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regrettablewritings · 4 years ago

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Animatic/Storyboard Music

Got bored/procrastinate-y on coloring in this ultra intricate card for my mom. So I’m just gonna make a list of songs I think make for good animatic material. Because why not/I wanna foist my musical tastes on people/ @locke-writes got me in a music binge. For the most part, it’s just gonna be me explaining the meanings or the vibe or what they generally tend to be used for, but really it’s mostly subjective so imaginate whatchu wanna.

“Trust Me” - The Devil’s Carnival Originally depicting a story about the Scorpion and the Frog, it’s the perfect song for when you want to depict the dynamic between a gullible or at the very least more grounded character and a figure whose intentions . . . may be less than pure. Or good for anyone, really.

“The Dismemberment Song” - The Blue Kid I have a playlist dedicated to songs whose content and sound are just . . . not married to one another, but got a weird flirtationship situation going on. Anyway, I’ve seen people say that they like to imagine it’s sung through the POV of a scorned housewife who’s finally Had Enough™️. And . . . They’re really not wrong for it. Really, though, it’s just the right song for when a sadist is just ready to gut a fucker but is disturbingly jolly about it.

“Love Me Dead” - Ludo Continuing with my trend of songs about people in less than ideal situations, “Love Me Dead” is straight to the point: The relationship is just awful and the guy gets nothing from it, but he can’t help but be hopelessly in a state of adoration for the woman he’s latched on to (“You’re born of a jackal! YOU’RE BEAUTIFUL!!”)

“Constellations” - The Oh Hellos There actually isn’t a plot to this song, it just feels really good (as all songs by The Oh Hellos are prone to be). However, if you feel a need to portray the concept of having to reorganize your thoughts after realizing that maybe they weren’t what you initially thought, and then coming to the conclusion that even though everything changes as a result, you’ll be alright? This is the song for you.

“A Kindling of Sorts” - The Oh Hellos An instrumental piece that is like . . . It’s related to another song of theirs about nationalism called “Torches”, so make of that what you will. (I personally have been using it to imagine storyboarding an opening for an animated The Witcher series.)

“The Other Side” - The Greatest Showman I know everyone and their mom has used this to portray situations like villains trying to get good guys to join their side. But I dun curr, it’s a fun song. That, and I like what Emilyamio did with her interpretation. It’s fun. For a basic rundown, know it’s another song about two characters’ dynamics being explored, with one coming to the other with a proposal that they join them in whatever endeavors they have in store. It’s often portrayed as something evil, but it really doesn’t have to be, as the original context was more about letting loose than anything.

“The Thief and the Moon” - Shawn James A much more mellow piece. Simple and straight to the point: A thief tells the Moon that he plans on stealing her light to shade the world in darkness. The Moon insists that the thief would only doom the world by doing so, to which the thief clarifies that he doesn’t care; if the world is shrouded in shadow, it means he will be able to steal with more ease (“My very existence is a race to attain wealth”). Disgusted, the Moon essentially curses the man with a warning that his greed can and will bring about his end -- and leave him to be forgotten by the rest of mankind, once it happens.

“Villainous Thing” - Shayfer James I’ve seen people say that this song is about singing to a cadaver but I can’t quite find anything confirming that (translation: I’m too lazy to look too into it). Regardless, it’s a fun ditty that yet again portrays someone with less than pure intentions encouraging someone to join him in some good old fashion villainy, as they’ve clearly endured their fair share of hardships and surely wanted to do evil anyway (“You’ll find no ever after here, it’s clear that isn’t what you came for“).

“Necromancin Dancin” - Bear Ghost Straight forward and fun as fuck: A necromancer apparently seems to cross classes and try his hand at barding by not only raising an army of the dead, but by also making them dance in order to make conquering the world easier. Because . . . a body doing Disco Duck isn’t scary, I guess.

"Aquaman” - Walk the Moon A song about one half of a couple wanting to become more involved in their relationship, but still having some nervousness about doing so. If you somehow haven’t heard this song yet, you gotta because it’s the cutest shit.

“Jenny’s Tale” - Ren I’ll be brutally honest, it’s about a woman named Jenny who just wants to get home after a long day of work and an unfortunate encounter with a 14 year old named Screech who gets way in over his head. As in, like, a death happens. That being said, I need. Like. An animated music video of this song. I imagine this shit in gritty charcoal or painted on glass, it just needs this. Somebody who isn’t me who knows what they’re doing, please look into this.

“The Curse of the Fold” - Shawn James As cheesy as it sounds, it basically boils down to not giving up or yielding. But what makes it so cool is the fact that Shawn James makes all his songs basically sound like a western gothic soundtrack. Which helps, because he admits that the title is also a reference to poker, in which giving up too often or too easily can often rob you of a delicious reward gained through perseverance and sacrifice.

“Thank God I’m Not You” - Himalayas I prefer to imagine this for an arrogant asshole of a character. Because that’s exactly what this song is about: They’re a liar and a thief, they’ve been called the son of Satan, and yet they consider themselves lucky -- ‘cause at least they ain’t you! If you have a character in mind who’s a delightful, punchable little shit, this is probably either their anthem or at least on the playlist you inevitably made for them.

"Passerine" - The Oh Hellos So there’s a common trend in The Oh Hellos’ discography that tends to explore the two founders’ experiences with faith and their growth in how they understand it or recognize it. With “Passerine”, the concept being explored is the experience they had when it came to taking a step back and realizing just how many of their supposed “fellow Christians” were actually doing some rather unchristian things, so to speak. When they “prune[d] their feathers”, it became clear that they had less in common with certain people proclaiming to be Christian while also spouting bigotry and greed. However, the desire to move away from such influences comes with the feeling of being torn, as moving too far away from the Bible leaves the singer feeling as though she is betraying something she holds dear. As a result, “Passerine” symbolizes not a breakage from faith, but a breakage from blind faith as they understood it, and the inevitable feeling of being torn that comes along with expanding upon how one views their beliefs and those around them. It’s therefore not uncommon to see Good Omens animatics using this song. (Something I also noticed is that throughout the song, you hear pieces of “Constellations”. TOH have a tendency to reference previous pieces, and considering “Constellations” is a song about changing perspective and the meanings we apply to them, it fits in beautifully with a song about reevaluating one’s stance.)

“Like the Dawn” - The Oh Hellos As stated before, a lot of TOH’s discography draws inspiration from their faith. In this case, it’s an outright retelling of the Garden of Eden, specifically when Adam awoke to find Eve had been created. What makes this iteration stand out to most, however, is that the singer is female, which seems to change the vibe you get. It sweetens the feeling of wonder we often forget the first man might’ve felt upon seeing somebody made for him, creating an air of beauty yet comfort with such lines as “And like the dawn, you broke the dark and my whole earth shook” or “You were the brightest shade of sun I had ever seen.” Even without the awareness or an interest in religious influences, it still manages to be a very feel-good song -- which is the mark of an overall good song in general!

“Confession” - RED Dealing with the constant battle of feeling ashamed that how you feel on the inside isn’t in sync with how you present yourself on the outside. That you should feel bad for smiling out at the world while screaming and thrashing -- like it’s a lie. But you can’t help it: It’s what you’re accustomed to. Though it does end on a hopeful note with the singer deciding that they want to reach out for help and rid themselves of this feeling of pain they have inside.

“When I Grow Up” - Matilda . . . Only if you want to cry. Seriously. When you’re a kid, everything seems difficult but you’re positive that once you grow up, everything will change: You’ll be tall enough to climb the trees you were too small to, you’ll be able to carry everything because you’re stronger, you’ll be brave enough to fight the monsters hiding in your room, you’ll finally have all the answers. . . . But life isn’t that simple. We wish it were, but it isn’t. There’s this bittersweetness about this song, about a sense of purity we unfortunately grow out of where we think things will be just the same enough for us to do what we want when we want, but things are more complicated than that. We still struggle to reach, to bear the weight, to not be afraid, to have even a fraction of the answers. But! We’re reminded that just because we’re told life isn’t fair, doesn’t mean we have to take it. After all, nothing changes when nothing happens. And even beyond that? It helps to remember that we’re never quite done growing up; there’s always more to learn, so remember to be patient with yourself.

“Hand Me My Shovel, I’m Going In!” - Will Wood and the Tapeworms This is . . . a song. The lyrics are honestly kinda all over the place and shooting rapid fire, making it a bit difficult to discern what exactly the singer is going on about. It makes for a pretty crazy song that suggests somebody’s going unhinged, which is apparently precisely the intention?? I’ve seen a lot of people interpret this as a song about a guy who is already at a low point in his life but nonetheless is going, “. . . I bet I can go deeper. Hand me my shovel.”

“No Reason” - Beetlejuice God if i had a youtube channel the segment i would spend on this song would be so juicy just ripe and thicc with thoughts and feelings i tell ya rich like a fresh fatty peach the apple that tempted Eve and gagged Adam yes ‘Nother song that explores the dynamic between two differing people and their worldviews. At its simplest, “No Reason” is about two opposite ends of a spectrum coming to a head: Idealistic and hippie-dippy Delia is convinced that everything happens for a reason, while cynical and depressed Lydia asserts that everything happens at random and it doesn’t matter anyway because we’re all going to die. And even though the delivery is ultimately a comedic one, you get more insight as to why one another feels the way that they do: Lydia, as we’ve previously learned, has recently lost her mother to an illness, which has left her depressed and feeling invisible (a theme in the show); whereas Delia’s failed marriage and desperate attempts to nonetheless be happy have left her dependent on the idea that these things had to have happened for a reason, otherwise, her pain would’ve been for nothing. What’s important is that neither side is actually appointed as the winner, with the song ultimately ending that the universe is random for a reason.

“Barbara 2.0″ - Beetlejuice Without spoiling anything (or at least too much), “Barbara 2.0″ is about growth. It’s about learning to put your foot down after a literal lifetime of being passive out of fear of what might happen and just accepting that nothing will happen if nothing happens -- but that doesn’t make whatever happens good.

“Bleed Magic” - IDHKBTFM It’s either about a killer or a vampire. No, seriously: When Dallon Weekes was asked about what the story of the song was, that was his answer. I personally prefer to think of it as a vampire or demon of some kind, given that the song came out around Halloween. Perfect for yet another example of somebody (likely supernatural) having an upper hand on an unsuspecting mortal. ...I have way too many of these on this list, I swear I don’t have a problem —

“Feel Good Drag” - Anberlin A toxic relationship of sorts. In that it shouldn’t be a relationship to begin with. Depicts the singer being approached by an ex, who seeks a one-night stand while her current boyfriend is out of town. However, the singer is aware that trying to continue anything regardless of the situation is a moot point: Even when they were together, their relationship was doomed from the start, and nothing about that is going to change -- especially now.

“Soviet Trumpeter” - Katzenjammer (It’s kinda difficult to work with this one but I’ve seen people work with less or stranger.) Based off the life of one Eddie Rosner, a Jewish Polish trumpeter whose fame within the USSR unfortunately faded due to the Soviet Union’s heavy censorship. Even if nothing is to be done with it, it still paints a melancholic picture of a talented man’s skills being largely unknown as a result of things beyond his control. All wrapped up in a song that denotes a strange deterioration in a way I can’t quite place.

“Apple Blossom” - The White Stripes On its face, it’s a very sweet song: The singer encourages his beloved to be vulnerable enough with him to tell him her troubles and to let him “sort them out for [her]”. She’s clearly saddened, and seeing so distresses him to where he insists that he will do whatever he can to make her happy. However, the tone of the song and certain lines make it easy to twist into yet another song of a character attempting to seduce somebody into a state of vulnerability . . .

“You’ve Got Possibilities” - It’s a Bird, It’s a Plane, It’s Superman The one singular song people actually liked from this forgotten musical. Perfect for when somebody intends on giving somebody else a makeover. Y’know, after totally roasting them on their posture and clothing. If you want to add a lil something extra, know that the context is that a lady wants to give Clark Kent a makeover, insisting that in spite of his schlubby appearance, there’s gotta be something underneath. I repeat: She is telling this to Clark freaking Kent.

“Still” - Anastasia In the context, the show’s antagonist (not bad guy, there’s a difference) finds himself torn between obligation and personal interest: Does he fulfill his duty and live up to expectations set upon him by his father and the society he’s been selected to help uphold? Or does he let a woman he has become fond of go? Is she truly as innocent as she claims? Or is she well aware of what she’s doing? And every time he thinks he’s reached a conclusion, he can’t help but thing, “But still . . .” Good for when you want to portray a character conflicted between obligations of politics and what their heart wants.

“Two Nobodies in New York” - [title of show] Two young men plan on entering an upcoming theatrical festival but struggle with what to even submit. This song in particular focuses on them trying to figure out what to even write, the concept of fame, and if wanting the certain things that may come with fame can mean anything from being sell-outs to getting a sitcom. It’s admittedly specific, but it’s a cute and funny interaction between two guys who are, for the most part, actually in sync with their thoughts and anxieties. For the time being.

“Into the Unknown” - Idina Menzel Look, I refuse to watch that movie. I just do. But I will take this song over That Other One any day. Mostly because I personally like to imagine that the singer in this song is about to embark on a Pixaresque journey after accidentally leaving her home during the night of The Wild Hunt, accidentally separating her spirit from her body and thus giving her a very limited time to get back to it before she remains a soul trapped in a whirlwind of ghosts forever. But first: Let’s sing about that strange howling that coaxes her so.

“You’re Gonna Go Far, Kid” - The Offspring I sure do long songs that can characterize a shithead . . . Anywho! The smoothest way to go is just to portray some cocky, manipulative shit who’s used to just lying and cheating their way to get what they want before slipping away without any consequences -- to a point. There’s the option of portraying the betrayer’s comeuppance, but there’s also the frustratingly delicious option of just letting them get away with whatever to lie another day.

“Why Should I Worry” - Billy Joel When in doubt, go to earlier Disney. Because like it or not, they had some bops. And when in the need of portraying a happy-go-lucky (probably idiotic) doofus and his more neurotic or cynical friend going about their life with the former just Mr. Magooing it while the latter suffers more realistic consequences? You go with this song. If you want. That’s just me.

“Transformation” - Brother Bear For when you want to invoke a mystical or otherworldly feeling. There’s really not much more I can say except to encourage you to listen to it and watch the scene if you can find it. You’ll get the vibe.

“No Girl’s Toy” - Raggedy Ann and Andy: A Musical Adventure It’s a big shame this movie is relatively unknown and never got a proper VHS release or anything -- mainly because the music in this cult classic is definitely stuff I could see becoming standards. I could see people performing “I Never Get Enough” for little shows, or recycling “Blue” for a different show. Thankfully, somebody was able to upload a clear enough sounding recording of “No Girl’s Toy”, so at least we have that. In context (just...follow me on this), Raggedy Ann’s brother, Raggedy Andy, has had enough of being subjected to “girly things” while in the nursery. Additionally, though, the way the song was written means it can also be interpreted as just a guy who refuses to let himself be yanked around regardless of how thick the sugar being laid on him is. . . . If you wanna poke fun as a character for trying to appear tougher than what he is, here’s the song. (That being said, Andy is a sweetheart at the end of the day. No amount of tough-fronting will hide that.)

“I Enjoy Being a Girl” - Flower Drum Song (It is by sheer coincidence that this song follows the above.) Really, it’s exactly what it says on the tin: The singer enjoys being a girl and what all it entails for her. She loves her feminine form, she loves the attention she gets, she loves dolling herself up, she loves frilly dresses, and she hopes to one day marry a guy who enjoys “having a girl like [her].” And honestly? Good on her! Love whatcha love, lovely! Seriously, though, it’s a cute song for anyone who just wants to indulge in some girliness.

“Chip on My Shoulder” - Legally Blonde Come on: It’s Legally Blonde. You know what this bop is, or at least have an idea of it. But since I love this song, I’ll indulge: Disheartened by her failure to both win back her ex and succeed in the fast-paced environment of Harvard, the normally bright-eyed Elle is ready to call it quits. That is, until junior partner Emmett gets involved. Unimpressed by her story, Emmett reveals that he got to where he was by busting his ass due to having a chip on his shoulder from his rough beginnings — and maybe a chip on the shoulder is exactly what Elle needs to survive. And as somebody driven by spite, I can appreciate that kind of message. Anywho, it all in all is a song about growth and learning how to be “driven as hell” to keep up with an opportunity that may not be easy to take, but is not one to be passed by.

“What Do I Need with Love?” - Thoroughly Modern Millie “What Do I Need with Love?” asks exactly that: He could date a different girl every night of the week if he so wanted, and never once had any desire to go steady before. He considers himself lucky to have never fallen for anyone -- until now. Which he’s not! He’s not in love. ...He totally is and, by his own admission, he’s got it bad it’s terribly adorable.

“Interlude IV” - Zach Callison The entire album is actually a narrative about a failed relationship of Callison’s and I’m sure the other songs are just as great fuel for animatics -- I’m just too caught up on listening to this one over and over. Sometimes, we just wanna listen to Steven Universe cuss and be openly furious. Seriously, though, even without the context of the rest of the story, you get the idea well enough: A spiteful Zach decides to get back at the one that broke his heart in such a painful way, whereas a well-meaning friend insists they just leave it be and move on. While this technically would be the better and healthier option, Zach is just too far gone with rage to let it go and decides to take care of things by himself.

“Evermore” - Beauty & the Beast Look, I know the remake wasn’t anything crazy. But also I don’t honestly care too terribly much. Besides, this song was nice and it really gets me after that key change. We all want a royal doofus to be enamored enough with us to let us go for our own happiness but still know that their life will forever be changed because they met us. Animate that shit. Over and over.

goddamn this list is long lemme just stop this now byyyyeeeee

#long post #boop #music post #sorta

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dukeofonions · 4 years ago

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Thoughts on the new Asides

Alright, I’ve watched the new video three times at this point and finally have my thoughts together. Also just in case anyone was wondering no.

No I did not get breakfast magically delivered to me and had to eat a bowl of cereal.

Oh well, there’s always next time.

Anywho, spoilers below if you haven’t seen the episode yet I would not recommend reading this.

Ready? Let’s go.

So what are my general thoughts here, I loved it. Sure there were some things that didn’t make sense to me writing wise but overall this was an adorable, funny episode that provided us with a nice break from all the angst of the main series.

Now to get into the nitty gritty.

Right off the bat the art for this was just amazing. Honestly the idea to make this episode as an animatic was a brilliant move. Not just because of how things are right now in the world (but we don’t wanna think about that) but using this form allows the characters to interact in ways that they can’t when filming live. We got to see Roman and Virgil engaging with the world around them and how they interacting with Thomas when he’s not at home. It also gives us an idea of what the world of Sanders Sides is like. Everyone acts a little more cartoony, but it still feels like the real world as well.

Also the expressions on the characters, even the background ones, were perfect. You could tell so much from a quick expression or body language and as an animation nerd, I was in love from the get go. Honestly the team should think about utilizing this format more with these Asides as it allows more freedom for the characters which can help aid the story and can be used for comedy. Not saying every episode should be animated, but if they have an idea that they simply can’t achieve in live action, they now know that this format works.

And now, on to the characters.

So this is a Roman and Virgil episode, none of the other Sides make an appearance or are even mentioned. (Well I guess Janus is vaguely referenced with all the talk of lies going around) But I can understand their absence even though I would have loved to see them even briefly like how Remus and Janus were in Are There Healthy Distractions but besides one character (which I will get too later) I didn’t really mind and it didn’t take away my enjoyment of the episode.

As usual, Virgil and Roman have a great dynamic and are hilarious with how they bounce off one another. I do question the timeline of this episode given how relaxed Virgil is around Thomas, considering the last time they were together they weren’t on the best footing and he wasn’t present at all during Putting Others First. But I’ll probably make another post about that.

Starting with Virgil, it was fun seeing him act more like his pre-AA self. Getting onto Thomas’ case about every little thing was both hilarious and way too relatable (like way to call a dude out) and him explaining introvert culture was just *cheff’s kiss* It was nice to him slightly more laid back and worrying about something else other than whether or not Thomas is a good person and keeping a dark secret about his past hidden. Also the ending with him openly celebrating with Thomas and Roman was adorable. We’ve never seen Virgil with his guard down like this, letting himself be genuinely happy in front of the others. He always hides that part of him and seeing him like this just warmed my heart because that means Thomas himself isn’t feeling anxious and is allowing himself to enjoy the moment. Sure there are some moments of doubt here and there, but it was overall a great scene and I was glad they gave us a scene with them in the apartment.

Now Roman? Oh my gosh I needed an episode where he got his happy ending and it has arrived! Considering the punch to the gut that was POF’s ending I was ecstatic to see Roman finally, finally getting something he wanted. Think about it. Roman recently gave up the callback, which he wanted more than anything, only to have it all blow up in his face and be told that his sacrifice was all for nothing. Like, ouch. But here we see him once again pursuing something he wants, and he actually gets it! He probably thought it was going to be yet another loss for him, all their efforts were for nothing, but it wasn’t! That’s one thing I love about Roman, no matter how many times he loses he never stops trying. Even when he gets knocked down to his lowest he won’t hesitate to grab the next opportunity that comes his way. And as we can see, that will and determination has paid off.

Of course we can’t forget about Thomas himself. He’s so lovable in this, trying to just get through what should be a simple shopping trip at the mall only to have the most minor things continue to interfere with that. We don’t ever really see Thomas outside of his apartment so it’s nice to finally have an explanation for that. The focus of this episode though is his attempts to find out more about the handsome stranger across the food court and work up the nerve to talk to him. One of the funniest parts of this episode (in my opinion) is when Thomas comes up with the brilliant idea to use the stickers and pins as a way to start a conversation (which honestly could have been sparked by Logan who’s had enough of this) only for it to be shot down as a horrible idea because, what else would anxiety tell you? The monologue in the bathroom was another highlight of this episode and just, gosh Thomas’ acting here is just great. Even though we can only hear his voice there’s just so much emotion put into it. It honestly sounds like he’s crying in some parts and I loved it just as much as the bathroom guy did.

And finally, last but certainly not least, we have the wonderful Nico Flores. I did not expect to love him as much as I did but like, my gosh how can you not? He’s that perfect mix of cool while still being a bit of a dork. Like did he just grab a stranger’s food and wander around looking for them to return it? Had he noticed Thomas go in the bathroom and was just awkwardly standing around waiting for him to come out? His relationship with Thomas is already super cute and I hope that he becomes a recurring character and love interest for Thomas. (Note when I say Thomas I am referring to character!Thomas and not the real Thomas) Seeing as Thomas (now referring to the real one) said this episode would be important to the plot of Sanders Sides, I think it’s safe to assume Nico will be making a return and I for one can’t wait to see more of him, along with seeing how his relationship with Thomas develops.

If I had anything negative to say about this episode, I’d have three negative things to say.

I’ll start with one that I sorta brought up earlier which regarded the absence of a certain character that just didn’t really make sense to me, and that character is Patton. Now for Logan, Janus, and Remus, I can see why they wouldn’t be there. Logan doesn’t do feelings. Janus and Virgil would be having a hissy fit the entire time. And we all know what Remus would be doing. Not saying none of them could have shown up briefly, but their absence doesn’t bother me as much as Patton’s does.

Patton is Thomas’ heart, the core of all his feelings, why wouldn’t the heart be present during a time where Thomas is starting to fall in love? He wasn’t mentioned or anything! Not even when Roman was literally telling Thomas to speak from the heart. It just rubbed me the wrong way that he wasn’t brought up at all and the reason for that has to do with another problem I had with this episode, and that was the choice to have the main thing keeping Thomas from talking to Nico was him being a liar.

The episode starts with hitting the audience on the head with this idea that Thomas is struggling with lying. Despite the fact that nothing that happens is really his fault and everything else isn’t really a big deal. I just found it odd that this was the thing they were having Virgil and Roman get onto Thomas’ case for considering, well, we already had an episode (multiple really) that have already addressed this. One could say this was a result of Roman and Virgil teaming up and being upset over Janus’ partial acceptance. The reason I don’t think this is likely is because Thomas said Virgil finding out about Janus would be a major plot point and I doubt something like that would have happened off screen (honestly the timeline for this video is so confusing)

Another reason this bothered me is because Virgil comes to the conclusion that everything that has gone wrong (the rehearsing in the bathroom, the old friend in the food court, the plant, the pretending, the hiding, the god forsaken boiled carrots) are all lies and Thomas can’t build a relationship off of lies.

But... He literally wasn’t doing that?

At this point Thomas hasn’t even talked to Nico yet. He lied to the guy in the bathroom regarding the monologue (who wouldn’t) and he tried to pretend to be a stranger’s friend (which backfired horribly so lesson learned) I don’t even know how the plant would be considered a lie (and Virgil was the one who pushed him over there anyway) I’m not sure what Virgil’s referring to with the pretending and the hiding I can only assume is when they hid in a trashcan (unless I’m not meant to take that literally) and with the carrots Thomas should have just walked away the moment he saw the rainbow pin on the backpack. That was his fault.

But not once did Thomas lie about anything to Nico. In fact when they finally started talking Thomas was nothing but honest with him, embarrassingly so. The thing Virgil was claiming to be the source of the problem just, wasn’t true. It didn’t make sense to me and still doesn’t even after my third viewing. What I had originally thought was going to happen was that they’d come to a conclusion that tied into Moving On, the episode where Thomas dealt with the aftermath of a break up with Roman, Virgil, and Patton.

Wouldn’t that be something they’d be afraid of? Say Thomas managed to hit it off with this guy. They start dating, everything is going well, only for it to end the same way his last relationship did. Wouldn’t it make a little more since for the main thing to be holding Thomas back is the fear of getting his heart broken again? Of losing yet another person he loved?

Which brings me back to previous point of Patton not being there. Considering these three were the ones to help Thomas resolve things in Moving On, why shouldn’t these three be the ones to be by him when beginning a new relationship?

Unless Patton’s been avoiding these two since currently Virgil is still on rocky ground with Patton and after what happened in POF. But again we have no idea since we don’t know when this episode takes place (well as of writing this I have no idea considering how long it’s taken me to write this Thomas may have tweeted about it or something)

Another potential reason for Patton not being there is basically what I said earlier. In Moving On he was the one struggling the most since he’s Thomas’ feelings. He could have been overwhelmed by all the emotions Thomas was dealing with and simply couldn’t bring himself to show up. This has me hoping that we’ll get a follow up Asides episode where we get to see the other side’s reactions to Nico. If not all of them at least Logan and Patton since it’s been awhile since those two had an episode together.

If that’s the case then I can understand keeping Patton out of this one. But that doesn’t change the fact that I find the whole “lies” thing to be a bit ridiculous.

The final thing I have some of an issue with is how Virgil was the one to “save the day” in this. Throughout this episode Virgil was the one causing the problems (which isn’t to say anything bad about Virgil it’s literally his job to protect Thomas and that includes protecting him from rejection and heartbreak) while Roman was pushing Thomas to go take a chance. I dunno, this one isn’t as big of an issue since I still like the conclusion and Roman calling Virgil brave. It just would have been nice to see Roman going for something and getting it himself. Or at least him and Virgil deciding together that they weren’t going to let this opportunity go.

I dunno, I’m kinda impartial on that one. I just want to see Roman succeed.

And there you have it. Those are my thoughts. As usual, you may take them with a grain of salt. But also feel free to share your own opinions on this episode. It’s definitely become a favorite of mine and is up there with my other favorites.

Now if you’ll excuse me, I’m going to go be sad because bathroom guy had his hopes and dreams crushed and he deserves justice.

#ts spoilers #sanders sides spoilers #dukeofonions

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todokori-kun · 7 years ago

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WELCOME BACK!

<3 I really missed you, and it’s so great to hear you had fun! (and omg yes so ready to see all those beautiful pics)

Yaaayyyy join me in MCU feels hell. And oooh, you have a ship for the fandom now! Like, Stoki’s still my favorite Steve pairing but Stony’s really cool too…you know I ship almost everything XD (also am I the only person who sorta hated almost everyone by the end of CW? Like, of course they’re still my favs and there are still some cinnamon rolls, but, come on. Why couldn’t you all just get along ;-;)

Speaking of Illumi, do you know that Hisoka/Illumi is an incredibly popular ship in the HxH fandom? Probably because both of them are so horrible that they have like 0 friends other than each other. Nobody else wants to hang out with these losers. (Chrollo tolerates Hisoka and the adults in Illumi’s family seem to spend enough time with him to give him orders, but that’s about it.) It’s a trash ship with two trashy people and tbh I love it XD

So continuing with the eye jokes, imagine. Hisoillu version of Helpless. Hisoillu version of Satisfied.

“Look into his eyes and the sky’s the limit”

“Intelligent eyes in a hunger-pang frame”

(I know you did thise one before but still) “But when I fantasize at night, it’s Illumi’s eyes”

just, I’m imagining animatics for this with the ‘camera’ zooming in on Illumi’s dead fish eyes every time the lyrics mention them. It’s hilarious and also mildly terrifying

(though I guess if we’re actually making a Hamilton AU Hisoka’s way more likely to do something like Say No To This…)

idk if I’d want to be a parent either really LOL. Kids are adorable but I don’t think I’ll ever be responsible enough to raise one…

If Ishida makes a plot twist or something about it being someone else pretending to be Hide I'm actually gonna get mad. Dude. Not only would that bring the Hide feels right back it’d just make absolutely no sense omg

(also you read the new chapter, right? So, let’s talk about Juuzou and that huge death flag)

I’ve heard of Soul Eater and considered reading it but it’s not really the kind of thing I’m into…artwork’s cute, though, and Death the Kid seems like an interesting guy so maybe someday XD

AGH I’M ACTUALLY SORTA JEALOUS BECAUSE WOW I HAVE ABSOLUTELY NO IDEA HOW TO WATCH THAT LEGALLY HERE IN KOREA. (unless I ask my dad for help but he doesn’t like manga/anime at all, so…) But yes, I’m really happy Lizzy finally got her moment this time! Now anime-only fans can’t complain about her being a ‘shallow’ character so hopefully there’ll be less fighting over Lizzy in the Kuro fandom :D

FINALLY. Fellow Death Note fan <3333 Who’s your fav? Do you have any ships? Are you done with the anime??? :D (also do you know…you picked a really interesting time to join the DN fandom. The American live-action movie just came out and it sucks so freaking bad, like I haven’t even watched it yet and just from the reviews/clips, here’s what I got:

-They turned Misa into this Harley Quinn-type character. Only without any depth.

-Light/Misa is an actual canon ship, like, it’s not abusive or one-sided like it is in the anime/manga, it’s just…a thing. Light loves Misa. Misa loves Light. It’s like every cringey high school romance movie ever, only with more murder

-They freaking bent the Death Note rules just so Light could get away with all sorts of ridiculous stuff

-L cries, L rants, L is overly emotional

-Light tells L where he hid a page from his Death Note. Light doesn’t deny being Kira. Light shows Misa his Death Note when they like barely know each other and she’s still a complete stranger to him. Light acts like an idiot.

-Oh sure, he’s Kira, God of the New World, but he still cares about going to prom with his girlfriend and making stupid faces as they pose for pictures

-So much unnecessary gore. Heart attacks are Kira’s thing, Light isn’t that emotional about his kills, he doesn’t care as long as the 'villains’ are dead, so why???

-Apparently Rem does not exist. Sayu doesn't exist either. Light’s mom is dead (probably so he can angst over her)

-Light Turner. Light TURNER. Out of all the surnames they could have chosen…

-And now, for the most unforgivable sin:

How dare they not include the Potato Chip scene)

And then random things: JJ and Light have the same voice actor. Yurio and Mello (imo…have you met Mello yet?) could be long-lost twins.

Also:

I’ve fallen into Steven Universe hell and now I’m imagining so. Many. Gem AUs. Have you ever heard of SU?

(look:

1- don’t stress about the messages, and come on, I’d never get mad at you over something like this! You’re way too awesome.

2- I don’t really know what to say 'cause I’m bad at comforting people, but ugh, it sucks to hear that school’s tiring you out! Queen Luna’s gonna get through this, though. I mean, you’re great at so many things and you’re freaking smart and…this is awkward but maybe you understand Evans Language by now? XD Guess I’m just trying to say that I’m sure you’ll do great, and if you ever need someone to talk to I’m (almost) always free *hugs*

3- Um. So, other than tumblr, I think the only way I can talk with you right now is if we email each other? The email address I used this time is my real one (or rather, my dad’s, since I don’t have one of my own yet…) so maybe we can talk about this more through email and find a better way to contact each other? If that’s ok with you can you send me a message there?)

P.S:

I’ve started college and have no idea what I’m doing

*slams head against keyboard* guess who managed to get sick. It’s only been a week since school started. Whatever, I’m still going to school, but I woke up breathing like a fish on land, bc asthma. Yay.

I’m definitely gonna upload the pics today!!

Okay, but one thing I’m wondering about, is How? Not in a malicious way or anything, I’m genuinely curious to why you ship Stoki (and where it began). Was it that redemption fic you told me about or did you ship it before?

Tbh, I didn’t hate the characters in CW, I hated the situation. Because there’s so so much pointless conflict that could easily be solved if everyone sat down and talked like normal people. But nooo we have to go around attacking each other. ((ALSO CAP’S LETTER TO TONY, I AM DEAD))

I’ve already learned (and experienced) that shipping is a very weird and unusual thing, so I’ll be honest and say I’m not even surprised that ship exists. At least it has some basis XD

I’m actually tempted to go through the lyrics of the whole musical and find every single eye line there is, only to replace it w Illumi’s eyes.

Not only zooming in on the eyes, the word itself is louder than the rest XD man if only I could draw…

Tbh I’d say I’m responsible enough (HA, that’s more or less a lie), but I’m honestly way too irritated with the little ones to be able to have one of my own. My cousin recently celebrated her 3rd bday and I was stuck looking after her during the party, bc all the adults were talking among themselves and I swear to god, I haven’t moved that much since I had to run 2km for PE. Where do they get their energy. Not to mention the adults thought it would be a good idea to leave me w her, because I’d already drunk 3 glasses of wine (i was bored and not allowed to do anything other than stare at emptiness or look after a 3yo). Turns out my tolerance isn’t that bad after all.

Lol let’s be honest, Ishida would totally do that. He knows the fandom would riot and that’s the whole point.

All the death flags. Tbh I don’t know how I feel about it. It’s obvious that either Touka or Juuzou are probably gonna die and I wan’t neither (If I have to choose tho, I’d rather Juuzou survives.) Also Naki. HNNNNNNGH

I think you’d actually like the manga? It takes a pretty dark turn compared to the anime and deals with lots of mental issues (the whole theme of the later volumes is Madness). Also, lots of death XD Well, the artwork changes drastically, so which one are you talking about XD

The girl in the coat (left first pic, middle 2nd) is the same person for reference. Death the Kid was one of my first anime crushes. The guy has OCD and is a total badass.

MUHAHAHAHA I think someone uploaded the Lizzy fight to youtube so you can probably find it there, but I am in love. The animation is beautiful, so that’s also a huge plus. All in all, it was handled really well.

Death Note

So last I’ve watched is ep 25, aka the one WHERE L DIES. And i am not okay. I am nowhere near okay. Nope. Not at all.

Oh i’ve heard all about the adaptation. Tbh I find the whitewashing hilarious. Setting the movie in America removes so much of the series’s logic, so why? L being the way he is is probably my favourite mistake. They took the best character and ruined him completely. POTATO CHIP SCENE NOOOO But my question is: did everything go just according to the keikaku?

Have fun w SU! I’ve watched it for a while, but gave up at some point. I might pick it up again if I have the time ^^ Word of advice, watch out for the fandom, they’re among the most toxic ones I’ve ever encountered. One time, they almost drove an artist to suicide because she didn’t draw Rose ‘thick enough’. So yeah.

What did I do to deserve you as my friend TT^TT Thank you so so much, those words mean more than you can imagine.

Um. Looks like we’ll be staying here, because I never, ever check my mail, despite getting school assignments there, so yeah. If we used mail, you’d probably get a response every leap year.

How does the education system work in Korea? Like, at what age do you start going to which school?

Also, I’ve told you about Mystic Messenger? I think you’d like the newest update, because damn, it’s creeping me out. Also, it’s in Korean, so + ((My thoughts during the prologue of the new route: Nani the fuck))

#evans #submission

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luxuriant-starlight · 7 years ago

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I Won’t Say I’m In Love - Ch. 4

What’s this?? A new chapter?? Three days later??!?!?!?!

Unheard of!

But not really! Ya gurl has had hella time on her hands, so I’ve managed to crank out another chapter in less than a week! Hope y’all enjoy!

Note that the characters in this story are aged up (they’re 18), and do consume alcohol in this chapter, so be wary of that!

As always, the inspiration for this fic is from an animatic by the lovely @pepper-bottom, who y’all should definitely check out!

Thanks for reading, lovelies <3

Words in this Chapter: 1.9k

[AO3] // [FFN]

Chapter 4 - Mari and Alya Are Lobsters

Marinette was just. A mess that morning. To be entirely fuckin’ frank.

But, then again- what would you expect from a girl who had literally just been rejected by the man she had very much considered to be her potential soulmate for almost the entirety of her teenage life.

Ugh. She didn’t even want to flashback to that.

The way he looked so… so sorry. Like he pitied her.

She just felt so devastated. So heartbroken.

So… humiliated.

Marinette had cried herself to sleep every night this week. How could she have been so stupid? Of course there was someone else. Of course there was.

And yet, through all her anguish…

She couldn’t stop thinking about last night.

Chat Noir had come to visit her. He really was sweet, for an alley cat.

He’d seen her crying into her tea on the railing. She was blasting Kelly Clarkson (obviously- what else does one play after they’ve been rejected?) and replaying that awful moment Adrien turned her down over and over again.

But he came to comfort her. Of all the things he could’ve spent that night doing, he went out of his way to cheer her up even after-

Well, even after she had shattered his heart.

Not that Marinette did, of course. It was Ladybug who had rejected him.

But still. She’s seen the sadness in his eyes since the day it happened. She knew she hurt him. She knew the last thing that kitty needed was more heartbreak.

And yet, he took it all on, just to make her feel better.

That sounds so stupid, now. But the gesture really touched her.

And, you know, maybe it was her tender, weakened heart. Maybe it was her exhaustion. Maybe it was dehydration from all the crying. Maybe it was just the way his eyes shone in the moonlight.

Whatever it was, her broken heart felt warmer. Her cheeks did, too.

She had flirted with him.

And yeah, obviously, she has flirted with him before. But it was always casual. It never meant anything. She had never felt anything. Maybe she would have if not for her love for Adrien…

But that was over with, now. There was nothing and no one holding her back.

Chat Noir was present in her life and loved her (err...well, he loved her superhero persona, at least). He had smiled and stumbled over his words and blushed in a way she had never seen before last night. And when he leaned in, she’d be lying if she said she wasn’t a little tempted to-

Okay, woah. What is going on with you??? He’s one of your best friends, and your partner. That’s it. Nothing more, nothing less. You just got your heart broken.

Okay. Maybe her conscience was right. It doesn’t make sense to let yourself fall for someone else before you’ve even let the dust settle on the person you loved before.

She was just vulnerable. She had a moment of weakness. That was all.

Exactly. Don’t get your hopes up.

No matter how nicely he’s filled in that suit over that past few years, or how much he seemed to want it, too. Or how strong his jaw is or tight that leather is or-

“Mari, are you even listening?” Alya demanded, jarring Marinette out of her deep train of thought.

“Oh- uh- sorry, what?”

Marinette had totally spaced out. She was walking home from school with Alya, who was telling her about the new camera she’d been wanting and finally bought, and she’d been totally ignoring her. Yikes.

“Were you thinking about him again?” Alya asked, softening her tone.

“Him- no- uh- what makes you think I was thinking about him, haha?” Marinette stumbled, laughing nervously.

“Because I’m your best friend, and your face has Adrien written all over it.” She explained with a chuckle.

Oh. Right. Adrien.

“Yeah. I was. I’m really sorry.” Marinette apologized.

“Don’t be. Listen- I know it’s been super hard for you. I know your emotions have been all over the place-”

“Super all over the place.” Marinette agreed.

“-Which is whyyy I declare we have an emergency girls’ night, tonight.” Alya finished, singsonging.

Marinette blinked. “An emergency girls’ night?”

“Yup.” Alya popped the ‘p’ in the word so as to emphasize.

Marinette shifted, uncomfortably. “I don’t know, Al. I’m not really feeling it, tonight.”

“Oh come on, Marinette.”

“I don’t know.”

“Listen. I think you- well, every woman on this Earth, but especially you at the moment- need a break from men and their nonsense. You have been hurting for way too long.”

“It’s only been like, a week.”

“Exactly. Come on, Mari. Let’s get lit together in a sacred act of solidarity and sisterhood. In the name of feminism! Let’s get fucked up!” Alya declared, yelling out loud as they walked, so as some people around them turned to look at them.

Marinette snorted and bust out laughing for the first time in what felt like centuries. “Okay, okay. Let’s get ‘lit.’”

“That’s my girl! Onward!”

Alya led her towards the bakery, marching like a bandleader in a parade. Marinette’s heart warmed. She really had a pretty gosh darn amazing best friend.

----------

One change of clothes, one march towards Alya’s place, three hours, and two bottles of rosé later, they were, indeed, thoroughly “lit.”

Marinette was sitting up on Alya’s bed, girly drink in hand, as Alya stood up and exaggerated her story.

“-And, I swear to God, Nino can no longer even LOOK at a pineapple without sweating.”

They both burst out laughing, hard- that is, until Alya tripped and fell on the bed next to Marinette, and they laughed harder.

As their laughter turned to giggles, and then to contented sighs, for a second, Alya and Marinette just looked at each other. Alya shifted on her stomach and propped her head up to make herself more comfortable.

Marinette sighed happily, overcome with love, caressing Alya’s cheek. This girl was really there for her. Mari had been so stressed and overwhelmed with heartbreak this whole week- yet Alya knew just what to do. And now, three hours later, it’s like she’s almost completely forgotten what she was even upset about.

Marinette felt tears come to her eyes.

“Alya.” She held back a sob, grasping her best friend’s hand and pulling it close to her. “You’re my very best friend. Did you know that?”

“Mari…” Alya bit back a sob, too, tears coming to her eyes as well. “Girl, stop, before I cry.”

“No, I can’t stop. I love you, Al. You’re always there for me. You always help me out- even when I’m a angsty mess. You taught me how to highlight and contour. There’s no love like the love I-” Marinette’s drunken love confession was interrupted by a hiccup. “-have for you. I love you, Al. So, so much. More than Project Runway. You’re my fuckin’ lobster, man.”

“Marinette, oh my godddd…” Alya sobbed for real this time, sitting up and pulling Marinette into her warm embrace. “You’re MY lobster. You’re too good. Too precious for this world. I love you so much, my cinnamon roll. I love you forever.”

Marinette’s heart warmed, and she felt butterflies in her stomach. She sniffled, then sobbed.

“I love you forever!”

They both sobbed in each other’s arms, holding each other tight, until the crying finally subsisted.

“Okay, okay.” Alya sniffled, sighing and looking Marinette in the eye. “Now that we’ve confessed our love, I- I have to confess something about me. Something SO crazy. Like, if you find out, you’ll like. Supernova.”

Marinette giggled. “I’ll supernova?”

“It’s like a crazy galactic explosion. It’ll get ya.”

“Okay. I’ll try not to supernova. But tell me what it is!”

“Okay, okay. Here goes.” Alya breathed in, hyping herself up. “Remember Max’s 15th birthday party?”

“When we played laser tag?”

“Yeah. And you remember how me and Alix and Juleka and all those guys were on the team opposite of you and Nino and Adrien and whatever?”

“Yeah! Team Awesome versus Team Spectacular.”

Alya chuckled, but then took another deep breath. “And you remember how the last two people left on my team were me and Alix? And we were off for like a good half hour on a ‘stake-out’?”

“Yeah?”

“We weren’t on a stake-out. We were totally making out.”

“WHAT?” Marinette gasped, pretending to almost fall off the bed.

They both laughed hysterically.

“I can’t believe you kissed Alix! Dude! That was like- like-” Marinette stumbled, being slightly more drunk than Alya. “Like the fuckin’ WEEK before she went on her first date with Kim!”

“I know! It was like a totally spur of the moment thing. But…” Alya blushed, looking away. “To be entirely honest, even though I have Nino, now, I’ve kind of had a thing for Alix ever since she spitballed Kim in the eye when we were like 13. I don’t really feel that way anymore, but I did and I acted on impulse and we’ve literally never talked about it since but I’ve thought about it so much.”

“Why didn’t you tell me?” Marinette asked, her eyebrows knitting together.

“I don’t know.” Alya admitted. “Honestly, I’ve never told anyone. I was sort of gonna ask her out, but then Kim beat me to it and I didn’t really wanna bum anyone out or anything.”

“Alya..” Marinette was touched. Alya had been holding back this big secret for so long, and now she told her just because she wanted to better their friendship and break all the obstacles between them.

Maybe it was the rosé talking, but Marinette felt awfully compelled to tell her a secret, too.

“Alya..” Marinette bit her lip, trying to sober up as much as she could (which, tbh, was not much at all). “I have a big secret to tell you, too.”

“What is it, Mari? You can tell me anything.” Alya assured her, putting her hand on hers. Alya was such a good friend. She had to tell her.

Marinette downed another glass in a milisecond, before taking a deep breath.

“Alya.” Marinette said, seriously. “I’m Ladyboog.”

Alya stared at her for a moment, before bursting out laughing.

“L-Ladyboog? Hahahaha, oh my god.” Alya wiped a tear from her eye. “That’s so fucking funny, Mari. Maybe you’ve had enough to drink for one night.”

As Alya cut her off, Marinette whined, and stood up on the bed, pouting and crossing her arms.

“No, Alya! I’m serious!” Mari huffed. Why wouldn’t Alya listen? “I’m Ladyboog!”

Alya laughed again, letting it fade into a satisfied chuckle. “Okay, Ladyboog- prove it.”

Marinette narrowed her eyes at her smirking best friend. Fine. She wouldn’t take her word for it? Then Mari would just have to prove it.

“Okay, then.” Marinette declared, placing one hand on her hip and the other pointing up towards the air. “Tikki! Spots on!”

“Wait, wha-”

Alya didn’t have time to finish that sentence, because all of a sudden Marinette, her best friend and almost-sister was transforming before her eyes into the very superhero she had been investigating since the day they’d met: Ladybug.

Marinette heard Tikki’s faint cries of disapproval in the back of her mind before she could process what she had just done. She had just drunkenly transformed in front of, and revealed her identity to Alya.

Alya’s wine glass slipped from her hand and fell to the floor, shattering. Marinette tried to open her mouth and explain herself but couldn’t. The only thing she could say now was-

“Oh, fuck.”

#miraculous ladybug #love square #alya cesaire #alya #marinette #marinette dupain cheng #ladybug #identity reveal #marichat #adrienette #ladynoir #ladrien #chat noir #adrien agreste #ml fic #ml #my fics

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