#honestly I don't think I like my character. like. on a personal level. he's doing all the things I like but for reasons I hate. | Explore Tumblr posts and blogs

avelera · 1 month ago

Note

I’m curious, how much control do you think Viktor was in in season 2?

I have tried to analyze this but am honestly stumped. Because on one hand it is clearly his intentions and logic being used. Since the beginning he has been wanting to heal people afflicted in Zaun (while it was also to cure his illness I don’t doubt wanting to help those in need was a legitimate motivation). He does immediately go to heal people in Zaun and all the conclusions he jumps to through the season do seem perfectly reasonable for him. He was the type of person who didn’t even conceptualize in season one that something like the hexclaw could be used as a weapon. That and the hexcore showing that he was a pacifist to the point of it being a massive blind spot to danger. So it makes sense being shot by Jayce of all people while in his eyes he was healing people would cause him to go all glorious evolution mode as a natural progression of his arc.

On the other hand he definitely didn’t come back right. The show makes a point to show in season one that the hexcore has some level of physical control over him, and even when going to heal the shimmer addicts he is following Sky’s voice. The writers also confirmed that it indeed was not Sky and was the hexcore manifesting his guilt to push him towards to glorious evolution. And his emotions definitely seem to be muffled and unexpressive. I know this part is joked about a lot but honestly even the fact that he chokes Jayce is surprising because he is consistently characterized as a pacifist to the point of it being a fatal flaw. He doesn’t even commit an act of violence in a show filled with fight scenes until the second to last episode, let alone against Jayce of all people. I think the last thing season one Viktor would do is intentionally cause physical harm to someone, hence why it is only at the part where he is the farthest gone.

Basically if I had to guess I’d say it’s like 50/50 level of control, but you have written some great character analysis so I’m curious what your thoughts are as to how much of season two was Viktor and how much was the Hexcore

Honestly, Anon, I'm wrestling with this on almost a daily basis myself when I write fics. It's definitely not helped by the fact they avoided a lot of exposition in S2 in favor of pacing (the slower pace of S1 allowed for a lot more signposting and exposition of what was going on, I think somewhat to the detriment of S2) and the fact that we don't really get much of Viktor after he stops being the Machine Herald, because to my eyes that's the first time we see the real Viktor all season and it would be nice to get him to express some contrast with what came before (though of course it would ruin the pacing of a perfect moment).

I think you basically nailed all of the points of confusion. I've ever considered tracking all the points where his voice warps for clues, because I think there is something to be gleaned from how and when his voice distorts, but in what direction is also a curious question.

Was saying "affection" kept them together more or less than what Viktor would have said to Jayce? Would he on his own have said love? Or would he, in his infinite shyness, have not dared to mention emotion at all, because Viktor is an expert at pushing those closest to him away and hiding his own emotions? Was that the Hexcore trying to drag Jayce in closer by calling it affection, or push him away before it could gain strength by lowering Viktor saying "love" down to just saying "affection"?

On the other hand, during the Herald's villain monologue at the end in the Astral Plane, his voice is distorted for almost every line except, "This senseless waste," which does feel like a sincere Viktor line, perhaps the only one that is truly him that whole time, including when he said he was pleased to see Jayce, in that horrible mocking tone. Could that not be the Hexcore speaking there?

I'll offer what I think is happening:

In order to chart "What is Hexcore" vs. "What is Viktor" it's less useful to look at Viktor's motives than the Hexcore's.

The Hexore wanted to expand its influence. It wanted to become powerful enough to have its own army and to destroy the civilization around it as other versions of the Hexcore have done throughout history. I believe it reached those goals by posing them as things Viktor, on his own, would want to do like help the needy, thus hiding its ends inside of Viktor's motives.

Note too that people who have dosed up on Shimmer are more susceptible to its molding.

Hence we can assume that the Hexcore, in the guise of Sky, using Viktor's guilt about her and his own failures to help the undercity, guided Viktor down to the Shimmer victim encampment specifically.

Viktor is not a mystic. The most mystical thing he says in S1 is that the Arcane speaks through mages. But the Hexcore is a magical artifact. Something like the Hexcore also destroyed a civilization centuries ago, and the figure in Heimerdinger's memory looks like Viktor when he's cloaked.

So personally, I think we can ascribe any mysticism to the Hexcore's influence too. That means the Cult, for example. Also Viktor's, "You need not suffer anymore," and kind of making them all genuflect to him, feels very OOC and just plain wrong for Viktor.

Whereas Viktor in the Astral Plane feels like real Viktor. Even the fact that when we show his point of view out into the world he is himself in a field of stars, seeing the real world projected in front of him like Plato's Allegory of the Cave gives the impression of imprisonment, like he's looking out through the windows of his own eyes to a shrouded world he can no longer directly touch.

And note, for example, that Sky/the Hexcore doesn't want Viktor to heal Vander. That's all Viktor. I believe the reason is because it doesn't want to run out of energy too quickly.

Basically, I think the Hexcore is stringing Viktor along there as Sky, giving him a little terrarium of stars to play in, while using him as a vessel of assimilation under the guise of healing. These are on both sides, inner and outer, things that Viktor wants to do, so he's seduced. He doesn't fight it.

I also think at a certain point, the Hexcore Viktor gains enough power to be able to impact people who aren't dosed with Shimmer. I think this comes later though, which is why it's not interested in Jayce at first but it is interested in assimilating him later. At that point, again, those motives align with Viktor's own sincere desire to see Jayce again (maybe he's sick of all the hippies in the commune lol) and the Hexcore is happy to get rid of someone who could conceivably stop it.

But note, the Hexcore is still playing along with Viktor. It could forcibly assimilate Jayce, but Viktor wants Jayce to choose his side willingly, so it holds back. In part too because that disappointment is what fuels Viktor to give himself over the Hexcore's goals entirely and ask for Singed's treatment with Apex Shimmer. At that point, as the showrunner noted, it doesn't need the guise of Sky anymore, it doesn't need to string Viktor along anymore. He's bought into the idea of forcibly assimilating the world if he can't get Jayce to join willingly.

I also heard an interesting theory that I'd like to factor in: basically, until he gains access to the Anomaly, Viktor doesn't have the power to strip himself of the Hexcore's influence or overcome it. That's why there's no point in Jayce trying to get through to him sooner, it wouldn't do anything because Viktor would still be trapped in its web.

Once they have the Anomaly, Viktor as an ascended being can strip away the Hexcore's influence. And that's why I lamented that we don't get more of his thoughts in that scene. Because I think an interpretation can be made that the Machine Herald look is just the human form of the Hexcore, using Viktor as a vessel.

Once that outer shell explodes, it really is Viktor again, with all the power of the Anomaly and Jayce's rune at his disposal. Now he and Jayce can work together to reverse the damage, free all the trapped souls from the Hexcore's web, and save the day. But we see that only then Viktor is able to view his own actions as himself, and he's horrified. There I think we get Viktor's one true, sincere reaction to everything that has happened up to that point and confirm that, yes, while the Hexcore interwove its seduction through Viktor's motives, none of this is what Viktor wanted. The ultimate outcome was the Hexcore's goals.

Quick Doylist addition: I also think there's definitely a draft where it's all Viktor getting controlled, but the writers know that can be kind of boring. It's better when characters take action and make choices, rather than being controlled. So I think that's why they settled on a combination of "The Hexcore's end goals, but Viktor's underlying motivations being twisted to support them."

#arcane meta #arcane #viktor arcane #jayvik

251 notes · View notes

joejhang · 3 months ago

Text

fanon neil vs canon neil

god i am so FUCKING done with the aftg fandom mischaracterising neil i'm literally writing fucking ESSAYS about it and pacing circles muttering about it under my breath it's driving me up the goddamn wall so i am going to word vomit brain dump yap about all of it in an incoherent tumblr text post. spoilers ahead continue at ur own risk

i've said it before and i'll say it again I HATE FANON NEIL. istg this fandom LOVES to mischaracterise neil and ykw i think i know why. they take the smallest most unnoticeable parts of his personality and then exaggerate them to disproportionate and unrealistic levels in order for him to fit their idea of a conventional, stereotypical and desirable main character. they smooth out his jagged edges and prick at his "insecurities" to make him more likeable, more acceptable and more conventional of a narrator/main character and in doing so erase so fucking much of his personality and draw as a character that he loses just about all of the flavour that made me love him in canon. and also especially within the andreil dynamic this fucking fandom just loves to tweak neil's character until he's basically unrecognisable just so they can cram andreil into some preconceived socially acceptable clichéd ship dynamic. because andrew is perceived as the typical mysterious, moody and grumpy love interest therefore neil just has to be the sunshiney smiley blushing cute softboy in exchange. yeah because all gay ships have to be grumpy-sunshine and black cat-golden retriever dynamic. i raise you: andreil's dynamic doesn't work because of their differences it works because of their similarities. if u think about it andrew and neil are honestly very similar people in the way they think and process emotions and events and that's what allows them to connect and understand each other. andreil would not work if neil was super sunshiney and a blushy soft mess and andrew was the stoic, never smiling, unemotional stone of a guy the fandom loves to make them. just accept they do not fit into the conventional boxes laid out by booktok for what gay ships look like. i fucking digress.

neil is also just insanely mischaracterised on his own. people love making him very jittery and insanely oblivious and easily flustered with a generous serving of self-esteem issues. i hate to break it to you guys: neil josten is not insecure. i don't think there's a single instant in the series where neil is actually insecure about anything. as a narrator, person and character, neil is very realistic, pragmatic and logical. ruthlessly so. i'd say on this, neil is even more cerebral and unemotional than andrew is. neil is very straightforward and realistic abt himself in his narration and i'd honestly say his opinion and views about himself are one of the only things in the story that isn't affected by his narrator bias. if neil is anything, it's self-aware. i'm now going to present all my fucking evidence.

neil doesn't have a sexuality crisis. literally in the entire series never once does he even question his fucking sexuality. it's implied he's already figured out he's aspec/demisexual from the moment nicky questions him about his sexuality. neil says "i don't swing" and follows up in his narration: it wasn't quite the truth, but it was close enough. and later when he starts his relationship with andrew he doesn't ever question the nature of his feelings towards andrew or even anyone else and is pretty clear about it when andrew breaches the topic: "kissing you doesn't make me look at them any differently" so yeah neil is pretty certain and aware of his sexuality.

neil isn't insecure about his appearance. i feel like this is gonna require a bit of work to explain but hear me out. it is mentioned several times that neil has a complicated relationship with his appearance because he looks so much like his father/abuser. this is obviously understandable; you wouldn't want to look into the mirror and see the man who gave u all ur scars. that being said, neil doesn't have a lot of strong emotions regarding his appearance. most of his feelings of panic tied to when r*ko dyed back his hair is because of how it would be a lot easier for his father to discover him now that he has his original colouring back. i'm also pretty sure neil knows that he's cute. like it's never explicitly stated but i've reread aftg maybe fifty times and trust me i can read between the lines. neil explicitly says that he has a "love-hate relationship with his reflection out of necessity" and while the "hate" part of that statement is obvious: he doesn't like that he resembles his father, i've sort of just accepted that the "love" part of it is that he knows he's kinda fine. it's not brought up by him at all bc neil as a person is not one to linger on people's appearances almost at all. i think the only people to get a decent amount of lines dedicated to their appearance in the narration are allison and andrew. but yeah i genuinely don't think neil thinks he's ugly or unattractive and he's probably definitely been told how cute he is by others enough that he doesn't harbour any delusions about how he looks. regarding his scars, he never expresses any insecurity towards them and how they look, he just doesn't like them on display understandably bc of how acutely they point to his past and childhood that he's trying to hide.

neil is actually very very confident in his own and other people's abilties. this is esp regarding exy. he knows he's good at the game. like he knows. the most distinct example i can think of for this point is when kevin tells neil that he was at castle evermore to try out for the perfect court when they were younger. neil doesn't even doubt for a fucking second that he would've made it onto the perfect court. never does. he skips over the second-guessing and doubt part and just straight up starts daydreaming about the future he could've had playing with kevin and r*ko. like that really got me bc it's easy to assume neil would be super unassuming and have low self-esteem but no like neil doesn't doubt for a fucking second that he deserves to be perfect court. it's just that he doesn't believe in r*ko's delusions enough to play along with it by the time he gets the tattoo. he's also insanely confident about the foxes and their abilities and also kevin by the end of the series. at the beginning he takes a pretty realistic vantage point and says that with the way things are, the foxes will never beat the ravens. but even with that pov he still has the gall to challenge r*ko on LIVE TV and i doubt he's lying when he declares so boldly to everyone that if the foxes were united they'd be an unstoppable force (and guess what he was fucking RIGHT). and by the end, when the foxes are united, he has no more room left for doubt at all. some guy tells neil to kick the ravens' asses and neil just replies with zero hesitation "that's the plan". like he's so fucking on board with it. and he never once doubts that kevin is the best striker in the game. like literally never. at first he considers r*ko and kevin on par with each other (possibly, it's never stated outright) but by the end he literally has no doubts when he says "kevin is the best striker" like goddamn the amount of confidence neil has is so underrated.

neil is a very unemotional narrator. it actually gets me all the time how logical and ruthlessly pragmatic neil's narration and inner monologue is. some of the only strong emotions portrayed in neil's narration are anger, irritation and occasionally grief, which is only ever triggered by major trauma-inducing events (e.g. dr*ke). almost all of his inner monologue is analytical and observing others and dissecting either other people or the situation he's in. and almost all of his decisions and actions are made based on impulse and instinct. neil is a very instinctive person. this is outright stated in the way he plays exy; in theory, he can't give u a lot, but in the heat of the moment he's at his best. this applies to practically all facets of neil's life. he never plans his moves or what he's gonna say (except like that one time when he planned out what half-truth he was gonna tell andrew post-columbia). he's super quick and on the ball and literally does whatever the fuck he wants at any given moment. he's also insanely good at compartmentalising. like it's difficult to explain but while his priorities are obv hilariously skewed, they're also very clear in his mind. things he considers unimportant he simply just doesn't think about. what others look like and what they think of him don't factor into his internal monologue or his thoughts at all he literally just files them away in the back of his mind until they do end up becoming useful or important to him. he barely comments on andrew's appearance at all until andrew becomes someone worth staring at and admiring for him. the only reason he describes allison and renee in the detail that he does is because it's important in understanding how and why he reacts to them the way he does. this man was literally about to lose his goddamn mind at the fall banquet but he specifically reserved his mental breakdown for after the banquet so he could spend his time roasting the fuck out of r*ko. bro fully locked in and was like "clock riko now break down later" and i respect it.

neil doesn't actually have a martyr complex. it's funny because almost all of aftg is him being the absolute fucking opposite of a martyr. he wilfully sticks around the foxes knowing he's putting himself and them in danger. he doesn't "sacrifice" himself until he's absolutely forced to by his father's people. by then, he's already told himself he can't and won't run and he's smart enough to know he'll never get away anyway. and going to evermore wasn't about self-sacrifice or martyrdom it was about protecting andrew and those two are pretty fucking different. he knew he was coming back from evermore and he knew that he wouldn't die there, despite all the shit he went through, so i don't think that can be counted as "self-sacrifice". he was doing what he had to do to protect andrew, the same as andrew would've done for neil or aaron or kevin or anyone else he'd sworn to protect. the kidnapping in baltimore was the culmination of neil's character arc, which isn't really about learning to be selfless and self-sacrificing, it's about learning to stand his ground and stop running. those things r crucially different: neil not running in baltimore wasn't about selflessness, it was about courage. yes, part of it was obviously inspired by the foxes and motivated by not wanting them to be hurt but i truly believe it ultimately was about neil learning to stand his own ground and make his own home and have it be something he's willing to die for. call it whatever u want honestly i just don't think neil is as much of a martyr/sacrificial lamb as the fandom makes him out to be.

#zoe yaps #god there's a limit to how much i can write #we live in an economy #what the fuck #i'm so mad bro i have so much more to say #whatever y'all have to deal with this for now #take it or leave it this is the real neil josten i know him personally #save me canon neil save me #i hate fanon neil sm oh my days #STOP mischaracterising him for the love of god #aftg #all for the game #neil josten #andrew minyard #andreil

281 notes · View notes

thewertsearch · 13 days ago

Text

Anonymous asked: just read through your entire liveblog and wow. what a place to catch up. do you have any predictions about what the postscratch versions of the guardians will be? what about the guardian versions of the kids?

So.

Mom Lalonde, Grandpa Harley, Nanna Egbert, and Bro Strider, reborn as the story's protagonists, and thrust into a Playerdom I never expected them to bear. The consequences of this reveal are likely to kick in on the very next page - and since that's a page I'm clicking on tonight, this is my last chance for some blind speculation.

There are an absolute mountain of angles I could potentially cover here, and it's impossible to address all the implications of this twist, so I'm just going to touch on a few key questions that Act 6 will need to answer sooner rather than later.

Without further ado, let's dive into our first question.

Who, exactly, is raising these kids?

The simplest solution, of course, would be a one-to-one exchange between each Player and their Guardian. That certainly seems to be the case for Jade and Grandpa, who have been directly swapped. This would imply that Rose raised Mom, Dave raised Bro, and John might have raised Nanna. (More on that later.)

Still, that's not the only possibility. There's no reason why Dave couldn't raise the adolescent Mom instead, for example, with Rose adopting the younger Bro in his stead. That particular configuration has a lot of character potential, actually, because Bro Lalonde would undoubtedly be an unholy terror, and Mom Strider might just be one of the coolest characters I've ever conceived of.

This aesthetic, with those shades? Come on.

...all that said, though, I'm fairly sure we are just getting a one-to-one swap. That's how it appears to have worked for the trolls, and the one post-Scratch Player with a confirmed Guardian already matches this pattern.

Plus, swapping the kids with their own parents is just so interesting, on a character level, as it'd add a whole new dimension of analysis to the fucked-up relationships between Bro & Dave, Mom & Rose, and Grandpa & Jade.

Seeing how they all treat each other, now that the roles have been reversed, would be incredibly illuminating, and might shed some light on the thought processes of the pre-Scratched Guardians, as they were raising their own respective charges.

Anyway - now that we've got that out of the way, let's talk about each individual family.

The Egberts

Astute readers will notice that I only mentioned the Guardian-Player parallels for three of our Players above - and that's because when it comes to the fourth, there's a slight complication.

Namely, Dad Egbert no longer exists.

This means that Nanna's home life can't parallel John's, because the man who raised John was never even born. It's possible, then, that John will simply raise Nanna himself, as her grandfather.

Honestly, that's the scenario I'm hoping for, here. Out of our four original Players, I think that John would be the best parent by far - he's sweet, resilient, and has a natural talent for nurturing the positive qualities of the people he loves. If a baby lands in his backyard, he's going to rise to the challenge, octogenarianism be damned.

...now, here's where I'd speculate a little about Nanna's personality, but she's the one post-Scratch Player I can't really get a bead on. We only ever interacted with her Spritesona, whose personality was obviously corrupted by the presence of the jester doll.

As a result, I don't really have a clue what Nanna will be like. The only thing I'm sure about, if John's the one raising her, is that she'll be loved.

The Striders

First of all, I have faith in Dave.

I think he's more or less guaranteed to be a better Guardian than his brother ever was. Granted, I don't think Dave would be particularly paternal, but I also think he'll be able to refrain from beating Bro's ass with a puppet, which is progress.

I think Dave would be a laissez-faire type of guardian, who allows the younger Bro a lot more agency and autonomy than other kids his age, but also struggles to be the adult in the room when his kid needs guidance. He's not going to be as traumatized as his younger self, but I bet it's still borderline impossible to have a serious conversation with him. In fact, I wouldn't be surprised if Kid Bro turned out to be the more mature of the pair.

In a nutshell, Dave was born to be a cool uncle, but was forced unwittingly into a parental role instead. He's doing his best.

Quite frankly, I'm very worried about Kid Bro.

If we assume that every Paradox Clone keeps the same Veil item as last time - and there's no reason why they wouldn't - then Bro will be coming down with Lil' Cal, the cursed puppet created by Gamzee's Chucklevoodoos.

I'm still convinced that long-term exposure to this abomination was the main reason Bro was so batshit insane, and while the younger Bro won't have been around it for quite as long, he'll still have thirteen years of an evil Juggalo's Rage miasma being beamed into his brain.

I think Kid Bro will be a little batshit, but not completely batshit. We'll see a child with the potential to become the deranged ventriloquist who tormented Dave, but one who can still be saved, if we can just get that hell puppet away from him.

Separated from Cal, I still think Bro will be a memelord, and I'm sure not all his interests came from the puppet. I think this guy was always destined to be a pretty bizarre dude - but with luck, this iteration of him will be a little more pleasant to be around.

The Lalondes

Rose... could go either way, honestly.

Just like Dave, I don't think she's the type who'd willingly choose to be a parent. Rose doesn't want a baby, she wants a library full of cursed tomes, a coven of witches to scheme with, and to live in an enormous gothic castle with her wife, Kanaya Maryam. Her ideal lifestyle couldn't handle a kid, and I think she's self-aware enough to know that, and adopt a hundred mutant kittens instead.

That said... if she had to raise a daughter, I think she'd try her best to do right by the girl. I think some part of her would absolutely resent the fact that she's a background character in someone else's life - especially if, like the Sufferer, she remembers being a Player - but she'd do everything she could to keep that resentment to herself.

Rose would be an alright mother. A little cold, maybe, and more than a little distant, but she'd still love her Roxy.

As for Roxy, I can only assume she's a gigantic fucking badass. Even among the Guardians, her barehanded combat feats were always astounding, and I think she and Kid Bro will be the primary combatants of their session.

I also think she'll be one of the most analytical, scientifically-minded Players we've ever seen. Her adult self was experimenting with Ectobiology even outside of Sburb, which suggests to me an intense curiosity about how all this shit works, which isn't present in most of our other heroes. Like Rose, she'll be a researcher, and maybe even a Seer - but while Rose searched for the truth via magic and mysticism, Roxy's research will be entirely scientific.

Honestly, the most exciting thing about finally meeting Roxy is the milestone it'll represent. I'll finally, finally have encountered every character I knew about prior to starting the comic.

The Harleys

Grandma Jade was still the Witch of Space, and was clearly aware of that fact.

This tells us that:

John, Rose and Dave also retained their Titles, even if they don't know it.

Grandma Jade was probably aware of Sburb and its secrets, especially if she was living near the Frog Temple.

Grandma Jade was the Witch of Space. She's gone.

...and I have a theory about what happened to her.

I think that when Grandpa was a baby, Jade travelled to Anachronism Island, just like her predecessor did - but this time around, it wasn't Bec who greeted her at the Temple.

No, I think Jade had a fatal encounter with the new First Guardian of Earth - a corrupted First Guardian, spliced with the same HONK code that created Scratch. Kid Grandpa clearly survived whatever happened next, and I think it's horribly plausible that the new First Guardian is a pseudo-Guardian to him, the same way Becquerel was to Jade.

In other words, this kid might be completely compromised, manipulated by English's servant since infancy. Let's not forget that he's the one who suggested making the bunny to Jade, which is the reason Jack was able to ascend in the first place...

...but someone suggested it to him, first.

Anyway, those are my high-level thoughts about the new timeline's key players. We'll be starting Act 6 in an hour or so, and I've got a feeling that we're about to see Nanna standing in a very familiar room.

After all, it just so happens that today...

#homestuck liveblog #full liveblog #act 5.2 #asks #theories

176 notes · View notes

zeropro · 9 days ago

Note

Hi, what are your thoughts on Megatron? Most Starscream fans don't have very positive ones about him lol, but everyone is different and I would like to know that you think

I like Megatron okay, he doesnt bother me but im not like jumping up and down for megatron content yknow? but I get not liking Megatron as a Starscream fan. It's just, you can't deny how intrinsically the two characters are tied together. Really can't have Starscream without Megatron, which is unfortunate for someone like me who does not like drawing Megatron lol!

Maybe the reason most Starscream fans dont like Megatron is because of their abusive relationship? And let's be clear, due to the power imbalance, I do interpret it as an abusive relationship. Despite how much we like to joke that Starscream deserves the punishment he gets (I'm not entirely sure how attempted murder/political assassination attempts factor into an abuse allegory) no one ACTUALLY deserves to be abused. The fact that Starscream is low key also evil and has done evil things is a separate issue from Megatron's abuse of him, we can hold him accountable for the one while also having sympathy because of the other. For me personally tho? Megatron abusing Starscream doesnt make me dislike the character at all, it's honestly the main draw of the dynamic for me. Maybe I just like to see my blorbos suffer…

The G1 Cartoon Megatron is probably the most fun, and I think this dynamic is the most on the level in terms of Starscream dishing back as much as Megatron gives him. They're all just bullies on the playground, their toxic back and forths feel a lot more slap stick and silly than actual abuse. What makes it work I think is that Megatron is not as crazy powerful as he is in later continuities, and Starscream responds to the abuse like a cartoon villain, immediately bouncing back and plotting his revenge, so it's funny rather than upsetting! I also find it hilarious how Megatron is weirdly nice to all the other Decepticons who aren't Starscream lmao? G1 Cartoon Megatron is a 10/10 for me.

If G1 cartoon's Megatron and Starscream are more on an even playing field, Prime Megatron is like the opposite of that. Prime Megatron is so impossibly powerful it almost feels like no one has a chance against him in a fight, and Prime Starscream is so scrunkly and small it's almost laughable. I think I feel the most pity for Prime Starscream when he gets beat up by Megatron, but he almost always makes up for it by being possibly the most evil of the Starscreams. I like how in the third season, he genuinely seems happy to finally dedicate himself fully to Megatron, but you just know how much he'd been beaten down and broken over and over again to even get to that point. Good for him for trying to get revenge in the sequel series. As for Megatron himself, I think more often than not when I am reading fics I see Prime Megatron in my head, and it's his voice I hear. What can I say, it was the first Transformers show I watched haha. Do I love how his redemption arc was handled? Not particularly, it sorta came out of nowhere, felt really rushed, and he just goes away anyway so we don't even get anything out of it. I like redemption arcs in general, but I don't necessarily think this particular Megatron needed one.

To be perfectly honest, I didn't think the 2005 IDW Megatron deserved one either, only because when it comes to over powered, unstoppable, irredeemably evil Megatrons, this one ranked right up there if we take into consideration everything he did before Dark Cybertron. His redemption does kinda come out of nowhere. But like, idk mang! It's also really fun? Like, Bumblebee carrying him around cuz his pants got blown off is hilarious! Him actually upset at Bumblebee's death and then taking Bumblebee's Autobot badge and putting it on over his own was sweet! Him dealing with the crazy crew of the Lost Light is a lot of fun! And him actually having to confronting and deal with what he's done (and other characters dealing with him dealing with it) is a lot more interesting than just him dying. idk. The comics have been around for years by that point, and passed through the hands of many writers, so if a little handwaving and a little contrivance and a little suspension of disbelief is what is required for us to have an honestly pretty fun take on Megatron, I think I'm okay with that.

I do have one complaint tho, mostly based on content I haven't read yet so take it with a grain of salt. I have been told that the adjacent series to the Lost Light Megatron stuff covers Starscream's side of the story and that it does actually address his abuse at the hands of Megatron. My problem is that apparently (and again I haven't read that far yet so this is just hearsay, but apparently) the writers on the Lost Light Megatron stuff didn't get the memo so while Megatron feels bad for and is working at redemption for all the evil war stuff he did to everyone, the one thing he doesnt regret is apparently his treatment of Starscream? Haha, like come on! on the one hand it's really disappointing to me because id like the catharsis of Megatron’s remorse, but...on the other hand, I guess it's kinda true to life actually. Your abusers are people, and they can change and grow and become better, but it doesnt mean they will ever become better for you. It doesnt mean they will ever apologize or even feel bad for what they did. Maybe theres something to be said about having to move on and heal without that. I guess whether this is a complaint I maintain will depend on how its handled.

I get that some people don't think Megatron should ever get a redemption arch, because he's an abuser, a monster, a tyrant, and an evil warlord, and it's completely fair for your stance to be that he should just be killed and that would be justice. I personally really like continuities that treat him more like just some guy. I think Starscream put it best in 2005 IDW during Megatron's trial when he said Megatron wasn't some political genius or the most gifted strategist. He wasn't even the most evil man. In IDW, Megatron started out as a social advocate from the lower class, and despite the problematic narrative of "the bad guy had a point and just did advocacy wrong/went too far," I think the idea that Megatron kinda got swept up by his own hype and was used by people and powers more devious than he is a compelling one.

Starscream is Starscream, so who knows how much of what he says is true and how much is him lying, but this idea just rings true to me. It humanizes him. If handled well, I'm honestly not opposed to stories redeeming Megatron. I'm also not opposed to stories treating him like the devil and just killing him lol. I love a character that can do both!

Uh uh, what else. Earthspark Megatron is nice, I like him. There's...a bit of cognitive dissonance in trying to reconcile the things he chastises Optimus Prime for and the idea that he still was a ruthless warlord at one point, both of which continue to be left unexplored. Transformers One Megatron is neat, I was worried going in how they would handle the switch from Orion Pax's brother to lets start a 4-6 million year war, but like, I like the way he actually was super okay with accepting his lot in life. Like obviously he didnt like it but he didnt see a point in fighting it, and that adamant complacency as a coping mechanism is what lead to his feelings of rage and betrayal by the end. Also I think its hilarious how much younger he is from all the other Decepticon high command, especially Starscream XD.

I don't think I've read or watched anything else with Megatron in it. Man, I wrote a lot. At the end of the day, Megatron is a good character, I like the role he plays in Transformers, I'm not like actually that interested in him on his own but more what he brings to the table when considering Starscream's character. You can't have one without the other! Do I ship them? No, not really, no more than any other ship. But I'll still read Megastar stuff cuz sometimes you just want to watch two people be toxic and make it hurt so good. I'll always prefer Trine stuff anyway ha! Have fun out there!

#transformers #megatron #starscream #megastar #thoughts on transformers #trigger warning for talks of abuse ig #tw: abuse

316 notes · View notes

the-cat-and-the-birdie · 1 year ago

Text

We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom

Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools

[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]

I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.

And like Latino-fetishization aside, I feel like he's not written as a human.

He's written so flat.

I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN

which is so funny cause like... I feel like Miguel is Just A Guy

I know they're easy to overlook but I think about moments like these all the time

But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.

And he's fine with that.

Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.

He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'

and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.

Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.

I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.

Miguel and His Role as Canon

I could see Miguel taking his role as boss very seriously - the same way he took being a father.

Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.

Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'

Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'

And I think that really says a lot about how he feels about his own choices, and his own daughter.

Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.

And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.

To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.

Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.

But in Miguel's case - it was his fault. It wasn't suppose to happen.

That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.

When things are under control, Miguel is fine. When things aren't, Miguel isn't.

Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.

That's why he sees letting people die in canon events as 'the right thing'.

It's the trolley problem.

A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?

What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.

Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.

When canon events happen, there's no one to blame. When anomalies happen, there is.

Miles and Miguel

Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.

When I look at Miles and Miguel, especially in this scene:

I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.

When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.

Miguel didn't know. But Miles does. And that's what makes Miguel so furious.

Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.

Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.

The only difference is Miles knows. He has a chance.

Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.

Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.

Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.

Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.

He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.

Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.

Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.

Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.

If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.

So he does it to Miles.

Miguel as a Boss

I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -

And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'

And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.

Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.

I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.

By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.

I mean, what Spider-man doesn't?

Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.

Miguel's Personality

Tbh - I don't think he's nearly as angry as fandom makes him out to be.

He was raising a child. I imagine that for the most part, he's pretty patient.

Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"

I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.

But I also like to imagine that most of the time, he's just like that normal boss as Target.

And a lot of his day is spent doing boring mundane things.

He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.

Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.

And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.

Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.

He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.

The other Spider-people - like Pavi - wouldn't have joined otherwise.

If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'

Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.

I think it's because Miguel is good with people, a lot of different types of people.

He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.

Sure his humor may be dry, and his personality tame, but he's just him.

But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.

Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.

Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.

DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.

DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.

Anyways stop avoiding Miguel's Kenergy.

#He's just Miguel #no proofread lol #Miguel O'hara #Miles Morales #atsv #Across the Spiderverse #across the spider verse #spiderman #spider man #spiderman 2099 #atsv analysis #marvel

2K notes · View notes

secretmellowblog · 4 months ago

Text

Jean Valjean's Canon Toxic Unhealthiness around Romantic Love

( alternate titles: “Does Jean Valjean is Gay?”, or “Does Jean Valjean is Asexual?” Or: “Why is it so difficult to slap an identity/sexuality label onto Jean Valjean?” Or “LGBTPTSD+”)

I was looking at the responses to this poll about whether people interpret Jean Valjean as gay/asexual/straight or something else….and it got me thinking again about Jean Valjean’s canonical intense, complex, awful, toxic, and overwrought emotions around identity/ romantic love. I want to talk about that for a bit because I think it often gets overlooked in fandom!

I've noticed that Les Mis fandom/analysis often tends to interpret Jean Valjean as being far more content, more "at peace with himself," and more "comfortable in his own skin" than he ever is within the novel. This is also a common change in adaptations. The musical's version of Jean Valjean is great-- but he also seems a lot more self-actualized, more like he's gotten himself completely "figured out" by the end of the story. Other, bad, Les Mis adaptations — the adaptations that generally portray Jean Valjean a worse more violent person — also usually make Jean Valjean more confident in himself, more confident in his own feelings/desires, more certain that he’s entitled to certain things, and more willing to demand or take what he wants.

But one major aspect of book Jean Valjean's personality is that he does not have a healthy relationship with anything about himself. He has a tortured broken relationship with his own identity. He repeatedly thinks about “Jean Valjean” as a person outside of himself, a person who he finds frightening, repulsive, savage, and horrible— like a wild animal he needs to sedate, or beat into submission. He is obsessed with self-denial and self-repression. He is fixated on the idea that he is subhuman, that he is not allowed to want things or to pursue having any kinds of relationships with other people-- and that the most heroic thing he can do is "grab himself by the collar” and violently force himself to stay away from the things he wants. He is desperate to be loved and fixated on being unworthy of love and on denying himself love. He is absolutely not at peace with his identity: to paraphrase Jean Valjean in one of the later chapters, he believes he can only gain inner peace by “eviscerating his own entrails.”

He is never truly content with who he is, what he wants, or what kind of love he wants— and he never learns to be. The novel ends with him cutting himself off from his only family, breaking ties with the only person who loves him, and essentially slowly killing himself out of self-loathing.

There are other characters in Les Mis who seem very content with who they are and what they want. Enjolras is self-assured in his identity, and doesn’t appear to feel like there is any kind of love that is missing from his life. Whether you interpret him as gay or ace or trans or w/e, book!Enjolras is written as someone who is extremely self-assured and has a loving support system that is enough to keep him happy. But I don’t think that’s true for Jean Valjean at all XD.

And that’s why it's hard to apply labels like “aromantic” or “ace” or gay/straight/etc to Jean Valjean, when talking about his canon characterization. Those labels imply the person has a basic level of comfort with acknowledging their own desires/lack of desire/identity. And Jean Valjean never achieves that level of comfort. What “label” do you give to someone whose relationship with their identity is “I do not belong in a family, I have no right to want things, I have no right to be happy, I am outside of life, and I will never be at peace until I eviscerate my own entrails?” Is there a “self-disembowelment" pride flag? XD I've seen a lot of interpretations that go "Jean Valjean never expresses any interest in romance, he's perfectly content just to have his relationship with his daughter" but I honestly don't think that's true. Jean Valjean tries to content himself with having only Cosette. But part of why everything explodes so catastrophically in the end of the novel is because he needs more than just a paternal relationship. He doesn’t try to have a “normal” father-daughter relationship with Cosette, he tries to force his relationship with Cosette to be literally everything and everyone to him, for her to be his entire world: and it doesn’t work.

There’s a passage in the novel that talks about how all the love Valjean is capable of ends up being suppressed/sublimated into his relationship with Cosette. The love of a brother, of a friend, of a father, of a husband, the love of everything he is capable of, gets repressed so that he can throw every part of himself into being a father. There are Bad les mis adaptations that incorrectly misinterpret that passage to mean that Jean Valjean is incestuous/grooming Cosette. But in context, that’s not what the passage means at all.

The passage specifies very explicitly that Jean Valjean “did not love Cosette otherwise than as a father,” that “no marriage was possible between them,” that his feelings for her are absolutely paternal. But the passage does show how Jean Valjean is doing a very different unhealthy thing: he’s relying on Cosette to fill every single emotional void in his life.

He’s relying on parenthood to fill the grief/emptiness left behind by all the other kinds of love that he has wanted, but never been given.

To quote a bit of that passage:

Jean Valjean did not love Cosette otherwise than as a father (…) Let the reader recall the situation of heart which we have already indicated. No marriage was possible between them; not even that of souls; and yet, it is certain that their destinies were wedded. With the exception of Cosette, that is to say, with the exception of a childhood, Jean Valjean had never, in the whole of his long life, known anything of that which may be loved. The passions and loves which succeed each other had not produced in him those successive green growths, tender green or dark green, which can be seen in foliage which passes through the winter and in men who pass fifty. In short, and we have insisted on it more than once, all this interior fusion, all this whole, of which the sum total was a lofty virtue, ended in rendering Jean Valjean a father to Cosette. A strange father, forged from the grandfather, the son, the brother, and the husband, that existed in Jean Valjean; a father in whom there was included even a mother; a father who loved Cosette and adored her, and who held that child as his light, his home, his family, his country, his paradise.

Jean Valjean reminds me of a Failmode I’ve seen in a lot of different real-life parents? There are parents who cope with their own hard lives by telling themselves that parenthood is their sole reason for being alive, and who obsess over their child’s success as their only source of purpose, meaning, love, happiness, community, and validation. But it’s a bad idea to rely on one child to provide the emotional support that should be shared by friends, parents, siblings, every possible loved one, etc etc—- One child can’t actually heal you from your trauma, be a replacement for your broken relationships, pull you out of your grief, save you from your adult loneliness, etc etc etc etc.

When I see the common interpretation that Jean Valjean is perfectly content just to be the father of Cosette, I think of this line:

Thus when he saw that the end had absolutely come, that she was escaping from him, that she was slipping from his hands, that she was gliding from him, like a cloud, like water, when he had before his eyes this crushing proof: “another is the goal of her heart, another is the wish of her life; there is a dearest one, I am no longer anything but her father, I no longer exist”; when he could no longer doubt, when he said to himself: “She is going away from me!” the grief which he felt surpassed the bounds of possibility. To have done all that he had done for the purpose of ending like this! And the very idea of being nothing!

On one hand, the terrible Les mis adaptations that portray Valjean as Incest Creep are incorrect and wrong. On the other hand, though, Jean Valjean IS unhealthy about Cosette— just in a different and actually sympathetic way.

He has made fatherhood his only purpose, to replace every other purpose he could have in life. So he can’t be “just Cosette’s father.” He can’t imagine her becoming an adult and leaving the nest, like children do. What does he have if he’s not taking care of her? What is his purpose in life if she doesn’t need him to be her parent? He's not just being her father, he's relying on her to be his entire reason to exist. He hasn't been allowing himself to have things outside of her.

And speaking of things outside of Cosette: segue time. This post was supposed to be about Jean Valjean and romance, so let's switch gears and talk about his canon 'romantic experiences' more:

We’re told that in his youth he “never had a sweetheart” because he “never had time to be in love.” There is no indication that Jean Valjean never wanted to be in love. The opposite is implied. Hugo frames it as a tragedy that Jean Valjean’s does not experience young love; it’s the horror of poverty taking yet another thing from him.

Within prison, Valjean is “gloomy” and “chaste;” when he traumadumps to Montparnasse about it, he talks about women looking on galley slaves with horror and disgust. Romance, at least “normal” heterosexual romance, is no longer something that is permitted for him. Jean Valjean knows very little about romance/love/sex and it repeatedly messes up his life. He spends 19 years in the all-male environment of prison, then about a decade in the almost-all-female environment of the convent. He has very little experience with how men and women are supposed to interact. The oppression Fantine faces as a sex worker, and Cosette's relationship with Marius, are both two big 'blind spots' that he struggles with.

At one point romantic love is described as “The only misery Jean Valjean had not yet experienced, and the only one that is sweet.”

In his massive confession to Marius, he agonizes over how he is not allowed to be part of a family, and is incapable of being part of a home. He compares himself to someone sick and diseased, that poisons good and normal people with his presence, and cannot be allowed to make himself part of their families.

So Jean Valjean doesn’t frame Romance as “a thing he doesn’t want:” it’s a thing “he is not allowed to want,” it is one of the many things he is banned from wanting. It's impossible to tell what kind of things he would want, if he were allowed to want them.

One of the most interesting things to me, however, is his general attitude towards Marius/Cosette.

Obviously his first reaction to Marius snooping around is fear and resentment— he doesn’t know to interact with romance, having never experienced it, and immediately begins catastrophizing. He views Marius as a privileged booby ruining his life for something as frivolous as a love affair: it reads to me as partially envy, envy of the fact that Marius lives the kind of safe comfortable life that allows him to experience young love.

Jean Valjean added: “What does he want? A love affair! A love affair! And I? What! I have been first, the most wretched of men, and then the most unhappy, and I have traversed sixty years of life on my knees, I have suffered everything that man can suffer, I have grown old without having been young, I have lived without a family, without relatives, without friends, without life, without children, I have left my blood on every stone, on every bramble, on every mile-post, along every wall, I have been gentle, though others have been hard to me, and kind, although others have been malicious, I have become an honest man once more, in spite of everything, I have repented of the evil that I have done and have forgiven the evil that has been done to me, and at the moment when I receive my recompense, at the moment when it is all over, at the moment when I am just touching the goal, at the moment when I have what I desire, it is well, it is good, I have paid, I have earned it, all this is to take flight, all this will vanish, and I shall lose Cosette, and I shall lose my life, my joy, my soul, because it has pleased a great booby to come and lounge at the Luxembourg.”

But, even though Jean Valjean views romance as something he isn’t allowed or have or to want, views it as a threat and catastrophizes over how it will ruin his life……he seems to also put heterosexual romance on a pedestal.

The way Jean Valjean idealizes marriage is one of his weirdest character notes for me.

He views marriage as Cosette’s “happy ending.” It’s her “happily ever after” point where she won’t need him anymore, where she won’t need anyone outside of her husband. A Man And a Woman Are Meant to Get Married, It's Fate, and It Means They Will Live Happily Together Forever. Marius is “the goal of her heart, the wish of her life; her dearest one.” Nothing outside of that matters anymore.

He treats her marriage as if romantic love is inherently always more important than any kind of platonic relationships, and always takes priority over them. He later dismisses the unconventional family structure he has with Cosette, saying that despite his love for her he was only a "passerby" and was not actually her real father, because they were not biologically related.

There's a moment where Jean Valjean is described as someone whose ideal is to be angel on the inside and a bourgeois on the outside. Jean Valjean's worship of bourgeois social norms, norms he can never truly be a part of, is one of his character flaws. He has a similar "guard dog" energy as Eponine does when she defends Rue Plumet from her parents.....Eponine and Jean Valjean both become the guard dogs of a kind of romantic relationship they believe they are banned from having. Jean Valjean believes that getting Happily Straight Married in a Middle-Class Home with a Picket Fence(tm) is the ideal path for life....but believes himself broken/incapable of ever following that path. And so he instead throws his entire life into securing that future for Marius and Cosette.

In what manner was Jean Valjean to behave in relation to the happiness of Cosette and Marius? It was he who had willed that happiness, it was he who had brought it about; he had, himself, buried it in his entrails, and at that moment, when he reflected on it, he was able to enjoy the sort of satisfaction which an armorer would experience on recognizing his factory mark on a knife, on withdrawing it, all smoking, from his own breast. Cosette had Marius, Marius possessed Cosette. They had everything, even riches. And this was his doing.

TL: DR:

Jean Valjean's gender/sexuality label is “idk but he’s super fucked up about it.”

#les mis #jean valjean #les mis letters #because i BRIEFLY tied it into Eponine #my idea for a self disembowelment pride flag #is that its like. prometheus and the eagle #but prometheus is into it #not sure how coherent this essay is but I am POasting it

288 notes · View notes

court-jobi · 4 months ago

Text

How'd You Know (I Needed This)

((banner by me! I don't own Horikoshi's (sleepy) characters/work))

Pairing: Aizawa x reader (American!Pro Hero fem!reader, set before the events of Season 1)

Words: 4.9K

Rating: T+

Warnings: Aizawa has feelings and doesn't know what to do with them, alcohol mentions, slow burn, he fell first she fell harder, the feeling is mutual TM

Summary:

Shouta Aizawa surrenders his capture weapon for the night in favor of humoring Hizashi, and is rewarded for his follow-through at his show. He wants to know you, more than he has from teaching the brats alongside you for the last few months. Wants to know the smile that reaches your eyes more intimately.

He’s happy he gets this balcony happy hour with you -out from all their eyes inside- to be able to water this sweet, small thing he feels towards you to fullness.

A/N: I've been WAITING for this one, turn it up!!! Aizawa my beloved, I've wanted to write you for so, so long and can only hope I can do you justice. The man just has such a gentle side and I just wanted to give him something nice and self-indulgent~

For my My Hero Academia Masterlist, check it out here!

Read on Ao3

Damn it, why was he thinking like this? He’s in public for goodness’ sakes, with only two sips of drink under his belt. Not two drinks- two sips of a drink. So if that’s the case of his sobriety, why was he off in his own little headspace as if he were drunk?

‘Put Your Hands Up Radio’ found its home recording studio attached to this lounge: a place Shouta Aizawa never frequented unless expressly invited- or when Eraserhead was needed to scout out trouble. Far too noisy, too chatty, and filled with too many grown adults losing their sensibilities for his liking.

Through one round of begging or another, he’d been roped into joining some of the staff of UA to an evening out, in support of Present Mic. Naturally, Aizawa would go- as his presence would all but guarantee everyone else’s. Despite begrudging the plans that pushed himself out of his preferred rest mode, he kept true to his word for Hizashi’s sake.

Promise kept, and therefore, appears to have been rewarded.

Once the show wrapped for the night, his best friend was over the moon at how things were turning into a party that Friday night. After a day of shrill, whinging teenagers he’d wrangled all week, this level of volume was honestly the last thing he needed. Yamada’s voice doubled the decibel of the entire room- and that’s without his quirk activated. He always managed to annoy Aizawa when he started fangirling about one duet matchup or another.

But truthfully? Every sound this tired hero registered around him fell to white noise while he looked at you…

Sweet Little Miss, you are; gracing the lounge with your presence. You’re a vision tonight. Insist with your lilting dip to your words they all call you by your first name, outside of school grounds and against what’s considered custom. No hero titles either, unless an emergency called for formalities- then you’d cave.

These Americans are too casual. Even down to these outfits. What’s this– black turtleneck, necklace she won’t leave alone- moving it around her thumb like that, short skirt.. and those damn thigh highs and tights. How is it she’s driving that moped of hers, wearing something like this…

Everything on your person, down to the way you held yourself in perfect confidence and ease adorned you like a perfectly-styled pro hero. It couldn't be a more stark contrast to his tried and true wardrobe. Even this after-hours look sat perfectly around each bend and curve of you, as you listened to the group.

You’re smiling, too. It’s subtle, but it reaches your eyes, which makes it all the more authentic.

A smile he shouldn’t want to keep all to himself. Curves he really should have no business noticing. Features that he’s actually surprised he’s labeling as ‘attractive’ in his mind because the last time he ever felt an ounce of attraction to anyone in that way, he’d barely been able to grow facial hair.

Desire for a safe place to land his dizzying mind is driving his tired sights to look to you for relief again and again in the conversation– without you even saying a single word.

The barely-touched drink in his hand is only a prop; something to make him blend into the scene and not something he’s actually tasting for pleasure… meaning, these are his thoughts. Nearly completely sober. Should be illegal. Just illegal-

"Yo Sho, you still with us, sleepyhead?"

Yamada pulled him out of his thoughts. Disguising any flare of being put on the spot, Aizawa flitted his absent gaze back to his blond friend–

"Be nice. He’s had a rough day and is a good enough sport by being here,” you chirped up catching Yamada’s pull for Aizawa to part from the fringes of your little gathering.

Now toward you? He’ll soften his edge. After all, with you sticking up for him with blind loyalty, he nearly felt guilty for spacing out and causing you to speak up in the first place.

“- yknow, I'm inclined to take a nap myself," you leaned forward to grab a few more calamari bites to tend to your seemingly insatiable appetite. Aizawa felt warm at the sweetness and straightened up at Yamada’s prodding.

From then on, he made sure to look in your direction more often when you spoke to help him pay attention. He still didn't say much, never did. But he liked the company well enough.

These nights were truly few and far between. Life as an in-demand hero left him jumping from role to role, daytime and midnight obligations. The routine split his waking hours and stretched them paper thin. Now more than ever, he typically shirked as much off time as he was offered. And yet, he had to remember to prioritize levity and breaks– and in this case, indulge his treasured friend’s interests and ‘take one for the team’. Good for morale, he reasoned, just this once.

The occasion was also a way for you to integrate with the group in an informal setting– great for the transplant from the States. You’ve taken amicably to the group of alumni-turned-faculty at UA, though much still remained a mystery about you, presently being peeled back bit by bit through stories and slips of the tongue. There was only so much a dossier could truly reveal about a person- even one curated by S.W.O.R.D. to volunteer aid their Japanese counterparts in their hero work.

It couldn’t tell what kind of teacher you’d turned out to be. Even with no experience working with students, you tread the line between instilling team-centered outlooks and pushing their quirk’s limitations to their max benefit. A crafty, inventive counterpart to complement his blunt teaching style: better together, and even the principal agreed.

It couldn’t point out where your true ambitions lie or where your drive came from. There remained much to be explained as far as your hero status here in Japan– a red-tape nightmare Aizawa was still intrigued to learn about. So far, you’d shared some limitations about “immigration statuses are being vetted with a fine toothed comb, so they’re still trekking through the paperwork”, so your wings are essentially clipped down to a student’s provisional license. This doesn’t please you too much, but you’re driven as much as his finest students with the aire of a professional he’d love to see in full action.

It couldn’t explain the stillness you could dip into, that he only caught once or twice when you believe yourself alone. There’s a past was weighing your shoulders level and compliant in the eyes of the law… but an urge to push back and ‘play this out’ brought hypotheticals to your lips whenever you chatted about what hero life is like for him, and added a sparkle to the eye that he had yet to fully source.

It couldn’t give away the gentleness you hold behind a carefully guarded smile– even in this harsh hero world. Maybe it was that indomitable spirit that those foolhardy patriots overseas carried… or rather, maybe it was the way you fought against such a loud persona. So far, Aizawa has taken only a few notes, but each little mental post-it was cluttering up his headspace. You held a quiet love of tea, a comical passion for the oxford comma, and a mind to care for the little things in life– like the lizards you rescue in an inverted cup to take outside where they belong .

Surely life must have treated you hard to elicit such softness. Something tenderized you to achieve the peace you carry around or else you’re wearing a damn good mask. No, he determines you had to have made a choice to continue on the path that’s brought you to the present– even to this table where you’re taking your fill of maki rolls while casting little caring glances his way.

All smiles and calm surety, as he mills through his thoughts that are damn near obsessed with you.

An employee file could never record ‘heart’, anymore than it could expose anything you didn’t want to reveal.

The night progresses while Aizawa stews on these thoughts, and plenty of others… for the ones that drift to his co-teacher offer him more mental stimulation than that he finds in the club’s lights and music.

Yamada’s night of filling his social battery was made nearly perfect by the karaoke that just started. Several of the other teachers got preoccupied in round after round of song, so it left Aizawa with a moment's peace.

Well, peace he was going to enjoy by laying back on the couch for a little shuteye– when his gut jumped at the feeling of a hand trailing up his forearm to the elbow with a polite, companionable touch.

Facing its owner, Aizawa caught your little smirk and nod towards the balcony. You didn't pull hard, yet he followed like a magnet out to the patio.

From there, rather than stay by the door to listen in on their friends ‘releasing their inhibitions and feeling the rain on their skin’, you took him to the right, where a matching lounge set positioned itself in a blind spot between the rooftop bar and the fire escape.

"Thought you looked like you could benefit from some soundproofing~" you brushed your hair back over one shoulder to follow the breeze’s direction, and left an open spot next to you by the railing.

Nightlife and neon didn’t hold magic for Eraserhead given as many nights as he’s spent perched on precarious heights, but through a newcomer’s eyes, he could see the appeal. This part of the city glowed at night from dusk to dawn, and you clearly loved looking out over it; Aizawa certainly didn't mind this view either.

Your perception skills are spot on, and incredibly thoughtful as you’ve suggested some fresh air- for his sake. If he wasn’t drawn to you any of the other times he’s paid attention to the spastic moths a more romantic person might call ‘butterflies’ before… this cements each and every one as valid.

He likes you. He really likes you.

Time passed with appreciative quiet until you spoke again,

"The only thing is, you can't really see stars in the city... there’s too much light."

"The beaches have a nice view," Aizawa replied after some thought.

"Oh yeah?"

"Enough to stargaze properly,” he offered without much sentimentality. Right by the pier was the best spot he and his former classmates would go on the weekends, before their hero work took off.

"I'll have to remember to take a drive there. Y'know, sometime when I'm not in two-and-a-half-inch heels." you chuckled as you shuffled back to the rattan settee, sitting for a bit to stretch out your legs. "I don't know how Nemuri does it."

"Feet hurt already?" Aizawa snuck his hands from his pockets and came to the seat across from yours. “Night’s young.”

"Getting there," your laugh greeted him over, "But you know what they say, dress to impress and all that. Yamada really pitched some hype for this afterparty, so~"

Fashion was hardly something that ever swayed Aizawa’s decision-making. Utilitarian was the way to go for his wardrobe- then, as now.

"If aesthetics are all that determine these pros’ attention, that’s horribly vain."

You bristled in good humor,

"He didn't mean it like that– I just meant, he said to look nice for fun instead of for work. Call it ‘girl code’ if you want. We know that means to– just– /doll up a bit/!"

Aizawa held back a snicker at how you still ran into difficulties finding the most apt Japanese equivalents in your (pretty decently executed) second language. English slang you reverted to in moments like these fell from your mouth with an odd drawl. Still couldn’t place the regional accent you carried, but it charmed Aizawa all the same.

“//Doll up//?” he mimicked.

"//I like dolling up//!"

Aizawa reached and pulled his glass to his lips, meant to look aloof but not hiding his interest altogether well.

"You don’t need to put on airs to get people to notice you…"

"Right, because the accent gives me away."

"No, it’s your-”

Finally, a coward’s streak flared deep in his belly to shut him up. A rare hesitation. Damn this. What the hell’s happening to me–

“–nevermind."

"My what?" you’re fully interested, knowing a secret when it's presented.

"Nothing important."

Thankfully you not-so-subtlety dropped it with a hummed ‘ok’, but kept a watchful eye for him in your peripherals.

The pro hero mused. Better for him to be honest, right?

Just choose your words carefully. You’ll have to look her in the eye after this, you know.

Aizawa widened his seated stance so his knee barely breached your space.

Your sights lifted to him while he put his best poker face on. It’s not really any different than what he’d give to a perfect stranger– the only difference here is he has to force it.

Shit shit shit you're in deep, Shouta.

"You're plenty noticeable as you are. Anyone who meets you can see that," Aizawa shared in his usual soft-spoken tone. "Give ‘em ten minutes, and you've got them wrapped around your finger. It’s a whole impression, not just the outer package. Doesn't matter if you're in a dress that costs a month’s paycheck or a black button down. You're welcoming, sincere..."

He’s realizing he might be trailing off, but finding you listening with full attention led him on; no liquid courage required.

"You're stunning from the inside out. Enough to get others to notice."

Aizawa heard your appreciation before he saw it, a hum preceding the a genteel smile. With the win of his walls coming down, he had to give an honest smirk back. It was only fair; you’d earned it just by being you. By your flattered look, you were touched– but your brain was still working beneath the surface, and soon showed by a fleeting expression that spit from him.

Then, you caught your bottom lip for a second, before daring to look in Aizawa’s eyes again. It’s a sneaky look– like he’d snuck a peek at a card he’d meant to hide.

"...You remember what I wore on my first day at UA."

It was half question, half amusement. So dear, but oh-so pointed.

Aizawa froze.

"Black button down. You noticed me, then?" you countered more, "And here I thought you didn't care about appearances~"

"In professional circles, no. Personal… that's a different thing, entirely."

He kept your sights locked onto his, not unlike how he used his quirk in a challenge– only far softer and he could risk the occasional blink.

Even when you took his glass from his hand and placed it away on the table alongside yours, he still looked fondly after you, in fact tilting his head to the other side, studying the way one piece of your hair was caught by your neck. What he’d give to be familiar with you enough to ever-so-carefully brush it back, letting his touch send a wave of shivers across your skin and maybe even make you hum at the gesture. But he couldn’t trust himself to do it now, settling on stretching his arm around the back of the couch. Just an open move, letting you join him on the couch as close as you’d like.

Was he really doing this? He never has before, but this felt so natural.

You smiled still– and as you sit, you’re leaning into it. Well then.

“What was I wearing, Aizawa?”

With free fingers, he risked some little brushes on your near shoulder, bringing a happy little eyebrow lift from you. He just took in your features in close quarters, settled in it, as he remembered that day:

Black button down, grey skirt. Biker boots -practical choice- and these damn tights.

Aizawa’s dazed in the head, but he knows he's listed it off aloud based on how your sights widen, impressed.

"Hmmm, tights do it for ya?” you smiled, “I'm surprised you haven't jumped the darling Ms. Nemuri then."

"I know way too much about Kayama to ever consider her that way,” Aizawa’s tempered hand twirled a finger along a blown-away section of hair, just absently enough. “You however, tease just enough."

"Do I tease you?” you offer with a little depth, “I don't mean to."

It’s here he’s worry he’s stepping over a line- if it weren’t for the downright delicious look in your eye. You say it like you’re sorry for acting unprofessionally– but you’re urging him on, hardly apologetic for your sweet posturing.

"You may not mean it, but it's not unnoticed,"

He took second to swallow, and steps fully over it.

"or unwelcome."

You’re pleased with this, but deflect with your trademarked humor-

"Well now that’s saying something. You've seen me in my pjs, too- far from glamorous. That didn't break the allure for you?"

Aizawa had to huff though his nose at that memory.

"I caught you at arguably your most real self, that first night you patched me up," His outstretched arm rubbed full circles onto your shoulder now, with the lightest touch.

“Still have no clue why you chose me over Recovery Girl. For the harshest grader in school, that was a pretty dumb move.”

“You were closer than going to campus. It was the practical choice.”

“You didn't even know if I knew first aid.”

“You do,” Aizawa smirked. “You're too nurturing to not have a knack for it.”

Your legs crossed over, deflecting both your words and refreshing your body movement. In doing so, you slid even closer- a move not lost on Aizawa.

“Well, I'm still not happy about it. You needed more attending than I was able to pull off. Whatever you get into those nights,” you flitted a look to the underside of his arm that lays outstretched –where you know he sports a scar now- “It… looked like it hurt, ‘Zawa.”

Warm. Warm and cared form. Felt it then, feel it now. That's the life in his chest he gets when he’s around you.

"Can't change the past, and I certainly wouldn't have changed that. Wouldn’t pass up seeing that sight of you for the world."

This connection, this dance, it all feels that it must be older than what it is, more rooted in a shared history than a short few months.

Aizawa wants to ‘get’ you. Know the thoughts behind your eyes. Get you talking, even if it means he needs to give up his silent nights and muted text alerts so he can learn you. He’s happy he gets this balcony happy hour with you, out from other’s eyes, to be able to water this sweet, small thing he feels towards you to fullness.

His eyes narrowed playfully, "Are you embarrassed right now?"

Out of this entire teasing exchange, that note seemed to surprise you and turned you shy. Short of clapping a hand onto your cheek, you just darted your gaze away- can you be cuter if you tried?

“h-Yeah, a little!" –though you tried to snark your way out of it, "you were hurt before, and blubbery- but now that we’re y'know– awake, and talking... Pretty faces make me nervous."

Nervous? Pretty? Aizawa doesn’t like the sound of either of those.

Aizawa raised a brow and gave a look, a touch more serious.

"Hey," He tapped your chin still with his free hand, "if you want me to lay off, you say the word."

Blindly, you hold his hand from retreating away– "No. You're good, I promise."

He’s drowning in you leaning into the cool touch offered to you–

“ Heh, I–uh… I’m pretty sure ‘friends’ don’t talk about each other like this, though.”

He couldn't be a coward now– not with you melting on the spot and giving him an insane amount of hope.

“Maybe not,” Aizawa reasoned gently, “-not if they’re content to stay that way.”

–then all of a sudden his heart soared at her next words:

"Well… I like this."

"Yeah?"

"Yeah. I like you, like this.” With your insistence for touch, you cupped his wrist in your own chill-tipped hand.

Hell yeah.

Aizawa huffs another win in his foolish heart, but then watches as you keep talking– you don’t break from your softness, but look reflective off to an absent point on his chest.

“It’s funny, y'know? Most jobs, you’d be lucky to find someone you would actually wanna talk to outside of board meetings and quarterly reports… but here in our line of work, you count on each other to save your lives.”

“That’s right.” Aizawa breathes.

“I uh.. never thought I’d be workin’ with kids- trying to keep them alive too. Teach them how to do the same. But I wouldn’t feel nearly as confident to do it, rise to the challenge, if it weren’t for you, ‘Zawa. You’re just as special. Inside and out.”

And when you look to his eyes again, fully awake and still sober, he swears he’ll say yes to any night Hizashi invites him to if it means he can have you this close. Things with you just feel lived-in. Companionable. He’s drawn to you in a way unlike others before you, because he didn’t believe he’s had the right, desire, or time to even entertain it.

But everything’s different now. It just works, in his mind. He wants to spend his respites, his missions, everything- with you at his side, having his back. For however long you’d let him.

Touching your cheek, cursing the helmet you’d have to wear on the way home that would hide this angelic face from him once again– Aizawa curls towards you, barely tipping his head which screams ‘kiss her you ass’. You notice, and follow his lead almost halfway.

“Yeah, I like you like this…” you sighed lightly, “--and I’d like us like this, too.”

"Hm. Good."

...the door to the patio swinging open from around the corner startles you both. Present Mic doesn’t know his strength as he projects for the block to hear, swaggering about in his search.

You looked flustered sitting back up, but Aizawa was characteristically unphased at the sight of Hizashi finally rounding with a singsong cry of his name.

Dammit.

"Hey kids, been looking for YOU, Miss America! There's some stateside artists on the karaoke lineup with your name on iiiiit- c’mon! I hyped you already to Nemuri– she didn't believe me that you sang with me for my English midterms!!"

"What?!” you blanched, “ Who said I was doing that?"

"I did!!” Yamada thumbed at his own brilliance, “ C’mon I'll do the first one with you!"

"First one– Dude, I don't need to be touting my Southern-ass self to a bunch of pros before I even make a name for myself here."

"This is HOW you'll do it! Come n’ wow them, break the ice- you’ll do amazing!" Yamada came to your side of the settee, tugging you up to your feet with little fight. "Tch, Sho, you're rubbing off on her, aren't you? Turning our sweet teach into a wallflower as we speak, huh?"

"She was doing me a favor- has an eye out for me when I needed an escape, unlike you." Aizawa droned, to your amusement.

"Yeah yeah fair enough. Now pleeeeeease, would you come inside? It would be so much fun!"

From the way you’re freshening your jacket collar, you’re warmed from the neck up, caught between what just almost happened and the current situation Yamada is putting you in.

You look to Aizawa just like you did inside– a glance, but it lingers longer than before. Like you are waiting to see what he thinks. If he’ll stay or go, should you leave.

But Aizawa isn’t so selfish like before. He doesn’t feel it necessary to keep you to himself, because he sees your affection so clearly in your eyes now. He hosts butterflies in his stomach, yes, but they aren’t frantic and flitting about wondering what you may or may not think of him- chronically tired and a contrast to the breath of fresh air you are. You see him as a companion, too. Someone he might just get the chance to study, and learn, and adore in return.

No, he knows you like him as he is. Knows you’ll choose to meet him where he stands. He can share you, and will simply watch on as you stun him even more...

The Pro-Hero is desperate for some eyedrops in all this wind outside, but he would grin and bear it if you choose to deny Yamada’s pull on you. So instead, he merely leans forward to perch on his knees, with a hand on the lip of both your drinks. What Aizawa says in his non-answer left it open to what you wanted to do. Stay or go, he’d follow suit.

Returning to the bright-eyed and bushy-tailed fellow teacher, you breathily gave in with your ‘ok’.

"YEAAAAAUHHHH!"

"Damn peer pressure."

"You said yes," Aizawa smirked.

"Oh if she’s going, you're coming in too!" Hizashi was already whisking you away, and Aizawa rose on his own, following your knowing smile over your shoulder and matching it.

With many forced karaoke and radio show nights, it’s Aizawa who braves the crowd and comes up behind you at one of Present Mic’s shows, stepping in from the balcony where you wait by its door. He’s fresh off of work, sporting a new scar across his cheek courtesy of his day job, this time.. but you greet him with that familiar scrunch of the nose that he still finds adorable.

It’s rare he leaves campus nowadays, because he feels the stakes are higher than ever for him to remain vigilant. His students are his life, and as proud of them as he is, they are a constant effort of his mind and strength. Rest doesn’t come easy, and his rewards for a job (passably) done aren’t found in many places.

One constant he has found helps, has been you.

You, still alluring as ever, but who makes sure he doesn’t fixate on giving and giving of himself until he breaks– but to take his rests, reset, and even take a little jaunt over to these radio shows when he has staff coverage back at the dorms. Gives you two some time to get nostalgic, sentimental– or as close as he can get to those mushy spots in his heart about the club where he wrestled out his feelings for you for the first time.

He smooths a hand across your lower back now, when he joins you. He’s held onto your hands when they're cold, giving you whatever warmth he has. He knows each and every gap on your resume, partnered with you out on the streets, tag-teams in his classroom with this plucky 1-A Class he now leads, and is content to let you fill his thoughts when he wants to rest his eyes.

He doesn’t fight his affections now. Still would rather not simper in public too much because he’s quite averse to being the center of tabloids’ attentions, but stands by you all the same.

"I'm surprised to not see you up there,” Aizawa greets, cool as ever.

You lean on a hip, closer to him.

"He's got his sets lined up today, didn't ask me-” You speak a little louder over the crowd, “I swear, your cockatoo still acts like I'm some gift from the heavens, just ‘cuz I can sing!"

"It's earned. You deserve every bit of it, and not just from Hizashi."

You turned over to him shyly, drawing his attention further– your tendencies to melt under his words encourages Aizawa to compliment you directly. Often. Whatever it is about his voice that you say you’re obsessed with, he still doesn’t understand– but he uses it to full advantage as he robs your drink from your hand,

"I happen to think you have a gorgeous voice," Aizawa speaks low to your ear. “You should sing at home more often.”

“Please. As if the kids would ever let me live it down.”

You refer -of course- to the twenty shared students between you, taking them all in stride since you’ve sufficiently bonded through fire alongside them.

“That’s teaching for ya. Gotta push yourself beyond, plus ultra and all that.”

You chortle back in your throat, risking a kiss on his etched cheek to counter his snide remark,

“You’re off the clock, ‘Zawa. No more hero talk, huh?”

Aizawa cocks a brow, stealing a sip, “Sorry we can’t all turn it off like you, dear.”

The comment has you biting the inside of your mouth at the tease, and allows him a quick moment to press the glass’ condensation against his eye.

“Want some air, hon?” you try again, softer than this atmosphere should allow.

Looking back at you -your hold on his elbow ready to guide him outside just like the first night- and Aizawa doesn’t need any more sips of the whiskey he holds.

The retreat to ‘your couch’ is one he looks forward to any chance he gets. Bass boosted from the speakers inside becomes background noise that dulls his senses, doubled by the way you cozy up under his arm watching the skyline shift in light and color in comfortable silence. You trade roles with him: taking watch while he shuts his eyes for some restorative hydration.

But before he gets too terribly relaxed by your weight settling his aching muscles to stillness, he registers a warm press to his mouth that he’s quick to chase after. That’s a satisfying thought, too: he doesn't have to imagine what it'd be like to kiss you anymore.

#shouta aizawa x reader #shouta aizawa #aizawa shouta x reader #aizawa shouta #shouta x reader #aizawa x reader #mha fanfiction #my hero academia #boku no hero academia #mha x reader #bnha x reader #mha #bnha #aizawa fluff #mha aizawa #bnha aizawa #aizawa my beloved

155 notes · View notes

tbaluver · 6 months ago

Text

What Video Game/ Genre The Hashira's Play- Demon Slayer

a/n: just a silly idea bc my head is filled with gaming brainrot esp dress to impress

any likes and reblogs are always appreciated! enjoy! <3

genre: silly

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

Giyu:

He's honestly a chill gamer and mostly just there to have fun and make friends. But never really chats with anybody unless someone talks to him first.

He duo's with Sabito a lot on games. Whatever games Sabito recommends to play, he'll play it. Sabito mostly carries him in FPS ( first person shooter ) games.

One time Sanemi and Obanai were on the enemy team and they won. He would be confused on why they would curse him out every time in the chat saying he was to 'easy' or that he sucks.

Sanemi:

Plays a lot of video games especially during his childhood. He would share his DS or Gameboy with Genya a lot during their childhood.

Mainly plays FPS games or any combat games. Literally anything competitive.

Mostly duo with Obanai in FPS games. He would curse Giyu out with Obanai anytime they would be on the opposing team.

Tries to play with Genya and he tries his best to not rage but eventually he does either at the game or at Genya. Ironically tells Genya not to play games like that anymore because people in the lobby can be toxic.

Would get in trouble a lot from yelling so much at the game at night.

Obanai:

Has played Overcooked with Mitsuri many times. He does not yell at her at all and is super patient when they do not get any stars on the hard levels. They would plan strategies together on how to defeat a level.

Sometimes plays FPS games but only when Sanemi asks him to get on. Will type mean things in chat with Sanemi whenever he sees Giyu on the opposite team.

Misturi:

Has so much fun playing overcooked with Obanai and they are so close to finishing the game. Would make comments about how if she were to drop food in her restaurant she would not serve it to her customers or how she would love to make a recipe like that in real life.

She would play cooking games like Cooking Mama or Good Pizza, Great Pizza. Would literally give a generous amount of toppings on Good Pizza, Great Pizza and would already have 5 stars in her restaurant.

Plays other games like Episode or The Sims or Just Dance. Would have the cutest family in the coziest home that she made on The Sims. She would also be really good on Just Dance.

She would also play Otome games because men irl suck and Obanai won't confess to her yet.

Tengen:

He would be really good in Osu! or any rhythm game. Has also played Fortnite Festival and has the top score in all his friends lists.

Duo with Rengoku often in FPS games. He would also have a big ego when playing any competitive match. "I'm a god in this game"

Rengoku:

Plays a couple FPS games and duos with Tengen.

Plays with his little brother and helps carry him in any game he needs. Usually just loves to spend time with his little brother and plays whatever game he wants.

Played with Sanemi and Obanai a couple times. Sanemi would yell in the mic and have his ears ringing so Rengoku wouldn't notice how loud he actually talks on the mic until Sanemi yells at him.

Shinobu:

Not the biggest fan of playing video games on her free time.

I don't know why but I think she could have fun playing horror games or likes playing chill games like Stardew Valley.

She tried to play an FPS game and played the role as a healer and never picked up the game ever again.

Muichiro:

Would have a hand me down of a DS or gameboy and have loved video games every since.

Have played a lot of video games and plays a lot of games that are trending.

Right now he plays a lot of Minecraft and Roblox.

Teaches the Kamaboko Squad on how to play. They would have a realm and try to beat the enderdragon together.

Gyomei:

He's blind but I feel like the kids would include him in an game they play. I feel like he would like playing story games where choices matter. He would carefully pick the choices and actions so he can save all the characters.

216 notes · View notes

uhmimlost · 7 months ago

Text

Simeon has always been one of the most interesting characters in Obey me moreso because he doesn't seem like what he shows on the surface. (Spoilers ahead)

He was originally demoted to an Archangel after being a Seraph alongside Lucifer.

(This whole conversation between them was just sooo good, the mutual agony and the need to comfort each other)

He always talks openly about things he disagrees with even if he knows it opposes his higher ups, he (seemingly) did it after the war and he did so when Raphael announced Lucifer's judgement at Cocytus. All of this despite him genuinely being scared of God (it honestly seems like that is about the only thing that scares this man).

It's very melancholic how Simeon talks about the bonds the brothers have and how he is close to them but never had a chance at being 'a part of them' per say. He yearns for that kind of closeness and love and bonding and it's almost heartbreaking to think someone who often masks his emotions and how he feels had to deal with losing people so close to him so publicly.

And the fact that he didn't want it to happen again, (in this case Lucifer and MC) so he 'borrowed' the ring of light from Michael because he knew he would not be able to get it if he asked directly, all because he strongly believed that's the right thing to do. He does what he feels is right, no matter what and always speaks his truth.

He knew there would be consequences to him doing what he did, but he did it regardless and owned up to the consequences and blamed no one for it.

Here's some of my other favourite things about his character;

1. His relationship with Lucifer

His dynamic with 'Lucy' is genuinely so heartwarming. They seem to know each other too well and feel very comfortable around each other. They know how the other thinks and always seek each other out for advice or chats. It's always fun to see how cheeky Lucifer gets with Simeon and the other way round, both of whom don't show this side of themselves easily. The way Lucifer tries to act all indifferent but was probably the most concerned alongside Solomon when Simeon lost his powers.

2. Nobody can tell what he's thinking; he masks his emotions really well

Diavolo himself talks about how he thinks Simeon is hard to read and in fact difficult to talk to. It's an interesting dynamic in itself because Simeon's the kind of person who has no enemies but there is some level of discomfort distinctly visible amongst the two.

He also has wrath as his attribute, an emotion he does not openly show as often. It's actually quite funny because while he's running his cafe we see time and time again his anger is something everyone is terrified of.

Even in the latest chapter he's struggling but when asked is like nah I'm good. He's very playful in his demeanor, and although immensely kind and patient, he still lacks certain 'angelic' qualities considering he has also been selfish and deceptive.

3. Simeon is a source of comfort to everyone

He's a source of comfort to both Luke and MC and has time and time again been the source of advice and a confidant to MC.

He also made Solomon feel like he has a place to call home and people who care for him (filling some part of one of the issues at the core of Solomon) He goes out of his way to look after this whole grown ass adult.

As Lucifer put it, his ability to get the brothers to calm down with his kindness and quick thinking is something very unique to him.

Lucifer also talks about Simeon really being the only 'normal' one and someone he can talk to in the celestial realm.

----------

All in all I feel like there's a lot more I could talk about him, but feel free to add more to this. Man needs all the love he can get right now with all that's happening to him. :)

#obey me #obey me nightbringer #omswd #obey me simeon #obey me side characters #obey me lucifer

284 notes · View notes

celaenaeiln · 1 year ago

Note

Hiii, I don't really know if you made a post about this or not, but can I ask what you think of damian and dick's relationship? you have a really deep insight on the bat family's relationship, so I'm curious on how you would describe those two

Damian and Dick are probably the most important to each other in the family with the other being each other's most favorite person in the world. Dick is Damian's father, brother, mentor, and best friend. Actually it's reflective of Dick's relationship with Bruce but none of the toxic expectations and brute force of misplaced responsibilities.

Dick is loving and understanding of Damian and he's able to read him before Damian can even express his words.

For example, when the Black Lantern things open the caskets of Martha and Thomas Wayne, Dick asks Damian to help him wrap up the bodies but-

Blackest Night: Batman Issue #1

He's able to anticipate and take care of Damian before Damian can even tell him what he's thinking. That's the level of love and understanding Dick has of him.

Damian is insanely protective over Dick. When Deadman, Boston Brand, jumps into Dick, Damian gets super protective of his Batman.

Blackest Night: Batman Issue #1

Also Dick CANNOT STAND IT when someone hurts or insults Damian.

Blackest Night: Batman Issue #1

Honestly I think Dick loves Damian's sass. Even when he says he wants to kill people Dick's just like, "not today another day kiddo" which is just super heartwarming when you hear their banter.

Anyways, Dick and Damian have the funniest back and forth!

Batman and Robin (2009) Issue #21

Damian values each and every word of Dick's.

Batman: Streets of Gotham Issue #1

While Damian respects Batman for what he created and wants to be appreciated as his son, Damian just loves Dick for who he is. I know some people think Bruce may be jealous of Dick and Damian's relationship, and while it's possible, I think Bruce is just super proud and happy. His greatest joy in life comes from Dick succeeding and he would have found it weird if Dick and Damian didn't get along because he inherently believes that Dick is the peak of goodness.

What I love most about Dick and Damian is that Damian is always shown as a loveable kid when he's with Dick. In the Batman and Robin (2011) comics with Bruce and Damian vs the Batman and Robin (2009) comics with Dick and Damian, Damian is much softer. Part of this comes from Bruce's refusal to treat him as robin originally, but their interactions are more stilted than the easy-going and funny ones between Damian and his big brother. But here's where it gets interesting. The writers write the characters in terms of how they would react to each other. What perception they would have of each other. So subconsciously the writers are creating the characters based on how they look at each other - meaning, Dick only sees Damian's good sides and finds his darker ones humorous whereas Bruce sees more of Damian's darker sides and has to rework himself to acknowledge Damian's growth.

I find that so fascinating how a character's personality in accordance with their relationships feeds back into the writer's writing rather than the writer influencing the relationships.

The most Dick has said about Damian willing to kill criminals is-

Batman: Streets of Gotham Issue #3

Another reason why Damian values Dick aside from being on the receiving end of his unconditional love is that Dick treats Damian like an equal. Dick doesn't command Damian to stay at his side at all times, he send Damian to do one task while he finishes up the other half. This indicates the amount of trust and faith he has in Robin's abilities and Damian in turn respects that.

Something that needs to be brought to attention is that just as much as Dick stops Damian from killing people, he is also his number one aiding and abetting partner.

Nightwing (2016) Issue #1

I LOVE THE MEAN LITTLE GRIN ON HIS FACE!!

My favorite part is Dick makes time for Damian just to have fun. He's a mentor and a father, but he's also the best brother someone could ask for.

Nightwing (2016) Issue #4

Honestly Gotham War Issue #138 was so confusing to me because there's just no way Damian would pander mindlessly to receive Bruce's acceptance. He literally broke from Batman to become his own person - he ran away - and suddenly he's back and begging for Bruce's love?? Even fighting over Dick is fine but the lack of connection between them?

Damian is single handedly the most important person in the world to Dick.

Damian is Dick's son.

Robin (2021) Issue #5

I find their relationship special because this is the only in his entire time life that Dick has ever given away a family momento of his own volition first. His parents and his background mean the utmost to him; he cradles the memories with longing and love. But inspite all this, he's giving away the last piece of family history. No, giving away isn't the right word. He's passing down his legacy. Damian is his son, he's literally inheriting the Grayson legacy in the way that only Dick can give. Bruce gave the kids Dick's mantle but he cannot give any of them Dick's history but Dick gave that to Damian. That's beautiful.

He straight up says it too

Nighwing (2016) Issue #20

"When your dad came back, there was a moment I thought it would be better for you if you stayed with me. As my partner. As my..." "Really?" "Yeah."

DC SAID DICK AND DAMIAN FATHER AND SON RIGHTS AS CLOSE AS THEY COULD WITHOUT TAKING AWAY BRUCE'S BLOOD CLAIM.

Damian considers Dick his father.

Nighwing (2016) Issue #18

"Finding a new life. Considering a child to replace me. I don't know what I will be...alone. I need you here, Richard."

"Considering a child to replace me. "

Damian is heartbroken at the idea that Dick will have a kid and move on.

He loves Dick so much he goes all the way to Bludhaven just because he loves and misses him after Bruce took over as Batman.

Nighwing (2016) Issue #20

Batman Incorporated (2012) Issue #8

"Are you with me Nightwing? The odds are completely against us."

"When did we ever let something like that get in the way? Robin the boy wonder, Damian."

Batman Incorporated (2012) Issue #8

"So far I'd say you've been my favorite partner. We were the best, Richard. Not matter what anyone thinks."

Robin (2021) Issue #5

Nightwing (2016) Issue #20

The world can stand against Damian but Dick will always be on his side.

Which is a problem in recent DC works because

Dick & Damian:

og panels Batman & Robin (2009) Issue #17

#honestly I didn't even do them enough justice: but I also couldn't upload entire comics either #their relationship moments are spectacular - all of them #dick grayson #nightwing #damian wayne #robin #batman dick grayson #damian grayson #damian wayne loves dick grayson #dick grayson loves damian wayne #cl anon asks #thanks for the ask!#cl asks

707 notes · View notes