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#honorédaumier
met-drawings-prints · 3 years
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The Connoisseur, Honoré Daumier, ca. 1860–65, Metropolitan Museum of Art: Drawings and Prints
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Size: 17 1/4 x 14 in. (43.8 x 35.5cm) Medium: Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
https://www.metmuseum.org/art/collection/search/333915
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The Ribalds (Les Ribaudes) by Honoré Daumier, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 14, West Wall Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/6035/
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bm-european-art · 3 years
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Le Rêve de l'Inventeur du Fusil À Aiguilles, le Jour de la Toussaint, Honoré Daumier, November 1, 1866, Brooklyn Museum: European Art
Size: Sheet: 13 1/2 x 9 1/2 in. (34.3 x 24.1 cm) Image: 9 3/8 x 8 1/16 in. (23.8 x 20.4 cm) Medium: Lithograph on newsprint
https://www.brooklynmuseum.org/opencollection/objects/156358
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Vanitas
Honoré Daumier
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The Drinkers, Honoré Daumier, by 1861, European Paintings
Bequest of Margaret Seligman Lewisohn, in memory of her husband, Sam A. Lewisohn, 1954 Size: 14 3/8 x 11 in. (36.5 x 27.9 cm) Medium: Oil on wood
https://www.metmuseum.org/art/collection/search/436093
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tournevole · 3 years
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La République - 1848 - Honoré Daumier
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mia-paintings · 3 years
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The Fugitives, Honoré Daumier, c. 1868, Minneapolis Institute of Art: Paintings
Daumier's painting, The Fugitives, was his last and most dramatic rendering of the refugee theme and might refer to events surrounding the onset of the Franco-Prussian war, or to the insurrection of the commune in France in 1870. Daumier was less interested in depicting specific events than in responding to the depth of human suffering caused by these events. The bas-relief sculpture is one of Daumier's earliest expressions of the theme of exile, which he explored frequently between 1848 and 1870. Although possibly inspired by the Polish Revolution or the 1848 insurrection in France, the precise subject remains unknown. Size: 15 x 26 3/4 in. (38.1 x 67.95 cm) (canvas) 24 3/8 x 36 1/8 x 3 in. (61.91 x 91.76 x 7.62 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/1241/
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naked-atelier · 3 years
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Honoré Daumier, 1842 (Alexander the Great ceding Campaspe to Apelles)
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rijksmuseum-art · 6 years
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De voorlezing af Honoré Daumier, 1857, Museum of the Netherlands
De voorlezing. Twee zittende mannen, de rechter leest voor uit een boek.
https://www.rijksmuseum.nl/nl/collectie/SK-A-2980
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bogdantigan · 6 years
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About last night (Daumier study) oil on canvas, 50/40 cm, 2018 #aboutlastnight #honorédaumier #daumierstudy #drunks #artstudy #paintingstudy #drunkspainting #instaart #artgram #artstudy #fineart #bogdantigan #artoftheday #photooftheday #kunst #oilpainting #artlovers #paintanyway #contemporaryartist #contemporaryart #art🎨 #nofilterneeded #artcurator #artcollector #contemporaryartcurator #contemporaryartcollector https://www.instagram.com/p/BsPoEBvHdUO/?utm_source=ig_tumblr_share&igshid=k5q83esi6tey
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surfswithdolphins · 6 years
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Self taught caricature studies 1987-89, inspired by Honoré Daumier. .......................................................................................................................................................................................... #ballpointpen #caricature #1980sflashback #inspiredbydaumier #penandink #sketch #quicksketch #draw #drawing #art #sketchbook #sketchbookart #laartist #artist #artistinspiratus #creative #creativityismysuperpower #honorédaumier #travelingartist #lineart #creativityfound #laart #inkdrawing #artistsoninstagram #caricatures #doodle #inkonpaper #artstudentlife #sketchbookery #artjournal (at Los Angeles, California) https://www.instagram.com/p/BsHm9gtD77q/?utm_source=ig_tumblr_share&igshid=1ncepxxx4550i
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met-drawings-prints · 3 years
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A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso), Honoré Daumier, ca. 1865, Metropolitan Museum of Art: Drawings and Prints
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Size: 13 5/16 x 10 5/8 in. (33.8 x 27cm) Medium: Watercolor over black chalk, with pen and ink, brush and wash, and lithographic crayon. Verso: pen and brown ink, black gray wash, and lithographic crayon
https://www.metmuseum.org/art/collection/search/333914
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The Painter in Front of His Painting (Le Peintre devant son tableau) by Honoré Daumier, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 09, West Wall Medium: Oil on panel
https://collection.barnesfoundation.org/objects/5082/
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bm-european-art · 3 years
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"Cré nom!......Si on réfléchissait!......", Honoré Daumier, November 6, 1839, Brooklyn Museum: European Art
Size: Image: 13 3/4 x 9 1/2 in. (35 x 24.2 cm) Medium: Lithograph on newsprint
https://www.brooklynmuseum.org/opencollection/objects/156344
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The Laundress, Honoré Daumier, 186[3?], European Paintings
Bequest of Lillie P. Bliss, 1931 Size: 19 1/4 x 13 in. (48.9 x 33 cm) Medium: Oil on oak
https://www.metmuseum.org/art/collection/search/436091
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mia-decorative · 3 years
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The Fugitives, Honoré Daumier, modeled c. 1850 (casting date unknown), Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 Size: 14 1/2 x 30 x 2 3/4 in. (36.83 x 76.2 x 6.99 cm) Medium: Bronze, cast about 1893
https://collections.artsmia.org/art/1310/
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