#homogeniser
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A homogenizer works on the principle of high-pressure force and mechanical shearing, which helps in breaking down larger particles into smaller, uniform sizes. The process involves three main stages:
#homogenizer#homogenizermachine#besthomogenizer#homogenizeruse#industrialhomogenizermachine#homogeniser#business#machine
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Hi Pia! I was rereading one of your works and was wondering if youâd maybe wanna discuss the quotations for dialogue? I know both are correct, but I just got a little curious about it the usage of âspoken wordsâ vs âspoken wordsâ and your preference for one. Usually when Iâve seen the âspoken words,â itâs been for older works.
Hi anon,
My preference is that I'm Australian, I learned writing at university many many years ago now (I am an old), and I was taught correct Australian grammar there! And while I still make mistakes on some things, dialogue isn't it.
Some people use the US "" instead of the Australian '' - and that's now okay simply because so many people were doing it, the editors of Australia were like 'fuck it, you can do it' (with exceptions) - but like, most of the Australian copies of international books that I have, actually don't use " " for dialogue at all.
I'm going to get some examples, because this is something you've likely never seen, because publishing houses change the grammar based on the country. This means that books that have double quotation marks everywhere else in the world for dialogue, have single quotation marks in Australia if you're picking them up in Australia or they've been published through most Australian publishers. Because buying books is more global now, Australians will likely have a mix of double quotations and single quotations books. Many Australians don't even realise there's a difference, they're so used to it.
Here's an Australian book:
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(Skins by Sarah Hay)
So that makes sense for an Australian book by an Australian author.
What about the classic The Collector by John Fowles. Surely, that not being an Australian book, that'd have double quotation marks right?
Not if it was published here:
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What about something a little more recent? Like The God of Small Things by Arundhati Roy?
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I'm not sure how to explain it beyond: 'Literally almost every book we pick up here that was published here does this, and it's not a like quirky preference, it's literally what we grew up seeing and reading. To us, double quotation marks is unusual and seems more 'quirky'.'
This is less common now as an attitude simply because of globalisation and the internet existing. But for most of my life, buying books meant only seeing dialogue like this. Right up until I was in the 30s, I think. Purchasing books online changed that, and people who grew up with the internet from the very beginning are going to be more used to seeing double quotation marks.
But many Australian publishers will still insist on correct Australian grammar with preference given to Australian grammar.
Our grammar is quite strange, and sort of a mix between US and UK but with some unique aspects of which you've probably noticed the single quotation marks is one.
That's because Australian grammar is built on journalism, and anything that saved space in a newspaper was prioritised. So Australian grammar eliminates double spaces at the end of periods. It eliminates double quotations because they take up extra space. There are dash rules designed to eliminate space that an article might take up.
And you know, I'm quite proud of that grammar. :D It does get me some heat when I publish something, usually from grammar puritans from the USA, which is why I now just post a blanket 'this author uses Australian grammar so you may notice some departures with dialogue grammar' caveat.
Anyway, the reason/s most newer works have double quotations is because a) they're being purchased en masse overseas and that's cheaper than publishing here, b) those Australians are young and have learned to write based on overseas writing, c) they don't know actually know Australian grammar, it's not actually taught well in our curriculums, d) it is just something they prefer, e) they publish with overseas publishers and because they have to edit their works to UK or US grammar anyway, they just adopted it because it's easier that way, f) someone erroneously corrected them for doing the right thing and they changed to another country's dialogue grammar, g) it really is okay to just pick the one you like best now and stick with it, h) some screen readers cannot cope with single quotation marks (which imho, is something screen readers need to address if it means ignoring an entire country's/continent's grammar style).
And finally, here's the Australian Government Style Guide, which still doesn't permit double quotation marks at all in dialogue.
#asks and answers#pia on editing#pia on writing#um i think this is one of the only places where my patriotism exists sadlkfjasd#i'm proud of our grammar#i want it to exist instead of being homogenised into US grammar#and in that sense i do have a preference towards preserving something#especially if it's still working
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Started reading Lymond Chronicles after @deadendtracks' comment that SK must've read them too / based Tommy on Lymond....
and like i'm what, at ch3 or 4 maybe and...
yeahhhhhhhhhh XD
#i don't mind what crimes i commit as long as they've got a sensible purpose#johnnie the offsider gypsy#by god i'll give you one night to remember the head of your family by (says the elder brother)#also vaguely robin hood ish / will scarlet etc#i do like the very very different prose (same affection for it that i had for the different prose in the Witcher books)#the purple proseness of description which somehow is still very sparing (no long descriptive paragraphs just 1-2 thick sentences) versus#the intense vernacular used in dialogue. i am mildly over the homogenisation of the 'no style' style in current sf/fan genres#the interesting thing is how Dunnett herself in the a/n says how she was trying to craft a certain persistent masculine trope/character#not her exact words but this undercurrent 'Type' of criminal out there#and tommy and lymond (class difference aside) sit in that space#the other thing i think tho.did SK do it from the beginning or did he start to lean harder into that after seeing CM in S1#I feel certain routes/themes wouldn't have worked with a different kind of actor and later seasons built more and more on CM's strengths#like the descent into S5/S6 imagery and the sheer symbolic/poetic language wouldn't have worked with statham at all...if it ever got there#tim mielants to steven knight while contemplating cm ordinarily drinking his coffee 'he has become the embodiment of my brothergrief'
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THIS LOOKS SOOOO GOOD IM HYPED!!
#sanda#paru itagaki#i already knew abt sanda before the anime was announced but didnt get around to reading it before that#so now im just gonna. wait for the anime.#this looks fucking bonkers im so happy they asked science saru for this one#ALSO let the records show that i was a science saru fan WAYyyy before dandadan. ahem. anyways-#i was wondering if theyd go the beastars route and make it 3d. and no hate to bs because the 3d works for it#but this? so much better in 2d. and the style is much closer to the manga this time which i appreciate#WE NEED MORE ANIME STYLES THAT DEVIATE FROM THE NORM!! NO MORE HOMOGENISING ART STYLES WHEN ADAPTING!!!#pvs#tedpost#tedtalks
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I've been really digging at my brain about why your art is just screaming at me with how much I like it. And I think I came to the conclusion that you really just captured this almost perfect mixture of semi realistic style, that I think I want to hopefully reach at some point. This amazing style that captures a bunch of expression, as well as still keep this comfy feeling. I'm not anywhere close to where you've reached, but it's such an amazing inspiration to look at! Anyways, I'm done gushing about your art, love your stuff and thanks for helping me push my brain to strive further with my own art!
thank you <3<3<3 im really happy to hear i inspire you! i myself sometimes had negative thoughts that "man this artist is so cool im so behind them", but once i started to just draw what makes me feel happy and free, and focusing on perfecting things that i MYSELF want to be better, it became so much easier to create art. i wish you the best in your creative journey, make art that makes you happy, make art that makes you sad, make art without thought behind it, make self indulgent art that only you will get, experiment with different mediums and never let commercialism decide what your art should look like because its yours and noone elses
#ask#i added that last part in because so often online artists advice focus on the audience engagement#they SAY draw for yourself but then also say âdo X so that it will look more appealing to the othersâ#and i hate that because it homogenising the whole point of creating something#making it more brand friendly and generically attractive#like they imply this is for your art portfolio or something when talking about self improvment#you can create weird shit thats a little cringe and gay and artists online never tell you that
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The work of what we have come to call Progress is the work of homogenising the world. I capitalise the word because Progress is an ideology - even a metaphysics - and if we want to understand it we need to grasp its foundational assumptions. We are trained from birth to see the living world and its people as a matrix of interchangeable parts, all of them potentially for sale. Our bodies, our nations, our forests, our heritage: Progress will not stop until everything is measured, commercialised, commodified, altered at the genetic level, put up for sale, forced into âequitableâ relationships with everything else, or otherwise flattened and sold.
- Paul Kingsnorth
#kingsnorth#paul kingsnorth#quote#progress#society#nature#commodification#capitalism#ideology#politics#metaphysics#equity#homogenisation of societies#community
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have been thinking about this
#.txt#i always shake it but i picked that up from my mama and like. milk has been broadly homogenised for like 100 years. its not doing anything.
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tatooine slave culture has ar-amu. the mortis gods are canon. this gives across the implication that most planets an idea of the force as a deity
anyway so this shows that within the star wars universe belief in the light (god, if you will) is inherent, as within all people the acceptance for god is inherent. in this essay i will
#it also shows how a lot of star wars culture on planets has been homogenised into one belief of the force#and the centralisation of all the jedi on coruscant instead of the temples on their own planets is bad and part of the reason#for the downfall of the jedi and rise of the sith#tatooine slave culture#star wars#utterly terrible theology with mim!#salt and light#and i tag that only to get the weird christian nerds with me :D
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my boomer ass every time i think about the upcoming (new-expansion-obligatory) ast rework
#I DONT CARE IF WE DONT HAVE TP ANYMORE MAKE SPIRE SOMETHING ELSE I MISS THE OLD CARDS#I MISS THE OLD CARDS I MISS THE SECTS I MISS BEING ABLE TO FUCK WITH THE DURATION AND POTENCY OF MY SKILLS WITH CLEVER CARD AND COPP PLAYS#THE NEW CARDS ARE FUCKING AWFUL I HATE THEM I HATE THEM I HATE THEM#THEYRE SHIT#THEYRE SO FUCKING SHIT AND BORING AND I DONT LIKE PLAYING WITH THEM#I WAS GLAD WE DIDNT GET AN AST DROP IN ALL 8 P12S RECLEARS SO I DIDNT HAVE TO PLAY IT THIS TIER FUUUUUUUUUUUUCK#I MISS HEALERS BEING LESS FUCKING BORING AND HOMOGENISED THEY SUCK SO BAD WE HAVE NOTHING TO PRESS TO DO DAMAGE AND EVEN LESS TO HEAL#AND DONT TELL ME TO GO DO ULTIMATE I DO THAT SHIT I HEALED DSR AND TOP ON CONTENT#YOU WANNA KNOW WHAT I PRESS IN ULTIMATE?#GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE GLARE DIA GLARE#AAKUJHSDGLKJSDFHGLKSJETRGLHKUSLRTKUGHALIKEUTRBHLKAZEUDJRHBGLKAUHERFGVLKAJDBHRFBLKJAHDRLFKGUHALDKFUHJGLAKJDFBGLAKJDFHBG;IKAUHDFGL;KJAHBDRG#ok i feel better now#rumprabbiting#ffxiv
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jesse what the fuck are you talking about
#art talks about stuff#idk if this is written anywhere in plain sight i tripped on this while trying to replace things on my dash with shuu. don't ask#''old internet energy''... mate you replaced the layout with a homogenised twitteresque one#and keep trying to push video/live features no one wants. get real#id in alt text
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also x2 everyone assumes i am or calls me emo when i dress in all black even when it's obviously a gothic look but i can't even refute it because i literally am emo. but we ball
#the homogenisation & reduction & misunderstanding of all alternative subcultures as emo IS annoying. but i am emo so what can i say#can't help being an emo bitch#soapbox
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I think I'll be a miner actually
#got sent down a mine today for work#n that was very cool got to see the big rock crsuher called joy at work#very dark and angular mine they dig it so theres collumns of rock to hold the ceiling so its kinda like a gr#a grid#with these reflective rods that hang from the ceiling to navigate by and they shine in the light from your headlamp#and then went around the above ground factory and they have an automatic warehouse#and it was something insane like 5 storys tall and only 5 rows of actual racking#and these humongous crains that would come pick up a pallet then dissappear into the darkness that encroached from the far end of warehouse#and also the homogeniser which was like a giant round silo with a snake of rock around yhe floor#and a big raking machine that pulled rock down to be processed#really really cool lots of very big machines and very big structures today feeling not very normal about it all
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NOAA - Gigantisk svindel med klima-temperaturene
Du har sikker hørt begrepet homogenisering av temperaturdata som en del av klimanarrativet fra NOAA (National Oceanic and Atmospheric Administration) i USA. Flere klimaforskere har nĂĽ gjennom et eget studie av disse klimadata gĂĽtt gjennom NOAA sine endringer av temperaturdata. Det de finner er sjokkerende. Nedenfor finner dere Erik Bye sin oversetting og kommentarer av denne undersøkelsen somâŚ
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What Are the Benefits of Using Single-Pass In-Line Mixers?
In industries such as pharmaceuticals, chemicals, food production, and cosmetics, mixing operations are critical. And these mixing operations are far more complex than they sound. Especially while handling challenging emulsions, conventional rotors or mixers do not give the right consistency of emulsions in one pass. Most manufacturers traditionally had to resort to aggressive, higher-energy devices such as colloid mills and high-pressure homogenisers, which were inefficient, to say the least. Their tendency to clog, higher operational costs, and intensive maintenance requirements were challenges that needed to be addressed.
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Environmental Monitoring Made Simple with Gaia Science in Singapore
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