie things together. I don’t need to see her again immediately, but I wouldn’t be opposed to her popping up sometime later. Sowande employing neighborhood kids to clean up Hand business was a cool operation and a neat way to tie in Luke Cage. I hadn’t considered that they’d need a clean-up crew and thought that was a smart way to flesh out their support structure. However, I was sorry to see Sowande die so easily: he had excellent presence and it felt like he deserved more. I don’t find Bakuto imposing, so he didn’t leave much impact on me here; his battle with Colleen felt like a retread of Iron Fist. The Hand seemed like enough of a threat before he was revealed to be alive and it didn’t seem like they got more dangerous with him around. Murakami (Yutaka Takeuchi) was similarly underwhelming and didn’t seem like a fitting step up from Nobu. He was billed as some great warrior—Nobu’s boss, even—but it felt like he was consistently taken down first whenever he fought. Any character can be redeemed, but it doesn’t seem like there was enough to his character to justify a return (and that’s if the debris didn’t decapitate him).

I wish every Finger of the Hand had a supernatural specialty; that would’ve provided the heroes with a wider range of threats than a constant onslaught of ninjas. Gao’s telekinesis was cool, but why didn’t the others develop some sort of power? Perhaps Sowande’s could’ve been the ability to increase paranoia and fear in those around him, just like the people who’d captured him in his story were afraid of the Hand barricade around their base. He could’ve been the MCU version of Mr. Fear, perhaps. If that had been the case, while it would’ve been a little too similar to Avengers and Loki’s scepter, at least a Danny whose fears and paranoia had been spiked wouldn’t have looked like an idiot for trying to fight the others when they just wanted him to lay low. An enemy with a power like that would’ve also been a great, distinct challenge from the physical threats the team faced as well as a way to look at the heroes’ deepest fears. Regardless of having power or not, Sowande’s story was truly imposing, so I wish we’d seen it come to fruition in some manner. Alexandra pointed out that they didn’t even try to rescue him and while I thought that was a funny acceptance of how that plot petered out, I was left to wonder why they didn’t try.

I’m not the first to say it, but I wish the Hand had attacked the police station everyone’s loved ones were staying in, forcing the Defenders to rush to save them. I really wish Sowande’s threat against the heroes’ friends had come to fruition even while they were in police custody; the Hand’s attempt to rescue him could have easily been kidnapping everyone the heroes cared about and offering a trade (as well as a way for his story to come true for our heroes). Misty, Colleen, Claire, Trish, and Karen protecting Foggy and Malcolm while holding off the Hand as best they could until help arrived could’ve been a great, tense sequence! In terms of character, it could’ve acted as a callback to Karen killing Wesley (Toby Leonard Moore) and potentially needing to take Hand lives to protect the people she cared about could’ve given us an idea of where her opinion on Punisher’s methods had landed. Trish dipping back into Nuke’s (Wil Traval) super-drugs—maybe she’d kept a few because she didn’t feel safe—would’ve been another cool callback and potentially a hint towards her heroic Hellcat persona. An attack also would’ve been a smarter use of Colleen’s past with the Hand—since she’d know their methods and plans of attack (and even individual ninjas!)—than Bakuto trying to recruit her again was. It would’ve paid off Claire’s self-defense training as well. A decimated police force would’ve taken the cops out of the Midland Circle bombing scene too, answering a few questions about why they were so willing to cover it up. They could’ve also played with the Hand agents who’d infiltrated New York’s infrastructure here, with some of the cops turning on the heroes’ friends and threatening them from inside the station as well. Aside from upping the stakes dramatically, that would’ve helped push Misty towards vigilantism even more.

I wish Alexandra would’ve utilized the secret Hand agents positioned throughout New York to manipulate the city against the Defenders. Unless they were the masked cannon fodder ninjas (and if they were, what happened to the undead ones Matt couldn’t sense?), where were they? Part of this wish is me thinking a more immediate doomsday plot than the city falling due to excavating the dragon bones would’ve upped the stakes in the final battle. Elaboration on what the Hand wanted after securing their immortality and returning to K’un-Lun once more (and what Elektra was going to do differently as leader) would’ve helped in that area too. However, writing this review led me to realize that the real doomsday threat was nothing changing. I think, in addition to wanting to go back to K’un-Lun, the Hand were looking to maintain the status quo, because it gives them their power. If that’s the case, I think it’s kind of impressive that they are so unconcerned with time that they’ll spend all this effort to infiltrate New York’s infrastructure just to secure their plan to destroy it in the excavation of the dragon bones; the city itself doesn’t matter at all, it’s their lives. And once New York is gone, they’ll just move on to the next city and infiltrate it to feed their power.

And really, what better enemy for heroes who represent the downtrodden is there than the system itself? The hidden Hand agents would’ve been the perfect way to dramatize the status quo being held in stasis by Alexandra and Co., so I think not utilizing them was the biggest misstep of the show. True, Winter Soldier and Agents of SHIELD already played this card with Hydra, but Iron Fist introduced a similar situation and it should’ve been utilized instead of ignored. Given the Defenders are civilians, the impact of the upper class keeping the lower classes down would’ve been much more relevant than the similar reveal in the lives of super-spies. For one thing, they could’ve personally threatened the heroes’ lives: Luke could’ve faced getting sent back to jail, the suspicion around Jessica over John Raymond’s murder could’ve become a full-blown frame, Matt could’ve been threatened with being disbarred, and Danny could’ve faced losing his seat on the Rand board of directors (which would’ve erased a fair chunk of his privilege). All of these factors could’ve pushed the heroes to their limits as they struggled with how far they’d go to preserve the lives they’d built, and what they’d do if those lives fell apart. This miniseries should’ve been an all-out war between the Defenders and the Hand’s operatives so that they could ultimately clear the deck—and the city—of Hand agents. At first, I didn’t think Defenders felt as relevant as the individual series have—Daredevil dealt with gentrification, Jessica Jones with sexism and abuse, and Luke Cage with racial inequality and injustice—and making the Hand’s larger goal of maintaining the status quo clearer would’ve been a solid way to make the show feel more timely. Those in power trying to retain their control over the system and the Defenders—just so they could extend their own lives at the cost of millions of innocent civilians, no less—would’ve perfectly contrasted with Elektra’s attempt to define herself and the heroes’ attempt to cast off that power and forge new lives for themselves.

General Notes Ultimately, I liked Defenders and I can’t wait for more, but it felt too short. It mostly worked as one 8-hour story, but I wish they’d had another five episodes to flesh things out more. The miniseries did a great job of introducing each main character and providing enough information that viewers could’ve missed any of the previous series and not felt lost, while at the same time not feeling repetitive for those of us who’ve seen everything. The establishing bits we got of the heroes felt fresh because they were at least half-steps into their new lives rather than retreads of their entire history. I liked that Marvel TV head Jeph Loeb had each of the individual series’ creators go over the Defenders scripts to make sure their characters were consistent with what they were doing outside the miniseries. It’s nice to know the heroes’ main series are the driving force behind this corner of the MCU, not the crossovers or universe-wide plots.

I liked S.J. Clarkson’s direction in the first two episodes; everyone was filmed through gates and other obscuring scenery, giving the impression that they were physically walled off from each other. The color palettes for each character also helped sell the idea that they all came from different corners of the world (and Twitter commenters pointed out that their colors converge in the sign for the Chinese restaurant where they have their first real conversation!). I wish Avengers had leaned more into the disparate tones and textures of each hero’s background like Defenders did, rather than going for a glossy one-size-fits-all feel. The more contrast in each character’s background, the better the clash will be when they finally meet. At the same time, Clarkson included transitions like one character flipping up a hoodie while the next flips theirs down; that was a neat way to transition between storylines that subconsciously builds to the team-up. Likewise, John Paseno’s score blended each hero’s music quite well. The one musical moment I wasn’t a big fan of was the Wu Tang Clan used over the climactic fight; used anywhere else in the series, it would’ve been fine, but it didn’t give the epic impression that fight should’ve had. I wish they’d gone with an orchestral Defenders theme for that moment. I also loved the opening titles: they brought back the cityscape idea from Daredevil, Jessica Jones, and Luke Cage that made Hell’s Kitchen and Harlem feel like characters unto themselves. Depicting New York in each hero’s color was another great way to display their differences while emphasizing that they all had a common stake in this city.

Moments like Foggy getting Luke out of prison and Luke and Danny running into each other on a case were really natural, simple connections between shows. When Foggy was told to keep Jones out of Hogarth’s (Carrie-Anne Moss) firm’s business, the handoff to Matt—who then became Jessica’s lawyer—was smooth and part of a nice, continual build of connections before the team finally converged on Midland Circle. The Defenders’ casual conversation in the Chinese restaurant worked really well to bond them into a single unit, even if Danny remained the odd one out. It’s probably more a function of the plot than his character, since Jones’ ribs at Daredevil’s costume aren’t much different from everyone discounting Rand’s experience with the supernatural, but it felt like Matt, Luke, and Jessica formed a stronger bond with each other than they did with Danny. He’s also removed from the team, so the rest of them have more time to bond without him. I wish the Hand had utilized more of the supernatural—that’s the one area Defenders seemed to back off from when blending tones early on—and it probably would’ve helped Danny come into the team’s good graces faster if they could see examples of the supernatural happening around them. It also could’ve made him the team’s supernatural expert, giving him a specific role to play besides “brash new guy.” Otherwise, the series blended the tones of its forebears very well.

As much as the miniseries seemed to back off of the supernatural outside of resurrections and the Iron Fist, I loved that there was an actual, literal dragon skeleton under the city! I assume the dragons were buried, domed over, and had cities built on top of them to obscure their locations, but it would’ve been nice to get confirmation of that. An extensive excavation of the dragon skeleton as the cause of New York’s “fall” wasn’t at all what I was expecting, but I didn’t mind it. Perhaps there should’ve been a more epic cause of the city’s destruction than a sink hole, like the monks of K’un-Lun had blessed the cities to stand eternally over the dragons and if the dome were breached the city would be cursed by its imminent destruction or something. Still, in hindsight I think the normal, logical result of removing the dragon’s skeleton is a little underwhelming, but not disappointing.

The Netflix series have an issue with connecting to the larger MCU, but there’s one area that I think really should’ve been touched on here. As I saw pointed out in an IGN comment section, Luke, Jessica, and Danny should’ve had to sign the Sokovia Accords as part of the Midland Circle cover-up. I liked that breaking the law was a legitimate concern for these street level, civilian heroes, and slapping them with the Accords would’ve been a good way to re-emphasize that status. It would’ve been particularly clever if even after the Hand’s hidden agents were routed from their positions throughout the city, the heroes still had to sign the Accords because of a different status quo. Once Matt returns, his unregistered status could add increasing pressure to Daredevil as he goes forward, while the others could be forced to operate within the constraints of the Accords.

All in all, Marvel’s Defenders is definitely worth watching, even if it falls short of the epic final confrontation with the Hand it could’ve been. Even so, there’s no doubt in my mind that it’s solidly good. The heroes’ bond—particularly between Matt, Luke, and Jessica (with hints of good material between Luke and Danny to be mined in the future)—was the show’s biggest strength and always a lot of fun. Defenders doesn’t function like a standalone crossover and that’s a great thing: the heroes come out of this changed and I can’t wait to see where they go as their shows continue! Until then, if you’re not following the show’s Twitter accounts I highly suggest it; they’re written in-character and they interact with each other, busting each other’s chops just like on the show!

 I’m definitely ready for another Defenders miniseries!

[one-of-us-blog]

Ten Little Doctors – A Tenth Doctor Retrospective

In this bonus post Jon will reflect on his time spent with the Tenth Doctor, his hopes for the Eleventh Doctor and his assessment of the Doctor as a character so far.

Allons-y!

I can’t believe David Tennant’s tenure as the Doctor has already come to its tragic conclusion! Since I gave the Ninth Doctor his own retrospective post, it seemed only fitting that I give #10 the same treatment. Right off the bat, though, it feels like I’m in a very different situation than I was when I posted my Ninth Doctor Retrospective; I posted my first recap featuring the Ninth Doctor in mid-August of 2016, and I posted my recap of his final episode in late September of the same year. That’s just about a month and some change that I got to spend with the Doctor as portrayed by Christopher Eccleston. In contrast, I posted my first (admittedly supplemental) recap featuring the Tenth Doctor in late September of 2016 and posted my last recap featuring him today, in early March of 2017. That’s about five months, give or take, which covered three series as opposed to the single series starring Eccleston. That’s not even mentioning the animated serials, bonus recaps like the Children in Need special and “Time Crash” and the short-lived TARDISodes which also occurred during Tennant’s reign. I mean, Eccleston never even got to do a Christmas Special! I’ve just had a lot more time to get to know the Tenth Doctor, and by extension Tennant has had a lot more time than Eccleston had to find his stride and develop nuances in his portrayal of the character. I guess all of that preamble is my way of justifying the fact that I liked the Tenth Doctor a lot more than I liked the Ninth. I don’t think Eccleston did a bad job during his tenure, but, I mean, he was just there for the one series, you know? How am I supposed to form a real emotional attachment in that short of a timespan?

Right off the bat, I want to compare and contrast Doctors Nine and Ten. Nine was still crippled by regret over his role in the Time War, and the idea that he committed near-genocide against both the Dalek and Time Lord races. This Doctor flew around time and space to help people as a way to assuage the guilt he carried with him, or at least that was the sense I got. This Doctor made a lot of mistakes (I’m still not over the Jabe travesty, BTW), and, frankly, the relationship between him and Rose still makes me a bit uncomfortable. He wasn’t always likable, either; he was terse and short at times, he could be pretty belligerent about things going his way and he could be condescending as hell. He had redeeming qualities, like kindness and empathy, and I do believe his hearts were in the right place when it counted most.

Now let’s compare those qualities to Ten; I feel like Ten made his share of slip-ups during his run, but he always felt somehow more capable or competent than Nine. Maybe it was just that Tennant got so comfortable in the roll that he made the Doctor saving the day time and again feel effortless, but this just felt more like someone who could undoubtedly handle himself no matter what situation he was in. He was definitely pretty terse when he first started out, and I specifically remember getting fed up with how much Tennant was shouting during his early episodes, but as his tenure wore on I felt like the character mellowed out. He got intense when he needed to, but for the most part he was a fun guy who was always up for adventure. I think that’s one of the key differences between Nine and Ten; I felt like Nine was traveling to cleanse his conscious, whereas Ten was running for the sake of running. He didn’t help people to make up for anything, he helped them because he’d built his identity on the idea of himself as someone who helps people. I also feel like we got to know more of this Doctor by seeing how he interacted with the different companions he traveled with. I still didn’t like the romance between him and Rose, just because, I mean, she was, like 20 or so at that point and he was 900+. That’s just too much of an age gap for me to be cool with. I did like the chemistry between the two of them, but I liked it even more when I got to see him take on an entirely new dynamic with Martha, and then even more so with Donna.

Moving past the comparisons, I want to discuss the evolution of my feelings towards Ten. Like I said, I didn’t really care for the turned-up-to-11 (no pun intended) version of Ten that Tennant was putting out in the first part of his tenure, but when it came to “The Girl in the Fireplace” I feel like he got to show a level of depth and range of emotion that Nine never got to try out. He could be lighthearted and fun and then be urgent and desperate and then be grim and heartbroken all within the course of a single episode, and seeing that really made me fall in love with Tennant as an actor, regardless of my feelings towards the character. There were some good episodes in the Rose/Ten era, but there were also quite a few stinkers (which is going to be true of all of these series, I’m sure) but I feel like once we got to “Human Nature” / “The Family of Blood” the show really began churning out some club bangers on a regular basis. That two episode arc is still probably my favorite bit of Who so far. Seeing the despair on Tennant-as-John-Smith’s face as he contemplated the death of his identity was absolutely captivating, and then by the end we got to see some of the darkest parts of the Doctor to date. Tennant had definitely hit his stride by this point, and Ten only got better and more intriguing as a character from here on out. He no longer felt like the control freak that Nine could be, and it seemed like, while he was still intent on having things done his way, it seemed like his default switched from condescending or barking at people to follow his lead he began persuading them to see that he knew what he was talking about and was worth trusting.

I feel like the show took on a whole new level of emotional depth once Donna became a full on companion, and, while I credit a lot of that to Catherine Tate being a more mature woman (at least in terms of age and experience) than her two predecessors, I think Tennant was able to shoulder the weight of those deeper, more emotional stories like a champ. His anguish in Pompeii was heartbreaking, and his determination to save people, like Laszlo in “Evolution of the Daleks” and the exploratory team in “Forest of the Dead”, made him all the more endearing. As much as “Midnight” made me uncomfortable, Tennant really hit that one out of the park, while earlier in “The Unicorn and the Wasp” he and Donna were both just a lot of fun. The emotional range Tennant got to play with really took the character to another level for me. As much as I hate the dark turn Ten took in “The Waters of Mars”, it did feel a bit inevitable that eventually the Doctor would feel he’d moved beyond the old laws of time. I feel like he took a sharp nosedive when we got to The End of Time, almost like he was spiraling out of control once he’d crossed that line in “The Waters of Mars”. That sucked, but it didn’t feel forced or out of place in the character’s narrative.

Overall I’ve really enjoyed my time with Ten, and I feel like I have a better grasp of what the Doctor’s about and who he is than I did after my brief time with Nine. As far as my hopes for Eleven, while I recognize that he’s going to be a totally new iteration of the character, I hope we build on the complex groundwork Tennant laid out instead of scrapping that and starting from scratch. I hope he’s as emotionally complex as Ten was, while adding his own flavor to make the character feel distinct from his predecessors. I hope we have more complex and strong-willed companions like Donna for him to play off of, and I really, really hope we don’t get another a Doctor/companion romance plot. I hope we get to see more of who the Doctor is when he isn’t busy saving a world, even though I do hope we get to see him saving a lot of worlds.

Finally, it’s time for my evaluation of the Doctor as a whole up to this point. I’d say while the Doctor is still haunted by what he lost during the Time War, he’s forcing himself to focusing on the present and making the most of the time (and space) he has. He’s someone who helps people because that’s who he believes he is and should be. He’s someone who’s capable of empathy, joy, anguish, determination, and cold resolve when he has to be. Most of all I’d say he’s someone who loves being himself and loves the life he’s living now, even if he doesn’t like to dwell on the life he used to lead in the past. I still think he has a good couple of hearts, but I feel like he’s not trying to hide that under a gruff exterior anymore and he’s all the better for it.

How will this assessment compare to my assessment of the Eleventh Doctor? I’m looking forward to finding out!

[anotheruserwithnoname]

My hopes for Doctor Who in 2017

With the first month of January half over, this is as good a time as any to put up my (latest) wishlist for the Doctor Who franchise as 2017 progresses. Of course this year will see Series 10 arrive, and who knows what other surprises lay in store (the Class spinoff announcement came out of nowhere, for example so maybe we’ll get another out-of-the-blue announcement).

So here’s my Top 10 list ... after the break:

1. That Series 10 reflects the fact that Steven Moffat and his writing team have taken a break and come back refreshed. The Husbands of River Song was a clear example of writer fatigue (not helped by Moffat saying he actually thought it was going to be his final episode at one point). Doctor Mysterio was a promising sign, especially considering it was filmed midway through production of S10.

2. Don’t make the series all about River Song. I got some disturbing feeling that Nardole’s mystery is going to be tied into River Song. River is dead and as others have pointed out it’s disrespectful to not only fans of Clara but also fans of the Eleven-River relationship (of which I am one) to keep undermining the character....

3. ... Not unless there is at least one solid reference to Clara in S10 to give us balance. It’s been reported that Missy may appear in Series 10. We may or may not get a Jenna Coleman cameo - depending on what happens with #4 - but all we need is for a character like Missy to address Clara and give us a follow-up to what we saw in the first episode of Class. Prove to us that while the Doctor may have “forgotten” her, the show hasn’t. (And, sad for the fans, but Class appears destined to be a short-lived branch so I’d hate for the only direct reference to the Doctor’s memories and feelings for Clara post-Hell Bent to have been wasted on an episode that was viewed by roughly the equivalent population of Saskatchewan.)

4. Peter Capaldi to stay on for Series 11. There are a few reasons for this. The first one is obvious - it’s Peter Capaldi, for heaven’s sake. ‘Nuff said, to quote Stan Lee. Second reason is a lot of people are leery about Chris Chibnall taking over from Moffat (if there’s one TV producer who has more online haters than Moffat, it’s him) so having Capaldi (and Pearl Mackie and even Matt Lucas) stay on would make the transition smoother (for the record I have open mind on Chibnall; I liked his DW episodes though I was less keen on his Torchwoods, is all). Third reason is a pragmatic one for us Whouffaldi fans: I do not believe that they will be able to get Jenna Coleman to appear in any S10-related production, or even the 2017 Christmas special, if they don’t get something done with her before Victoria S2 filming begins in February. But we’re only really under the gun if Capaldi leaves with Moffat at the end of the year. If he stays on we can at least hope that Chibnall develops a storyline that brings her back, or at least agrees to have her appear in Capaldi’s regeneration story. But there’ll be more time to play with, anyway. I do not want to see this play out with the Thirteenth Doctor, otherwise it’ll just be a repeat of the mess that we just went through with River Song improperly being tied in with the Twelfth Doctor, retconning away her previously established farewell to Eleven.

5. That Bill is a better character than she’s portrayed in the trailer. Sorry not sorry - I did not like what I saw in the trailer. But let’s see how she fares in a full episode, not a bunch of random buzzwords and sound bites.

6. That the Twelve-Bill-Nardole team gives us a return to the Four-Sarah Jane-Harry Sullivan dynamic. It has that potential.

7. That we get a Series 9 soundtrack. And a proper CD release too, not just some B.S. download/streaming thing like they just did with Victoria’s soundtrack.

8. That Big Finish starts doing Paternoster Gang stories. All three actors - Neve McIntosh, Catrin Stewart and Dan Starkey - have done Big Finish audios over the past year. Starkey has already played Strax in one (and he’s even writing scripts for them now). There is no excuse for us not to get the Paternoster Gang spin-off we never got on TV.  They’ve already given us the Kate and Osgood UNIT spin-off we should have had, and the River Song spin-off a lot of people wanted, and even a bunch of stories now with the War Doctor and the Time War-era Eighth Doctor.

9. That the powers that be allow the expanded franchise to begin telling officially licensed stories featuring Clara and Ashildr, post-Hell Bent. I can understand them wanting to wait to see what Moffat does in S10. But once it becomes clear what he has planned, I’d like to see Titan Comics or BBC Books or somebody pick up the ball and run with it. (Big Finish would be amazing but I know they don’t have the rights yet to anything specific to the Capaldi era, and #10 takes precedence anyway.)

10. In the wake of Big Finish reuniting David Tennant and Catherine Tate for a series of audio dramas - something that many thought would be impossible - for Big Finish to pull another rabbit out of its hat and help resolve Matt Smith’s one regret about leaving Doctor Who - that he didn’t get to do more stories with Jenna Coleman. Last year, Jenna took time out from Victoria to record a relatively minor voiceover for Thunderbirds Are Go, and later recorded a part for a digital version of A Christmas Carol. And she’s still officially available to record voices for commercials and the like through one of her agencies. Matt Smith is on record as saying he’d love to do Big Finish if invited. Come on, Mr. Briggs, it can work - please make an Eleven and Clara reunion happen!

[kintailscape]

Awesome Con 2017- Day 3

Sunday, Day 3: I got up a few minutes earlier and had no problem getting to the Convention Center by Metro. The headache I had was another story, but it wasn’t too bad. I got in line for Stan Lee by 9am and immediately made friends with the guy behind me in line who happened to be Ace as well. We had some wonderful discussions It made the hour and change just fly right by. As the lines started winding around toward the main stage, I ran across another friend of mine.

Even though I could have had a pretty good seat, I sat at the back so I could slip out a little early if needed in order to get in line for Garrett Wang’s Q&A. I even considered skipping Stan Lee, but I’m glad I didn’t. Stan Lee can never die, but he’s definitely getting older, and I didn’t want to miss a chance to see him in person. But Garrett Wang portrayed my favorite character on Star Trek: Voyager. Decisions, decisions! My new line friend advised me to skip out as soon as the Q&A started.

10:30 AM-11:15 AM Stan Lee Q&A Stan Lee arrived a little late (which meant more watching the Main Stage screen; OMG I need to see Baby Driver right now!) and went straight into Q&A right away. So I definitely didn’t leave immediately. It was great seeing the Father of Marvel in person on Father’s Day. He was exactly the way he is in all the specials and TV interviews I’ve seen him in. And his love for Marvel’s characters and stories was obvious and overwhelming. He talked about his cameo in Thor being his favorite because he got to do two scenes. He wasn’t sure the fans would love the Hulk or Spider-man as much as he did. He named characters alliteratively because his memory wasn’t so good and wanted to be sure to remember their names. In regards to where the X-Men movies will go he “want[s] it to teach people we’re all the same.” And in regards to his hearing aid problems “I hate not hearing myself when I talk, because I hate missing gems of wisdom.” Speaking of which, he said “We’ve all got to be good guys.”

I left a little before 11:15, hoping I’d only missed out on one or two questions at the most. I planned correctly and used the door right by the escalator leading down closest to the meeting room where the line for Garrett Wang’s Q&A was forming. I needn’t have hurried; the line was not that long and the room was not that full. I finished reading the Torchwood book I’d brought along while sitting in line. And I made the most of it and got an excellent seat.

11:30 AM-12:15 PM Garrett Wang Q&A Garrett was amazing. He was funny and personable and nice and entertaining all in one. He said that he knew if there were other Star Trek: Voyagers there, we’d be at their Q&As instead, but he was so wrong. Harry Kim was my favorite character on Voyager, hands down, and it was a pleasure to see Garrett in person. He told his the story about meeting Shatner for the first (and second) time. He did multiple impersonations of Star Trek characters. He told about his surprisingly popular “Still boldy going” typo shirts. I explained about the cast’s reactions upon arriving home. And he told the story of his running into the terrible “Code of Honor” episode of TNG over and over again. I embarrass myself when I talk to celebs, but for the past few days, I’d been working up the courage to ask Garrett a question during his Q&A. For YEARS I’ve been wondering something only a few people could answer–and he was one of them. In Galaxy Quest, there aliens design their spaceship from watching how the characters use the computer. So I really wanted to ask Garrett if he similarly planned out the whole station and what each button did during his years at the helm. This was it. I was going to be brave. I really wanted to know the answer and I didn’t get to ask Wil Wheton it yesterday. But before the Q&A portion even started, Garrett said, “Have you ever seen that movie, Galaxy Quest?” and proceeded to answer the question I was going to ask without me having to even ask it! AMAZING! And the answer was that if the aliens had made a spaceship based on his hand motions, they would have been screwed. LOL!

12:15 PM-1:00 PM Catherine Tate Q&A I headed straight up the escalator for Catherine Tate’s Q&A and only arrived a minute or so late, so I got right in and don’t think I missed much of anything. I arrived just as she realized she was at Awesome Con not Awesome.com “Oh don’t tell me that con stands for convention!” She looked great in her comfy Washington, DC hoodie, but she was still larger than life on the stage. Her favorite line from Doctor Who? “I’m not mating with you, sunshine!” David had to invent reasons to stop or slow in running so she could catch up. And her favorite part of leaving the show was getting to do an impression of David in the last episode playing Doctor-Donna. She also recited, upon request, the whole Shakespearean sonnet she did in the comic relief sketch with David Tennant as Lauren and it was AMAZING to hear her do it in person, with some humor injected as well. In regards to advice, she gave us one she liked from the great Imelda Staunton “It’s someone else’s time, and your time will come” and one of her own “What other people say about me is none of my business!” When asked about the timing of her live show, she said she’d had a hard time committing to do it because of having to book venues 18 months in advance “Don’t be ridiculous! In 18 months I’ll have an Oscar and have no time for comedy!” When asked when Donna would be up to now in the Whoverse, she said Donna had probably spent all her money and was back temping in Chiswick. And when asked about Donna with any of the other doctors, she chose Nine but said he and Donna would have gotten nothing done because there would have been too much arguing.

Stan Lee Museum I found myself with an hour of free time before the next Q&A I wanted to attend, so I headed down to the exhibit hall to see the Stan Lee Museum, which Stan had mentioned during his Q&A and that I hadn’t had time to see yet. The line for it was only about 20-30 minutes long, and it was SO worth the visit. There was everything from comic panels to movie props to figures to awards to one-of-a-kind creations to personalized drawings to actual, lit up, Iron Man suits. I took a million photos and spent a lot of time basking in the glow of shiny Iron Men.

2:00 PM-2:45PM Eliza Dushku Q&A I was enjoying the museum so much that I was a couple minutes late to Eliza’s panel, but I was pleasantly surprised to find Clare Kramer interviewing her! I wasn’t sure I was going to be able to make it to her Q&A, so it was lovely to see them both together. They talked about Buffy and Bring it On, as they were in both. And there were lots of questions about other roles of Eliza’s. I loved hearing her talking about the trust she had in Joss’ writing/direction for Dollhouse. She’s a dog person, so she had to work to find her inner cat to voice Selina Kyle. She felt that Buffy ended well. She described David Boreanaz as a “kooky free spirit” when she worked on Angel. Clare’s favorite season of Buffy was Season 5 (and the 100th episode, of course) and Eliza’s was Season 3. They talked about being able to work through their real life emotions through characters. When asked for advice, Eliza didn’t have any at first, then came up with something lovely: “Love myself and love other people. Be kind to yourself and other people. We all have our struggles. I’m just trying to find myself and what will serve me so I can serve others.”

I headed back down to the exhibit hall after that for a last run at the tables. There were a couple on day 1 that I wanted to spend more time at. And, yeah, I bought more art. I also spent $75 at one booth buying myself a couple things but mostly buying Christmas presents for friends, so it’s not that bad! But I did go back to Pride alley and bought myself a lovely naked Nightcrawler piece and another Johnlock piece and a Destiel piece and even a rainbowy Yuri on Ice piece even though I don’t know the fandom yet (I figured I will soon enough and would regret not buying something so lovely).

4:00 PM-4:45 PM These Are a Few of My Favorite Tropes I arrived just in time for my last panel of the day and of the con. It was a great one to end with. With no need to censor themselves, the panelists went through all sorts of different tropes: genre tropes, relationship tropes, circumstance tropes, structural tropes, and fandom-specific tropes. There were plenty of examples and recs to go along with them all. I laughed at the reference to “My Immortal” (“I want to believe it was real!”) and the crack pairing of Yuri/Victor/Obama sounds epic. Was great hearing some of my favorite tropes mentioned and remembering some I’d forgotten about or never really realized were a thing apart from maybe one fic I read that involved it. We all praised tags on AO3 for letting us find tropes more easily. I read a lot of stories of certain types/with certain tropes regardless of fandom or pairing, so I could really relate to “A+B=C and I’ll read it every time!” I also liked “You’re not a true fan of something until you have a cross pairing.” But my favorite was the mention of Shoebox Project followed by “Wolfstar, man. Bless.” Awwwww! It was a wonderful, multi-fandom way to end the convention.

I’m not sure what was happening beneath us, but the building shook and rumbled a dozen times. I headed out as soon as the panel was over, glad to be able to get home before 10pm. For the third day in a row, I sat and read on this exact same bench while waiting to change trains. I finished reading the second book I’d brought along, “For Color Girls Who Have Considered Suicide/When The Rainbow Is Enuf.” So I ended up writing a little bit on the last leg of my journey home.

Awesome Con 2017- Day 3 was originally published on The Fangirl Project