#honestly this all feels like a lot of explanation

[star2fishmeg]

ᴛᴏɢᴇᴛʜᴇʀ, ᴘᴇʀғᴇᴄᴛʟʏ | sᴍᴀʟʟ ᴡᴏʀʟᴅs

Pairing | Quinn Hughes x afab!reader Summary | six years later Quinn and y/n find themselves back in the place it started and old memories truly are precious...but so are new ones Authors Note | enjoy the (long) blurb @thehugheslover, sorry it took so long! This is only going to make sense if you read Feel This Way!!

The familiar clink of pool balls hitting each other, music at a moderate volume but mainly muffled by laughter and chatting and the back doors wide, opening the basement onto the patio where meat roasted on the barbeque under the balmy sun. Everything had stayed. The world was almost the same as they were back as teenagers but this time, they weren’t as naive, and everyone had grown up. Really grown up, into adults with jobs and lives, new ambitions and what happened six years ago were nothing but fond memories protected by the walls of the lake house. 

Y/n and Quinn sat on the sofa, turned slightly to face each other so they could look out into the rest of the room, her finger gently brushing over the stain between them. The second her skin touched the fabric, it all came flooding back like film tapes, the night Brady stayed over in particular. 

“We were so stupid, but it was a lot of fun,” she began with a chuckle, Quinn turning his head in interest, watching her trace around the splotch, “The Vodka Incident, when Brady brought that vodka, and we all thought it was fucking amazing.”

Cole’s voice groaned out from the distance, followed by Trevor and Jack’s obnoxious laughing, clearly relishing in Cole losing their game of pool. The couple giggled, glancing over at the group, their memories fading in and suddenly they were bought back to that night, and they were sixteen with three fifteen-year-olds and little Luke sat in a circle. The way Cole’s face had screwed up hideously, Jack and Trevor’s attempts to be ‘cool’ but landed them both in the bathroom and gagging and Luke tucked into her side most the night. 

“Yeah, Luke used to cling to you all the time, he was literally your shadow,” he said, watching Luke take a cocky bow after a successful turn, “and Brady, oh my God, you two used to torture me, like, come on, ‘who do you currently have a crush on?’ while you were sitting on my lap? You two killed me.”

Y/n laughed fondly, watching Brady enter the basement waving tongs like a magic wand, passionately interrupting the guys by fact checking them about something too muffled to make out from where she was sat. She then remembered the argument she and Brady fell into that everyone retold as if they’d thrown fists at each other, “Honestly, I thought you’d be jealous that I’m close with Brady too, but I was so wrong.”

“How about we not bring up my teenage insecurity, I felt so lame,” he smiled, hand taking hers and interlacing their fingers. He remembered that part too well, Jack and Luke loved to bring it up with him because for them, it was peak comedy and a learning curve on what not to do. Watching it happen was not as funny, but Quinn was their older brother, so how could it not be funny? “You don’t even understand, y/n, I got a scolding, from Jack.”

“Well, I was also lame so we’re even. Luke told my brother about the whole thing and that fucker did not let me live it down.” She grinned and placed a kiss on his nose, “You know what he said? ‘Yeah, everyone knew Quinnifer was, like, in love with you’ the little loser.” 

He groaned playfully at the nickname, even after all the years her brother still called him that. He really couldn’t escape that one, he’d somehow obtained it during college, y/n’s brother just started calling him Quinnifer out of the blue and his only explanation being that the women love it and it’s catchy, but it was better than other thing’s he’d been called.

Looking back over at the group, their friends that’d grown up with them, but whose personalities hadn’t changed, they wondered what it’d be like if they were sixteen again, and what they’d do differently. But they weren’t sixteen anymore and all the angst had been and gone, that chapter closed. Quinn was captain of the Vancouver Canucks and y/n was flying in her own career, and while they’d achieved so much by twenty-five, Quinn still had a list he wanted before he could feel satisfied.

Moonlight shimmering over the ripples of the lake, warm lanterns illuminating along the dock just like it always had. Y/n and Quinn’s bare feet padded along the wood leisurely, hands encased in each other’s and not a word spoken between them, they just needed a bit of peace away from everyone, even just for a moment. Passing the boats harboured up, Mila came to mind. Not in any other way than what happened that day and how he felt y/n’s desperate, burning glares from the other side of the boat, how he wished it was y/n breasts pressed against his shoulders and not some random girl’s. 

“I should’ve just told you how I felt from the start,” Quinn mumbled, but his voice clear from the serenity of the dock, nothing but crickets singing and distant chatter, “Like, we wouldn’t have had to go through that confusing, are-we-are-we-not phase. I can’t believe I was such a pussy.” 

Y/n giggled, swinging their arms, “Don’t blame yourself, I was also responsible. I told most the story to some friends in college, and even they thought it was obvious we liked each other. I sort of wish we hadn’t had that situationship, like, we were just hurting ourselves.”

“Yeah, no, I agree. Had me crying myself to sleep, it was fucking stupid.” 

“I know, Jack told me the night of the Vodka Incident, he saw you crying when we were going to sleep.” She didn’t need Jack to tell her Quinn cried that night, she felt his tears on her skin and the way he’d squeezed her like she would evaporate, his favourite teddy bear. She just never said anything, no need to bring up the painful past when they were living in their own paradise in the future. 

The more time she spent in the lake house, the more the memories swirled in her mind, not dwelling just remembering the times she couldn’t during the hockey season. The lake was a sanctuary, a museum of youth that held so many minor details you’d never see unless you were searching for them, like the names etched into the decking, aged but still prominent.

Quinn glanced down, barely reading the names scratched into the wood until he walked over something he distinctively remembered scratching with Brady, right before they were off to college; Q + y/n in a heart. He stopped right above it, tugging y/n back to face him, sweat forming on the back of his neck with butterflies in his stomach. Y/n blinked twice at him before raising a brow. He pulled his hand away, wiping both on his shorts before taking a deep breath.

“Uh, hey, listen…” his eyes shifted to her ‘Q’ necklace, to her eyes and then back to the etching on the floorboards before her necklace again.

“Q?” she asked, head flooding with multiple scenarios, piecing together location and their ages, his sweating, the fizzling in her chest and down to her stomach, “Oh God, you’re not getting traded, are you?”

His eyes widened, “Huh? No, no, Jesus no. It’s uh…well…um, just wanted to tell you how much I love you and appreciate you. You’ve, um, been by my side forever and I’ve been, uh, thinking about the future…”

He dropped to one knee, sliding a little, velvet box from his pocket and held it out in front of her, eyes sparkling under all the little lamps but more importantly because when he looked at her, he saw the most beautiful woman he’d ever met. The most caring, supportive, girlfriend. His best friend who, no matter what, never gave up on him. He gazed at her with dilated pupils that may have well been hearts. Y/n’s eyes widened, her lips parting slightly as she gasped gently, hands covering her mouth, and she struggled to hold back the tears welling in her eyes.

“Y/n L/n, I have loved you since we were fifteen and only you can make me feel this way. There isn’t anyone else I’d rather spend the rest of my life with, in sickness and in health. Will you make me the happiest man alive and marry me?” Quinn’s voice shook, not a filler word tumbling out for once. All those days rehearsing his speech in the mirror paid off, all that stress lifting off his shoulders and she watched his hands tremble.

Y/n nodded desperately, tears spilling down her cheeks, “Yes, of course!” 

He grinned from ear to ear, corners of his eyes creasing as his eyes watered, wiggling the ring - polished with her birthstone - from the cushioning and sliding it onto her finger, his arms wrapping around her waist firmly. He held her close into his chest, spinning her around with his face buried in her shoulder, his heart swelling. When they rounded back to their original spot, they melted into each other’s bodies as they always had, t-shirts soaking up the salty tears of joy, the realisation of how far they’d come hitting them like bricks. Y/n and Quinn Hughes, forever and always. Their new chapter, with new adventures and the start of their own little family one day.

small worlds | @bunbunbl0gs

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[feroshgirlsims]

Chapter 7.3 - You Can't Go Home

As they filter off the train, the smell of iron gets further away and Akira finally begins to relax.

He asks her a ton of questions, partly because he's curious and partly because he wants to keep the focus off himself. Alice is in the middle of talking about her class when her body goes rigid.

Akira scans for a threat but comes up empty. Train stations are generally pretty clear of supernatural creatures, except low-level spellcasters and baby vampires at night. They aren’t much use when you can transportalate, turn into a bat, or run for miles in wolf form. And the fae avoid them altogether. 

“You good?” 

She flinches when he reaches for her hand. “I-I’m fine,” Her smile doesn’t quite reach her eyes. “Do you smoke? Weed, I mean, not cigarettes. I…I think I’m gonna smoke. Do you wanna come with me?”

“I thought you said you had to turn this assignment in,” he reminds her.

She stares across the platform, but he still can’t figure out what she’s looking at. 

“I’ll do it later. And you don’t have to come. That was weird of me to peer pressure you,” her laugh comes out high-pitched and wrong, “You're probably busy. I’m good. I’m gonna go. And you’ll go, and I’ll just see you later.”

She's babbling and her hands are shaking. There is no universe where he just leaves her like this.

“Yeah, I smoke," he takes her hand and leads her to the exit. "And I got time. No classes, remember?”

Akira has been to the Commons a few times (for creeper reasons), but he's never climbed the tower. The air is especially crisp, but Alice doesn't seem bothered by it.

Despite resisting earlier, he finds himself wishing she would extract some promise from him—some commitment to keep him tied to her. It's a terrible idea. He knows better. Akira has always been careful not to break one of the rules he’d learned by brute force.

“This is a shit weed,” he coughs.

“Hey!” Alice playfully points an accusatory finger, “I invite you to my secret perch and share my paltry stash, and you insult me?”

“You need a new dealer if this is your stash.”

“And a new bank account!” She laughs. “Try to chillax, my dude; you are working against the medicinal benefits.”

He tries. His lungs fill, but it takes three more rounds of coughing before he evens out. Alice, meanwhile, is a professional. She barely coughs, though she's had twice as much as him. He's not even sure she's high.

"Why photography?" he asks when she joins him on the bench.

"Most of the time, I get asked about painting; no one even thinks about photography."

He shrugs, "Your focus isn’t Fine Arts. Why am I gonna ask you about something you don’t do? You want me to guess?" When she nods, he waves a hand across the sky, pretending to paint a picture. "Art lets you remake the world in a more pleasing image, which is kind of nice because the world is shit. But you do photography because you want the shitty stuff upfront. No lies. You'd rather tango with the truth."

She straightens, suddenly alert. "Maybe. Kind of. But photography is also lies. All you do when you snap a picture is capture a moment in time. You can still tell yourself a story about the emotion you saw or what really happened. It's just a different kind of lie from painting."

The weed is definitely kicking in, but he likes her explanation.

"So what are you studying?" she asks.

Direct questions are the hardest to dodge. Especially now when he feels like he’s floating a hundred feet in the air. "I'm studying nothing," he says honestly. "I just follow what interests me."

"Why?"

"Because I have a lot of time." Infinite, actually, if he kept his head attached to his body and didn't end up on the wrong side of a curse.

"If I had time, that's what I'd do too. And catch up on back seasons of 7 Wild Dates."

Akira laughs, "Stop. I changed my mind. That show is moving to the bottom of my watch list."

“Don’t be mean!” Alice sticks out her tongue, "That's quality programming you're missing."

They smoke more and talk about nothing, which feels like talking about everything because Alice leaps from topic to topic. She knows a little about a vast number of subjects, like knowledge for her is a series of wading pools and she's just hopping from one body of water to another.

It's how Akira operates too. Once he gets the gist of something, he's ready to move on.

“Tell me one thing about you so you can stop accusing me of hanging out with a stranger," she says, "Where are you from?”

A flash of pink sky. 

A veil that never seems to part.

A home he can’t get back to.

The yearning is so real he jolts. “What if I told you that nothing about me or my life is what it seems? And because I don’t want to lie to you, you’re probably gonna find I won’t answer all your questions. Maybe any of them.”

Alice thinks for a minute. “I guess I’d say tell me what you can, not what you can’t.”

Akira wants to praise her wordplay. He wants to kiss her. He does neither.

“I love horror movies,” he confesses, “When I was like, 10, I snuck into the Moonlight Massacre Marathon at the theater downtown, and I was fuckin’ hooked.” 

The whole story comes tumbling out, even the part about Titania being a little shit and ratting him out to their parents. Alice laughs and complains about her step-sibling, and Akira viciously guards every drop of information she shares with him.

“I like horror movies too. If I throw in Moonlight Massacre II, will that elevate 7 Wild Dates on your watch list?”

His phone buzzes with a reminder about tonight’s job. He gets to his feet. “Next time,” he tells her.

“You promise?”

A promise is a dangerous thing. 

—A binding thing. 

A vow. 

No promises. 

Akira nods, “Yeah, I promise.”

PREV | NEXT

(Part 3 of 4)

[bookofmirth]

I was thinking about when Lucien tells Feyre that she was a better friend to him than she was to her, and how we as readers have reacted to that line over the years, and had a few thoughts.

The main thing is that characters can and will do/say things that they believe to be true, that we know are not actually true. The characters may also know that they are untrue, but don't want to admit. We lie to ourselves all the time, and characters do too. It may not even be the case that sjm wants *us* to believe that Lucien is speaking the truth. The important thing is that, in that moment, Lucien believes that he is speaking the truth.

We should not confuse what the characters are saying with what the author is saying. An author is NOT their characters. A character can and will say/do things that an author does not agree with, and may not even like. A character saying/doing something is NOT an endorsement of saying/doing that thing by the author. (This can be easier to understand when you read poetry - though there has been an increase in confessional poetry in the past few decades which is largely autobiographical, the narrator of a poem is NOT necessarily the same as the author of a poem.)

This isn't to say that Feyre is being an unreliable narrator; we have Lucien's literal words that he spoke to her, there was no reflection on those words by Feyre that tells us what she thinks of them, and she would have no reason to lie. As a fandom, I wish we could stop getting so hung up on the idea of unreliable narrators and differing character perspectives as a means to argue that one character is "more right" than another, or that we get "the truth" when we view from a specific character's eyes. That's... not how it works. There is no such thing as an objective way of viewing pretty much anything. Everything relies on perspective. We all hear/read things and those things get filtered through the giant pasta strainer of our upbringing, our beliefs, our values, our professions, our hobbies, etc. SJM has never been an author to use unreliable narration, but she does use differing perspectives. If she didn't, then every single character would seem like the same person. It's 10000% normal for us to understand characters and events differently when we hear about them from another character.

So back to my main point, I think that we can read this as Lucien genuinely believing this statement to be true - that he truly thinks that Feyre was a better friend to him if we consider his context.

Lucien has no real home with stability. He was banished from Autumn, he is estranged from his brothers, he cannot be there to protect his mother, his role in Spring has some importance but is reliant on the goodwill of someone who is, frankly, increasingly unstable. Lucien likely feels very indebted to Tamlin, and now that Feyre is Tamlin's bride/ex-fiancée, to her. There is also the role that she played UtM in trying to help Lucien. In other words, thanks to Beron being an asshole, Lucien relies on other people's goodwill for his basic survival. (This is why, later on, he would rather stay with the BoE. He isn't beholden to them in the same way that he would be to Rhys, yet another person taking pity on Lucien's dépaysement.)

In retrospect, Lucien feels guilt for not having done more when Feyre was suffering in acomaf. It's easier for him to see how she was suffering because he was suffering in an adjacent manner. In the beginning of acomaf, Feyre was making excuses for Tamlin, trying to be patient, to wait out his anger and grief at what happened UtM. Lucien was doing the exact same thing, but it took him longer to recognize how toxic it was because Lucien, unlike Feyre, didn't have the advantage of someone literally swooping in to take him away and give him perspective. He got there, though, when Tamlin starts working with Hybern and especially after he sees Feyre back in Spring, which leads me to my next point.

Lucien is clearly wary of Feyre's lies while she is in the Night Court. He suspects that she is pretending to be in love with Tamlin, pretending to be loyal to the Spring Court. This reinforces his understanding of just how toxic Spring has become, the fact that Feyre saw it, understood, and acted before he did. So tying these issues together - Lucien's exile, his reliance on other people for stability, his dawning understanding that Feyre recognized the situation for what it was before he did, that he has ended up in this situation where his mate is now at risk - and Lucien feels a whole lot of "if only I had..." And he now sees Feyre as someone who saw the situation for what it was before he did, and acted accordingly. But we as the reader know why that was harder for Lucien.

So going back to my point about Lucien believing this is all true, we know that it's not, and that's a normal part of being a reader. Lucien makes that statement after telling Feyre about Ianthe and Calanmai; we know that not long after, right after she tells Lucien that she wishes she could have stopped his assault, she nearly - knowingly - allows it to happen again. Lucien's words and Feyre's actions don't align, and there is nothing in the narrative that tells us that her actions are okay.

(A related rant, but characters don't need to be punished for us to understand if their actions are morally okay or not. We are smart people, we can tell that for ourselves. It may be annoying to us if they aren't punished, but that's another idea that has pervaded book spaces - that if problematic action isn't punished or portrayed negatively, then the author must think it's okay. No, maybe the author trusts us to know what's right and what's not, and doesn't feel the need to beat us over the head with it because books do not have to be moral, didactic tools.)

SJM could have written it so that Feyre didn't hesitate to help Lucien. She could have written it so that Feyre didn't intentionally try to put Lucien in the path of Tamlin's anger. She could have written Feyre to be a saint, but she didn't, and just because another character views Feyre's actions favorably doesn't mean that we have to, because we have the benefit of knowing that sometimes, people lie to themselves and/or say things they don't truly mean or believe. And furthermore, just because one character views Feyre's actions favorably, doesn't mean that SJM does. Remember - the characters =/= the author. SJM doesn't actually believe or agree with everything the characters say and do. She doesn't have to agree with anything they say or do.

Thanks for coming to my tedtalk.

[mokeonn]

I think that the 2010's media landscape of Buzzfeed articles about plotholes in disney movies, Cinemasins critiques, and Watchmojo Top Ten scenes in movies that make no sense has truely ruined a lot of media. People are afraid that their work will be torn down if they dare leave a single thing up in the air, if they dare ask their audience to suspend their disbelief.

All too often nowadays I see stories (especially fantasy), take the time to explain how every small aspect of the world works and how it all logically makes sense. The constant time stopped to explain why an event happened, how this object works, or why this is important to the characters. It's just really not needed and it honestly makes a lot of stories worse.

I am of the opinion that the best stories truly just drop you into their world and explain nothing. They just take you through the story of this world and you just have to accept it and continue on. "When he became king, the land became barren." I don't want the story to stop and explain why this is, or how it happened, I want us to move on so we can just assume that the king has such rancid vibes that everything died.

[the-eclectic-wonderer]

This is not prepared at all, so it's likely going to be messier than usual, but I was in the shower earlier thinking about the Golden Girls (as one does) and I drew a couple of conclusions on the topic of how many children does Blanche actually have? that I wanted to share with you all.

So, first of all, let me sum up the controversy. The issue lies with one of Blanche's statements in S3E3 Bringing Up Baby, when she's trying to convince Dorothy to keep the Mercedes she bought with the money they'll supposedly get after Baby's death:

"I want that car, Dorothy. I will give you anything. [...] I'll give you one of my sons. I have given this a lot of thought. I have had four kids, I have never had a Mercedes."

Ok, everything tracks so far. Blanche has had four kids, some of which are sons. We meet her two daughters, Janet and Rebecca, a few times during the series, so the natural conclusion is that Blanche has four kids, two sons and two daughters.

Which is great, except... her next line in S3E3 is this:

"What do you say? Which one do you want? Biff, Doug, Skippy? No, don't take Skippy, he's got asthma."

She names a Biff, a Doug, and a Skippy, so... three sons. Which, in addition to the two daughters we see in the show, makes for a grand total of five kids. Huh.

Alright, we know that Blanche wasn't the best mother ever, but I find it hard to believe that she forgot how many children she has, so: what's going on here? The obvious explanation is, as always, that this is a continuity error (although it's a really egregious one!), but you folks know I prefer to find a Watsonian explanation wherever I can, so let's see if we can figure out anything interesting.

One thing that struck me when I first realized this discrepancy is her use of the words 'I have had four kids'. Not I have, I have had. Why does she use the past tense here? The sentence flows better with it, but it doesn't make a lot of sense in-universe -- unless you think that she's using 'to have a child' to mean 'to bear a child'. If that's the case, then what she's saying translates to 'I have physically given birth to four kids, I have never had a Mercedes.'

I'm sure I don't have to point out the implications of this, do I? If the number of kids Blanche has given birth to is four, but her total number of kids is five, then that means that one of her kids is not hers in the strictly physical sense, i.e. one of Blanche's kids is adopted. This would solve the discrepancy without breaking the canon elsewhere (as far as I can tell, at least).

For a while, this idea remained in the back of my head to examine at a later date, because it still has a number of issues to work through. For one, why would Blanche (and supposedly George) adopt a child? They had kids of their own apparently without any issues -- why adopt another child, instead of, well... making another child, if they wanted one more? I guess it's possible that fertility issues might have arisen at some point, but that seems unlikely for a number of reasons; that kind of problem is generally genetic in nature, and it tends to be diagnosed upon first try, not after four successful pregnancies. So, then... why?

I was stuck on this point for a long while, until I suddenly remembered this conversation between Blanche and Virginia, her younger sister, during S5E11 Ebb Tide:

"I remember when you were 16 and didn't come home for Father's Day." "I was away at school!" "Oh, yes. The Good Samaritan Academy for the Knocked-Up. Two, four, six, eight, all us girls are three months late."

It seems Virginia got into a spot of trouble when she was 16, and was away 'at school' for a while to take care of it. While this might imply that she was sent away to have an abortion, there's also space to hypothesize that she was sent away to carry her pregnancy to term and actually have a baby to then give out to adoption. If this is the case... I wonder if this baby is the one that Blanche and George adopted?

While an adoption seems a bit out of character for young!Blanche (to me, at least: she wasn't interested in her kids, why would she agree to adopt another one?), I think there's some space to consider it. For one, George might have convinced her! We don't know enough about the man to draw clear conclusions, but he did send money to the one child he had out of matrimony (see S5E18 An Illegitimate Concern), so maybe he feels more responsible towards kids near him than Blanche did -- and, well, if he'd asked, Blanche would have agreed immediately, of course. I feel like Big Daddy might have also played a part in this scenario: he could have wanted to keep the child in the family (a Hollingsworth is still a Hollingsworth!), and asked the youngest married couple among his children to take on the responsibility, to shield Virginia from the shame.

Note that this theory has a few issues anyway. For one, while Virginia is Blanche's junior, according to Wikipedia she's only one year her junior, which would put Blanche at 17 when all this happened -- and we know she met and married George much later, when she was already a university student (see S6E9 Mrs George Devereaux). However, I can't find any confirmation for this difference in age in the show itself, so I feel like the hypothesis still deserves some consideration.

As for which of Blanche's children is adopted, well... we can for sure rule out the boys, since she mentions them all by name in S3E3. This leaves her two daughters, Janet and Rebecca. All throughout the series Blanche has a rocky and painful relationship with Janet, even more than she has with the rest of her children:

I would love to have a chance to raise David. I might make up for the mess I made with Janet. [S1E6 On Golden Girls]

Well, honey, I really do want to see you. I think we have a lot to talk about, Janet. I've been thinking a lot about you, lately. [S2E16 And Then There Was One]

"I just talked to my daughter, Janet, and she and my granddaughter, Sarah, are coming to visit in a couple of days. Oh, I've never been so happy!" "Janet? Isn't she the daughter who hates you?" "[...] She doesn't really hate me, Sophia. We just don't see eye to eye." [S7E23 Home Again, Rose: Part 1]

As for Rebecca, while we know they stopped talking for a few years due to a disagreement, she seems remarkably closer to her:

We were always so much alike, and so close, just like Siamese twins. [...] I have missed her. She's always been my favourite. [S3E14 Blanche's Little Girl]

Although Rebecca herself seems to have a different perception on their relationship:

You're not happy, Mama. You're doing it again, you're telling me how to live! [...] Nothing's ever enough for you. I had to be the prettiest, I had to be the most popular, I had to be the brightest... [S3E14 Blanche's Little Girl]

I think there's two possible theories here, neither of which paints Blanche in a good light (but hey, we love these characters because of their qualities as well as their faults, don't we?). If Janet is the child she adopted, I think it's possible she might have been especially neglectful towards her (especially in her first few years); she might have taken her frustration with being convinced to adopt her out on her, as a lack of affection when compared to her other kids. This would explain why the relationship between them is so fraught (certain wounds last a lifetime, I'm afraid).

If Rebecca is the child she adopted, on the other hand, she might have wanted to overcompensate for her abandonment and sort of one-up Virginia ('see, how well I can take care of your daughter? aren't I the better mom?'). She might have showered her with affection (and with expectations, judging from what Rebecca says!) to the detriment of her other kids, which would explain the issues in her relationship with Janet as well.

I don't know. It's obviously very clear that, for all her faults, Blanche adores her children and is deeply pained by her mistakes as a mother; she often expresses regret for her actions and wishes she'd been a better mother:

I realized, too late, that I'd put myself ahead of my children. I've never made up all the time I didn't spend with them. [...] deep down, I wish you were really mine. So I could try again with what I now know. [S2E16 And Then There Was One]

For all that might have happened in the past, it's evident that Blanche loves all her children equally and considers all of them her own, so she's clearly gotten over any issues she might have had -- but that doesn't excuse her past actions, of course.

There's a whole lot that could be said about Blanche's approach to motherhood, how it connects to the way her parents treated her as a child and to her own internal issues, but as for the question of how many children she has, I feel like this is a satisfying possible answer. It's not airtight by any means, and I'm sure there's other ways to explain the discrepancy (they might have adopted a child from George's side of the family, for one, which would change a lot of dynamics); this is just the one that occurred to me. As always, I'd love to hear everyone's thoughts, so do let me know your ideas about all this!

[onebizarrekai]

Apologies if it doesn't exist / sounds stupid,

Is a "Corrupted" Arthur a thing that exists? Like how in their Dreamswap Version we had Dream with red eyes, the demonic looking wings? Just curious

nah he don't, not in fatal flaws. it's just a dreamswap timeline thing because the light/dark magic thing only exists in that version of the story

[astrxealis]

hi guys please wish me luck for my college entrance exam tomorrow for one of my dream schools xoxo

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[st4rstudent]

ALRIGHTY SO- (I'm so sane and normal about these toons and cogs I swear) as I said before, personally I really like to think that brian's brain is a motherboard and/or wires/neuron like things covered in a silicone mold that made it shaped like a brain-! It would explain why when he starts getting more and more frustrated during his battle he starts overheating and eventually leading to his brain exploding at the end- (which leads me to believe that mayhaps his wiring needed some extra cooling to help him prevent that, perhaps being the reason why he has a dome head in the first place so that way it could be liquid cooled by being placed inside of- whatever brian has inside of there shchsdhs) which in turn would make the silicone brain a pretty solid idea-!! Keeps all his wiring n electricical brain bits all nice and dry, but also gives him a little flair and from the looks of it, seems like a fairly efficient way to help stop any overheating caused by his emotions or stress- (I mean he literally starts going red with rage, that's gotta be some hot pieces of parts in order to do that even with some cooling factors in place-) but what's really got my gears turning is that if he does have a sort of wiring inside of that brain mold of his, it would basically be the like- in between of cog parts and toon-ish parts-! Assuming that his wiring would help out his processors n act as any neurons should, they would not only help out his thought process (him being the self proclaimed smart man that he is /lh/lh) but it'd also allow him to feel things-!! Neurons are the main units of the brain and nervous system, they help the brain feel any sensory input from the outside, send signals to help the body control motor functions, and in general just relay electrical signals throughout the brain all the time- Which sounds very much close to what the cog equivalent of a brain could also do (and does for brian)-!! I know all the cogs have brains and all their inner bits, but I justshfhs I think it would be really cool if brian's brain had just a little bit more brain-like functions-!! I don't know if I'm making any sense here, but- if he can think, that man can feel too-!! Probably more than the average cog, but he would also probably just decide not to draw much attention to it-!! I know this started out as silly snowglobe dome talk, but in all reality I'm so very interested in the complexities that the cogs and toons have-!!! Doesn't mean I don't think it'd be silly to shake that man around and see what happens, that'd be silly- even more so to bonk him with hammers- BUT I JUSTSHFBS I THINK-!! THE COGS DESERVE SOME MORE THOUGHT INTO HOW THEY COULD ACTUALLY FUNCTION N FEEL THINGS AND WHAT THE INNER WORKINGS OF THEM COULD POSSIBLY LOOK LIKE-! BRAINS HELP SHAPE WHO WE ARE AS PEOPLE… SO I THINK IT'D BE COOL TO UNDERSTAND HOW THAT WOULD WORK WITH THE COGS AS WELL- but yeshdhghs I'm . very sorry that this got so much longer than I intended, but thank you very much for letting me ramble out my thoughts-!! I hope you enjoyed hearing some of my thought process SHCHSDHS

OHHTHIIS IS REALLY GOOD. i never even thought about him possibly having a heightened ability to feel things like touch . i imagine with his brain also moving around, there's probably other pieces in there that would also be shifting which would increase the need for it to be in a somewhat cooled down area.

BUT YEAH . it's all very interesting to think about!

[scarletfasinera]

Anyway since I can't send an ask because of character limit and I gave up after trying to write it three different ways and it not working, I'll just. Idk write a short vague post back? I'm assuming a vague for a vague is fair (don't worry I don't want to be mean I just have no other way of navigating this situation.) Since I'm exhausted & but want to at least express my view of it.

Idk just on the off chance they see this or one of our shared mutuals shows them or something. My "weak subtext" post had absolutely nothing to do with Adam Warlock, I didn't even remember that I reblogged that poll before making my post. I had seen like six other polls after the Adam one, bc I was actively looking through the blog, that did the exact thing my post was about, the blogrunner (who shall remain anonymous) had Pointed Out in private that it was happening and gave several examples & it was distressing them so I checked the blog myself and commented on it, which was why I made the post. Not the Adam poll in particular which I didn't remember and wasn't thinking about. I do not know enough about Adam to say anything about either the text or the subtext or anything, so I just. Wouldn't? It really baffled me that it was read that way.

Anyway. Farewell beloved mutual we barely knew ye...

[sateurn]

😵‍💫😵‍💫😵‍💫

These sobs really limited my tags?????

I have so many more thoughts this is so so much less than 1/2. Broski. Big dislike

[outeremissary]

3, 14, 19 for Balthazar/Tristian for the OTP ask game :)

3. Do they wear each other’s clothes? (sweatshirt, bandana, necklace, etc.)

Not much, really. In a practical sense, it would be difficult. Balthazar’s a bit smaller and a lot more slight than Tristian, so Tristian borrowing clothes wouldn’t exactly be comfortable. And Balthazar has some terribly awkward wings by the time the two of them are together- his clothes have to be tailored to him to accommodate the wings, and it’s difficult to wear clothes that haven’t been altered. Although it doesn’t stop him from occasionally stealing Tristian’s cloak or robe just in the spirit of mischief (and slowing down the process of getting dressed).

Not clothing per se, but Balthazar enjoys using his own brooches to fasten Tristian’s cloak whenever he helps Tristian get dressed- something to serve as a subtle touch of connection even when they’re apart. Tristian always waits until they’re apart to check what he’s been given. It’s a pleasant ritual to discover it, and it’s a point of comfort to reach for over the course of the day. He always returns Balthazar’s things very carefully at the end of the day.

14. How do their personalities complement each other? How do they clash?

The ways they clash are probably more obvious. Tristian is earnest to a fault and a person with very strong moral principles that he lives by (theoretically), while Balthazar is an ambitious person who often gets what he wants through deceit and trickery. There's a lot of natural tension between them- for a long time after meeting they really didn't like each other at all. Balthazar was quick to write Tristian off as dull and uptight, while Tristian rankled at the callous disregard Balthazar had for others. Tristian is also someone who clings a lot to an ideal of celestial virtue that Balthazar has spent most of his life trying to get away from. Even though the initial hostility faded there's still always some degree of friction. It can seem that Balthazar is too careless or too cold, or that Tristian demands too much without compromise. Always some arguments in there.

As for complementing... really, some of the clashes can be ways they cover each other's weaknesses at times. Neither cold pragmatism nor strong optimism can solve every problem- there's a sort of balance there, in a way. Or at the least a way to keep Balthazar's Machiavellian tendencies in check. And also I guess I'd like to think that their positive traits can influence one another as well- Tristian being a bit more flexible and better able to see nuance in a situation, and Balthazar becoming more open and trusting. Maybe this doesn't really count as a "complementary" thing but also like... the ability to be very earnest with one another. Balthazar is someone who doesn't let his guard down easily, but over time he begins to trust Tristian to understand his experiences without condescending to him about them. While Tristian isn't as obviously closed off as Balthazar is, he still doesn't put himself out there easily and feels a lot of shame confronting things about himself. Balthazar doesn't judge Tristian for any of his choices. He has a lot of empathy for the situation that makes beginning to sort through it easier. (And Balthazar does sincerely love Tristian's flaws, even if Tristian doesn't)

19. How do they feel about PDA?

Not at all self-conscious, that’s for sure. There aren’t a lot of big, dramatic gestures, but certainly there are plenty of small, intimate ones: entwining fingers, leaning into one another, gently brushing hair away from the face, a soft kiss pressed to the hand… It’s about the reassurance of knowing the other is present. It’s also the case that Balthazar is a bit clingy (something that surprises him) and Tristian is somewhat touch starved so…

It's embarrassing to watch, really.

[malusrecord]

((I need to outline this properly on my main page but please note that private and request only muses are completely different beasts in regards to this blog.

Private muses, while also request only, are generally very extreme, very triggering characters and I won't write them with someone who doesn't understand that, how I write them and handle the topics surrounding them, etc. Extensive ooc communication is necessary before interacting can happen.

Request only muses are more like the general muses on offer but my muse for them is finicky/particular, I might have a hard line or two concerning the source material, etc. Ultimately it's much easier to interact with the request only muses compared to the private ones.))

[shidoukanae]

also now realizing there's a heavy possibility that the unknown event Daniel references where he asks Lyla "how are you going to find your happiness?" is the same event Helene references when she tells Lyla that Lyla "betrayed" her.

Coincidentally, that's probably the same event that allowed Helene to be manipulated by the Empress into turning against Lyla and might have been the cause of Daniel leaving Lyla (probably to find out how to awaken as a dragon so he could gain the power to take her away from her family faster? maybe even going so far as to try and compete w/ Paris for the throne if it means protecting Lyla?)

There's also a suspicious gap of time from when Helene was poisoned to when she told Lyla to get away from her that has been omitted. And considering baby Lyla cries about Helene not wanting to be with her anymore...and that same baby Lyla is seen hugging Daniel in the unexplored scene...Lyla what the fuck did you do to Helene to embitter her like this?

[unclassedguy]

its fixed, I fixed it.

The naoya drawing will now appear in my art tag. Of course at the sacrifice of all my infodumping in the tags.

It was a necessary sacrifice.

Maybe when I'm less tired ill make another one of these doodle pages and fully write out all my discarded thoughts from the tags there. Perhaps more coherently.

(I doubt it though)

Probably not going to have the time soon, but whatever. We'll see.

[luveline]

could you write bau!reader x aaron, reader is pregnant and baby is so restless and kicking a lot as reader is at her desk working and aaron is the only one who can calm baby down

ty for requesting <3 pregnant!reader, 1k

“Woh,” you mumble, almost clipping your head on your desk as you lean forward. “Oh, my gosh.” 

“What’s wrong, mama?” 

You wave your free hand weakly at Derek, the other to your bump. “Nothing’s wrong, handsome.” 

Derek laughs warmly and stands from his chair. “I don’t believe you. Come on, tell me what’s wrong. Or I’ll go get the big man and he can force it out of you himself.” 

Hotch’s never forced anything out of you, but he has kissed a confession from you before. He could do it again easily. 

You right yourself as the baby’s rampant kicking makes you feel as though you’ll pee your pants. “Derek, there’s some crazy stuff happening inside of me right now.” 

He smiles at you fondly. “I bet there is.” 

“She’s kicking the shit out of me.” Sitting up, your back twinges and relaxes, the weight of your baby bump spreading out. You’re very pregnant and the baby is extremely active. She kicks pretty much 24/7 these last few days, and it’s driving you crazy. “Do you wanna feel?” 

Derek presents his hand for feeling. You stand up, and Derek lays a hand across your bump. You don’t have to move it anywhere: the second he touches you, he can no doubt feel the baby’s aggressiveness. She’s aiming her little feet almost like she knows where your most fragile organs are. 

One rough kick has Derek taking back his hand. “She’s beating you up, mama.” 

“She hates me.” 

“She doesn’t hate you,” Spencer says, twirling in his chair to give one of his innocuous tidbits of information, “babies kick for all sorts of reasons. They kick when they’re hungry, or after you’ve just eaten because of the extra glucose shared via the placenta. Sometimes they kick because they can feel sensation through your skin.” 

Spencer stands up. You raise your brows. “You wanna feel?” you ask. 

He grins and offers his hand. You take it and place it against the baby’s restless feet, smiling at Spencer’s smile, a little enchanted by how fascinated he seems. At Spencer’s touch, she starts to kick quickly like she had been with Derek, and eventually you have to move his hand in the hopes she’ll stop. She slows, but the occasional stretch pokes at your stomach. You can see the distension of her limb even through your shirt. 

“She’s really going for it today,” you say. “Maybe I had too much brown sugar in my oatmeal.” 

“You know babies can tell the difference between hands?” Spencer asks. 

“I sort of guessed,” you say distractedly, rubbing at the baby’s kicking with the crest of your palm. “She doesn’t act like this with Hotch.” 

“Good to know he has that effect on everyone,” Derek says with a laugh. 

“I might go and ask him to make her stop. I’m gonna need a change of clothes if she doesn’t.” 

Derek laughs again, full-bellied, his arm wrapping around your shoulders in a pitying hug. “Aw, sweetheart, you’ll be okay. Just two more months and this will all be over.” 

“Well, you never know. The longest overdue pregnancy in human history was almost a hundred days, that’s more than an extra three months.” 

“Spencer!” you say, not truly shouting, but your volume escaping you as the horror of a year long pregnancy sinks in. “Don’t jinx me.” 

Your loud voice, or perhaps Derek’s roaring laughter, draws the attention of JJ and Hotch, who appear from the depths of his office with matching curious expressions. JJ begins down the steps to the bullpen, while Hotch stays at the balcony waiting for an explanation. 

“Baby Hotchner’s giving it large,” Derek says, rubbing your upper arm. 

“She won’t stop,” you complain, relieved to see your stern husband. “Can you come and set her straight?” 

You aren’t always so quick to complain to him, but this is too much. It feels as though she’s about to start doing spin kinks against your spine —it’s honestly the most she’s ever moved. When you were just a few weeks pregnant you’d longed for her to wriggle and show you a sign that she could feel you, but now you’d appreciate a few minutes of calm. 

Hotch follows JJ down obligingly, and he, surrounded by your curious coworkers and colleagues, without any hesitation (but certainly some care), slips his hand under your blouse to feel at his baby’s sharp kicking. He presses against what might be a foot for a few moments, his smile barely hidden, his palm warm. 

“She really is giving it large,” he says, the deep softness of his voice like a signal. 

The baby’s kicks soften, until, barely ten seconds later, they stop. Your spine ceases vibrating, and you can finally stand there without having to press your thighs together. 

“Thank you,” you say, holding Hotch’s elbow. He’s well and truly saved you. 

He rubs your stomach with his thumb. His dark eyes stay set on your bump. “You’re welcome.” 

“I guess baby just missed her dad,” JJ says. 

You look at Spencer. He doesn’t say anything. “No correction?” you ask. 

“No,” he says, pouting that you’d ask. “Either she missed the sound of his voice, or your reaction to seeing him has calmed her down. That’s not a big difference.” 

“It’s both, I think,” you say, paused by a big yawn. 

“Are you tired?” Hotch asks. 

“Urgently.” You let yourself sag forward toward him, gesturing for Spencer, Derek and JJ to look away. “Thanks for your help, boys, but I need something no one else can give me.” You collapse into Hotch’s chest for a hug. 

The bump is very much in the way, but he reacts accordingly, ushering your chest to his, cheek pressed gently to your forehead. “She’s exhausted you,” he teases under his breath. 

“She really has.” 

“I love how she settles with me,” he says, rubbing your back for a long, slow handful of seconds, before he pulls away enough to grin at you. “But I suppose she gets that from her mother.” 

“You’re very calming.” 

“So I’ve been told.”