#hindu peace symbol

[compassionmattersmost]

Interfaith Harmony: Ganesha, the Universal Remover of Obstacles

There is an ancient story, older than memory, that speaks of a gentle presence who stands at the threshold of each journey. He is called Ganesha, the remover of obstacles. In Hindu tradition, he is worshipped as a friend and guardian of beginnings, an embodiment of wisdom and gentle strength. His form is unmistakable—an elephant head, eyes deep with understanding, a body both round and rooted, as…

[blue-lotus333]

💕Goddesses of love💕

Aphrodite: Greek Goddess of love, beauty, sex and lust.

Aphrodite, the goddess of love and beauty, emerged from the sea in a scallop shell and sailed to Cyprus. She possessed a magical girdle and had many lovers, including Ares and Adonis. Ares killed Adonis out of jealousy, leading to the creation of anemones. Adonis became a god split between the Underworld and Earth due to Aphrodite's love. She travels with the Three Graces and bestows joy, brilliance, and abundance upon mortals. She aids in romantic love and is associated with myrtles, roses, and anemones.

Freya: Norse Goddess of love, war, fertility and magic.

Freya, the Norse goddess of love and ruler of war and death. She mediated conflict between warring groups of Norse gods and established peace in Asgard. She is known for her beauty, sorcery, and sexuality, as well as for riding a cat-drawn golden chariot. Freya wears a falcon-feathered cloak that allows her to move quickly between heaven and Earth and has an enormous palace in Asgard where she celebrates with the souls she chooses from the battlefield. In one myth, she obtains the famous amber necklace, Brisingamen, from four dwarves by sleeping with them, beauty for beauty.

Oshun: African Goddess of love, beauty, prosperity & femininity.

Oshun is a goddess of love in the Yoruba religion. She is one of the 7 orishas and the source of power for all the other orishas. Oshun has the ability to make all things flow in the universe through her love and strength. She played a significant role in encouraging Ogun, father of civilization, to continue creating. Oshun is the only goddess who can carry messages between the mortal world and the Supreme Creator in heaven. In Nigeria, there is an annual ceremony called Ibo-Osun where women dance for Oshun during a feast of yams, with the best dancer winning Oshun's favor and becoming the village adviser on healing and fertility.

Parvati: Hindu Goddess of love, fertility, harmony and motherhood.

Parvati is a golden Hindu goddess known for love and devotion, forming a holy trinity with Saraswati and Lakshmi. She was born in the Himalayan mountains and embodies nurturing feminine energy. Parvati won over her husband, Shiva, through patience and determination in asceticism. Parvati is the creator of her son Ganesha, the elephant-headed god of wisdom. She is also worshiped for her strength and ferocity. In one legend, she transformed into the fearsome goddess Kali-ma to overcome & destroy demons who threaten the earth, showing her protective nature.

Guan yin: Buddhist Goddess of compassion, love, peace and kindness.

Guan Yin, originally a mortal princess named Miao Shan, was known for her compassion and kindness. Despite her father's cruelty, she devoted herself to helping others and performing miracles. After her death, she chose to remain in human form as a bodhisattva to help suffering beings, eventually becoming a goddess. By simply invoking her name, people can receive protection from harm. Guan Yin is often depicted in a white gown on a lotus throne and is revered by her followers as a symbol of love, compassion & purity. Her devotees often follow her vegetarian diet on her sacred days. Guan yin is not only the goddess of compassion, but the literal personification of it.

Hathor: Egyptian Goddess of fertility, love, womanhood and the sky.

Hathor, ancient Egyptian goddess of love and joy, has been revered for over 3,000 years. Known as the Gentle Cow of Heaven, she provided milk to the Sun God Ra, making him and other pharaohs divine. Hathor created the Milky Way and is often depicted wearing a crown with cow horns. She is worshipped through joyful ceremonies of music and dance and is the most beloved goddess in ancient Egyptian belief. Hathor is also the goddess of the Underworld, protector of females, and champion of romantic bonds. She can appear in different forms and her symbols are the sistrum and hand mirror.

Laka: Hawaiian Goddess of love, wilderness, the hula & music.

Laka is a Polynesian goddess of love and wilderness who taught humans the art of the hula dance. She is married to the fertility god Lono, and rain is considered a sacred time for them. Dancers in training build altars to Laka with her favorite flowers and plants, and offerings are taken down to the ocean after performances to thank her for her blessing. She is a Goddess who rules over all vegetation. Plants sacred to her are: maile, Lama, hala pepe, `ie`ie, ki, `ôhia lehua, `ôhelo, and palai.

Aine: Irish Goddess of the summer, love, wealth and light.

Áine is a powerful and loving fairy queen in Irish legend, associated with agriculture, animals, and light. She is celebrated at the Midsummer Festival in Limerick, where people run up her hill to seek her blessing. She is also a survivor of sexual abuse in legends, where she shows strength and guides women to empowerment. Áine is depicted with red hair, a headband of stars, and surrounded by her animals. She can transform into a red mare who is unbeatable in speed.

Xochiquetzal: Aztec Goddess of fertility, beauty, flowers and love.

Xochiquetzal was a powerful and complex Aztec goddess known for her beauty and seductive nature. She was worshipped as a patroness of lovers and prostitutes, encouraging love-making for pleasure rather than reproduction. Despite her associations with sexual relationships, she also had the ability to absolve humans of sins unrelated to sex. She was married to the water god, Tlaloc, and was considered a consort to the creator deity, Tezcatlipoca. Xochiquetzal was widely worshipped and honored through great rituals that included acts of sacrifice and confessions.

Ishtar: Mesopotamian Goddess of love, war, fertility and power.

One of the oldest goddesses in the world, Ishtar, the goddess of war and sexual love, was the queen of heaven. Ishtar is considered a member of the special class of Mesopotamian gods called the Anunnaki. Ishtar is often called Inanna, she is also an astral deity, linked to the planet Venus, and was worshipped widely in the ancient Middle East. She was known as the Queen of the Universe and had powers attributed to various other gods. Ishtar was the very first goddess of love, Mesopotamians described her in her many legends and poems as young and strikingly beautiful, with piercing, penetrating eyes.

[talonabraxas]

Yab-Yum Wisdom and compassion can become one. What is Yab-Yum? Yab-yum is a symbolic representation of the union between a male deity (yab) and a female deity (yum). The term itself originates from Tibet, where the word "yab" represents the masculine aspect, often referred to as the Father associated with wisdom and compassion, and "yum" represents the divine feminine, embodying the role of the Mother often associated with bliss and emptiness. In artistic depictions, yab-yum is represented by a male deity in a seated position, often portrayed as a peaceful and enlightened Buddha or a deity like Vajrasattva, and a female deity sitting or standing in the lap of the male deity, embracing him. The female deity is often portrayed as a compassionate figure, such as the goddess Tara or the consort of the male deity. The Spiritual Symbolism of Yab-Yum An iconic image associated with tantra, the yab-yum position holds significant prominence within both Hindu and Buddhist tantric art. The posture transcends the boundaries of conventional human sexuality and delves into a realm of divine and cosmic union. At its core, the image embodies the concept of duality, therefore represented through the masculine and feminine union but gives direction towards a state of non-duality, or Advaita, where the illusion of separation dissolves, and a profound unity is experienced. It represents the profound understanding that existence arises from the interplay of opposites and that the ultimate reality encompasses both the manifest and the formless. The yab-yum position signifies the merging and harmonizing of opposing forces. It represents the balance and integration of polarities within oneself and the universe. The masculine and feminine energies are seen as complementary aspects that together form a complete whole. In essence, the yab-yum symbolizes the union of wisdom and compassion, form and formlessness, masculine and feminine, and represents the inherent unity and interconnectedness of all things in the tantric worldview. The fundamental concept of 'Advaita,' or non-duality within Yab-Yum In Sanskrit, the term, advaita means non-duality. It is also a concept commonly associated with Advaita Vedanta but equally relevant in the profound teachings of tantra. To understand the concept of Advaita, one must carefully deconstruct the linguistic implication of the term Advaita or its English translation 'not-two-ness.' Here the words do not suggest becoming one or infusion; it does not imply a merging into homogeneity. Instead, it represents a state where separation, division, and the illusion of individual identity cease to exist while the diverse elements retain their inherent nature. It is a state of neither loss nor acquisition. This understanding eludes the grasp of the rational mind, which can only comprehend the world in terms of singularity or plurality. Therefore, the yab-yum depiction of the union of a male and female deity highlights the fundamental principle that the apparent duality between self and other, subject and object, is illusory. It alludes to the understanding that the true nature of reality transcends dualistic distinctions signifying the inseparability and interdependence of the masculine and feminine energies, symbolizing the dissolution of all dualities but not infusing into a singularity. Vajrasattva and his consort in Yab-Yum Vajrasattva is the embodiment of purity and compassion and, in his solitary form, is a familiar subject in Buddhist art. However, although less frequently, Vajrasattva is depicted with his consort in the yab-yum posture, alluding to a profound father-mother aspect of Vajrasattva. In the Yab-Yum depiction, he is joined by his consort, Vajratopa or Vajragarvi. The consort is often depicted holding a Kartika in her right hand and a kapala in her left, symbolizing the transformative and nurturing aspects of the feminine principle. Mahayana Pilgrim

[liviawildrose]

𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐚𝐛𝐨𝐮𝐭 𝐜𝐡𝐚𝐤𝐫𝐚𝐬

what even are chakras?

chakras (from the sanskrit word cakra, meaning “wheel” or “disc”) are spinning vortexes of subtle energy that exist within your pranic body (also called the “subtle body”). they’re not physical organs, but energetic hubs where mind, body, and spirit meet.

chakras were described as energy centers (padmas, or “lotuses”) that store prana: life force, within the subtle body, which is different from the physical body.

this subtle body is composed of nadis (energy channels), koshas (layers of consciousness), and chakras (energy hubs).

the original chakra texts were written in sanskrit, and the most detailed source comes from the shat-chakra-nirupana, a 16th-century tantric text that laid out the seven main chakras and their symbolic, spiritual, and physiological associations.

they influence your thoughts, emotions, physical health, spiritual growth, relationships, and even your damn bank account.

when your chakras are healthy and flowing freely, your whole life aligns like sacred geometry. when they’re blocked or chaotic? expect spiritual lag, emotional glitches, physical illness, and endless chaos.

important to note:

in the original tantric system, chakras weren’t “self-care tools” they were maps to divine awakening used during intense yogic, meditative, and kundalini practices to transcend ego, illusion, and reincarnation. it was liberation tech, not lifestyle inspo.

but now, in this modern age of energy work, psychology, and soul evolution, the chakra system has become a universal template applicable to everyone, not just yogis. and we’re gonna fuse that original wisdom with real psychology, real healing, and real magic.

origin of the chakra system

• earliest references to energy centers show up in the Vedas (ancient hindu scriptures) around 1500–1000 BCE.

• the shat-chakra-nirupana, a 16th-century tantric text, outlined the 7-chakra system most people know today.

• the system was never meant to be aesthetic it was part of a serious spiritual practice to activate kundalini shakti, the dormant divine feminine energy said to be coiled at the base of your spine.

originally, chakra work was about liberating the soul from illusion (maya) and achieving moksha (spiritual liberation). but in today’s world, chakra healing can help you:

• release trauma + emotional baggage

• align with your highest self

• create energetic flow in your career, love life, and creative path

• experience divine connection + psychic expansion

how do chakras work?

imagine 7 power stations wired along your spine. each one governs a certain aspect of your physical body, emotional world, mental patterns, and spiritual connection.

when they’re:

• balanced → energy flows freely = peace, joy, purpose, radiance

• blocked → stuck energy = fear, fatigue, illness, toxic patterns

• overactive → too much energy = burnout, anxiety, ego overdrive

• underactive → not enough energy = apathy, insecurity, numbness

your 7 main chakras

1. root chakra – muladhara

“i exist. i survive. i am grounded.”

• sanskrit: mula = root, adhara = support/foundation

• location: base of spine, pelvic floor

• element: earth

• color: red

• mantra: LAM

• gland: adrenal glands (fight-or-flight center)

• body link: spine, legs, bones, colon

• psych themes: survival, money, stability, belonging, family, safety

imbalanced symptoms:

• underactive: anxiety, disconnection, poverty mindset, fear of abandonment

• overactive: hoarding, controlling behavior, stubbornness, material obsession

• trauma imprints: childhood neglect, abandonment, physical abuse etc.

when balanced:

• you feel safe in your body and the world

• you can build structure and discipline with ease

• you attract abundance + grounded stability

• you trust life even when it’s hard

healing tools:

• grounding meditations

• red foods: beets, root vegetables, chili

• physical touch, body-based therapies (somatic work)

• walk barefoot, work with hematite, black tourmaline

• build routines + financial structure

• affirmation: “i am worthy of safety and abundance.”

2. sacral chakra – svadhisthana

“i feel. i create. i allow pleasure.”

• sanskrit: sva = self, adhisthana = dwelling place

• location: lower abdomen, 2 inches below navel

• element: water

• color: orange

• mantra: VAM

• gland: reproductive system

• body link: womb, bladder, hips, genitals

• psych themes: sensuality, emotions, creativity, pleasure, intimacy

imbalanced symptoms:

• underactive: numbness, shame, low libido, creative block, disconnection from body

• overactive: hypersexuality, addiction, obsession, drama

• trauma imprints: sexual abuse, body shame, religious guilt, heartbreak

when balanced:

• you radiate magnetism, sensuality, and artistic flow

• your emotions move freely without controlling you

• you’re tapped into your divine feminine and creative life force

• you allow yourself to feel pleasure without guilt

healing tools:

• sensual dance (belly dance, twerking, slow flow yoga)

• sacred baths with rose + orange oil

• creative practices (painting, singing, scripting)

• orange calcite, moonstone

• inner child + womb healing

• affirmation: “i honor my body. i deserve to feel good.”

3. solar plexus – manipura

“i act. i choose. i claim my power.”

• sanskrit: mani = jewel, pura = city → “city of jewels”

• location: stomach, between ribs and navel

• element: fire

• color: yellow

• mantra: RAM

• gland: pancreas + digestive system

• body link: liver, gallbladder, intestines

• psych themes: identity, ambition, boundaries, ego, self-discipline

imbalanced symptoms:

• underactive: low self-esteem, indecision, victim mentality

• overactive: arrogance, perfectionism, aggression, burnout

• trauma imprints: bullying, strict parenting, humiliation, failure shame

when balanced:

• you’re decisive, empowered, and assertive without arrogance

• you have strong boundaries and healthy self-esteem

• you feel motivated and energized to go after what you want

• you become a natural leader

healing tools:

• sunbathing, breath of fire, core exercises

• wear yellow, work with citrine or pyrite

• personal power rituals (write + burn limiting beliefs)

• practice saying “no”

• affirmation: “i am the author of my life. i am enough.”

4. heart chakra – anahata

“i love. i forgive. i connect.”

• sanskrit: anahata = unstruck, infinite sound

• location: center of chest

• element: air

• color: green / pink

• mantra: YAM

• gland: thymus (immune system)

• body link: lungs, heart, arms, hands

• psych themes: compassion, forgiveness, empathy, romantic love, grief

imbalanced symptoms:

• underactive: isolation, coldness, fear of intimacy, bitterness

• overactive: martyrdom, people-pleasing, jealousy, attachment

• trauma imprints: loss, betrayal, rejection, emotional neglect

when balanced:

• you feel deep connection to others and to life itself

• you radiate unconditional love without losing yourself

• your immune system strengthens (yes, real science backs this)

• you can forgive, grieve, and love again

healing tools:

• breathwork (especially heart coherence)

• ho’oponopono (forgiveness prayer)

• emerald, rose quartz

• write love letters to self

• self-compassion meditations

• affirmation: “i am love. i radiate unconditional compassion.”

5. throat chakra – vishuddha

“i speak. i express. i tell the truth.”

• sanskrit: vishuddha = purification

• location: throat and neck

• element: ether (space)

• color: sky blue

• mantra: HAM

• gland: thyroid

• body link: vocal cords, mouth, jaw, ears

• psych themes: communication, truth, expression, listening

imbalanced symptoms:

• underactive: fear of speaking, introversion, repression

• overactive: gossip, interrupting, dominating convos

• trauma imprints: being silenced, punished for truth, gaslighting

when balanced:

• you speak with clarity, confidence, and integrity

• your voice becomes a tool for healing and influence

• you can express yourself artistically and emotionally

• you’re deeply heard by others

healing tools:

• chanting, singing, vocal toning

• write + speak affirmations out loud

• journal your truth

• use lapis lazuli, blue lace agate

• affirmation: “my voice matters. i speak my truth with grace.”

6. third eye – ajna

“i see. i know. i trust my inner wisdom.”

• sanskrit: ajna = to perceive, to command

• location: forehead, between eyebrows

• element: light

• color: indigo

• mantra: OM

• gland: pineal gland (melatonin, circadian rhythms)

• body link: brain, eyes, sinuses

• psych themes: intuition, imagination, perception, clarity

imbalanced symptoms:

• underactive: confusion, over-intellectualizing, lack of faith

• overactive: paranoia, delusion, dissociation

• trauma imprints: disillusionment, spiritual rejection, fear of intuition

when balanced:

• you trust your intuition without needing external validation

• you see life symbolically, not just literally

• dreams become vivid and prophetic

• you develop inner wisdom + spiritual intelligence

healing tools:

• meditation (especially vipassana + visualization)

• dream journaling

• limit screen time

• work with amethyst or labradorite

• third eye massage

• affirmation: “i see clearly. i trust my soul’s vision.”

7. crown chakra – sahasrara

“i transcend. i merge. i remember who i truly am.”

• sanskrit: sahasrara = thousand-petaled

• location: top of the head

• element: pure consciousness

• color: violet / white

• mantra: OM

• gland: pineal + pituitary

• body link: brain, nervous system

• psych themes: spirituality, divine connection, oneness, transcendence

imbalanced symptoms:

• underactive: atheism, existential dread, lack of purpose

• overactive: spiritual bypassing, superiority complex

• trauma imprints: spiritual rejection, religious abuse, nihilism

when balanced:

• you experience oneness with the universe

• you tap into divine downloads, flow states, soul alignment

• you feel limitless, guided, and expansive

• you recognise yourself as a vessel for higher love + wisdom

healing tools:

• meditation in silence

• crown chakra mudras + breathwork

• read sacred texts / study universal wisdom

• selenite, clear quartz

• fast or detox occasionally

• affirmation: “i am one with the divine. i am infinite consciousness in form.”

how to activate, align, and master your chakras daily

• do chakra meditation

• listen to solfeggio frequencies for specific chakras

• wear color-coded outfits / makeup to amplify each chakra

• eat chakra-aligned foods for lunch + dinner

• pull tarot spreads for each chakra to check your energy

• speak chakra mantras out loud in order to harmonize your field

• visualize golden energy spiraling from root to crown every night

[httpsoftbunni]

The Universal Gesture of the Raised Right Hand

The raised right hand, a gesture seen across various religions, spiritual traditions, and artistic depictions, carries with it profound symbolic meaning. This ubiquitous gesture is often linked to themes of blessing, protection, authority, and enlightenment, and has been shown in the iconography of deities, spiritual leaders, and mystics for millennia. Its recurrence suggests it is more than just a physical movement; it embodies a universal archetype that is deeply ingrained in human consciousness. Through examining the gesture's origins, symbolism, and often suppressed meanings, we can gain profound insights into its role as a bridge between the material and the divine.

Core Symbolism Across Traditions

At its core, the raised right hand symbolizes reassurance and spiritual power. Across different traditions, it conveys a sense of divine protection, authority, and the dispelling of fear. In Hinduism and Buddhism, this gesture is epitomized in the Abhaya Mudra, which translates to “gesture of fearlessness.” The Buddha, often depicted with his right hand raised to shoulder height, palm outward, uses this gesture as a symbol of peace and protection, calming the fears of the devotee. Similarly, Hindu deities like Vishnu and Shiva adopt this mudra to bestow blessings and offer divine assurance.

Christian and Cross-Cultural Depictions

In Christianity, the gesture is closely associated with Jesus Christ, who is frequently depicted raising his right hand in a benediction, signifying the transmission of divine grace and spiritual power. Mary, too, is shown in similar contexts, her hand raised in a gesture of blessing. The raised right hand also carries significance in Sikhism, where Guru Nanak's gesture symbolizes divine truth and guidance. Even in occult traditions, figures such as Baphomet incorporate this gesture to represent the balance between the spiritual and material realms, echoing the principle of "as above, so below." The universality of this gesture underscores its association with spiritual authority across various cultures.

Esoteric Meaning and the Right-Hand Path

Beyond its religious and spiritual meanings, the raised right hand also has esoteric significance. It is often seen as a symbol of the "Right-Hand Path," a concept tied to righteousness, divine order, and enlightenment. This contrasts with the "Left-Hand Path," which is often associated with hidden knowledge or rebellion against established norms. This duality—light versus dark, order versus chaos—encapsulates humanity’s ongoing journey to balance material existence with spiritual transcendence.

Prehistoric and Ancient Origins

The origins of this sacred gesture stretch far back into prehistory. Before the advent of organized religion, prehistoric shamans—spiritual leaders adept at navigating altered states of consciousness—likely used the raised right hand as a nonverbal form of communication with higher realms. Cave paintings dating back over 30,000 years show figures with raised hands, suggesting a deep, intuitive connection between this posture and spiritual invocation. As civilizations emerged, this gesture became more formalized within religious and ceremonial contexts.

In ancient Sumer (around 4000 BCE), gods and rulers were often depicted with raised hands, invoking divine authority. Similarly, in ancient Egypt, deities like Osiris and Isis are frequently shown with their hands raised during sacred rituals. The Indus Valley Civilization (circa 2500 BCE) integrated mudras, symbolic hand gestures, into their early yogic practices. The Vedic texts (circa 1500 BCE) codified these hand gestures within Hindu rituals, associating them with the control of energy and blessings. Buddhism later adopted the Abhaya Mudra, as exemplified by the Buddha, who used it to calm a charging elephant sent by his cousin Devadatta, symbolizing serene power and protection.

An Archetype Across Cultures

Despite regional differences, the raised right hand has consistently symbolized divine connection across cultures. Its prevalence suggests an archetypal truth embedded in the collective human consciousness, one that spans time and geographical boundaries.

Esotericism and the Mystical Hand

In esoteric traditions such as Freemasonry and Hermeticism, the raised right hand goes beyond a simple gesture of blessing. It symbolizes the oath of initiation into higher knowledge, invoking cosmic truths that transcend ordinary understanding. The human hand itself is often viewed as a microcosm of divine creation, with its five fingers corresponding to the pentagram—a symbol of balance—and the five elements: earth, water, fire, air, and spirit. Ancient cultures believed that certain hand positions could channel energy flows within the body or invoke universal forces, further amplifying the significance of the raised right hand.

Duality and Balance in Symbolism

The duality inherent in this gesture reflects broader cosmic principles. The right hand is often associated with light, order, and divine authority, while the left hand is linked to chaos, hidden knowledge, or rebellion. This contrast is vividly illustrated in occult symbolism through figures like Baphomet, who is depicted with one hand pointing upward, toward the heavens, and the other pointing downward, toward the earth. Baphomet embodies the balance between opposites, serving as a reminder that spiritual enlightenment requires the reconciliation of dual forces.

Suppression of Esoteric Knowledge

Yet, beneath these surface meanings lies a deeper layer of significance, one that has often been suppressed or reinterpreted throughout history. Many cultures embraced the raised right hand as a sacred symbol, but its more esoteric meanings have often been obscured by religious institutions seeking to control spiritual knowledge. The myths surrounding pre-flood civilizations—such as Atlantis—speak of societies that possessed profound knowledge of sacred geometry, cosmic cycles, and spiritual science. This knowledge was likely lost or deliberately erased after catastrophic events reshaped human history.

Early Christianity, too, contained mystical teachings that were later suppressed by institutionalized religion. Gnostic texts describe Jesus as a teacher of self-mastery, rather than blind submission to external authority. Concepts such as reincarnation, which were central to early Christian thought, were removed from doctrine during Church councils. Similarly, the role of Mary Magdalene as an equal spiritual leader was diminished to reinforce patriarchal structures. These omissions serve to obscure Christianity's esoteric roots, favoring dogma over personal enlightenment.

Sound, Frequency, and Vibrational Truths

In addition to these religious suppressions, the science of sound and frequency also holds a key to understanding the deeper significance of the raised right hand. Ancient civilizations understood that sound shapes reality, a concept encoded in sacred languages like Sanskrit and Hebrew. The standard tuning of modern music (440 Hz) contrasts with ancient systems such as 432 Hz tuning, which is believed to harmonize with natural frequencies. This shift may represent a deliberate attempt to disrupt humanity's connection to higher vibrations, further distancing the masses from their spiritual potential.

The Moon and Frequency Control Theories

Some esoteric traditions even suggest that the Moon, with its perfect size for eclipses, may have been artificially placed in Earth's orbit as part of a control mechanism for human consciousness. Its presence raises questions about its origins and whether it serves as a frequency regulator, locking humanity into specific vibrational states.

Ultimately, the raised right hand represents more than just a symbolic gesture; it embodies humanity's shared spiritual heritage. Its presence across cultures suggests that it encodes universal truths about enlightenment: mastery over physical reality through alignment with cosmic laws, protection from ignorance, and guidance toward higher planes of existence. Yet, much of its deeper meaning remains hidden beneath layers of historical suppression and reinterpretation. By rediscovering these lost meanings—whether through ancient texts or modern esotericism—we can begin unlocking humanity's full potential for spiritual awakening.

The raised right hand, as a timeless and powerful gesture, continues to beckon us toward greater understanding and unity with the divine. It is a symbol that transcends time and culture, offering us an ancient key to uncovering the profound mysteries of the universe. Through it, we are reminded of our intrinsic connection to higher wisdom and the eternal quest for spiritual enlightenment.

[santoschristos]

Yab-Yum

Wisdom and compassion can become one.

What is Yab-Yum?

Yab-yum is a symbolic representation of the union between a male deity (yab) and a female deity (yum). The term itself originates from Tibet, where the word "yab" represents the masculine aspect, often referred to as the Father associated with wisdom and compassion, and "yum" represents the divine feminine, embodying the role of the Mother often associated with bliss and emptiness.

In artistic depictions, yab-yum is represented by a male deity in a seated position, often portrayed as a peaceful and enlightened Buddha or a deity like Vajrasattva, and a female deity sitting or standing in the lap of the male deity, embracing him. The female deity is often portrayed as a compassionate figure, such as the goddess Tara or the consort of the male deity.

The Spiritual Symbolism of Yab-Yum

An iconic image associated with tantra, the yab-yum position holds significant prominence within both Hindu and Buddhist tantric art. The posture transcends the boundaries of conventional human sexuality and delves into a realm of divine and cosmic union. At its core, the image embodies the concept of duality, therefore represented through the masculine and feminine union but gives direction towards a state of non-duality, or Advaita, where the illusion of separation dissolves, and a profound unity is experienced. It represents the profound understanding that existence arises from the interplay of opposites and that the ultimate reality encompasses both the manifest and the formless.

The yab-yum position signifies the merging and harmonizing of opposing forces. It represents the balance and integration of polarities within oneself and the universe. The masculine and feminine energies are seen as complementary aspects that together form a complete whole. In essence, the yab-yum symbolizes the union of wisdom and compassion, form and formlessness, masculine and feminine, and represents the inherent unity and interconnectedness of all things in the tantric worldview.

The fundamental concept of 'Advaita,' or non-duality within Yab-Yum

In Sanskrit, the term, advaita means non-duality. It is also a concept commonly associated with Advaita Vedanta but equally relevant in the profound teachings of tantra. To understand the concept of Advaita, one must carefully deconstruct the linguistic implication of the term Advaita or its English translation 'not-two-ness.' Here the words do not suggest becoming one or infusion; it does not imply a merging into homogeneity. Instead, it represents a state where separation, division, and the illusion of individual identity cease to exist while the diverse elements retain their inherent nature. It is a state of neither loss nor acquisition.

This understanding eludes the grasp of the rational mind, which can only comprehend the world in terms of singularity or plurality. Therefore, the yab-yum depiction of the union of a male and female deity highlights the fundamental principle that the apparent duality between self and other, subject and object, is illusory. It alludes to the understanding that the true nature of reality transcends dualistic distinctions signifying the inseparability and interdependence of the masculine and feminine energies, symbolizing the dissolution of all dualities but not infusing into a singularity.

Vajrasattva and his consort in Yab-Yum

Vajrasattva is the embodiment of purity and compassion and, in his solitary form, is a familiar subject in Buddhist art. However, although less frequently, Vajrasattva is depicted with his consort in the yab-yum posture, alluding to a profound father-mother aspect of Vajrasattva. In the Yab-Yum depiction, he is joined by his consort, Vajratopa or Vajragarvi. The consort is often depicted holding a Kartika in her right hand and a kapala in her left, symbolizing the transformative and nurturing aspects of the feminine principle. Mahayana Pilgrim

[nicolettesdreamworld]

Bound by moonlight

I had this idea last night so decided to write it. I'm not sure if this will become more part series or just a little cute short story so let me know if you maybe want me to continue it! Hope you enjoy!

The full moon holds significance across countless cultures. In Chinese traditions, it symbolizes family unity and yin energy. To Hindus, the full moon is sacred, a celestial witness to rituals like Guru Purnima, honouring those who illuminate the path to wisdom. The Japanese gaze at the autumn moon as a poignant emblem of impermanence. For Muslims, it marks the heart of the lunar month. And for the Celts and pagans, the full moon brims with ancient power, a beacon for magic and spiritual awakening.

The poets and artists of the ages have romanticized its silver glow, spinning it into a symbol of love, mystery, and longing.

But for Nicolette, the full moon was neither sacred nor beautiful.

It was chaos.

Each month, the moon’s rise heralded her undoing. Beneath its unyielding gaze, her body would break, shift, and reform into a creature of instinct. A wolf born of rage and primal energy. And though her senses sharpened, her mind became a blank canvas, void of reason, void of memory.

What she did in those dark hours—those fleeting moments when she surrendered to her wolf—was a mystery. It was her blessing, perhaps, that she never remembered.

But it was also her curse.

Because each morning, she awoke to the aftermath: torn clothes, muddy footprints, and whispers of terror she could not trace. And so, the full moon wasn’t poetry to her, it was a thief, stealing her control, her sanity, and the fragile peace she clung to.

And tonight, as the moon climbed higher into the midnight sky, Nicolette felt it again—the pull, the promise, and the curse.

She had been trapped in this endless cycle ever since that night.

It had started so innocently, a joyful evening meant to celebrate a milestone in her life. She’d finally earned her driver’s license, and her parents couldn’t have been prouder. They decided on dinner to mark the occasion. She couldn’t even recall whose idea it was to order some wine, the casual suggestion that, since she could drive now, they could indulge just a little and she could drive them home. It wasn't like she was old enough to drink anyway.

But what seemed like a harmless decision turned out to be fatal.

The memory had grown hazy over the years, softened around the edges like a photograph left too long in the sun. She could barely piece it together now—the blinding lights of the oncoming car, the screeching metal, the jarring pain that stole her breath. Then the sterile, suffocating smell of the hospital. The rhythmic beeping of machines punctuating the silence of her grief.

And finally, the words. The ones that shattered what little remained of her world. You survived. They didn’t.

The pain of their loss had been unbearable, a wound that time refused to heal. But worse still was what came after.

When she first turned, she had no idea what was happening. She thought the grief and guilt had finally consumed her mind. The agony of the transformation had been unlike anything she’d ever experienced. Her body twisting and breaking, muscles contorting as something ancient and primal clawed its way to the surface.

She woke naked and trembling in the middle of the woods, her skin streaked with dirt and blood. The confusion had been bad enough. The horror came later, when she heard the news: a group of tourists had been slaughtered in the forest that night. Torn apart by some wild animal.

It didn’t take long for her to connect the pieces.

She was sixteen then—just a child, really. A child who had to learn, alone and terrified, what she had become.

Now, at twenty-three, Nicolette had learned how to survive. She knew how to chain herself up when the full moon rose, how to isolate herself far from civilization. She understood the curse that coursed through her veins.

But that didn’t mean she’d accepted it.

The full moon still terrified her. It always would.

And tonight, as it began its slow ascent into the night sky, she felt the familiar dread settle into her chest. The ache of anticipation, the promise of pain.

She hated it. Hated the moon, hated herself. Hated the monster she became when its light consumed her.

But no amount of hatred could change the truth. The moon didn’t care.

Klaus was at the Mikaelson manor, seated in the dim glow of the living room, a glass of bourbon cradled lazily in his hand. The firelight flickered across his sharp features, casting shadows that danced with an almost menacing rhythm. He stared into the flames, his expression a familiar mix of brooding and defiance. For Klaus Mikaelson, self-pity was as much a pastime as it was an art form.

He swirled the amber liquid in his glass, debating whether he should pour another, knowing full well he would. But just as his hand moved toward the decanter, a faint sound disrupted the silence.

A scratching at the front door.

His brow furrowed, the irritation immediate. Who in bloody hell dares disturb me at this hour? he thought, rising from his chair with an air of both annoyance and intrigue. His steps were slow, deliberate, as he approached the door. Whoever or whatever was foolish enough to trespass on his doorstep was about to be sorely reminded why the Mikaelson name inspired fear.

He leaned closer, peering through the peephole.

What he saw gave him pause.

A wolf. But not just any wolf.

This creature was larger than any ordinary wolf, its powerful frame illuminated faintly by the moonlight. That alone was enough to spark suspicion—Klaus knew the difference between a wild animal and one cursed by the moon. It had to be a werewolf.

But what werewolf would dare show up at his front door?

Its fur was a pristine white, almost glowing against the darkness, and its eyes… pale blue, piercing, as if they could see through him. A flicker of recognition stirred in Klaus’s chest, though he couldn’t explain why. What unsettled him most was the way it stood there, perfectly still, its gaze unyielding.

He couldn’t see its eyes clearly from the peephole, yet somehow, inexplicably, he felt as though the wolf was staring right back at him.

His instincts screamed caution. Logic dictated he should turn away, that this was some foolish trap, some scheme to provoke him.

But curiosity, that old, dangerous friend of his, had other plans.

Against his better judgment, Klaus opened the door.

The wolf didn’t flinch. It merely stood there, its gaze locked on his, as though waiting for something. A challenge, perhaps. Or an invitation.

Klaus stepped forward, his movements deliberate but not without caution. He knelt slowly, his gaze never leaving the wolf’s. He hadn’t survived centuries of betrayal by being careless, but there was something in those pale blue eyes that stilled his wariness.

Tentatively, he reached out. His fingers brushed its fur, and he was startled by the sensation. It was soft. Softer than he’d imagined. Like silk.

For a moment, he simply stayed there, kneeling before the creature, his hand resting on its fur. It didn’t move. It didn’t snarl or growl. It only watched him with those unyielding eyes.

"Who are you?" Klaus mumbled, his voice low and hesitant.

The wolf tilted its head at his words, its pale blue eyes unblinking as it continued to watch him. Klaus exhaled sharply, shaking his head at himself. As if it’s going to answer, he thought, a dry smirk tugging at the corner of his mouth.

"Right," he muttered under his breath, his hand absently stroking the soft fur between the wolf’s ears. It was strange, absurd really, but oddly soothing. "Are you hurt?" he asked, tilting his head as if searching for signs of injury.

The wolf didn’t flinch, didn’t even whimper. If anything, it seemed… calm. Far too calm, considering it was in the presence of the infamous Klaus Mikaelson.

He should have been suspicious. Any other time, he would have been suspicious. But tonight? For reasons he couldn’t quite name, his usually hypervigilant mind remained uncharacteristically quiet.

"Do you maybe want some water? Something to eat?" Klaus asked, his voice softening in a way that surprised even him.

The wolf gave no response—just that same steady, unyielding gaze.

"Very well," he sighed, pulling his hand back and rising to his feet. He gestured toward the doorway. "Come on in."

To his surprise, and mild amusement, the wolf actually obeyed, padding into the house without hesitation. Its movements were graceful, deliberate, and eerily quiet, like a predator who knew its strength and had no need to flaunt it.

Klaus led the way to the kitchen, his mind racing with questions even as his hands moved on autopilot. He grabbed a bowl and filled it with water, then retrieved some raw meat from the fridge, placing it neatly into another dish.

Setting both bowls down on the floor, he glanced back at the wolf, who had followed him and now stood watching him intently, as though waiting for something.

"You know," Klaus said, a dry chuckle escaping him as he straightened up, "I usually don’t let my guests eat on the floor, but…" He trailed off, shaking his head.

The wolf didn’t seem to mind. It leaned down and began eating, its movements as composed as they were deliberate.

Klaus crossed his arms, leaning casually against the counter as he observed the strange scene before him.

"I must be losing my mind," he muttered, running a hand through his hair. "Why am I talking to you? And, more importantly, why in bloody hell did I invite you inside and serve you dinner?"

The wolf, naturally, didn’t respond. It simply kept eating, its pale blue eyes flicking up to meet his now and then, as if it understood every word.

And for reasons Klaus couldn’t explain, the wolf’s silent gaze didn’t unnerve him. If anything, it intrigued him.

When the wolf finished eating, it let out a wide, lazy yawn, its jaw stretching in a way that made Klaus smirk.

"Oh, so now you're tired, are you?" he said, his tone laced with amusement. The sheer absurdity of the situation wasn’t lost on him, but for reasons he couldn’t explain, he didn’t mind it.

The wolf padded over to him, its movements unhurried, and nudged his hand with its snoot. Klaus chuckled at the gesture, shaking his head as his fingers instinctively reached out to rub behind its ear.

"You know," he began, his voice softening, "you’re quite adorable, little wolf. Not exactly a word I throw around often, but there it is."

The wolf tilted its head again, that curious expression making Klaus laugh under his breath.

"Are you tired?" he asked, his fingers brushing the fur along its jawline. "Do you want to sleep?"

In response, the wolf licked his hand, its warm, wet tongue startling him just enough to make him laugh again.

"Well, aren’t you full of surprises," Klaus mused, rising to his feet. He gestured toward the living room. "Come on, then."

The wolf followed him obediently, its steps silent against the hardwood floors. Klaus sank onto the couch, stretching one arm along the backrest, and patted the cushion beside him.

"Here," he said, his voice almost teasing. "A royal invitation, no less."

To his continued astonishment, the wolf leapt up onto the couch with the ease of a cat, settling beside him. It turned its head to study him, then glanced at the blanket draped over the armrest.

Klaus raised a brow, watching as the wolf gently bit down on the blanket and tossed it into his lap.

"Oh, now you want me to cover you, do you?" he asked, a bemused smirk tugging at his lips.

The wolf nudged him again with its snoot, an unmistakable hurry up gesture.

Klaus couldn’t help but chuckle. "You really are an unusual wolf, I’ll give you that."

He picked up the blanket, careful not to make it seem like he was trapping the creature, and laid it over the wolf’s body. As if on cue, the wolf shifted, curling up against him and resting its head in his lap.

"Comfortable, are we?" Klaus asked, his voice softer now, as if speaking too loudly might shatter the strange peace that had settled over the room.

The wolf closed its eyes, its breathing slowing as Klaus’s hand drifted to its back. He stroked the silky fur absentmindedly, his own tension easing with every rhythmic movement.

The fire crackled softly in the hearth, the room bathed in warm light. For the first time in what felt like years, Klaus Mikaelson didn’t feel alone.

And as the wolf’s breathing evened out, its chest rising and falling steadily, Klaus found himself smiling—a quiet, genuine smile that no one else would have believed him capable of.

"Sweet dreams, little wolf," he murmured, his voice barely above a whisper.

Klaus had watched the wolf for hours, his hand still resting gently on its back. There was something hypnotic about the rise and fall of its breathing, the way it had curled so trustingly into him. Eventually, even the mighty Klaus Mikaelson succumbed to the pull of sleep.

It was just before dawn when the wolf began to change. The transformation was silent, graceful in a way that defied the usual violent contortions Klaus associated with werewolves. Fur receded, bones reshaped, and in place of the white wolf lay a girl—her head still resting on his lap, her body covered only by the blanket.

Neither stirred.

It wasn’t until hours later, when the first rays of morning light filtered through the curtains, that Nicolette woke.

Her eyes fluttered open, her mind groggy, but it took only seconds for panic to set in. She wasn’t outside. She wasn’t in the woods. She was in a house she didn’t recognize, lying on the lap of a stranger.

Her breath caught in her throat as she scrambled back, clutching the blanket tightly to her chest. The sudden movement jolted Klaus awake, his blue-green eyes snapping open.

For a moment, neither spoke.

Nicolette was the first to break the silence. "Who are you?!" she demanded, her voice shaking despite her best efforts to sound firm.

Klaus stared at her, his expression unreadable but tinged with a faint amusement. His gaze lingered, as if trying to piece together how the wolf from last night had become the girl before him.

"So you really are a werewolf," he said finally, completely ignoring her question.

Nicolette frowned, clutching the blanket tighter as she sat up straighter. "I asked you a question!" she said, her voice a mix of fear and defiance.

"And I ignored it," Klaus replied smoothly, his smirk growing. "But fine. I’m Klaus. Klaus Mikaelson. And you are?"

Her breath hitched at the name. "You’re the hybrid," she said, her voice barely above a whisper.

"In the flesh," he replied, his smirk now a full grin.

Nicolette’s eyes widened as she tried to make sense of the situation. "Did you kidnap me?" she asked, her voice rising with a mix of fear and accusation. "Is that how I ended up here?"

"Kidnap you?" Klaus echoed, offended by the very suggestion. "I’ll have you know, you came to my doorstep."

She blinked, her frown deepening as she processed his words.

Before she could respond, Klaus stood and began walking toward the hallway, his movements unhurried and unconcerned.

"Hey!" Nicolette called after him, clutching the blanket as she rose to her feet. "Where are you going?"

"To get you some clothes," Klaus replied over his shoulder, his tone casual. Then, with a glance back at her and a hint of that devilish smirk, he added, "Unless, of course, you’d prefer to continue this conversation in your little blanket ensemble."

Nicolette flushed, her grip on the blanket tightening as she glared at him. But Klaus had already disappeared into the next room, leaving her to process everything that had just happened.

Soon enough, Klaus returned with a black henley and a pair of sweatpants with a drawstring, the kind of casual clothes he probably didn’t wear often, but somehow they still looked good on him. He pointed toward a bathroom down the hall. "You can change in there," he said, his voice casual, as if the world hadn’t just shifted beneath their feet.

Nicolette took the clothes in silence, the weight of the situation pressing down on her. She didn’t trust herself to speak, not when her mind was still reeling. She changed quickly, the unfamiliar clothes feeling both comfortable and strange against her skin. When she emerged, Klaus was lounging on the sofa as if nothing had happened, a glass of bourbon in his hand and a faint smirk on his lips.

"It makes no sense," Nicolette said, her voice tight as she handed him the folded blanket. Her eyes didn’t leave his face, searching for any hint of an explanation, anything that might make sense of the madness of the night.

Klaus glanced up, raising an eyebrow. "What’s making no sense, love?"

She crossed her arms over her chest, frustration and confusion boiling within her. "When I turn, I run around ripping anything and anyone that comes into my way to shreds. I don’t come to stranger’s homes for belly rubs."

Klaus’s smirk only deepened. "Well, I don’t know what to tell you, little wolf. You came here, ate some food, nudged me until I rubbed you, and then fell asleep in my lap." He shrugged as if it were the most natural thing in the world.

Nicolette glared at him, shaking her head. "Wolves don’t act this way… especially around you."

"You wound me," Klaus said, a mock look of offense crossing his face, but his eyes sparkled with amusement.

She could feel the weight of his gaze on her, and she turned away, shaking her head. "The only way it would make sense is if you were my—"

Her voice faltered, the word hanging in the air between them, thick with unspoken possibilities.

"Your what, love? Finish the sentence," Klaus prompted, his voice low, as if he already knew where this was going.

She froze, her mind rejecting the thought. "No, there has to be another explanation," she said, her voice barely above a whisper, but it lacked conviction.

Klaus leaned forward, his expression all too knowing. "No, you started it… now continue."

Her pulse quickened. "It’s stupid," she muttered, but Klaus’s piercing gaze never wavered.

"I highly doubt that," he said, his voice dripping with the kind of confidence that could only belong to someone who had lived for centuries.

Nicolette swallowed hard, trying to steady herself. She took a breath and met his gaze. "How much do you know about werewolf folklore?" she asked, the question feeling heavy on her tongue.

Klaus didn’t hesitate. "You mean how much do I know about mates?" He raised a brow, the words cutting through the air like a blade.

Her breath hitched, and her heart skipped a beat. "Yes," she whispered, barely able to process the realization herself.

"Enough to know where you’re going with this," Klaus said, his tone surprisingly light.

Nicolette couldn’t help the frustration that bubbled up in her chest. "How are you so calm?" she asked, genuinely baffled.

Klaus stood up from the couch and made his way toward her, his footsteps measured and deliberate. "Because it has already crossed my mind," he said, his voice low but steady, the kind of calm that only centuries of experience could foster.

She shot him a puzzled look, but Klaus simply shrugged. "Your inner wolf sought me out. It craved my closeness and was calm around me. And for some reason, I felt calm as well. Doesn’t take a genius to put two and two together, love."

Nicolette shook her head, the idea still feeling like it couldn’t possibly be true. "There’s no way you’re my mate," she said, the words sounding almost ridiculous coming out of her own mouth.

"And why is that?" Klaus asked, an amused glint in his eyes.

"Because it’s insane," she replied quickly, but as soon as the words left her, she realized something: she wasn’t freaking out. The weight of the situation should’ve sent her into a spiral of panic, but she was calm. Too calm.

Klaus smirked, his eyes glinting with that knowing look of his. "I think we’ve both seen stranger things happen, haven’t we?"

She turned away slightly, running a hand through her hair, as if trying to process everything. "I feel like I should freak out," she said, her voice tinged with uncertainty. "Why do I feel so calm?"

Klaus took a step closer, his voice quiet yet unwavering. "Because your inner wolf recognizes my inner wolf."

It hit her then, like a wave crashing over her. Her body still felt foreign to her, caught between disbelief and undeniable truth. "So... you’re my mate," she murmured, almost as if she were talking to herself.

"That I am, love. And you’re mine," Klaus said, his tone final, matter-of-fact, as if it were the most natural thing in the world.

Nicolette looked at him, her mind still trying to catch up with the words. "How did I end up as a mate to the Original Hybrid?" she whispered, more to herself than to him.

Klaus chuckled softly, a rich sound that made her feel something stir deep inside her. "Beats me, love," he said, his grin widening.

She shook her head, still unsure of everything, but there was a strange comfort in his certainty, in the way he spoke, as if it was simply meant to be.

Part 2

[dionysianfreak]

my drawing of Dionysos in a traditional Hindu style. I've felt quite inspired by how the Hindu Deities are represented, especially the diversity in symbolism between each worshiper. I can't remember if I posted this on tumblr or not, but here it is now.

I'm unsure if I'll ever color it. for now, i love it as it is. enjoy, and happy Dionysia !

symbolism, left to right :

a snake coiled around Their arm. the snake is sometimes considered sacred to Dionysos. it holds onto Them similarly to the snake of Asklepios, representing the healing of both body and mind

the thrysos gripped in their hand. the thrysos is a widely recognized, unique symbol of Dionysos. it represents my personal relationship with Them as I have a thrysos tattooed on my left arm.

Their hand extended in Gyan Mudra. this Mudra is often associated with wisdom or sharpening the mind. it represents the knowledge and peace of mind Dionysos grants us

a bundle of grapes cradled in their palm. wine grapes are very sacred to Dionysos, representing fruitfulness and being a little "fruity". it also encompasses Their connection with agriculture and the earth.

a pitcher of wine endlessly pouring. i can't do a symbolism-heavy drawing without including wine. it represents abundance and divine intoxication, the gift of alcohol that They have given humanity.

a shallow cup that does not spill a single drop. this represents the deliverance of prosperity, the lack of wastefulness, and shows that They reward the worthy and strike down the bigoted.

They sit peacefully with us, a God who is close and personal with Their followers.

there is a sun on Their forehead because i associate Them with the warmth and radiance of sunlight

top surgery scars show Them to be the God of transsexuals and a welcomer of all who live outside any "norm". a God who discriminates against no one.

[mahayanapilgrim]

What is Yab-Yum?

Yab-yum is a symbolic representation of the union between a male deity (yab) and a female deity (yum). The term itself originates from Tibet, where the word "yab" represents the masculine aspect, often referred to as the Father associated with wisdom and compassion, and "yum" represents the divine feminine, embodying the role of the Mother often associated with bliss and emptiness.

In artistic depictions, yab-yum is represented by a male deity in a seated position, often portrayed as a peaceful and enlightened Buddha or a deity like Vajrasattva, and a female deity sitting or standing in the lap of the male deity, embracing him. The female deity is often portrayed as a compassionate figure, such as the goddess Tara or the consort of the male deity.

The Spiritual Symbolism of Yab-Yum

An iconic image associated with tantra, the yab-yum position holds significant prominence within both Hindu and Buddhist tantric art. The posture transcends the boundaries of conventional human sexuality and delves into a realm of divine and cosmic union. At its core, the image embodies the concept of duality, therefore represented through the masculine and feminine union but gives direction towards a state of non-duality, or Advaita, where the illusion of separation dissolves, and a profound unity is experienced. It represents the profound understanding that existence arises from the interplay of opposites and that the ultimate reality encompasses both the manifest and the formless.

The yab-yum position signifies the merging and harmonizing of opposing forces. It represents the balance and integration of polarities within oneself and the universe. The masculine and feminine energies are seen as complementary aspects that together form a complete whole. In essence, the yab-yum symbolizes the union of wisdom and compassion, form and formlessness, masculine and feminine, and represents the inherent unity and interconnectedness of all things in the tantric worldview. 

The fundamental concept of 'Advaita,' or non-duality within Yab-Yum

In Sanskrit, the term, advaita means non-duality. It is also a concept commonly associated with Advaita Vedanta but equally relevant in the profound teachings of tantra. To understand the concept of Advaita, one must carefully deconstruct the linguistic implication of the term Advaita or its English translation 'not-two-ness.' Here the words do not suggest becoming one or infusion; it does not imply a merging into homogeneity. Instead, it represents a state where separation, division, and the illusion of individual identity cease to exist while the diverse elements retain their inherent nature. It is a state of neither loss nor acquisition. 

This understanding eludes the grasp of the rational mind, which can only comprehend the world in terms of singularity or plurality. Therefore, the yab-yum depiction of the union of a male and female deity highlights the fundamental principle that the apparent duality between self and other, subject and object, is illusory. It alludes to the understanding that the true nature of reality transcends dualistic distinctions signifying the inseparability and interdependence of the masculine and feminine energies, symbolizing the dissolution of all dualities but not infusing into a singularity. 

Vajrasattva and his consort in Yab-Yum

Vajrasattva is the embodiment of purity and compassion and, in his solitary form, is a familiar subject in Buddhist art. However, although less frequently, Vajrasattva is depicted with his consort in the yab-yum posture, alluding to a profound father-mother aspect of Vajrasattva. In the Yab-Yum depiction, he is joined by his consort, Vajratopa or Vajragarvi. The consort is often depicted holding a Kartika in her right hand and a kapala in her left, symbolizing the transformative and nurturing aspects of the feminine principle.

[premtattva]

☸ Untangling the Threads of Mahābhārata Concisely...

The Sagacity of Mahābhārata through the Chakra System

Disclaimer: The sole reference of my source has been taken from Paramahansa Yogananda's "The Bhagavad Gita"

Mahābhārata was formerly named Jayasaṃhitā, narrated by a great ancient seer Vedavyāsa(originally named Kṛṣṇadvaipāyana) and penned down by Lord Ganesha himself! Vyāsa is also regarded by many Hindus as a partial incarnation (Aṃśāvatāra ) of Vishnu.

According to Paramhansa Yogananda, the battlefield of Kurukshetra represents our own life. Dhṛtarāṣṭra is the blind and ignorant mind of ours which tends to give rise to 100 sense tendencies and desires. The 100 sons of Dhṛtarāṣṭrā are those sense tendencies. Pāṇḍu represents the wisdom, hence white. Hence Kurukṣetra is the battlefield of our mind, body and senses. It’s the battle of ignorance and wisdom, to find a way to rise up and get the status of Param Brahma.

Draupadī represents the-- Kuṇḍalinī and the Pāṇḍavas-- the five chakras of our body.

 Sehdeva, the base chakra Mūlādhāra, means avoidance of attitude that prevents one from attaining Inner Peace.

 Nakula represents the Svādhiṣṭhāna Chakra, which correlates with "Niyama" and emphasizes the importance of adhering to attitudes that bring inner peace.

The third chakra, Maṇipūra, unequivocally symbolizes Arjuna. In yoga philosophy, the awakening of Maṇipūra instils fiery self-control. Despite a fleeting moment of weakness at the sight of his own people on the battlefield, Arjuna remains an embodiment of self-discipline and courage.

Bhīma represents the Anāhata Chakra, located at the heart. When this chakra is awakened, it brings intense feelings that can lead us towards devotion or emotions. Bhīma embodies this intense feeling in everything he does, whether right or wrong.

Yudhiṣṭhira embodies the Viśuddha Chakra, which, when awakened, is believed to bring a profound sense of tranquillity, devotion, and moral integrity, as illustrated in the Mahābhārata.

The  Āgyā/Ājñā chakra, positioned in the centre of the eyebrows, is associated with intuition and insight. It is believed to be the gateway to higher consciousness and spiritual awakening. During meditation, focusing on this chakra is said to facilitate a deep state of tranquillity and inner peace. In Mahābhārata this chakra is symbolized by none but Lord Kṛṣṇa himself, representing wisdom and divine perception.

The ancient game of dice in the Mahābhārata symbolizes the timeless battle between ego and desire, mirroring the internal conflicts we all face in our lives. The game serves as a profound metaphor, illustrating the precarious nature of spiritual growth. It teaches us that even when we have attained a heightened state of awareness, there is always the potential for regression. This spiritual journey demands unwavering strength, resolve, and a resolute spirit, which are essential for the eventual union with the Divine.

@janaknandini-singh999 @rhysaka @ashru-premika @ramayantika @swayamev

@krsnaradhika @krishnaaradhika @hinducosmos

@hindu-aesth @sanatantemple @bishh-kanya

@mrityuloknative @bharataesthetics @tumharimummykibahu

@bharatiya-naari-sab-pe-bhaari @shyamasundar

@sanatantemple

@ancienthinduism @maithili90-blog-blog

@bishh-kanya @devimayi @viharini @apricitycanvas

[compassionmattersmost]

Ramayana No. 2: Ayodhya—The Unsubdued Kingdom Within

Rama’s Exile and Our Spiritual Journey: Reclaiming the Pristine Mind As I sit with the first chapter of the Ramayana, I find myself drawn to the idea of Ayodhya—the city that cannot be subdued by war. This simple yet profound description speaks to something deeper, something within each of us that remains untouched by the chaos of the world. Ayodhya, the capital of King Dasharatha’s kingdom, is…

[novlr]

Do any ungulates have any meaning? Like specific types of deer?

Deer and other types of ungulates have often been used as symbols, both cross-culturally and in literature. They’re fascinating creatures with a variety of habitats that exist both in the wild and in domesticated settings, so can be used in several different ways within a narrative depending on the type of meaning you wish to convey.

For this answer, we’ll focus mainly on deer, as covering all ungulates (which includes all animals with hooves ranging from horses to hippopotami) might make this answer far, far too long.

The general symbolism of deer

If we take deer at face value, some of the first imagery that will come to mind are grace, elegance, gentleness, and innocence. They can also be alert and vigilant, with a deep, mysterious connection to the wild. For this reason, many cultures (and writers) ascribe spiritual and mystical associations with them. They can also represent a connection to the supernatural, and the otherworld.

Writers will often use them as messengers or familiars, creating a bridge between the real and the fae. They can also represent growth and rebirth, as they shed their antlers, which grow again.

The cultural significance of deer

The cultural significance of deer and other ungulates have similarities but aren’t always identical. In indigenous native groups across North America, for instance, there are different traditions and stories associated with them. The Lakota believed that deer were guides on life’s journey but could also lead men astray. The Cherokee story of the Little Deer, on the other hand, sees the Deer Spirit enacting vengeance on hunters who don’t show deer the proper respect, and hunt them needlessly.

In Celtic mythology, white stags were often messengers to the underworld, and deer could shapeshift both at will and through enchantment. Arthurian legend also had a white stag as a symbol of the hunt, representing man’s neverending quest for spiritual enlightenment. And in Germanic cultures, the deer represented both the hunt and kingship.

In Hindu mythology, the goddess Saraswati is associated with a red deer and can take its form. As the goddess of learning, red deer and their hides have also taken on this meaning. In Shinto tradition, deer are messengers of the gods, and in Chinese mythology, the Fuzhu is a mythical deer with four horns that appears during periods of flood.

Specific types of deer and their symbolism

If we look at specific types of deer, then there are some general patterns that emerge in their symbolism. 

White-tailed deer are native to North America, Central America, and South America. They are often associated with purity and innocence, a connection to the spirit world, and respect for the natural order.

Red Deer are native to most of Europe, the Caucasus Mountains region, Anatolia, Iran, parts of western Asia, and the Atlas Mountains of Northern Africa. They are the only living species of deer to live on any part of the African continent. They have associations with royalty and kingship, as well as the hunt. They are often used on coats of arms as a symbol of nobility.

Reindeer (Caribou) have close connections to winter due to our modern Christmas traditions. But they also have great cultural significance in Arctic and subarctic cultures.  They are native to the Arctic, subarctic, tundra, boreal, and mountainous regions of Northern Europe, Siberia, and North America. They are known for their endurance and adaptability, as well as safe journeying and strength in harsh conditions.

Fallow Deer are known as peaceful and gentle. They are widespread in England, Wales, Ireland and southern Scotland but are an introduced species. Some studies suggest they are only native to Turkey. The fallow deer is probably what you picture when someone says the words “doe-eyed.” They are associated with grace and beauty and often appear in post-Norman mediaeval literature.

Moose (Elk) are considered symbols of strength, resilience, and adaptability. They are large, with imposing antlers which is what makes them such an iconic image. They are native to North America, Canda, and Northern Eurasia, but they are also associated (by name only) with the Irish Elk, an extinct giant deer known for the enormous span of its antlers (a disproven urban legend claims that the Irish Elk went extinct because its antlers grew too wide and heavy for its head and neck to support it).

How deer are used in certain genres

In Fantasy, deer are often magical creatures or shapeshifters. They can be spirit guides or familiars, often appearing to characters in dreams. The white stag and the brown doe are two often-used images in these settings.

In Romance novels, deer are often used as symbols of love and courtship. Deer-like descriptions are often used when describing characters, and hunting metaphors are often used to represent the romantic pursuit.

In Horror and Thriller novels, encounters with deer are often uncanny and frightening. They are used as harbingers of the supernatural, appear in dreams as a sign or portent of something to come, and often subvert traditional deer symbolism for dramatic effect.

In Literary Fiction, deer are often used as metaphors for the human experience. They can be used to represent character growth or epiphanies by exploring the relationship between mankind and nature.

How can you use deer symbolism in your own writing?

Deer can be used as the basis for a theme or motif in your work. They also offer tried-and-tested ways of incorporating visual storytelling into your imagery by using well-known associations.

Cultural considerations are good to consider in advance of incorporating symbolism. If you want to borrow from existing cultural traditions, then it’s essential to make sure you research and respect those cultural beliefs. Avoid appropriation, and be sure you strike the right balance between traditional symbolism and personal interpretation. There is nothing wrong with interpretation, but it is important to be respectful when borrowing from another person’s culture.

There are also new and interesting ways you can use your own experiences to develop your own symbolism. You can use deer as a symbol to explore themes of conservation and environmental protection. In Station Eleven by Emily St John Mandel, she uses deer as a symbol of the return of nature in a post-human world. They can also be used to comment on urban expansion and habitat loss, and with enough research, you can use a scientific understanding of their behaviours to build your own mythology.

[gaiasgrimoire]

Herb Spotlight: Frankincense

🌱 Botanical Name: Boswellia species (commonly Boswellia sacra).

🔥 Element: Fire, Air.

☀️ Planetary Association: Sun.

History and Origins

Frankincense comes from the resin of the Boswellia tree, native to the Arabian Peninsula, India, and the Horn of Africa (particularly Somalia and Yemen). The ancient trade routes for frankincense date back over 6,000 years, making it one of the oldest traded commodities.

The resin was so valued that it was often called "liquid gold" and was highly sought after by ancient cultures. In ancient Egypt, frankincense was burned to honor Ra, the sun god, and used in embalming practices, particularly for royalty. It was thought to help the deceased transition to the afterlife. Frankincense was also a key ingredient in kyphi, a sacred incense burned at dusk in Egyptian temples.

In ancient Greece and Rome, frankincense was used in religious ceremonies and burned during sacrifices to honor the gods. It is also mentioned in the Bible, famously one of the gifts brought to the infant Jesus by the Magi, symbolizing divinity.

Ancient Uses

Egyptians: Used for embalming, purification rituals, and offerings to the gods, particularly Ra.

Greeks and Romans: Burned during sacrifices to honor gods, used in healing and protection rituals.

Middle East: Burned in sacred spaces, homes, and temples to invoke divine presence and cleanse the air.

Christianity: Used in liturgical ceremonies, symbolizing prayer rising to heaven. Frankincense is still used in churches to sanctify spaces.

Deity Associations

Ra (Egyptian): Frankincense was burned in daily offerings to Ra, the sun god, symbolizing light, life, and power.

Apollo (Greek): Associated with the sun, prophecy, and healing, frankincense was offered to Apollo in temples for clarity and divination.

Hekate (Greek): Some practitioners use frankincense as an offering to Hekate, particularly when seeking her guidance in matters of the spirit or underworld.

Jesus Christ: In Christian tradition, frankincense is linked with Christ due to its use during his birth, symbolizing his divine nature.

Shiva (Hinduism): In some Hindu practices, frankincense is offered to Shiva, the god of destruction and transformation, as a way to purify the spirit and invite transformation.

Magical Properties

Spiritual Purification: Cleanses spaces, purifies energy, and enhances spiritual connections.

Protection: Wards off negativity, protecting both physical and spiritual spaces.

Healing: Used in spiritual and mental healing rituals, easing anxiety and fostering peace.

Meditation and Focus: Helps deepen meditation and focus, especially in rituals aimed at enlightenment or self-discovery.

Uses in Witchcraft

Incense: Burn in rituals for protection, spiritual growth, and purification.

Oils: Frankincense oil is used for anointing tools, candles, and oneself in spiritual rituals, particularly for protection and healing.

Spells: Incorporated into spells for clarity, divine connection, and clearing energy blockages.

[talonabraxas]

"Creation and destruction are one, to the eyes who can see beauty." ~Savitri Devi

Kali - Goddess of Creation and Destruction Talon Abraxas

Kali, the primordial cosmic energy

Like many deities, Kali has different origin stories. In her most famous legend, Durga, a protective warrior goddess who combats the evils that threaten peace, and the Matrikas (a group of mother goddesses) summoned Kali during their battle against the demon Raktabīja. The goddesses could wound and kill Raktabīja’s, but every drop of his blood created a duplicate of the demon, and countless clones appeared on the battlefield. Kali opened her mouth, rolled out her tongue, caught the drops of Raktabīja’s blood, and the goddesses defeated the demon.

Kali is sometimes said to have emerged from Durga’s forehead and embody Durga’s wrath. Another text describes Kali as arising from the sleeping body of Vishnu, the supreme being who creates, protects, and transforms the universe in the Hindu tradition of Vaishnavism.

Kali is more often regarded as the wife of Shiva, the supreme god in the Hindu tradition of Shivaism. Her name, Kālī, is the feminine form of Kāla, an epithet of Shiva, and means “time”. She is Shiva’s Shakti, the primordial cosmic energy of the universe that is creative, sustaining, and destructive. Without Kali, Shiva is a corpse.

There are various depictions of both Shiva and Kali. It’s helpful to think of Shiva as pure consciousness, Kali as energy, and their merging represents reality.

The symbols of Kali

Many people find Kali’s appearance frightening, which has led her to be popularly seen in contemporary Paganism and Witchcraft as a Dark Goddess and a destroying force. She is a Dark Mother and a Destroyer, but not in the way many might imagine. For many devotees across the Indian subcontinent and the world, Ma Kali is a benevolent mother who protects from misfortunes and delights in their childlike qualities.

Kali is the force of time, the darkness from which everything was born. Her dark skin, black or blue, represents the transcendent void and the infinite nature of time and space. She is nude, garbed in space and free from illusions. Her body may be emaciated or voluptuous, representing her all-giving nature and her eroticism. Her wild hair represents boundless freedom, and each strand is a soul; all souls have their roots in Kali. With her three eyes, the sun, moon, and fire, she sees the past, present, and future. Her red tongue is passion, activity, consumes all, and tastes the forbidden. Her white teeth or tusks are purity, goodness, balance, and peacefulness.

Kali wears a garland of severed heads. These are sometimes said to number 108, an auspicious number in Hinduism, and the number of countable beads on a mala. The severed heads are also said to number 47, 50, or 51, associated with the letters of the Sanskrit alphabet, each of which represents a form of energy or a form of Kali. She is the mother of language and all mantras. Hands are the principal instruments of work, and Kali’s skirt of severed human arms represents the action of karma, the cycle of which is severed through devotion to her.

Kali has four arms, representing the complete circle of creation and destruction within her. She offers blessings with her two right hands; she makes the mudrā (gesture) of reassurance and safety, and bestows boons. In her left hand, she holds the blood-covered sword of wisdom, which destroys demons and obstacles to enlightenment, such as ego, represented by the severed head.

Kali’s dwelling place is the cremation grounds, a place of fire and dissolution. Kali dwells in the devotee’s heart, and the cremation grounds symbolise the inner fire that dissolves our attachments and burns away our ignorance and limitations.

Kali is a goddess of death and destruction and, therefore, a vehicle of liberation. She is a Mother because she is the ultimate manifestation of Shakti. The Shaktisangama Tantra says:

Woman is the creator of the universe, the universe is her form; woman is the foundation of the world, she is the true form of the body.

In woman is the form of all things, of all that lives and moves in the world. There is no jewel rarer than woman, no condition superior to that of a woman.

The worship of Kali

The worship of Kali varies. Common elements include meditation, repeating mantras, rites, offerings, and animal sacrifice in some temples. My practice has also changed over the years and has included simple and more extended pujas (devotional rituals) and even Wiccan-style rituals. Currently, I maintain a permanent shrine to Kali and make offerings of red flowers, water, incense, rice, and other various items from time to time.

I view Kali as a benevolent, transcendent, cosmic Mother. She grants freedom by removing our illusions so that we can see ourselves and the world clearly as it is.

If you would like to begin exploring a relationship with Kali, I suggest setting up a small shrine for her. Include a statue or other image and a black or red candle. Make simple offerings: water, rice, red flowers (hibiscus are her favourite), red fruits, and Kali also like sweets. Meditate and speak to her.

There is so much more than can be said about Kali. In future entries, I’ll explore Kali’s various forms, yantra, mantras, tantra, puja, her revolutionary power, and more.

[maximumwobblerbanditdonut]

mountainworld In Hinduism, a ghee lamp (diya) and it's flame symbolizes purity, knowledge, and the spark of enlightenment. The warm light of a ghee flame is believed to attract a divine presence, bringing peace and calm. In this holiday season and the near dawn of a new year, amidst the hardship and chaos of our world, may you all find a bit of peace, calm, beauty, knowledge, and a light in the dark.

Happy Holidays and Happy New Year!

* This photo was taken when @samheughan and I visited the Bishwarup Mandir in the forest above Pashupatinath Temple in Kathmandu, Nepal, a truly peaceful and spiritual place.

_______________ 🗻🗻🗻🗻______________

Jake Norton’s photo, with a ghee diya lamp, in Bishwarup above might be the temple of Lord Vishnu** in the Pashupati area of Kathmandu in the Mrigasthali forest a tranquil site located in Kathmandu, Nepal, the forest is a a significant tourist attraction. The Mrigasthali forest is an enrichment place close to several religious sites. Allowing for a blend of nature and spirituality.

Mrigasthali offers a perfect escape from city life. The highlight of Mrigasthali is the panoramic view it offers of its surrounding landscape, including the majestic Himalayan foothills. Photographers and nature enthusiasts will find this location particularly rewarding, as the vista changes with the shifting light throughout the day. The area is less crowded allowing you a personal experience with the spirituality that permeates this part of Kathmandu than other tourist hotspots.

From the main entrance of the Pashupatinath Temple, head south towards the Bagmati River. You will see the riverbank on your left. Continue walking along the riverbank, enjoying the view of the sacred river. After about a 10-minute walk, you will arrive at the entrance to Mrigasthali, the path is straightforward.

This area is the junction of three ancient cities of Kathmandu, Bhaktapur and Patan where SH and JN stayed at Hotel Timila in Lalitpur, also known as Patan. Tribhuvan International Airport is located 1 km (0.6 mi) from Pashupatinath Temple and 6 km (3.7 mi) east of the city centre and the place to stay to organise your departure from Nepal🇳🇵

** Lord Vishnu In Hindu mythology, is said to have grabbed the horns of Shiva and shattered them into four pieces after Shiva refused to return home from the Mrigasthali forest. He is the second god in the Hindu triumvirate, along with Brahma and Shiva.

Pashupatinath temple is a sacred Hindu temple and a pilgrimage site in Nepal situated in the eastern Kathmandu valley on the banks of the sacred Bagmati River, approximately 5 km east of Kathmandu's main city. Lord Pashupatinath is the national deity of Nepal and is considered to be the guardian of Nepal (is a form of the Hindu deity Lord Shiva central figure in the religion)

The main temple an architectural masterpiece is built in the Nepalese pagoda style architecture. All the features of the pagoda style are found here, like cubic constructions and beautifully carved wooden rafters on which they rest (Tundal) often carved with deities and celestial beings. There are four main doors wrapped in silver sheets and the two-level roofs are made of copper with gold covering.

Lord Pashupatinath is the oldest temple in Kathmandu and has also been listed on a UNESCO World Heritage Sites list since 1979 was erected anew in the 15th century by King Kirat Yalambee, and stood strong with no damage against the great earthquake of 7.8 magnitudes on 25th April 2015.

Pashupatinath Temple and Bagmati River in Kathmandu, Nepal. 🛕 some visitors can view the main temple from the opposite side of the river, similar to Sam in the photo above.

Entry into Pashupatinath Temple itself is only allowed to Hindus. Entry into the inner courtyard is strictly monitored by the temple security, which is selective of who is allowed inside. The temple and its grounds are considered so sacred that only Hindus are allowed to enter. This includes Foreigners and non-Hindus who are asked to watch from the opposite side of the Bagmati River.

Sonia Gandhi, the Italian-born wife of former Indian Prime Minister Rajiv Gandhi, was famously refused entry to Pashupatinath when she visited in the 1980s, so mere tourists shouldn’t expect the rules to bend for them.

Posted 26th December 2024

[lilithprincessofdarkness]

⛧Lilith: the Midnight Venus⛧ by Lalith Hazot Venus (Leala)

Copyright © 2025 Leala Daigle. All rights reserved.

[Lamia/Naamah/Mormo goddess of vampires is a form of Lilith/Venus and her parent. She is said to look just like her daughter Lilith.. ]

⛧Lilith is a love and sex goddess. She is associated with the element air because of it's relation to ghosts and the spirit (being unseen), screech-owls, sirens, sea monsters and snakes, the zodiac signs Taurus, and Gemini (being a twin with Adam, Gemini is the antithesis to Selene (the moon, Cancer) and is the Dark Moon (Intellectual Moon.)) the planets Venus (sex procreation) and the planet Earth. Astrologically speaking, Lilith is more connected to the planet Earth, but there is no Earth sign in Astrology. Like the sign Taurus she really is not assigned to any planet and rules the Malkuth (Spirit) though she is represented by the Dark Moon Lilith, and the Goddesses Peitho and Hedone (aspects of Venus.) The Hindu version of her could be considered Lalita Devi.⛧

Michael Angelo's depiction of Lilith as a Lamiae.

⛧She was considered God's daughter by the Caanites. They called her Baalat the Venus of Byblos. The Sumerians called her Lilith-Belili, the handmaiden to Inanna, holding the sacred symbols of justice, winged with screech owl talons. She also was the Semitic Astarte, and the Arabian Alilat⛧

Lilith's Goddess-head Gestinana as the Handmaiden to and sexual side of Inanna (similar to Peitho, Hedone, and Aphrodite Pandemos.) THE BERNIE RELIEF.

⛧Lilith's name is constantly changing, but her essence is likened to the Goddesses Philotes and Venus, with Nyx being her biological mother and both Satan and God [Zeus] said to be her Father. In the most common Roman Pantheon accounts, her mother is Dione, and her father is Yahweh. I believe this is where Philotes becomes Aphrodite/Kypris, when Lilith is taken from her mother, the goddess of the night, and remade into a mate for Adam. In other accounts, Lilith was said to have been birthed from the foam of the ocean.

⛧As Satan as her father, he is Mormo [Naamah/ Lamia], who was a spirit separate from Sammaèl. Yahweh [Zeus] was fond of Lilith and felt like her siblings Aether and Hermera: she symbolized something positive for being a demon. He decided to take her from Nyx and remake her into the human wife of Adam and future Lucifer. Her father, Naamah, suffered so much trauma as a living woman at the hands of Shekhina/Hera. He asked to take the form of a male spirit Mormo to allow himself to find peace as a spirit. He is the consort of Hecate, and Satan as Lilith's father before Yahweh.

⛧Being Mormo's daughter Lilith is a Lamiai: a beautiful nymph that appears to have the body of a woman, but in her true form has the tail of a serpent instead of human legs. Her daughters with Sammaèl are Lamiai aswell, they feed off of the sexual energy of men in dreams, being granddaughters of Nyx. They are female night-demons similar in power to Nyx's sons Oneroi with a more sexual theme.

⛧Lilith hates blood sacrifices, torture, and violence, and is the most gentle and loving demon as opposed to her siblings and fellow children of Nyx: the goddess of the night.

⛧She is drawn to pleasure and was slandered and cursed into a violent child-hating vampiress because of her strong association with sex. This is not conflating with Lilith's true essence at all she is a love and sex goddess.⛧

⛧She was made a demon by her lover, the king of demons Sammaèl, and fallen god of magick, death, sex, lust, passionate love, devils, witches, demons, law enforcement, temptation, accusation, and justice, but demons are just high energy spirits, personifications of nature, or humans that do not obey Abrahamic religions. Her husband is Mate and King of Gaia as well. He is also Ares, Mars, Eros, and Thanatos. Her husband was Hephaestus/Lucifer/Adam in the Christian Bible.⛧

Additional notes:

Lilith genealogy in the Roman Pantheon:

Lilith essentially is seen as Lamia also known as Empusa by most who follow the Roman Pantheon, an evil witch who ate children because Hera cursed her after Zeus seduced her and had children with her, and murdered her children (i will not say anymore it's a tragic tale.)

She's a demigoddess, and oftentimes, she was a tale told to frighten children.

In the Roman Pantheon, Lamia is associated with snakes. She's a beautiful woman, evil queen whose true form is a beautiful woman with the legs that are the tail of a snake. She either has a brother or a male version of herself named Mormo.

But I do not see Lilith as Lamia, I believe Lamia is a demoness named Naamah. She's a demoness of womans trauma and abuse. Lamia had witch daughters named Lamiae. Beautiful vampiric women whose true form had snake tails 🐍 in Mesopotamia the Lamiae became Lilitu, and instead of being snake women, they were harpies owl-like women. Associated with the screechowl 🦉

I believe Lilith is Lamiae, not Lamia, and Mormo is her father. Mormo worked very closely with his sister Lamia.

Most accounts say Lamia is Hecate's daughter, and this is true, Hecate is Lamia's stepmother/ adoptive mother as well as Mormo's. Mormo is Hecate's consort in Hell. She allowed Lamia to have peace so she no longer went after children. Some say Lamia became her brother to find peace.

I believe that Lamiae (Lilith) is either Naamah's daughter, sister, or niece. I lean more towards niece or daughter if Lamia became her brother. I believe Mormo or the male Lamiae (incubus) and Nyx are Lamiae's biological parents, and she's not only Lamiae she is the Goddess Philotes. A demon of sex and affection born from Nyx the Goddess of the Night.

In most accounts, Nyx gave birth to Lilith [Philotes, Amicitia] alone, but later, she was assigned Erebus's daughter. I believe that Nyx and Mormo are Lilith's biological parents.

She's a sweet and loving demoness that even Zeus loved and an essential part of creation.

She is Venus, she is Ishtar. Lamiae and Lilitu are just making a monster out of Venus, essentially Lilitu was Ishtar, she was Venus, just like essentially Lamiae was Philotes, or Kypris/Aphrodite/Venus.

Aphrodite, to me, is a demoness and beautiful one at that. Both Mars (Samael) and Venus (Lilith) are demons. Demons are personifications of something with the ability to be possessive. For example, the reason why Lilith is a demoness is because she's the personification of sex. She can be addictive. Anything that's addictive is vampiric/possessive. Philotes makes Thanatos into Amor. Lilith makes the Angel of Death into love. Love is a demon because it can be possessive.

Yes Lilith is a demoness Goddess she's the Mother of Demons and Queen of Hell, she's the beautiful Goddess of Love underneath it all she's beautiful and even Zeus loved her. God himself gave her his magick through the Pentacle.

⛧Sweet Lilith, the lady of many faces, like the ghosts upon the night 🌙♡

ALL HAIL LILITH!

LILITHIAN LIGHT AND LOVE ❤️ FOLLOW ME ON TUMBLR @lilithprincessofdarkness

-Lailith Hazot Venus (Leala)

Here is more on Lilith's relationship with God if one is curious to know: