#high quality trap drum kits

[sosouthernbeats]

Qualities to Look for While Choosing the Best Drum Kits for Trap Beats!

It's important to understand what to look for when choosing the right drum kit for trap beats. This article explains the key features that make a drum kit ideal for creating high-quality trap music. Reading it will help you make the best choice for your music production.

[ecotone23]

Certified Gold Expansion Download

Elevate your production game with CERTIFIED GOLD Expansion, a powerful collection designed to take your tracks to the next level. Crafted in collaboration with Grammy Award-winning sound designer Snipe Young, this expansion brings you a blend of heavyweight drums, futuristic keys, and infectious melodies inspired by the leading artists of the hip hop and trap scene. Snipe Young, known for his work with superstars like Nicki Minaj, The Game, Dr. Dre, and Beyoncé, has infused this pack with cutting-edge sounds that will make your music stand out in any genre.

With CERTIFIED GOLD, you get a treasure trove of meticulously crafted loops, samples, and presets, ideal for creating chart-topping hits. Whether you're working on hard-hitting trap beats or smooth, melodic hip hop tracks, this expansion has everything you need to produce at a professional level. From snappy snares to booming kicks and hypnotic synths, every sound in this collection has been carefully designed to provide maximum impact in your music.

Features of CERTIFIED GOLD Expansion:

392 Loops: Diverse and versatile loops to build any arrangement you desire, whether it’s smooth melodies or energetic builds.

436 Drum Samples: A massive collection of crisp, punchy drum sounds, including 117 kicks, 54 snares, 146 hi-hats, and more to make your beats knock.

114 One-Shots: Perfect for those one-hit wonders that add unique flavor to your tracks.

49 Battery Kits: Ready-to-use kits for your drum programming, optimized for fast production.

15 Reaktor Prism Presets & 5 Monark Presets: Access high-quality synth sounds, perfect for creating unique atmospheres and killer melodies.

Exclusive Maschine Content: 50 Maschine Kits, 208 Patterns, 23 Multi-sample Instruments, and 9 Projects designed to make your workflow faster and more intuitive.

The expansion is optimized for MASCHINE+, MASCHINE, MASCHINE MIKRO, MASCHINE STUDIO, MASCHINE JAM, and KOMPLETE KONTROL SERIES KEYBOARDS. Its samples and loops also work seamlessly in any DAW, making it a versatile addition to any producer's toolkit.

Whether you're a seasoned producer or just starting out, CERTIFIED GOLD Expansion is the key to unlocking the next level of your sound. With this expansion, you're not just getting another set of samples; you're getting a glimpse into the creative genius behind some of the biggest hits in modern music.

Don’t miss out on this powerful collection! Download now and start creating the hits of tomorrow today.

[audioloops009]

How To Download City Girls Type Midi Kit

🎶 Elevate Your Music with the City Girls Type MIDI Kit 🎹 Looking to craft chart-topping tracks inspired by City Girls? The City Girls Type MIDI Kit is a must-have for producers seeking high-quality, royalty-free MIDI files and drum patterns. Packed with 500 MIDI loops, this kit is ideal for Hip-Hop, Trap, and R&B productions.

Why You’ll Love This Kit:

🎹 Melody & Chord Loops: Catchy progressions to drive your beats.

🥁 Drum Essentials: Kicks, claps, snares, and percussion that groove.

🔥 Versatility: Perfect for multiple genres and fully customizable.

Take your sound to the next level and save time in the studio. Perfect for both beginners and pros, this MIDI kit is your shortcut to creating bangers.

💻 Download Here: City Girls Type MIDI Kit

#CityGirlsTypeBeats #MusicProduction #MIDIKits #RoyaltyFreeMusic

[musicvalla]

How to Make Snap Music: A Beginner’s Guide to Creating Minimal Beats

Snap music, a subgenre of hip-hop that thrived in the early 2000s, is known for its minimalist beats, catchy hooks, and, of course, the signature snapping sound that gives the genre its name. Originating in Atlanta, Georgia, snap music became a cultural phenomenon with artists like D4L and Dem Franchize Boyz leading the charge. While the genre’s mainstream popularity has waned, its influence can still be felt in modern music. If you’re interested in making your own snap music tracks, this guide will walk you through the essentials.

1. Understanding Snap Music's Core Elements

Before diving into production, it's crucial to understand the basic elements that define snap music:

Minimalist Beats: The hallmark of snap music is its simplicity. The beats are stripped down, often relying on a drum machine, claps, and, of course, snaps.

Snapping Sound: The snapping fingers replace traditional hi-hats or cymbals in many tracks, creating a distinct rhythm.

Catchy Hooks: Songs typically feature repetitive and easy-to-remember hooks designed for crowd participation.

Call-and-Response Lyrics: Lyrics often have a conversational style, with one line being "answered" by the next, creating an engaging back-and-forth dynamic.

2. Essential Tools for Making Snap Music

You don’t need a state-of-the-art studio to create snap music; the genre thrives on simplicity. Here’s what you’ll need:

Digital Audio Workstation (DAW): Popular options like FL Studio, Ableton Live, and Logic Pro are perfect for producing beats.

Drum Kits: Look for drum packs specifically designed for hip-hop or trap music, as they often include snap samples.

MIDI Keyboard: While not mandatory, a MIDI keyboard can help with creating melodies and basslines.

Microphone: A simple microphone setup is sufficient for recording vocals and ad-libs.

3. Step-by-Step Guide to Creating Snap Music Beats

Step 1: Start with the Snaps

The snapping sound is the backbone of any snap music track. Start by layering a clean snap sample on the second and fourth beats of a 4/4 time signature. This establishes the signature bounce of the genre.

Step 2: Add the Kick and Clap

Next, add a deep kick drum on the first beat of each bar to give the track its rhythm. Complement the snaps with a clap sound to accentuate the beat. Use the clap sparingly to avoid overcrowding the mix.

Step 3: Build a Minimalist Melody

Using your DAW, create a simple, repetitive melody. Instruments like bells, plucked strings, or synthesized pianos work well for snap music. Keep the melody light and catchy, ensuring it doesn’t overpower the vocals.

Step 4: Incorporate Basslines

A groovy bassline can add depth to your track. Focus on a bass pattern that complements the snaps and melody. Sub-bass or 808 sounds are common choices in snap music production.

Step 5: Add Vocals and Ad-Libs

Record vocals that are simple yet energetic. The lyrics should be fun and easy to chant along with. Ad-libs like “hey” or “yeah” can be sprinkled throughout the track to maintain the energy.

4. Adding Your Personal Touch

Although snap music has a distinct style, don’t be afraid to experiment and add your own flavor:

Experiment with Samples: Add unique sounds or vocal chops to make your track stand out.

Incorporate Modern Influences: Blend elements of modern trap or R&B to create a fresh take on snap music.

Layer Effects: Use effects like reverb or delay on snaps and claps to create more atmosphere.

5. Mastering and Sharing Your Track

Once your snap music track is complete, mastering ensures that it sounds polished and professional. Here’s how to finalize your project:

EQ and Compression: Balance the frequencies and ensure the snaps, vocals, and bass all sit well in the mix.

Volume Levels: Ensure that no element is overpowering another, maintaining the genre’s minimalist aesthetic.

Export in High Quality: Save your track in formats like WAV or MP3 at a high bitrate for the best audio quality.

After mastering, you’ll want to share your music with the world. Platforms like Spotify and Amazon Music are excellent options for reaching a broader audience. Transferring your playlists and tracks between these platforms is also seamless, thanks to tools that help migrate songs from Spotify to Amazon Music.

6. Tips for Success in the Snap Music Scene

Collaborate with Others: Work with other artists to gain exposure and share creative ideas.

Leverage Social Media: Platforms like Instagram and TikTok are great for promoting snap music tracks and creating viral dance challenges.

Stay True to the Genre: While innovation is important, retaining the core elements of snap music is key to authenticity.

Conclusion

Creating snap music is a fun and rewarding process that allows you to express yourself through minimalist beats and catchy rhythms. By understanding the genre’s fundamentals and incorporating modern influences, you can craft tracks that stand out while staying true to the style. Whether you're a newcomer or an experienced producer, embracing snap music can bring a unique edge to your music production journey. And if you’re distributing your tracks across platforms, consider how tools can help you transfer your favorite beats from Spotify to Amazon Music, ensuring your creations reach listeners everywhere.

[audioloops24]

XOXO Vol 3 Samples Pack Download

👉XOXO Vol. 3 by SHOBEATS is the latest installment in the popular XOXO series, bringing you 5 powerful Beat Construction Kits that capture the essence of today’s top-charting Trap and Hip-Hop artists. Featuring inspirations from Drake, Future, Young Thug, 21 Savage, and more, this kit provides the high-quality sounds you need to produce modern, radio-ready Trap hits.

What’s Inside?

5 Construction Kits: Each kit is crafted with layered beats and melodies, offering you complete song starters for quick creativity.

107 WAV Loops: High-quality audio with mixed and mastered WAV loops for professional sound quality.

87 MIDI Files: Full customization with MIDI files for editing melodies, basslines, and drums.

60 Drum One-Shots: Tight, hard-hitting samples for adding signature Trap percussion.

Tempo & Key-Labeled: All files are organized for easy integration into your workflow.

Key Features:

High-Quality Audio: 44 kHz/24-bit WAV files for maximum sound fidelity.

Royalty-Free: All sounds and samples are licensed for commercial use, with no restrictions on how you use them.

Ultimate Flexibility: Mixed and mastered files provide a polished finish, while MIDI files offer total control over each sound element.

XOXO Vol. 3 is your toolkit for creating Trap bangers with top-quality sounds inspired by industry icons. Perfect for producers seeking fresh, hard-hitting beats with a modern edge.

Download Here 👉XOXO Vol. 3

[audioloops123]

Download TUAMIE Ani Vol 1 Drum Kit

Elevate your beats with the 'TUAMIE Ani Vol 1 Drum Kit,' a meticulously curated collection of high-quality drum samples. This drum kit is designed to provide all the essential elements you need to craft powerful and dynamic rhythms, making it a must-have for any serious producer.

Product Details:

63 Kicks: A diverse selection of kicks to give your tracks a solid foundation and punch.

20 Hi-Hats: Crisp and clean hi-hats that add the perfect top-end sparkle to your beats.

15 Percs: Unique percussive elements to add texture and complexity to your rhythms.

54 Snares: A wide range of snares to suit any style, from sharp and snappy to deep and resonant.

Whether you're producing hip-hop, trap, R&B, or any genre that demands high-quality drum sounds, the 'TUAMIE Ani Vol 1 Drum Kit' provides the versatility and precision you need. Each sample has been expertly crafted and processed to ensure it fits seamlessly into your mix, allowing you to focus on creativity and innovation.

This drum kit is more than just a collection of sounds; it's a tool for inspiration and a catalyst for your creative process. With the 'TUAMIE Ani Vol 1 Drum Kit,' you'll be equipped to create standout beats that capture attention and leave a lasting impact.

Download TUAMIE Ani Vol 1 Drum Kit and take your drum programming to the next level.

[sosouthernsoundkits23]

Transform Your Tracks: The Ultimate Guide to the Supertrap Drum Kit

Introduction to the Supertrap Drum Kit

In the world of music production, the right drum kit can make or break your track. Enter the Supertrap Drum Kit, a game-changer for producers looking to elevate their sound. This kit offers a unique blend of high-quality sounds that can transform any beat into a hit.

Why Choose the Supertrap Drum Kit?

Unmatched Sound Quality

The Supertrap Drum Kit is renowned for its superior sound quality. Each sample is meticulously crafted to ensure clarity and depth. This kit includes a variety of kicks, snares, hi-hats, and percussion sounds that stand out in any mix.

Versatility for Any Genre

While it’s called the Supertrap Drum Kit, its versatility extends beyond just trap music. Whether you're producing hip-hop, EDM, or pop, this kit provides the tools you need to create professional-sounding tracks.

Key Features of the Supertrap Drum Kit

High-Quality Samples

Every sound in the Supertrap Drum Kit is designed to deliver maximum impact. The samples are recorded in top-notch studios using high-end equipment, ensuring they meet professional standards.

User-Friendly Interface

Even if you're a beginner, you'll find the Supertrap Drum Kit easy to use. The intuitive interface allows for quick navigation and seamless integration with your DAW (Digital Audio Workstation).

Customizable Sounds

Producers love the ability to tweak and customize sounds. The Supertrap Drum Kit offers endless possibilities for sound manipulation, enabling you to create unique and innovative beats.

How to Use the Supertrap Drum Kit Effectively

Layering Sounds

One of the best ways to utilize the Supertrap Drum Kit is by layering sounds. Combine different kicks, snares, and percussion to add depth and complexity to your tracks.

Experiment with Effects

Don't be afraid to experiment with effects. Reverb, delay, and distortion can add interesting textures to your beats. The Supertrap Drum Kit’s samples respond well to a variety of effects, allowing for creative sound design.

Mixing Tips

Proper mixing is crucial for making your beats stand out. Use EQ to carve out space for each element, and apply compression to glue your mix together. The high-quality samples of the Supertrap Drum Kit make mixing easier and more effective.

Benefits of the Supertrap Drum Kit

Time-Saving

With the Supertrap Drum Kit, you save time on sound selection and production. The kit's ready-to-use samples mean you can focus more on creativity and less on technicalities.

Professional Sound

Achieving a professional sound is easier with the Supertrap Drum Kit. The high-quality samples ensure your tracks sound polished and radio-ready.

Conclusion

The Supertrap Drum Kit is an essential tool for any producer looking to elevate their music. Its high-quality samples, versatility, and user-friendly interface make it a valuable addition to your production arsenal. Transform your tracks today with the Supertrap Drum Kit and experience the difference it can make.

FAQs

What genres is the Supertrap Drum Kit suitable for?

While it's ideal for trap music, the Supertrap Drum Kit is versatile enough for hip-hop, EDM, and pop.

Is the Supertrap Drum Kit beginner-friendly?

Yes, the kit's user-friendly interface makes it accessible for producers of all skill levels.

Can I customize the sounds in the Supertrap Drum Kit?

Absolutely! The Supertrap Drum Kit offers endless possibilities for sound manipulation and customization.

What makes the Supertrap Drum Kit stand out?

Its unmatched sound quality, versatility, and ease of use make the Supertrap Drum Kit a top choice for producers.

[kontaktlab]

Nice The Creative Group The Purfect LUV Kit Free Download

Description

‘The Purfect LUV Kit’ features five Constructoin Kits all inspired by the rapper Lil’ Uzi Vert. Catchy melodies made by leads and analoque synths, fast paced drums, and 808 patterns that have a bounce to them.

Download 

All loops are ready to be reversed, chopped, and pitch corrected if you will visit audiolove.me likinq!

You can own these guality sounds Royalty-Free, just load them into your DAW or sampler and work.

Product Details:

5 Constructions Kits 100% Royalty-Free

Craft Perfect Beats with The Purfect LUV Kit by Nice The Creative Group on Audiosed

Elevate your music production with The Purfect LUV Kit by Nice The Creative Group, available exclusively on Audiosed. This sample pack is designed for producers who want to create smooth, emotive, and contemporary beats that resonate with listeners. The Purfect LUV Kit offers a wide range of high-quality sounds that capture the essence of modern RB, hip-hop, and trap music, making it an essential addition to your production arsenal.

Key Features of The Purfect LUV Kit

The Purfect LUV Kit is carefully curated to provide a selection of high-quality samples that deliver the smooth and contemporary sound of modern music production:

Smooth Melodies: This pack includes a variety of melodic loops that are perfect for creating catchy hooks and intricate arrangements. These melodies are designed to add an emotive and soulful touch to your tracks.

Deep 808s and Basslines: A collection of deep, resonant 808s and basslines that provide the low-end power essential for modern hip-hop and trap music. These bass samples add depth and intensity to your beats.

Punchy Drums: Drum loops and one-shots that deliver the punchy, rhythmic foundation typical of contemporary RB and trap music. These drums are engineered to hit hard and cut through any mix.

Lush Pads and Synths: A selection of lush pad sounds and synth loops that add atmospheric layers and rich textures to your compositions. These sounds are perfect for creating expansive soundscapes and background layers.

High-Quality Recording: Each sample is recorded with exceptional clarity and precision, ensuring they sound vibrant and polished in any mix. The use of high-end recording equipment and techniques adds to the quality of the sound.

Versatile Application: Suitable for various genres, including RB, hip-hop, trap, pop, and more. These samples can also be used to add a modern touch to other genres.

Seamless DAW Integration: Compatible with all major Digital Audio Workstations (DAWs) such as Ableton Live, FL Studio, Logic Pro, and more. The samples are designed for easy integration, allowing you to effortlessly incorporate them into your projects.

Expressive Loops: The pack includes a range of dynamic and evolving loops, offering a wide palette of expressive options to enhance your compositions.

Why Choose Audiosed?

Audiosed is dedicated to providing music producers with top-tier tools and resources that inspire creativity and innovation. Here’s why Audiosed is the ultimate platform for your music production needs:

Unlimited Access: Enjoy unlimited downloads of over 1 million premium royalty-free sounds, presets, and MIDI packs. Our extensive library ensures you always have fresh and inspiring content at your disposal.

Streamlined Workflow: The Audiosed desktop application simplifies your production process by allowing you to discover, listen, favorite, and download sounds directly into your DAW. This all-in-one solution saves you time and boosts productivity.

Flexible Subscription Plans: Audiosed offers various subscription plans tailored to different needs, whether you're an individual artist or a professional studio. Choose from weekly, monthly, or annual plans, all offering unlimited access and the flexibility to cancel anytime.

Free Trial: Not ready to commit? Audiosed offers a free trial period, allowing you to explore the platform and its features without any financial obligation.

Start Creating with Audiosed

The Purfect LUV Kit by Nice The Creative Group is just one of the many high-quality sample packs available on Audiosed. By joining the Audiosed community, you gain access to a vast array of tools and sounds that will elevate your music production to the next level.

Experience the smooth and contemporary sounds of The Purfect LUV Kit and more by visiting Audiosed. Download our software, start your free trial, and discover how professional-grade sounds can transform your music.

Get Download Sample Pack

[emmacharlotte32]

How to Download Ghosthack Ultimate Producer Bundle 2023

In the ever-evolving world of electronic music production, having access to high-quality sound resources is paramount. The Ghosthack Ultimate Producer Bundle 2023 is a treasure trove of premium sound libraries, meticulously crafted to cater to every electronic music genre. This comprehensive bundle includes an astounding 28 sample libraries, totaling 36.1 GB of content, all of which are 100% royalty-free and compatible with any DAW, sampler, or audio software. With endorsements from over 170,000 producers, this bundle is designed to elevate your music production to professional heights.

Key Features of the Ghosthack Ultimate Producer Bundle 2023

Versatility Across Genres The bundle is designed to be the ultimate tool for producers, offering a staggering variety of sounds that can be utilized in any genre of electronic music. Whether you are into EDM, Trap, House, or Dubstep, you'll find the perfect sounds to enhance your tracks.

Compatibility and Ease of Use One of the standout features of the Ghosthack Ultimate Producer Bundle 2023 is its universal compatibility. Every sample and sound resource in this bundle can be seamlessly integrated into any Digital Audio Workstation (DAW), sampler, or audio software, making it an essential addition to any producer's toolkit.

Royalty-Free for Commercial Use All sounds included in the bundle are 100% royalty-free, allowing you to use them in commercial projects without any legal concerns. This freedom ensures that your creative process remains uninterrupted and your finished products are free from any licensing issues.

Exploring the Contents

One-Shots The bundle includes a diverse array of one-shot samples, perfect for adding unique elements to your tracks. With 22 808s, 463 bass shots, 759 kicks, and 680 snare hits, you'll never run out of options for creating powerful beats. Additionally, the one-shots collection features atmospheric sounds, melodic hits, sound effects, and much more, offering a comprehensive toolkit for sound design.

Live Recorded One-Shots For those who prefer a more organic sound, the live recorded one-shots section includes acoustic guitar chord hits, bass guitar hits, electric guitar licks, saxophone hits, and trumpet hits. These samples bring a human touch to your productions, adding depth and authenticity.

Loops The bundle's extensive loop library covers a wide BPM range (70-174), ensuring that you'll find the perfect loops for any track tempo. It includes 520 bass loops, 413 drum loops with 1246 stems, 676 melodic loops, and much more. Live recorded loops, including acoustic guitar, bass guitar, electric guitar, and saxophone loops, further enrich the bundle's versatility.

Vocals Vocals are a crucial element in many tracks, and this bundle doesn't disappoint. It includes 24 acapellas, 132 ad-libs, 190 one-word samples, and 178 vocal loops. These vocal samples are available in both dry and wet versions, providing maximum flexibility in your productions.

Presets and MIDI Files To further enhance your creative workflow, the bundle includes 271 Serum presets, 85 construction kits with 1638 stems, loops, MIDI files, and one-shots, as well as 951 individual MIDI files. These resources enable you to customize and tweak sounds to fit your unique style.

Downloading the Ghosthack Ultimate Producer Bundle 2023

Ready to take your music production to the next level? Downloading the Ghosthack Ultimate Producer Bundle 2023 is simple. Visit KalaPlugins to access this incredible collection of sounds. Whether you're a seasoned producer or just starting, this bundle provides the tools you need to create professional-quality music with ease. Don’t miss out on this essential resource for any serious music producer.

[audioloops122]

How To Download Trap Beats Glow

Elevate your trap music production with the dynamic and vibrant "Trap Beats Glow" sample pack. This exclusive collection is designed to bring an electrifying edge to your tracks, offering a comprehensive suite of sounds to ignite your creativity.

Trap Beats Glow Sample Pack Highlights:

5 Exclusive Construction Kits: Each kit is packed with a variety of essential elements, including 808s, drum loops, top loops, melody loops, kick loops, hi-hat loops, vocals, MIDI files, and more.

Easy Integration: All samples are labeled with tempo and key information, making it effortless to incorporate them into your projects.

High-Quality Audio: With 191.61 MB of premium sounds, this pack ensures your productions stand out with professional-grade clarity and depth.

100% Royalty-Free: Use these samples in your commercial projects without any legal concerns.

Whether you're crafting the next chart-topping hit or exploring new sonic territories, "Trap Beats Glow" provides the tools you need to shine.

Download Now: Trap Beats Glow Sample Pack

[sosouthernbeats]

STEVEN SHAEFFER - UKIYO THE PRINCE BANK

Explore Steven Shaeffer’s "Ukiyo: The Prince Bank" for quality beats perfect for your next project. SoSouthern Beats offers unmatched sound to help you stand out. Shop now and create magic with your music!

[apn-music]

Acustica release DRUMA, an easy way to enhance drum sounds

Acustica and the team at Improve your Mix, the number one Pro Audio portal in Italy, have joined forces with one of the best Italian mixing engineers Salvatore Addeo to create DRUMA, the perfect easy-to-use tool to instantly improve your drums to make your drum tracks sound solid, punchy and with the right balance too. DRUMA is an easy-to-use drum processor designed to be used as a drum bus tool to refine your drum-kit and add density and life when needed, emulating Salvatore Addeo's typical processing chain. DRUMA gives you different drum bus effects, born from over 25 years of expertise, to effortlessly deliver high-quality treatment for your drum-kit.

The four available modes/presets will give you full power over your drum tracks by allowing you to enhance them according to stylistic needs. Example: For clearing up low end and adding energy or to add the subtle of old-school recording. Let yourself be guided by the four modes, and effortlessly achieve instant results without having to spend time and energy searching for the 'miraculous' sound. Furthermore, even on individual elements of the drum kit, Druma's presets have yielded impressive results. If you have the necessary skills, you could achieve similar results by combining EQ, compression, saturation, and more, but Druma saves you that trouble and offers you a single tool that can do it all, where ease and speed of use are important. Key Features - Created with Multi Platinum Winning Engineer Salvatore Addeo. - Give any drum track solid, punchy sound and right balance too. - The MIX knob combines complex EQ, compression, saturation chains and more. - Four different modes /presets. - Ideal for any acoustic drum tracks (Pop, RnB, Hip-Hop, Jazz, Trap, Urban etc.). - Analog tones from a prestigious studio, boasting a British console sound. - Easy to use. - Low computer load. Try it for free! Experience all our plugins for 30 days without spending a dime. It's super easy to get started. Just create an account and use our Aquarius Desktop to download and activate any product you want to try. Happy testing! How to download a plugin With the installation manager Aquarius Desktop you can select, download & install all the Acustica Audio plugins and start spicing up your productions. Read the full article

[sosouthernsoundkitsonline]

Music Production Sound Kits Online

Buy Music Production Sound Kits Online: Sosouthern Sound kits provides best & high quality Buy Sound Kits Online to the Music proffesionals across the Sound Kits Online globe, get Hyper pop Drum Kits, Sample Packs, Sample Loops, and more for your Music production now. Music Production Sound Kits Online

If you're a music producer or beatmaker, you know that having the right sounds and samples is essential to creating quality music. That's where Buy Music Production Sound Kits Online come in. Sound kits are collections of pre-made sounds and samples that you can use in your music productions. They can save you time and give you access to professional-quality sounds that you might not be able to create on your own. If you're looking to buy music production sound kits online, look no further than Sosouthern Sound Kits.

Sosouthern Sound Kits is a company that specializes in creating high-quality sound kits for music producers and beatmakers. Their Sound Kits Online are designed to provide you with the sounds and samples you need to create top-notch music in a variety of genres, from hip hop and trap to R&B and pop. Each sound kit is carefully crafted by experienced producers and musicians to ensure that you're getting the best possible sounds.

One of the great things about buying music production sound kits online from Sosouthern Sound Kits is that Buy Sound Kits Online you can preview the sounds before you buy. This means that you can hear exactly what you're getting and decide if it's right for you. Sosouthern Sound Kits offers a wide variety of sound kits to choose from, so whether you're looking for hard-hitting drums or melodic loops, you're sure to find something that fits your needs.

When you buy music production sound kits online from Sosouthern Sound Kits, you can rest assured that you're getting a quality product. The Music Production Sound Kits Online are delivered instantly after purchase, so you can start using them right away. Additionally, Sosouthern Sound Kits offers customer support to help you with any questions or issues you might have.

Overall, if you're looking to buy music production sound kits online, Sosouthern Sound Kits is a great choice. Their sound kits are high-quality, affordable, and easy to use. Whether you're a beginner or a seasoned producer, their sound kits can help take your music to the next level. So why wait? Check out Sosouthern Sound Kits today and start creating amazing music!

[audioloops009]

Sample Pack Download Cinematic Trap Vol 6

"Cinematic Trap Vol 6" by Equinox Sounds is the latest addition to the much-loved series, offering five powerful Construction Kits perfect for producers and Film/TV composers alike. This versatile collection blends the intensity of Trap beats with cinematic electronica and soundtrack ambiences to create immersive urban soundscapes. Whether you're scoring for film, TV, or simply want to add an epic, cinematic vibe to your trap productions, this pack has all the tools you need.

Unleash Epic Trap Soundscapes

Each Construction Kit in "Cinematic Trap Vol 6" is designed to evoke emotion while staying true to the hard-hitting elements of Trap. You'll find synth hooks, basslines, pianos, pads, and strings, along with perfectly separated drum tracks (kick, snare, hat, percussion) for full customization. Every element has been carefully crafted to ensure flexibility in your workflow, giving your projects that cinematic edge.

Perfect for Producers & Composers

This sample pack is a must-have for anyone looking to create Cinematic Trap music that stands out, whether you're producing for the next big hit or composing for the big screen. And, with all sounds 100% royalty-free, you can confidently use them in commercial productions without any worries.

Key Features:

5 Emotional Construction Kits: Crafted for a cinematic and Trap hybrid sound.

Separate Drum Tracks: Full control over mixing kick, snare, hi-hats, and more.

High-Quality Elements: Synth hooks, basslines, piano, pads, and more to build your own cinematic Trap beats.

100% Royalty-Free: Ready for commercial use in music and film projects.

Take your Trap productions to the next level with "Cinematic Trap Vol 6". Download it now from AudioLoops and start creating cinematic urban moods that demand attention!

[sosouthernsoundkits1]

Jay Cactus - The Prick Vol. 1

The first official Drum Kit by Jay Cactus - The Prick Kit Volume 1. Almost 100 High Quality sounds for you to take your productions to another level. The majority of these WAV sounds have been designed by Jay Cactus, mixed and ready to use in any DAW. The others included are edited classic Trap and Drill essentials so you can capture the traditional vibe of Trap and Drill, or push the boat out if you're feeling real creative. If you like hard hitting Kicks & 808's this kit is for you.

Kit Contains:

10 x 808

10 x Claps

10 x Hi Hats

10 x Open Hats

20 x FX

13 x Kicks

10 x Percs

12 x Snares

BONUS: 9 x Hi Hat Midi Files

[natromanxoff]

Queen live at Capital Centre in Landover, MD, USA - November 29, 1977

(x)

A fan filmed the first couple minutes of the show on a silent Super 8 camera, but he was caught by a security guard and the film was confiscated.

Another fan recalls the band took a 30 minute break in the middle of the show, and started the second half of the show with Tie Your Mother Down. He also says they performed both Spread Your Wings and It's Late.

Here is a review of the show from the next day's Washington Post. It reveals that the band have swapped Keep Yourself Alive with Now I'm Here. The former now follows Bohemian Rhapsody in the setlist, as it had earlier in the year.

There is a great story on Brian May's website by Tracy Chevalier, who attended the show as a youngster:

It started with a champagne toast and ended with a limo pulling away into the night. In between these two gestures symbolising glamour and sophistication, I lost my virginity. Not in the technical sense (that would take another few years), but in other ways. At my first ever rock concert — going with four friends to see Queen at the Capital Centre in November 1977 — I got an eye-opening peek at elements of the adult world, with its power and its limitations, its glittering artifice and dirty reality, and it demonstrated how little I knew and how much I had yet to learn about life.

I was ripe for it; overdue, really. I had turned 15 the month before the concert, and though people thought I looked older than I was, I was remarkably naive and unworldly at that age. Despite a few character-building events in my childhood — the death of my mother when I was almost 8, the experience of being a minority in DC public schools — I was so unsophisticated, so unaware of the world, that I didn’t even realise Queen was an English band until the lead singer Freddie Mercury appeared in a tight white catsuit on stage at the Capital Centre, raised a glass of champagne at 18,000 screaming fans, and toasted us with “Good evening, Washington” in a fruity English accent. I was stunned. Then I started screaming.

I had been a Queen fan for a couple of years by then. A Night at the Opera was the first LP I bought, and I could sing every word of every song. I don’t remember how I was introduced to Queen — though I do remember hearing their biggest hit, Bohemian Rhapsody, on the radio and being impressed by its audacity. It sure beat the hell out of the Beatles, Bob Dylan and Neil Young, which had been my older sister’s staple music diet. By 14, I was writing Queen lyrics on the desk where I sat for algebra class, swapping them back and forth with a boy I had a crush on, and daydreaming of guitarist Brian May kissing me.

The concert was part of Queen’s News of the World tour. While not a great album, especially after the double whammy of A Night at the Opera and its follow-up, A Day at the Races, it did produce two of their best-known songs, We Will Rock You and We are the Champions, which drop-kicked them firmly into stadium anthem territory. Appropriately, the concert began with the lights going down and the primitive, effective, impossible-not-to-join-in-with BOOM- BOOM-CHI, BOOM-BOOM-CHI, BOOM-BOOM-CHI intro to We Will Rock You rolling over the audience. Everyone immediately jumped up out of their seats and began to stomp and clap along. I, too, stood and stomped and clapped, watching in awe as people began flicking their Bic lighters, a gesture I had never seen before. What, were they going to set light to something? I had tried not to act surprised earlier when people nearby started smoking grass in public, but now was there going to be a riot? What other illegal things would go on that night? Then a spotlight picked out Freddie Mercury, who began to sing, “Buddy you’re a boy, make a big noise, playin’ in the street, gonna be a big man someday . . .” and I thought, “Jesus H. Christ, that is the loudest noise I’ve ever heard! Is that legal?” The wall of sound terrified me, and I wanted to cover my ears, but I didn’t dare, as it would have been a very uncool thing to do. I think I looked around for the exit, wondering how many people I would have to climb over to escape the sound. It was just so goddamned loud — exhilarating, yes, but painful, too, dangerous and overwhelming. I wavered between loving it and hating it, but knew it would be uncool to hate it, so I’d better try to love it.

Towards the end of the song the single note of an electric guitar began to hum louder and louder under the chorus we were all singing and shouting, and Brian May stepped into the light to add his distinctive sound, ending We Will Rock You with low, long-sustain, three-part harmony chords, overlaid with a high melody he made fuzzy and metallic by using a coin as a guitar pick. I adored Brian May. He was the reserved, straight guy (literally) to Freddie Mercury’s camp high jinks — tall, dark, good-looking, with long curly hair and a melancholy pensiveness that made every teenage girl want to comfort him. At this concert he was wearing a silvery white jacket with long, pleated wing sleeves; that combined with his mop of curls should have made him look effeminate, but instead he was deeply sexy.

I loved Freddie, too, for his outrageous antics, his riskiness, his joy at performing and glorious indifference to how ridiculous he looked wearing glittery leotard jumpsuits, eyeliner and a mullet, prancing and strutting and posing, twitching his hips, smacking his lips and otherwise hamming it up. But even without being conscious of Freddie’s sexual preference — I hadn’t yet met anyone who was openly gay — I instinctively sensed he was not to be lusted after. For all his extrovert, welcoming stage presence, he was clearly playing a part, which served to hold us at arm’s length; whereas Brian May’s taciturn moodiness was clearly himself served up raw.

Thank God for Freddie, though. Without him, no one would have moved on stage: Brian May was not a dancer, John Deacon, in time-honoured bassist tradition, stood solidly in one place throughout, and Roger Taylor was trapped by his drum kit.

To set us at our ease, after We Will Rock You Freddie toasted us with a glass of champagne — “Moët et Chandon, of course,” after the reference in the hit Killer Queen. My friends and I heard this and screamed and clutched one another. He mentioned Moët et Chandon! That was our champagne! He was acknowledging us! I swear he made eye contact with me, 200 yards away and over the heads of thousands.

For we had done what we thought was the most original and extravagant gesture (for 15-year-olds) a fan could make: we had sent a bottle of champagne backstage. We’d pooled our money and gotten an older sister to buy it for us — the same sister who had been obliged to drive us all the way to the Capital Centre, smirking at our overexcited fandom. We’d even made our way to the stage door down a loading dock at the back of the arena and reluctantly handed over the precious bottle to a bored roadie, who said he would take it to the band. We’d had our doubts about his reliability, and his jadedness had dampened our enthusiasm a bit: had we really blown all that money — $20, which in those days meant 20 hours of babysitting — to have some unshaven jerk with a beer belly swill the precious liquid? But clearly the roadie had pulled through for us, for there was our champagne in Freddie Mercury’s hand, and he was referring to Moët et Chandon in his pretty cabinet, the lyrics we had so cleverly quoted in the note we sent along with the bottle. We were sure we — among the many thousands — had managed to get through to the band.

If we had bothered to look around rather than feast our eyes on Brian and Freddie (I’m afraid John Deacon and Roger Taylor never got a look-in from me), we probably would have seen other clusters of fans also screaming and clutching one another during Freddie’s toast. But we didn’t look around or harbour doubts, or we ignored them. It was only much later that I allowed myself to consider the veritable champagne lake that must have existed backstage at every Queen concert. Tip to rock stars: want a free truckload of champagne wherever you go? Sing a song that mentions some — preferably name-checking a more expensive brand to ensure better quality — and watch it pour in backstage every night from adoring fans. There must have been a hundred bottles from fans back there, not counting the stash the band may well have brought with them in case Portland or Houston or Detroit weren’t so generous. No wonder that roadie looked so bored — he’d probably been put on champagne duty that night.

Freddie’s toast worked its magic, though, giving me the connection I needed to negotiate a place within the strangeness of the concertgoing experience itself: the weird, scary power of a crowd; the mixture of exhilaration and embarrassment at collective participation; the physical discomfort of standing for two hours when there’s a perfectly comfortable seat behind you. It is one of those tricky, unresolved tensions at concerts: are we there to listen to the music or actively respond to it, participate as a group or answer our needs as individuals? It’s an issue I’ve never entirely resolved — from Queen onwards I have spent concerts going in and out of myself, losing myself to the music and spectacle one minute, the next minute overly conscious of myself clapping or singing or screaming, and wondering why concerts have to be such an uncomfortable physical ordeal.

I was taken aback by the sound of Queen’s music live: not just the volume, but the familiarity and also the strange rawness of the songs. Studio albums have all the mistakes airbrushed out, the layers added in, the balance between players carefully calibrated, like clever dialogue in a play without the awkward pauses and unfinished conversations you get in real life. Queen albums were highly produced, multi-layered affairs. Live, the music was necessarily stripped of a lot of the choral mixing, more raucous, simpler and much messier.

The band wisely didn’t dare attempt to reproduce in its entirety the long, baroque confection that is Bohemian Rhapsody. For the infamous operatic middle section, the band members left the stage as the studio recording played. Freddie and Brian then changed costume, and, at the word “Beelzebub”, all four men popped out of a door in the stage floor and joined live again for the heavy metal section, fireworks going off, dry ice pouring out, everyone going berserk, me in tears of excitement. It was one of the best live moments I’ve ever witnessed. Indeed, I was spoiled by seeing Queen play live before anyone else; for sheer exuberant theatricality, no one else has come close.

The concert ended with an instrumental version of God Save the Queen and once more the flicking of the Bics, which, no longer the virgin concertgoer, I understood now as a gesture of tribute. My friends and I weren’t finished, though. Emboldened by Freddie’s toast, we decided to go to the stage entrance again and say hello. I still choke with embarrassment when I think of it. When we got there, a black limousine was pulling away, our heroes and their entourage inside, and we were left with the detritus: older, dolled-up, hard-bitten groupies who had followed the band around and not made this night’s cut. I stared at one, at her long, bleach-blond hair, her miniskirt, her bright red lipstick. She glared at me briefly; then her face went slack as she dismissed the idea of me being any sort of competition. In fact, I had not really taken in that there was a competition, that the girls (and I?) were here to spread our wares and catch the attention of one of the men, and then . . . And then? I hadn’t thought it through at all. I wouldn’t have known what to do with such a man as Brian May if he even so much as looked at me. All I knew was that I was way, way out of my depth, that even if I had eluded the roadie minding the door, there was no way I was ever going to get past a woman like this.

The contrast between the sparkling theatricality of the concert and the gritty reality of the backstage, with its dirty concrete, anonymous faces and unfulfilled dreams turned my stomach, and almost ruined the night. I wished I hadn’t seen it, because it reminded me that the show was a fantasy, while it was my aching feet and the roadies’ boredom and the groupies’ hard desperation that constituted real life. As I stood watching the limo pull away and the unsexy women stand about, licking their wounds, looking for a ride to the next city and another chance, I felt as if a door had been kicked open a crack on to a world I knew nothing about: the seamy underbelly of the concertgoing experience, a mix of sex and power and exploitation, of cigarettes and poorly applied make-up and long, cold nights waiting to be noticed and defining yourself by someone else’s attention. If that was grown-up life, I didn’t want to know about it. I wanted the champagne toast, but not the limo. Not yet.

Fan Stories

“I had just turned 16 a few weeks earlier. I was absolutely 100% in love with Queen (since age 13 when first hearing Killer Queen on the radio) and therefore could hardly believe my sister's friend, who worked with her at the Roy Rogers restaurant at the mall, who said she knew Freddie Mercury's girlfriend, Mary, and that she was going to get a backstage pass and would try to get one for us as well. Well, just before the concert she met my sister at a pre-arranged point (inside the venue) and said that she was unable to get us the backstage passes. You can imagine my disappointment and my thinking at this point that this girl was not telling the truth about knowing Freddie's girlfriend (it seemed too good to be true to me to begin with). Then after the concert, which was great of course, we were depressed (my sister and I - but especially me) at not getting to meet them, so we decided to wait for their limo to come out of the underground parking area at the Capital Centre. When it emerged we got so excited we decided to sprint to our big blue station wagon and follow them. With my learner's permit only, I followed them at probably over 80 miles per hour - I remember it being the fastest I had ever driven but I was determined not to lose them - to a restaurant somewhere in DC. At that age, I didn't have my bearings around the city. We didn't want to freak them out so I think we just watched them go inside from our car. Then we ended up waiting outside in the cold air for I think around 2 hours - anyway - enough to turn my nose red and make my lips and toes numb. We weren't allowed in the restaurant - and there was a bouncer from Liverpool out front that prevented us from even going in the lobby to warm up. At one point Roger came down the stairs into the lobby and I smiled at him and he smiled back and started over to the door - but was stopped by another man who grabbed his arm. So then he just continued downstairs to the bathroom, and ignored us when he went back up the stairs. When they finally emerged from the restaurant, I was frozen in more ways than just the temp. Brian said, "It's a bit cold out here". One of them (I don't know who because I think I was in shock) said, "So, were you at the concert?" And we said yes. My friend who was hardly a Queen fan grabbed the attention for herself by shouting "That was the best concert I've ever seen!" or some such thing. I was so embarrassed not being able to think of anything to say in my stunned condition. Freddie looked at me briefly then looked over at my sister. He nodded at my sister but he never stopped walking to the limo. Brian walked over to me and said something like, "Did you enjoy the concert?" and I think I mumbled something like, "Yes. It was fantastic." Then all I could think to say was "Can I have your autograph?" He said "Sure" and ended up giving me the autograph and his pen. So I had to tap him on the arm to get his attention to give him his pen back. "Here's your pen." Can you imagine - here I am meeting my idols and all I can say is this? This all happened within about 20 or 30 seconds it seemed, and they all got into the limo quickly - they seemed pretty tired. I can't remember if they had one or two limos. All four of the members were there and I think a couple of other men - probably manager and driver(s). Freddie didn't say anything, just acknowledged us without a smile and got into the limo. John did the same. I remember thinking Brian was pretty tall. I stood very close to him. I am almost 5 foot 9 and he towered above me it seemed. Of course the hair probably added several inches! The best part of the story I guess is that my sister's friend, the one who knew Mary, said that when the band got back to the hotel they said there were some "nice working girls" waiting outside the restaurant. I guess they thought we were older - we were only 16 and 17 and still in high school of course. We were dressed very conservatively and with long coats.

My sister's co-worker said that she was good friends with Mary, because their families had been neighbors, and so was happy to get to visit with her. Also she said she thought that Freddie was the nicest member of the group, but very shy.” - Donna13