#honestly it is an extremely niche dynamic and really hard to explain

[troutfur]

@gophergal @doritopaw101 Great minds think alike I see!

5. Yellowfang

Favorite character in TPB bar none. She made for excellent contrast to Fireheart and bounced off Cinderpelt perfectly. Definitely fits a similar niche to Jayf in the department of having an entertaining character with a sharp tongue. I live in bliss not having read Yellowfang's Secret. I hear she's totally butchered there but I refuse to see it. 🤗

4. Flametail

Half the reason I prefer the Po3 parentage reveal to have pushed Jay and Lion closer to Bramble. One of these days I need to revisit his PoV in OotS and his attitude towards his cousins shown there, if only to reacquaint myself with the ways in which canon disappointed me.

Of the relationships between the Po3 meddie apprentice generation, Jayfeather and Flametail had the only one I genuinely weep canon forgetting. They had legitimate buildup and I would have loved to see it develop.

The way Flamepaw idolizes his older cousin and shows this genuine enthusiasm for the job Jayfeather only has ever resented, the scene in which Jaypaw reacts to an insensitive comment by giving Flamepaw a scare but then gently explains his disability and why he doesn't bother focusing his eyes, the potential for Jay to seek refuge in their familial connection while still mad at Leaf and Squilf...

*clenches fist* I can't get over what we were robbed of.

3. Mothwing

I first became attached to her because one of the first things I learned through fandom osmosis, even before knwing her very well beyond my spoilers binge, was the constant attitude that her and Cloudtail were willfuly blind idiots. I'm not going to go on my tirade on how atheism can be rational even in a world in which deities of some kind are completely real. But it really got to me.

But besides that, I find her, her relationship with Hawkfrost, and the hardships she's had to navigate as an atheistic religious figurehead not only extremely compelling but also extremely resonant as a religious atheist since about age 15.

I honestly really hate how ASC has been treating her, especially with the latest books emphasizing her as the good kind of nonbeliever vis a vis Splashtail. I swear the only reason they are showing her as much sympathy as they are right now is that it's kind of hard not to when she's being contrasted to someone right out of a PureFlix Entertainment movie.

2. Leafpool

We love to see the world's most Catholic schoolgirl core kitty cat.

Leafpool hits a couple notes on the themes my history with the religion I was raised with got me obsessed with and I greatly appreciate her on her own. But to be perfectly honest where I think she shines best is in relationship with my blorbo Jayfeather. Their tenous, mutually frustrating, and abrassive relationship is one of those dynamics that just gets me to spill out words on the page whenever I'm writing them interacting.

I'm honestly really disappointed that so much of the fanon seems to focus on giving them a more smooth relationship that's almost pseudoparental and kind of Leafpool wish fulfillment. Which is really at odds with how I see them in canon, where at best they are cordial co-workers, and even then only after the mess in OotS is sorted out.

I get the urge of wanting to dote on Leafie, I also get it from time to time, but I feel that it really leaves on the table a very interesting canonical facet of both these characters. (Also let's be real, it honestly stinks of people sanding off all the flaws off their faves given one of the main ways Leafpool let out her frustrations was in making ableist remarks. It is perfectly reasonable that given the society of WC she'd have those attitudes, people. It's fine to let her have that as flaw.)

Jayfeather

The blorbo of all time! ❤

I don't know if I've told the story in this blog before but I actually came into the series primed to like him, if only for familiarity bias. For the longest time I knew Warriors as those books that every furry my age seemed to have read and which I saw discourse about ocassionally in my dashboard. His name came up a lot and was seared into my mind so of course when I really got into the thick of reading it I was curious to see what the fuzz was about.

But I do love him for his own characteristics. For one, I'm a sucker for the asshole with a chip on their shoulder character type. I also really like his and his siblings' megalomania and overall bratiness over Po3 (and I really wish they had gotten worse tbh). He also resonates with quite a few themes of my raised Catholic brand of religious trauma. And the way his character arc was fumbled by the writing is a stimulating challenge to go "I can do better!" and then try to do better with.

But overall, it's really just that I have a great time whenever I'm reading/writing about, analyzing, reinterpreting, or doing research to write him. At the end of the day he's just fun to engage with.

[fancyfade]

Ah thank you for answering my questions actually I am the same anon of a blended family that pointed out the reason why Damian consider Bruce “only” son because a lot of people at dc views the batkids as Bruce’s students or soldiers. Iirc there was a deleted thread of a editor that confirms that.

Not saying there isn’t official lore of the robins acknowledged each other as brothers. Isn’t just me or is their dynamics mainly just

1. The boring Batfamily events Dc love to do. Seriously anyone excited for them anymore

2. Or around Bruce

Not to say they deep bonds, is it just me off dc often make the Batfamily…idk extremely antagonistic to each other to the point their characters are better fleshed out away from the family vs together?

Maybe because how Bruce is written recently but man it’s rough.

I definitely do think that writers flip flop a lot on how they consider Bruce's kids, or they want to treat them as mostly soldiers for the angsty Bruce thing and to explain why they don't have to show Bruce being a dad on panel. Or more of different writers have different opinions, rather than flip-flopping.

WRT bonds... I think that they have some that are well-developed on page, and some that are just not. Most of the characters' dynamic with Bruce has gotten panel time, though inconsistently, so we know pretty much what it should be. We also have seen Dick with Tim and Dick with Damian. There are characters who are not antagonistic, but just don't have a ton of panel time devoted to them (Dick and Cass pre-the dark cass era). And Damian and Tim are no longer antagonistic to each other for the most part but also just. don't have any panel time showing them actually becoming close.

rather than being antagonistic to each other being the reason main batfam events are boring, I think it's b/c they honestly all fill pretty similar niches.

like think about No Man's Land. That was a pretty big batfam event, but we almost never have all of them on panel at once. When we see them in big groups, its often just when in Oracle's clock tower between missions, like saying hi to Cass when she just became Batgirl.

But like. We see Dick go off and do a mission alone in the jail. Some Babs and Dick defending base stuff. Dick and Tim work together in the tunnels for ratcatcher. Cass and Tim when Tim has to be evacuated out of Gotham. Cass and Jean Paul infiltrating that one manipulative guy's camp. In general the missions are pretty small in terms of actually number of people actively on them.

Ok so going back to:

trying to have every single batfam member in a mission just makes them boringer. You have "so and so is the smart one" "so and so is the angry one" "so and so is the nice one" etc... but like. They're all smart. They can all be angry. They can all be nice. they all fill the niche of "generally competent fighter with stealth skills and usually above-average computer and detective skills". IDK its like having a party of 6 rogues.

So in general what you have is you have to diminish characters in one way to make the other stand out more. Like Gates of Gotham, which has stuff I really do like, also had stuff I really don't like like Tim being the only one having ideas. Because Tim had to be "the smart one". And this isn't unique to Batfam! It happens in many team stuff. 1960s Teen Titans diminished everyone's brains to make Dick stand out more, JLA does the same for Bruce. Writing complex dynamics is hard so it's easy to just find 1 or 2 character traits and exaggerate those.

I think that's why Batfam members are better fleshed out in their solo titles - they get to be full characters. I think they may also get to be better fleshed out in team comics, but normally because they get the narrative focus instead of other characters and are treated as the "batman" of the team. Like I love NTT, but Dick is clearly Marv's writer's pet and he gets so much narrative focus.

... I am not sure if I actually answered your question, but those are my thoughts in general.

[ruthlesslistener]

💓shipping aka for hk?

Ship that you didn’t expect to ship but now do: 💓

-OKAY THIS IS A BIZZARE ONE BUT. QUEERPLATONIC HOLLOWQUIRREL. THAT CAME ABOUT FROM A GODDAMN CONVO TRYING TO FIND THE CRACKIEST CRACKSHIP IN HOLLOW KNIGHT AND IT ENDED UP??? WORKING??? 

See my interpretation of Quirrel is that he’s actually pretty young agewise- maybe only like, 25 at the time of the binding of the seals- and what Monomon’s mask did was try to place him in a sort of stasis bubble where time slowed nearly to a standstill (the reason why he complains of his age after it’s all done is because no one should technically live that long anyways so mentally he’s like 200 but still stuck in a pretty young body.) That, paired with the normal time fuckery in Hallownest and godly growth being weird to begin with, meant that he and Hollow were of similar ages when Monomon was meeting up with PK to discuss the seals, and Quirrel (being already deemed the next head archivist) was allowed to practice teaching lessons on magic theory to Hollow, as they were considered pure by then, and some practice speeches thrown at them was hardly going to harm them, right? Well, it ended up with them striking up a relationship that was essentially like Quirrel adopting a roomba, and only realizing literal centuries later that the roomba was sentient the whole time and actually extremely fond of him after running into it half-broken in the shadows of  Dirtmouth.

 Fun times! And still an extremely niche crackship

Send me ship asks while I despair over my homework 

[sinsbymanka]

Writing Tag Game

Okay listen I’m on vacation XD hence why I’m ignoring everyone’s tags/taking forever to respond. But I’ve been tagged in this A LOT and I really liked it/wanted to do it so thank you to everyone who tagged me (oh my god I’m so sorry if I missed one of you there were SO MANY): @noire-pandora, @in-arlathan, @thevikingwoman, @morganlefaye79, @elveny, @kunstpause, @pikapeppa

I’m not tagging anyone because I’m tagging everyone since I’m too lazy to find my tag list (I’m on VACATION). If you’ve not gotten tagged and wanted to do this, say I tagged you. 

How many works do you have on Ao3?

147 - I have 145 linked to my profile and two in the anonymous collection. 

What's your total Ao3 wordcount?

1,468,248. Almost 1.5 million!! 

What are your top 5 fics by kudos?

Of Miracles and Heroes (FenHawke, Cadash/Varric, Varania/Blackwall): 269

Interspecies Relationships Have Their Ups and Downs (Shakarian): 145

Don’t Make it Hawkeward (Varric/Hawke): 135

The Ambassador’s Vices (Josephine/Adaar): 111

The Girl with the Arrow Tattoo (Cadash/Varric): 101

Do you respond to comments? Why or why not?

I do (but - to be honest - it takes me FOREVER). I love comments. It’s so much easier to not leave comments than leave comments, so every time someone leaves one I’m blown away. I feel like - for leaving me a comment - you’re definitely owed an answer! I do apologize that it takes me awhile though - I am very bad at answering because they mean a lot to me and I get easily overwhelmed by the AO3 inbox I don’t know why. Blame anxiety. 

What's the fic you've written with the angstiest ending?

I’ll be honest, I don’t like angsty endings so I don’t have many of them. By far the angstiest ending I have is Flowers, Lies, and Forgiveness. This is a Bianca Davri/Varric Tethras fic set during the final act of DA2. I wrote it from Bianca’s POV - showing Varric unraveling under the pressure of Kirkwall and Bianca’s complicated feelings about infidelity to her husband who clearly cares about her as well. I wrote it for @hollyand-writes who always lets me lean into the tragic “fucked upness” of the pairing when I’m feeling like making Varric suffer.  

What's the fic you've written with the happiest ending

I prefer happy endings so almost EVERYTHING has a happy ending. My favorite endings, so far, are for Cheating the Dread Wolf, which is my Varric/Cadash/Solas polycule (or as I like to refer to it - Solas has a dwarf kink) and The Viscount’s Mistress which is my Hurt/Comfort Cadash/Varric Trespasser bullshit. 

Do you write crossovers? If so, what is the craziest one you've written?

I have not written crossovers - but I am very into AUs in another setting that belongs to a different fictional universe. Most recently I got back into my Downton Abbey bullshit and wrote Flappers for Fen’harel which is basically a Downton Abbey AU Solas/Cadash and I’m not taking comments about the outrageousness of it. 

Have you ever received hate on a fic?

Yep. Honestly though? Over the two years I’ve been active in Fandom, the shitty comments can be counted on one hand and usually came from the same people over and over again, who are easily blocked, and should stop seeking out clearly labeled content they don’t like. Me and my work are not for everyone - that’s REALLY okay. I’ve blocked people for no other reason than making things I don’t like - that doesn’t mean they’re bad people. 

Do you write smut? If so, what kind?

GOD DO I.

I am extremely sex and kink positive. Because of this - a lot of my work involves sex in some way or another. I think sex is a beautiful part of many (although not all) relationships, and that it’s frequently glossed over in mainstream media (particularly queer, kinky, and polyam sex). 

This ranges from sort of vanilla slow burns (My Cole/Bea fic, Compassion for an Assassin, has smut which hasn’t been posted yet. It’s Cole’s first time and is fairly vanilla and romantic, and occurs approximately 40k into the fic) to some pretty dubious consent near 24/7 dom/sub dynamics with BDSM kinks (I’ve written JUST as much of the Sereda/Gorim problematic smut as @jarakrisafis has in our series Forced Moves). 

There’s very few kinks I’m not willing to touch at least to try out - even if I end up not liking them. And the ones that aren’t for me are 100% allowed to exist and I will fight for them to the bloody end. My only recommendation is CLEARLY labeling your shit and not being afraid to add a tag if someone asks you to. 

Have you ever had a fic stolen?

Not that I’m aware of? I’ve seen ideas I’ve tried on picked up by other people - but I don’t consider that stealing and it’s hard to trace “who has been inspired by who” because we ALL have been inspired by thousands of other people and frankly more stuff for me when I pull you over to my weird AUs and rarepairs. 

I also think that’s a huge part of not getting stolen - I’ve got so much weird niche shit that only a couple people read that stealing from me is going to most likely be caught IMMEDIATELY the audience is so small. 

Have you ever had a fic translated?

I don’t believe so!

Have you ever co-written a fic before?

Yes! I’ve got some co-written secret smut with @blarfkey which almost nobody has seen, I’ve borrowed @tightassets Hawke, Lavellan, and Shepard for fics that she has illustrated, borrowed @tuffypelly‘s Adaars for some great fics, and my most ambitious project - the Forced Moves series with @jarakrisafis. It started out as us just exchanging gifts back and forth but we’ve wrangled it into Gambits and Countergambits, an Aeducan-origin prequel, that I’m VERY proud of. 

I love co-writing very much, but it’s very important to find the right partner and for it to be someone you trust completely. 

What's your all time favourite ship?

This is a stupidly hard question because I am, at heart, a multi-shipper. 

I love Varric/Hawke and Varric/Cadash. I’m also a sucker for Solas/Cadash. My fandom pool noodle is Varric/Cadash/Solas which I adore, and I’m very fond of Cole/Cadash. 

Most recently I’ve been DEEP in Aeducan/Gorim Saelac, Bhelen/Rica/Vartag, and Aeducan/Brosca feels. Dwarf origins are the best origins in my opinion and those characters are PERFECT. 

What's a WIP you want to finish but don't think you ever will?

I fully plan on finishing everything. My writing style changed a lot, for the better, in a short period of time. I need to integrate my old style/new style and had to get a pep talk about how to do that. Now I’m ready to try as soon as I finish Compassion for an Assassin. 

What are your writing strengths? 

I write very sexy, hot smut. I also really like playing with character voice and making sure I get them “right” so I do a lot of experimenting before publishing a new character for the first time. 

I struggle to write action scenes - it’s like pulling fucking teeth - but people really LOVE my action scenes and they read well. So that’s something I’m proud of even if it feels like doing fucking pull ups. 

What are your writing weaknesses?

I never learned anything. My experiences with English and writing teachers were overwhelmingly negative. I’m unsure if I’m just not cut out for classes or if they were that bad, but I always left feeling like there was one “right” way to do it, and everything I liked was “bad”, so what was the point of “learning” anything? 

It turns out there’s this very pompous, pretentious thought process in writing where people “assume” things must be done, but GOOD writing teachers teach you the rules and then how to break them. I either never had a good writing teacher or got too intimidated to give them a chance before bouncing. 

So I’m exceedingly self-taught. I lack the vocabulary to discuss plot structure, characterization, grammar, etc. I instinctively know most of these things based on trial and error and reading, but I didn’t learn them and I miss a lot of nuance in the rules, but until recently I was still too intimidated and unsure of myself to admit that or take it seriously. 

So - my defense mechanism is NOT taking ANYTHING seriously. If my writing is a joke to me, it’s gotta be a joke to everyone else, but that’s been a shield to hide behind instead of being thoughtful about things. I’m here to have fun, yes, but there’s nothing wrong with learning a technique to the art. 

I’ve learned - mostly thanks to @blarfkey who is an amazing person and a wonderful teacher - that I am a good writer based on my self-teaching. And being intimidated of people who throw around impressive sounding words is a weakness that I am working on. 

What are your thoughts on writing dialogue in other languages in a fic? 

Use sparingly and with good reason. It should be short and explained later or clear from context. 

What was the first fandom you wrote for?

Harry Potter on message boards back in the fucking day. Thankfully none of it exists anywhere anymore. 

What's your favourite fic you've written?

This is such a sappy answer and I’m so sorry. My favorite things have been written for and because of people I love and care about. When I read them, I’m not just reading the story, but remembering the relationships I’ve made and how important they are. 

So, my top three fics for THAT reason: 

1. Cheating the Dread Wolf - written for @blarfkey who inspired the idea and ruthlessly encouraged me to make it happen. This fic was so healing for me because it heavily features Fatherhood within it - and I lost my father in June 2020. I don’t know if I’d have been able to do it without her and it was so important for me to do. 

2. Gambits and Countergambits - written with @jarakrisafis and the culmination of a years worth of gifting shit back and forth and crafting a shared universe. The worldbuilding, smut, relationships, EVERYTHING about this fic is so deeply and passionately cared about by both of us and to our knowledge it is completely, totally unique.  

3. Relentless, Ridiculous, and Rakish - one of my only primarily gen-fics focusing on a forming brother/sister relationship between Maria Cadash and @tuffypelly‘s Otsar Adaar. I very much enjoyed writing it for her <3 

And then my overall favorite fic: 

The Viscount’s Mistress: I have a lot of opinions about how fanfiction treats the anchor’s meltdown and the aftermath. It’s one of the things in DAI that resonated with me SO much as someone who lives with chronic pain and a disability. I loved the fact my OC was in the same shoes and STILL saving the world. This is very much a fic that explores all the dark sides of trauma, pain, and the mental health effects of it. But it ends on a happy and hopeful note.  

[the-desolated-quill]

Doctor Strange - Marvel Cinematic Universe blog (as requested by 1000+ followers)

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this movie yet, you may want to before reading this review)

Before I start, I just want to say thank you again to all one thousand of my followers (still can’t believe it. That number just doesn’t seem real. LOL). And, as promised, here’s my review of Doctor Strange. I chose to review this movie to mark getting one thousand followers because people have been wanting me to do this review for a long time now (nearly three years in fact) and also because it was this movie, or rather my harsh criticism of this movie, that arguably cemented my reputation on this site. So here we go. Hope you feel it was worth the wait. Enjoy :)

2016. A year of ups and downs to be sure. While it will forever be infamous for the Brexit referendum result, Trump’s victory in the presidential elections and many much beloved celebrity icons dropping dead like fruit flies, it was also the year where two of my all time favourite comic book characters would finally make the jump to the big screen. The first was Deadpool. The second was Doctor Strange. Two characters I thought would never get movie adaptations on account of them both being somewhat niche products. Deadpool was a violent, anarchic parody of antiheroes like Wolverine and the Punisher, while Doctor Strange was a psychedelic fantasy story focused on existentialism and Zen philosophy as well as having its themes and influences deep rooted in various Asian cultures and mythologies. Not exactly mainstream. And yet, against all the odds, both movies found great success at the box office. The difference being Deadpool managed to stay true to the tone and themes of the source material, whereas Doctor Strange... oh dear.

Now my long term followers will be very much aware of my stance on this movie. At the time I refused to watch it due to the casting of Tilda Swinton as the Ancient One, viewing it as not only racist erasure, but also demonstrating a severe lack of understanding on the filmmaker’s part. East Asia isn’t just used as window dressing. It’s vitally important to the story as a whole, so discarding it would be incredibly moronic as well as deeply offensive. Now I’m not going to go into all the reasons why the whitewashing of the Ancient One is racist and why all the excuses Marvel gave at the time was bullshit as I’ve already explained these reasons ad nauseum various times before. If you’re curious, read Doctor Yellowface And The Bullshit Machine, where I explain it all in excruciating detail. Here I’m just going to say that this movie is racist. That’s not my opinion. It’s demonstrably, objectively, scientifically, factually and literally true. If you think otherwise, you’re an idiot. Period. Full stop. End of discussion. Do not pass Go. Do not collect £200. With this in mind, when I sat down to watch this for the first time, I expected to be angered and outraged by it throughout. But I wasn’t. Don’t get me wrong, it’s a bad movie and a bad adaptation of Doctor Strange, but honestly the most remarkable thing about this movie is how unremarkable it is. Which is a problem in more ways than one, but now we’re getting ahead of ourselves.

Lets start with the things I liked. Don’t worry. This won’t take long. There really isn’t that much to like about this film frankly. Even the bits I like have massive caveats to them.

My first shiny gold star has to go to Benedict Wong as Wong. Now as much as I love the comics, I’ll be the first to admit it has massive problems when it comes to how it presents Asian characters. So I’m pleased to report that Wong is the only aspect of the film that’s actually better than the source material. Whereas comic book Wong was Doctor Strange’s manservant, movie Wong plays more of a mentor role in Strange’s story. He’s the librarian of Kamar-Taj, guarding the sacred tomes, and is actually at a higher rank than Strange, which I love. It’s a good shift that refreshes the dynamic between them, and Benedict Wong’s deadpan delivery is exceptional. I just wish we could have spent more time with Wong and Strange. Maybe see Wong actually teach him something.

The second praiseworthy element of the film is the visual effects. This film was nominated for an Academy Award and... yeah, can’t argue with that. The CGI is fairly good for the most part. My favourite part of the whole film was when the Ancient One shows Strange the multiverse for the first time. The visual effects team clearly had a lot of fun coming up with weird and wonderful worlds that we only get a short tantalising glimpse of. (the dimension of hands gave me the shivers). This sequence came the closest to realising Steve Ditko’s vision in my opinion. Beyond that all we see for the rest of the movie is the poxy mirror dimension, which admittedly is cool at first, but quickly becomes dull and repetitive each time its trotted out. There’s even an entire fight sequence between Strange, Mordo and Kaecilius in a distorted version of New York, which would have been impressive if Christopher Nolan hadn’t done it first in Inception. And the less said about the technicolor monstrosity that was the Dark Dimension, the better.

Finally there’s Benedict Cumberbatch as Strange himself. I know some people were disappointed that Marvel didn’t racebend the character and I would have preferred that to, but if we must have a white guy in the role, I’m glad it’s Cumberbatch. He does a decent job in the role and there are moments where Strange almost leaps from the page and onto the screen.

Almost.

Because that’s the problem. Cumberbatch does the best he can, but he’s ultimately let down by the script. This film has a lot of issues, but by far the biggest is the title character. He may be called Doctor Strange, but he’s really Doctor Strange in name only. I was a massive fan of the comics growing up and I’m telling you this guy isn’t Doctor Strange. At least not the Doctor Strange I remember. And the weird thing is this seems almost by design. In order to show him to a mainstream audience, Marvel seem to have felt the need to completely sanitise the character, removing everything about him that made him unique and interesting in order to fit the expectations of the lowest common denominator.

Let me explain.

People often compare Strange unfavourably to Iron Man, and I can understand why to a certain extent. Both represent the epitome of white privilege and materialist obsession and their origin stories focus very heavily on criticising and deconstructing these inherently selfish and unlikable characters. Iron Man is about forcing a capitalist industrialist to take responsibility for the consequences of his actions, whereas Doctor Strange is about forcing an egocentric man to care about the wider world outside of his own bubble of privilege. Both may sound similar, but there’s a key difference between the two. Iron Man’s origin revolves around responsibility whereas Doctor Strange’s origin revolves around relativity. This needs to be understood if you’re going to attempt to adapt Strange and director Scott Derrickson doesn’t seem to understand that at all.

The fatal mistake Derrickson makes with this movie is that he’s trying to make Strange like Iron Man without fully understanding what made the first Iron Man movie good and what sets Strange apart. He’s clearly hit upon the arrogant, egocentric thing, but the problem is people exhibit arrogance and egocentricity in different ways. The comics understood this. Iron Man’s arrogance takes the form of this charismatic, devil may care kind of attitude, whereas Strange’s arrogance was more along the lines of an Ebenezer Scrooge type figure. Someone who’s cold and uncaring. Someone like...

Yeah! Someone like Dr Gregory House from the TV series House M.D.

See, if Iron Man is like Elon Musk, Doctor Strange is like House. Both are arrogant, but in different ways. So to see movie Strange acting all smug and making quips and one liners just didn’t feel right. Which is not to say Strange can’t be funny. The comics had their humorous moments, but it’s not the same kind of humour as Iron Man. Strange should be more cutting. More snarky. He needs to have more of a bite to him. Instead we get the poor man’s version of Robert Downey Jr.

But wait, because it’s actually worse than that. It’s not just Strange’s personality that’s different. Our perception of him is different too. The first Iron Man movie was extremely clear in how we should view Tony Stark. The gambling, the drinking, his lack of responsibility and the way he takes his friends and co-workers for granted. We’re clearly not supposed to like him. That’s why his character arc works. We’re seeing this selfish individual realise how selfish he is and try to make amends. Strange should be similar. He’s a callous arsehole who won’t lift a finger to help someone if the case isn’t interesting enough, seeing it as beneath him. So when the car accident occurs, him getting nerve damage in his hands feels less like a tragedy and more like karma. The universe punishing Strange for his selfish behaviour and forcing him to change. In the movie however, he doesn’t seem like that at all. In fact kind of the opposite. He doesn’t object to helping his ex girlfriend get a bullet out of a patient’s head and he seems to get on well with most of his colleagues, including his ex. Sure he’s a bit of a dick, but he still seems nice enough. The only time we see his Scroogeness come out is after the accident, at which point it’s hard to hate him even after he berates his ex because he’s a decent guy who’s understandably frustrated, which absolutely should not be the case. Strange is a bastard who cares for no one but himself. We’re not supposed to like him. But Marvel and Disney are so preoccupied about getting bums on seats that they’ve actually managed to strip away all the elements that make Strange Strange.

And then there’s the origin story itself, which the film gets completely wrong. Sure the basic elements are still there. Strange, in a last ditch effort to save his hands, travels East to see the Ancient One (except the Ancient One is now in Nepal instead of Tibet because of the Chinese market, but apparently they still can’t cast an Asian person as the Ancient One even though the film no longer has anything to do with Tibet and therefore there should be no issue. Marvel are racist dicks. Case closed), but beyond that everything is changed. In the comics, the Ancient One refuses to heal Strange’s hands because he’s a selfish arsehole who deserves no pity or help from anyone, but then when Baron Mordo tries to assassinate the Ancient One, Strange does the first selfless thing he’s ever done in his miserable life and tries to warn the Ancient One despite having his mouth magically sealed shut by Mordo. Then it’s later revealed that his mouth wasn’t sealed shut at all, and that the Ancient One knew all along Mordo was planning to assassinate him and was merely testing Strange, at which point he invites the good doctor to practice magic in order to stop Mordo in the future. In the movie however, Strange gets kicked out by the Ancient One only to then promptly get let back in after banging on their front door for several hours and gets taught all these spells despite showing no sign of selflessness or willingness to change whatsoever. Oh yeah, and Strange and Mordo are now total besties.

Do you see what I mean about this being a bad adaptation? There’s no longer any conflict. No character arcs. No one learns anything. Everything is just hunky dory and Strange is just magically a good person now. This is truly shit writing.

Everything about this movie seems to have been designed to be as bland and uncomplicated as possible. All the Asian influences and philosophies have been surgically removed to make way for a generic, knock-off Hogwarts for Dummies. The interesting plots and themes have been replaced with a by-the-numbers save the world plot. Even the lore has been simplified to an almost insulting degree. Take the Eye of Agamotto for instance. A powerful magical artefact created by and named after the most powerful sorcerer that ever lived.... reduced to a fucking Infinity Stone.

Oh and the Cloak of Levitation now has a mind and personality of its own because why the fuck not? Who wants to watch something intelligent or philosophical? Lets just make a shitty cross between Harry Potter and Mr. Bean.

And then... there’s the white saviour stuff.

Now I confess I haven’t read the comics for quite some time, so correct me if I’m wrong, but I’m pretty sure Strange didn’t have a photographic memory. Yet in the movie, that’s the convenient explanation we’re given for why Strange is somehow able to learn complex spells in a matter of days. Spells that are apparently meant to take years to learn, like astral projection and time manipulation. Now the comics had this problem too, what with proclaiming that Strange is not only the Sorcerer Supreme, but the most powerful Sorcerer Supreme that’s ever lived, as though his white skin were like the star power-up from Super Mario Bros, but the movie seems to go out of its way to double down on this bollocks. Oh sure, we see him struggle to create magic portals every now and then, but it doesn’t hide the fact that he’s somehow able to create mirror worlds and time loops despite having little to no training whatsoever. He’s like Rey from Star Wars. He can just pull any random super power out of his arse when the script requires him too.

So having completely botched Strange’s characterisation and journey, how are the rest of the supporting cast? Well like I said, I like this new Wong, even though he’s criminally underused. As for the other characters, it’s a pretty forgettable bunch.

Lets start with the elephant in the room. Tilda Swinton. Having heard all the excuses under the sun as to why Marvel and Disney simply had to cast a bald white woman wearing a bathrobe in an Asian role, I was expecting something pretty spectacular from Swinton, especially after all the praise critics gave her. Instead we get... well... a pretty dull character actually. In fact I’d go as far to say that this is the blandest and most uninspired performance I think I’ve ever seen Swinton give. There’s just nothing there. Now admittedly the Ancient One wasn’t all that complex or well developed in the comics neither, being little more than a racial caricature, but I thought the whole reason they whitewashed the character was to make him/her ‘enigmatic and ethereal.’ Instead we just get the same generic mentor figure we’ve seen dozens of times before. All the stuff about her tapping into the powers of Dormammu to increase her lifespan could have made her more interesting, but the film never fully capitalises on this revelation before she kicks the bucket.

Baron Mordo is pretty much just dead weight, with the great Chiwetel Ejiofor utterly wasted in the role. He’s essentially reduced to being yet another black sidekick for the white lead. Again, the comic book version isn’t all that great neither, but the movie replaces this camp pantomime villain with absolutely bugger all. We don’t get to see any real conflict between him and Strange until the very end and even then it doesn’t really make sense. Mordo is a stickler for rules and so gets pissy with Strange when he breaks the rules in order to save the world, to which I can only ask... what else could he have done? I didn’t see you come up with any bright ideas Mordo, you fucking moron.

Rachel McAdams... exists.

Seriously, why is she in this movie? Why does Doctor Strange need a love interest? Why not just wait and introduce Clea? I could get behind using an ex girlfriend to display how selfish and narcissistic Strange is (a bit cliche I admit, but this is an MCU film we’re talking about. I’m not exactly expecting Citizen Kane here), but as I said before, the two seem to get on quite well. And other than stitching up a stab wound, Christine Palmer pretty much does nothing throughout the majority of the film. So what is she even doing there?

Also it appears the film’s racism doesn’t just extend to Asian people because it turns out Christine Palmer is actually Night Nurse in the comics. The same mantle Claire Temple has, who appears in Marvel’s Netflix shows. Not only does this come off as quite alarmingly racist, it’s also just plain weird. For all their boasts about wanting to create a shared universe, Marvel seems to spend every opportunity it can find to keep the Netflix stuff at arms’ length, to the point where you question why they’re even in the same continuity in the first place. If Strange must have some human connection, why couldn’t it have been Claire Temple? For one thing, Claire’s character is much more interesting than Christine’s (and Rosario Dawson is a much better actor than McAdams. Sorry, but it’s true), and it would be a great opportunity to bridge the gap between the movies and Netflix shows without having to bog the narrative down with exposition. But as I’ve said numerous times in the past, Marvel are more interested in creating a BIG shared universe than a coherent one.

Finally there’s the villains. Nearly always the worst aspect of any MCU film and Strange is no different. We have Kaecilius, played by Hannibal’s Mads Mikkelsen whose performance is more wooden than Pinocchio, and Dormammu, played by Benedict Cumberbatch who seems to be competing with Andy Serkis as to who can play the most CGI/motion capture characters. Both, unsurprisingly, are shite. Kaecilius wants to save the world from death by allowing Dormammu to destroy it.

I don’t get it either.

So you’re probably wondering who was Kaecilius in the comics. I mean I’ve explained everything else, haven’t I? And honestly, I haven’t the faintest idea. Turns out he was a henchman of Baron Mordo who I completely forgot about because he barely ever shows up in the comics. So... they turned Baron Mordo into the black sidekick so that the villain could be played by a white guy. Oh. And guess what race Kaecilius is in the comics.

YYYYYep. He’s Asian. I guess all the Asian actors were sick that day, so they had to cast a white guy.

Oh and you’ll never guess what his backstory is. You’re right! He has none! Other than references to some tragedy, we know absolutely fuck all about him. Critics actually liked this movie?!?!

Oh and don’t get me started on the humour.

Kaecilius: “Mr...?”

Strange: “Doctor.”

Kaecilius: “Mr. Doctor?”

Strange: “No, it’s Strange.”

Kaecilius: “I guess so. Who am I to judge?”

Dear God, someone was paid to write that.

Then there’s the Big Bad Dormammu from the Dark Dimension. (Yes, the same Dark Dimension from Agent Carter and nope, that’s never referenced. In fact this doesn’t even look like the same Dark Dimension as the one from Agent Carter. Although, to be fair, I’d want to forget Season 2 happened as well considering how fucking terrible it was, but come on guys!). In the comics Dormammu is a mystical entity that has a quote ‘unnatural obsession with our material universe’. Could be interesting to explore. Oh but I forget, this is an MCU film. They don’t want interesting. They want safe. So instead we get a purple, floating CGI head and the generic destroyer of worlds archetype. (In fact Dormammu weirdly has more in common with Galactus than the actual Dormammu. Sometimes I wonder if anyone at Marvel Studios have ever even so much as glanced at one of their own comics before).

In conclusion, is this the worst film I’ve ever seen? Admittedly no. It’s not that bad. If you switch your brain off, I can imagine someone having a good time with this film. But you see that’s the problem. You shouldn’t have to switch your brain off to enjoy Doctor Strange. If anything the opposite is true. The comics, despite their faults, were intelligent, surreal and thought provoking, asking questions about our universe and our place within it. Steve Ditko (and only Steve Ditko. The late Stan Lee may have put pen to paper, but it was ultimately Ditko’s ideas and vision, which makes the gratuitous Stan Lee cameo in this film particularly galling to me) created something truly captivating in Doctor Strange. Despite the racial caricatures and white saviour tropes, I still love these comics because of how it explores the world and our relation to that world. How we are just small cogs in a massive and intricate machine. It’s truly groundbreaking and would influence many other comics to come. The Doctor Strange movie doesn’t even begin to do that. It won’t influence anyone. It won’t make anyone think or question their role in the cosmos. In fact, three years later, despite being a huge box office success, it’s largely been forgotten. And that’s a crying shame because Strange deserves so much more.

Doctor Strange may not be the worst comic book movie ever made, but it’s a terrible adaptation of the source material. Anything that made it unique or interesting was carefully removed with surgical precision under the guise of making it more progressive, when in reality they just wanted to make it profitable. But profitable doesn’t mean good, and Doctor Strange doesn’t even come close to being a good movie. I would love to have seen what a director like David Lynch or Ang Lee would have done with this psychedelic material. This movie could and should have been the most intelligent and surreal comic book movie that’s ever been made. A perfect opportunity to allow a visionary filmmaker to go wild and express themselves artistically. Instead it’s just another MCU movie. It’s such a shame.

And people wonder why I’m worried about Deadpool joining the MCU.

[udemy-gift-coupon-blog]

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