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[asapautomobile25]

high performance car parts in san jose

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[furnacerepair9]

Furnace Repair in San Jose

The Essential Guide to Furnace Repair in San Jose: Why You Need It and How It Can Save Your Comfort

Introduction

In the heart of Silicon Valley lies San Jose, a city known for its innovation, technological advancements, and bustling lifestyle. Yet, amidst the fast-paced environment, the comfort of a warm home during the chilly winter months remains a priority for San Jose residents. Your furnace is the unsung hero of your home, tirelessly working to keep you cozy when the temperatures drop. However, like any other appliance, furnaces are prone to wear and tear, requiring regular maintenance and occasional repairs to ensure optimal performance.

The Importance of Furnace Repair

Safety Concerns: The foremost reason to prioritize furnace repair is safety. A malfunctioning furnace can pose serious risks, including carbon monoxide leaks and fire hazards. Professional technicians can inspect your furnace for any potential issues and address them promptly, safeguarding your home and family.

Energy Efficiency: An inefficient furnace not only fails to provide adequate heating but also consumes more energy, leading to inflated utility bills. Regular maintenance and timely repairs can optimize your furnace's efficiency, saving you money in the long run and reducing your carbon footprint.

Extended Lifespan: Just like regular oil changes prolong the life of your car, routine maintenance extends the lifespan of your furnace. By addressing minor issues before they escalate, you can prevent costly breakdowns and premature replacements, ultimately saving you thousands of dollars.

Improved Indoor Air Quality: A well-maintained furnace not only heats your home but also filters the air, removing dust, allergens, and pollutants. Neglected furnaces can circulate dirty air, exacerbating respiratory issues and allergies. Regular servicing ensures clean, healthy indoor air for you and your loved ones.

Common Furnace Problems

Lack of Maintenance: Skipping annual inspections and maintenance appointments is a surefire way to invite problems. Accumulated dirt, dust, and debris can clog the furnace filters, obstruct airflow, and strain the system, leading to breakdowns and inefficiency.

Thermostat Issues: A malfunctioning thermostat can cause erratic heating cycles, temperature fluctuations, and uneven heating throughout your home. Whether it's a faulty sensor or wiring issues, professional technicians can diagnose and repair thermostat problems efficiently.

Ignition or Pilot Control Problems: If your furnace fails to ignite or the pilot light keeps extinguishing, it could indicate issues with the ignition system or pilot control. Ignoring these issues can result in complete heating system failure, leaving you in the cold. Prompt repairs are essential to restore proper functionality.

Blower Motor Dysfunction: The blower motor is responsible for circulating heated air throughout your home. A malfunctioning blower motor can cause reduced airflow, noisy operation, and uneven heating. Ignoring these symptoms can strain the system and lead to costly repairs down the line.

Why Choose Professional Furnace Repair in San Jose

Expertise and Experience: Professional technicians possess the knowledge, skills, and experience to diagnose and repair a wide range of furnace problems efficiently. They stay updated on the latest industry trends, technologies, and safety standards, ensuring high-quality service and lasting solutions.

Safety Compliance: Furnace repair involves working with complex electrical and gas components, which can be hazardous without proper training and equipment. Professional technicians adhere to strict safety protocols and regulations, minimizing the risk of accidents and ensuring your peace of mind.

Comprehensive Services: Whether it's routine maintenance, minor repairs, or major replacements, professional HVAC companies offer comprehensive services to meet your needs. They use advanced diagnostic tools and quality parts to deliver reliable solutions tailored to your specific furnace model and brand.

Convenience and Peace of Mind: Dealing with furnace issues can be stressful, especially during the peak heating season. Professional technicians provide prompt and courteous service, minimizing downtime and inconvenience. With their expertise and dedication, you can enjoy uninterrupted comfort and peace of mind.

Conclusion In San Jose, where technology and innovation thrive, prioritizing furnace repair is essential for maintaining a comfortable and safe home environment. From ensuring safety and energy efficiency to extending the lifespan of your furnace, professional repair services offer numerous benefits. By addressing common furnace problems and choosing reputable HVAC companies, you can enjoy reliable heating and peace of mind throughout the year. Don't wait until the cold winter nights to discover your furnace needs repair—schedule a maintenance appointment today and invest in the comfort and well-being of your home.

[rockandrollstorytime]

Rock and Roll Storytime #8: The Rolling Stones at Altamont (AKA One of the Worst Concert Disasters of All Time)

The year 1969 had been a hectic one, both for the world in general (with the continuing Vietnam War, the Chappaquiddick incident, and the moon landings) and especially for rock and roll (with the death of Brian Jones, Woodstock, and the Beatles starting to head full-steam down the road that led them to their break-up in April 1970). Capping off this year full of highs and lows, there was Altamont, which has been labelled by many as the death of the 60′s. At the very least, it certainly brought a premature end to the idealism that the youths of that generation held dear.

Lord knows, I will always say that Brian Jones should have had a chance to get back on his feet and I’m super salty that he’s dead, but honestly, I’m glad he missed out on this one. 

Before I tell the story of Altamont though, I must ask… Whose bright idea was it to hire the Hell’s Angels as security for a Rolling Stones concert and pay them with $500 of beer?

Well, to answer that question, I’m going to have to begin this story with the ending of another. Truly, the roots of this ill-thought-out decision lies within events that had happened that summer. 

I’ve mentioned Brian Jones already, but to give those of you who are new to this the rundown, Lewis Brian Hopkin Jones was the Stones’ first guitarist, and at the start, he was the brains of the band. Seven years, a bunch of internal conflict with Mick Jagger, Keith Richards, and Andrew Loog Oldham, a messy relationship with Anita Pallenberg, drug abuse and alcoholism, two drug trials, and a fuck-ton of stress later, Brian was in a state we’d call “mental exhaustion” (didn’t help that his physical health was shit too). Where in 1966 he was contributing some of the best parts of the Stones’ early music, such as the sitar on “Paint It Black”, in 1969, he’d rarely show up to the studio, and if he did, he would usually be too intoxicated to properly contribute. In fact, on Let It Bleed, he only contributed to two songs: “Midnight Rambler” (congas) and “You’ve Got the Silver” (autoharp).

In June 1969, the Stones decided they wanted to go on tour again, but then, they found out that due to the fact that Brian had twice been convicted of drug possession, it’d be unlikely that he could receive a visa to perform in the U.S.A., if at all. Ultimately, Mick and Keith decided that their best option would be to fire Brian, and so, on June 8, 1969, they went down to Brian’s home, Cotchford Farm, to tell him that he would no longer be with the group. According to those present, Brian had been expecting this, and in the various press releases, it was made to appear as if Brian had left the band on his own terms. His statement read, in part, “I no longer see eye to eye with the others over the discs we are cutting. We no longer communicate musically. The Stones’ music is not to my taste any more. The work of Mick and Keith has progressed at a tangent, at least to my way of thinking. I have a desire to play my own brand of music rather than that of others, no matter how much I appreciate their musical concepts.”

At this point in time, whether Brian was accepting of this turn of events or not is up to conjecture. 

In either case, the Stones brought in 20-year-old Mick Taylor (previously of John Mayall’s Bluesbreakers) to replace Brian, and at a press conference on June 13, the Stones announced that they would be holding a free concert on July 5 in order to properly introduce their new guitarist. 

And then, just three days before the concert was set to take place, Brian drowned in his backyard swimming pool, being just twenty-seven years old. Although the coroner ruled it death by misadventure (which personal research seems to support), theories have long persisted that Brian was, in fact, murdered, but that is, of course, a story for another day. 

The Stones in the Park concert quickly became a tribute to Brian Jones, and at the start, Mick read two verses of Percy Bysshe Shelley’s Adonais, and as the band launched into “I’m Yours and I’m Hers” by Johnny Winters (one of Brian’s favourite songs), thousands of butterflies were released, though this was against park stipulation, as they were voracious Cabbage White butterflies, and many had died due to the boxes not being properly ventilated. 

What’s important to this story about the concert at Hyde Park is that the London chapter of the Hell’s Angels was there providing security that day. It is also important to note that the Grateful Dead (who, incidentally, also had a member of the 27 Club in their line-up) had also hired the Hell’s Angels as security numerous times. 

Several months later, the Stones had been having a pretty good run with their American tour, which was able to slightly mitigate some of the shady business practices Allen Klein had subjected them to, but throughout, fans and journalists kept complaining about high ticket prices. If you ask me though, those bitches were lucky. I’d rather be paying three to eight dollars (equivalent to $21.21 to $56.57 in 2019) as opposed to a minimum of $159 that tickets to a Rolling Stones concert now sell for. Not to mention, Woodstock had happened in August that year, and that was a big success, so in Mick Jagger’s 26-year-old, immature, unwise brain, that obviously meant that they should have another free concert like the one at Hyde Park. Really, in his mind, the peace and love movement was only just beginning, so what could go wrong?

As Murphy’s Law will tell you, “Anything that can go wrong will go wrong” 

Oh, and go wrong it did. 

The first major problem was that they couldn’t get a venue. 

The concert was set for December 6, and their tour manager, Sam Cutler, struggled to get them a venue. He tried San Jose’s State University, but there had been a three-day festival recently, and the city wasn’t exactly in the mood for another batch of hippies storming the city so soon afterward, so that was out of bounds. He then tried gunning for San Francisco’s Golden Gate Park, but there was a football game between the Chicago Bears and the San Francisco 49-ers taking place in the same general location, which made use of the venue impractical. He then tried getting Sears Point Raceway on board, but disputes quickly arose over filming distribution rights and an up-front fee of $300,000.

Finally, just two days before the concert was set to take place, the Stones’ management managed to get a hold of Altamont Speedway (it helped that the owner, Dick Carter, apparently offered the venue for free). 

As you can imagine, there was a whole shit-ton of problems that arose from that, and Rolling Stone magazine, in its piece on the tragedy, listed the following logistical problems: 

“1) Promise a free concert by a popular rock group which rarely appears in this country. Announce the site only four days in advance.

2) Change the location 20 hours before the concert.

3) The new concert site should be as close as possible to a giant freeway.

4) Make sure the grounds are barren, treeless, desolate.

5) Don’t warn neighboring landowners that hundreds of thousands of people are expected. Be unaware of their out-front hostility toward long hair and rock music.

6) Provide one-sixtieth the required toilet facilities to insure that people will use nearby fields, the sides of cars, etc.

7) The stage should be located in an area likely to be completely surrounded by people and their vehicles.

8) Build the stage low enough to be easily hurdled. Don’t secure a clear area between stage and audience.

9) Provide an unreliable barely audible low fidelity sound system.

10) Ask the Hell’s Angels to act as ‘security’ guards.”

Most sane people would have quit while they were ahead, but this is the Rolling Stones we’re talking about. Between Brian Jones having five kids by the age of twenty-three, Mick Jagger allegedly sleeping with over 4,000 women (and don’t get me started on him and David Bowie), Keith Richards’ drug habits and his snorting his dad’s ashes, Bill Wyman dating a teenager while he was in his forties, and Charlie Watts punching Mick Jagger in the face, we are absolutely not dealing with the most sane bunch of individuals on the planet. 

And let’s not forget that some idiot decided it’d be a great idea to pay the Hell’s Angels in $500 of beer (the equivalent of $3,535.43 in 2019).

Yeah, if you listened closely to the sounds of the earth in 1969, I can guarantee you, you probably would have heard a barely-cold-in-the-ground Brian Jones spinning in his grave over this stupidity (because he was acting as the band’s manager for a time in their early days before Andrew Oldham came on board). 

Let’s also not forget that they hired a particularly notorious batch of Hell’s Angels from Oakland, California, whereas the Grateful Dead found their “security bikers” in Sacramento. Apparently, Grateful Dead manager Rock Scully even tried to warn the Stones about the “real” Hell’s Angels after seeing the footage from Hyde Park, but obviously, they didn’t take whatever warning he tried to give them to heart. The hippies in general had a romanticized image of the Hell’s Angels in their heads, seeing them as “outlaw brothers of the counterculture.”

No points for guessing how that worked out, but let’s continue regardless. 

Set to perform that night were Santana, Jefferson Airplane, The Flying Burrito Brothers, Crosby, Stills, Nash, and Young, the Grateful Dead, and of course, the Rolling Stones. 

They would all be performing on a stage that was just thirty-nine inches off the ground and surrounded on all sides by over 300,000 attendees. Apparently, this had been planned to create a more “intimate” experience. 

From what I could tell, waivers were not involved. 

For the sake of time, I can’t give you a minute-by-minute analysis of the event, but I can still provide a basic timeline of all that happened. 

So, everything went relatively smoothly as Santana performed their set, but it was only downhill from there. As the day progressed, the crowd started fighting each other, and the “security” sure as hell didn’t help matters. At some point, someone knocked over one of the Angel’s motorcycles, which was likely an accident. However, the Angels were already pretty pissy, and plus, rule number one when it comes to the Angels is “Don’t mess with the motorcycles.” So, the Angels, already high thanks to someone spiking the beer with acid, started indiscriminately assaulting audience members they didn’t like with sawed-off pool cues and motorcycle chains, including a guy who was running around naked and someone else who was trying to take pictures of the stage. One woman who called in to a radio station the next day reported that she saw five fistfights, and the Angels were involved in every last one. She tried to intervene, but the people around her warned her not to, fearing for both their safety and hers. 

During Jefferson Airplane’s set, Marty Balin was knocked unconscious when he tried to intervene in a fight between the audience members and Hell’s Angels. When Paul Kantner grabbed a mic and sarcastically thanked the Angels, Bill Fritsch grabbed the mic from him and started arguing with him about it. In addition, Denise Jewkes, lead singer of Ace of Cups, was hit in the head with a beer bottle and suffered a skull fracture. Her husband, Noel, had to lead his six-month pregnant wife through the sea of people so she could get medical attention. The Stones later paid her medical expenses. By this point, news of what was going on out front was beginning to seep into the backstage areas and even back to the Stones at their hotel room, but most of the acts decided to press on regardless. However, after hearing about what happened to Marty from Michael Shrieve, the guys from the Grateful Dead decided to book it. 

Yeah. Thanks a bunch, assholes.

The crowd did calm down a bit for the Flying Burrito Brothers’ set, because really, who can say no to Gram Parsons? However, that calm was only temporary. When the Stones arrived by helicopter, it wasn’t even ten seconds before someone punched Mick Jagger in the face. Also, Bill Wyman missed the first helicopter out, so the Stones were already going to be late.

And then Mick Jagger decided he wanted to be all dramatic and shit, so the crowds were forced to wait until nightfall for the Stones’ set.

Meanwhile, during Crosby, Stills, Nash, and Young’s set, a “stoned out” Angel reportedly stabbed Stephen Stills in the leg whenever he stepped forward to sing, leaving trails of blood running down his leg.

By the time the Stones were anywhere near ready to take the stage, things started to degenerate even further, to the point where the Angels (who already despised Mick’s scrawny, English arse) pretty much forced the Stones to go out on stage regardless of whether they were ready or not, just to prevent a full-scale riot.

It was in that moment Mick knew… he fucked up royally.

As Mick observed the constant fighting between the audience members and Hell’s Angels during the show as he sang “Sympathy for the Devil”, he desperately, defeatedly, pleaded for calm, his usual bravado completely absent for once in his adult life. However, it was clear that the Angels already weren’t going to listen to the flamboyant musician they clearly hated, and tensions had been simmering too long throughout the day, so Mick’s pleas for peace practically went completely unheard. 

Mick Taylor later said, “The Hell’s Angels had a lot to do with it. The people that were working with us getting the concert together thought it would be a good idea to have them as a security force. But I got the impression that because they were a security force they were using it as an excuse. They’re just very, very violent people. I think we expected probably something like the Hell’s Angels that were our security force at Hyde Park, but of course they’re not the real Hell’s Angels, they’re completely phony. These guys in California are the real thing — they’re very violent. I had expected a nice sort of peaceful concert. I didn’t expect anything like that in San Francisco because they are so used to having nice things there. That’s where free concerts started, and I thought a society like San Francisco could have done much better. We were on the road when it was being organized, we weren’t involved at all. We would have liked to have been. Perhaps the only thing we needed security for was the Hell’s Angels. I really don’t know what caused it but it just depressed me because it could have been so beautiful that day”

(I feel so sorry for Mick Taylor. The kid was just twenty years old when he saw all this bullshit going down.)

Now, what I’m going to do with this go-around, before I describe what happened next, is tell you a little bit about Meredith Hunter. He was just eighteen when he went to Altamont with his girlfriend, Patti Bredehoft. The only reason he had a gun that day, according to his family, was for self-protection, given that he was basically a young black man with a white girlfriend in a sea of white people, at a time and place where racism was still very much prevalent. Allegedly, the gun didn’t even have any bullets in it; it would just be a last resort to deter anyone giving him trouble. Like most 18-year-olds, he was also a bit naive, and though his girlfriend wanted to leave, he convinced her to stay for the Rolling Stones’ set. At one point, he was already set upon by Hell’s Angels, but that time, it was only a scuffle. What is known is that he was high on methamphetamines, but what isn’t known for sure is his general demeanour. Some said he had a crazy look in his eye, while others said that he seemed calm, though he was upset at the violence. 

And then, all hell broke loose. 

As “Under My Thumb” was ending, cameras found an opening into the crowd, into which stumbled Meredith Hunter. He grabbed his gun, a .22 calibre revolver, which was visible to cameras against Patti’s dress. When Alan Passaro saw this, he immediately assumed that Hunter was trying to shoot somebody, and started stabbing him (this was, again, in plain view of a bunch of cameras). Subsequently, he was repeatedly kicked in the head, trying to tell his attackers that he wasn’t trying to kill anybody. However, the Angels were convinced that he was attempting to shoot somebody, and that’s essentially what the narrative became- that a crazed black kid high on meth tried to shoot Mick or one of the other Rolling Stones (which, believe me, I’d be salty about even if I hadn’t read a Rolling Stone article about him).

It was little Mick Taylor who managed to keep things rolling (a bit) by suggesting they play “Brown Sugar”, which had only been recorded the previous Tuesday. 

Somehow, after the vicious beating he’d suffered, Meredith was still alive, and a doctor at the scene looked at him and recommended that he get immediate medical attention, or else he’d die. However, the only helicopter at the scene was reserved for the Rolling Stones, and the pilot made it clear, in no uncertain terms, that no one else was allowed on board. Hunter ended up dying of his injuries while they waited for emergency responders. 

I don’t quite know how well the situation was explained, but still, dick move on the part of the helicopter pilots. 

In addition to Hunter, three other people died, one after falling into a fast-moving irrigation duct while tripping on LSD, and two others were killed in their sleeping bags during a hit-and-run accident. There were also four reported births, one of which occurred during Jefferson Airplane’s set. 

The day after the concert, the Stones flew back to London, as the news slowly disseminated throughout the world. 

In 1971, a documentary about the tragedy, Gimme Shelter, was released to the public. However, in the years since, many have argued that is meant to excuse the Stones’ actions and is an apologist piece of media. Still, the footage itself does show a chilling account of what happened that day, if you can ignore that overall narrative (though you really shoudn’t ignore that). 

Alan Passaro was later charged with Meredith’s murder, but was acquitted by an all-white jury, who likely either excused the crime due to racism, or just didn’t have the full story.

After Altamont, just about everybody turned on each other. The audience members, many of whom undoubtedly still live with the scars of that fateful night blamed the Hell’s Angels, whereas the Angels laid some of the blame on the audience members, and most of it on the people who hired them, whilst the Stones said they’d never work with the Hell’s Angels again (which, allegedly, almost resulted in some of them trying to assassinate Mick Jagger). 

In my honest, humble, not-so-professional opinion, I say the blame should be laid with the Stones’ management, Mick Jagger, the Grateful Dead, and the Hell’s Angels. The concert should have been planned over a matter of months instead of weeks, held in a proper venue, and above all else, not had fucking Hell’s Angels as security guards. 

While the Grateful Dead came out of it rather unscathed (mostly because they didn’t play), it’s been said that the Stones lost quite a bit of their edge. It’s easy to say that they grew up a lot because of this event, becoming a lot humbler, and a lot less greedy and risky as a direct result of this. It’s even to a point where people haven’t liked much of what they’ve put out since the 1980’s. Santana and Crosby, Stills, Nash, and Young declined to have their performances shown in Gimme Shelter, and have since spoken very little about the event. Meanwhile, Alan Passaro drowned in 1985, though the circumstances of his death are suspicious, to say the least. Meanwhile, Meredith Hunter’s family still deals with the trauma of his death, and aside from a $10,000 ($70,708.59) settlement, the Stones never even approached the family to offer their condolences, or even a half-assed explanation (I don’t recommend the latter approach). The Hell’s Angels also had their reputations as dangerous outsiders cemented by this event, given that they’d caused at least 75-90% of the violence that took place that day. 

Keith Richards has maintained his “fuck-all” attitude about this through the years, even writing in his 2010 autobiography “In actual fact, if it hadn’t been for the murder, we’d have thought it a very smooth gig by the skin of its fucking teeth.”

There is a reason that many of the dreams of the 60′s died at Altamont, and all the evidence you really need is the footage that was shot that night and the words of the people who saw the fiasco first hand. 

Sources: https://www.rollingstone.com/music/music-features/remembering-meredith-hunter-the-fan-killed-at-altamont-630260/ https://www.rollingstone.com/music/music-news/the-rolling-stones-disaster-at-altamont-let-it-bleed-71299/ https://www.forbes.com/sites/davidchiu/2019/12/03/altamont-at-50-the-disastrous-concert-that-brought-the-60s-to-a-crashing-halt/#535871c31941 https://www.newyorker.com/culture/cultural-comment/the-chaos-of-altamont-and-the-murder-of-meredith-hunter https://www.history.com/this-day-in-history/the-altamont-festival-brings-the-1960s-to-a-violent-end https://datebook.sfchronicle.com/music/altamont-wasnt-the-end-of-the-60s-it-was-the-start-of-rock-n-roll-disasters https://worldhistoryproject.org/1969/12/6/altamont-free-concert Altamont by Joel Selvin Life by Keith Richards https://allthatsinteresting.com/altamont-speedway-free-concert https://www.washingtonpost.com/graphics/2019/lifestyle/altamont-rolling-stones-50th-anniversary/ https://en.wikipedia.org/wiki/Altamont_Free_Concert https://en.wikipedia.org/wiki/Death_of_Meredith_Hunter http://timeisonourside.com/chron1969.html https://www.thevintagenews.com/2018/02/01/altamont-free-concert-in-1969/ https://www.ranker.com/list/altamont-free-concert-facts/jen-jeffers http://www.findingdulcinea.com/news/on-this-day/On-This-Day–Deaths-at-Rolling-Stones–Altamont-Concert-Shocks-the-Nation.html https://www.robertchristgau.com/xg/bk-aow/altamont.php https://westegg.com/inflation/ https://www.youtube.com/watch?v=JUlyVSfhgaM https://www.setlist.fm/setlist/the-rolling-stones/1969/altamont-speedway-tracy-ca-43d6fbb3.html https://slate.com/culture/2018/07/just-a-shot-away-a-history-of-altamont-by-saul-austerlitz-reviewed.html

[locksmithnottingham4-blog]

ten Tips How To Prevent Locksmith Scams

Locksmith Nottingham As frightening as it may audio, Locksmith scams are getting part of our daily life. Locksmiths focus on home as well as auto proprietors when these people are at their the majority of vulnerable state and within eager need for help- in an unexpected emergency and also needing immediate support.

Locksmith Nottingham

The majority of of the times all of us feel that looking for the locksmith online is most likely any smart decision. However, we're able to become a victim associated with fake or even scamming locksmith who are imitating genuine ones on the on the internet directories. The case is actually these types of fake locksmiths double as the neighborhood locksmiths and they will don't have any nearby workshop. Sometimes these kinds of alleged locksmiths are not actually properly trained and tend to be controlled through out-of-state contact centres.

A few careful steps used by a person can help in staying away from a scamming company or perhaps an untrained impersonator.

one "Local" is the Key word

Seek information in advance. Get good some do not really rush with the lookup. If a locksmith company will be registered with some sort of local tackle, Google the actual address and discover if any kind of other business is usually authorized with the same deal with.

Even if you are usually in an emergency, it is best to be aware of the particular services that solution typically the phone with any general phrase, such as "Welcome in order to locksmith services". In case the 1 you possess called is not willing to be able to provide you a lawful enterprise name, you require to find an additional sanjose locksmith.

Also see if the businesses are using any "800" quantity or a regional number. "800" number may indicate that this locksmith an individual are calling might be a good offshore call center.

two. Check Identification along with Permit

When the locksmith gets to the destination it is definitely important to request recognition, including a locksmith permit where one is relevant.

Of all the states, only 15 of these require locksmith certification, which makes it a crime function or even promote because a locksmith without legitimate credentials. Check if your own state is among the 15 says on Google.

three. Be careful of low prices

Usually obtain a quote on often the phone before permitting virtually any technician to meet anyone. Be skeptical of just about any locksmith providing unbelievably low cost. Those are major warning flags. Always ask about the actual work costs, emergency expenses along with the service fees.

In no way permit anyone to begin work on the house or maybe vehicle without having complete knowledge of the expenses you can incur.

4. Generally there don't be any concealed costs

It is essential to inquire if generally there are generally any additional fees, especially in situation regarding emergencies.

A conning organization might also claim the particular lock on your house as well as vehicle is outdated also it needs to become replaced. They will ask you for an arm and a new leg to replace typically the existing secure with one particular which they will state is a high-security locking mechanism however that seldom is actually the circumstance. You might end up paying these to replace the existing great freeze with a inexpensive one for any higher cost.

5. Request Vehicle Recognition

Always keep a watch upon your surroundings. In event somebody arrives in a great unmarked automobile and statements they are having a particular locksmith company certainly perform not allow them for you to start perform. Legitimate nyc locksmith companies usually send their own technicians within a marked car with the Organization trademarks, phone numbers, and brand name named tools. This will be a demand awareness.

six. Ask for the created estimate

Always look for any written estimate. This can include you from hidden charges and additional labor expenses. In case a locksmith is becoming hesitant to provide you with a fixed written estimation then carry out not allow them to help commence the job. This particular can mean that they may not be reputable and just would like to make a few fast money.

7. Upon website estimate should tally along with the written estimate

Any kind of reputable locksmith company provides you with a detailed estimate throughout the telephonic conversation. This specific will include expense of introduction, labor as well since the required parts. This kind of estimate will certainly with often the on site calculate. Locksmith looking to scam you are going to change their estimate on arrival by adding additional invisible fees even prior to the work starts. Become safe from such unethical service providers.

8. State 'No' to Drilling in addition to Alternative

Any locksmith business which suggests the shut must be drilled or changed is really a fraud. Experienced san-jose locksmith specialists can unlock nearly any doorway. If that they want to drill the actual lock, say a directly 'No'. There is some sort of high chance they may be rip-off you and looking to get more money. All genuine wilton locksmith companies trains their professionals to properly unlock almost any door.

9. Avoid money transactions

All genuine sanjose locksmith companies give you the particular option to spend through cash, check and credit score. Any company that asserts on cash transactions just is looking for speedy money and a 99. 99 % possibility that will it is a rip-off. Also this is an important issue you should request in advance. Make sure you usually are aware of the way they get payment BEFORE many people start off work.

10. Usually do not keep the locksmiths unwatched in the course of the work

I accomplish certainly not suggest that you actually should not trust the one who has arrived to assist you, but it is essential to keep an eyes on what these are performing. Your carefulness can easily avoid you from being cheated much more ways you could imagine.

[tipsytaee]

NCT 127 – “Neo City: The Origin” in San Jose (Fan Account - 190509)

Left work at 5:40pm, arrived in San Jose at 7:10, bought chicken nuggets from McDonald’s, and entered the concert hall at 7:50.

Hall feels kind of like a high school auditorium. Was expecting something a little more memorable.

I was kind of nervous and wondering if the $160 would be worth it, but I was excited about it too. Texted BFR and MKT a quick photo and both replied with excitement for me.

Concert begins.

(Cherry Bomb) Took me a little bit to get energized, but the smooth glide, backward fall, and leg split were everything.

NCT lightsticks are bright af. Every time the girl next to me waved hers to my side, I think I went just a little bit more blind lol.

(Chain) Taeyong’s absss. I was trying to fix something on my phone and, BAM! Front and center on the big screen. That shit came out of nowhere >.<

Didn’t have a lightstick this time, so I was just kinda awkwardly standing there. People around me must’ve thought I was the quietest kpop fan ever. But in my head I was hyped xD

(Ment #1) Taeyong really knows how to pump up a crowd—from his stretched out “Ohhh yeahhhh” that reclined into a sexy, throat-deep groan to his vocalized sports tournament siren after introducing his name. And his little fumble when trying to say “lifetime memories” was cute.

(Fly Away with Me) Ugh, this song put me in a mood. And Taeyong’s bouncing dance moves. He does them really nice.

(Back 2 U) Yuta’s vocals o.o And Taeyong’s soft swag throughout.

Not as many Taeyong stans as I thought, but definitely one behind me. I relate to her every time she screams for him when he does something remotely sexy and the crowd is quiet in obliviousness xD

(City 127) Slower song and Taeyong’s still not able to sit still. He was the only one who stood up and danced around for his part, and he continued to wiggle around in his chair after that xD :3

(Angel) So. Much. Skinship. Taeyong scooting his chair over to Jaehyun and being all squishy, touchy, and adorable with him. More with Yuta & Doyoung, and Jungwoo & Haechan. The line, “I’ll be your morning star” gave me all the feels. I eventually found myself swaying along.

(Jet Lag + more) Yuta’s slow, emotional hair flip and his unrelenting cuteness. If Taeyong doesn’t do it first, this kid might just kill me >.<

(Ment #2) Yuta being cute af and possibly throwing some random Japanese in there? xD

(No Longer) Definitely falling for Taeil’s voice.

So many Taeil, Haechan and Jaehyun stans.

(Regular) Taeyong’s sex faces live are killing me.

(Wake Up) The bars have come out. Hyped by Taeyong’s “Are you ready San Jose!” and subsequent ‘yeah’s and ‘whoo’s and arm pumping dance.

(Baby Don’t Like It) Taeyong literally coming in like a pimp on top of the bars. Sunglasses, posture, attitude, and all lmao.

(Mad City) The vibrations man, the fucking building was shaking.

(Good Thing) Taeyong’s outlandishly flamboyant paint-splatter suit, wtf xD Also his moonwalk is so fucking smooth. Yuta is adorably bouncy in his cute yellow sweater.

Seeing Taeyong’s sex faces in person is ridiculous (part 2).

…is Yuta my bias wrecker?

Chipmunk voices on the mic… (Started with Mark’s mic during Mad City and continued randomly throughout)

Changing lightstick colors with the music. Didn’t expect that to happen here. For some reason I thought it was only a Korea/Japan thing lol.

(Superhuman) The superior song. Always fall for that head snap in the beginning.

I was watching Taeyong for most of the concert, but I swear I saw Taemin’s face flash by for like half a second. I think the desperation to see Taemin live is getting too strong xD

(Ment #4) I fucking looked up and Taeyong had taken half of his sparkly jacket off during the ment. Guns fully loaded. Biceps at the ready. But my poor heart wasn’t >.< Haechan speaking Korean for the first time during the concert kind of made it more real that I was watching Korean idols who had traveled halfway across the world to perform in front of me. Taeyong and his backwards visor and casual black clothes is fucking hot. Taeil getting embarrassed when Johnny told him to growl and flex his muscles one more time, adorable :3 Taeyong did clapping push-ups, aegyo-ed, and fucking dabbed in the span of 20 seconds >.< Jaehyun asking if we’re ready to “get hot.” Boy, I’ve been steaming for an hour now (both literally and figuratively lol. Couldn’t find the time to take off my coat xD)

(Summer 127) The resonance and vibrations from the bass line had me shaking (in a good way). Taeyong’s front group seemed a little lost in the music when they finally went back into choreography—they kept looking at each other like “uh…” and wiggled their arms around aimlessly until it matched everyone else lol. Taeyong went HARD during this song. His panting had me thrown, and he rapped so hard his fucking vein popped out.

(Ment #5) Doyoung’s adorably cheesy fortune cookie story. Fortune cookie read, “You will touch the hearts of many.” Generic but absolutely true ^^ Taeyong’s pouty face before his ending speech. And he put his hands together, almost in prayer, when thanking his fans. It was so heartfelt and sweet.

(Pre-0 Mile) Taeyong’s switch from his soft voice when correcting the crowd’s move for “mine mine” to his deep, loud, crowd-pumping voice at the final “girl you’re just mine mine!” I love his duality. And the way he turned around to walk to the back of the stage for 0 Mile. Hot.

(0 Mile) Taeyong being a mom and picking up Doyoung after he fell to the ground trying to protect his abs xD He’s such a sweetheart <3

For the last three-ish songs, Taeyong was super energetic and hyped for the performances. It got me hyped too.

Their “San Jose is a real vibe-killer~~” xD

Someone threw a rose at Taeyong when they were walking from the left side audience to thank the right side, and he got adorably flustered. He fumbled with the rose a little bit, but he did manage to catch it.

Taeyong picked up the rose he had put down earlier to hold his members’ hands and bow. He was being such a tease with it, putting it sexily in his mouth, tango style, and turning around and pausing every two steps to pose with it. He also put on an adorable “San Jose” beauty pageant sash before posing with the rose and heading off stage. He was the last member to leave and he kept dorking around and teasing his fans, it was so freakin cute >.< (Side note: Found out later he was recently crowned “in charge” of their San Jose stop, which is why he had the sash.)

That ending^ was all I needed to make that whole concert worthwhile. I love you Taeyong <3

Concert ended at 10:40pm. Walked back to my car and drove home listening to nothing but NCT songs.

Post-concert thoughts: In the beginning, it felt like I was just watching another random concert. I was also hesitant about going even before that because I only really listened to about half the songs on the setlist. But I realized there’s something about concert settings that just makes everything sound amazing. The concert eventually evolved into something more meaningful and that I was super spazzy about and into (probably triggered by something Taeyong did lol), but it got so much more exciting after that and I loved it.

P.S. Taeyong’s shirt was sheer????

[candor-whatwolf]

Tips For Selecting The Right Towing Services

There are many benefits that you might be missing, and some of them are clear. These suggestions will assist you to pull your vehicle securely. Be sure to follow all safety procedures prior to making any journeys. There is still an astonishing number of people who are not aware that these alternatives exist. We will show you some of the benefits you can get from them. The information in this guide will allow you to understand the reasons behind them and whether you should use them.

Get your car picked up

Building Probably because the task appears more manageable. All the business has to do is take your vehicle or truck and take it to the service store to resolve your issue. This is not fair. Before you hire someone to perform your task, there are many things to think about. For the safety of your vehicle it is essential to consider this consideration in the process of making a decision. You only need to find the top. These tow truck San Jose firms are flexible, as they are able to offer their services wherever you happen to be. Once you prefer a full article on heavy duty towing San Jose, look at more info.

Deliver High Quality Services

High-quality services aren't just for anyone, How can an average layman identify a competent and experienced company that will provide superior service? This area is not your area of expertise, so don't trust yourself to understand the current scenario. It is the same when choosing the right towing company. They also provide long-distance service providers, so there's always a possibility for breakdown issues in the present, no matter where you reside.

Think about the Towing Fee

There's still a heavy duty towing San Jose, company in every part of the world. It is important to identify a competent and experienced towing business among them. A few common questions can provide you with an idea of the quality of service offered by this company. Many people today prefer to pick a company every year. All you have to do is create an email address. Before deciding on a company you must have a clear idea of this towing charge. It is crucial to understand these points before choosing the right company so that you are aware of the responsibilities you have if your vehicle is damaged.

Check that your vehicle is secure

A specialization in trucking will satisfy your requirements at a fair price. It is essential to be knowledgeable about the company. You just need to conduct an extensive study. Do not compromise your vehicle's security, safety, and options for a lower cost at any time. They will deal with your issue, and you don't have to take any action. Simply contact them and explain the issue. They will take you to the appropriate location with all the required equipment and personnel.

BIG TRUCK TOW

1224 Panoche Avenue San Jose, Santa Clara County 95122USA

408-809-1725

[ashbyshaw48-blog]

Personal Tourist Guide And Driver.

Paris Chauffeur Guide offers the best experience to find beautiful monuments, museums and sights in Paris and France. We also utilize Licensed English Speaking Guides at significant monuments and museums throughout Italy, to enrich your cultural experience and optimize your time in our lovely nation. Our company believe that our professional driver service guarantees our consumers' peace of mind, security and trust. Such a special event deserves a really unique wedding automobile service. A Mr. Angelo from Warner Discoloration Glass Company called today to compliment not only his chauffeur Olim, which he would like as his favored motorist because he is the very best driver" but Aurora because he said he has actually never ever been dealt with nicer and more professional then he has actually been with Aurora. The tour includes 2-hour directed tour of Pompeii with an expert certified guide.

If you get here in Rome by aircraft, train or boat, if you are remaining in a personal vacation home or hotel, our driver will offer all the help you need from the departure till the arrival he will likewise recommend all the best to see and do in Sorrento. We concentrate on organizing private trips and transfers to and from airports, train Stations and ports Naples, Rome and Salerno to all destinations on the Amalfi Coast. Although the nation is small, there is a plethora of things to see and make the most of your time here, among the very best decisions you could make is working with a personal driver. A limousine service from Blacklane is the perfect way to explore the city with all the design, sophistication and grace that a city like Rome demands, whether you remain in town on touristic task or for the call of business. " Hubs and I have actually used White Horse a number of times for transport to and from sporting events, performances, and some personal events. This personal driver service consists of transportation within the Cabo San Lucas, San Jose del Cabo and Los Cabos locations just. Top trip of Italy intends to deliver the professionalism of a business of high quality services adding a personal touch, personalization, flexibility and familiarity. This destination is soaked in Roman history and is an essential part of traversing the city which can be seen when taking part in the Rome by night tours. private driver We collaborate with Uber to provide you the very best transportation services in Rome. We get along and take care of everything from transport to remain to your daily experience and work hard to guarantee you make the very best memories of your life. We will satisfy and greet you at the airport in one of our chauffeur-driven automobiles or organize a trendy departure from any one of the numerous NY, NC, or LA airports. We also run little group guided biking tours which get you off the beaten track and follow a circular path through a few of the very best Cotswolds towns and countryside. Whether you require to be gotten at the airport, trying to find a chauffeur. for the day, or looking for a luxury car with a chauffeur for a wedding, Numerous Motorists is there for you. Several elements impact the expense of driver services. Private air-conditioned automobile with great english speaking chauffeur who can offer information and guide you on the way, tolls, botteld water, all taxes. Discover our offers and prepare yourself to be handled an unforgettable private trip in the Eternal City with our premier specialist guides. In fact, part of the individual motorist task description is assisting individuals in and out of the automobile, running errands, carrying luggage, and making consultations to have the vehicle repaired and serviced. Mention all the possible stops that you want to make from Rome to Amalfi Coast. Premiere # 1 Limo offers transportation for all your unique guests to and from your event. Fluent English Speaking expert drivers. Transfer your wedding event visitors in our company class Mercedes Minivans. Your personal driver or guide has your best interests at heart and will always watch out for you and your security, guiding you clear of any possible unsavory situation. You can employ a car or minivan with a personal motorist for any event: organisation trips in Lombardy, vacations or tourist around Lake Como, wedding events, public events, departures and arrivals to all major airports and railway stations, or to reveal you around to shop in the best Italian outlets and stores.

We provide unwinding Rome and Italy limo trips and shore excursions in an expert, comfy setting. Premier Limo operates a fleet of over 120 vehicles and has chauffeured over 1000000 people. Positano Drivers are the professionals of this type of trips, among our enthusiastic, english speaking motorist will be waiting for you at the port in Naples, Sorrento, Amalfi, Positano, Salerno or Civitavecchia and will reveal you the very best of the surrounding location. Clients can request a limo, SUV limousine, luxury sedan or classic automobile. As you stroll through Pompeii on your personal tour, you'll hear the story of among the best disasters in history in the place where it actually occurred. All our personal tours of Rome are dealt with families with kids and led by top-rated tourist guide who will accompany you throughout exciting experiences to discover the tricks of the Vatican Museums, the ancient ruins at the Colosseum and Roman Online Forum, or Rome's beautiful squares and water fountains. Tour of the Dead Sea, Qumran and Masada - travel along an unique sea which is far from dead, delighting in the special desert surroundings and the ancient history of Masada in one glorious day. While this editorial was actually simply a reason to talk about my present preferred computer game a little bit, the overall point is something that city organizers and traffic supervisors do need to think about in the genuine world-that Uber and Lyft are having an adverse traffic impact on their cities, and that most likely won't change till the much-hyped driver-less carpool of the future becomes a reality. Multilingual, our drivers have been picked for their knowledge however likewise the enthusiasm for their craft and the knowledge of their area, in order to provide you the very best of service.

Your drivers were polite and very professional. Personal chauffeur for hours in Lanzarote: Do you have a trip or group journey? Golf transfer from 4 to 6 hours, dinner, lunch or breakfast transfers from 3 to 4 hours, activities such as bike trips, whale viewing, boating, fishing, shopping and more depend upon the duration of the tour; however it is essential to inform us beforehand to collaborate transportation. Sam was really good and was constantly waiting on us prepared to go. I would definitely suggest your company and the motorist to all my good friends or anybody who requires service And now Efendi Travel of Istanbul, a partner and an innovator in premium, moderately-priced travel services (such as its Istanbul Airport & Cruise Port Transfers) has actually solved the problem by using professional licensed guides who likewise hold licenses as professional chauffeurs.

[whereisfootball]

2018 MLS Kit Branding Reimagined

The 2018 Major League Soccer season is nearly underway. It’s been a long offseason and we’re hyped to have it back.

Our friends Tap In have a lot of new, exciting MLS content coming this year on their guide, and in celebration of that, we decided to partner on a fun little project.

In a bid to add a little more personality to what is largely bland, impersonal sponsorship real estate on each kit, we reimagined every team’s jersey with something new in the middle of it. Some of these are local companies, others are prospective partners who have some fun link to the team, and others will probably just be arcane jokes that won’t land.

Nevertheless, we thought this was a fun way to bring a few of our favorite things together: Friendship, Photoshop & American soccer.

Please enjoy.

Atlanta United — Waffle House

An iconic southern restaurant with its roots in Atlanta, Waffle House is open 24/7, 365—and it’s the best. As Waffle House FC will tell you, this is a perfect sponsor for a team that’s tasty on and off the pitch. Their supporters never waver, refusing to shut off for even a single second when they pack the Mercedes-Benz Stadium. They aren’t afraid to do things their own way—which, yes, can sometimes get a bit messy ... but most of the time it’s spot on.

Chicago Fire — Portillo’s

Sorry, it’s important we let you know now that this is probably going to be a food-heavy list as we’re rather fond of eating.

Portillo’s is a Chicago institution known for its hot dogs, Italian beef sandwiches, and an extremely healthy, 100% good for any diet cheese sauce.

While the Fire aren’t yet a Chicago institution themselves, we hope one day pictures of Bob Bradley, Hristo Stoichkov & Ante Razov will line the walls of a Portillo’s near you.

Colorado Rapids — Coors

The beer with mountains on the can that turn from white to blue when it’s cold enough to drink...

The beer that you knew and loved so well from ages 21-24...

The beer brewed with spring water from the very same Rocky range you can spot from the Colorado Rapids’ 18,000-seat soccer specific stadium...

Headquartered in Golden, Colorado and responsible for some of the best nights of your life, we give you Coors on a Rapids jersey...

“Like if Chelsea’s 1994 kit did a gap year in America.”

Columbus Crew — Wendy’s

As the red-headed stepchild of MLS, this one kind of feels right. And the disappearance of the club would be just as sad as when Wendy’s (founded in Columbus) got rid of their spicy chicken nuggets.

#SAVETHECREW

(Note: The actual kit is pretty great and it’s honestly insulting that we did anything to it. We’re sorry.)

DC United — Geico

The Chevy Chase, Maryland-based Geico gecko had some good years there. We all liked him for a while. It was a good bit. But it got stale right around the time Freddy Adu left town. Since then, DC United and the gecko have struggled mightily to find consistent form. Here’s hoping they both find success this year from a new approach.

(And, hey, while we’re here: All the best to you, Freddy.)

FC Dallas — Dr. Pepper

Everyone’s second team, Dr. Pepper, is a lifestyle in Texas. A Lone Star State-staple that pulls a talented 23-flavor squad from all-over—here’s to you Waco and Dublin— Dr. Pepper is an underrated, over-performing outfit with immense local significance … just like their imagined partner in Dallas.

A lot more to be proud of than their trophy cabinet will tell you.

Houston Dynamo — Swishahouse

As Mike Jones, noted soccer superfan, Swishahouse OG, and Everyone’s Favorite Rapper from 2005, once said:

Let ‘em know: Houston Dynamo.

Good enough for us.

LA Galaxy — SpaceX

Space. Galaxy. You get it.

Headquartered a stone’s throw from the LA Galaxy’s stadium in Carson is SpaceX, Elon Musk’s influential private “outer space things” company as it’s scientifically known.

Much like MLS’s most famous and successful franchise, SpaceX is a trailblazer famous for its glamour and willingness to break the mold. This isn’t to say it’s always smooth sailing—for either—but at the end of the day they’re both respected for their vision and performance.

This crossover is too perfect and it’s something that we’ve seen terrific mockups of in the past (though we wish we knew who to credit!). Also worth a shout is this awesome piece from LA Galaxy Confidential, which mentions Tesla as a fun potential partner. 

LAFC — The Boring Company

If the Galaxy is SpaceX, LAFC is The Boring Company.

Elon Musk’s newest endeavor is going to revolutionize Los Angeles by … making tunnels for cars? Oh, and by creating giant vehicles that can travel those tunnels and move lots of people at once … like a train. Hmm. The Boring Company seems like a well-backed but ordinary idea that lacks direction and distinction, with a lot of hype for reasons no one can really explain.

To be blunt, we haven’t really seen much to this point.

The Galaxy have sent a Tesla up into space and revolutionized how we build rockets... but LAFC have so far just made a bunch of flamethrowers and sold out their entire stock. So, we’ll see.

For now, all we’re really sure about is how much better their kit would have looked if they hadn’t put their sponsor in red.

Minnesota United — Prince. Duh.

You can have a Dirty Mind or even be a little Delirious, but you’ll still end up right back here with no Controversy. You can wear it in a Little Red Corvette, in a Purple Rain, When Doves Cry or even put it on Bambi. With this kit, you’ll be a Sexy MF.

Montreal Impact — Cirque du Soleil

What’s wilder than benching Didier Drogba because you’re better without him? One person doing acrobatics on the head of another person while a third person flies through the air holding fire. In French.

Born and headquartered in Quebec, Cirque du Soleil is now the largest theatrical producer in the world. The Impact aren’t even the kings of Canada yet, let alone MLS, but this could be the year they flip their way to the top. Holding fire. In French.

New England Revolution — Sperry’s

Put those Sperry’s on to look the part and take your dad’s boat out on the water. You’ll be as close to Boston as Gillette Stadium and the deck of your boat will probably be as soft as the turf too.

NYCFC — Sbarro.

The Michael-Scott-approved best pizza in New York. The only logical choice.

Sorry, sorry. We’re kidding. Don’t go to Sbarro.

...Let’s try that again...

NYCFC — WeWork.

Much like City Football Group, WeWork is trying to change a model.

For CFG, it’s football clubs. For WeWork, it’s the office space game. WeWork started in New York, born out of an inability to find affordable and available office space in the city—a problem NYCFC knows rather well—and now has an operation that spans across the globe.

Like CFG, it might not be your cup of tea, but it certainly works for a lot of people in NYC and has offered plenty of enterprising young professionals a place to grind. #JackHarrison

New York Red Bulls — Become the MetroStars again.

#Metros4Ever. That is all.

Orlando City — Publix

This one is a no-brainer.

Publix is an employee-owned supermarket chain that serves up some truly delicious food and has fans almost as fanatical as those found on The Wall in Orlando.

Floridians are vocally, passionately, sometimes a bit frighteningly #TeamPublix—and the same can be true for the way purple-clad City supporters get behind their squad.

Philadelphia Union — Wawa

If you know, you know. In their words:

“Wawa is your all day, every day stop for fresh, built-to-order foods, beverages, coffee, fuel services, and surcharge-free ATMs. The stores offer a large fresh food service selection, including Wawa brands such as built-to-order hoagies, freshly brewed coffee, hot breakfast sandwiches, built-to-order specialty beverages, and an assortment of soups, sides and snacks.”

Wawa 4 ever. #SheetzOUT

Portland Timbers — Powell’s

Powell’s City of Books is (supposedly) the largest independent new and used bookstore in the world. It is ginormous and fantastic and you should go if you’re ever in Portland.

We don’t know of any football clubs sponsored by book stores, but if there was ever going to be one, it would play in the Rose City.

Real Salt Lake — High West

Tucked away in a state known primarily for its gorgeous vistas and as the home of the Mormon religion is a really wonderful distillery that will knock your socks off. It also comes with that beautiful mountain view, not unlike Rio Tinto Stadium.

San Jose Earthquakes — Yahoo!

Nothing says cool like needing an exclamation point at the end of your name. Kind of like building a brand new stadium and needing to tell people that you have a really long bar.

As the kit sponsor of the Quakes during their two title runs, we think it’s time for Yahoo! to make a return. (Not sure anyone will use it, though.)

Seattle Sounders — Starbucks

Sorry, we’re those guys. Seattle gave the world Starbucks and we needed to see what that logo would look like on these new kits. 

Plus, much like Starbucks invented coffee, the Sounders invented American soccer.

Sporting Kansas City — Hallmark

A proudly Kansas City company that is all about good vibes, with extensive Wizard of Oz involvement over the years.

That sounds a lot like Sporting KC to us—a team that needed a rough start in order to find its way. Much the same, Hallmark probably would have never become what it is today without extensive setbacks in its early years.

Toronto FC — Tim Hortons

Timbits and trophies: That’s what Toronto does. Nowadays, anyway.

We only had three Canadian teams to give the Tim Hortons love to, so we figured the toast of MLS deserves the world’s most lovely quick-service cafe and bake shop.

Vancouver Whitecaps — Lululemon

Set on the water, with an amazing mountain view, you couldn’t say a bad word about how great Vancouver looks. It’s straight-up cool. And local company Lululemon makes activewear that looks similarly awesome. We are officially here for MLS yoga wear.

————

This post was a collaboration between Where Is Football and Tap In Guide. Check out their stuff—it’s awesome.

A special thanks to Tap In’s graphic designer Mike Arney for helping bring our ideas to life, and to our buddy Ryan Rosenblatt for developing those ideas with us.

As always, you can follow us on Instagram @whereisfootball.

[iwantjobs]

My draft of resume

Mai-Trang Thi Nguyen (Trang)

1669 Hollenbeck Ave, #2, P.O. Box 198

Sunnyvale, California 94087

United States

furlycustomerservice@yahoo.com

     CAREER OBJECTIVE

To work with entities to fight for the rights for humans to be hardcore heterosexuals as societies open up the doors for more homosexuals as leaders, bosses, teachers, landlords, etc.  To work part-time at home because I am a disable and I have mental illness from with dealing with too many people in the past.  In the last 13.2 years, I have built an excellent portfolio for myself to be a Vietnamese-American civil rights activist using 90% of my money.  As an activist, I fight for the freedom to be a hardcore-heterosexual without having to succumb to any homosexual acts while working for gay bosses,  gay-controlled companies/countries/humanity, and indeed while being taught and disciplined by homosexuals as educators/principals. As an activist, my art is suing in order to acquire a letter of apology.  My pro se lawsuits are in the U.S. Supreme Court (No. 11-661 and 10-1489), Court of Appeal of California Sixth Appellate District (No. H047123), and US District Court Northern District of California (No. 20-cv-08755-LHK).

 EMPLOYMENT

Starbucks Corporation

Barista (Oct 07 – June 08)

-Increased sales for Starbucks in new and current business via ninja-speed of keying sales into the register, providing decent customer’s service, and serving as on-call-back-up barista when other baristas were absent.

-Supported district and store manager in maintaining professional order among co-workers during crisis time ((abruptly changed two store managers in seven months: the one of managers (a gay man who hired me) went on a paid mental-sickness sabbatical)).

(NOTE:  While I was on my sabbatical, I took this odd job for excellent full health-benefits for part-time workers and flexible hours. Furthermore, I wanted to study how Starbucks can offer such modern work schedule while providing full health coverage.)

Avant-Garde Tutoring

Owner (Oct 06 - Sep 07)

- In my home-business of tutoring and babysitting, I worked as a full-time babysitter for a 2-year-old male client in nurturing him to be a well-informed and independent pre-school candidate by taking him everywhere the transit system (light rail and bus) safely led us to libraries, playgrounds, train stations, and car dealerships.

Kimco Office Pros

Temporary Office Worker (Dec 05 - Sep 06)

-Performed administrative tasks in human resources, accounting, and customer-service to collect more experience in business.

South San Francisco School District at El Camino High School

Social Studies/Business-Typing Teacher (Aug 05 - Dec 05)

-Mastered the real-life education of 150 students by developing fun, interesting, and mind-challenging lesson plans to expand their analytical skills to prepare them for college and adulthood in U.S. history, world history, accounting, and computer typing classes:  “I quit because the work interfere with the safety of my life when an ethnic-male parent and ethnic-male students imposed physical macho-ness to intimidate me while the new lesbian principal didn’t take my complaints seriously.”

Oakland Unified School and Jefferson High School Districts

Substitute Teacher (Nov 02 - Jun 05)

-Worked as a substitute teacher for all levels and subjects on abled and disabled students to instill self-esteem into them while I quietly studied the minds of students of future America and future world.

Women.com

Business System Manager (Nov 99 - Jul 01)

-Worked as sales liaison with marketing, advertising, finance, and technology to build and analyze reports (forecast, inventory, ad traffic, leads, and mailing list) to maximize sales revenue.

-Worked in a team which built, implemented, managed, and trained the Siebel sales automation system among 100 national users.

Sales Administration Manager (Nov 98 - Nov 99)

-Worked for sales to interact with ad operation, business development, accounting, and finance to develop the process for trafficking contracts, posting ad confirmations, ad changes, and campaign delivery reports to maximize sales revenue.

Infoseek.com

Sales/Marketing Coordinator (Mar 98 - Nov 98)

-Worked for sales and marketing in the Infoseek.com software department doing sales calls, trade shows, and direct mail to increase sales revenue and brand image.

Inventory Manager (Sep 96 - Mar 98)

-Worked in ad operations to manage and maintain the advertising-inventory process by entering sales contracts, pulling inventory reports, and analyzing reports to maximize sales revenue.

Doubleclick.net

Web Advertising Coordinator (Jan 96 - Aug 96)

-Worked for sales in managing the traffic flow of on-line advertising for properties of Netscape, Excite, Oracle, and DoubleClick network to increase sales revenue.

 EDUCATION

Teaching credential program in social studies at San Francisco State University (Dec 03)

Bachelor of Arts in advertising with minor in marketing at San Jose State University (Dec 95)

 TECHNICAL SKILLS

Experience with Siebel, Netgravity, PowerPoint, Excel, and other desktop software applications.

 HOBBIES/INTERESTS

Philosophies

Volunteering for the elderlies, homeless, mentals, poor, and rich.

 LANGUAGES

Fluent in Vietnamese

Pre-school level in French

Know how to say “thank-you” in 16 languages

 VOLUNTEERTING

Refugee Transition Organization (Jun 00 - Jul 01)

One Brick Organization (Feb 05 – 06)

 REFERENCES

Starbucks  (415)921-4049

Kimco Office Pros (800) 649-JOBS

South San Francisco School District at El Camino High School  (650)877-8700

Oakland Unified School  (510)879-8151

Jefferson High School Districts  (650)550-7900

Women.com (Human resources of Ivillage, Inc.)  (212)664-4444

Infoseek.com (Human resources of The Walt Disney Company)

Doubleclick.net (Human resources of Google) (650)253-0000

[stargategaragecalifornia]

Qualities To Look For In An Auto Repair Shop

Are you in search for a reliable auto repair center which can take care of the varying repair needs of your vehicle? If yes, then this article tells you about the qualities which you can experience in a trustworthy garage in Dubai.

Here's the following:

a) Customer Service

If the mechanic is sitting down with you and talking about things like repairs needed, urgency and cost then their customer service is excellent and commendable. The mechanics in the service center should also exhibit patience to listen to your experiences while driving the vehicle and should pay attention to your concerns.

b) Quality of Parts

The quality of the parts used in the repair process is also essential. So, it is vital to enquire whether the mechanic in the auto repair garage is using OEM parts or high-quality aftermarket parts. If the auto repair center is using parts and accessories which are cheap, it may prematurely fail and cost you more money in the near future.

c) Diagnostics

Is the mechanic present in the garage apply his skills and efforts towards diagnosing the problems instead of guessing with the parts? To confirm that he should always provide you with a valid reason to replace a car part. Always keep in mind a trustworthy mechanic won't recommend more parts than needed.

d) Pricing

Pricing is another vital factor which needs to be considered. As per experts, opt for an affordable garage with quality service. Never opt for cheap or too expensive ones as this can adversely affect your bank balance in future.

e) Tools and Resources

Never forget to check whether the auto repair shop is equipped with a wide variety of tools and resources which will help them to perform various diagnostic, maintenance and repair jobs.

f) Accurate estimates

A reliable auto repair workshop will provide you with an estimate about the services and the cost of replacement parts which they are intending to use during the repair process. This will help to identify whether the garage is charging you

These are some of the qualities to look when searching for a reliable auto repair center in Dubai. You can also take advice from your car enthusiast friends and family.

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[grapevynerendezvous]

Chocolate Watch Band - No Way Out

Chocolate Watch Band (Watchband) is considered by some to be the ultimate Garage Band. They played early, if not the earliest psychedelic punk music.They had a heavier take on responding to the British Invasion that was in full swing when they formed. In their early stages they were interested in the music of The Who, but it is obvious that they owe a debt to The Rolling Stones, and perhaps were America’s answer to the hard edged blues-rock and swagger of the Stones. Their recordings certainly supported that, and their live performances reflected it as well. As a warm up, and to show their abilities to producer Ed Cobb down in Los Angeles in 1966, the first song they recorded tracks for was Chuck Berry’s Come On. This also happened to be the first song the Stones ever recorded. - As written about by Vladimir Bogdanov, Stephen Thomas Erlewine and Chris Woodstra. The style of music they played has been defined in a number of ways, garage rock, proto-punk, psychedelic, (definitive) psychedelic punk. In the bands’ website History - The Story, it even goes so far as to label their music as “Anglophilic blueswailing”. Music critic Bruce Eder said “they were a unique phenomenon -- based on their recordings, they were a world-class garage punk act, if that's possible, beating the Ramones to the punch by a decade, He further “described the material on the album as "highly potent, slashing, exciting, clever pieces of music”. While I’ve not seen it mentioned I would go so far as to surmise that they may have been influenced by the psychedelic blues-rock offered by The Yardbirds as well. Eder further says “…the album (No Way Out) was largely overlooked at the time of its release and had gone out of print by the early 1970s’, By the early ‘80s I started hearing about the demand for their original albums which eventually spread across the planet. Eder said that around that time their albums “were changing hands for $100 apiece or more.” In later writings I have seen up to $1000 being estimated. I firmly concluded early on that no way would I ever sell my copy of No Way Out.

Before going further it must be noted that the use of Watch Band in their name appeared in two places in particular, the albums No Way Out and inner Mystique. It is apparent in all other ways that the name as created by the band early on is Chocolate Watchband. In no place I’ve researched have I seen a reference or explanation for this. In my opinion it was either an error on the part of label and/or producer, or it was done intentionally. The latter would make some sense since producer Ed Cobb certainly did a lot of rogue tampering when it came to the production of their recordings. There was another band called The Chocolate Watch Band based in London, England. That group released two singles, ironically in 1967, the same year No Way Out was issued. I seriously doubt that the San Jose CA-based CWB was aware of that band. In any case, the name Chocolate Watchband (or CWB) will hereon be used.

When I discovered their album No Way Out in my favorite record store across the road from my high school it must have only been out a short time. I’m not sure I had heard of them, but the album was attractive enough to listen to and I bought it immediately. It’s possible that a friend of mine may have known about them because I found out pretty quickly that they were “local”, since I lived in Palo Alto, in Santa Clara County (aka, in time, Silicone Valley).

The band was originally formed at Foothill College in Los Altos Hills in 1965 by Mark Loomis and Ned Torney. This was prior to my tenure at Foothill, but I have heard they played there many times.  As to how the band name came into being I happened to find this information from Tim Abbott: “The story is that the band was sitting around the Owls Nest up at Foothill College trying to come up with a name for the band. The idea was to find two cool words that sounded good together. Somebody said chocolate and somebody said watch()band and that was it”. Chocolate Watchband eventually dissolved when Torney and the lead singer at the time, Danny Phay, moved over to a band called The Otherside (The Other Side in some examples) followed by another CWB member Jo Kemling. This left Loomis, drummer Gary Andrijasevich and bassist Rick Young with no band. After a foray into The Shandels Mark Loomis decided to resurrect Chocolate Watchband, calling on Andrijasevich once again and pulling Shandel bandmates bassist Bill ‘Flo” Flores and Topsiders guitarist Dave ‘Sean” Tolby into the fold. The final piece was added when Loomis recruited David Aguilar as lead vocalist. Aguilar, who had just become the lead singer in the band The Mourning Reign, explains how it came about:  “…as I moved around the stage at the Brass Rail with a tambourine in one hand and a microphone in the other, I saw two guys with long blond hair, Sean Tolby  and Mark Loomis in the front row of the audience watching me. I didn't think much of it. There was always other band members hanging around checking out the competition. Later that evening, while I was struggling with chemistry homework in my bedroom, my Dad called up the stairs and said there was someone on the phone for me. It was Mark Loomis. He said he was forming a new band called the 'Chocolate Watchband'. Was I interested in joining it? It took almost a nanosecond to decide. "Hell Yes!" "Good" he said. "We meet next Thursday night at 6 PM at my house. Here's my address. " That was all we said to each other. When I drove up four days later, drums and cymbals were being thrown out the front door onto the lawn. I could hear yelling going on inside the house and a woman wailing in her high pitched voice. Out came the last remnant of the old Watchband, a drummer cursing and flipping off some invisible entity inside the house. I was thinking, wow this is one hell of a reception! When I got inside, everything was peaceful. Mark had a broad smile on his face. He was standing in front of his mother whose face was redder then a ripe tomato. All he said to me was, "Well, that's done. Let me show you where we're going to practice.” He led me past the kitchen, through the family room and out into the garage. In those days, the garage was where all good and bad bands ended up. …Mark's garage was awesome. No cars, no crap, just a garage with soundproof walls, carpet remnants on the cement floor and two little neighbor girls ages 11 and 12 with pimples on their chins sitting in lawn chairs with wide grins on their faces. It was time to rock and roll!”

The new line-up made their debut performance in February 1966, quickly becoming one the hottest live acts in the wider Bay Area and beyond. During their brief heyday period in 1966-1967 Chocolate Watch Band played many concerts, including at Fillmore Auditorium, Oakland Coliseum, The Whiskey in L.A,, Coconut Grove in Santa Cruz, and others. The played bills with The Mothers of Invention, Jefferson Airplane, The Grateful Dead and The Doors among others. They also performed at the first rock music festival in the United States, KFRC’s Magic Mountain Festival at Mount Tamalpais in Marin County CA. After the Mothers gig at The Fillmore, Bill Graham wanted CWB to be one of his personal house bands at his new venue, Fillmore East, along. with the Airplane and the Dead. They had just signed a contract to be managed by local promoter Ron Roupe a week before so that did not happen. Roupe went on to secure the record deal with Green Grass Productions which lead to their meeting producers Ed Cobb and Ray Harris, according to Richie Unterberger. By the fall of ’66 they got signed up by Cobb to the Capitol Records’ subsidiary Tower Records. Two singles, Sweet Young Thing  backed by Dylan’s It’s All Over Now, Baby Blue (1966) and Misty Lane backed by She Weaves a Tender Trap (1967) were released and failed to chart to add to the already recorded, but yet to be released, Come On.

During this period the band was featured in two Sam Katzman films released by American International Pictures. The first one, Riot on Sunset Strip, an “exploitation movie par excellence rushed out to theaters in early 1967” which, according to Eder included “a couple of excellent numbers, "Don't Need Your Lovin'" and "Sitting There Standing," and (the band) managed to appear in the movie, which has since become a '60s cult classic.” It was at the height of their musical powers. The next film, The Love-Ins, was released later in July. The band was supposed to have a major role in it, but most of that was cut before release. It is rumored that it was due to some band misbehavior on the set. However their song, Are You Gonna Be There (At the Love-In),” ended up being used in the movie according to Eder. When asked by Amanda Sheppard for her 2018 Article “No Way Out for the Chocolate Watchband!” in PleaseKillMe,  “Is it true that you started a food fight on the back lot of MGM while you guys were filming Riot On The Sunset Strip?” David Aguilar had this to say, “Yes, I may have started a food fight but what can I say…I was a young rocker in a strange land! Important Safety Note: You would think a hamburger has stable aerodynamics when tossed…it doesn’t….probably the pickles are to blame.” I guess the possibility of the band creating havoc on the set was real.

Along about this time Chocolate Watchband was also recording tracks for their first record. What ‘The Story’ on the band’s website history site calls “mysterioso studio trickery on (‘the’) (be)half of producer Ed Cobb” could also apply to other various details about the No Way Out recording project in general. There is no specific information about studio recording dates, exact release date, and what songs actually featured the band. Per one source the recording period was in mid-1967, which would be true, but not very precise. Based on what information there is, four of the tracks on the album actually featured the entire band. According to biographer Bruce Eder only two songs, Come On and Gone and Passes By made it to the album intact. Amanda Sheppard points out that the label, pressuring Ed Cobb to rush production, lead him “to record multiple songs he wrote with the sound engineers, while the band was out on tour”. There are actually two instrumentals written by engineers Richard Podolor and Bill Bennett, plus two more written by studio musician Don Bennett and a co-writer. Don Bennett’s lead vocals were also recorded for at least three of the tracks and ended up on the record rather than David Aguilar’s. This was notedly true concerning what is generally considered  the most popular song, Let’s Talk About Girls. On some tracks entirely different musicians were used in the recordings. The song No Way Out is stated in one source as the only composition by the band, but Ed Cobb credited it to himself, which is what became official. There is even one source according to Eder that says “Frontman Aguilar began writing material for the band, including originals like….”No Way Out….”. He further states that it was “an instrumental spawned from a studio warm-up, with spontaneous Aguilar vocals, that Cobb later took credit for”. In his AllMusic biography of the band Eder says it was “Cobb-authored”. Mysterioso indeed.

Amanda Sheppard writes, “To further complicate matters, Chocolate Watchband’s label, Tower Records, had mistaken the group for a black rhythm and blues band and farmed out their distribution to Uptown Records who sold their albums in Oakland, instead of their top market in San Jose. Uptown even booked the Watchband on soul revues with Jackie Wilson and The Coasters.” In the same article with Sheppard she asked David Aguilar about soul revues: He replied, “We did one soul revue that I can remember. We had just been signed by the Attarack Corporation, we had cut some tracks in Los Angeles and in some bizarre turn of fate, someone at Capitol Records apparently looked at our name and decided what the ‘chocolate’ must indicate in our name, THIS WAS A BLACK ROCK AND ROLL BAND. They assigned us to the Uptown Label, a distributor of black rhythm & blues and 50’s black performers. Chuck Berry was notorious for showing up at a show, playing with a locally hired band, and then getting paid in cash before he left the theater. So, we stepped in and played as his backup band…paying off the theater bouncer to get rid of the original hired band when they showed up to play. It worked! The shows were set in the ‘50’s revue set-up…lots of performers, 3-4 songs, and then the next group came on stage. With Chuck, we did “Johnny B. Goode”, “Little Queenie”, “Sweet Little Sixteen”, and “Roll Over Beethoven”. The Watchband played “I’m a Man”, “Little Red Rooster”, “Better Man Than I”, and “I’m Not Like Everybody Else”, which really fit for that show!”

About the time the album came out Loomis, Andrijasevich and Aguilar had all left the band. It had become clear that Loomis preferred a more melodic style of music and he and Andrijasevich ended up in a folk-rock band for awhile, The Tingle Guild, with early CWB vocalist Danny Phay. Since there was still a heavy performance schedule to fulfill guitarist Tim Abbott, drummer Mark Whittaker and vocalist Chris Flinders (members of the San Francisco Bay Blues Band) joined the remaining Flores and Tolby and the band. While being somewhat different, the band maintained a level of success. Abbott and Flinders left the band before the end of 1967 however, and Aguilar came back briefly, but the band was essentially history by the end of the year.

A memory I have about the No Way Out album involves a party that included primarily members of the high school choir which I was in, and our friends. The party was at the home of one of my choir mates, She and two of her sisters were all friends of mine in high school. I brought along some record albums, amongst them was No Way Out. I put side one on and when the second cut, the bands’ wicked version of Wilson Picketts’ Midnight Hour, came on I suddenly found myself being asked to play it again, and again, and again. There were some people there who just couldn’t get enough of it. I don’t know, maybe it was the weed. No one else seemed to care so I, and a few other people, put it on several times throughout the night. Luckily, other music got played as well.

I recall hearing about a new drummer joining CWB not long after I got the album, and that he had attended my high school. The name was familiar and one day I was walking near my house and I ran into him outside his. He had graduated that year, two years before I did. I decided to ask him and he said that he had joined CWB. It turned out to be brief, but it was cool that I had a neighbor who was in Chocolate Watchband. Around 2010 or 2011 I got to know Gary Andrijasevich and Tim Abbott. Gary lives in Santa Cruz and is still an active percussionist. I met him when I saw him playing with one of the bands he regularly plays with, EXTRA LARGE. He also plays with other bands at times, like my friends Beach Cowboys.

Chocolate Watch Band has been playing off and on since 1999 and after I became publicist at the now-defunct Don Quixote’s in Felton CA I did some research into what they were up to. I discovered that Tim Abbott was now the ongoing guitarist for them. I decided to reach out to him and we communicated about the potential for them playing DQ’s. Eventually they were scheduled to play thanks to my friend DJ Sid Presley, but due to David Aguilars’ acute health issues it was canceled. I later met up with Tim when CWB premiered at San Francisco’s The Chapel in 2015, seeing them once more in 2019 just as they were releasing their newest album, “Sweet Young Thing”. Prior to that I got to see Chocolate Watch Band for the first times twice on the same day in 2002. They played a co-bill with The Electric Prunes presented by the BayPop Festival at The Great American Music Hall in SF. That afternoon both bands played at Amoeba Records in Berkeley. I picked up CWB’s 2000 ‘Get Away’ album written primarily by David Aguilar at Great American that night.

Chocolate Watchband is alive and well, recording singles and making videos real time as I write this, Tim Abbott told me. There is just no way out of it, folks.

https://en.wikipedia.org/wiki/The_Chocolate_Watchband

https://www.thechocolatewatchband.com

https://www.thechocolatewatchband.com/history

https://www.allmusic.com/artist/the-chocolate-watchband-mn0000774791/biography

https://pleasekillme.com/chocolate-watchband/

https://rateyourmusic.com/artist/the_chocolate_watchband 

No Way Out full album https://www.youtube.com/watch?v=9FaO2yDAia8

LP31

[perfectirishgifts]

VW-Backed QuantumSpace Says Its Lithium-Ion Battery Can Be Charged Up To 80% In 15 Minutes

New Post has been published on https://perfectirishgifts.com/vw-backed-quantumspace-says-its-lithium-ion-battery-can-be-charged-up-to-80-in-15-minutes/

VW-Backed QuantumSpace Says Its Lithium-Ion Battery Can Be Charged Up To 80% In 15 Minutes

Prior to going public, QuantumScape raised $380 million from Volkswagen and additional investments … [] from Bill Gates, Breakthrough Energy Ventures, Khosla Ventures and KPCB. Volkswagen executives Juergen Leohold and Frank Blome are on QuantumScape’s board of directors. Volkswagen intends fund a joint venture to manufacture QuantumScape’s batteries and install them in a vehicle by 2025.

QuantumScape, a battery startup backed by Volkswagen and Bill Gates, said Tuesday that its electric vehicle batteries will charge faster and hold more power for longer periods than most EV batteries currently on the market.

The company’s solid-state lithium-ion batteries will allow drivers to charge their vehicles to about 80% of capacity in 15 minutes. They also should last about 12 years in an electric vehicle with range of at least 300 miles in normal driving conditions.

The San Jose-based startup also said it expects its batteries to perform well in sub-zero (Fahrenheit) or -30 degress (Celsius) temperatures.

Until now, lithium-ion batteries in electric vehicles faced compromises between performance and temperature. Most EVs available today use “wet” lithium-ion batteries, which use liquid electrolytes to move energy around.

That means they can be slow to charge, freeze in subzero temperatures and possibly contain flammable material that presents the risk of fires in the event of a crash.

The company just went public last month through a special purpose acquisition corporation, an entity created for the sole purpose of merging with another company to take it public.

Prior to going public, QuantumScape raised $380 million from Volkswagen and additional investments from Bill Gates, Breakthrough Energy Ventures, Khosla Ventures and KPCB.

Volkswagen executives Juergen Leohold and Frank Blome are on QuantumScape’s board of directors. Volkswagen intends fund a joint venture to manufacture QuantumScape’s batteries and install them in a vehicle by 2025.

While Tuesday’s announcement may give Volkswagen a competitive advantage for now, JB Straubel, former Tesla TSLA chief technical officer and co-founder, and Brad Buss, a former Tesla director and chief financial officer of Tesla’s troubled SolarCity investment, also sit on QuantumScape’s board.  

Jagdeep Singh, QuantumScape’s CEO and co-founder, is betting that the electric vehicle battery market will someday account for a majority of global new vehicle sales. But today it represents less than 3%.

Bloomberg New Energy Finance predicts that EVs and plug-in hybrids will grow to about 35% of global light-vehicle sales by 2040.

“The hardest part about making a working solid-state battery is the need to simultaneously meet the requirement of high-energy density, fast charging, long life cycle, while maintaining 300-plus-mile range even in cold temperatures,” said Stan Whittingham, co-inventor of the lithium-ion battery and winner of the 2019 Nobel prize in chemistry, in a statement. “This data shows QuantumScape’s cells meet all of those requirements.”

Singh said a full transition from internal combustion engines to batteries won’t happen unless the cost is lower and performance of EVs are equal to or greater than ICE’s.

“Today’s batteries are not competitive. They don’t have the energy density to get the range that’s needed. They don’t have the power to get the fast charge,” Singh said “Today’s best batteries take about an hour to charge where it’s obviously easy to re-fuel a gas car in 5 or 10 minutes.”

QuantumScape’s battery is about the size of a deck of cards. That contrasts with the battery packs found in Tesla’s models that take up much more space and range between 1,000 and 1,200 pounds. The Chevrolet Bolt battery pack weighs about 960 pounds.

But the competition will remain fierce in development of EV battery technology.

All automakers are moving fast to raise the density and reduce the size of its battery packs. LG Chem and Samsung of South Korea, BYD and CATL of China, and Japan’s Panasonic are also in the thick of battle.

More from Cars & Bikes in Perfectirishgifts

[acsversace-news]

With its first season, “American Crime Story” – Ryan Murphy’s anthology series dramatizing infamous true-life criminal investigations – took the audacious risk of addressing the O.J. Simpson case, a still-polarizing public spectacle which continues to cast a long shadow over our cultural identity.

The gambit paid off.  “The People vs. O.J. Simpson” became must-watch T.V., garnering widespread critical acclaim and earning multiple awards.  Though many of Murphy’s other shows (“Glee,” “American Horror Story,” “The New Normal”) have had their share of both admirers and detractors, “Crime Story” met with almost unanimous approval, ensuring its return for a second season.

Though it’s taken a couple of years, that season has finally arrived.

“The Assassination of Gianni Versace,” makes its much-anticipated premiere on January 17 (on FX), and promises to deliver the same kind of savvy and cinematic style which elevated “O.J.” above the level of a lurid potboiler and prevented it from being an exploitative rehash of a story most of us already knew all too well.

The murder of fashion giant Versace on the steps of his Miami Beach mansion in 1997 came as a shocking twist at the end of a news story that had already been unfolding for weeks.  In April, Andrew Cunanan, a 27-year old San Diego resident, had begun a cross-country killing spree which started with the beating death of an acquaintance and claimed the lives of at least three more people before climaxing in the shooting of Versace on July 15.  The fact that Cunanan was already a known fugitive (he had been placed on the FBI’s “10 Most Wanted” list), and that he had been “hiding in plain sight” in Miami for two weeks before the designer’s killing, opened law enforcement officials to criticism for their failure to apprehend him before his final act of violence; that he continued to elude capture until his suicide by gunshot eight days later only fueled further controversy.

Complicating the entire investigation, of course, was the matter of sexuality.  Cunanan was gay.  He was familiar to many in the gay club scene of which he was a part, and known to be a charmer.  He had a history of becoming involved with older men from whom he would receive money and gifts.  As these facts were revealed during the manhunt which followed his first murder, it was impossible not to speculate that they may – in the homophobic atmosphere of the mid-nineties – have had some bearing on the seriousness with which law enforcement took the case, begging the question of whether Versace’s eventual killing could have been prevented.

With the first installment of “The Assassination of Gianni Versace,” Murphy and writer Tom Rob Smith waste no time in addressing that question.  After an elegantly orchestrated opening sequence depicting the events of that July morning – in which the activities of both Versace and Cunanan are intercut until they come together for their fatal meeting – the show immediately begins to explore a subtle but pervasive homophobic slant.

The obvious discomfort of detectives at Versace’s mansion over the presence of the victim’s boyfriend (Antonio D’Amico, portrayed with surprising authenticity and tenderness by Ricky Martin); their questioning of him about the designer’s sexual habits and perceived promiscuity; the revelation that stacks of “wanted” posters showing Cunanan’s face are sitting, still undistributed, in the trunk of an FBI agent’s car – all these details and more reveal a certain prejudicial thinking within the law enforcement community.

It’s not just an issue within official circles, either.  The first episode culminates with the arrival of Donatella Versace (played with regal, imperious splendor by a spectacularly blond-wigged Penelope Cruz), who swoops in to protect the family business by clamping down on the way her dearly departed brother’s image is depicted in the media.  Though it’s never explicitly stated, it’s clear that public perception of his sexuality – which was an “open secret” during his life – is central to her concerns.

There is also the matter of Cunanan’s relationship with his own sexuality.  As the show begins to explore his history (beginning what will presumably be a continuing pattern moving between flashbacks to the events leading up to Versace’s murder and the saga of the manhunt which followed it), we see his deliberate obfuscation about being gay with his friends.  Likewise, Versace, though seemingly open about his nature within his exclusive circle, is nevertheless depicted as being carefully guarded about it; though the subject of his sexuality is – glaringly – never mentioned in his scenes, this self-protective attitude comes less from the script than it does from the exquisitely modulated performance of Edgar Ramirez, whose layered portrayal gives us a generous and sympathetic impression of the late designer.

Joining Ramirez, Cruz, and Martin to round out the principal cast is Darren Criss as Cunanan.  It’s a challenging role, for many reasons – not the least of which is the fact that much of what we see of him is necessarily based on speculation.  In the first episode, what comes through is a portrait of a deeply, almost painfully insecure young man, hiding behind blatantly fabricated fantasies to create an image of himself to sell to those around him.  What does not come through – at least not yet – is his attractiveness and appeal.  Criss is a handsome actor, but as Cunanan he seems decidedly ordinary; this is not a bad thing, by any means, but to convince us of this killer’s ability to charm his way into the lives of so many men he must also show us some of Cunanan’s charisma.  Hopefully, as the series progresses, more of this will be revealed.

The series’ cast is also peppered with other recognizable faces – Max Greenfield, Dascha Polanco, Jay R. Ferguson, Jose Zuniga, Annaleigh Ashford, and Oscar nominee Cathy Moriarty (in a welcome cameo as a pawnshop owner) all appear in the first episode, with names such as Judith Light and Mike Farrell scheduled to come.

Apart from the usual celebrity appeal of Murphy’s shows, “The Assassination of Gianni Versace” is also steeped in the same attention to detail and period authenticity we have come to expect – the opulence and glamor of the high-end fashion world in which Versace was immersed has been recreated with obvious delight, of course, but equal attention has been given to the more squalid environments which are every bit as much a part of the story.

Welcome as these “A-List” attractions may be, though, they are not what make the upcoming season of “American Crime Story” worth watching.

With the previous season’s examination of the O.J. case, Murphy and his creative team were shrewd enough to realize that what made the story important was not the sensational details of the murder and trial, but rather the underlying current of racism which informed every aspect of the way events unfolded.  With their handling of the Cunanan story, it is obvious that they have brought that same understanding to the proceedings – and as before, the way their observations about the social biases within their story’s setting provides a pointed reflection of those that linger in our own time.

“The Assassination of Gianni Versace” may be a tale of American crime, but it’s also a tale of American homophobia.

[rishabhcmipressreleases]

AUTOMOTIVE WASHER SYSTEM MARKET ANALYSIS (2020-2027)

Market Overview

There are major two types of automotive washer systems namely the windshield washer system and headlamp washer system. Windshield washer system- This system is the standard safety feature available in all automotive vehicles produced across the globe, so as to provide clear visibility to the driver. Windshield washer system includes numerous components such as nozzles, washer fluid reservoirs, hose and connectors, windshield washer pump, wiper arm, wiper blade, and front & wiper motor. Headlamp washer system- Headlamp washer system is mostly available in premium and luxury vehicles such as SUVs and sedans.

The global Automotive Washer System Market was accounted for US$ 20,170.4 Mn in terms of value and 1,605.9 Mn in units in terms of volume in 2019 and is expected to grow at CAGR of 5.1% for the period 2019-2027

Market Dynamics- Drivers

Increasing sales of new vehicle are expected to drive growth of the global automotive washer system market during the forecast period

Increasing vehicle production and adoption of efficient wiper and washer technologies are the major factors boosting the market growth. Furthermore, rising urban population density combined with increasing adoption of fuel-efficient automobiles has led to increase in global automotive production significantly. According to Coherent Market Insights’ analysis, global automotive production output is expected to increase at a CAGR of 2.9% over 2016–2026, to reach annual production of 122.1 Mn units by 2026. Furthermore, according to the Organisation Internationale des Constructeurs d'Automobiles (OICA), global automotive vehicle production output in 2015 was 90.1 Mn units, with Asia Pacific and Oceania accounting for 51.9% of the total production. Thus, these factors are expected to drive the market growth in the near future.

Strong aftermarket sales are expected propel the global automotive washer system market growth over the forecast period

According to Coherent Market Insights’ analysis, the global automotive aftermarket is projected to be valued at US$ 1.2 Trn by 2020, expanding at a CAGR of 3.9% over 2016–2020. The operational life of automotive components is highly dependent on utilization and has a threshold lifespan. Furthermore, replacement of washer system components such as wipers, blades, pumps, and nozzles depends on the varying driving conditions. With shifting supplier focus towards lightweight components with multiple vehicle model compatibility, component manufacturers are aiming to capitalize on the sustainable growth of passenger cars and light commercial vehicles. Moreover, flourishing e-commerce ecosystem allows OEMs and component suppliers to cater to a wider customer base. Thus, strong aftermarket sales are expected to support the global automotive washer system market growth over the forecast period.

Asia Pacific region dominated the global Automotive Washer System Market in 2019, accounting for 41.9% share in terms of value, followed by Europe, North America, Latin America and Middle East and Africa

Source: Coherent Market Insights

Market Dynamics- Restraints

Additional cost of new wiper technologies is expected to restrain growth of the global automotive washer system market during the forecast period

The rise of the latest wiper blade and windshield cleaning technologies has led to higher cost of the final products, which in turn, is expected to hinder the market growth. High market penetration of relatively low-cost wiper and washer system alternatives restricts demand for wiper deicer, nozzle integrated wipers and heated nozzle washer systems. Major automakers such as General Motors, Tesla, and Subaru offer wiper-deicer or heated nozzle systems to customers through exclusive packages for winter/cold climate. Although these systems deliver optimal performance, their cost is relatively high. Thus, these factors are expected to hamper the market growth in the near future.

Periodic replacement required for windshield washer system is expected to hinder the global automotive washer system market growth over the forecast period

Since the windshield washer system is frequently used, it requires timely maintenance and replacement. If the use of a windshield washer system is extensively used, it necessitates regular replacement, which is fairly expensive. Moreover, this system has a relatively shorter lifespan as compared to other automotive parts. Hence, the cost of periodic replacement of windshield washer system is expected to hinder the market growth over the forecast period.

Market Opportunities

Establishment of production plants in emerging automotive markets can provide major business opportunities

Automotive manufacturers are establishing new production plants or shifting existing plants in emerging automotive markets, in order to capitalize on growing demand for aftermarket and OEM products. For instance, in September 2016, Audi AG, Germany-based leading automobile manufacturer, started production of Audi Q5 in San Jose Chiapa, Mexico. In April 2016, Ford Motor Company announced plans to invest US$ 1.6 Bn in a new plant in San Luis Potosí, Mexico. Furthermore, in 2015, BMW AG, Germany-based leading automobile manufacturer, announced the establishment of a new plant in San Luis Potosí, Mexico. The plant is expected to start production in 2019.

Withdrawal of vehicles due to faulty washer system is expected to present major growth opportunities

There have been many instances of component failure, due to operational or design limitations, thereby leading vehicles to recall. In order to reduce issues related to the component operation, design and compatibility, OEMs collaborate with different washer system manufacturers or third-party washer component suppliers to provide safe and efficient products. For instance, in October 2016, Subaru of America, Inc. – the automobile manufacturing division of Japan-based transportation conglomerate Fuji Heavy Industries – recalled its 2010–2014 Legacy and Outback models owing to heating issue in the wiper motor.

Source: Coherent Market Insights

Market Trends

Integration of smart technologies

The successful integration of Internet of Things (IoT) is allow automotive component and systems to interact with their surrounding and internal systems, in order to deliver efficient solutions. Rain-sensing wipers are gradually gaining traction in the mid-sized car segment. Companies such as CISCO are also collaborating with leading automobile manufacturers to offer a synchronized system integrating weather forecast and rain-sensing wiper technology. For instance, in June 2016, Volkswagen launched compact sedan carline Ameo, with rain-sensing wipers and other additional features.

Rising implementation of rear camera washer systems

The adoption of rear camera is rapidly increasing, owing to stringent regulations regarding rear visibility such as those listed by the U.S. Department of Transportation’s National Highway Traffic Safety Administration. Moreover, OEMs are launching new models with integrated rear camera washer system to clean rear camera for better visibility. For instance, in 2015, Ford introduced a new vehicle camera technology that helps in around-the-corner view. The company also introduced a telescopic jet washer to keep the front and rear camera clean from salt, snow, ice, and dirt.

Regulations

The UN Vehicle Regulations - 1958 Agreement, Economic Commission for Europe (ECE) Regulation No. 48 states that adaptive front lighting systems (AFS) would only be permitted with installation of a headlamp cleaning system, especially for those lighting units that emit luminous flux of more than 2,000 lumens per side. This measure was intended to reduce the levels of glare caused.

Value Chain Analysis

Segment information:

In global Automotive Washer System Market, by Technology, Electrical sub-segment dominated the global market in 2019, accounting for 87.8% share in terms of value, followed by Mechanical.

Source: Coherent Market Insights

Competitive Section

Key players operating in the global automotive washer system market are Kautex Textron GmbH & Co. KG, Robert Bosch GmbH, Trico Products Corporation, Denso Corporation, Mergon Group, Valeo SA, Mitsuba Corporation, Continental AG, Ningbo Joyson Electronic Corp, and HELLA KGaA Hueck & Co.

Key Developments

Key players in the market are focused on mergers and acquisitions, in order to enhance the market presence. For instance, in July 2019, Nippon Wiper Blade Co Ltd., a subsidiary of Denso Corporation, merged with Asahi Manufacturing Co. Ltd., also a subsidiary of Denso Corporation, work as DENSO Wiper Systems Inc.

Major companies in the market are involved in mergers and acquisitions, in order to gain competitive edge in the market. For instance, in August 2016, Continental AG acquired Hoosier Racing Tire, a U.S.-based tyre specialist, and Zonar Systems Inc., a U.S.-based fleet management company.

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2020-2020 ACC Basketball Preview (Updated)

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Chet Baker Biography (Alchetron)

Chesney Henry “Chet” Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist, and vocalist.

Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame; Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.

Early days

Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser), was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker notes that due to the Great Depression, his father, though talented, had to quit as a musician and take a regular job. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large. His mother notes that Chet had begun to memorize tunes on the radio before he was even given an instrument and that after "falling in love" with the trumpet, he already developed noticeably within the first two weeks. Peers later described Baker as a "natural" musician, and that playing came effortlessly to him.

Baker received some musical education at Glendale Junior High School, but left school at the age of 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, and was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. In 1951, Baker once again obtained a discharge from the army to pursue a career as a professional musician.

Career breakthrough

Amongst Baker's earliest notable professional gigs were engagements with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.

In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie did, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated. With the Quartet, Baker was a regular performer at Los Angeles jazz clubs such as The Haig and the Tiffany Club.

The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Bob Whitlock, Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated some traditional jazz critics; he would continue to sing throughout his career.

Baker's chiseled features led to an approach by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight-month tour of Europe, where he recorded Chet Baker In Europe.

He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. One of Baker's 1956 recordings, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.

Drug addiction and decline

Baker often said he began using heroin in 1957, resulting in an addiction that lasted the remainder of his life. But in Chet Baker, his life and music by author Jeroen de Valk, Russ Freeman and others state that he was on drugs from the early '50s on. Freeman was Baker's pianist and musical director for a few years after Baker had left Mulligan's quartet. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.

In 1966, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California, sustaining severe cuts on the lips and supposedly broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his trumpet. He took odd jobs, among them pumping gas. In a 1980 interview he stated that he worked for a long time at a gas station, working 7 am to 11 pm until he came to the conclusion that he needed to find a way to return to his music. Meanwhile, he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City. In Chet Baker, his life and music, biographer Jeroen de Valk writes that Baker only lost one part of one tooth at the aforement mentioned fight, kept on performing for a while - 'and initially not badly at all', until he was fitted with dentures a few years later.

During most of the '60s, Baker played flugelhorn and recorded music that could mostly be classified as West Coast jazz.

Comeback and later career

After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.

From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the U.S. roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85). He also toured with saxophonist Stan Getz during this period.

In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding" for the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Is Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.

In 1986, Chet Baker: Live at Ronnie Scott's London presents Baker in an intimate stage performance filmed with Elvis Costello and Van Morrison as he performs a set of standards and classics, including "Just Friends", "My Ideal", and "Shifting Down". Augmenting the music, Baker speaks one-on-one with friend and colleague Costello about his childhood, career, and struggle with drugs. Although Baker was not in great shape during the concert, the interview is highly informative.

The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein Van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Nights, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.

Compositions

Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".

Death

Early on May 13, 1988, Baker was found dead on the street below his hotel room in Amsterdam, with serious wounds to his head, apparently having fallen from the second floor window. Heroin and cocaine were found in his room and in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him.

Baker is buried at the Inglewood Park Cemetery in Inglewood, California.

Legacy

Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years. In Chet Baker, his life and music, author De Valk and others critize the film for presenting Baker as a washed-up musician in his later years. The film was shot during a few weeks in the first half of 1987 and ignores later highlights such as the aforement Japanese concert.

The documentary Chet Baker, the last days (1989) by Dutch director Willem Ouwerkerk concentrates on his career as a musician.

Early 2018, the film My Foolish Heart by the production firm Pupkin Film (direction: Rolf van Eijk) will be shown in cinemas, featuring a.o. the Irish actor and musician Steve Wall.

Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.

Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.

In 1991, singer-songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag. The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.

Early 2016, trumpeter Edu Ninck Blok issued the CD Traces of Chesney / A tribute to Chet Baker (Silence! Records). Ninck Blok worked with Baker both on stage and in the recording studio, most notably when Baker guested with Ninck Blok’s Amstel Octet (The Amstel Octet & Chet Baker, Challenge Records). Both albums feature drummer and Baker veteran John Engels as well.

Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation. Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.

He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue. It is a reimagining of Baker's career in the late 1960s, when he is famous for both his music and his addiction, and he takes part in a movie about his life to boost his career.

The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.

João Gilberto, the Brazilian singer-songwriter who invented bossa nova reveals in Ruy Castro's book "Bossa Nova" that the inspiration for bossa's soft, whispery vocals came from Chet Baker's vocals.

Brazilian jazz pianist Eliane Elias dedicated her 2013 album I Thought About You to Chet Baker.

"My Little World", a song by the indie-pop band The Silly Pillows, references Chet Baker in its lyrics and concludes with a jazz-style reprise of the first verse in which the singer imitates Baker.

Honors

In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.

In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.

In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.

In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".

In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".

On October 10, 2015, the inaugural Chet Baker Jazz Festival was held in Yale, Oklahoma, in his honor.

Filmography

(1955) Hell's Horizon, by Tom Gries: actor

(1959) Audace colpo dei soliti ignoti, by Nanni Loy: music

(1960) Howlers in the Dock, by Lucio Fulci: actor

(1963) Ore rubate ["stolen hours"], by Daniel Petrie: music

(1963) Tromba Fredda, by Enzo Nasso: actor and music

(1963) Le concerto de la peur, by José Bénazéraf: music

(1964) L'enfer dans la peau, by José Bénazéraf: music

(1964) Nudi per vivere, by Elio Petri, Giuliano Montaldo and Giulio Questi: music

(1988) Let's Get Lost, by Bruce Weber: music

  Source: Alchetron. Link: Chet Baker Biography Illustration: 'Chet Baker in 1983'. Moderator: ART HuNTER. ✓ FAcEBook pAGE →  ✓ piNTEREsT BoARD →