#hi i take no responsibility for this

[ruporas]

need to exist in your warmth (id in alt)

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[aslyran]

Visions

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[starjunkyard]

Obsessed with the degrees to which james wilson is a messy bitch. Primps and preens himself whenever he realises his boy best friend is stalking / sabotaging / psychological-warfare-ing him. Slept with his terminal patient. Immedicable people pleaser. Chronic adulterer. Three ex wives. PROPOSED TO HIS GIRLFRIEND AT SOMEONE ELSE'S WEDDING? Fuck you doin in the oncology wing my boy. Psychiatric ward is on the left corner

[ironinkpen]

The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.

Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?

Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.

And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.

When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.

The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.

[mayhemspreadingguy]

Lost boys

[letswonderspirit]

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[teenagenutant]

the last two 3-turtle fusions- van eyck (leo+mikey+raph) with the mystic mojo and kepler (donnie+leo+raph) the sci-fi guy! plus some doodles

[vladdyissues]

Do you think Vlad would trust any servant or groom to take care of Dani?

I think it depends on how true to canon one chooses to view Vlad’s character.

Since I prefer to ignore his canon attitude toward Danielle in favor of being an actual loving parent, I think he'd be completely and personally devoted to her care.

There's also the issue of Dani being a halfa—and/or an unstable clone, requiring special attention—which I think Vlad would be hesitant to pass off to a human nanny, even if there was an NDA or other special contract in place beforehand. She's far too precious, even for a $500-per-hour au pair with sterling credentials.

"Don't worry, pumpkin, Daddy will make sure everything is perfect!"

(Daddy is exhausted from having to do everything himself)

[littlelightfish]

He just goes. Nobody could possibly not like something this tasty!

And then its Holm the one hat recieves it. I love how he says this and he inmediatly goes to share it with him.

Holm doesn't eat the meat. He pretends to be sharing it with Kuro but he's not eating the fish. He'll eat the cookies instead. Such a nice boy he <3.

[lazycranberrydoodles]

i think the barbie movie would have a profound psychological impact on hua cheng

prev comic / next comic / follow for still more hualian barbie movie content because i am not done

bonus angsty version 🎉 i hate love expressions just a couple tiny lines on the mouth and eyebrows and it goes from silly to sad

:(

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[terrorgirls]

Armand + "Bad Faith"

Sartre explained: From bad faith to authenticity, David Detmer // Interview with the Vampire // Being and Nothingness, Jean-Paul Sartre

[part one]

[gingebreadbeetle]

There’s no way Hazbin fans (more so Stans) and Viv herself genuinely believe Hazbin hotel is anything like Bojack? Where does Hazbin even take inspiration from Bojack?? Bojack horseman is such a good show, with complex thoughts and ideas expressed in its writing and characters.

Vivziepop is not a curious writer. She doesn’t care about representing people, she has a limited creative mind because she cannot understand politics nor philosophy beyond a highschool level. Her progressive ideology is built of hate for women and the fetishization of gay men. She has nothing interesting to say, nothing new to add and no substance to her works.

There are so many reasons bojack horseman works where Hazbin doesn’t, and I’m tired of pretending a ‘adult show’ that brings up ‘adult themes seriously’ is on the same level as bojack horseman.