#hikaru ichijo

[michaelmac6072-art]

I'm back at the maclonized Misa shenanigans again, this time with Minmay and Hikaru laying back in her big loops of hair. Inspired by some talking I had done with my pal @daikikaijuboyo028tblr concerning how her hair loops look like very cozy places to be. ^u^

[xbuster]

[michaelmac6072-art]

Giants' Social

A multi-sized rooftop get together, with my Maryanne chatting up Macross's Misa.

Having your OCs meet up with characters from an anime you like, and maclonizing one to boot, is a high level of self-indulgence, I will admit. But I couldn't resist~ >.<

[nakamorijuan]

ランナー

[daidoods]

Coming to your nearest comic book shop.....never

What could've been--the untold odyssey of the Megaroad-01 across the great milky way!

Ever since the original broadcast of Super Dimension Fortress Macross and the release of the music video Flashback 2012, many fans have always wondered what happened to the original cast before the.....how should I put it....."arbitrary narrative decision" [and their rather "questionable" participation via the last piece of Macross Delta content] and since I got on a rather Protocultural mood I decided to make this little Fanart! a mock-up comic cover inspired by The Comico Comic Company's adaptation of Macross through it's Robotech counterpart [specifically: issue 35 ].

[Sidenote: to be honest--its one of the few covers I liked from their work] Basically what I did was: setting it up in the Macross universe and stripping away it's Robotech robes, changing the context of the original [and to quote one of my friends, make it less "Instinctively patriotic" feeling in comparison to the Comico ver.] with "the Eve of the Space Emigration Initiative" as the background/new context.

To be frank with you fellas: Originally I was going to just leave the drawing alone like that--but the idea of making a "mock-up comic cover variant" won me over and honestly it makes me want to practice my skills on creating cover art not just for Macross related content [or any franchise really] but also for my original projects in the near future as well.

Before I end the post with the variants of this Fanart I have some special mentions/credit to give:

Mechaban

I recommend y'all give him a watch or check out his work, as he not only does Macross but also work based on Mospeada and Southern Cross [especially in their Robotech counterparts + the Robotech EU among other cool stuff], and he's the same cool dude who provided us Protoculture Fans a mock-up of what Hikaru's dress uniform might look like which I used for this Fanart.

∆And the Wonder Three∆

@michaelmac6072

@saffrox7650

TG_Remix7

For helping me with extra details such as the name of the comic company among other suggestions!

•Wrap-around/Comic Mock-up ver.

•Illustration Ver. [unedited]

[princess-viola]

[animefastfood]

Hikaru and Minmay get burgers at "Humburger PoPo" in Super Dimension Fortress Macross: Do You Remember Love? (1984)

There's also a banner ad for McDonald's briefly on screen at the start of the movie.

[princess-viola]

[nakamorijuan]

ランナー

[wrathofbom]

He'll always be Rick Hunter to me and Hikaru Ichijo secondly ^_^.

Ko-fi | Patreon | Etsy

[strea-ultimea]

Top 10 Roles of Kenji Nojima: INPO

10. Fox McCloud - Super Smash Brothers

9. Seung-Gil Lee - Yuri On Ice

8. Lu Xun - Dynasty Warriors

7. Eiji Okumura - Banana Fish

6. Kongwai Tao - Tales of Innocence

5. Natsuya Kirishima - Free

4. Hikaru Ichijo - Super Robot Wars

3. Fernand - Fire Emblem: Shadows of Valentia

2. Tuxedo Mask - Sailor Moon Crystal

1. Albedo - Genshin Impact

[chibiranmaruchan]

Wave: Currents in Japanese graphic arts exhibition 4/7.

[timpac-capstone]

Week 9

I showed my wall to my capstone advisor, Jeff, and while he was happy that I now have a story and with the progress I made since the last time we spoke he is a bit worried that I am putting all my eggs into one basket. I can see where he is coming from since I STILL have not done any digital animation and it's becoming more and more of a stressor on me. He suggested I watch Rejected by Don Hertzfeldt since this is a compilation of multiple simple animations, Jeff suggested that rather than starting where my storyboard begins I should first animate the embarrassing moments themselves and that way if I'm not happy with the narrative later down the line I still have these and can make a plan around it.

I just can't do it man, I can't get into digital art. It feels so uncomfortable every time I try to draw in Krita, Fire Alpaca, or Photoshop, and every time I try to actually sit down and try to learn it I get so frustrated when the line work still comes out so goofy no matter how many times I try a new brush, setting, or simply redoing it. I used one of the bigger tablets from the Fablab this time which was a lot more comfortable to use than the small one I have but I don't know, if I had the option to make this traditionally I would be seriously considering it right now.

Lately, I've been thinking back to the topic of growing up without a dad so I looked at some videos on YouTube and a lot of them, like this one from Joe Rogan, are about people who had their dad leave them instead of passing away. Obviously, there is a difference between how I feel about my dad and how these people feel about their dad, Joe and Erik hold more anger and animosity towards their dads because they betrayed their trust while I held a lot of anger towards myself because I felt like I wasn't making anything out of my life or because I didn't understand the concept of death at age 7. However, one thing that did resonate with me was how they described their loneliness growing up with a single parent. I think by age 9 or 10 my mom would start training me on how to take care of myself at home alone. I don't hold any animosity towards my mom for this because it's like Erik said, my mom was working hard on her own trying to make sure that I had everything I needed and then some but that meant we had to cut some costs such as a babysitter. I believe this is where my love for cartoons stems from, when I would be home alone I would constantly have the TV on Cartoon Network even when I wasn't in the room and that is because I would get extremely anxious when the house would be dead silent. The worst punishment my mom could give me as a kid would be no TV for a week, not because I would be bored for that week but because I would be so anxious that I wouldn't be able to function. Eventually I got over it as I got older, the sound of silence and being alone most of the day is the norm.

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A post shared by Terada Katsuya (@katsuyaterada)

So I was scrolling through Instagram the day before this event happened and I saw this ad called Manga in New York by Ginza Sony Park Project. It was an event at Studio 525 that brought 6 different Japanese artists, not necessarily manga artists, together so that they could create and display their manga in unique ways using Sony's technology. When I presented my wall to the guest artists their main critique was that I hadn't considered how I was going to present my animation during the exhibition. At first, I didn't really know what that meant because James Ring, an alumni last year who did an animation, just set up a TV and put the storyboards and sketches next to the TV which is what I was going to do. But after going to Manga in New York I can see what they meant, each manga here was displayed so differently from each other and because of that added to their individual experiences. The first manga, Interlude by Miku Masuda had the talk bubbles animated like animated manga on YouTube except each page had its own display screen so people could walk along the story rather than standing in place watching a slideshow on one screen. A Pilgrims Guide to Videogame by Takakurakazuki was the exact opposite, it only had two displays for two people who flipped through the pages with a joystick but the area in which it was placed in also had the comic printed on paper and hung along the wall with large pieces of art to go with the exhibit. Ueda and Sasami by Hikaru Ichijo also had its story printed out and displayed along the wall but behind the reader would be a giant Ueda with an animated Hamster inside her stomach. Dream Pill by Millennium Parade was the one I found the most impressive, the floor had a projection of water on it and if I stepped in the right spot the floor would rumble and the projection would make a splash, as if I was actually walking on water as I read this manga. A Guide by Masanobu Hiraoka, who is an Animator/Director, made a manga that had huge prints on each page and only certain panels beautifully animated on a huge TV display that really brought the vastness the manga was trying to portray in its story. Finally, Walker by Katsuya Terada had massive displays of his manga accompanied by background sounds like bird noises and rain sounds that you can faintly hear as you walk through his work. I also got the chance to see him draw live, unfortunately I only stuck around halfway through his live drawing cause I had other plans that day but this was a very insightful trip.

REFLECTION:

I don't know how I'm going to be an animator if I can't digitally draw the simplest of things. I'm not trying to give up just yet but Jeff might be right where maybe I should look into doing a series of shorts rather than just one singular narrative. Up until this point, I haven't gone on a museum trip specifically for my capstone, mainly because everybody else in the class seems to be busy so I would have to go by myself and I don't think I'll find anything useful in the museum regarding what I want to do for my project but I was happily proven wrong. When I left the museum an idea that I had for my capstone would be to play my animation on a CRT TV with two bags placed next to each other, one labeled embarrassing memory and the other happy memory. Audience members would then write down an embarrassing memory or a happy memory or both and place it in one of the respective bags and by the end of it, I wanted to see which bag got more filled up. But I will worry about how this will be displayed at a later date.

[shadow27]

a perspective view of Hasegawa 1/72 VF-1J Fighter Valkyrie ~ Together with the perspective drawing used as a reference

[pterobat]

I can’t. It’s not possible.

[natstarbuck]