#historic path

[autumnmylife]

1100-step stairway in Vradeto village,(Greek: Βραδέτο) Greece

This stairway, a winding stone structure with black and white rocks creating three different lanes is a creative solution provided by the builders of this intricate and complicated construction to manage traffic between people and animals in this uneven, rough area, since this was the only way from the village to the surrounding areas, beyond the mountains.

For centuries, the village’s hard-to-reach location has made it impossible to open a road to facilitate the transportation of people and goods any other way. In fact, up until the early 1970s the Skala path was the only way in and out of the village. The new road, that bypasses the gorge, was built in 1974, and, almost instantly, the meandering Skala and the two bridges, Pera and Dothe, that go over the Mezaria ravine fell into disuse.

Vradeto is a village in the Greek Zagori region. It lies at a height of 1,340 m on Mt Tymphe in the Pindus mountain range. It is the highest of the 44 villages of Zagori. It is the middle of the Vikos–Aoös National Park and is about 50 km away from Ioannina.

Sources:Wikipedia and travel.gr

[tamamita]

Make no mistake

Tamamita

[gardenandcountry]

Potager des Etournelles, France. Photo by Claudine Lecoustre ©️2023.

[silverseaming]

I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song.

— la belle dame sans merci / pt. 1

beautiful poses by @antiquatedsimmer <33

also please click for hq because tumblr has murdered the quality 😢

[bluespiritshonour]

Thinking about how popular Mai would've been if she were a boy. Like, can you imagine?people would've swooned over her like they swoon over, idk, Jet—it just occured to me that I like her because she's so unconventional for a female character.

Girls like Mai exist in real world—but women are rarely allowed to be complex and three dimensional and grey in fiction.

I would argue that Mai is a grey character; she did start out as Azula's lackey. And well, that's a fictional girl; I found her apathy stan-worthy.

I love that she constantly has a bitch face. She cracks dry/dark jokes. Wears black. Is mysterious and stoic. Does everything she can to disregard authority/even though she's not confrontational about it. (There's one difference. Bad boys are usually very confrontational).

All these characteristics exist in popular male characters. (Except for one thing that I've noticed: most of these “bad boy” characters are volatile and yet, are described as broody/stoic, like, dude. That ain't stoic, that's so emotional.)

So yeah. Coming back to Mai. Imagine if she were a boy.

A boy who's apathetic and has no passion for anything. A boy who's constantly bored/a thrill-seeker/has nothing he cares about. A boy who has a shutter for a face and rarely expresses himself, is amazing with knives and hand-to-hand combat and is gloomy.

There's nothing he cares about because caring gets people hurt and everyone wants something and is two-faced so it's safe to be a mask of indifference. Until—hold on—until he meets a passionate, hot-headed girl who's ✨ different ✨and if not anything, wears her heart on her sleeve/is an open book...

Yes, I'm talking about Zuko.

...and oh, oh, would you look at that? Now he has something to fight for!

I mean, for Mai, Zuko (after Ty Lee) is the only other person in front of whom she can be herself.

Reminds me of “he's only nice to her” trope. Sorry.

“You're so beautiful when you hate the world.”

“I don't hate you.”

Just imagine Mai as a boy. People would eat it up. They don't like her 'cause she's a girl.

[mothmiso]

Isle of Skye, 2017 (2) (3) (4) (5) (6) by Phil Gyford

Via Flickr:

(1) Eilean Donan Castle (2) Cat in Broadford (3) Path to Coral Beach (4) Abhainn Choishleadar, Edinbane (5) Scorrybreac (6) Neist Point Lighthouse       

[wandering-italy]

Winding passageway.

Orvieto, Umbria

March 2024

[stardust-falling]

One misfortune follows another, and now my partner's job is cutting his hours even though they ASSURED him they wouldn't :/

Sooooo... that's happening, and between my ongoing mental health crisis and the fact that I somehow managed to fuck up my neck and upper back, I don't really have many options as far as trying to make up for the lost income.

Anyway, that's still on top of my own expenses, and now having to worry about being able to make rent or not, so if anyone feels like helping out for this month here's my ko-fi, paypal, and patreon if you'd like to support me regularly and also read my stories, thanks so much to everyone who has financially supported me in the past, I'm sorry to have to keep doing this but I'm just not at a good place rn and the instability is causing a lot of issues.

[hsundholm]

An Autumn Path by Henrik Sundholm Via Flickr: Early autumn in Gamla Uppsala, Sweden.

[purpleajisai]

The history in fiction: Parallels between historical Japan and the Narutoverse

Part 1: The era of the Six Paths

Naruto may not be a historical fiction and most people will think that the utmost historical reference in the series is the fact that ninja were a thing in feudal Japan. But what if I told you that there is an insane amount of historical parallels in the series? That we could actually place the events of the main timeline within real periods of Japanese history? In this two-part series, I’ll be explaining the many parallels, references and design inspirations of the main events and generations that shaped the course of the series that we all know and love. I’ll start with the era of the Six Paths (starting from Kaguya and ending with Indra and Ashura), and part 2 will be about the Warring States (dynamic between the Senju and Uchiha). At the end of each part, I’ll add useful links so that you can deepen your investigation and see my sources. Without further ado, let’s start overanalyzing.

Historical references and parallels in character design and dynamics

I’d place this particular era of the Narutoverse in the Heian period of Japan (or at least the most important people, the brothers Indra and Ashura). Considering that we’re spanning 3 generations here, I’ll separate the individuals involved in the following way:

Kaguya: End of Nara period (710 AD - 784 AD)

Hagoromo and Hamura: Early Heian period (794 AD - 1185 AD)

Indra and Ashura: Heian period (794 AD - 1185 AD)

Kaguya

On a side note, I’d like to add that I’m not really considering Tenji in the list above because he’s an anime only character. However, his case caught my eye so I’ll discuss him as well. Let’s start by evaluating Kaguya and Tenji then. Kaguya’s character design is a very classical archetype of Heian beauty standards and clothing. Long, straight hair with flowy kimono and a delicate face. Her unusual eyebrows are no coincidence as well, as in the Heian period the practice of hikimayu was commonplace in noblewomen. 

"Hiki means "pull" and mayu means "eyebrows". Aristocratic women used to pluck or shave their eyebrows and paint new ones using a powdered ink called haizumi, which was made of soot from sesame or rapeseed oils." (source)

Left: Filler anime episode // Right: Manga panel

Above: Hikimayu through the ages of Japan

Another interesting fact that I’d like to point out is that Kaguya is a character with striking similarity to a Japanese folk tale, in this case the Tale of Princess Kaguya (Kaguyahime no monogatari), whose origin we can trace back to Heian Japan. The Tale of Princess Kaguya tells the story of a little baby girl who “fell from the skies” and was found by a couple of old farmers inside of a bamboo. She grew up to be extremely beautiful and was courted by lots of noblemen, but she rejected them all insisting that somebody would come for her, as she looked at the moon. Of course, Naruto provides us with a different ending to the story but this similarity can’t be overlooked.

Above: "The Receding Princess" from The Japanese Fairy Book, 1908

Moving on to Tenji, it gets a bit more complicated to place him in an exact historical moment as he has elements of many different periods. His hairstyle resembles the styling of the Jomon period, whereas the entire setting in the filler episodes are more similar to the Nara period with the many small kingdoms fighting for dominance within a vast land, just like pre-unification Japan. Therefore, I place Kaguya and Tenji at the end of the Nara period, because we see how Kaguya takes over Tenji’s rulership and is regarded as a noblewoman after she casts the first Infinite Tsukuyomi. I have to rely on some filler in this case because otherwise I can’t find a logical explanation as to why Hagoromo was so well settled and had a large group of people following his teachings if it wasn’t for Kaguya ruling some land that originally belonged to Tenji. 

Hagoromo and Hamura

Let’s start with the second generation. Following the events of the end of the Nara period I quoted in the previous section, Hagoromo and Hamura would go in the beginning of the Heian period. Their character designs feature long, flowy tunics without a visible belt. Here you have an image of men’s clothes through Japanese history, the third one being a feudal lord of the Heian period. Compare and contrast with these anime and manga images.

Above: “Men’s Japanese clothes” by Glimja

Left: Filler anime episode with both // Right: Hagoromo manga panel

Again, since we get very few manga panels related to Hagoromo and his sons, I’ll refer once again to the filler episodes where he is shown as the ruler of a village. The spot within the Heian period in which I’m placing Hagoromo would be around 100 years after the Taika reforms which established one of the first codes of law in Japan and (Taihō code) and divided the country in provinces ruled by feudal lords. Curiously, around the time where the Taika reforms happened, there was an emperor called Tenji. 

Indra and Ashura

The third generation of the alien-human hybrids is here, and I place them in the Heian period as well. My main reason to consider Indra and Ashura in the Heian period is the fact that this is the exact time period where the samurai originate. A common misconception is that a samurai is a Japanese warrior highly trained in the martial arts and weapons. While this statement holds some truth, the samurai were the military social class of feudal Japan, which means that there were people who were of the samurai class but had never touched a weapon in their lives. Therefore, samurai clans were not entirely composed by warriors but also had a number of people who lived a more “civilian” lifestyle. And you may be wondering, “what do the historical samurai have to do with the ninja that we see in Naruto?”. The answer is: more than you think. Historically speaking, the ninja is a samurai specialised in stealth and sneaking, the only difference with the Naruto universe is that the ninja we know and love from the show possess chakra and perform techniques with that. 

The story of Indra and Ashura is strongly tied to the origin of ninja clans in Naruto, just as the Heian period is the origin of the samurai clans. From this time period I’d like to highlight the myth of Minamoto no Yorimitsu, more commonly known as Minamoto no Raiko. His story says that he slayed demons (yes, really) and saved many maidens from being abused by drunk oni with his great sword, Dojigiri Yasutsuna. The difference between myth and legend is that myths hold some kind of historical fact whereas legends are purely fictional. Minamoto no Raiko has been heavily mythified and his story sounds unbelievable or too much like a fantasy story until you realise that he did exist and that his sword is kept in a museum. Doesn’t this resemble how the origins of ninja in Naruto are almost like fantasy stories up until Hagoromo shows up in the 4th war and explains that everything was real all along? 

Above: Ukiyo-e of Minamoto no Raiko and others fighting the demon Shuten Doji.

Just as Minamoto no Raiko is considered the first samurai, Indra could be considered the first shinobi. He was the first to channel and shape chakra to create jutsu, and he was considered as part of the legends surrounding Hagoromo. Please compare these two panel sequences, one is from earlier in the story and the second one is Hagoromo’s version. 

The brothers’ character design can also be correlated with the Heian period. Indra’s eyebrows seem to be real but resemble the hikimayu design of Kaguya’s eyebrows, however he does add eye makeup. The people who wore makeup in the Heian period were nobles (mostly noblewomen), once again reinforcing my point that this family started out as feudal lords and eventually fused with the warrior class, becoming ninja clans. Although the character design for Indra and Ashura isn’t 100% equal to Heian Japan’s male clothing, the inspiration is subtle yet visible. I’d say that the inspiration is mostly for the plot rather than the appearance of the character. If you’d like to see more real Heian period clothing, this link has recreations of the outfits of the characters in the Tale of Genji, by Murasaki Shikibu.

Sources

These are some useful links that I’ve referred to while writing this post. I’d like to invite you to read them if you’d like to do further research on the beautiful history of Japan.

https://www.britannica.com/biography/Tenji

https://www.britannica.com/event/Taika-era-reforms

https://www.japanhousela.com/articles/princess-kaguya-a-tale-for-the-ages

https://en.wikipedia.org/wiki/Hikimayu#:~:text=Hiki means "pull" and mayu,from sesame or rapeseed oils.

https://www.thoughtco.com/beauty-in-heian-japan-195557

https://history.hanover.edu/hhr/22/HHR2022miller.pdf

https://www.tumblr.com/heian-collection/30869762024/beauty-ideal-in-heian-japan?source=share

https://thegate12.com/article/264

Thanks for reading! Stay tuned for part 2, the Warring States era. Special thanks to @al-hekima-madara-blog for actually motivating me to write all of this down 💜

[butchsaint]

i might fuck around and become a paramedic

[the-golden-vanity]

Participants in the Sloop Providence's crew exchange with the Mildred Belle swing by our ship on the way to National Harbor, Maryland, 10/14/24

[sircesimblr]

Coming close to the boat down the cliff, hope turned into one big disappointment.

Leaking on all sides, rotting in some places, falling apart at the slightest touch. A harbour for little sea creatures racing in its shallow water.

"I regret, sir, this is not - "

Both men shook their heads and stood in silence.

"Useless," Remi said. If they'd be stuck on this island for long, at best this thing could be a reminder, of what a boat in general should look like.

Watching Fallonfuchs run off to climb the boulders at the closing end of the beach, the state of the boat sank in. Only if it had been there for a lifetime, moored twenty years or longer, it could've become desintegrated like this.

Remi sat down. Listening to the rythm of the waves, he watched his hands resting on his knees.

No-one had touched that boat in twenty years. And it was moored perfectly, not rushed. The people who'd done that, had known they wouldn't take it out again very soon. As if they'd actively said goodbye to the chance to use it. And so it was left alone. For twenty years.

As was the island. Left alone for a lifetime.

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[kvetch19]

[postcard-from-the-past]

Path on the Hoher Göll mountain, Bavaria, Germany

German vintage postcard

[boudicca]

i miss my best friend